- 1 day ago
Jupiter Moon is a science fiction soap opera television series first broadcast by British Satellite Broadcasting's Galaxy channel in 1990. 150 episodes were commissioned and made, but only the first 108 were broadcast before the closure of BSB. Episodes 109–150 were first shown in the UK on the Sci Fi Channel in 1996.
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Instagram only allows me to upload videos less than 20 minutes, YouTube just isn't having me..
where else do random people post/share random videos for random people?
For full-length version of this and access to the >150tb archive from which this was pulled.. feel free to contact me directly.
-*_*We appreciate your donations to our Server Fund*_*-
Venmo: https://venmo.com/shareyourworld
Paypal: https://paypal.me/allcreatures313
Buy me a Coffee(or Beer!): https://buymeacoffee.com/reidsquard
Cashapp: $allcreatures313
We also accept Amazon and other gift codes
If you are interested in a Jellyfin subscription, keys to unlock direct downloads from open directories or other options outside of soulseek please send email to woollarding@gmail.com
-mahalo
Category
📺
TVTranscript
00:01Override amber sentinels. Hold altitude at 6 kilometers. Reduce velocity to 20%.
00:07Effective to avoid that sulfur flume, I hope.
00:09Yes, I thought it might as well.
00:11Petra, override red sentinels.
00:13Negative, Commander. Increasing velocity to 30%.
00:18Altitude to 12 kilometers. Time equals T plus 30 seconds.
00:23Down the computer.
00:24Ship isn't programmed to self-destruct.
00:26Radio signal 429 to 5.
00:28Petra, lock on. Visual scan 420.95.
00:32Increased communication, Link.
00:34Possibly an Ilya distress beat.
00:35Too little, too late.
00:39Petra, magnification times 100.
00:44There it is.
00:46Ilya to shuttle.
00:47Ilya to shuttle. Do you read?
00:52Oh, my God.
00:54Shuttle to Ilya. Stand by for shuttle docking.
00:59Captain Lewis.
01:01Where the hell have you been?
01:37I hope you had a good night's sleep.
01:38Oh, the sleep of exhaustion. I'm still in a sort of fog.
01:42We've put the others in the common room.
01:44A bit short of cabin space, I'm afraid.
01:45Oh, to be honest, I don't think any of us care where we have to lay our heads.
01:49Where's Captain Lewis?
01:51Hello?
01:51Ah, I don't know.
01:52I've hardly had a chance to speak to him.
01:55Sit down.
01:56Come and try some of the famous Ilya fruit cup.
01:59I can't imagine how we're going to thank him.
02:01It was the bravest thing I've ever come across.
02:04He's a good man.
02:05Now then, let me tell you a little bit about myself.
02:09I'm Charles Breland, project coordinator, Deedalus, and chief scientific officer, Jupiter System.
02:16Why did you let him come down? I told you to abort all rescue attempts.
02:21I thought there was a chance he might go through.
02:22Not much of a one.
02:24He must be a remarkable man.
02:27You must be a remarkable woman, trying to turn help away.
02:30Could you find out where he is, please?
02:35Petra, get me Mr Lewis.
02:38You mustn't expect too many social graces from Fimbo.
02:41I beg your pardon?
02:42Fimbo Lewis.
02:43Ah, where are you?
02:45Well, on the bridge.
02:46What about Drummond?
02:47I've just taken over from Drummond.
02:48Don't worry, Professor, I'm quite capable.
02:51I'll see you in about 15 minutes.
02:53Bring you a visitor.
02:54I'd rather see him alone.
02:57As you wish.
02:58Just send in a report.
03:01He ought to get the award, don't you think?
03:04A medal, you mean?
03:05The European Space Award for Outstanding Bravery.
03:09Didn't some publisher put up a million eccums to go with it?
03:13Yes, sir.
03:14Now you've come to mention it, I think they did.
03:19Shakespeare's Juliet was not Northern European, Fiona.
03:22If you don't understand that, you missed the whole concept of the play.
03:25Shakespeare was Northern European and he made her up.
03:28He didn't make her up.
03:30He stole the plot from an old Italian story.
