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Jupiter Moon is a science fiction soap opera television series first broadcast by British Satellite Broadcasting's Galaxy channel in 1990. 150 episodes were commissioned and made, but only the first 108 were broadcast before the closure of BSB. Episodes 109–150 were first shown in the UK on the Sci Fi Channel in 1996.

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TV
Transcript
00:01Everything all right, Higgs?
00:02Minos shuttle to Valhalla departs in T-minus 25 minutes.
00:06Pre-check sequence starts.
00:09Captain Kovitsky calling commsen.
00:11Petra?
00:12Higgs, could you do me a favour and stay on call in the captain's quarters tonight?
00:16Right, yeah, captain.
00:17If there are any problems, give me a bell.
00:18Otherwise, get your head down and I'll see you tomorrow.
00:21Oh, hello.
00:23Hi.
00:24Er, just looking in.
00:27Sleep well, oh, captain mine.
00:30Told you, dinner and all the trimmings.
00:34Oh, you.
00:43Oh, girl, sure.
00:44It's Charles, she's not very well.
00:46We think she might have a poorly tummy.
00:48Good night.
00:49Sure.
01:00How does dreams complicated and have a very strong story?
01:02Yes, the world has a high voltage.
01:10How does..
01:24What does theapo do with it?
01:26They all have a whole idea of Incredibles,
01:34She must have opened the lid. I didn't realise she could do that.
01:36She can't open her lid. You didn't fasten it properly.
01:39Of course I fastened it properly.
01:40And we didn't agree that you could take her into your cabin. She's my hamster.
01:43Well, you find her then.
01:45I only brought her here because I was worried about her and she wasn't well.
01:47Well, you two shut up.
01:49If someone finds her, they're going to kill her.
01:51Well, because she can't have gone far. She was probably just a bit nervous.
01:54It's OK, as long as we keep the door closed.
01:56Open.
01:57No.
01:58Good morning.
01:58Good morning.
02:01Good morning.
02:02What should we do today?
02:04I don't know. What do we usually do?
02:10We're really worried about her, Thimbo.
02:12I'm busy, Tim.
02:14Well, she wasn't very well last night, so she slept in Fiona's cabin.
02:17Well, she must have left the box open and now we can't find her.
02:20What did you say?
02:21Well, she wasn't very well last night, so she slept in Fiona's cabin.
02:23No, no, the bit after that. Oh, look, never mind. I'll talk to you later.
02:28Damn!
02:28What is it with these kids? Why don't they see the doctor if they're not well?
02:33Thimbo?
02:35Oh, are you going now?
02:36Someone has to be captain.
02:38Ah, yes, right. Well, I'll come with you.
02:39No, don't be silly. I'll, er, go and have some breakfast and I'll see you later.
02:50Professor, I didn't know you were back.
02:52Early shuttle.
02:54Ah, right.
02:56Everything, er, all right, is it?
02:59Fine. Why?
03:00Mr Lewis's eyes. I hear the operation was a complete success.
03:03Oh, it was. He's fine.
03:05Good.
03:11Timshaw.
03:12Don't be quite, Claire. Come on, Carrie.
03:14Do you know I ought to tell Rebecca about you two?
03:16Never mind about that. Come on, from the top now.
03:18Oh, even or odd, of all days of the year, come Lama's Eve at night, shall she be 14.
03:24All right. So you've lost it. Where have you lost it?
03:27Um, Fiona's cabin.
03:28Didn't we lose that speech?
03:30Have you any idea? Any idea how serious this is?
03:32You didn't, did you? But that's one of my best speeches.
03:35We're going to have to cut it. It's too boring.
03:37But I learnt that off by heart.
03:38And that's exactly what it sounds like.
03:40Look, we're really sorry, Finbun.
03:41I'm coming over. Don't let anybody in or out.
03:45Oh, it's all right. We found her.
03:47Oh, don't bring that thing near me.
03:49Study lab four at 9.15. I want to see you both.
03:52You're stupid. She's only a baby.
03:55It's a rodent and I don't like them and they're not even allowed on this ship anyway.
03:59So if I see it again, I'm going to tell someone.
04:01Cow!
04:01Now, by my maidenhead. Come on, Sarah. Concentrate.
04:04We've got a dress rehearsal at noon.
04:07Look, I'm going to go and have some breakfast.
04:08Wait!
04:11Oh, no!
04:15Okay, okay. Um, is everything all right?
04:18Hi, Sarah.
04:19Yeah, look, I'm going to go for a coffee, all right?
