The Brighton Strangler 1945 ‧ Horror/Crime

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00:00:33C'est parti !

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00:41:19oons

00:41:20streaming

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00:41:32I'll say goodnight then.

00:41:33Goodnight, Inspector.

00:41:38Oh, Mr. Gray,

00:41:39why shouldn't we have that little talk tonight?

00:41:42Perfect.

00:41:42Are you sure you'll be free?

00:41:44Why, yes.

00:41:45I'd ask you to dinner,

00:41:46but, well, I'm a bachelor, you know,

00:41:47and my son's away over the holidays.

00:41:50Here's my address.

00:41:52Should we say about nine o'clock?

00:41:55Thanks very much.

00:41:56I'll be there.

00:41:56Good, that'll be fine.

00:42:02Now, it's up to you to talk with Mr. Gray.

00:42:04Okay, okay, but...

00:42:05But what?

00:42:06It's just that I hate tricks and deceit.

00:42:08Besides, I don't want to depend on that guy all the time.

00:42:11But, Bob, you know that I need him as my alibi while you're here.

00:42:14I don't know what we'd do without him.

00:42:16Don't be prejudiced.

00:42:17He's really a nice person.

00:42:18Yeah, I know.

00:42:19He's a dilly.

00:42:20He's a what?

00:42:20Oh, skip it.

00:42:21April.

00:42:23Please don't misunderstand me.

00:42:24I'm not jealous.

00:42:25And I know you love me.

00:42:26But there's something fishy about that guy.

00:42:29The way he talks.

00:42:30The way he looks at you.

00:42:32Will you promise me something?

00:42:34Don't see him when I'm gone.

00:42:35I don't know what you mean.

00:42:37You obviously overestimate my interest in Mr. Gray.

00:42:41Really, you're imagining things.

00:42:43You're being quite silly.

00:42:51You're being quite silly.

00:42:57Say, what are you doing tonight?

00:42:59What do you mean?

00:43:01Why do you ask?

00:43:02I may have to ask you to alter your plans.

00:43:04Come in.

00:43:08What's on your mind?

00:43:09Well, in theory, you're delegated to escort April to a concert tonight.

00:43:13Of course, she's not going.

00:43:14She'll really be here with me once you've called for her at home.

00:43:16Do you mind very much?

00:43:18Why, of course not.

00:43:19That's swell of you.

00:43:19You see, she was supposed to have gone with her mother.

00:43:21You can count on me.

00:43:23As a matter of fact, now you happen to mention it, I think I'd rather like to go to that

00:43:26concert.

00:43:26Just as you say, April has the tickets if you want them.

00:43:35I'll call for you at the hotel after the concert and take you home.

00:43:38Thank you, Mr. Gray.

00:43:39I hope you enjoy the music.

00:43:40I know I will.

00:43:41Thanks again for the ticket.

00:44:22Thank you, Mr. Gray.

00:44:27Oh, darling, isn't everything wonderful?

00:44:31I wish this dance would never end.

00:44:34Oh, if it had to, we'd find that the world was at peace.

00:44:37We'd never have to be separated again.

00:44:40It took a war to bring us together.

00:44:42Well, maybe next year at this time, the lights will go on again all over the world.

00:44:47And do you know where we'll be then?

00:44:49We'll be in New York celebrating New Year's Eve.

00:44:52Gee, what a city.

00:44:53It's really great.

00:44:57I think you'll find me, sir.

00:44:58Yes, what is it?

00:44:59There's a telephone call for you, sir.

00:45:01Telephone call?

00:45:02Yes.

00:45:04All right, I'm coming.

00:45:07I'll be right back, sir.

00:45:31What is it, Bob?

00:45:32Well, there goes our New Year's Eve party.

00:45:34I've got to go back to the base at once.

00:45:36Oh.

00:45:37Oh, I see.

00:45:38That's war, honey.

00:45:40Oh, don't worry.

00:45:41I have expected it.

00:45:42Oh, you're a swell kid.

00:45:44But now I've got to rush to catch that train.

00:45:46Don't bother to come to the station.

00:45:47You have to be here anyway to meet Mr. Gray after the concert.

00:45:49No, I'll come with you.

00:45:51Then I can go directly from the station to the concert hall and meet him there.

00:45:55If I'm lucky, I may even hear some of the music.

00:46:25Oh, you're a swell kid.

00:46:30How'd you like this recording?

00:46:33I find it really inspiring.

00:46:35Music's a wonderful background for our thoughts, isn't it?

00:46:38Yes, it's my only hobby.

00:46:39Since I stopped studying for the bar to join the police force,

00:46:42I've had an active life,

00:46:44mostly dealing with the unpleasant side of human nature.

00:46:47That's why I take to music as a relaxation.

00:46:50My collection of records here,

00:46:52I've got most of the world-famous orchestras and soloists.

00:46:55And I've got a neighbor, too, Captain Perry,

00:46:56who's just as keen on music as I am.

00:46:58Twice a week, we have full-length concerts.

00:47:00You must come to one of them.

00:47:01I'd love to.

00:47:03Yet I am rambling on about music

00:47:04when you want to talk about crime.

00:47:06Tell me, what particular aspect of crime interests you?

00:47:10Is it the science of criminology,

00:47:11or is it particular cases of crime?

