- il y a 2 jours
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00:02:29et c'est la police reporter.
00:02:32Comment vous voulez-vous faire deux dollars ?
00:02:34Vous avez pris les mots de ma main.
00:02:35Ok, c'est un bet.
00:02:37Vous pouvez prendre des mots.
00:02:38Je ne peux pas le bet.
00:02:39Ce n'est pas un bet, c'est un present.
00:02:41Je suis en haute maintenant pour deux mois.
00:02:44C'est très difficile de garder une femme et trois enfants sur un lieutenant.
00:02:47All right, on va revenir à la game.
00:02:49Oui, c'est où on va prendre le silver de Riley's hair et le gold de ses yeux.
00:02:54Comment vous voulez-vous faire les diamants de ma bague?
00:02:56Ça, c'est très bien.
00:02:57Oui, c'est très bien.
00:02:58À un jour, je vais m'envoyer des cartes de ma bagueille.
00:03:01Oh, oui ?
00:03:02Oui.
00:03:18Et, eh, ce n'est pas ?
00:03:20Pardonne-moi, c'est pas un peu.
00:03:22C'est pas un peu.
00:03:25Oui, c'est pas un peu.
00:03:26Et, eh, c'est pas un peu.
00:03:36C'est pas un peu.
00:03:38Il y aies très bien.
00:03:42C'est très bien.
00:03:44C'est pas un peu.
00:03:46C'est pas un peu.
00:03:46C'est pas un peu.
00:03:49C'est-à-dire que ça s'est passé.
00:03:51Téléble.
00:03:54Non, non, please, gentlemen.
00:03:56Je ne suis pas malade.
00:03:57Nous ne pouvons pas arrêter pour faire quelque chose que vous ne l'avez pas fait.
00:04:00Mais vous devriez me, vous devriez me mettre.
00:04:02Qu'est-ce que vous n'avez pas?
00:04:03Je m'appelle Emile Brandt.
00:04:05Peut-être que vous...
00:04:06C'est sûr.
00:04:07Je n'ai pas voulu faire ça.
00:04:09Vous êtes le alienateur du Conroy-Case.
00:04:11M'est-ce que vous avez écrit dans le record?
00:04:15Por favor, non pas reporters.
00:04:17Bon, prends le sac.
00:04:18C'est parti, McKeon.
00:04:19Oh, écoute, Cap.
00:04:20Au revoir.
00:04:22C'est parti.
00:04:24C'est parti, hein?
00:04:24C'est parti.
00:04:25Je n'ai pas trop bien à faire.
00:04:27J'ai pris tes cartes dans tes cartes, Frank.
00:04:29OK, avec moi.
00:04:31C'est parti.
00:04:32C'est parti.
00:04:40C'est parti.
00:04:42C'est parti.
00:04:43C'est parti.
00:04:43C'est parti.
00:04:44C'est parti.
00:04:45C'est parti.
00:04:45C'est parti.
00:04:46Alors, doctor,
00:04:48pourquoi tu veux que je veux que tu puissues ?
00:04:53Je vais débracer un mort.
00:04:55Un mortier ?
00:04:57Listen.
00:04:58Listen à moi.
00:05:02Eu pours des années,
00:05:03je me chargeais des ferrances humanitaires
00:05:07avec l'intensité et l' followers.
00:05:10Il y a un patient qui a été du jour.
00:05:14Ce n'est pas un officiel de banque.
00:05:15Il est un officiel de banque.
00:05:16Laitement, il a relapsé et il est obsédé par la peur...
00:05:18qu'il va prendre des banques de banque.
00:05:20J'ai traité ce n'est pas normal pour cas de cas de banque.
00:05:24Par hypnétisme ?
00:05:25Et pour la suggestion.
00:05:27J'ai pris le malheur de hypnose.
00:05:30Et puis, je lui ai dit...
00:05:32qu'il doit perdre le banque.
00:05:35Il doit perdre le banque.
00:05:36Oui, alors...
00:05:37Qu'est-ce que je devrais révéler le traitement ?
00:05:40Qu'est-ce que j'ai dit...
00:05:43qu'est-ce que j'ai dit ?
00:05:44Qu'est-ce que j'ai dit ?
00:05:45Qu'est-ce que j'ai dit ?
00:05:48Qu'est-ce que j'ai dit ?
00:05:50Qu'est-ce que j'ai dit ?
00:05:52J'ai dû acheter le banque.
00:05:55Non.
00:05:56Tu ne peux pas convaincure le cas...
00:05:57si tu peux producir à l'autre part de la mort.
00:05:59C'est bon.
00:06:00Et comment est-ce que ça ?
00:06:07Tu vois ce instrument ?
00:06:09A trocar, we call it.
00:06:13I put my patient to sleep.
00:06:17He's lying there unconscious, helpless.
00:06:20And then I plunged this trocar into his heart.
00:06:23Like this.
00:06:26There would be no struggle.
00:06:28No outcry.
00:06:30And if I didn't withdraw the drill...
00:06:33there would be no blood.
00:06:36Okay, then you got a stiff on your hands.
00:06:39That's why the surgeon has an advantage.
00:06:42I have a laboratory at my home...
00:06:45where I often do dissections.
00:06:48It would be very easy for me to dispose of the body.
00:06:51Sure.
00:06:52But with all that money missing, there'd be a search.
00:06:55Yes, but you would be searching for a live man, not a dead one.
00:06:58That's pretty good, doctor.
00:07:00You've figured a swell way of cheating the law.
00:07:03That's why you've got to lock me up.
00:07:04You've got to save me for myself.
00:07:06But we can't lock up a man for thinking a perfect crime.
00:07:09But Captain, I'm afraid I'm gonna do it.
00:07:11I can't stop myself.
00:07:13Oh, no, you won't do it now.
00:07:14It's no longer a perfect crime.
00:07:16You told us about it.
00:07:17Sure, you're caught before you begin.
00:07:19But, gentlemen, I have begun.
00:07:24What do you mean?
00:07:27Last night, after I had hypnotized my patient,
00:07:32I said to him,
00:07:33bring me $100,000 tomorrow night.
00:07:38And, gentlemen, tonight at 8.15,
00:07:42he'll come to my house with the money.
00:07:46Captain, you've got to save me for myself.
00:07:48I don't want to murder this man.
00:07:50Now, take it easy, doctor. Take it easy.
00:07:53Nothing's going to happen to you.
00:07:55But how about your patient?
00:07:57There'll be nobody at the house when he arrives, will there?
00:08:00No, my wife and the servants will be out.
00:08:03Well, what'll he do?
00:08:04You've got to be there to help him.
00:08:07Don't you see?
00:08:10Yes.
00:08:13You all right?
00:08:18Now, look.
00:08:19You go home.
00:08:21Lieutenant Martin will go with you
00:08:22and stay there as long as you like.
00:08:23How's that?
00:08:25Thank you, Captain.
00:08:26Thank you.
00:08:27I'll stay if you want me to,
00:08:28but don't forget, I'm off duty at 8.30.
00:08:30Oh, yes.
00:08:33I'll tell you what I'll do.
00:08:34I'll be at your house tonight myself at 8.15.
00:08:37Now, don't worry.
00:08:38You're going to be all right.
00:08:40Thank you.
00:08:41Let's go.
00:09:0111.14 River Drive, Charlie.
00:09:15Follow that police car, buddy.
00:09:46You need something, Doctor?
00:09:48No, no.
00:09:48You need it.
00:09:49Go right ahead.
00:09:49Thank you, Doctor.