04:20An old hair whore, an old hair whore. It's very good meeting, Lent.
04:23Yeah, yeah, yeah, all right. Have you got the costumes?
04:25Yeah, no problem.
04:27I've aged years during this production.
04:29You and Daniel have got the laser swords, haven't you?
04:31Yeah, they're nearly finished.
04:32We need them. We need them.
04:34Well, they'll be ready for tonight.
04:35No.
04:36A dress rehearsal is like a first performance without the audience.
04:39We have to have the laser swords.
04:41Okay.
04:42Sarah, have it thee.
04:46Oh, she does teach the torches to burn bright.
04:50It seems she hangs upon the cheek of night as a rich jewel in an ethiopsia.
04:56That's terribly good, Jim. Did you make it up yourself?
04:59Listen, yesterday we had to miss a stellar evolution seminar
05:02because everyone was at rehearsals or practising for Simpson Bass.
05:06And the tutor said that it's not worth giving a seminar for just a few of us.
05:09And that's not right. I need these seminars.
05:11And now, this afternoon, there are no classes at all
05:14because everyone's at dress rehearsal.
05:16And it's not fair, Rebecca.
05:18No, I suppose it isn't.
05:19I'm not even in this play anymore, you know.
05:22And I'm the only real Italian on this ship.
05:24Well, can't you just go and work by yourself somewhere?
05:26Morning.
05:28Morning.
05:28Morning.
05:28Morning.
05:29I mean, you must have a project you can be getting on with.
05:32That's not the point.
05:33I don't see why my academic work has to suffer
05:36because of people like Byron Wilkinson.
05:38I'm a better actress than Gabriela.
05:41Everyone says so.
05:44Sleep well.
05:46Why?
05:47No reason.
05:49God, I really hate Wednesdays.
05:53Everything's falling to pieces.
05:54We've got a dress rehearsal, no Juliet, no laser swords.
05:58You're OK for light and sound, aren't you?
06:00I'll meet you at the green room.
06:0211.30.
06:03You're a doll.
06:03Break a leg.
06:05Oh, thank God.
06:06I thought he'd never go.
06:08What's the green room?
06:09We haven't got one.
06:10Here you are.
06:11Break a leg.
06:13And don't give her any more chocolate.
06:14She was sick again this morning.
06:16That was probably because you lost her.
06:17I did not lose her.
06:19She opened the lid.
06:20You didn't shut it properly.
06:21Anyway, if she was sick this morning,
06:22that was probably because she was so worried.
06:24I bet she's hungry again now.
06:25Timmy, she's not well.
06:27She's got an upset stomach.
06:28All this hamster needs is bread and water.
06:31Fee, what are we going to do with her?
06:35There's someone called Tranquility been calling you.
06:37She's going to call back again in 15 minutes
06:39and you can take it in my office.
06:40It might be personal.
06:41Then I'll put my hands over my ears.
06:45Thimbo.
06:45We're sorry we scared you, Thimbo.
06:47Wait, you were the one who called him.
06:49Right, where is it?
06:53Now, I happen to know how this got to Callisto.
06:56I have a lot of sympathy with these people's views.
06:58Not that I have any time for anarchy, you understand.
07:00Yes, Thimbo, of course we know.
07:01It really is too risky to keep that aboard the ship.
07:04Now, you tell your friends that, you speak to them,
07:06and then one of you will have to take it down on the shuttle.
07:08All the other animals have been caught and killed.
07:10Yes, well, I'm sorry about that, Tim.
07:12It's OK.
07:13We understand.
07:14Come on, Tim.
07:17Where's Daniel?
07:18I can't do everything myself.
07:20Well, he was in bed last time I saw him.
07:22Guy, please, this is a dress rehearsal.
07:24You're supposed to be in costume.
07:25You are in Act One, Scene One, for heaven's sake.
07:27Sorry.
07:28Get Daniel out of bed while you're at it.
07:31Prince.
07:32Where's my prince?
07:34Prince, where are you?
07:35Hi.
07:36How are you doing?
07:37Fine.
07:38I'm just trying to think myself into character.
07:41But it's hard without Gabriella.
07:43Come on.
07:44No horseplay on the floor.
07:46Nobody's to speak unless I tell them to.
07:49You can all go and stand over there with your eyes closed
07:51and get into character.
07:53I'm so glad I'm not in this play.
07:55So, I just wondered what time you were doing your rounds,
07:58because I thought, well, I could come with you.
08:00Great.
08:00I'll give you a call.