03:33I understand how she felt.
03:35I was like that when I was 13.
03:38About a boy called Giorgio.
03:41What's funny?
03:43What's funny?
03:44You know that there's love because you're embarrassed by your feelings.
03:47That's the difference.
03:48We don't get embarrassed by our feelings.
03:50Hi, girls.
03:50Hi.
03:52Fiona, could you meet me at 13.30 in the dome?
03:54You'll give us time to get organized for the auditions.
03:56Yeah, sure.
03:56Anna, Mia, how's it going?
03:58Hello, Byron.
03:59I'm really beginning to understand Juliet.
04:01Oh, that's fantastico.
04:03You keep it up, Anna.
04:04What time shall I come?
04:05Where?
04:07To my audition for Juliet.
04:09Between 14.30 and 1800 in the dome?
04:12Have you done much acting?
04:13Well, I did Mother Courage at school.
04:15Oh, great play.
04:17Ciao, Anna.
04:18See you later.
04:19Bye.
04:21Fiona, is he any good?
04:24He's energetic.
04:25That's not always the same thing.
04:28Petra, review course coordinates.
04:32Ilya, 14,000 kilometers from Io.
04:35Course is Lima, 34.2.
04:38Delta, 12.4.
04:40Speed, 2118 kilometers per hour and accelerating.
04:45Captain Lewis.
04:47Oh, hello.
04:49You saved my life and the lives of five others.
04:52You took the most terrible risk imaginable,
04:54not just for a split second,
04:56but sustained over many hours.
04:59Ah.
05:02Yes, well, it's just the job.
05:04It isn't just the job, and we both know it.
05:07Well, as long as it worked out all right, then.
05:10And Petra Systems check, country one.
05:13Confirmed?
05:14You'll excuse me the continual grind.
05:18I'm going to make sure people know about you.
05:20What people?
05:21The right people.
05:23The important people.
05:24Oh, well, Elliot always advised me
05:26to stay well clear of the important people.
05:28Elliot?
05:28Yes, he was the captain.
05:33Captain Lewis.
05:34It was virtually impossible
05:36to land a shuttle on Io
05:38in the conditions prevailing last night.
05:40Yes, well, it was a bit of a pig.
05:41A bit of a...
05:44The Ilya's lucky to have a captain like you.
05:48Look, I'm trying to work here.
05:50I just wanted to thank you.
05:53Yes.
05:54And, um...
05:55I'm not the captain, by the way.
06:00Hiya.
06:01You coming to class?
06:03I'll go with you.
06:04I've got stellar evolution with Professor Perelman.
06:06No, don't worry.
06:07You go on.
06:08Fine.
06:09Oh, Melody.
06:10That looks a bit tight.
06:11It's not.
06:13You're never going to get that done, Art.
06:15Of course I will.
06:16Look, it's no use, Melody.
06:17You're just getting too big for your clothes.
06:20Sarah, I've only put on three kilos.
06:22All our clothes are meant to take a variation weight
06:23of three kilos anyway.
06:25Something's happened to this.
06:26Are you an ostrich or what?
06:27You're pregnant, Melody.
06:29You're going to get bigger and bigger.
06:31Oh, I don't like it.
06:33I don't want to be fat.
06:34It's not fat.
06:36It's pregnant.
06:38Where on earth are we going to find any clothes for you?
06:40I mean, they're hardly going to sell pregnancy outfits
06:42in the Jupiter system, are they?
06:43Maybe I could borrow your clothes.
06:45Pardon?
06:46What does it do after the baby's born?
06:47Yeah, but we're the same size.
06:49Well, you've always been that little bit bigger than me.
06:52I have not!
06:54And even if I have, we're not talking little bits, are we?
06:57We're talking enormous tummies.
07:00You're trying to make me feel awful, aren't you?
07:01Look, you can try on my clothes if you like,
07:03but they're not going to be any better.
07:05Oh, I'm going. I'm going to be late otherwise.
07:08It was the nightingale and not the lark
07:10that pierced the fearful hollow of thine ear.
07:13Nightly she sings on yon pomegranate tree.
07:17You can read it for the audition.
