#Becca Tobin #Niall Matter
Category
🎥
Short filmTranscript
00:00:00Sing like no one is listening, love like you'll never be hurt.
00:00:30It's my very...
00:01:00Oh, I wanna kiss you again.
00:01:07And step.
00:01:10And step.
00:01:12And turn.
00:01:14And step.
00:01:18And turn.
00:01:20And step.
00:01:21And turn.
00:01:23And step.
00:01:24And turn.
00:01:25And step.
00:01:26And turn.
00:01:27And step.
00:01:28And turn.
00:01:29And step.
00:01:30And turn.
00:01:31And step.
00:01:32And turn.
00:01:33And...
00:01:34And...
00:01:36And...
00:01:37And turn.
00:01:38And step.
00:01:39And turn.
00:01:40And...
00:01:41And...
00:01:42And...
00:01:43Turn, and booray, booray, and booray.
00:02:01A lady always curtsies after an exceptional performance.
00:02:06That was perfect.
00:02:07OK, now find your parents.
00:02:08But don't forget, practice, practice, practice.
00:02:10The wedding is only a couple weeks away.
00:02:14Really good job out there.
00:02:19Great work.
00:02:19See you next time.
00:02:21Well done.
00:02:22You are so good with them.
00:02:24I know I'm leaving my studio to the best of care.
00:02:26Well, it's not mine yet.
00:02:27I haven't been approved for the loan.
00:02:29In any case, it'll all work out, because that's
00:02:31what happens when something's meant to be.
00:02:33It all works out.
00:02:38Who's getting married?
00:02:39Well, it is Saturday, so probably a lot of people.
00:02:41I guess my invitation got lost in the mail, huh?
00:02:43Hmm.
00:02:44But this didn't.
00:02:48I know, I just found it laying around outside.
00:02:50Is this what I think it is?
00:02:52Well, it's not a million dollars, if that's what you're thinking.
00:02:54Tickets to the opening of Love and Kimball Park.
00:02:58This is better than a million dollars.
00:03:00Ticket.
00:03:01I can only get you one.
00:03:02Sorry.
00:03:03Are you crazy?
00:03:04I would stand for the whole thing.
00:03:05This is the hottest ticket on Broadway.
00:03:06Well, it's lucky you have some fancy connections in, huh?
00:03:08One fancy connection.
00:03:10Yeah, that's all it takes.
00:03:11I can't believe I get to finally watch you dance on Broadway.
00:03:14I can't believe I'm actually going to dance on Broadway.
00:03:16It all still feels so, so surreal.
00:03:19I should get to rehearsal, but I will see you opening night.
00:03:24Come back stage after.
00:03:25I'll put you on the list.
00:03:26I wouldn't miss it.
00:03:27She couldn't get one more ticket for your sweet old ailing mother.
00:03:48Please.
00:03:49You're healthier than all of us combined.
00:03:50She could barely get me a ticket and I'm her best friend.
00:03:52I'm just so thrilled for Cassidy.
00:03:54Me too.
00:03:55It's what she's always wanted.
00:03:56That was your dream too, once upon a time.
00:03:58I know.
00:03:59It was just so hard putting my heart and soul into every piece and always coming up short.
00:04:03So I am on a wonderful new path.
00:04:06And I'll still be choreographing, just in a different way.
00:04:10What could be better than that?
00:04:11Well, Dad and I are proud of you no matter what.
00:04:14You've had to make some tough decisions this past year.
00:04:17Some more difficult than others.
00:04:22Have you, uh, talked to Peter?
00:04:24I don't think he wants to talk to me.
00:04:26You know, he texted me.
00:04:28And despite everything, he misses you.
00:04:31Peter was perfect.
00:04:32On paper.
00:04:33The reality was different.
00:04:35I just couldn't go through with it.
00:04:38It has to be right.
00:04:40Like you and Dad.
00:04:41You did the right thing for both of you.
00:04:44And who knows who you're gonna meet in the next phase of your life.
00:04:48I still don't think I'm quite ready to start dating yet.
00:04:51What with buying the new studio, that's where my focus needs to be right now.
00:04:55True.
00:04:56And you're gonna be so busy, you should probably give me the ticket to see Cassidy's show.
00:05:02You're shameless, you know that?
00:05:14I am so close to me in the main career.
00:05:15I will never be so close to the next stage at the time of office.
00:05:17The business model is better.
00:05:18I can't be so close to the next stage.
00:05:19The business model is going to go through the next stage.
00:05:20But, I don't think I'm really happy to come out.
00:05:21I can't be so close to the next stage.
00:05:22I have to think of you but I'm very close to the next stage.
00:05:23Oh, go, go, go, go, go!
00:05:24What will I do for the next gig?
00:05:26OK, go, go, go, go, go, go, go, go!
00:05:27Wow, go, go, go, go, go!
00:05:28Yeah, go, go.
00:06:00Excuse me.
00:06:03Sorry.
00:06:05Sorry.
00:06:07Name?
00:06:08Hope Mays.
00:06:08I should be on the list.
00:06:10Uh, no.
00:06:12Um, my friend is in the show.
00:06:15Excuse me.
00:06:16Don't bother.
00:06:17He doesn't care.
00:06:18Who is he guarding?
00:06:19Is Rihanna inside?
00:06:21Could be.
00:06:22I've never seen a stage show that's crowded.
00:06:25All right, Mr. Gunderson.
00:06:26Oh, I'm not on the list.
00:06:27I just need to go backstage and say a quick hello to Carlos Ruiz, the writer.
00:06:30Please, follow me.
00:06:31Um, hold on a second.
00:06:33Uh, are you two together?
00:06:35We're not.
00:06:36Okay, well, nobody gets in whose name is not on the list.
00:06:38Well, he just told you he's not on it.
00:06:41He's verifiable.
00:06:42Well, my last name might not be Gunderson, but if you could take two seconds to call backstage,
00:06:46you would find out that I am also verifiable.
00:06:48Do you see all these people waiting?
00:06:50How about I just run inside really quickly and you two sort this out amongst yourselves?
00:06:53Yeah, of course, Mr. Gunderson.
00:06:55Um, no, Mr. Gunderson.
00:06:57Now, I might not have the name recognition, but I hope you don't think that your time is more valuable than mine.
00:07:03Do you, Mr. Gunderson?
00:07:04I am so late.
00:07:05Well, you should try better time management.
00:07:07Excuse me.
00:07:08If you could just let Cassidy Tyler know that her friend is waiting outside, Mr. Gunderson will happily wait his turn.
00:07:17You heard it, lady.
00:07:18Please, let's get on that radio.
00:07:20Then, hopefully, I will not be late to meet my fiancée.
00:07:22Would that be acceptable to you?
00:07:24Absolutely.
00:07:25I didn't think it would.
00:07:32Oh, my friend's here.
00:07:33Gotta go.
00:07:36Oh, amazing.
00:07:37Mm, thank you.
00:07:39I was so nervous.
00:07:40I couldn't stop shaking.
00:07:42You couldn't tell.
00:07:43And you have plenty of time to get over those nerves because you get to do it all again tomorrow night.
00:07:46Oh, I know.
00:07:48I want to introduce you to Vanessa Curson.
00:07:51The choreographer?
00:07:52Uh-huh.
00:07:53She's one of the best.
00:07:54She is, and she's looking for an assistant for our upcoming show in London.
00:07:58I know.
00:07:58I know what you're going to say.
00:08:00But I think you should submit your resume.
00:08:03Your styles are so in sync.
00:08:05I've been down this road, and I know how it ends.
00:08:08I'm on a different path now, and that is the studio.
00:08:10Just say hello to her.
00:08:11Make a connection and see.
00:08:12Like, it couldn't hurt.
00:08:14Vanessa!
00:08:20Tell me these nerves will subside.
00:08:22Usually by show three.
00:08:25Okay.
00:08:27Uh, this is my friend, Hope Mays.
00:08:29Oh, hi.
00:08:30Hi.
00:08:30She's also an amazing choreographer.
00:08:32Oh.
00:08:32Well, more of a teacher now.
00:08:34I'm in the process of buying a dance studio on 71st and Park.
00:08:37And she's choreographed some amazing regional theater.
00:08:40I got my start in regional.
00:08:42Where might I have seen your work?
00:08:43Uh, nowhere recently.
00:08:44Just learning the ins and outs of how to run a studio is what I've been focused on lately.
00:08:49You know, you guys should talk about the London gig.
00:08:51Hope would be great for it.
00:08:53She also studied under Jacqueline Maurer in college.
00:08:56Jacqueline was my mentor when I first got started.
00:09:00What did you get on her final?
00:09:02A 93.
00:09:03A 93?
00:09:05She must have liked you.
00:09:06Send me your resume.
00:09:11I'd be happy to take a look.
00:09:13Cassidy has all my information.
00:09:14It was really nice meeting you.
00:09:15You too.
00:09:19See?
00:09:19You always throw your hat into the ring.
00:09:22And hope they don't throw the hat back.
00:09:24Well, you better submit your resume or this friendship is over.
00:09:28And I mean that.
00:09:29As I used to hear at almost all of my auditions, I am going in a different direction.
00:09:36Wow.
00:09:39Um, is that?
00:09:42Yes.
00:09:43She's even more good looking in real life.
00:09:45You think we should go over there?
00:09:46You know, like I'm just going to casually introduce you to Carlos?
00:09:49Don't bother.
00:09:50Eric Gunderson is entitled.
00:09:53And engaged.
00:09:54Wait.
00:09:55How do you know all that?
00:09:57Long story.
00:09:59And as you all know, now that we're retiring, my son Eric and Max's daughter Adriana will
00:10:12be taking the reins and guiding this firm to the next level.
00:10:15It's time to pass the torch while keeping our respective legacies in the family.
00:10:20Our fathers founded this investment brokerage almost 80 years ago.
00:10:24I've been working here since I was 15 and Eric joined the staff after graduating college.
00:10:30As did my daughter.
00:10:31And now with the recent announcement of Eric and Adriana's engagement, it's the perfect
00:10:36marriage of the professional and the personal.