08:01It's very dreary doing captain's rounds on your own.
08:04It's much better to do them with someone else.
08:06Yes.
08:06Uh, OK.
08:08Are you tired?
08:09I am.
08:10I can hardly keep my eyes open.
08:12I'm fine, thank you, Mr. Lewis.
08:15Wouldn't do for us both to be walking around in a daze, would it?
08:17I'll talk to you later, Mr. Lewis.
08:20Why does Mr. Lewis keep telling us all how tired he is?
08:24How should I know?
08:26Somebody's blabbed.
08:27It's all over.
08:28Oh, no.
08:29Here, take these.
08:30I'll catch up later.
08:31Tranquility call.
08:32They know everything about the hamster.
08:33They're sending the cops on.
08:34Well, who talks?
08:35It doesn't matter, does it?
08:36Oh, God.
08:37The thought police.
08:38Sensory deprivation.
08:39Heavy interviewing techniques.
08:41I'm sorry, Charles.
08:42It looks as if there's nowhere left to hide.
08:44Don't say that.
08:45Oh, Tim.
08:48They're coming up on the next shuttle.
08:49They're certain the thing is alive.
08:51They're certain that Shaw and McBride have got it.
08:53And do you know what else they seem certain of, Mr. Lewis?
08:55Yes, well, they really shouldn't tap into private circuits.
08:58It's illegal, you know.
08:59They could go to jail for a very long time.
09:00They're certain that you know all about it.
09:02For God's sake.
09:04The Daedalus mission is spending 300 million eccues
09:08on the search for life in deep space.
09:11Tim's hamster is life.
09:13It's small, it's warm, its heart is beating,
09:16and it's a long way from home,
09:18and all we can think of to do with it
09:19is experiment on it or kill it.
09:22I'm sorry, Captain,
09:24but I'm on the side of the hamster.
09:26Oh.
09:27Sarah, you'll have to play Juliet until Gabby gets back.
09:30I can't play Juliet and the nurse.
09:33Hey, get Daniel down here, he can do it.
09:35Don't mock.
09:38Where's Jenny? Jenny'll have to read Juliet.
09:40Jenny's playing Lady Capulet.
09:42Most of her scenes are with Juliet.
09:44Anna, lovey, a word.
09:47Uh-uh, don't think I'm doing you any favours.
09:49Look, just be my Juliet, just for this afternoon.
09:52No.
09:54Not after the way you talk to me.
09:56Not unless you apologise.
09:58Life's too short.
09:59I'll read Juliet.
10:01Caffone.
10:02Now, you needn't think I'm kissing you.
10:05Like they had at the Reformation.
10:06What's the Reformation?
10:08Oh, never mind.
10:09But they had these things called priest holes, right,
10:11where people used to hide.
10:12We only need a smaller hole,
10:14or a collection of smaller holes and runways.
10:17I know, we could build hamster communities.
10:20Like an alternative universe for hamsters.
10:22Yeah.
10:23Petra would find out.
10:24She'd close it down in about five seconds.
10:30Come send now, Mr. Shaw,
10:32and bring Miss McBride.
10:34Aye, me.
10:37She speaks.
10:38Oh, speak again, bright saint,
10:40for thou art as glorious to this night being o'er my head
10:44as is a winged messenger of heaven
10:47unto the white, upturned, wondrous eyes of mortals.
10:52Romeo, Romeo, wherefore art thou, Romeo?
10:57Deny thy father and refuse thy name.
11:01Lord, if thou wilt not,
11:03be but sworn, my love,
11:05and I'll no longer be a Capulet.
11:08It's not funny!
11:12Shall I hear more?
11:14No, no more, please.
11:18Criminal stupidity.
11:19You know about the physical risks to a ship caused by rodents.
11:22Well, do you?
11:24Oh.
11:25Oh, come on.
11:26You tell me, Mr. Shaw.
11:27It's not right to experiment on innocent creatures.
11:30But it's OK to have them running round
11:31eating through power cables, is it?
11:33It's OK to cut off the life support systems.
11:36That hamster never ate one power cable.
11:39What if she was sick?
11:41What if she's carrying a virus?
11:42What if she's been exposed to plague on Island 5?
11:44It's not right to expose animals to plague.
11:46But you don't mind exposing the whole ship
11:48to whatever she's carrying?
11:50That's a risk you think is worth taking, yes?
11:52What are the lives of a couple of hundred people
11:54compared to your hamsters?
11:57But it's not just the ship, is it?
11:59There's the shuttle going up and down every five minutes.