00:47:14Particular cases?

00:47:16I'd like to hear about some of yours.

00:47:18Oh, well, you must come over here, then.

00:47:21You authors rely on your imagination.

00:47:23But here's reality for you.

00:47:25My biography in a nutshell.

00:47:29Quite a miniature chamber of horrors.

00:47:32Does it upset you?

00:47:33It fascinates me.

00:47:36Each one of these gruesome relics represents a stage in my career.

00:47:40That butcher's knife, for instance, that was my first job.

00:47:43The butcher suddenly went berserk and carved up his wife like a sheep.

00:47:47Oh, and that bit of hangman's rope.

00:47:49That's one of my most treasured possessions.

00:47:51Got me promotion.

00:47:52It must be a moment of great satisfaction in your profession

00:47:55when the bolt is pulled, the noose tightens,

00:47:58and you know that your murder is done for.

00:48:00Yes.

00:48:02It is.

00:48:03Especially in a case like this.

00:48:04The fellow was leading a double life.

00:48:06He's a mild little chap.

00:48:08You'd never suspect him of being a murderer.

00:48:10But there's one piece of cord I should feel prouder still to have in here.

00:48:13And I may not have long to wait.

00:48:15It isn't a noose like this one,

00:48:17but it has just as deadly an effect.

00:48:19I think I can guess.

00:48:20Mm-hmm.

00:48:21The cord that strangled the mayor.

00:48:23You're right.

00:48:24I've given that case a lot of thought.

00:48:26And I'm convinced the killer was a degenerate man.

00:48:29It's only deranged minds that use the garage

00:48:31as they like to prolong the agony and watch their victims suffering.

00:48:35But supposing the murderer was killing for hate,

00:48:37he'd want to see his victims suffer.

00:48:39The mayor had no enemies.

00:48:41What do any of us know about the private past

00:48:43of even the most harmless and kind-looking individuals?

00:48:46Now, I have a theory.

00:48:48Yes?

00:48:50Your author's imagination might be of use to me.

00:48:52Go ahead.

00:48:53I'd like to hear it.

00:48:54Let us suppose that years ago, long before he was mayor,

00:48:57the victim had a client

00:48:59whom he was briefed to defend in the court of law,

00:49:02but sold out to the prosecution.

00:49:03Mm-hmm.

00:49:04And supposing that after years of imprisonment,

00:49:07this client returns, seeking revenge.

00:49:09What an idea.

00:49:10In the first place, the mayor was never a barrister.

00:49:12And in the second, if he had been, he'd never have betrayed a client.

00:49:17But, uh, finish your story.

00:49:18I certainly will finish my story.

00:49:21When the client returns for his revenge,

00:49:24he lurks outside the mayor's house.

00:49:26There is a snowstorm as the mayor comes home.

00:49:30He doesn't realize that I'm there waiting for him,

00:49:32hiding behind a bush.

00:49:34As he comes by, I confront him.

00:49:37I tell him he's going to die.

00:49:40My hand is the silk cord,

00:49:42and slowly I twist it around his neck.

00:49:44Then I strangled him.

00:49:46I strangled him.

00:49:48Wait a minute.

00:49:49I haven't finished my story yet.

00:49:51I killed the mayor, and I'm going to kill you too.

00:49:53It was you who brought the prosecution.

00:49:55I don't get excited, don't I?

00:49:56I know.

00:49:57You're trying to play for time.

00:49:58You want to get a revolver, phone for help,

00:50:00but you'll never leave this room alive.

00:50:03Oh, my God.

00:50:09Now you can join your crooked friend, the mayor.

00:50:13Alison.

00:50:19Alison.

00:50:21Alison, hello.

00:50:22Yes.

00:50:23Good evening.

00:50:25I'm afraid Inspector Alison isn't home yet.

00:50:27Oh, I see.

00:50:28Are you a friend of his?

00:50:29Yes.

00:50:30I'm his neighbor, Captain Perry.

00:50:31I brought him back his record.

00:50:33Give me the album.

00:50:33I'll put it back.

00:50:34Don't bother.

00:50:35I know the way.

00:50:55I'm afraid you will have to help me, though.

00:50:57Could you find the Uraica of Beethoven?

00:51:04Music is my greatest pastime now.

00:51:09Here you are.

00:51:11Thanks.

00:51:25If you see Alison,

00:51:26will you tell him that I was here

00:51:27and picked up the album?

00:51:28I will.

00:51:29Thanks.

00:51:29Well, good night.

00:51:30Good night.

00:51:31Good night.

00:51:41Good night.

00:51:44Good night.

00:52:11Excuse me.

00:52:13Is Mr. Gray in?

00:52:16No, he hasn't come back yet.

00:52:19Thank you.

00:52:20Thank you.

00:52:24Thank you.

01:01:23C'est parti.

01:01:53C'est parti.

01:02:24You'll go out with the old one.

01:02:37Have you taken anyone else up to the roof garden?

01:02:39Yes, sir.

01:02:40A lady in uniform and a tall, good-looking gentleman.

01:02:42That must be them.

01:02:59Look!

01:03:08Don't shoot.

01:03:09Applaud, applaud.

01:03:10Come on!

01:03:13Help!

01:03:15Help!

01:03:16Help!

01:03:44No!

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