00:10:39And we're very excited to see what the two of you can do together.
00:10:43We promise to do right by you.
00:10:44Of course, Gavin will continue in his role as chief operating office.
00:10:48We couldn't do it without him.
00:10:49And don't worry.
00:10:50You're all invited to the wedding.
00:10:53It should be quite the affair once our wives get their hands on it.
00:10:56You know what?
00:11:07Knock, knock.
00:11:08Sorry to barge in on you in the middle of a workday, darling.
00:11:10I know you're busy, but we have an appointment.
00:11:13What appointment?
00:11:14I don't have anything on the calendar.
00:11:17What is all this?
00:11:18Plans, clippings, a blueprint, if you will.
00:11:21Time is short, Eric.
00:11:22Planning a wedding is a huge undertaking.
00:11:25I get that, Mother.
00:11:26But Adriana and I are in the middle of taking over the company.
00:11:29Well, we have to get started if we want to be ready for a June wedding.
00:11:32We only have two months.
00:11:34Okay, so we have an October wedding.
00:11:37Adriana's always wanted to get married in Central Park.
00:11:39Don't be silly, darling.
00:11:41Society weddings happen in June.
00:11:44Plus, the hotel had a cancellation.
00:11:46We have some ideas as well.
00:11:48Great.
00:11:48Well, her mother is on the way, as is our wedding planner, Dinny.
00:11:52Now, she's very much in demand, so we have to work around her schedule.
00:11:55She planned the wedding of the Duke and Duchess of Caldecott.
00:11:59Really?
00:12:00That's the highest level of royalty you could find, huh?
00:12:02Oh, don't be cute.
00:12:04You know I only hire the best.
00:12:11Thanks for switching to this morning.
00:12:13I have a new private client tomorrow, a wedding couple.
00:12:15Well, it is wedding season.
00:12:17I have, like, three invitations already.
00:12:20Sorry, that wasn't sensitive of me.
00:12:23You can talk about weddings around me, Cass.
00:12:25I'm the one who called mine off.
00:12:27I know, but you and Peter would be celebrating your first year anniversary right about now.
00:12:31It's fine.
00:12:32Peter and I, we just didn't speak the same language.
00:12:34I need someone who inspires me.
00:12:37I get that.
00:12:38I know that Peter wasn't right for you, but, I don't know, I just don't understand.
00:12:42What don't you understand?
00:12:43Well, you're supposed to let go of the things that don't work in your life, and Peter was
00:12:47one of those, but your career isn't.
00:12:50I'm not giving up on my career.
00:12:52I'm just altering it.
00:12:54When the thing you love most in the world is your constant source of rejection, it's time
00:12:58to reassess.
00:13:00I'm just tired of being disappointed.
00:13:01No wonder they call you the best wedding planner in the city.
00:13:08This is more watercolor.
00:13:10I think that looks like that.
00:13:10Yes, I can see those together.
00:13:12Isn't that pretty?
00:13:13Now, I need those names and addresses pronto if we want to get that save the date out this
00:13:17week.
00:13:17We'll get on the headcount, but just to be safe, I'd order 400.
00:13:21400?
00:13:22We were thinking something a little more intimate.
00:13:24We know it's your wedding, but it's also a coming out of sorts.
00:13:28For the business.
00:13:29It's Gunderson and Grimes, the next generation.
00:13:32Our clients are our friends, you know.
00:13:35Well, that's true.
00:13:36And they'd find out if they weren't invited since the Times is featuring us in the wedding
00:13:40section.
00:13:41Very big spread.
00:13:43They're even sending a photographer to L.A. for your dress fitting, Adriana.
00:13:47Okay, I get it.
00:13:49Is that all?
00:13:50Eric and I have a conference call.
00:13:53Um, just one more thing.
00:13:55Um, Eric, you remember high schooled cotillion?
00:13:59Do you want a repeat of that?
00:14:01No, he does not.
00:14:02I do not.
00:14:02Good.
00:14:03Because I signed you both up for dance lessons starting tomorrow.
00:14:07Incredible teacher, I'll email you the address.
00:14:10You'll be Fred Astaire by summer.
00:14:11Mm.
00:14:14Hm.
00:14:21Beautiful job, ladies.
00:14:24I'll see you tomorrow.
00:14:30Oh?
00:14:33Hi.
00:14:34I'm Adriana.
00:14:35Yes, Sophia told me to expect you.
00:14:37So good to meet you.
00:14:38I'm sorry, my fiancé is running a bit late, but he just texted me.
00:14:41He'll be here soon.
00:14:42Okay, well, let's just head on over here.
00:14:44You can put your things down and tell me a little bit about your experience.
00:14:46All Sophia's told me is that we're short on time and it's urgent.
00:14:51Well, she's not exaggerating.
00:14:52I have a good 12 years of dance experience under my belt, but my fiancé is what you might call
00:14:58rhythmically challenged.
00:14:59Well, I have had great success with the rhythmically challenged.
00:15:02That's good to know.
00:15:04Our mothers want performance level quality, as if that's the key to a lasting relationship.
00:15:09They're also on the board of the New York City Ballet, and they are dead set on a waltz.
00:15:13Well, we'll get you two in good shape.
00:15:16I am so sorry.
00:15:17I was with the client and he would not stop.
00:15:20You.
00:15:21Hi.
00:15:22You two know each other.
00:15:24Yeah, we've met.
00:15:26But Mr. Gunderson and I got off on the wrong foot.
00:15:30Yeah, I apologize if I was rude.
00:15:33It won't happen again.
00:15:35Fine.
00:15:35Well, we should get started because we've got two months and a lot of ground to cover.
00:15:40Come on, Mr. Wrongfoot.
00:15:42Dance with me.
00:15:43Step right and front and right.
00:15:53Sorry.
00:15:54This is cotillion all over again.
00:15:55You can do this, Eric.
00:15:57You're good at everything.
00:15:59It's really annoying sometimes.
00:16:00Well, then you should be thrilled that I can't seem to get my brain to connect with my feet.
00:16:04Let's try it again, slowly.
00:16:06What do you think?
00:16:06Are we completely hopeless?
00:16:08Not at all.
00:16:09I have had far more challenging clients.
00:16:11So what do you suggest?
00:16:12Two, maybe three lessons per week.
00:16:14Get down the basics and then I'll choreograph something for the two of you that suits you.
00:16:19It'll be perfect.
00:16:20I was hoping two or three lessons in total.
00:16:23It's a very busy time for us right now, especially when the stock market is open.
00:16:27Due to our regular classes, mornings are when we meet with our private clients.
00:16:30I don't want to embarrass myself in front of 400 people.
00:16:35That's 800 eyes watching me, judging me.
00:16:37No one's judging you in here.
00:16:39What if you came in on your own until you were comfortable?
00:16:42Isn't the whole point for us to learn together?
00:16:44Just for the basics.
00:16:45I'll cover things at work and come and go as needed.
00:16:49And then when it's time to learn the dance, I'll make myself available.
00:16:52Twice a week?
00:16:54Maybe three times.
00:16:57You sure you don't mind holding down the fort?
00:16:59Alone while I'm here?
00:17:01We pick up the slack for each other, Eric.
00:17:03Besides, Gavin will step up.
00:17:05You can do it.
00:17:07You're a man of many talents.
00:17:09If only Dan's name on one of them.
00:17:11Okay.
00:17:12Tomorrow, 11 a.m.
00:17:13Please be on time.
00:17:21And one, two, three, four.
00:17:25Very nice.
00:17:26And across the floor.
00:17:29All right.
00:17:30Chin up, Adam.
00:17:32And turn.
00:17:35Very nice.
00:17:36And dip.
00:17:41Not a dry eye in the house.
00:17:43You guys are ready for the big day.
00:17:44Thanks, Hope.
00:17:45And please feel free to bring a guest on Saturday night.
00:17:48I cannot wait to watch you walk down the aisle.
00:17:51You gonna turn me into that?
00:17:53I'm gonna try.
00:17:54Only time will tell if I succeed.
00:17:5711 a.m. on the nose.
00:17:58Very good.
00:18:00I didn't want to subject myself to your wrath again.
00:18:02My wrath?
00:18:03I suspect your bark is worse than your bite, but you can be quite scary when you want to be.
00:18:07Only when people behave as if my time isn't valuable.
00:18:10I'll see you two Saturday night.
00:18:11Bye, Hope.
00:18:12Thanks again for everything.
00:18:12Look, I'm not your favorite person.
00:18:18I get that.
00:18:20I am really sorry about the other night.
00:18:23That's not me.
00:18:25I mean, not usually.
00:18:26It's just that play.
00:18:29It blew me away.
00:18:31I was still thinking about it the next day.
00:18:32I agree.
00:18:33I agree.
00:18:34It was everything the theater should be.
00:18:36Right?
00:18:37Carlos is incredibly talented.
00:18:39I knew that after I read his first play, Highest Crimes.
00:18:42You know, I put up the money as a favor, but it was one of the best experiences of my life.
00:18:47I would stand in the wings, and I'd watch the audience's reaction.
00:18:51You invested in a play.
00:18:52Why do you look so surprised?
00:18:54I don't know.
00:18:56I just sort of had you pegged as a Wall Street finance numbers kind of guy.
00:19:00Judge a book by its cover.
00:19:03You might miss out on a good story.
00:19:05Okay.
00:19:05Tell me the story.
00:19:07Okay.
00:19:08In a nutshell, I'm not as stuffy as I might seem.
00:19:13Physical activity tends to come relatively easy to me.
00:19:17What I lack is that little thing called rhythm.
00:19:20I know it well.
00:19:24Look, I don't want to make a fool of myself in front of New York society.
00:19:29I did that once years ago.
00:19:33So, what do you say?
00:19:35Can you help me?
00:19:38I know I can.
00:19:41Good.
00:19:50It's important to remember on the dance floor, it's all about feeling.
00:19:53Don't think about what you look like.
00:19:55Why not?
00:19:56Everyone else will be thinking about it.
00:19:59Okay, relax, Crimes.
00:20:00You're not in a suit of armor.
00:20:01Relax.