12:02We've all the people on Callisto to think about as well.
12:04Sorry.
12:05You will be.
12:06The cops are coming up to see you.
12:09Space City Security Office calling in.
12:12Petra, hold call.
12:14Will they take her away?
12:15The extermination squad.
12:17I don't suppose they'll take her very far.
12:19I'm not sure that was entirely necessary.
12:22I'm as sorry as you are.
12:24I don't like the way they treat animals either,
12:25but we can't risk the lives of hundreds of people
12:27for one small creature.
12:29The hamster has got to go.
12:47What's everyone else?
12:48I can't usually get a seat in here at lunchtime.
12:50Dress rehearsal for Romeo and Juliet.
12:52Ah.
12:54I played Tybalt once.
12:55Or Macusia, one of the hooligan ones.
12:58You should enjoy it then.
12:59Oh, student drama, Romeo and Juliet.
13:02No, not really my sort of thing.
13:04It's wonderful.
13:04I haven't laughed so much in years.
13:09Tell me something.
13:10Have you heard the rumours that Mr Lewis and Captain Kovitsky are...
13:14Are an item?
13:14Yes.
13:15Are they?
13:16Well, it's beginning to look that way.
13:19Good Lord.
13:20I can't think what...
13:21Well, I mean, a girl like that and Fimble Lewis.
13:25He saved her life.
13:27She said thank you already.
13:28This seems a bit drastic.
13:30She likes him.
13:31Hmm?
13:33It's a mistake.
13:34She'll regret it.
13:36That's what Commander Drummond said.
13:38Why can't Fimble have a girlfriend?
13:40There's no reason why he can't have a girlfriend.
13:42Good heavens, no.
13:43I saw him dancing on Pacify now with a very nice second-year girl.
13:47Thought they made a charming couple.
13:48Hey, Linda, she wasn't on Pacify.
13:50Not Miss Gotthard.
13:51Miss Skinner.
13:51The one who plays a tambourine every Sunday morning with Anna McGarney.
13:54You know, everyone laughs at Fimble.
13:56Everyone underrates Fimble.
13:58Well, perhaps Captain Kovitsky, to her credit, doesn't.
14:02No.
14:03I think you're all having me on, Miss Harvey.
14:05Pulling my leg.
14:08I'm shattered.
14:11Me too.
14:13Do you know what I have to do next week?
14:15Surprise me.
14:15Navigation simulation on Valhalla.
14:19They have a problem in Valhalla.
14:20Technical fault with a Minos shuttle.
14:23They can't get Drummond and our students back.
14:25Well, I hope it stays out of commission.
14:27I don't want to go.
14:29Sorry.
14:30Normal service resumes tomorrow.
14:32Oh, well.
14:34Cheer up.
14:35It's only for a few days.
14:36I was looking forward to it.
14:37I quite enjoy navigation simulation, but, um, well, I think I'm going to miss you.
14:45I'll miss you too.
14:50What's a microwave clairvoyant system?
14:53No idea.
14:54Oh.
14:55Why aren't you at dress rehearsals?
14:56Everyone else is.
14:57It's over.
14:59Oh.
14:59Anything all right?
15:01You happy now, Anna?
15:02Got lots of work to do, have you?
15:03Yeah.
15:04What's a microwave clairvoyant system?
15:06Ask your tutor.
15:08You know there's been a hitch on Valhalla.
15:10One of the shuttles is out of action, so that means we won't get Gabby and Victoria back
15:13until tomorrow.
15:14But don't worry.
15:14They're perfectly safe.
15:16I don't know if this makes any difference to either of you two.
15:18I know who it will make a difference to.
15:20What's he going to say?
15:22No!
15:25No way!
15:26No, this cannot be!
15:28We've got to get them back now.
15:30What?
15:30Call Callista.
15:31Get an emergency crew.
15:32Now listen.
15:33No, you listen.
15:34It's Gabrianna Tanzi.
15:35She's my Juliet.
15:36I've got to get her back tonight.
15:37It's our opening night.
15:38Oh, dear.
15:39Is she one of the students stuck on Valhalla?
15:41Oh, dear.
15:41Mm, yes, I think she is.
15:44Well, she won't be back until the morning.
15:45One of the shuttles is on the blink.
15:46Call Callisto up.
15:47Get them to send moon buggies.
15:48It's only 40 kilometers.
15:50Get an emergency crew.
15:51Moon buggies?
15:52Emergency services just for a student play?
15:55The first production of Romeo and Juliet in the Jupiter system, you philistine.
