- 22 hours ago
Jupiter Moon is a science fiction soap opera television series first broadcast by British Satellite Broadcasting's Galaxy channel in 1990. 150 episodes were commissioned and made, but only the first 108 were broadcast before the closure of BSB. Episodes 109–150 were first shown in the UK on the Sci Fi Channel in 1996.
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Instagram only allows me to upload videos less than 20 minutes, YouTube just isn't having me..
where else do random people post/share random videos for random people?
For full-length version of this and access to the >150tb archive from which this was pulled.. feel free to contact me directly.
-*_*We appreciate your donations to our Server Fund*_*-
Venmo: https://venmo.com/shareyourworld
Paypal: https://paypal.me/allcreatures313
Buy me a Coffee(or Beer!): https://buymeacoffee.com/reidsquard
Cashapp: $allcreatures313
We also accept Amazon and other gift codes
If you are interested in a Jellyfin subscription, keys to unlock direct downloads from open directories or other options outside of soulseek please send email to woollarding@gmail.com
-mahalo
Category
📺
TVTranscript
00:01now you do realize that in your application for renewed posting on the
00:08ILEA there were several factors accounted against you. such as? your present
00:13medical condition for one less business with the cataracts. Christoph's explained
00:16to you about the operation. yes yes yes and I've told Space Command the problem
00:20is as I'm sure you know the treatment is experimental and they feel that a
00:25temporary ground assignment close to good medical facilities would be a wise
00:28precaution. except it wouldn't be temporary would it because once you're down you
00:31stay down. no not necessarily. and there are other factors consider this this this
00:37landing on ILEA. now if it were up to me I'd have given you a commendation but they
00:41don't see it like that. oh? you flouted every safety regulation in the book. you
00:45endangered yourself and the shuttle. they've turned me down. in the end I I had to
00:51agree with their conclusions. I see. you were lucky to survive the ILEA landing. but I
00:57did survive it. that's not the point though is it? no. no the point is that like
01:03Elliot I'm not to be trusted. I don't fit in with their patterns. I'm not one of them.
01:08not Sam. I'm sorry you see it like that. and I'm sorry you promised to help me. and I didn't.
01:14look it fine no more.
01:15ah
01:42just
01:43you
01:43zoom
01:44zoom
01:44scroll
01:51We're not going to make it.
01:53I said get back from the door.
01:54We're not going to make it.
01:56The shuttle's coming.
01:57The shuttle's coming.
02:00Lights.
02:03Compensating for deviation in trajectory to Callisto in 50 minutes.
02:09Petra, put the figures on the screen and wake Mr Lewis.
02:14Morning.
02:15Oh, morning.
02:16Coffee, everything.
02:18Can't you sleep either?
02:20Oh, I'm in your room, aren't I?
02:22No, no, no, that's all right.
02:24I'm not really using my room at the moment, actually.
02:27Right.
02:29Cheers.
02:35Oh, Bimbo.
02:36Morning.
02:37Coffee?
02:38No, thank you.
02:40Deceleration, Bert.
02:42Yeah.
02:42Funny how they're always at awkward times.
02:44Yes.
02:45Um, well, I'd better get on then.
02:47Bimbo.
02:48Hmm?
02:48Don't worry about it.
02:50No.
02:53Don't worry about what?
02:55It's just an approach correction.
02:56He must have done thousands.
02:57Yep.
02:58But it's probably his last.
03:00He's a sad little soldier, or hadn't you noticed?
03:06Generators to preload.
03:12Check.
03:14Check.
03:14Pre-chill bleed open.
03:17Check.
03:17T minus one minute fifteen.
03:20Make the announcement, please, Drummond.
03:23What's the point?
03:24It's a minor course correction.
03:26I will notice it.
03:27Please make the announcement.
03:30Petra, open general channel.
03:33Open.
03:33This is Commander, Drummond speaking.
03:38Acceleration in fifty seconds.