00:20:03Okay, now you're a noodle.
00:20:05Better, okay?
00:20:06We're going for strong and confident, yet relaxed.
00:20:11I'm a Gunderson.
00:20:13Relax is not our natural state.
00:20:14We're going to have to work on that.
00:20:15Well, don't tell me you haven't been warned.
00:20:17I can see I'm going to have to think outside the box with you.
00:20:21Now, let's do this.
00:20:22This foot, out.
00:20:24Together.
00:20:25Same foot, move back.
00:20:28Mm-hmm.
00:20:28Together.
00:20:30This foot, out.
00:20:32Together.
00:20:33Good job.
00:20:33Same foot, front.
00:20:35Mm-hmm.
00:20:36Together.
00:20:43I've gone over the financials for this studio, and it looks like the income would far exceed the monthly mortgage payment.
00:20:48That's great.
00:20:49So what would be the next step?
00:20:50Well, you fill out this application, we run a credit check, our underwriter reviews it, signs off on the loan, and then you become the owner of a dance studio.
00:20:59I'll be the owner of a dance studio.
00:21:08To the longtime clients, the old money crew, they're creatures of habit.
00:21:12They're used to the way your fathers do business.
00:21:15I'm prepared to give some sort of dinner to present the new investment strategy.
00:21:19Maybe a Jacques Bouchon.
00:21:20No one walks away when you put that caviar in front of them.
00:21:23Except maybe Eric.
00:21:24He hates caviar.
00:21:26What do you think, Eric?
00:21:27Hmm?
00:21:28Sorry, it's Carlos.
00:21:30Gavin, can you believe she didn't want to go to the best play on Broadway with me?
00:21:33A little bit.
00:21:35Come on, you know me.
00:21:36Theater isn't my thing either.
00:21:37Well, it's your loss.
00:21:39I'd much rather go home at the end of a long day and open a nice pinot and read Business Week with The Economist.
00:21:45You know, I bet you already do that every night.
00:21:47I bet you do, too.
00:21:49I'm sorry to interrupt, but if we're going to have these dendrobian orchids flown in from Thailand, decisions need to be made now.
00:21:57Whoa.
00:21:57Well, you can't have a conversation with a giant monstrosity in the center of a table.
00:22:03Beautiful monstrosity.
00:22:05Do you want to take care of the flowers, Eric?
00:22:07I'm happy to scratch one thing off my list.
00:22:11Can we get something smaller than the Chrysler building?
00:22:13Sure.
00:22:14Change of plans?
00:22:15Danny Eric will be taking over the florals.
00:22:17Make sure they fit with our colors.
00:22:19Tell the florist to sell it on blue and bone.
00:22:21No, no, no, that's not what I meant.
00:22:22No, no, I will leave it in your capable hands.
00:22:25It's your wedding, after all.
00:22:27I will leave you to this fun, and I'm going to call Jacques Bouchon about a tasting for the client dinner.
00:22:31Oh, make a reservation for all of us, Gavin.
00:22:33Jacques Bouchon's perfect for the rehearsal dinner.
00:22:35Mother, don't drag Gavin into our wedding planning.
00:22:38He's already got enough on his plate.
00:22:39No, I don't, I don't mind at all.
00:22:41You're a dear.
00:22:42All right then, moving on.
00:22:44So what do you do to laugh at you?
00:22:46No, we don't.
00:22:48Well, maybe we can laugh at you.
00:22:53May I please speak to Eric Gunderson?
00:22:54This is Hope Mays.
00:22:59Hello?
00:23:00Put her through.
00:23:03Hope?
00:23:04So, you know how they said we needed to think outside the box?
00:23:07I know, and I'm terrified.
00:23:11Are you and Adriana available to meet me Saturday?
00:23:14She's going to LA this weekend to meet with a dress designer, but I guess I can move some things around.
00:23:18That works.
00:23:19You're the one who needs us anyway.
00:23:21I'll text you the details.
00:23:22Our next lesson is going to be a bit unorthodox.
00:23:26I can't wait.
00:23:27I can't wait.
00:23:37That tuxedo, I do have to say I'm impressed with the extent to which you follow instructions.
00:23:57You said formal attire, and I don't do anything halfway.
00:24:00I don't want you to watch The Bride and Groom.
00:24:29Isn't that the whole point?
00:24:30Not for you.
00:24:32Take in the faces of everyone watching.
00:24:35The maid of honor, the parents of The Bride.
00:24:38The best man's had a little too much champagne, so let's bypass him.
00:24:42Pure joy on everyone's faces.
00:24:45They're all here to celebrate the beginning of this journey.
00:24:49Not a single person cares about the performance.
00:24:53Life isn't about appearances, Eric.
00:24:54Yeah, but that's the thing.
00:24:56When you live your life in the public eye, it sort of is.
00:24:58You have to let that go.
00:25:05That's what this is about.
00:25:06Love.
00:25:08They're surrounded by it.
00:25:09They're in it.
00:25:11Once we focus on true love, then everything else falls into place.
00:25:14It will tell you what you love.
00:25:20It will tell you what you love.
00:25:23It will tell you what you love.
00:25:33Okay.
00:25:34You've had your cake.
00:25:35Now it's time for our lesson.
00:25:37I thought this was our lesson.
00:25:39I kind of feel like I'm nailing it.
00:25:40If only my job were cake.
00:25:43But I am being paid right now to teach you to dance, and I take that very seriously.
00:25:48Well, I am not just eating.
00:25:50I'm researching.
00:25:51I'm checking out flowers for my wedding.
00:25:53I inadvertently took on that task.
00:25:56You don't have a wedding planner?
00:25:57Yes, but somehow I got stuck doing flowers.
00:25:59As if I know anything about flowers.
00:26:01And the wedding planner insists that everything at this wedding make a statement.
00:26:04What kind of statement?
00:26:05Yeah, I can't be sure, but I think it's...
00:26:09Look how much money I cost.
00:26:12That's why you hire a good florist, and they will narrow down your options to your personal preference.
00:26:17You want to know my personal preference?
00:26:18Centerpieces that are less than nine feet tall.
00:26:20I actually have the perfect person, and it's by the studio, so I'll bring you by next time you're there for a lesson.
00:26:25That's not really part of your job description.
00:26:27Happy to help.
00:26:28You seem a little in over your head on this one.
00:26:30Oh, I am way past that point.
00:26:32Okay, problem solved.
00:26:34Stop stalling.
00:26:36Let's dance.
00:26:41Okay.
00:26:44Up this one.
00:26:48So good.
00:27:02Look into my eyes.
00:27:04We're not going to worry about the steps right now.
00:27:05We're going to get you comfortable on the dance floor.
00:27:08I try to avoid dance floors whenever possible.
00:27:11Dance floors and forest fires both are like natural disasters to me.
00:27:15So what happened at Cotillion to make you swear it off?
00:27:19Paige Jeffries.
00:27:21She was the most beautiful girl in Parkwell Academy,
00:27:23and I was dancing with her up on a stage
00:27:26and I tried to impress her with some fancy moves
00:27:30and I let us both right off the edge.
00:27:32Oh, no.
00:27:33I only sprained my ankle, but she broke her nose.
00:27:35In front of everyone, it was humiliating.
00:27:38More so for my family.
00:27:41Paige's dad was a big client.
00:27:43Was being the operative word.
00:27:44Well, there's no stage in the ballroom,
00:27:46so the chances of a repeat performance are slim.
00:27:48Have you met me?
00:27:50You should have seen those two when they came to me.
00:27:52Nothing but left feet.
00:27:55Have you always done weddings?
00:27:57Wedding choreography is part of the job.
00:27:59Before that, I did regional theater in the tri-state area
00:28:02before auditioning for the big jobs.
00:28:06Well, why don't you do it anymore?
00:28:08You're clearly very talented.
00:28:09I would have paid money to watch those two perform.
00:28:14Well, my dance card is rather full at the moment
00:28:16with one Eric Gunderson.
00:28:19Well, I'll try to be a quick study
00:28:21so you can get back to the fun gigs.
00:28:24Because you are good at this.
00:28:36Okay, I think you're going to see some improvement.
00:28:38I almost got him comfortable on a dance floor
00:28:40last weekend while you were gone.
00:28:41But you'll be there with us on our wedding day, right?
00:28:44If you want me to be.
00:28:46We do.
00:28:47Don't mind us.
00:28:49We're not even here.
00:28:50This gentleman is from The Times
00:28:52for our feature about the wedding.
00:28:54He's just going to take a few pictures.
00:28:55Yes, keep doing what you're doing.
00:28:57Okay, remember what I said about people watching?
00:29:00Right.
00:29:02Eye contact with your partner.
00:29:04Block everything else out.
00:29:05That's right.
00:29:06Block us out.
00:29:07Try to get them in the fancy poses.
00:29:09Sort of a taste of what's to come on the big day.
00:29:11We haven't really worked on the fancy poses yet.
00:29:14We're still working on the basics.
00:29:15So chin up, strong arms,
00:29:18and right,
00:29:21and back.
00:29:23Darling, she's not under quarantine.
00:29:25You can hold her closer.
00:29:27I thought he was improving.
00:29:27He is.
00:29:29A lot.
00:29:29Is he going to be ready?
00:29:30We don't have much time.
00:29:32We'll be ready, Mother.
00:29:33We know how important this is.
00:29:34We've got this.
00:29:35Now take the pictures and let us finish.
00:29:37Okay?
00:29:38Why don't we do the dip?
00:29:39Oh, that would make a lovely picture.
00:29:42Sorry.
00:29:42Don't worry.
00:29:55We've only just begun.
00:29:58Oh, my goodness.
00:30:01So tell me one little thing about Eric Gunderson,
00:30:04now that we had a few lessons with him.
00:30:05You know Sophia doesn't like me to talk too much about our clients.
00:30:08I'm not asking for those social security numbers.
00:30:10I just want to know if he's still an entitled jerk.
00:30:13He's not at all how I thought he'd be.
00:30:15I actually like him and Adriana a lot.
00:30:18Really?
00:30:22So how's the show going?
00:30:24You won't believe it.