00:09:50Have a good time.
00:10:01You see, Lieutenant, my two servants have gone out.
00:10:05That was part of my plan.
00:10:09My wife is dining out and going to the theater
00:10:11and my daughter lives at cottage.
00:10:13Oh, I think we'll be more comfortable in my study.
00:10:25We'll be more comfortable in my budget.
00:10:26Nobody in the house but you, eh?
00:10:27Me and my patient.
00:10:29And 100,000 bucks.
00:10:31What a setup.
00:10:32Ah, but I'm not worrying now.
00:10:34Since I've got it off my mind, I feel better.
00:10:36Sure you do.
00:10:39Funny thing, isn't it?
00:10:40I mean, to think that I was going to commit a murder
00:10:43with this instrument.
00:10:45I can hardly believe it.
00:10:48Ah, peut-être que je peux vous offrir un petit schnapps, hein?
00:10:55Alors, sûr.
00:10:57C'est un peu de nuit, Lieutenant.
00:11:05Et après tout, ce n'est pas un crime de prendre un petit peu de nuit, Lieutenant.
00:11:10C'est une question pour un juge de décider.
00:11:13Je suis juste un cop.
00:11:26Oh, pardon me.
00:11:30Oh, Dad!
00:11:33Who's the cop in the car outside?
00:11:35Oh, excuse me.
00:11:37Doors, dear, what are you doing here?
00:11:38Oh, I'm E.W.O.L.
00:11:39Got to be back at the hall by 8.30.
00:11:42My daughter Doors, Detective Martin, of the police force.
00:11:45So you finally tracked him down.
00:11:48I knew you'd get him sooner or later.
00:11:50What have you been up to now, Dad?
00:11:52Your father's been down to headquarters and consultation on a case, Miss Brandt.
00:11:56Oh.
00:11:57Well, tell me about it.
00:11:58Or is it a secret?
00:12:00No, no, no.
00:12:00It's no secret.
00:12:03But we mustn't keep the lieutenant.
00:12:05No, I'll be running along.
00:12:07Oh, must you?
00:12:08I've always wanted to know a slew.
00:12:10Come down to headquarters with your father some way.
00:12:12It's a date.
00:12:13Good night, Miss Brandt.
00:12:14Good night.
00:12:14Oh, this way is shorter, Lieutenant.
00:12:16Oh.
00:12:17Turn to the left and watch the steps.
00:12:19Good night, Doctor.
00:12:20Good night.
00:12:21Good night and many thanks.
00:12:22Not all.
00:12:50You're not afraid, are you?
00:12:52I don't think so.
00:12:54A little nervous, though.
00:12:55There's nothing to be nervous about.
00:12:57All you have to do is telephone me as soon as you're sure.
00:13:02All right.
00:13:06Dad, what's worrying you?
00:13:08Nothing, my dear, nothing.
00:13:10Been working too hard lately?
00:13:11I keep busy.
00:13:13Now, listen, darling.
00:13:15I've known you too long.
00:13:16You've got something on your mind.
00:13:18I hope so.
00:13:27What's the matter?
00:13:28Has Frida bought another fur coat?
00:13:29No, my dear, no.
00:13:31Well, then it's just because she hasn't thought of it.
00:13:35I'm afraid you're prejudiced, Doris.
00:13:38Sometimes I think that if you tried a little harder,
00:13:40you and your stepmother could be good friends.
00:13:42I could never be friends with her.
00:13:44Oh, you never tried.
00:13:45You and your brother both.
00:13:46She drove Jim away from home, didn't she?
00:13:50Now, now, Doris.
00:13:51There are two sides to everything.
00:13:53You've got to admit that sometimes Jim made things very difficult for Frida.
00:13:57Well, so let's be fair about it, eh?
00:14:01Dad, I'm sorry.
00:14:03Gee, I hate to see you so unhappy.
00:14:06Just because you haven't as much money as when you married her.
00:14:10I don't see how some women can go along and expect...
00:14:19Hello, child.
00:14:20When did you get in?
00:14:22About a half an hour ago.
00:14:23I thought you had gone to the theater, Dia.
00:14:25I am going, darling.
00:14:26I just dropped by to see how you were.
00:14:28Oh, you seemed so nervous this afternoon.
00:14:30I was really worried.
00:14:34Oh, I'm not interrupting, am I?
00:14:35No, Dia, no.
00:14:37No, not at all.
00:14:38I was just shoving off anyway.
00:14:44I'm A.W.O.L. as it is.
00:14:49Good night, sweet.
00:14:50Good night, darling.
00:14:52Bye, Frida.
00:14:52Bye.
00:15:06How much longer do you think I can stand this?
00:15:08Oh, now, my dear.
00:15:10She was talking about me when I came in.
00:15:11She's always talking about me, trying to turn you against me.
00:15:13Oh, no, no, please.
00:15:14She couldn't do that, even if she tried to.
00:15:17You're my wife and I love you.
00:15:19Then why do you let her tell lies about me?
00:15:21Wicked lies.
00:15:24What did she say this time?
00:15:26Oh, now, Frida, please.
00:15:29Let's not argue about it.
00:15:33What did she say?
00:15:34Nothing.
00:15:37Except, uh...
00:15:38Except what?
00:15:41She thinks you are a little bit extravagant.
00:15:44Extravagant?
00:15:45When for the past year I've pinched and saved and done everything I could.
00:15:48Yes, yes, I know, my dear.
00:15:49I know we haven't as much money as we used to, but...
00:15:52Oh, if you'll just be a little patient.
00:15:54Oh, it isn't the money.
00:15:55It's...
00:15:56It's everything.
00:15:58I feel like a stranger in this house.
00:16:00Why, even the servants hate me.
00:16:03And your son, when he was here, did nothing but insult me.
00:16:06If I'd known it was going to be like this, I never would have married.
00:16:09Don't say that, Frida.
00:16:13When I think of the old days,
00:16:15how happy we were.
00:16:16It was lovely then.
00:16:21We were happy.
00:16:23Emil.
00:16:28Why can't we get enough money together to break away from all this forever?
00:16:34Just you and I alone.
00:16:40Don't, Frida.
00:16:42Don't.
00:16:43For days you've been talking that way.
00:16:46All was about getting money.
00:16:48Money.
00:16:49Ain't no.
00:16:50It's driving me mad.
00:16:53Mad, you're here.
00:16:57You know what you've done?
00:17:00Almost you made a murder out of me.
00:17:03Tonight I was going to kill a man to get money for you.
00:17:09Must you kill him to get the money?
00:17:15Couldn't you take it while he's unconscious?
00:17:20So, all the time you knew?
00:17:24Yes, I knew.
00:17:26And you didn't try to stop me.
00:17:29You've been watching, listening, pressing me on...
00:17:33No, Emil, darling.
00:17:35Don't touch me.
00:17:36Emil, please.
00:17:38Don't touch me, I tell you.
00:17:44That's him.
00:17:46Please go.
00:18:03Come in.
00:18:04Come in.
00:18:06Come in.
00:18:08Come in.
00:18:09Come in.
00:18:12Come in.
00:18:13I've brought it.
00:18:21Come.
00:18:34All right.
00:18:43Yes, he's here.
00:18:46All right, darling.
00:18:49Yes, uh-huh.
00:18:50All right.
00:19:02Is Dr. Brandt in?
00:19:04No.
00:19:05That is, yes, he is, but he's busy with a patient.
00:19:07Are you Mrs. Brandt?
00:19:09Yes.
00:19:09I'm Captain Riley.