07:19Everyone else will.
07:21Believe me, love, it was the nightingale.
07:23Hiya.
07:25Thought I was going to be late.
07:26No, Breland's late.
07:29That doesn't look much like stellar evolution.
07:31She thinks she ought to be Juliet because she's Italian.
07:34Oh, I did Juliet once when I was at school.
07:36She's a right idiot if you ask me.
07:39Yon light is not daylight.
07:40It is some meteor the sun exhales.
07:44Good morning, ladies and gentlemen.
07:46Good morning.
07:48This morning we're continuing our survey
07:51of supernova detonation mechanisms.
07:58I can just leave the coffee and go.
08:00No, I'm sorry I was a bit short with you earlier.
08:03I'm still very tired.
08:04You don't have to watch what you say with me.
08:06If it wasn't for you,
08:07I'd be stuck inside a piece of lava by now.
08:09I wish...
08:10I wish that you would stop going on
08:12as if I'd done something heroic.
08:13You did.
08:14No, you don't understand.
08:16I didn't rescue you because I'm a hero.
08:18I rescued you because I'm a failure
08:20and I'm about to be thrown on a scrap heap.
08:22Say that again.
08:23No, it's true.
08:24She couldn't get it done up at all.
08:25Well, she'll have to borrow Daniel's clothes.
08:27Oh, yeah.
08:27Try telling Melody.
08:28Hi.
08:28Hi, man.
08:29Hi.
08:30You know, what I can't understand
08:31is why is this girl still three times cleverer than me?
08:34Because I'm pregnant, Jim, not brain dead.
08:35Hey, Melody.
08:36Fiona thinks you should borrow Daniel's clothes.
08:38Thanks, Fiona.
08:40Good.
08:41Nothing to worry about.
08:42A few transient symptoms of stress, that's all.
08:45Are you surprised?
08:46Ah, yes.
08:47You had a very lucky escape.
08:49It wasn't luck.
08:50It was Captain Lewis.
08:52Yes, it was astonishing.
08:54Tell me, why is he being sent back to Earth?
08:57He didn't tell you.
08:57He said it was medical grounds.
09:00He's not very easy to talk to.
09:02Yes, it is medical grounds.
09:05What are they?
09:06I'm his doctor.
09:07I can't tell you.
09:09Hello.
09:10How are you today?
09:11I'm so sorry I haven't been to see you.
09:13I have been rushed off my feet with the students.
09:16Oh, the doctor says there's nothing wrong with me.
09:18Ah, that a week of taking it easy won't cure.
09:21What's wrong with Finbo Lewis?
09:23How long have you got?
09:24Why is he being sent back to Earth?
09:26He's got cataracts on his eyes.
09:29He was in a radiation accident two years ago,
09:32and it seems they're getting worse.
09:33It's just the cataract.
09:35Yes.
09:35Speak to Dr. Nicklaus at the American Hospital on Island 5.
09:39I know about Island 5.
09:41I've spoken to Island 5,
09:42and I've read everything that could have any bearing on his condition.
09:45But Dr. Nicklaus hasn't published yet.
09:47Just speak to him.
09:49Just see what he says.
09:49Oh, now be gone.
09:51More light and light it grows.
09:53More light and light.
09:55More dark and dark our woes.
09:57Then there's a nurse,
09:59and then she goes out.
10:01Then window,
10:02let day in,
10:04and life out.
10:05Gone.
10:07Oh, you're right.
10:08Farewell.
10:09Farewell.
10:11One kiss,
10:12and I'll descend.
10:20Who is it?
10:21Sarah.
10:23Honestly,
10:23open.
10:26We're rehearsing, actually.
10:28Oh,
10:28it's all right.
10:29I just want to have a look at your clothes.
10:30What for?
10:31For Melody.
10:32Don't mind me.
10:33Carry on.
10:34Melody can't get into my clothes.
10:35She's bigger than I am.
10:37There's got to be something on the ship
10:39the poor girl can wear.
10:41What are you doing?
10:42We're rehearsing for the audition.
10:44Oh.
10:45I was a very touching Juliet
10:46when I did it.
10:47What's in a name?