03:39Repeat.
03:40Acceleration in fifty seconds.
03:43There's nothing like a nice early start for a day.
03:45Course correction burn is programmed and command is on line.
03:48Engine status is green across the board.
03:51Permission to engage required.
03:59Petra?
04:00Go for burn.
04:06I'm surprised at you of all people.
04:08You're hardly his biggest fan.
04:09Listen, Rebecca.
04:09All they said was that you're being too hard on him.
04:12Hard on him?
04:12He's got Fimbo sacked.
04:14Yeah, but it was hardly Breland's fault.
04:15Besides, he's not being sacked, he's being transferred.
04:18Oh, exactly.
04:18God, it's pathetic the way you men stick together.
04:20Look, Space Command had made his decision.
04:22There's nothing Breland could do.
04:23Oh, yeah, and who was it who poisoned Fimbo's career in the first place?
04:26He's been wanting to get rid of Fimbo since day one,
04:28and now you're trying to tell me he's not responsible.
04:32Yes?
04:33Hi, Christophe.
04:34I wondered if I could make an appointment to see you.
04:35Yeah, sure.
04:36What time?
04:36As soon as possible.
04:3810 o'clock, suit you?
04:39Yeah, 10 o'clock is fine.
04:40Great.
04:40Great.
04:40See you then.
04:42She sounds stressed to you.
04:43Hey, that was a private conversation.
04:45Strain of living with Charles Breland.
04:47Take my advice and stay out of that particular relationship.
04:50Hey, what do you think of Fimbo's new damsel in distress?
04:52I don't know.
04:53I haven't really seen that much.
04:54Why?
04:55Christophe likes beautiful, powerful.
04:58He really does have a one-track mind.
05:00Yeah, he's a pilot.
05:01They're all the same.
05:02Why is that, do you think?
05:03Well, they're continually subjected to high-chi stress,
05:06which causes the blood to flow out of their brain.
05:08Ah, and the result?
05:09The result is oxygen deprivation causes severe mental disturbance,
05:13which causes the blood to pool in the lower abdomen,
05:17resulting in distension of the groin.
05:19Are you making this up?
05:21Yeah.
05:22No, it's a well-known medical phenomenon.
05:24Well, it does fit the observable data.
05:26So what you're saying is that all this macho posturing
05:28is not the result of a cultural influence per se,
05:31but a physiological syndrome caused by environmental factors?
05:34Precisely.
05:35Yeah, well, what about female pilots?
05:37Oh, no, I'd rather not see.
05:39Great.
05:39Thank you very much.
05:40I'm impressed.
05:41Did I get the parts?
05:41I'll post the final class list on the bulletin board tomorrow.
05:44Thanks.
05:46Don't call us.
05:47We'll call you in.
05:49Fiona, send in the next victim.
05:51Laser swords?
05:52Well, he wants to base the idea on a 30s production.
05:55Oh, Stratford, I think.
05:56Stratford, Ontario.
05:57Yeah, I know.
05:57I've seen it.
05:58It's pretty lurid, you know?
05:59Yeah, well, that's the beauty of it.
06:00The sets are entirely holographic.
06:02Fiona whacks out a programme for Petra,
06:04and voila, instant scenery.
06:05And I suppose all we need to do is downlink
06:07when we transfer to Callisto, eh?
06:09Which just leaves the costumes and the laser swords.
06:12Well, we can deal with the laser swords.
06:14The costumes really aren't our problem.
06:16Oh, God.
06:18What's the thing?
06:19Well, the Stratford, Ontario production,
06:21you haven't seen it, huh?
06:23No.
06:24Oh, you just wait till you see what Juliet has to wear.
06:27Oh, and what will Juliet be wearing?
06:30A special welcome home gym outfit?
06:33Synthetic fox fur leotard, perhaps?
06:35No, actually, it's a sound-sensitive, semi-transparent hologram.