00:19:10I'm sure you'll see me.
00:19:11He's expecting me.
00:19:14Oh.
00:19:14Yes, Captain Riley.
00:19:16I'll tell him you're here.
00:19:18You are asleep.
00:19:23So deep, deep sleep.
00:19:31Emil, there's a policeman outside.
00:19:33He said you told him to come.
00:19:34Why?
00:19:35Oh, yes, Freda.
00:19:36I...
00:19:37Hello, Doctor.
00:19:38Oh, hello, Captain.
00:19:40Where's the Lieutenant?
00:19:41Am I late?
00:19:43No, no.
00:19:43Everything was quite all right,
00:19:44so I told him to go.
00:19:46Oh, Freda, this is Captain Riley.
00:19:48Captain, my wife.
00:19:49How do you do?
00:19:51This your patient, Doctor?
00:19:52Yes.
00:19:56Hmm, he looks like a sick man at that.
00:19:58Did he bring the money?
00:19:59Oh, yes, it is.
00:20:02You will notice there are not new bills
00:20:03which could be traced.
00:20:05Hmm.
00:20:09I wish you to witness.
00:20:15There.
00:20:16Okay, now, how do you bring this fellow to?
00:20:19Oh, but wait.
00:20:19First, I must tell him to return the money.
00:20:21Well, first, he's going to the station house.
00:20:25But, Captain, you're not going to arrest him.
00:20:28Why not?
00:20:30He's got $100,000 in his pocket
00:20:32that belongs to somebody else.
00:20:34But, Captain, at the station, you said...
00:20:35At the station, no crime had been committed.
00:20:38Now, it's different.
00:20:39I'm an officer, and I've got to arrest this man.
00:20:42He stole the money, didn't he?
00:20:44Yes, but like a man in a dream,
00:20:46he didn't realize what he was doing.
00:20:48Well, the jury will take that into account.
00:20:50He'll get off the light.
00:20:52Oh, Captain, it's a tragedy,
00:20:53and there is no need for it.
00:20:55He'll put this money back in the bank,
00:20:57and no crime is committed.
00:21:00How do I know he will?
00:21:01For the same reason that he brought it here.
00:21:04He's absolutely under my control.
00:21:16Captain, you have your duty,
00:21:19but you're also human.
00:21:21Have mercy on this unfortunate.
00:21:27If I could be sure that nothing would go wrong...
00:21:31Well, you'll go with him.
00:21:32You'll not let him out of your sight.
00:21:34Are you crazy?
00:21:35I can't do that.
00:21:36What would it make me?
00:21:38I understand, Captain.
00:21:40I'm only doing it for the sake of this innocent man.
00:21:48All right.
00:21:49Now, listen.
00:21:51He never brought any money here.
00:21:53Do you understand?
00:21:54I haven't seen a thing.
00:21:58Captain, how can I thank you?
00:22:00Never mind that.
00:22:02Remember, you're responsible.
00:22:03You're putting me in a spot.
00:22:05See that it comes out okay.
00:22:08Thank you, Captain.
00:22:09Good night, Mrs. Brandt.
00:22:11Oh, uh, good night, Captain.
00:22:13Good night, Doctor.
00:22:14Good night.
00:22:15Oh, never mind.
00:22:15I'll find my way out.
00:22:17Good night.
00:22:22Good night, Captain.
00:22:23And many thanks.
00:22:28Where are you going?
00:22:30To the theater.
00:23:02After my promise to Captain Riley.
00:23:14Philip Ames, you will take this money back.
00:23:19You will return it to the bank where you got it.
00:23:24It is not yours, Philip Ames.
00:23:28You will take this money back.
00:23:31You will return it to the bank where you got it.
00:23:36This money belongs to the bank.
00:23:40It is not yours, Philip Ames.
00:23:44You will return it.
00:23:54This money is not yours.
00:23:58Do you hear me, Philip Ames?
00:24:01This money belongs to the bank.
00:24:05You will do exactly as I tell you.
00:24:09Return the money to the bank.
00:24:13Return the money to the bank.
00:24:16Do you hear me, Philip Ames?
00:24:35Gilbert.
00:24:37Gilbert.
00:24:38Gilbert, where are you?
00:24:43Gilbert.
00:25:05Gilbert.
00:25:07Gilbert, est-ce que vous...
00:25:11Qu'est-ce qui se passe ?
00:25:13Oh, c'est horrible.
00:25:15Oh, mon fils, c'est vite.
00:25:18Sure.
00:25:23Where ?
00:25:24In there.
00:25:25Oh.
00:25:26Where's the light switch ?
00:25:27Inside the door.
00:25:31Fuse blown.
00:25:32Oh.
00:25:33Here.
00:25:34Huh ?
00:25:34Hold it, will you ?
00:25:40Oh, hurry.
00:25:40Yeah.
00:25:44How do you have it ?
00:25:46There.
00:25:47Oh, all right.
00:25:48Come on.
00:25:54Gee, he's dead.
00:25:58Emil !
00:26:04Chloroform.
00:26:05Is he dead ?
00:26:09Ah, he's all right.
00:26:10Oh, God.
00:26:10Just passed out.
00:26:11Help me get him up.
00:26:14That escape ?
00:26:16What is happening ?
00:26:18What have you done to him ?
00:26:19Oh, nothing, nothing.
00:26:20Help me get him upstairs.
00:26:21Here.
00:26:23Now, there's the judge.
00:26:25Doctor, doctor.
00:26:27Bad-eye-bine.
00:26:27And you see ?
00:26:40It's a murder and it's a honey.
00:26:42Hmm ?
00:26:43Wait a minute, now, look.
00:26:44Come on.
00:26:56Name's Phillip Ames.
00:26:57Yeah, I'll phone you the rest later.
00:26:59Want to look around before the dicks must things up.
00:27:02Hmm ?
00:27:02Yeah, they don't know what happened yet.
00:27:04Mm-mm.
00:27:05Keep a line open for this story.
00:27:06It ought to be good.
00:27:23Please, guys.
00:27:24Mm-mm.
00:27:29Big drop.
00:27:29Big rotor.
00:27:32Big rotor.
00:27:36Ghost lightning.
00:28:04Sous-titrage MFP.
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00:30:43Pourquoi n'est-ce que vous créez pour votre help ?
00:30:44Je suis trop inquiet.
00:30:46Peut-être que vous n'avez pas inquiet.
00:30:47Peut-être que vous connaissez qui était en train.
00:30:48Non, ça ne peut pas.
00:30:49Pourquoi ?
00:30:49Parce qu'il m'a essayé de me coupé.
00:30:54Donc...
00:30:55Quand il m'a essayé de me coupé,
00:30:56vous pensiez que c'était Gilbert.
00:30:58C'est ce que vous appelez à moi.
00:31:01Est-ce qu'il m'a dit le nom et ce qu'il était en train de faire ici ?
00:31:04Qu'est-ce que c'est de vous ?
00:31:06Non.
00:31:06Mais c'est ce que c'est de la police.
00:31:09Vous avez appelé ?
00:31:10Pas encore.
00:31:24Oui ?
00:31:251114 River Drive.
00:31:28Qu'est-ce ?
00:31:30Bonjour.
00:31:32Bonjour.
00:31:33Qu'est-ce que c'est ?
00:31:341114 River Drive.
00:31:37C'est mort.
00:31:37C'est mort ?
00:31:38C'est mort ?
00:31:40Allons.
00:31:43Pourner !
00:31:45Vous voulez y passez à Miss Doris ?