10:49That which they call a rose
10:51by any other name
10:52would smell as sweet.
10:54We weren't doing that scene.
10:56I'll be making a full report
10:57of your conduct to the commission.
10:59No, you don't bother.
11:00Louise,
11:01I have a job to do.
11:02If you will go off
11:03performing heroics,
11:04I have to report them.
11:05It's not a question
11:06of whether you want me to or not.
11:08Great.
11:08Then I get a medal
11:09on veterans day.
11:10You know,
11:11there is a difference
11:12between being a reluctant
11:13hero and being
11:14a complete oaf.
11:15Not that you'd know about it.
11:17Oh, what, with Thimble?
11:18Yes, of course.
11:19See you later.
11:20All right.
11:22I'm sorry
11:23I didn't come for the chat.
11:24Hardly seemed any point
11:25with my limited space life.
11:27I've been told
11:28of some new developments
11:29in the treatment
11:30of radiation cataracts.
11:32There's a new treatment?
11:32Now, it's very much
11:33in the experimental state.
11:34I'll try it.
11:36There's a doctor
11:37on Island 5
11:38who seems to be
11:39having very good results.
11:40Does it mean
11:41I can stay in space?
11:42If it works,
11:44then yes.
11:48Some say
11:49the lark
11:50and loathed toad
11:51changed eyes.
11:52Oh, now I would
11:53they had changed voices too.
11:56Oh, now be gone.
11:58You missed some lines out.
11:59Well, it doesn't really matter,
12:00Anna, does it?
12:01Every little last word.
12:02Director's always cut anyway.
12:03It matters for our audition piece.
12:05Just go on, Sarah.
12:07Oh, now be gone.
12:08More light and light it grows.
12:10Oh, now I can remember.
12:11More light and light.
12:13More dark and dark our woes.
12:15Oh, then it's the nurse.
12:17Do you want to be the nurse, Anna?
12:18No.
12:20Well, go on, Sarah.
12:21Do you remember?
12:22Then window, let day in.
12:23Yeah, then window.
12:24Let day in
12:25and let life out.
12:27Farewell.
12:28Farewell.
12:29One kiss
12:30and I'll descend.
12:36Doctor?
12:38Yes, Professor?
12:39What did you have to say
12:39to Fimble?
12:41We discussed his cataracts.
12:43What about them?
12:44I think you should ask him that.
12:46I'm asking you.
12:47I have to deal with him.
12:48I need to know how he is.
12:49Okay.
12:50I just say
12:51he'll tell you soon enough.
12:52It may be the possibility
12:54of treating his cataracts successfully.
12:56So that he could stay in space?
12:57Yeah, I hope so.
12:58And you really think
12:59that's a good thing?
13:01Wish I did.
13:17Okay.
13:18And we'll have the chairs
13:18right over there.
13:20We've got to be far enough away
13:21to tell if these turkeys
13:22can project.
13:23That's the most important thing.
13:25And learning the lines?
13:26No, no, no.
13:27We've got to be able to hear them first,
13:28lovey.
13:29Then we'll worry about the words.
13:31Hey, Melody,
13:32come and see Rebecca with me now.
13:34Come on,
13:34or I'll miss my audition.
13:35No, I don't want to go and see Rebecca.
13:36Come on, go for your audition.
13:38Look, you know,
13:39you've got to start thinking ahead
13:40about this baby.
13:41Think ahead?
13:42How much worse can it get?
13:44Look, I'm fat.
13:45I've got a permanent runny nose
13:46and a headache.
13:47And you need bigger clothes.
13:49I hate big clothes.
13:50And you're going to need
13:51some little ones as well.
13:52Oh, I've got little ones, thanks.
13:53They're the ones I can't get into.
13:54Not for you.
13:55For Persephone,
13:56whatever you're going to call her.
13:58Hey, do you know how to make clothes?
14:00We did a little bit
14:01when I was at school in Nottingham.
14:02We never actually made clothes,
14:04mind you.
14:06Just smocks.
14:07I am not wearing a smock
14:09as designed by your school
14:10in Nottingham.
14:11Well, I suppose I could try
14:13making some little bags
14:14with arms in them.