06:40With nothing underneath.
06:41Oh, he's talking about the Juliet in the play, not the Juliet in...
06:44In Space City!
06:46Oh, so we finally admit it, do we?
06:47Look, there's no such person as Juliet.
06:50Look, look, tell her, Dan.
06:51Oh, it's true.
06:52I mean, it's true, he's lying.
06:54It was my idea there.
06:55Oh.
06:56Now, why am I not surprised?
06:58Look, I had to do something.
06:59I didn't want to hurt Anna's feelings.
07:02Well, I suppose you might be telling the truth.
07:03I am.
07:04He is.
07:05We both are.
07:07But I'm not sure I want anything to do with a pathological liar.
07:10No, fair enough.
07:13Thanks, Daniel.
07:14Hey.
07:16Anytime.
07:18Next!
07:23Is Gabriela the sort of girl to wear a semi-transparent hologram?
07:26One lives in hope.
07:28Yeah, but what about her mother?
07:29Her mother would kill her.
07:30Her mother's on Pacify.
07:32Yeah, but she'd pick it up on ComSat 9.
07:34Either of you two have seen Mercedes?
07:36Uh, no.
07:36No, not recently.
07:37Something wrong with yours, a sec, professor?
07:43Do you think you saw the screen?
07:44No, but there was no need to wind him up.
07:46What are you two doing in here, anyway?
07:48Um, research.
07:49What are?
07:50Uh, use of laser technology in modelling structures in three dimensions.
07:54Oh.
07:56Um.
07:58I heard he got fined by the sack.
08:00Yeah, it's because he didn't like people that are taller than him.
08:03Well, I know why Barron didn't give you the part of Romeo.
08:05Oh, my God.
08:07You haven't got the legs for the part.
08:10You say you've been suffering from episodes of insomnia.
08:13Any dizziness, nausea, vomiting?
08:17No.
08:17I'd say you need a rest.
08:18Oh, I could have told you that.
08:20No, a proper rest.
08:21Away from this ship.
08:21Away from...
08:22For how long?
08:23Month.
08:24Longer if you can.
08:25God, a month in Space City.
08:27I'd go mad.
08:27No, Island 5.
08:29You're joking.
08:30The Star of Saigon leaves tomorrow and we'll be back just in time.
08:34On Island 5 did Mr Khan the stately pleasure don't agree.
08:37They say it's very luxurious.
08:40They say it's full of American prospectors on Lordner.
08:43Mercedes.
08:46Girl, it will do you a lot of good.
08:49No, I can't.
08:50I've got too much work to do.
08:51Take it with you.
08:52Yeah, well, I've got certain situations.
08:54Mercedes, you need a rest.
08:57Yeah.
08:59That's the truth.
09:07Byron?
09:11Byron?
09:12Mmm.
09:13Oh.
09:14What are you doing?
09:16Allowing the blood to flow evenly through my body.
09:19Oh.
09:22Found a new Romeo yet?
09:24No.
09:25And I've auditioned absolutely everyone.
09:28Oh, dear.
09:30There's no one even close to what I want.
09:33Well, you might just have to lower your standards a bit.
09:37Never.
09:39Well, then what are you going to do?
09:40I don't know.
09:43That's why I'm lying on the floor.
09:47Right.
09:48Ilya, we have you on optical tracking.
09:50You're in the pipe five by five.
09:52We copy Calista.
09:53Looks good from here.
09:54Ready to receive navigational update.
09:56On their way, Ilya.
09:57Better assimilate and check navigational update.
10:00It's just so difficult to cover these days.
10:02Calisto, STC NavSat updates confirmed.
10:05You love him?
10:07Thank you, Calista.
10:08We verify STC NavSat.
10:11What a question.
10:13Do you?
10:13We have you locked and running, Ilya.
10:16Nice to have you back.
10:17Nice to be back, Calista.
10:19Don't you love him?