00:31:47Miss Doris ?
00:31:49Oui, la fille d' commerce.
00:31:50Elle va chez Craig.
00:31:52Ça ne va pas.
00:31:53Je vais trouver.
00:31:53C'est bon, c'est bon, c'est bon, c'est bon.
00:32:23C'est bon, c'est bon.
00:32:30Je suis Doris Brandt. Tu veux me voir?
00:32:33Tu... Tu es Doris Brandt?
00:32:35Je suis certaine. Je suis Dan McKee.
00:32:39Je suis heureux de vous connaître.
00:32:41Merci, Mme Brandt. Je me suis demandé ce que tu es.
00:32:44Mais je ne pensais pas que tu es...
00:32:47Mme Brandt, c'est ce que tu veux me voir?
00:32:50Oh, Mme Brandt, je suis un journaliste.
00:32:53Mme Brandt?
00:32:53Oui.
00:32:54Tu as l'as vu l'écran ?
00:32:55Je m'en gavis.
00:32:57Je suis en train de faire...
00:32:58Je me souviens.
00:33:00Tu as l'as vu, pourquoi tu es venu?
00:33:02Oh, tu as l'as perdu.
00:33:04C'est ce que tu es.
00:33:05C'est ce que tu es.
00:33:05C'est ce que tu es.
00:33:06C'est ce que tu es.
00:33:06C'est ce que tu es.
00:33:07C'est ce que tu es.
00:33:11C'est ce que tu es.
00:33:15C'est ce que tu es.
00:33:16Un patient de tes parents.
00:33:17Un de tes parents.
00:33:19C'est ce que tu es.
00:33:21Imagine que tu es le malade.
00:33:23Il faut que tu me déroulasse.
00:33:25C'est ce que tu es.
00:33:26C'est ce que tu es.
00:33:28C'est un instant de chloroform.
00:33:30Chloroform ?
00:33:31Now, your father's gonna be absolutely all right.
00:33:33There's not a...
00:33:33My parents go to him at once.
00:33:35I've got a taxi outside.
00:33:36Come on.
00:33:42Come on, Charlie.
00:33:43Let's go.
00:33:50Here he is, Captain.
00:33:53Hello?
00:33:54Riley.
00:33:55Yeah, send Burke over here right away, will you?
00:33:57Fingerprints.
00:33:58Yeah.
00:33:59Find anything, Frank?
00:34:00Oh.
00:34:01Do you know anybody with the name of Gilbert?
00:34:04Yes, I know Gilbert Reed.
00:34:07Who is he?
00:34:09Oh, he's sort of a friend of my stepmother.
00:34:11That's the guy.
00:34:12Where does he live?
00:34:13Just around the corner from us.
00:34:15The terrain apartments.
00:34:18I'll drop off there.
00:34:20I'd like to have a little chat with Mr. Reed.
00:34:27Which one?
00:34:28Right over there.
00:34:29Thanks, pal.
00:34:56Mr. Reed.
00:34:58Yes.
00:35:00Are you alone?
00:35:02Yes.
00:35:02I just left Mrs. Brandt.
00:35:04What do you mean?
00:35:05She sent you here?
00:35:07Mm-mm.
00:35:08Well, what do you want?
00:35:11I'm gonna tell you something you already know.
00:35:13You can look surprised if you want to.
00:35:15Philip Ames was murdered at the doctor's house half an hour ago.
00:35:21Why tell me about it.
00:35:23Who are you, a cop?
00:35:24Nope.
00:35:24Reporter.
00:35:26And the first in the room after the murder.
00:35:28Along with Mrs. Brandt.
00:35:33What's she tell you?
00:35:35Plenty.
00:35:38Haven't got a drink, have you?
00:35:40Yes.
00:35:40Thanks.
00:35:43Better pour yourself one, too.
00:35:45Thanks.
00:35:46Thanks.
00:35:47I'm sorry, Mr. Brandt.
00:35:47I'm sorry, I'm sorry, I'm sorry.
00:35:57I'm sorry, Mr. Brandt.
00:36:06I'm sorry, Mr. Brandt.
00:36:12Oh, merci.
00:36:14Est-ce que vous voulez me dire ce moment-là?
00:36:17Bien sûr.
00:36:18Je suis venu à la porte, un petit après 8 et venait directement à la maison.
00:36:22Tu n'as pas entré, hein?
00:36:24Non.
00:36:26C'est une heure pour toi, n'est-ce pas?
00:36:27Oui, c'est une heure pour toi.
00:36:31Je n'ai pas de chance à aller avec ça, n'est-ce pas?
00:36:33Bien sûr.
00:36:53Oh, merci.
00:36:57Alors, c'est parti.
00:37:05C'est bon.
00:37:08C'est pourquoi?
00:37:09J'en ai vu et merci d'un témoin.
00:37:12Tu as jou as bien chanté cette salle du lit.
00:37:30J'ai dit qu'il fallait.
00:37:31Bien sûrser Justin & Choi, j'ai été le referramé sous tous les jours.
00:37:33J'ai aussi pris pour toi ou pastors.
00:37:34Oui.
00:37:34Et çaowarkaias était élevé, j'ai dit ça ?
00:37:35C'est prêt pour ses pratiques dedans.
00:37:36J'ai mis un travail que j'étais pour soi.
00:37:37Vous étiez à l'extérieur de la fenêtre. J'ai eu le droit à l'autorité.
00:37:41Et la fenêtre n'a été créée, et la fenêtre n'a été créée dans la fenêtre.
00:37:47Attendez un moment. Qui a trouvé cette fenêtre?
00:37:49Mme Brant.
00:37:51C'est comme je pensais. Elle dit qu'elle a pris.
00:37:55Oh, je l'ai vu.
00:37:56Mais vous ne l'avez pas vu. Elle est une plante.
00:38:01Elle devait avoir pris cette fenêtre quand nous étions à la fin.
00:38:04Ce qui fait qu'elle pense que ça?
00:38:10Oui, c'est comme je pensais.
00:38:11C'est comme ça. C'est parti de la fenêtre.
00:38:16C'est parti. C'est parti.
00:38:17Qu'est-ce que ça signifie?
00:38:19Elle a pris la fenêtre pour obtenir l'argent.
00:38:21L'argent ?
00:38:22Elle ne dit pas ça, elle ne dit pas que Ames ait 100,000 dollars dans son pocket.
00:38:27Je ne dis pas.
00:38:29Elle a pris la fenêtre pour obtenir l'argent et me débrouiller.
00:38:33Tu es peut-être la vérité, mais tu es dans un cas.
00:38:36Qu'est-ce que Brant's téléphone numéro ?
00:38:38Hudson 7638.
00:38:40Hudson 7638.
00:38:43What time did you leave ?
00:38:44At 7.30, Your Honor.
00:38:47We dented the picture, but we couldn't stay to the end
00:38:50because my husband here, he got the bad stomach
00:38:52from eating sour braden mit red cabbage.
00:38:56Four helping he eats.
00:38:57Three.
00:38:58Four.
00:38:59Three.
00:38:59Eric, when he comes to sour braden mit red cabbage,
00:39:03you're nothing but a swine.
00:39:04And you know it.
00:39:05Here, here, here. Calm down, calm down.
00:39:07It was four, Your Honor.
00:39:09And that is why we couldn't stay.
00:39:11Is that all you have to tell me ?
00:39:13Yeah, Your Honor.
00:39:14That is all.
00:39:15Frank, take him out.
00:39:16Huh ?
00:39:16Captain Riley there.