14:15What?
14:16Where's his head supposed to go?
14:17I'll leave a hole for that.
14:19Sounds wonderful.
14:21Hey, Melody.
14:22What?
14:23What about nappies?
14:25How can you be like this?
14:26If there's some new treatment,
14:27of course you ought to try it.
14:28I'm not arguing
14:29about his medical treatment.
14:30Yeah, well, what are you saying, then?
14:32The man is a hero.
14:33You know he risked his life
14:34to go down to Iowa
14:34and not expect him to come back.
14:35Exactly.
14:36So let him go back to Earth
14:38on a high note.
14:39Let him fade out quietly
14:40and with dignity.
14:41Fade out?
14:42I have never thought
14:43he was up to being
14:44captain of this ship.
14:45Yeah, but now,
14:46what do you think now?
14:47The same, if you must know.
14:49You've just seen him
14:50take his life in his hands.
14:51He got that shuttle down
14:52and back in the middle
14:53of a volcanic eruption.
14:55Who else could have done that,
14:56could you?
14:56I'm not saying he isn't brave
14:58or skilled mechanically.
15:00Mechanically, is that all?
15:01In many ways, he is admirable.
15:04Well, I'm glad you say so.
15:04But he is not
15:05captain material
15:06and he never will be.
15:07I cannot let my admiration
15:09for what he's just done
15:10cloud my judgment.
15:11You're just too pig-headed
15:12to say you've been wrong about him.
15:15It's nothing to do with you.
15:17But I think the best thing
15:18that could possibly happen
15:20to Fimbo
15:20is that he's recalled to Earth
15:22on medical ground.
15:22Why?
15:23Rebecca, just leave it.
15:24Because he's not going to get
15:25this ship or any other.
15:26If he stays on in space,
15:28he'll be a failure
15:28to the end of his days.
15:29That isn't true.
15:30If he goes now,
15:31he'll go with the whole
15:32of Jupiter's system
15:33calling him a hero.
15:34What's this calling?
15:35He is a hero.
15:36Then let him go back to Earth
15:37now with honor.
15:40I have had the most
15:42god-awful time
15:43over the past few months.
15:44Yeah?
15:45Well, it's all over now.
15:46I wonder.
15:47Believe it.
15:48All my life,
15:49I've wanted to be in space.
15:51When I was a kid,
15:52I used to have spaceships
15:53over my bed.
15:54It was the only job
15:55I ever wanted.
15:57The day I left Earth
15:59was the best day of my life.
16:01And then the day
16:02I got the commission
16:02on the Iliad,
16:03that was the second best.
16:04I remember Elliot.
16:06Have I mentioned
16:07to you about Elliot?
16:08He came to me
16:09in the hostel bar
16:09after the interview
16:10and he said,
16:11All right, First Officer.
16:13Mine's a large gin.
16:16You must have been
16:17devastated
16:17when you find out
16:18about your eyes.
16:19Yes.
16:21And that, of course,
16:22is why I went down to Iliad.
16:24Oh?
16:25I didn't care
16:26what happened to me.
16:27I don't believe that.
16:28If they were going
16:29to send me back to Earth,
16:30then it really didn't
16:31matter what happened.
16:34She hasn't even
16:34thought about it.
16:35What's she going to do with it?
16:36I haven't got
16:36the faintest idea.
16:38Put it in a bucket.
16:39We'll probably end up
16:40cutting up towels.
16:41It'll be like
16:41the Middle Ages.
16:44OK, we're ready.
16:45Who wants to volunteer?
16:47I'll go first.
16:48Well, where's Jim?
16:48Isn't he going to be
16:49your Romeo?
16:50He's over there.
16:51Oh, Jim!
16:52Oh, no, no.
16:53I don't want to go first, please.
16:54Oh, for heaven's sake.
16:55You're supposed
16:55to be actors.
16:56All right.
16:58Oh, yes.
16:58Of course.
17:00Which bit do you want to do?
17:01The one we rehearsed.
17:03You should know
17:04your lines by now.
17:06Oh, you don't expect
17:07to snort off by heart,
17:08do you?