00:30:26I get to understudy the lead in July,
00:30:29which goes on vacation.
00:30:30That's incredible, Cass.
00:30:33Did you ever submit your resume?
00:30:35Look, I don't deny that choreographing
00:30:37has always been my favorite part,
00:30:38but I'm on to a new venture,
00:30:40and it wouldn't really make sense
00:30:41for me to go to London right now anyway.
00:30:43But it's London.
00:30:46So?
00:30:48Okay.
00:30:52I'm having Gavin put together some numbers,
00:30:54and we can bring it to the board
00:30:55as our first official decision in charge.
00:30:58You really love this.
00:31:00I do.
00:31:01It's what I've been working towards since college.
00:31:02Yeah, I know.
00:31:04But I feel like we're not doing anything that meaningful.
00:31:08We're transforming financial portfolios.
00:31:10I think our clients would tend to disagree.
00:31:13We're giving people financial security.
00:31:15And I love that about it,
00:31:16but I just like to be a part of something
00:31:19that makes people think.
00:31:20Something that's actually transformative.
00:31:23Good financial news is transformative.
00:31:26For me, too.
00:31:27But are you happy?
00:31:30I am.
00:31:32Everything's going according to the plan.
00:31:35The business is ours.
00:31:37The wedding's going to be perfect.
00:31:39We're getting what we want.
00:31:42Yeah.
00:31:44We are.
00:31:44Hope, good.
00:31:57You're here.
00:31:58I want to go over all the payroll information with you
00:32:00so that when you take over, there'll be no lapse.
00:32:02Sure.
00:32:02What is the status of the loan, anyway?
00:32:04Um, I'm waiting to hear.
00:32:05Wonderful.
00:32:06Because I received a call today.
00:32:08Somebody else is interested in the studio.
00:32:11But I'll tell them no.
00:32:12No, don't do that.
00:32:13I mean, what if I don't get approved?
00:32:16Are you having second thoughts, Hope?
00:32:17There'd be no shame in that,
00:32:19but I do need to know soon.
00:32:21No, I just, I don't want you to miss out
00:32:22on the opportunity if I don't qualify, that's all.
00:32:24Is there any way to hold them off for a bit?
00:32:27Yeah, for a little while, I suppose.
00:32:34Thank you for doing this.
00:32:35I know it's not on the official dance lesson plan.
00:32:38Well, it's still wedding adjacent.
00:32:40Now let's go meet the scholars,
00:32:41because tomorrow, I'm going to start teaching you the actual steps.
00:32:44Oh, that's great news.
00:32:57Just take a look in the book, see what you like,
00:32:59and then you can customize it anyway.
00:33:00There's a cat in a flower shop.
00:33:05This is Lulu.
00:33:06She's kind of the mascot here.
00:33:09I'll help a guy out here, Lulu.
00:33:12Irises or lilies.
00:33:15Hmm?
00:33:15I know, I have no idea either.
00:33:20Notice your arms?
00:33:22How are you holding her?
00:33:24Cradling her gently with nothing but affection?
00:33:27That is how you hold your dance partner.
00:33:30Your bride.
00:33:31You're not thinking about what it feels like
00:33:33or where your arms go.
00:33:35Just are.
00:33:36Sometimes we have to be reminded not to think.
00:33:43So how do you know this florist and her cat so well?
00:33:46I hired her for my wedding.
00:33:48You're married?
00:33:49It was supposed to be a year ago,
00:33:51but I called it off a few weeks before.
00:33:54Oh, I imagine that was hard
00:33:55to feel misunderstood by your partner.
00:33:58Everything was measured by him.
00:34:00He was so afraid to make a mistake
00:34:01that he didn't want me to make any either.
00:34:03And do you make a lot of mistakes?
00:34:05I try not to.
00:34:08There's this assistant choreography job in London.
00:34:11I could send in my resume
00:34:13and further subject myself to potential rejection,
00:34:16or I could commit to buying the studio,
00:34:18which is a really good option.
00:34:21I had this professor in college
00:34:22who used to say life's a gamble,
00:34:24so make it interesting.
00:34:25He even made us write her own bios.
00:34:27So what do you want your book jacket to say?
00:34:29I guess I'd want it to say she was brave
00:34:31and had no regrets.
00:34:34Oh, and she never aged.
00:34:36Okay, so there's the choice.
00:34:38If only it were that simple.
00:34:42Here's the story of Hope Mays.
00:34:45She could have gone to London,
00:34:47tea at the Ritz every day,
00:34:49tour in the National Gallery on her days off,
00:34:51but, oh, she'll never know
00:34:53because she never submitted a resume.
00:34:58I guess you could say
00:35:00that we're sort of in the same boat.
00:35:02How so?
00:35:03Carlos has this new play.
00:35:04It's about vets returning from the war,
00:35:06and he wants me to produce it,
00:35:07not just finance it.
00:35:08And it's really incredible,
00:35:10but with the business, it's...
00:35:12Here's the story of Merrick Gunderson.
00:35:16He could have produced this juggernaut
00:35:18changing lives in its sixth season
00:35:20on Broadway and printing more money
00:35:21than the U.S. Mint,
00:35:23but he passed.
00:35:26Oh, okay.
00:35:31So what do you say?
00:35:33You submit your resume,
00:35:34and I'll talk to Carlos
00:35:35and see if I can juggle both.
00:35:37So is the tea at the Ritz really good?
00:35:41There's only one way to find out.
00:35:50Attaching resume,
00:35:52hat,
00:35:53meat ring.
00:36:00Four,
00:36:01and dip,
00:36:03and...
00:36:04good job.
00:36:06Change your shoes.
00:36:08I feel like I'm making progress, right?
00:36:09You're making great progress.
00:36:13Hello?
00:36:14Hope, it's Vanessa Kersen.
00:36:16Hi, Vanessa.
00:36:17So I was looking over your resume last night.
00:36:20You choreographed Borrowed Magic
00:36:22for the Connecticut Playhouse.
00:36:23That was a great show.
00:36:25You saw it?
00:36:25I never understood why
00:36:26I didn't make it to Broadway.
00:36:28Listen, I would love for you
00:36:29to put together an audition piece for me.
00:36:31Really?
00:36:32Yes, really.
00:36:33I'll email you the music file
00:36:34and all the details.
00:36:35That would be great.
00:36:39She wants me to put together
00:36:40an audition piece.
00:36:42And you almost didn't send your resume.
00:36:45So?
00:36:47How do you feel?
00:36:48Conflicted.
00:36:49I love the idea of telling a story without words,
00:36:54so that's exciting.
00:36:56But?
00:36:58There was this job about a year ago
00:37:01to choreograph this dance tour
00:37:04with the best dancers in the business.
00:37:06The job was mine.
00:37:07I was so sure.
00:37:08And then it wasn't.
00:37:10And I just got so tired of hearing how talented I was,
00:37:16but here's a hundred reasons why we didn't pick you.
00:37:18And that's when the opportunity to buy the studio came along.
00:37:21I understand that,
00:37:22but doesn't this seem like a second chance?
00:37:24It just feels like I have one foot on each side of the fence.
00:37:27Well, I know how that feels.
00:37:29I studied theater and finance.
00:37:32Dual major.
00:37:33It can make your head spin a bit,
00:37:34but one was for me and one was for my dad.
00:37:37Finance one?
00:37:38I guess you could say that.
00:37:40But after I read Carlos' first play,
00:37:42I knew I had to be a part of it.
00:37:44And those were some pretty great coattails
00:37:45to jump on my first time out.
00:37:47Carlos is taking off.
00:37:49And he wants me to come along with him.
00:37:50So what's the problem?
00:37:54Adriana, she gets more excited every day
00:37:56about taking over the business.
00:37:57And as we get deeper into it,
00:37:59I'm conflicted.
00:38:02There's so much I want to do,
00:38:03and none of it happens in that office.
00:38:04I think you just sound like someone
00:38:07who has to pick a side of the fence.
00:38:34When you said you had the perfect location
00:38:51to make a dancer out of me,
00:38:52I was thinking, like, a nightclub or something.
00:38:55You thought wrong.
00:38:56I'm not sure how Central Park comes into play.
00:38:59You'll see.
00:38:59Come on.
00:39:00Take off your shoes and socks
00:39:11and roll up your pants.
00:39:14We're going in there?
00:39:15Okay.
00:39:17First, a stranger's wedding,
00:39:19and then a cat in a flower shop,
00:39:21and now the pond?
00:39:22Mm-hmm.
00:39:23Are you Mr. Miyagi and me?
00:39:25Don't underestimate it.
00:39:26Mr. Miyagi led the karate kid
00:39:28to make a big win.
00:39:30It's time to let appearances go.
00:39:32You've got to be tired
00:39:32of those fancy shoes anyway.
00:39:34You know, I was taught
00:39:36that rules are there to be followed.
00:39:38What rules?
00:39:39I don't see any signs anywhere,
00:39:40so I'm doing enough here to haunt.
00:39:41Some rules are unspoken.
00:39:43Sooner or later,
00:39:44you're going to learn.
00:39:45It's best not to argue with me.
00:39:47Oh, no.
00:39:47I got that.
00:39:49Get in, Gunderson.
00:39:53Well...
00:39:54Look at the water.
00:40:01It has an ebb and flow.
00:40:03It's impossible for it to be rigid,
00:40:05which is the opposite of you.
00:40:07You need to learn to be the water.
00:40:09All swimming upstream gets you
00:40:11is some very tired arms.
00:40:17Like the water.
00:40:18ebb and flow.
00:40:22Ebb and flow.
00:40:40You want to try the first eight count?
00:40:42Yeah.
00:40:43One, two, three.
00:40:45One, two, three.
00:40:47One, two, three.
00:40:48One, two, three.
00:40:51One, two, three.
00:40:54Sorry.
00:40:56You make this really fun.
00:40:58It's because there's no pressure.
00:41:00You can just be you.
00:41:04Hmm.
00:41:04Okay, we are ready
00:41:12for Adriana to come back in.
00:41:14All right.
00:41:14Yeah.
00:41:16Wax on.