10:20No, it's not an easy question to answer.
10:22Look, you either love him or you don't.
10:24No, not necessarily.
10:25In my experience.
10:25We're not all as simplistic as you.
10:28It's just very difficult to understand.
10:30Qualities I've never really encountered in my home before.
10:33So what's wrong?
10:34It's impossible to live.
10:35Professor Brella calling in concert.
10:38Speak of the devil.
10:39Petra.
10:40Mercedes?
10:41What are you doing in concert?
10:42Working, Charles.
10:43The pre-doc navigation.
10:45What do you think I'm doing?
10:46What happened to Lewis?
10:47He got fired, remember?
10:48He's probably packing.
10:50I want to talk to you.
10:50Yeah, well, he can wait.
10:53I don't think it's a good idea to get mixed up with you.
10:56You weren't so coy on the station.
10:58Professor Brella calling in concert.
10:59There wasn't a Professor Brella, then.
11:02There might not be a Professor Brella, no.
11:05Professor Brella calling in concert.
11:28Kovitsky.
11:28A call from Callisto.
11:30Put them on.
11:31It's a commission.
11:32I'm using it.
11:32They want to know if you're secure.
11:34Give me ten minutes.
11:35Go back to my cabin.
11:36Better be out.
11:42So, the great Romeo question.
11:44Use it to bits.
11:45I've got the answer, but people aren't going to like it.
11:48Oh, why not?
11:50It's my brother, Sadoc.
11:51Oh, you're right.
11:52They won't like it.
11:53Why not?
11:54If he's in Space City, he can join us for a couple of weeks when we make orbit.
11:58Well, I hope he's good-looking.
12:00We could do with a few good-looking men on board.
12:02Yeah, and some good-looking women.
12:03Yeah.
12:03Yeah, but you can't wait to see it.
12:05What's this?
12:06Nothing.
12:07Jim has had a girl tucked away on Callisto all this time, and nobody knew.
12:12Shocking.
12:13What's her name?
12:14She doesn't have her name.
12:16Juliet.
12:17Juliet.
12:19Professor, I'm not a psychiatrist.
12:21Good.
12:22So, what are you doing on the couch?
12:24Do you really want to know?
12:25Yes.
12:26I was wondering how much it would cost to repaint the ceiling.
12:30I see.
12:31I think about money.
12:33No, that's not right.
12:34I think about the cost of things most of the time.
12:37Professor, what is it you actually want?
12:38Well, I don't want any help with a moral crisis over the funding of Deedlis.
12:42When's Chas Long getting back?
12:43I've no idea, but he won't talk to you about Mercedes.
12:47So now it's about Mercedes.
12:50I think I'd better go.
12:52It never occurred to me when we first met that we'd ever be together.
12:56She was like some fine steel blade, not something you grabbed at.
13:01Besides, she was with Alex Hartman at the time.
13:03What could I offer?
13:04If that's a cue, you can forget it.
13:07Even when we started seeing each other, I thought she was on the rebound.
13:10It didn't stop you.
13:12Could it?
13:13But I never felt quite sure that she wouldn't one day take off with someone more suitable.
13:19Another Alex Hartman.
13:21Aren't Bursa supposed to offer words of comfort and consolation?
13:25Only to sad little students.
13:27That's a shame.
13:28Professor, I don't know anything that could comfort or distress.
13:33Open.
13:34It's Drummond, isn't it?
13:37I don't know what to say.
13:39It's a major promotion.
13:40It's a ship.
13:41Yes, but it's this ship.
13:43Natasha, if you were wanting to jump straight onto an interorbital, you can forget it.
13:46No, of course I wasn't.
13:48If I take the posting, do I get full command prerogatives?
13:51Such as?
13:52Can I choose my first officer?
13:56Well?
14:01Drummond, sit down.
14:02What can I get you?
14:03Uh, fruit aid.
14:04I'll get it.