15:59Get off the bridge.
16:01This is a university.
16:02Why do they stop it with morons?
16:04Get off the bridge, you arrogant, rude pig.
16:07If you want to call Space City, I'm not stopping you.
16:09You call them at your own expense, and you don't do it from here.
16:13Look, I don't think she's got nothing.
16:15Well, the police are coming up now, and I'd like to know before they take her away.
16:18Yes, Tim, I think we'd all like to know.
16:19Can you just check her out?
16:21Oh, isn't she sweet?
16:23What's her name?
16:23Charles.
16:24Oh, hello, Charles.
16:26Hope you haven't got anthrax.
16:27Can we just run her through Medicom?
16:28I'm not a doctor, Timmy.
16:30Please, Rebecca.
16:32So, I called Callisto, and they wouldn't listen.
16:35I told them it was a matter of life and death, and they couldn't care less.
16:38I mean, they'll do anything if you throw enough money at them.
16:416,000 AQs, to be precise.
16:44But you asked them to take one humanitarian action, and they couldn't care less.
16:48Sorry about your play, Mr. Wilkinson.
16:50Please, call me Byron.
16:52Mad, bad, and dangerous to know.
16:55Yes.
16:56Why is it I keep thinking you've left us and gone somewhere else?
16:59I went to Pacify for six months doing nuclear astrophysics.
17:02I've only been back a few weeks.
17:03Ah, so you now have a deep and valuable understanding of how elements are formed in supernova explosions.
17:08Yeah, but never mind about that.
17:09The proportions of the various elements and their isotopes in the different parts of the cosmos.
17:13Yes.
17:13I see you first came to Columbus College five years ago.
17:18Professor, I'm not here for vocational counselling.
17:20Five years, and you've managed to switch courses four times.
17:24I gotta have a Juliet.
17:26I hope you're not asking me to stand in.
17:28Look, call them up.
17:30Call up the emergency services, telling them you want some action.
17:33Top priority.
17:34Tell them it's for Deedless.
17:36They'll shift themselves if they think Deedless want an emergency pickup, okay?
17:39Not really, no.
17:41Oh, come on, Professor, come on.
17:42Where's that famous Brennan humanity, that sense of humour?
17:47It is not an emergency.
17:48It is not top priority.
17:50The fearful passage of their death marked love?
17:52Come on.
17:54For God's sake, I've gotta have Gabriella Ternsey.
17:56We're talking life and death here.
17:58No, we're not.
17:59We're talking student drama.
18:01So you don't care about art and beauty and truth and theatre?
18:05Yes, but I'm not that bothered about your production of Romeo and Juliet.
18:09Get a stand-in.
18:10This will ruin my career.
18:12You haven't got a career.
18:14You've spent five years looking for one.
18:17Blood Valley's normal.
18:18Heart rate normal.
18:19Urine normal.
18:20If it ever gets out, I'm a hamster quack.
18:22No disease found.
18:23No infection.
18:25She's all right.
18:26Perhaps we did give her too much chocolate.
18:28It's nice to know we won't all get played.
18:29Who's a healthy girl, then?
18:31You know, you've still got the extermination squad coming up.
18:34They won't care what she's got.
18:35Shuttle from Space City and Space Harbour.
18:38Docking T-minus five minutes.
18:41That's them.
18:43We've got a performance in three hours.
18:47Three hours!
18:48You'd be hard-pushed to get Gabby back here,
18:50even if they did send a backup shuttle.
18:52Oh, my God!
18:53Leave this rabbit alone.
18:54Go and throw her stuff in your own cabin.
18:56I've totally ruined my entire cabin.
18:58It would take a refurbishment to make it fit for human habitation.
19:00Oh, give us a break, Byron.
19:02Go and get lost, will you?
19:03How can you be so passive?
19:04How can you just lie there?
19:06Well, you did tell us to have a rest after the rehearsal,
19:08before tonight's performance.
19:09How can there be a performance if we don't have a Juliette?
19:14Of course, there is somebody on the ship who isn't in the play,
19:18who knows all the lines.
19:22No.
19:23No, absolutely not.
19:25No way, never.
19:26Absolutely not.
19:27No, no, no!
19:30Please, Rebecca.
19:31Can I trust you?
19:32Of course you can.
19:34Hey, what a cute little hamster.
19:37I had a hamster like that when I was little.
19:39It's hopeless.
19:39There's nowhere to hide on the ship.
19:41We called him Nero because he was musical.
19:44That was the name of my hamster.