00:41:17Wax off.
00:41:22I am so sorry I'm late.
00:41:25The dress arrived
00:41:26and then I couldn't get a cab.
00:41:27It's been one of those days.
00:41:29That's okay.
00:41:30We were just rehearsing the beginning.
00:41:31Did you get the video I sent?
00:41:33Yes.
00:41:33Watched and memorized.
00:41:35This dress is huge.
00:41:36Much bigger than the sketches
00:41:37the designer showed me.
00:41:39I don't know how I'm going to dance in it.
00:41:41We'll need to do a dry run.
00:41:42Do you want him to see you in it?
00:41:43No.
00:41:44We'll kick him out
00:41:45and give it a twirl around the studio.
00:41:47I always think that's a good idea.
00:41:48You don't want the first time
00:41:49you dance in it to be your wedding day.
00:41:50Well, I'm not so sure
00:41:51how I feel about it anyway,
00:41:52so if I can't dance in it,
00:41:53then it definitely has to go.
00:41:54Okay.
00:42:03I look like a giant marshmallow,
00:42:05don't I?
00:42:05I swear I was pressured into this
00:42:07by my mother.
00:42:08She thought it would have photographed well.
00:42:10I think you're the most beautiful bride
00:42:11I've ever seen.
00:42:12Really?
00:42:13Turn around.
00:42:13So we use this loop
00:42:16to hold up your skirt
00:42:19while you're dancing.
00:42:20Now, try the first few steps.
00:42:32I don't think it's going to be a problem.
00:42:35Everything has to be perfect.
00:42:37Right down to the napkin rings,
00:42:38which are being flown in from France.
00:42:41We don't have good enough napkin rings
00:42:42here in America.
00:42:43Everything is about the optics.
00:42:45How we are perceived
00:42:46is how the business is perceived.
00:42:48It's intertwined.
00:42:49Well, as long as you're happy,
00:42:51that's all that matters.
00:42:52I wish I had time to enjoy it more,
00:42:54but how does Eric seem to you?
00:42:58Fine.
00:42:59I mean, this doesn't come easily to him,
00:43:00so he's a little frustrated, but...
00:43:02Not the dancing.
00:43:03I mean, in general.
00:43:05Here we are getting everything
00:43:05we always talked about,
00:43:06and our reactions
00:43:07couldn't be more different.
00:43:09Well, they say opposites attract.
00:43:12They also say nothing bonds
00:43:13are like common ground,
00:43:14and I feel like we don't have
00:43:15much of that anymore.
00:43:18Sometimes when life gets
00:43:20particularly stressful,
00:43:21we fall out of sync,
00:43:22but as soon as the dust settles,
00:43:24we step right back
00:43:24into our routine with heat.
00:43:27Yes.
00:43:28Maybe that's it.
00:43:32Timing.
00:43:32So I don't look like a giant cake?
00:43:39No.
00:43:40You're stunning.
00:43:45I mean,
00:43:45a 10-piece orchestra,
00:43:47a 20-piece orchestra,
00:43:48what difference does it make?
00:43:49No difference.
00:43:50I want a band.
00:43:51Then we get a band.
00:43:52You know,
00:43:52some of our new clients
00:43:53might like something
00:43:55a little more fresh.
00:43:56Okay.
00:43:57I'll find one,
00:43:58since that seems to be
00:43:59the only way
00:43:59to remotely get
00:44:00what we want for this wedding.
00:44:01I know it feels like
00:44:02a runaway train.
00:44:03Everything's happening so fast.
00:44:05Two more weeks then,
00:44:06and everything will settle down.
00:44:07Of course it will.
00:44:09But I do like this.
00:44:10Being out in the world
00:44:11in the middle of the day.
00:44:13And we'll do more meetings
00:44:14outside the office
00:44:15instead of having everyone
00:44:16come to us.
00:44:17That's fine.
00:44:18I want to talk to you
00:44:20about something.
00:44:22I have a question
00:44:22for you, too.
00:44:24You go first.
00:44:27Are you regretting
00:44:28taking over the company?
00:44:30No, not regretting, per se.
00:44:32I mean,
00:44:33I want it to be
00:44:34hugely successful.
00:44:37But how would you feel
00:44:38if I produced a play?
00:44:41How would that work
00:44:42with the company?
00:44:44I'm not sure.
00:44:45Maybe I could do both.
00:44:46I don't see how.
00:44:48And the business is full-time
00:44:49and so is producing.
00:44:51And if I figure it out a way?
00:44:53I know you love this business.
00:44:55And I love watching you thrive
00:44:56as you take the reins
00:44:57of this company.
00:44:58But I feel like I want more.
00:45:02More than an insanely
00:45:03successful brokerage firm?
00:45:05I mean, it's the golden goose, Eric.
00:45:10Let's go in.
00:45:11In the pond.
00:45:14In our clothes?
00:45:15Yeah.
00:45:16Why not?
00:45:16Because it's crazy
00:45:18and possibly illegal
00:45:19and people will see us.
00:45:21Don't worry about that.
00:45:22Come on, it'll be fun.
00:45:23It's not really my idea of fun.
00:45:26Let's get back to work.
00:45:27We go to that little Italian place
00:45:38we love.
00:45:39It's quick,
00:45:40and I'll live an hour
00:45:40before my next class.
00:45:42Perfect.
00:45:43How's dance coming?
00:45:44It's a work in progress.
00:45:45And so is everything.
00:45:47It's never done.
00:45:48You just stopped revising it.
00:45:50What's happening with the loan?
00:45:51I find out soon if I was approved.
00:45:55Well, you sound perfectly morose about it.
00:45:58Are you having second thoughts
00:45:59about buying the studio?
00:46:01What if I buy it?
00:46:02It's just I don't have time
00:46:03to do anything else.
00:46:05It feels like such a big commitment.
00:46:06So definitive.
00:46:08Do you think I gave up
00:46:09on my dreams too quickly?
00:46:11I think your dream
00:46:12may have changed
00:46:12for a little while,
00:46:14but now it looks like
00:46:16it might be changing back.
00:46:17That happens, you know.
00:46:19Right.
00:46:20But what if I dive in
00:46:22and it doesn't work out?
00:46:24When it came to Peter,
00:46:25you took care of yourself
00:46:26and you walked away
00:46:28not from a place of fear
00:46:29but from a place of strength.
00:46:31And if I walk away from this,
00:46:33it'll be from a place of fear.
00:46:35Take care of yourself again.
00:46:37Whatever that means to you.
00:46:40That was incredible.
00:47:10You think?
00:47:12I mean, it's better
00:47:12when my partner's not imaginary, but...
00:47:15You dance circles around him.
00:47:18It's nice.
00:47:20Creating like this again.
00:47:22You know, you light up
00:47:23when you dance like that.
00:47:25Well, I guess that's what happens
00:47:27when you do what you love.
00:47:28I can't believe you beat me.
00:47:41I gotta get out on that course more.
00:47:42You literally golfed six days a week
00:47:44since you retired.
00:47:48Keeping busy helps us
00:47:49not to micromanage you and Adriana.
00:47:52Please.
00:47:53I know you still get updates
00:47:54on my daily financials.
00:47:55Well, that's only because
00:47:56I have a vested interest.
00:47:57It's not to interfere.
00:47:59You're doing a fabulous job,
00:48:00the two of you.
00:48:01But then again,
00:48:02you were trained by the best.
00:48:04Hey, that'll be you soon.
00:48:09Oh.
00:48:10I like to see how your life
00:48:13is falling into place.
00:48:15Dad, when did you decide
00:48:17you wanted to work on Wall Street?
00:48:19I don't think I ever really decided.
00:48:21My father always said
00:48:23everyone in this family works.
00:48:25And so I did.
00:48:26There were no handouts,
00:48:27no trust funds.
00:48:29That's why you were never
00:48:30handed anything either.
00:48:31Come on.
00:48:32I had a top-notch education
00:48:33paid for by you.
00:48:34Paid for with sweat equity.
00:48:35You worked for it
00:48:36from the time you were 15.
00:48:37Now, this company
00:48:38is your trust fund.
00:48:40What if you'd wanted
00:48:41to do something else?
00:48:43There was nothing else.
00:48:45My father handed me
00:48:46a gift.
00:48:48This company.
00:48:49I'm sure we all have hobbies.
00:48:51I like to play golf,
00:48:52but I'm not about
00:48:53to join the PGA Tour.
00:48:55Senior.
00:48:56PGA Tour.
00:48:57No, no, no.
00:48:59This is our place
00:49:01in the world, Eric.
00:49:02Our contribution.
00:49:04I've handed you my legacy
00:49:05as my father handed it to me.
00:49:08It's an honor.
00:49:09So be proud of it
00:49:11and serve it with care.
00:49:13Huh?
00:49:15Cheers.
00:49:16Cheers.
00:49:18Lift?
00:49:20Yeah.
00:49:21You want a try?
00:49:22Yes.
00:49:34Like that?
00:49:35Lovely.
00:49:37Your work lights up a room.
00:49:40Well, you know,
00:49:40it's all I ever wanted to do.
00:49:42I understand.
00:49:43And as hard as it is
00:49:44to hang up my hat,
00:49:45it's evident to me
00:49:46I'm ready.
00:49:47When it's time to let go,
00:49:49it's revealed to you.
00:49:50I know you're still waiting
00:49:52to hear from the bank,
00:49:53but the other offer,
00:49:55they're putting pressure
00:49:56on me for an answer.
00:49:57I'm going to need one
00:49:58by Friday.
00:49:59I'll call the bank
00:50:00for an update.
00:50:01Thanks.
00:50:11And this is where
00:50:12the cocktail hour
00:50:13will take place.
00:50:14String quartet,
00:50:16past hors d'oeuvres,
00:50:17and three well-staffed bars
00:50:19around the perimeter.
00:50:21I promised you one
00:50:22for the books
00:50:23and I am delivering.
00:50:25Now, let's keep moving.
00:50:26We've got a little more
00:50:27than a week
00:50:27before the big day.
00:50:34Now, they will expand
00:50:36the dance floor
00:50:36to accommodate
00:50:37so many guests.