14:05The generic soft drink for the sober spaceman, very wise.
14:08You wouldn't want to botch the orbit.
14:10Oh, absolutely not.
14:12I, on the other hand, have nothing at all to do and can get as drunk as I like.
14:16Drunk?
14:17You?
14:18Probably not.
14:19It would be physically impossible to get as drunk as I would like.
14:23It will be, in the end, like so much of life, something of a compromise.
14:27Yeah, so life's like that.
14:30I'm keeping an open mind on the subject myself.
14:33I had a little chat with Rebecca a while back.
14:36Have you ever done that?
14:37Once or twice.
14:38This is what she told me.
14:40She told me that I was externalising my own inferiority complex.
14:46That I had to stop projecting my fears and failures onto other people.
14:51Was that fear or failure?
14:53Well, never mind.
14:54In short, she told me to stop behaving like a spoiled child.
14:57That sounds like Rebecca.
14:59I had a long think about what she said.
15:01Do you know what I decided?
15:03I decided that just because you're paranoid doesn't mean they're not out to get you.
15:08I've got to get back to Compton.
15:10Drummond, when you knew Mercedes on Moon Station, what was your relationship?
15:14That's none of your business.
15:16Drummond?
15:17What?
15:19Touch her, Drummond.
15:21And by God, I'll break you.
15:24There's what he might do that worries me.
15:25Yeah, well, it's better to leave him alone when he's like that.
15:27Not this time.
15:28He'll be all right.
15:29Mercedes, will you go and talk to your fiancé now?
15:32All right, all right.
15:33Well, I don't see what it's got to do with you.
15:35Anyway.
15:39I thought you were a responsible man.
15:41You thought wrong, then.
15:42I have enough trouble with the students.
15:44Rebecca, nobody asked you to get involved.
15:47Look, I don't tell you how to fly the ship, so don't tell me how to do my job.
15:50You just run the hardware.
15:52The software is all mine.
15:55Petra, how long to orbital insertion?
15:58Four hours and 20 minutes.
16:01Can't wait.
16:05You took your time.
16:06This is new.
16:07What?
16:08Me being drunk and obnoxious?
16:09No, you being drunk.
16:11That's the spirit.
16:12Yeah, why don't we stop the small talk and start trading accusations, shall we?
16:16I love you.
16:18You're not supposed to say that.
16:20I love you.
16:20Yeah, well, it isn't enough.
16:22It's all I've got.
16:22Then give it to somebody who can cope with it.
16:24I can't give it to someone else.
16:26I'm not young and flexible like you.
16:29I'm not capable of changing directions like a logic gate.
16:33I've been a monomaniac for too long to change now.
16:37Look, Charles.
16:39I'm thinking of going to Island Five just for four weeks.
16:42You're going with him?
16:43Oh, don't be so stupid.
16:45Christophe suggested it.
16:46He's as bad.
16:47These young men with their envious skin.
16:49God, Charles, alcohol makes you so pompous.
16:52Pompous, sir.
16:53I was pompous to start with.
16:54Yeah, well, I'm not going to argue with that.
16:56At least now I know you don't love me.
16:58Look, Charles, it's just for four weeks.
17:01Just a little time to put myself back together again.
17:05Don't bother coming back.
17:26Christophe?
17:27Ah, Mercedes.
17:29Are you all right?
17:30Yeah.
17:31Yeah, I'm fine.
17:32Hey, look, about this Island Five trip,
17:34I've changed my mind.
17:36I want to go.
17:38Okay?
17:38Good.
17:41What a week.
17:42What a month.
17:44Children acting adults and the adults playing children.
17:48Hmm.
17:50Mercedes is going to Island Five.
17:53I hope you're not going with her.
17:54No.
17:56No.
18:00But I wish Fimbo was.
18:03This eye operation is much more difficult than I thought.
18:06Oh, no.
18:08Have you told him yet?
18:09No, I told him I want a second opinion.