17:08No, of course not,
17:09lovey.
17:09You just stand over there.
17:11Give us a nod
17:11when you're ready.
17:14You know what?
17:15I want to do this.
17:16Oh, look at them.
17:17What?
17:18They're supposed
17:18to be star-crossed lovers.
17:20Well, it's early days,
17:21isn't it?
17:22See, I've got two weeks
17:23to turn them
17:24into throbbing sex symbols.
17:27Take it away.
17:29How much more weight
17:30am I going to put on?
17:31It varies somewhere
17:32between about 8 and 18 kilos
17:34with the average
17:35somewhere in about the middle.
17:36Oh, my God.
17:38What am I going to do?
17:39We'll find things
17:40for you to wear.
17:41Things?
17:41I don't want to wear things.
17:43Baggy tops
17:44and stretchy bottoms.
17:45Yeah, like fat old ladies wear.
17:47We'll have to look round
17:48for clothes for the baby, too.
17:49Look round where, Rebecca?
17:51Island Five.
17:51They've had babies
17:52on Island Five.
17:52Yeah, three
17:53in the last five years.
17:54So they'll have grown
17:55out of some
17:55of their clothes by now.
17:57I'm not having my baby
17:58in fourth-hand
17:59American baby clothes.
18:01You know what
18:01they'll be like?
18:02Mickey Mouse
18:03playing American football
18:04all over the front.
18:05Hey, Melody,
18:06you haven't really
18:06got a choice.
18:07I don't want my baby
18:09looking like a monkey
18:09on a stick.
18:11You wouldn't even
18:12understand.
18:16It is.
18:17It is the lark
18:17that sings so out of tune,
18:19straining harsh discords
18:20and unpleasing sharps.
18:21Some say the lark
18:23makes sweet division.
18:24This stuff not so,
18:25for she divided us.
18:27Some say the lark
18:28and lo, the toad
18:29changed us.
18:30She knows the words.
18:31She's very keen.
18:31They had changed voices, too.
18:33Since arm from arm
18:34that voice
18:35started to play,
18:36hunting these hands
18:37will hunt up to the day.
18:38yet.
18:39Who does she want to be?
18:40Sarah thinks it's her duty
18:42to take part in the college
18:43playing.
18:44More light and light,
18:45more dark and dark
18:47our woes.
18:49Fiona, could you
18:49read the nurse?
18:50Oh, oh, sorry,
18:51that's me.
18:52Madam.
18:53Nurse.
18:54Your lady mother
18:54is coming to your chamber.
18:56The day is broke.
18:57Be wary, look about.
18:59Then let day in
19:00and life out.
19:02Farewell.
19:03Farewell.
19:04One kiss
19:05and I'll descend.
19:12I don't fancy him
19:13for Romeo much,
19:14do you?
19:14He looks like the man
19:15who came to mend
19:16the heating system.
19:17What will you do now?
19:19I've put in a call
19:19to Moon Station.
19:21I don't know
19:21what they'll want to do.
19:22Is the IO
19:23operational right?
19:24Oh, you saw it.
19:26They'll be working
19:26on a full assessment
19:27of the new volcano,
19:28but I don't see us
19:29getting back down there
19:30again in my working lifetime.
19:31Does that bother you?
19:32My job is just to fly.
19:34As long as I can do that,
19:35I don't mind where I am.
19:36Oh, Professor.
19:37Ah, I was just
19:39sending a signal.
19:40We've got an audio link
19:41to Space City
19:41via Comsat 5.
19:42Fine.
19:43How are you both?
19:44Fine.
19:48Can't wait to get
19:49to Island 5
19:49and get my eyes
19:50sorted out.
19:51Hmm.
19:52Hmm, what?
19:53I know Nick Klaus.
19:55If he says he thinks
19:55he can cure the problem,
19:57then he can.
19:57He hasn't even seen
19:58Fimbo's notes yet.
20:00Yes, he has.
20:00Christoph sent them
20:01down right away.
20:03I wouldn't fancy
20:04trusting my eyesight.
20:04to a new experimental treatment
20:06without knowing
20:06a lot more about it.