00:50:38Horseshoe-shaped head
00:50:39table over there
00:50:40and tables of 12
00:50:41throughout the rest
00:50:42of the room.
00:50:43And here is where
00:50:44your orchestra sits.
00:50:45Band.
00:50:45I'm sorry?
00:50:47We're having a band,
00:50:48not an orchestra.
00:50:52Have you chosen yet?
00:50:53I've been watching
00:50:54some videos online,
00:50:55but mostly everybody's
00:50:56booked already.
00:50:57I'm getting down
00:50:58to the wire here.
00:50:59I know a great one.
00:51:00They really only do
00:51:01weddings for me
00:51:02as a favor.
00:51:03You two,
00:51:04come by in the morning
00:51:05while they're setting up.
00:51:06I won't be there yet,
00:51:07but I'll tell them
00:51:08to give you a little sample.
00:51:09I can't.
00:51:10Quarterly earnings
00:51:10come in tomorrow,
00:51:11but you choose
00:51:12without me, Eric.
00:51:13I trust your taste
00:51:13in music.
00:51:14Okay.
00:51:15I'll drop by
00:51:15after my dance lesson
00:51:16then.
00:51:17Wonderful.
00:51:17Moving on.
00:51:18We have to pick
00:51:19tablecloths.
00:51:20I have seven shades
00:51:21of blue for you
00:51:21to choose from.
00:51:23Seven shades of blue?
00:51:24Did you know
00:51:24that?
00:51:25Seven shades of blue.
00:51:26Okay, great.
00:51:39Beautiful.
00:51:39Beautiful.
00:51:39That was great.
00:51:58Nice.
00:51:58That's enough for today.
00:52:14We'll finish this up later.
00:52:16Thank you guys so much.
00:52:19Still struggling with the end.
00:52:20I don't know where to go with it.
00:52:21Should they end up together?
00:52:23Do you want people smiling
00:52:24or crying in the end?
00:52:26Do they get what they want
00:52:27in his life or not?
00:52:28Well, people should get
00:52:31what they want,
00:52:31but reality's not always
00:52:33in sync with that.
00:52:34This is a world
00:52:35you're creating.
00:52:37How do you want
00:52:37this love story to end?
00:52:40I'm gonna think about that
00:52:41and get back to you.
00:52:43All right,
00:52:43enough about me.
00:52:44Let's get to work.
00:52:46Are you okay
00:52:46if we take our lesson
00:52:47on the road?
00:52:49Where to?
00:52:50I was thinking
00:52:51maybe a bit of a practice
00:52:52run is in order.
00:52:53I thought I was the one
00:52:54that was supposed
00:52:55to be changing up
00:52:55the lessons.
00:52:56They're ready.
00:53:05This is such
00:53:06an incredible place
00:53:07to get married.
00:53:08It's gonna be beautiful.
00:53:10They're gonna play
00:53:11a few songs for us.
00:53:12For me.
00:53:14And we're gonna get you
00:53:15used to this dance floor.
00:53:16That's why I brought
00:53:17these terrible shoes.
00:53:19Let's see if you
00:53:20remember the steps.
00:53:21I hope they're good.
00:53:35Make this about you,
00:53:37not appearances.
00:53:39Be in the eyes
00:53:39and be in the moment.
00:53:40Like a river song
00:53:46She gives me love, love, love, love, love
00:53:50Great love
00:53:53She gives me love, love, love, love
00:53:57Great love
00:53:58She's got a fine sense of humor
00:54:03Why is it so easy with you
00:54:28and then Adriana comes in
00:54:29and I'm a mess?
00:54:29Like I said
00:54:32there's no pressure
00:54:32Yeah
00:54:34That's probably it
00:54:37Hello?
00:54:47Ah, this is Hope
00:54:47Oh, that's great
00:54:50Thank you
00:54:51Got approved for the loan
00:54:55Looks like you have
00:54:57a decision to make
00:54:58It's five
00:55:08We have to go
00:55:09We have a dance lesson
00:55:10and then the cake tasting
00:55:11I forgot about the cake tasting
00:55:13This is how we get
00:55:15the wedding we want
00:55:15We have to be making
00:55:16these decisions together
00:55:17I picked the band
00:55:19I picked the flowers
00:55:20I know
00:55:21and I'm sorry
00:55:22But I booked an early dinner
00:55:27with Eleanor Green
00:55:28She might want to leave the firm
00:55:30She might want to
00:55:31or she's going to
00:55:32I don't know
00:55:33but she's one of my father's
00:55:34oldest clients
00:55:34I want to keep her happy
00:55:35You'd do the same
00:55:37But I don't want to leave you
00:55:39in the lurch
00:55:39I'm sorry
00:55:40I forgot
00:55:41I think you should do
00:55:42what's most important to you
00:55:43I need to sit down
00:55:46with Eleanor
00:55:47Please understand, Eric
00:55:50I do
00:55:52I thought Adriana was coming
00:56:04Is she meaning you here?
00:56:05She's not coming
00:56:06We haven't had a full rehearsal
00:56:08with the two of you
00:56:09and time's running out
00:56:10I know
00:56:10And I'm sorry
00:56:11you changed your schedule
00:56:12around to have an afternoon
00:56:13session with us
00:56:14It's okay
00:56:15We could just rehearse
00:56:16with the two of us
00:56:17or if you're not feeling like it
00:56:19we could just call it a day
00:56:20You know what?
00:56:21Let's just call it a day
00:56:22Are you hungry?
00:56:28Famished, actually
00:56:28Good
00:56:29I know just the place
00:56:40The New Yorker
00:56:41and the Princess Lily
00:56:42I can safely say
00:56:44this is the first time
00:56:45I've had seven different
00:56:46types of cake for dinner
00:56:47Oh, not me
00:56:48I like this one
00:56:52and that one
00:56:53Not that one
00:56:54Adriana hates coconut
00:56:55Definitely the dulce de leche
00:56:57How am I supposed
00:56:58to pick just one?
00:57:00They will let you
00:57:01have all of them
00:57:01Each layer
00:57:02can be a different flavor
00:57:03Are you sure about that?
00:57:05I happen to know
00:57:06that for a fact
00:57:07Wow
00:57:09You did get pretty far
00:57:10down the road
00:57:11with your wedding plans
00:57:11didn't you?
00:57:12And I learned a lot
00:57:13in the process
00:57:14For example
00:57:15Deposits are non-refundable
00:57:17and there's really
00:57:18no other appropriate
00:57:19occasion for a custom
00:57:20wedding dress
00:57:20Yeah, I guess not
00:57:23This is supposed
00:57:29to be fun, right?
00:57:31Planning a wedding
00:57:31getting married?
00:57:33So I hear
00:57:33So what made
00:57:40you walk away?
00:57:41Was there a final
00:57:42incident or something?
00:57:43Not one thing
00:57:44in particular
00:57:45but I always said
00:57:46I wanted to get married
00:57:46once and then
00:57:47I take that very seriously
00:57:48Me too
00:57:49As I got deeper
00:57:51into the wedding planning
00:57:52I realized
00:57:53this is my once
00:57:54And of course
00:57:55it wasn't
00:57:55It's easier to see
00:57:57that now
00:57:57but it's tough
00:57:58when you're in it
00:57:59And there were
00:58:00some good aspects
00:58:00to the relationship
00:58:01They were just
00:58:02outnumbered
00:58:03Did you ever
00:58:04have any regrets?
00:58:06Not once
00:58:07Well, I did
00:58:09offer to pay
00:58:09my dad back
00:58:10for the venue deposit
00:58:11I do regret that
00:58:12a little bit
00:58:13Alright, let's
00:58:29try the other ending
00:58:30Maybe they should
00:58:48end up together
00:58:48I think so
00:58:49I mean, give this
00:58:50poor couple
00:58:50what they want
00:58:51We should all
00:58:52be so lucky, right?
00:58:53Yeah, exactly
00:58:54All right
00:58:57You heard the man
00:58:59Let's do this ending
00:59:00Thank you
00:59:01Thank you
00:59:06So
00:59:11the loan paperwork
00:59:12is in
00:59:13and I have to
00:59:14make a decision
00:59:15now
00:59:16I mean
00:59:17if I
00:59:18dive back
00:59:19into the choreography
00:59:19full force
00:59:20then
00:59:21I'm doing it
00:59:22But that means
00:59:23I have to let go
00:59:24of plan B
00:59:25I don't have enough
00:59:26time to do both
00:59:27So be it
00:59:29Hope
00:59:31This
00:59:32is what you love
00:59:34Do you know
00:59:35how lucky you are
00:59:36to know what you want?
00:59:37Not many people
00:59:38have that kind of clarity
00:59:39That next hand
00:59:41might be a royal flush
00:59:42Oh, you're still here
00:59:56Did you tell the parents
00:59:57the recital costumes
00:59:58will be in next week?
00:59:59I did
01:00:00Great
01:00:00Do you have a minute?
01:00:03Yeah
01:00:03Yeah, of course
01:00:04You're not buying
01:00:09the studio
01:00:09How'd you know?
01:00:12I've known all along
01:00:13I was just waiting
01:00:14for you to realize it
01:00:15Now that I'm
01:00:16choreographing again
01:00:17It's a leap worth taking
01:00:19I will accept
01:00:22the other offer
01:00:23and I will tell them
01:00:24it comes with
01:00:25an incredible teacher
01:00:26at least until
01:00:27her big opportunity
01:00:28comes
01:00:29and it will come
01:00:30whether it's
01:00:30this week
01:00:31or next year
01:00:32Thank you so much
01:00:33for everything
01:00:34you've done
01:00:34for me, Sophia
01:00:35It's my pleasure, Hope
01:00:37I can't wait
01:00:38to watch you soar
01:00:39Eric?
01:00:52Hi
01:00:52Did we have a lesson today?
01:00:54Uh, no
01:00:54I, uh
01:00:55I wanted to
01:00:57drop this off
01:00:57when I knew
01:01:00you were at lunch
01:01:01I just wanted to
01:01:08wish you luck
01:01:08for tomorrow
01:01:09This is so sweet
01:01:11Thank you
01:01:12So, are you nervous?