00:39:18Tell him it's a witness in the Brant case.
00:39:20Wait a minute.
00:39:20No, not quite.
00:39:22You want to spill your story before she spills hers, don't you ?
00:39:26You better.
00:39:28That's a good boy.
00:39:29Here, something for you.
00:39:33Uh-oh.
00:39:37There.
00:39:38Your button.
00:39:41Thanks.
00:39:42You're a white man.
00:39:43Oh, that's all right.
00:39:43Hello, Captain Riley.
00:39:45This is McKee.
00:39:46Hey.
00:39:47Look, I got a guy here who can do you some great.
00:39:50Good.
00:39:50Fine.
00:39:51Bring him right over.
00:39:59Uh, now, Mrs. Brant, let's go back.
00:40:01You say a man grabbed you in the dark ?
00:40:03Yes.
00:40:05Nothing familiar about his figure ?
00:40:09No, it, it, it was too dark to see.
00:40:13But I felt his hands when he grabbed me.
00:40:15He had gloves on.
00:40:16What kind ?
00:40:17Rubber gloves ?
00:40:18No.
00:40:19Leather, they were very soft, suede, I think.
00:40:25Would you mind telling me if your husband owns a pair of suede gloves ?
00:40:30My husband ?
00:40:32The lights went out and someone grabbed me from behind.
00:40:35I felt a cloth go on my face and smell chloroform.
00:40:39I tried to fight it off and, well, that's the last I know.
00:40:43Is there any way you could identify this mysterious assailant ?
00:40:48No.
00:40:49Was it a man or a woman ?
00:40:52I should say it was a man by his strength.
00:40:55Doctor, from what I know of this case, I can only say that you are very unconvincing.
00:41:03But you don't think that I, what if I had meant to go through with the murder, I wouldn't have
00:41:09asked you to come here with me ?
00:41:10Well, maybe not.
00:41:13And then again, maybe it was the smartest thing you could have done.
00:41:18Suppose that you came to me and told me about your plans.
00:41:23Figuring that you'd use it for an alibi afterwards, just as you are using it now.
00:41:27Suppose you even went so far as to bring me up to the house to see that everything was all
00:41:31right.
00:41:32Suppose I nearly blocked your plans by starting to arrest Ames and you got around that by appealing to my
00:41:38sympathy.
00:41:39And suppose the moment I left, you killed Ames, hid the money and put yourself out with chloroform.
00:41:49By the way, Doctor, where do you keep your chloroform ?
00:41:53My medicine cabinet and the laboratory.
00:41:55Do you mind showing me ?
00:42:00Go on, Frank.
00:42:05How many prints yet, Frank ?
00:42:06No, sir, everything is blurred.
00:42:08How about the money ?
00:42:09Not a sign of it.
00:42:12I keep chloroform in here.
00:42:14Wait a minute.
00:42:16Hey, Frank, have you tried this cabinet for prints ?
00:42:18Yeah, nothing clear.
00:42:20All right.
00:42:21Right here on the second shelf.
00:42:28Why, it's gone.
00:42:30Sure, it's gone.
00:42:32Show them where you found the bottle, Frank.
00:42:38Here's the bottle.
00:42:39We found it down there under the desk.
00:42:41Is this it ?
00:42:43Yes.
00:42:44And there's where they found you lying, Doctor.
00:42:47Tell me, where were you when the lights went out ?
00:42:50I was sitting here on the couch.
00:42:52Just came in that door, crossed the room and put the money in his pocket.
00:42:56Why, you put that money in his pocket before I left.
00:42:59Why'd you take it out again ?
00:43:00I didn't.
00:43:00Well, who did ?
00:43:03I can't tell you.
00:43:06Better get Mrs. Brandt, Frank.
00:43:10Oh, for heaven's sakes, why don't you say something ?
00:43:13Just sitting there, sitting there.
00:43:15Mrs. Brandt, Captain once talked to you.
00:43:17Maybe you better come too, miss.
00:43:21Here she is, Captain.
00:43:25Now, Mrs. Brandt, there are a few little points that I'd like to have you clear up.
00:43:29What is it, Rankin ?
00:43:30We found this stuck behind some drapes in Mrs. Brandt's bedroom.
00:43:32It's packed.
00:43:33Open it up.
00:43:34It's locked.
00:43:35Bust the lock.
00:43:36Here, try this.
00:43:38It might be simpler.
00:43:40Thanks.
00:43:48Hmm, even your jewels, huh ?
00:43:50Looks like you were going places.
00:43:53You packed this ?
00:43:55Of course I did.
00:43:57I was worried about my husband.
00:43:58I was trying to get him to go away for a trip,
00:44:01and I thought if I had my things packed, it would be easier to persuade him to go with me.
00:44:05Mm-hmm.
00:44:06Did you expect to persuade your husband to go on a trip at that time of night ?
00:44:09Well, I...
00:44:10Come now, Mrs. Brandt.
00:44:12Why did you pack this suitcase ?
00:44:14I'll tell you why.
00:44:16She was all ready to light out when she got her hands on that money.
00:44:19Cap, this is the guy I was telling you about.
00:44:23Been playing me for a sap, eh ?
00:44:25Telling me we'd get the money and go away together.
00:44:27While all the time you were planning to throw the blame on me and keep the money yourself.
00:44:31No.
00:44:32Then why did you get me over here tonight ?
00:44:34Oh, now we're getting somewhere.
00:44:35So you were here tonight ?
00:44:37Yes.
00:44:38She phoned me to come on over that the money was in the house.
00:44:41Yeah, go on.
00:44:42I was supposed to go around to the study window and wait.
00:44:45Which window ?
00:44:46That one.
00:44:47She came in here and unlocked it.
00:44:49Then she started over there and the lights went out.
00:44:51I heard a groan and...
00:44:52Why don't you do something ?
00:44:53I thought she'd turned out the lights and was taking the money away from her husband.
00:44:57In fact, I still think so.
00:45:00You say my wife was going away with you ?
00:45:02Yes.
00:45:03She's been fooling you for months and me too.
00:45:09In all this time you've been driving me to commit a murder.
00:45:15Easy doctor.
00:45:24He has the right to feel the way he does, but you, I've tried to protect you.
00:45:31And he's the man who killed Philip Ames.
00:45:34He knew that money was in this room, he told you so.
00:45:37He said he was at that window, but he didn't stay there.
00:45:39He went through the garden, along the porch in the door of the laboratory.
00:45:42Then he blew the lights, chloroformed my husband and killed Ames.
00:45:45Then because he wanted the money all for himself, he tried to kill me.
00:45:48Remember, I told you the man who grabbed me was wearing suede gloves ?
00:45:51Yes.
00:45:52Well, look.
00:45:55What of it ?
00:45:55Am I the only man in town wearing suede gloves ?
00:45:58But the pair the murderer was wearing is right here.
00:46:06They're inside out.
00:46:07Looks like he peeled them off in a hurry.
00:46:10That's right.
00:46:13Doctor, when you came back with me tonight from the headquarters, you were wearing gloves.
00:46:18You put them over there with your hat and cane.
00:46:25They're gone.
00:46:34Those are my gloves.
00:46:37Yours ?
00:46:38Let me see.
00:46:39Hey, leave things alone.
00:46:47Chief, this housekeeper out here is going nutty.
00:46:49Says she's got something important to tell you.
00:46:51Where is his honor ?
00:46:52Oh, there.
00:46:53I have lied to you.
00:46:54It was only three helpings.
00:46:56Huh ?