18:12Oh, God.
18:14Poor Fimbo.
18:15He might never fly again, you know.
18:19All the world's a stage and all the people play.
18:21Now, if you ask me, there's far too much Shakespeare on the ship already.
18:25Is that your considered medical opinion?
18:27I hope.
18:28And what do you recommend, Doctor?
18:30What about 24 hours of treatment at stardust mills,
18:34followed by enforced bed rest?
18:35I can live with that.
18:37Look, there it is.
18:43What's 38 years old, held together by rust, flown by maniacs and coming into orbit?
18:50Heads up, children.
18:51The Illias back in town.
18:53And we have a dedication for Jim Hawkins from Juliet.
18:58She's waiting in arrivals for you now.
19:02You're a dead man, Weatherby!
19:05Ten minutes to orbit in sun.
19:07I'll kill you, Daddy Orson.
19:09Hey, Jim, Jim, Jim.
19:11I love the Ruby Camara show.
19:13Eh?
19:13It's so easy to get a dedication right out.
19:200.5, 0.4, 0.3...
19:25A little touch here, and a little touch there.
19:28Orbit achieved.
19:30Yes!
19:30Well done!
19:33Petra, resume automatic control.
19:35All that power at your fingertips.
19:37Nothing else comes close.
19:38Actually, Petra, give me general shipboard announcement.
19:41Open.
19:42Good afternoon.
19:44This is acting Captain Finbo Lewis here.
19:47We are now in a stable, synchronized orbit of Space City.
19:52On behalf of my crew and myself, I'd like to thank you for flying Fimbo spaceways and...
20:00...and I hope we'll fly together again very soon.
20:13Commander Drummond here.
20:15May we remind you that the transit priority has been given to those of you traveling to the Star of
20:21Saigon...
20:21...which is leaving Space Harbor in six hours' time.
20:26Before I move by, I have all my sights.
20:30Ilya to center.
20:32You are free for docking.
20:34Roger, Ilya.
20:35Final approach.
21:01You have seen Philippe.
21:03What?
21:04Philippe Jervais.
21:04I didn't get a chance to save that.
21:06I mean...
21:06What do you think?
21:06Get on board, Jess, now.
21:07Oh, no!
21:08I didn't know what you wanted to say goodbye for.
21:09Goodbyes are horrible.
21:10You say it is.
21:12You go without seeing me.
21:13Oh, Charles, I'm coming back.
21:15I always do.
21:16You should know that.
21:17I'm trying not to be complacent.
21:18Final boarding for shuttle to space.
21:21It's all got to go, lad.
21:22Call me.
21:22Too expensive.
21:23We've got my personal call.
21:24Ten seconds.
21:25Got everything.
21:26Yeah.
21:26Bye.
21:31Don't you owe me an essay on thermodynamics?
21:34I don't know.
21:35Do I?
21:36Deadline was Monday.
21:37Oh.
21:38Never mind.
21:39Download it next Tuesday.
22:07Open.
22:09Oh, hello, Natasha.
22:10I was just packing.
22:13Nice.
22:14Not good news about my eyes.
22:16Oh?
22:17Dr. Chazalon wants a second opinion on the operation.
22:19He's being pathetic.
22:20The operation is perfectly viable.
22:23Finbo, I got a call from the commission today.
22:26They want me to take over as captain of the Ilya.
22:30Did you accept?
22:33I told them I told them I'd only take the position if you were my first officer.
22:39What did they say?
22:40They said you were unsuitable.
22:42So I told them to find another captain.
22:44You can't do that.
22:46You can't do that.
22:46I did.
22:46That would have been your first commission.
22:49Finbo.
22:51There are currently only three flight officers in the Jupiter system qualified to command a
22:55fusion-powered ship.
22:57One of them is me.
22:58One is you.
22:59And the other is Drummond, who isn't interested.
23:03We'd better start unpacking.
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