01:01:15Hmm, fluctuating
01:01:16between self-doubt
01:01:17and crippling panic
01:01:18So, no
01:01:20Is anyone going with you?
01:01:23Flying solo
01:01:23Would you like some
01:01:25more support?
01:01:25Don't you have to be
01:01:27at the office?
01:01:28I can go in a bit late
01:01:29One benefit of being
01:01:30the boss
01:01:30Okay
01:01:32I'd love for you to come
01:01:34Alright
01:01:35Music
01:01:37Where's my music?
01:01:43Vanessa hasn't
01:01:44Remember?
01:01:46She sent it to you
01:01:48Right
01:01:48Another copy of my resume
01:01:50Check
01:01:51And a bundle of nerves
01:01:53Check
01:01:54Just relax
01:01:55You're ready
01:01:56She would be a fool
01:01:57not to pick you
01:01:58Excuse me, Hope
01:01:59Before we begin
01:02:01I need to check
01:02:01your availability
01:02:02We'll have to leave
01:02:03by Friday
01:02:04If that doesn't work
01:02:05for you, let me know now
01:02:06It works
01:02:07Definitely works
01:02:08Great
01:02:08Okay, well
01:02:09let's get started
01:02:10Let's get started
01:02:40Let's get started
01:03:10Really beautiful job, Hope
01:03:23Thank you
01:03:24Thank you
01:03:27Well, I have two more pieces
01:03:29to see today
01:03:30But you'll hear from me
01:03:32by tonight
01:03:32either way
01:03:33Thank you for the opportunity
01:03:35That was incredible
01:03:39It felt incredible
01:03:40I don't want to go back
01:03:42to the office
01:03:43I really don't want
01:03:44to go back to the studio
01:03:44Okay, well let's go for a walk
01:03:46To the park?
01:03:48I have a better idea
01:03:49Wow
01:03:52I wish I could do this
01:03:53every single working day
01:03:55Take the time to walk
01:03:56the Brooklyn Bridge
01:03:57Yeah
01:03:57You occasionally
01:03:59have a good idea
01:04:00Occasionally, huh?
01:04:03You know
01:04:05I was kind of dreading
01:04:07my dance lessons
01:04:07No
01:04:08Believe it
01:04:09But then being out
01:04:11of the office so much
01:04:12I really started
01:04:13looking forward to them
01:04:13I told you I'd make
01:04:14a dancer out of you
01:04:15Whoa
01:04:16Let's not overshoot
01:04:17You know
01:04:18But all this has
01:04:19kind of made me look
01:04:20at the world differently
01:04:20I mean
01:04:21I danced
01:04:23in a pond
01:04:24in Central Park
01:04:25You danced
01:04:26well
01:04:26in a pond
01:04:27in Central Park
01:04:28Well
01:04:29So what does Adriana
01:04:33think of this new you?
01:04:41It feels like Adriana
01:04:42and I aren't
01:04:43on the same page
01:04:44Well
01:04:46we started dating
01:04:47in our 20s
01:04:47and it's been
01:04:48on this fast track
01:04:49ever since
01:04:49But I thought
01:04:52getting to this point
01:04:53would feel different
01:04:53I thought I'd be
01:04:57excited
01:04:57and I'm not
01:04:59Well you two
01:05:03have a lot going on
01:05:04and sometimes
01:05:05when life gets
01:05:05really stressful
01:05:06it's hard to see
01:05:08the light
01:05:09but it does come back
01:05:10It didn't with you
01:05:12and your fiancé
01:05:13Well
01:05:13that's different
01:05:14I mean
01:05:15we weren't right
01:05:16for each other
01:05:16Does this maybe
01:05:19have something
01:05:20to do with the play?
01:05:21What do you mean?
01:05:23I hear the tone
01:05:24of your voice
01:05:24when you talk about it
01:05:25Oh yeah?
01:05:26How does it sound?
01:05:28It sounds inspired
01:05:29You know
01:05:31there's a royal flush
01:05:33in your deck too
01:05:33You got a minute?
01:05:46We can finish this later
01:05:48Thanks, Gab
01:05:49Are you okay?
01:05:58I need to talk to you
01:05:59about something
01:06:00Okay?
01:06:04I've been thinking
01:06:05a lot
01:06:06about the company
01:06:08You don't want
01:06:12this anymore
01:06:13I knew it
01:06:15Our clients deserve more
01:06:17And you deserve
01:06:19a better business partner
01:06:20Someone whose heart
01:06:21is in it
01:06:22just as much as yours
01:06:23if not more
01:06:23You and I both know
01:06:26Gavin is
01:06:27far better suited
01:06:29for this than I am
01:06:30Say something
01:06:36I want you to be happy
01:06:40I know that
01:06:41And I also know
01:06:43this is a lot
01:06:44to take in
01:06:44So what are you
01:06:49thinking of doing?
01:06:50For starters
01:06:51producing that play
01:06:52One of the riskiest
01:06:59investments around
01:07:01Not this time
01:07:02You should read it
01:07:03It's gonna be worth it
01:07:04I don't have time
01:07:05to read, Eric
01:07:06I have a company
01:07:07to run
01:07:07How is this going
01:07:09to look to our clients?
01:07:11What does your father
01:07:13think of this?
01:07:16I haven't told him yet
01:07:17I wanted to talk
01:07:19to you first
01:07:19Come on
01:07:23Things aren't gonna
01:07:25be that different
01:07:26I don't know
01:07:28how you can say that
01:07:29Eric
01:07:29This changes everything
01:07:41Oh
01:07:46So determined today
01:07:48Gotta keep moving
01:07:50Vanessa said she was
01:07:51making her decision
01:07:51last night
01:07:52and I have heard
01:07:53nothing
01:07:53Well don't wait
01:07:54too much into it
01:07:54She said she'd
01:07:55tell you either way
01:07:56so no news
01:07:57means no news
01:07:58but I can't believe
01:08:00you didn't ask me
01:08:00to come for moral support
01:08:01Eric offered
01:08:02and I accepted
01:08:03Okay
01:08:05I am not even
01:08:06gonna say a word
01:08:07Good
01:08:07because he's
01:08:08getting married
01:08:08But what I will say
01:08:10I knew you
01:08:10couldn't help yourself
01:08:11I just feel like
01:08:13maybe this is
01:08:13the first time
01:08:14since Peter
01:08:15that you're ready
01:08:16to move on
01:08:16Listen
01:08:18I don't know
01:08:18what I'm doing
01:08:19with my life
01:08:19personally
01:08:20or professionally
01:08:21but for the first
01:08:21time in a while
01:08:22I'm okay with that
01:08:24You're up
01:08:26Hi dad
01:08:35Sorry I'm late
01:08:36Mr. Lewis
01:08:37had some questions
01:08:38about changes
01:08:38to his portfolio
01:08:39Some things
01:08:40never change
01:08:41Still reading the journal
01:08:42even in your retirement
01:08:43huh?
01:08:44Old dog new tricks
01:08:45and all of that nonsense
01:08:46You can get that
01:08:47information online
01:08:48now you know
01:08:49I like the feel
01:08:50of a real newspaper
01:08:50in my hands
01:08:51ink on my fingertips
01:08:52So tell me
01:08:54what do you need
01:08:55to talk about
01:08:56that's so important
01:08:57I have to skip
01:08:57the back nine
01:08:58Could you speak
01:08:59privately
01:09:00in my office?
01:09:13It's about the company
01:09:15I don't think
01:09:16I'm the man for the job
01:09:17Adriana
01:09:18absolutely
01:09:18but me
01:09:19I wouldn't hand you
01:09:20the company
01:09:21if I didn't think
01:09:21you could handle it
01:09:22I can handle it
01:09:24but the problem is
01:09:25I don't want to
01:09:27Look
01:09:31this is new
01:09:31and it's a big responsibility
01:09:33I understand that
01:09:34that can be intimidating
01:09:35I'm not intimidated
01:09:36Well then what's the problem?
01:09:39It's not what I want
01:09:40to do with my life
01:09:40How do you know?
01:09:41You barely just begun
01:09:42It doesn't make me happy
01:09:44Because it's work
01:09:45No one's job
01:09:46makes them happy
01:09:47every minute of the day
01:09:48I get that dad
01:09:49but there's this opportunity
01:09:50for me
01:09:51a more creative path
01:09:52I really want to pursue
01:09:53Eric
01:09:58We have made assurances
01:10:01to our clients
01:10:02that Gunderson and Grimes
01:10:03would continue
01:10:04to be Gunderson and Grimes
01:10:06and now
01:10:06two months in
01:10:07you want to walk?
01:10:08I know I made a commitment
01:10:10to you
01:10:10to Adriana
01:10:11to the clients
01:10:12What does Adriana
01:10:12have to say?
01:10:14She just wants me
01:10:15to be happy
01:10:15You've barely
01:10:18scratched the surface
01:10:20You have to give it
01:10:20more time
01:10:21at the very least
01:10:22to give our clients
01:10:22a chance to adjust
01:10:24to all of these changes
01:10:25This is our legacy
01:10:28whether you're
01:10:28at the helm or not
01:10:29and we have to
01:10:30handle it with care
01:10:32You're right
01:10:35What if I give it
01:10:38a year then?
01:10:39Good
01:10:39Give it a year
01:10:41smooth the transition
01:10:42Hey, you never know
01:10:44You might change
01:10:46your mind, huh?
01:10:49Who knows?
01:10:53Oh, not too much longer
01:10:55Your life's gonna be
01:10:56like one big vacation
01:10:57soon enough
01:10:58Yes!
01:11:01Hello?
01:11:02Hi, Vanessa
01:11:03Uh-huh
01:11:07My passport is up to date
01:11:09Yes
01:11:11I'm in
01:11:12I can't wait
01:11:14and thank you so much
01:11:15for believing in me
01:11:16Okay, I'll see you Friday
01:11:19You got it
01:11:21I'm going to London
01:11:22Ah!
01:11:23Friday?