00:46:57Used now, my husband, he was fixing the fuse that was blown in the switch box.
00:47:01I looked into the refrigerator.
00:47:03I found there were only two helpings left.
00:47:05Now, I know that receipt, it makes used exactly eight helpings.
00:47:09The doctor only had one.
00:47:11I had two.
00:47:12If there were two left, my husband could only have eaten three.
00:47:15All right.
00:47:16All right.
00:47:17But I wouldn't like to lie to your honor.
00:47:19Never mind that.
00:47:20Tell me, where is this switch box located ?
00:47:22On the back porch, your honor.
00:47:26Would you say that between the time the lights went out and the time that you heard the struggle,
00:47:30a man could have come from the back porch to this room ?
00:47:32Impossible.
00:47:33The lights weren't blown at the switch cap.
00:47:35They're blown over there at that lamp.
00:47:37Yeah, what makes you think so ?
00:47:38You can see where the short circuit burned the cord.
00:47:41And here's the pin that blew it.
00:47:45Is that ?
00:47:46See how the point's blackened ?
00:47:48Yeah, where'd you find that ?
00:47:50There on the floor after the murder.
00:47:52Yeah, well, you should have left it there.
00:47:54Uh-uh.
00:47:55See a pin and let it lay, you'll have bad luck to live long day.
00:47:58Not me.
00:47:59I come from a family of string savers and paper box putter-awayers.
00:48:05The lights were put out by someone who reached in through that door.
00:48:08The doctor could have reached it from there.
00:48:09Well, maybe she was closer to her husband than she says.
00:48:11Oh, he might have come in another window.
00:48:12Now, hold on.
00:48:13We've had enough of that.
00:48:14You say that she did it, and she says you did it.
00:48:17The lieutenant thinks that maybe Dr. Brandt did it.
00:48:20Now, are we going to work this thing out just exactly as it happened and see what we can find.
00:48:26You say you were over there ?
00:48:27Yes, outside the window.
00:48:28All right, take your place.
00:48:29Not outside, inside will do.
00:48:31You were there.
00:48:31Yes, right here.
00:48:33And I was out front.
00:48:34Quiet.
00:48:35You'll be Ames.
00:48:36Lie down and play dead.
00:48:41Sorry, pal.
00:48:49Now, everybody show me what you did.
00:48:52Come on, doctor.
00:48:54Doctor, where were you?
00:48:56I was sitting here on the couch.
00:48:58I was saying over and over again, you will return the money.
00:49:01Just then I came in the room, moved over and unlocked that window.
00:49:04Then I started back along the wall.
00:49:06I put up the window from the outside, very slowly, like this.
00:49:09And just as I reached this point, the lights went out.
00:49:12I felt somebody grab me from behind.
00:49:14Frank, you play the murderer.
00:49:17Me?
00:49:17Sure, act it out.
00:49:19But I'm no actor, Cap.
00:49:20Oh, get going.
00:49:21Put your hand in that door and blow the light.
00:49:29Now come over and grab the doctor and put him out.
00:49:34Now you pick up the instrument.
00:49:36By the way, where was it, doctor?
00:49:39I left it here on the desk.
00:49:43Well, this'll do.
00:49:44Here.
00:49:46You take that and stab Ames.
00:49:51Go easy, Frank.
00:49:52This is my good suit.
00:49:54Now you take the money out of his pocket.
00:49:56Then I got frightened and called out.
00:49:58And the murderer hears you and goes towards you.
00:50:01Go ahead, Frank.
00:50:06Then I started forward.
00:50:08Go on, Frank.
00:50:08Grab her.
00:50:10He grabbed me by the arm and put his hand over my mouth.
00:50:14No, not like that.
00:50:16Don't you see the bruises on her face are the other way around.
00:50:19What bruises?
00:50:20Where he grabbed her.
00:50:22It was his left hand.
00:50:23The thumbprint's on the left side and the fingers on the right.
00:50:26Like that.
00:50:27Let me see.
00:50:31Sure enough, left hand.
00:50:34I didn't shoot.
00:50:37Hey, wait a minute.
00:50:40Where'd you get those scratches?
00:50:43I don't remember.
00:50:45It must have happened when I struggled with him.
00:50:47Come on.
00:50:49Grab her with the right hand and put the left over face.
00:50:52Ah, you got it.
00:50:54Then I struggled with him.
00:50:56Pushed him back.
00:50:57He knocked that table over.
00:50:59Then I screamed and ran out the door.
00:51:04And all that time you were lying to me.
00:51:07Scheming to run away with that man.
00:51:09Planning to make me a murderer.
00:51:10No, no, Emil.
00:51:14Now I remember.
00:51:15Yes.
00:51:17Those scratches.
00:51:19Yes.
00:51:21When, when I pushed him away, I felt...
00:51:26Ah!
00:51:28Emil.
00:51:31Emil.
00:51:32Emil.
00:51:33Emil.
00:51:33All right, stay where you are.
00:51:34Boys, watch those doors.
00:51:36Franken, Frank, give me a flashlight.
00:51:38Give it here.
00:51:46Where's Mrs. Brant?
00:51:52We don't...
00:51:56He's killed her.
00:51:57Dr. Brant, you're under arrest.
00:52:01He didn't do it.
00:52:02I can't do it.
00:52:03He didn't do it.
00:52:03He's killed her.
00:52:13Ladies and gentlemen, the great trouble with murder stories on the screen is that the audience has no time to
00:52:18solve the mystery.
00:52:19When reading a book, it is possible to put it down at any point to think.
00:52:23In a play, there are intervals between the acts.
00:52:25But a film moves so fast that the audience doesn't have a chance to play detective.
00:52:30Sitting there in your seats, you have witnessed two murders.
00:52:33You have seen exactly how they were done and who were present.
00:52:36All the clues known to the police are known to you.
00:52:39We are trying a little experiment.
00:52:41We are going to give you one minute by that clock in which to guess who murdered Philip Ames and
00:52:46Mrs. Brant.
00:53:25I have to give you one minute by that clock, so you have to get an opportunity to get one
00:53:25minute after all we have done for that clock.
00:53:26Okay, so we are going to give you one minute.
00:53:27So when we are talking about the clock, then you can read the clock.
00:53:27Depending on what you are spending today's time.
00:53:27There are things where you are spending at all times when you are spending time for time.
00:53:28I have to let them know your time so that you are spending time for time.
00:54:38But not against the doctor
00:54:39How do you figure that out?
00:54:42Well, I'm the murderer, see?
00:54:44I've got the money and I'm going to light out
00:54:45When Mrs. Brandt screams and I find there's a woman in the room
00:54:48I try to grab her but she gets away
00:54:50I realize she's going to call help
00:54:52I may get caught on the outside
00:54:54I can't have the money found on me
00:54:56So what do I do?
00:54:58I hide that money somewhere in the room
00:55:00And figure on slipping back later to get it
00:55:01Anybody would have thought of that, even a dumb cop
00:55:04You're going to get too fresh someday
00:55:06Yeah
00:55:06I apologize
00:55:07But the rest of it makes sense, doesn't it?
00:55:10Yes, it makes sense
00:55:11Then why pick on the doctor?