20:08He'll be told
20:08all about it.
20:09If everyone took
20:10that attitude,
20:11there'd never be
20:12any advances
20:12in medical science,
20:13would there?
20:14I just don't fancy
20:15being a guinea pig.
20:16This is not
20:16guinea pig research.
20:18Signal for Fimbo Lewis
20:19from Traffic Movement Office,
20:21Space City.
20:23Petra, read signal, please.
20:25Message from Captain
20:27Elliot Creasy
20:27to Fimbo Lewis.
20:30Fools rush in,
20:31but he who dares wins.
20:32See you at the stardust.
20:34Well done.
20:35Toodlepip, Elliot.
20:37End of message.
20:38What did that mean?
20:40Typical Captain Creasy.
20:41Not a great literary mind.
20:43Is he calling a fool?
20:44Signal to Fimbo Lewis
20:46from Callisto Space Commission.
20:49Petra.
20:50Message begins.
20:51We regret to inform you
20:54that on this occasion
20:55your application
20:56for the office
20:57of Captain of the Ilya
20:58has been unsuccessful
20:59and that you have not
21:01been selected
21:01for this post.
21:03End of message.
21:11So?
21:12Oh, yes.
21:13It was fine.
21:14Great.
21:15Thanks for coming.
21:16What did you think?
21:18It was great.
21:19Okay?
21:25Who's next, Fiona?
21:27I'll have Misha
21:29and Cassandra next, please.
21:31Now, don't forget.
21:33This is passion.
21:35It's love.
21:37It's thwarted,
21:38throbbing emotion.
21:40It's too rash,
21:41too unadvised,
21:43too like lightning.
21:44Okay?
21:45Got it?
21:47I can't understand
21:48why you're not going
21:49to do anything about it.
21:50It really doesn't matter.
21:52Finbo.
21:53Is this the same man
21:54who brought the shuttle
21:55down to the middle
21:55of a volcanic eruption?
21:57Yes.
21:58Rescued five people
22:00and then brought us
22:00all safely back down again?
22:02To be honest,
22:03I never thought
22:03I'd get the captaincy.
22:04So that's it.
22:05Is it just let them
22:06walk all over you?
22:07I've been very happy here
22:08as first officer of the Ilya.
22:10And that's all you want
22:11for the rest of your life?
22:13That's all I want
22:14for now.
22:16I think maybe
22:17one of the village lads
22:18would be more your style, Jim.
22:20Yeah.
22:20He hasn't got any
22:21romance in him at all.
22:23Perhaps.
22:23It doesn't show, Angel.
22:25Oh, what did you think?
22:26Oh, I thought you were great,
22:28but I'm not the director.
22:29Well, that's one way
22:30of getting out of it.
22:31Hey, is it my go now?
22:32There isn't anybody else.
22:34Um, there's two places
22:35finishing up four.
22:36Oh, right,
22:37and Gabriella Tansy's
22:38coming along, isn't she?
22:39Yeah, her name's down.
22:40Right, well, hop up, Sarah.
22:42Actually, I was, uh,
22:44going to read Nurse
22:44with Anna as Julia.
22:46I've seen Anna already.
22:47Yeah, well, it's just
22:48that we agreed, you see.
22:49Well, she's not here anyway.
22:51Oh, that's funny.
22:56Oh, how did it go?
23:01Message from commission office.
23:04Callisto for Finbo Lewis.
23:06Oh, not another one.
23:09Petra.
23:10Finbo Lewis.
23:12Following the Ilya staff review,
23:14your present commission
23:15as first officer, Ilya,
23:17will not be continued.
23:19You will move to a fresh posting
23:21with effect in four weeks' time.
23:24Your new post is as first officer,
23:26land-based on Moon Pacify.
23:29Your salary will remain unchanged,
23:31although you will no longer receive
23:33ship-based flying officers'
23:34extra allowance.
23:36Further details will be sent to you.
23:38End of message.
23:40End of message.
24:11The End of message.
24:12The End of message.
24:15The End of message.
24:30The End of message.
24:30The End of message.
24:30The End of message.
24:30The End of message.
24:32The End of message.
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