01:11:24You only have three days
01:11:26You better get started packing
01:11:27Congratulations
01:11:28Thank you
01:11:29Adrian is meeting us here in a few
01:11:47Is this considered business casual
01:11:49in the dance world?
01:11:50No
01:11:50I'm actually leaving
01:11:52Sophia's gonna do
01:11:54your last two lessons
01:11:55I just wanted to say goodbye
01:11:57You-you got it
01:11:59I got it
01:12:00Six months in London
01:12:02Congratulations
01:12:05Thank you
01:12:06Um
01:12:08I am so happy for you
01:12:12You worked so hard
01:12:14You took a huge risk
01:12:15and you made this happen
01:12:16Yeah, we're doing it
01:12:17Well
01:12:18Maybe not me
01:12:20Not yet
01:12:21I told Carlos I'm out
01:12:23I made a commitment
01:12:25to the company
01:12:25It might be too much
01:12:28all at once
01:12:28for the clients
01:12:29if I left
01:12:29I'm sorry
01:12:31I know this meant a lot to you
01:12:32Yeah, it's not the end
01:12:35It's just not right now
01:12:36Soon, maybe
01:12:37Yeah
01:12:38You deserve all the best
01:12:42I hope you know that
01:12:43You too
01:12:45And I couldn't be happier for you
01:12:47So you're gonna be in good hands
01:12:49with Sophia for your wedding
01:12:50Yeah
01:12:51Yeah, that's coming up
01:12:53in a couple days too
01:12:54Sorry, I'm gonna miss it
01:12:56Oh, that's okay
01:12:57And we've got four videographers
01:12:59I'm sure we'll catch
01:13:00every angle on film
01:13:01I can't wait to watch it
01:13:03Thanks, Hope
01:13:07For everything
01:13:08It was truly my pleasure
01:13:12So I guess
01:13:17this is goodbye
01:13:18Yeah
01:13:20Yeah, it's goodbye
01:13:22Thank you
01:13:24Bye
01:13:25Okay, bye
01:13:42How many scarves?
01:13:43To London?
01:13:44A hundred
01:13:45They're always wearing scarves
01:13:48in the movies
01:13:48I am so excited for you
01:13:52How do you feel?
01:13:54It's all happening so fast
01:13:55I don't even have time
01:13:56to be nervous
01:13:56Oh, uh, what time
01:13:57is your flight to London?
01:13:58Do you want me to come
01:13:59to the airport with you?
01:14:02It's at 11 tonight
01:14:03but my parents are coming
01:14:04to see me off
01:14:05Aw
01:14:05They must be so proud of you
01:14:07How was it
01:14:10saying goodbye to Eric?
01:14:11It was fine
01:14:12I didn't say everything
01:14:14I wanted to, but
01:14:15What do you mean?
01:14:16His business
01:14:16I wanted to scream
01:14:17What are you doing?
01:14:18You don't want this
01:14:19I just wanted to encourage him
01:14:20the way that he encouraged me
01:14:22Yeah, but he's gonna have a wife
01:14:23in a few days
01:14:24That's her job
01:14:26Right
01:14:27And I'm off
01:14:28on a new adventure
01:14:29Exactly
01:14:30And this is the first
01:14:31of many shows, Hope
01:14:33You are on your way
01:14:35And who knows
01:14:36what the next phase
01:14:37of life will bring
01:14:38One, two, three, two
01:14:41One, two, three
01:14:42Three, two, three
01:14:43Four, two, three
01:14:44Five, two, three
01:14:46Turn, turn, turn
01:14:48Okay, okay
01:14:49Let's stop
01:14:50You're young
01:14:52You're in love
01:14:53You're about to pledge
01:14:55your lives to each other
01:14:56on Saturday
01:14:56And you did not look
01:14:58into each other's eyes
01:14:59one time
01:14:59I know the steps
01:15:00I get the steps
01:15:01But it just isn't working
01:15:03Maybe we shouldn't do the dance
01:15:04Now you tell me this
01:15:06The spread of the times
01:15:07has pictures of a rehearsal
01:15:08teasing this big dance
01:15:09and you want to cancel it
01:15:10Maybe we just aren't meant
01:15:12to dance with each other
01:15:12Some people are dancers
01:15:13I've been saying this
01:15:15since April
01:15:15Okay, let's not do
01:15:17anything rash
01:15:18A wedding is a time
01:15:19that can test one's patience
01:15:20Maybe we should call it a day
01:15:22and start again tomorrow
01:15:23for our final lesson
01:15:24Okay
01:15:26You're here
01:15:43Yeah, I came straight
01:15:44from the airport
01:15:45I thought you might want
01:15:46to get started right away
01:15:47Thank you again, Vanessa
01:15:49You're going to stop
01:15:50thanking me when you see
01:15:51how much work we have to do
01:15:52with this accelerated schedule
01:15:53I am up for the task
01:15:54I know you are
01:15:55Let me get that for you
01:15:57Thanks
01:15:57Welcome to the
01:16:00Alexander Pope Theater
01:16:25Do you mind if we have a minute?
01:16:54Yeah, of course
01:16:55Thanks
01:16:58You are one of the most
01:17:10important people in my life
01:17:11You know that, right?
01:17:14Okay
01:17:15What's going on?
01:17:17I know why there's a disconnect
01:17:22on the dance floor
01:17:25off the dance floor
01:17:26Because it's not right
01:17:32We are not right for each other
01:17:37We don't speak the same language
01:17:39We don't want the same things
01:17:41Then why are we getting married?
01:17:43Then why are we getting married?
01:17:47I don't know
01:17:48You're the most important person
01:17:54on the planet to me
01:17:55But
01:17:56I'm relieved
01:17:58It all got so out of hand
01:18:02I didn't
01:18:05I didn't want to admit to myself
01:18:09or to you that
01:18:09we were making a mistake
01:18:12I didn't want to disappoint anyone
01:18:17I didn't either
01:18:20So
01:18:29We're not getting married
01:18:32Are you staying with the company?
01:18:37I don't want to do anything
01:18:38to hurt the company
01:18:39I know this is your dream
01:18:41You deserve
01:18:44to be happy
01:18:46and work
01:18:47and life
01:18:49and love
01:18:51And so do you
01:18:55I think
01:19:00I might have a way
01:19:02for us to both get
01:19:03what we want here
01:19:04I'm listening
01:19:08And
01:19:13one
01:19:14two
01:19:15three
01:19:16four
01:19:17five
01:19:19six
01:19:20seven
01:19:21eight
01:19:22one
01:19:23two
01:19:24three
01:19:25and four
01:19:26Really nice run you guys
01:19:28Thank you
01:19:28Alright
01:19:30That's enough for today
01:19:31Get some rest everyone
01:19:32We'll hit it again tomorrow morning
01:19:339am sharp
01:19:34Nice work today Hope
01:19:38I love
01:19:38what you've brought
01:19:39to the opening of act two
01:19:40Thank you
01:19:40We'll see you tomorrow
01:19:41Okay
01:19:42Excuse me
01:19:45My name's
01:19:47not on the list
01:19:48but
01:19:48Eric
01:19:58What are you doing
01:20:00in London?
01:20:01Scouting a bit
01:20:02I heard this was a good one
01:20:04Though you need better security
01:20:05anyone can just walk in here
01:20:06What are you talking about?
01:20:08What is going on?
01:20:09A new creative investments division
01:20:11of Gunderson and Grimes
01:20:12I run it
01:20:13while Adriana and Gavin
01:20:15run the financial advisory side
01:20:16That's incredible
01:20:17Where is Adriana?
01:20:20Shouldn't you guys be
01:20:21on your honeymoon?
01:20:22You see
01:20:22there's this thing
01:20:23that happened
01:20:23I thought I was doing
01:20:25everything I was supposed to do
01:20:27marrying the girl
01:20:28I was supposed to marry
01:20:28following in my father's footsteps
01:20:30You didn't get married
01:20:31No
01:20:31We both agreed it wasn't right
01:20:34We've been going through
01:20:35the motions for a while
01:20:36And
01:20:38so I'm here
01:20:39Aside from scouting
01:20:41we're going to be workshopping
01:20:42Carlos' play on the west end
01:20:44I'll be going back and forth
01:20:45a lot
01:20:46and then next stop Broadway
01:20:47in six months
01:20:47That's about the same time
01:20:49I go back
01:20:50Well
01:20:51what a coincidence
01:20:52You know
01:20:55it's funny
01:20:56One day
01:20:57I stepped onto this dance floor
01:20:58which
01:20:59you know
01:21:00I hate
01:21:00and everything changed
01:21:03Suddenly
01:21:04I looked forward to dancing
01:21:05No you didn't
01:21:07Okay
01:21:09Maybe it's just the part
01:21:11where I got to have you
01:21:12in my arms
01:21:12But also
01:21:16I found the inspiration
01:21:18I needed
01:21:19because I watched you
01:21:20and I wanted to thank you
01:21:22for that
01:21:23Underneath all those
01:21:25layers of obligation
01:21:27and responsibility
01:21:28I found myself
01:21:29and it's so clear
01:21:32what I want now
01:21:32What is that?
01:21:38You
01:21:38Dance with me
01:21:50I can hear her heartbeat
01:21:52for a thousand months
01:21:55And the heavens open up
01:21:58every time she smiles
01:22:01And when I come to her
01:22:04that's just where I belong
01:22:06Yet I'm running to her
01:22:10like a river storm
01:22:13She gives me love
01:22:15She gives me love
01:22:15Love
01:22:16Love
01:22:17Great love
01:22:19She gives me love
01:22:21Love
01:22:22Love
01:22:23Love
01:22:23Great
01:22:24She gives me love
01:22:26She's got a fine sense of humor
01:22:29When I'm feeling
01:22:31When I'm feeling low down
01:22:32And when I come to her
01:22:35When the sun goes down
01:22:38Takes away my trouble
01:22:41Takes away my grief
01:22:44Takes away all of my heart
01:22:48And in the night like a day
01:22:51She gives me love
01:22:53Love
01:22:53Love
01:22:54Love
01:22:54Crazy
01:22:56Ta-da
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