00:55:13Anyone in that room tonight could have blown that fuse
00:55:16We were all near like cords
00:55:17You could have done it with a pen from your gardenia
00:55:20And you with your stick pen
00:55:22And you with that pen knife
00:55:24No, it was the doctor
00:55:25Nobody else had as good a motive as his
00:55:28First he killed Ames, he got money for his wife
00:55:30Then he found out she was running out on him with another man
00:55:33But that's not why she was killed
00:55:35No
00:55:36She was killed because she was going to tell something
00:55:39That would give us a line on the murderer
00:55:41Well, that's no reason why it couldn't have been the doctor
00:55:54I thought so
00:55:55What she felt was this
00:56:00Oh, rats
00:56:01You've got just as good a case against me
00:56:03I was in the neighborhood at the time of the first murder
00:56:06Mrs. Brent scratched herself on these pins I have in my coat
00:56:09And so I killed her to keep her quiet
00:56:14Well, if you want me to lock you up, I will
00:56:17Go ahead, it'll only be one more mistake
00:56:20Oh, Captain, the newspaper boys want to know
00:56:22When you'll be ready to give them a statement
00:56:23In five minutes
00:56:26Better take the doctor and book him, Frank
00:56:30No, no
00:56:32It'll be all right, my dear
00:56:35Where is it that you wish me to go, sir?
00:56:37This way
00:56:41Oh, doctor
00:56:43Doctor
00:56:51I'm sorry, Miss Brant
00:56:57Will you see that she gets back to the college?
00:57:00As a favor to you?
00:57:01Yeah, it'll keep you out of my hair
00:57:12I can't go back there now
00:57:15Look, honey
00:57:16You've got to get a grip on yourself
00:57:19Stop worrying
00:57:19I'm not going to let anything happen to your father
00:57:21What more could happen to him
00:57:23Well, they could hang him
00:57:24Oh
00:57:27Go ahead, stop me
00:57:30My father didn't kill that man
00:57:33He didn't kill Frida, I know it
00:57:36You know it, too
00:57:37Don't you?
00:57:39Sure I know it, because you say so
00:57:42It's not a very good reason, is it?
00:57:44It's good enough for me
00:57:47But of course, we've got to do more than know it
00:57:49Look, here's what I had in mind
00:57:52I want to get back in that room
00:57:53And the cop on guard will never let me in
00:57:55But he's got to let you in
00:57:57You live there
00:57:58What do you say?
00:58:00All right
00:58:01Tell the driver
00:58:03I did
00:58:12That cigar would taste better if you had a little pie first
00:58:16What kind of pie?
00:58:19Coconut custard pie
00:58:20Okay
00:58:30I knew I could figure on that cop's appetite
00:58:34We have to work fast
00:58:35Yeah
00:58:37We've just got to find that money
00:58:39You think it's still here?
00:58:41My hunch is right, it must be
00:58:42Whoever did it, Mrs. Brandt upset his plans
00:58:44Look, suppose I'm the murderer and you're Mrs. Brandt
00:58:47You just come in that door
00:58:48Over here
00:58:49Yeah
00:58:50I put out the lights over there
00:58:52Cross over, jump on your father and knock him out
00:58:55Then I kill Ames and take the money out of his pocket
00:58:57That's where she screamed
00:58:59That's a surprise to me
00:59:00I start after you
00:59:01I try to get out
00:59:02I grab you
00:59:03And put my hand over your mouth
00:59:05Oh
00:59:07Oh, excuse me
00:59:09I
00:59:10Oh, I'm sorry
00:59:11I
00:59:13Gee
00:59:15Gee
00:59:17Say, wait a minute
00:59:18Your stepmother's lips were smeared too
00:59:20So the murderer's hand must look something like mine does
00:59:23Yes, but he wore gloves
00:59:24Sure
00:59:25Now, if there's no rouge on your father's gloves, that'll be great
00:59:28Come on
00:59:37Not so hot
00:59:40That shows that the murderer wore these gloves all right
00:59:44But it doesn't prove that your father wore them when the murder happened
00:59:47Come on
00:59:48Ten chances to one
00:59:49We'll find lip rouge near where the money's hidden
00:59:54Come on
00:59:55Come on, snap out of it
00:59:56Help me
01:00:10Hey
01:00:15Huh
01:00:16Look
01:00:18Huh
01:00:19Huh
01:00:19Mustn't touch
01:00:30That's funny
01:00:32Those glasses are turned over
01:00:38Wait a minute
01:00:39Huh
01:00:43I've got it
01:00:44Huh
01:00:45Stuck to the back of the door
01:00:46When you push it back, it goes into that groove at the side
01:00:48Let me see
01:00:52Yeah
01:00:54Don't touch it
01:00:57What are you going to do?
01:00:59Call the police
01:01:03What's that?
01:01:04Someone's coming
01:01:04Quick, the closet
01:01:07Yeah
01:01:09Yeah
01:01:10Merci.
01:01:50So, it was you.
01:01:55Get him up.
01:02:00Sit down.
01:02:06Get me main, 2-400.
01:02:14Brant did it all right.
01:02:15You can tell your papers the case is in the bag.
01:02:17We cleaned it up in two hours.
01:02:19Hey, Captain.
01:02:20Key is on the wire.
01:02:21He's out the Brant house.
01:02:22Says he got the murder.
01:02:23He's crazy.
01:02:24And the money.
01:02:26What?
01:02:29Mrs. Riley, what did you say?
01:02:33I'll be right out.
01:02:34Come on, Frank.
01:02:35What is it, Cap?
01:02:36Yep.
01:02:38There.
01:02:46Hold the presses, Joe.
01:02:48I've got a while.
01:02:49Exclusive.
01:02:50Caught the Brant murderer.
01:02:51Yeah.
01:02:52Got him coming back for the money.
01:02:53I'll phone particulars in 10 minutes.
01:02:55Yeah.
01:03:01Working up a little nonchalance?
01:03:06You know, you're making a fool of yourself.
01:03:09Mind telling me how?
01:03:11Stay right where you are.
01:03:15Put up your hands.
01:03:19None of that, sister.
01:03:21Come on, you.
01:03:22I'm not kidding.
01:03:26Say, what is this?
01:03:28Never mind what it is.
01:03:31Keep your hands up.
01:03:35What are you laughing at?
01:03:36Look what he's doing.
01:03:42Hey, wait a minute.
01:03:43Give me a break, will you?
01:03:44How'd you know where the money was?
01:03:46I know a lot of things, brother.
01:03:48Get over there.
01:03:55Hey.
01:04:08You know, it would be smarter to go after that fellow with the money.
01:04:10All right, but you're the bird in hand.
01:04:12We've got you.
01:04:12There's nothing to the bird you're going to get.
01:04:14Huh?
01:04:16Oh.
01:04:17It's the police.
01:04:18Yeah.
01:04:27Hey, what's going on?
01:04:33Well, we've got the murder, but we lost the money.
01:04:35What?
01:04:36Sure, just as I nabbed him, someone comes in, puts a gun on us and gets away with the money.
01:04:40Why didn't you stop him, you dope?
01:04:41I thought I mentioned he had a gun.
01:04:44But listen, he only got a minute start on you.
01:04:46He went that way.
01:04:46He's a young fellow in a light brown suit and a gray hat.
01:04:48Where were you, asleep?
01:04:50Well, I was just...
01:04:51See if he'd get him, Frank.
01:04:52Okay, come on, Burns.
01:04:56How do you know he got the money?
01:04:57Where was it?
01:04:58In that corner cupboard.
01:04:59Oh.
01:05:00What are you doing here?
01:05:01There's your murderer.
01:05:02He walked right into my hands.
01:05:07Yeah?
01:05:07Sure I did, but that doesn't prove I killed anybody.
01:05:10Then how'd you happen to come back for the money?
01:05:11How'd you happen to come back?
01:05:13Well...