19:46Security shuttle Scimitar.
19:48Docking T-minus two minutes.
19:50It's hopeless, Tim.
19:53Tim, Tim, come back.
19:54Tim, there's nothing you can do.
19:55It's too late.
19:55Tim, I've trusted you.
19:57Anna, darling, it's time for you and me to talk seriously
20:00of star-crossed lovers.
20:16You're the only one that can help us.
20:18How?
20:19Can I go against the security police?
20:21They're going to kill her.
20:22They're already here.
20:23She may have a disease.
20:24She could be infectious.
20:25She's not.
20:26We ran her through Medicom.
20:27She hasn't got anything.
20:29I wonder if I could...
20:31Yes.
20:34Tim, come on.
20:35They're here.
20:35Bring it back to Medicom now, please.
20:37Rebecca!
20:37Tim, I trusted you.
20:39Now, Timmy.
20:42Go on.
20:48Try and store.
20:50See what I can do.
20:57Yeah, yeah, all right.
20:58I'll have to do.
20:59Now, you two.
21:00You've never experienced anything like this before.
21:03You can say that again.
21:05It's overwhelming emotion.
21:06It's knocked you out.
21:07It's grabbed you in the guts.
21:09I understand.
21:10A woman's passion in a young girl's body.
21:13No, I can't do this.
21:14It's okay, Zadok.
21:16I'll help you.
21:17Think of how the moth is drawn to the candle and dances there.
21:20The moth cannot resist the light, even though it means certain death.
21:24What?
21:25Come on, darlings.
21:26Act three, scene six.
21:28No, it's useless.
21:29Gabby's my Juliet.
21:30I don't think Gabriela conveyed passion successfully.
21:33Although Juliet's only a child, she is consumed by such burning desire that it destroys her.
21:39Gabriela's not exactly shallow, but a bit lightweight, perhaps.
21:43I'm not doing it.
21:44Not with her.
21:46Look.
21:47Look.
21:48She's the only one who knows the lines.
21:50I don't care.
21:52Gabby's my Juliet.
21:53Yet if I can't have her, the deal's off.
21:56Sorry, brother.
21:57There you go.
22:00Are you trying to destroy me utterly?
22:03You've always been jealous of me, haven't you?
22:05Ever since I got the space bike for passing my exams.
22:09It's okay, Baron.
22:10We don't need him.
22:11To tell you the truth, I didn't think he was very good anyway.
22:14I don't know who gave me the hamster.
22:16I'd never seen him before.
22:17He was sort of ordinary looking.
22:20Medium height, average age.
22:22Well, I only saw him for a few seconds.
22:24What about you?
22:25No comment.
22:26Description?
22:27I have nothing to say.
22:29Tell me about you and Tranquility.
22:31Who's that?
22:31No comment.
22:33Look, I don't think they can help you anymore.
22:35They're very sorry for all this and, of course, it won't happen again.
22:38And we'll be taking disciplinary action here at the college as we're in Loco Parentis.
22:43Oh, good.
22:44You've got my hamster.
22:45Here's the animal license.
22:47The deedless project is, of course, licensed to carry animals
22:50and this animal has been a deedless research hamster since about five minutes ago now.
22:56If you want to check with central control, well, that's good.
23:01I'll take my hamster then, shall I?
23:06And I'll still stay to have thee still forget.
23:10Forgetting any other...
23:11Forgetting any other home but this.
23:14Tis almost morning I would have thee gone,
23:16and yet no further than a wanton spurt.
23:18God, they're awful.
23:20They are so awful.
23:21Like a poor prisoner in his twisted jives.
23:24I'm having my name taken off this production.
23:26Me too, and I'm only lighting.
23:28Still, we're 700 million kilometers from home.
23:30I would, I were thy bird.
23:30Maybe we'll find out.
23:32Don't count on it, Barry.
23:33Yet I, yet I should kill thee with much cherishing.
23:36Good night.
23:38Oh, good night.
23:39Parting is such sweet sorrow.
23:41That I say good night till it be morrow.
23:47Oh, good night till it be morrow.
23:47Oh, good night till it be morrow.
24:02Oh, good night till it be morrow.
24:04Oh, good night till it be morrow.
24:04Oh, good night till it be morrow.
24:04Oh, good night till it be morrow.
24:04Oh, good night till it be morrow.
24:06Oh, good night till it be morrow.
24:06Oh, good night till it be morrow.
24:07Oh, good night till it be morrow.
24:08Oh, good night till it be morrow.

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