01:05:13And how about that other fellow?
01:05:16If you want to know, tonight in your office, when you said the money must be in this room, I
01:05:20got to thinking.
01:05:21When I was standing outside that window, I heard the tambour doors in that cupboard clicking.
01:05:26I figured the money must be in there, so I came back.
01:05:28You took a big chance, didn't you?
01:05:30Not so big.
01:05:30You see, I can always prove I didn't do the murder.
01:05:32Yeah?
01:05:33How?
01:05:33Now.
01:05:35Look.
01:05:42Think those can make a bruise?
01:05:44Thumb and forefinger are okay.
01:05:46The rest are artificial.
01:05:48Blown off in the war.
01:05:50I'm pretty clever at concei...
01:05:57...but I couldn't struggle with a man the size of Dr. Brandt.
01:06:00And if you want more proof, get me those gloves.
01:06:17My hands are so small, I couldn't turn them wrong side out if I tried.
01:06:20It is.
01:06:20The doctor after all.
01:06:25Hello.
01:06:26Yeah, he's here.
01:06:29What'd he tell you?
01:06:33The way they can kill that story.
01:06:35And listen, Murphy.
01:06:36I wish you'd keep your dumb reporters in their cages.
01:06:38That goes double for McKee.
01:06:40If I see him around the place again, I'll exterminate him.
01:06:44You heard what I said, McKee.
01:06:46Now beat it back to your nursery.
01:06:48Picked him up at the corner, Cap.
01:06:49The guy was just hanging around.
01:06:51He wasn't even trying to get away.
01:06:56Did you get the money?
01:06:57Yeah.
01:06:57Let me have it.
01:07:08What's your name?
01:07:09What difference does it make?
01:07:10You're going to get that way, are you?
01:07:12We'll have to talk to you at the station house.
01:07:14Take him along, Frank.
01:07:15Go ahead.
01:07:16He hasn't done anything.
01:07:17I know he hasn't.
01:07:18No?
01:07:18Then what's he doing in this house?
01:07:20He has a right to be here.
01:07:22He's...
01:07:23He's my brother.
01:07:26So that's why he kissed you?
01:07:28Yes.
01:07:30Jim, why did you take that money?
01:07:33I don't know.
01:07:34It was crazy, I guess.
01:07:35I thought it would help Dad.
01:07:37I figured if they couldn't find the money, they wouldn't think he did it.
01:07:40He did it all right.
01:07:41And I guess you know something about it too.
01:07:42I know my father didn't kill that man.
01:07:44What would you think so?
01:07:45Because I was standing right at that door when the murder happened.
01:07:47You were at the door, huh?
01:07:49Sounds kind of phony to me, hanging around like that.
01:07:51Nothing phony about it.
01:07:53I saw my father on the street, saw something was wrong and so...
01:07:55Did you speak to him?
01:07:56No.
01:07:57I was in a spot.
01:07:58I hadn't seen my dad for two years.
01:08:00Had a misunderstanding.
01:08:01So I thought I'd just stick around and...
01:08:02You'll have to do better than that, boy.
01:08:04Take him away, Frank.
01:08:06No.
01:08:06Come on.
01:08:08Ouch!
01:08:10Wait a minute.
01:08:11Now I know what it was Freda was going to say.
01:08:13Now, don't anybody put out the lights.
01:08:16Go on.
01:08:18She was going to tell us what she felt when she pushed the murderer away.
01:08:21And that's what she felt.
01:08:23When she struggled with him and his coat fell back and...
01:08:25And she scratched her wrist on his badge, just like I did.
01:08:28Say, what do you mean?
01:08:29Oh, but it couldn't have been.
01:08:30The scratches were on her left wrist.
01:08:32And they're on your right.
01:08:33Sure.
01:08:34Yeah.
01:08:36But that isn't the badge.
01:08:38How about the one with the three little diamonds in it?
01:08:42You mean this one?
01:08:45Yeah.
01:08:46Only tonight, when the doctor came to your office,
01:08:48you were wearing it on the right side of your vest.
01:08:49Sure.
01:08:50I remember.
01:08:50We were playing cards.
01:08:51And speaking of cards...
01:08:54This was on the floor over there.
01:08:56It's out of the deck you two used at the office.
01:08:59Which one of you lost it?
01:09:01Come on, Frank.
01:09:02Let me see your six cards.
01:09:08One, two, three, four, five.
01:09:11Huh?
01:09:15Yeah.
01:09:16How about yours, Riley?
01:09:17How about the rest of the deck that you put in your pocket?
01:09:20Forty cards.
01:09:21You want to count them?
01:09:23Now, let me see your six.
01:09:26What's the matter, Fred?
01:09:29No.
01:09:40Well, I probably dropped it when I was here before Ames was murdered.
01:09:43You expect me to believe that?
01:09:44Sure he would.
01:09:45Then how do you explain this?
01:09:46Lip rouge.
01:09:48And this glove the murderer was wearing, there's lip rouge on it, too.
01:09:51Just for fun.
01:09:52Try it on, will you, Frank?
01:09:57He couldn't get into them with grease, fingers, and a shoehorn.
01:10:00You could.
01:10:01But your hands are bigger than the doctor's.
01:10:03You had to turn them wrong side out to get them off.
01:10:05And what's more, here's where you blew out the lights before you killed Mrs. Brandt.
01:10:10And a jury would believe that.
01:10:15Don't do that, Frank.
01:10:19Everybody, stay right where you are.
01:10:35Wait a minute.
01:10:45Come on, Riley.
01:10:46Better be a good boy.
01:10:48Keep away from that door, Frank.
01:10:51Get down.
01:10:57Yeah.
01:10:58Got him.
01:10:59No kidding this time.
01:11:01Believe it or not, it was Riley.
01:11:05I guess the sight of all that door must have sent him off his nut.
01:11:13Wait a minute.
01:11:38Well, Riley, you saved me a disagreeable job.
01:11:44Hey, Bill.
01:11:46Make that the late Captain Riley.
01:11:52What a story.
01:11:53What a story.
01:11:55What a story.
01:11:55Captain of Detective Slays 2 for $100,000.
01:11:59Boy, it's a wow.
01:12:02That's the trouble with you newspaper guys.
01:12:04You take a story like this and you smear it all over the front page.
01:12:08But how about the hundreds of cops that get killed in the line of duty?
01:12:12What do you do for them?
01:12:13I'll tell you.
01:12:15Nothing.
01:12:16Sorry, Frank.
01:12:18Yeah, I know.
01:12:19But there's one thing you don't know, Frank.
01:12:21There's one thing that still bothers me.
01:12:26But there's still one thing I can't figure out.
01:12:30I've got one clue left over.
01:12:47Pardon me.
01:12:49My error.
01:12:53Now everything's in its place.
01:12:55What do you think?
01:12:56How can I ever thank you, young man?
01:12:58Only one way.
01:12:59By becoming the grandfather of my children.
01:13:06That's what I like.
01:13:07Come on, Jim.
01:13:23I can only say,
01:13:24Most of them,
01:13:25I can't be sure.
01:13:26Don't call me after I'm the king's son.
01:13:31I just love my king.
01:13:31It's a good love of my son.
01:13:32He's good, sir.
01:13:33You still love him.
01:13:37I'll start talking.
01:13:37I'm the king's son.
01:13:38Let's go.
01:13:39All right, I'll catch up.
01:13:39You got to get to go.
01:13:40You still love me.
01:13:41There's no secret sauce.
01:13:41Sous-titrage FR ?
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