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فسيلة - transplant
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قوائم تشغيل فسيلة
https://www.dailymotion.com/fasela/playlists
هي مكتبة رقمية تحتوي علي آلاف الفيديوهات العربية في جميع المجالات
It is a digital library containing thousands of Arabic videos in all fields.
قوائم تشغيل فسيلة
https://www.dailymotion.com/fasela/playlists
Category
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LearningTranscript
00:00So I was with my love, the one who was sick
00:03And I die in the banana plantation and the resort
00:06Honestly, fruit is different
00:08Honestly, fruit is different
00:11I buy and sell with integrity.
00:14What am I doing to myself?
00:22I need to take a shower, I'll stay
00:24The pigeons are very...
00:26Oh, pure Brun
00:28Oh, pure Brun
00:30Your father killed
00:33Is this the right time?
00:34And its time comes
00:35I didn't hide you, Abu
00:37This is the time to die
00:38I can't see that.
00:39He threw it in your face
00:40They are your father
00:42Your father is Malik and he died
00:43And you're the one who needs to take revenge.
00:45I don't know anything about Bayz's sisters.
00:46And with this number, I'm going to get expelled.
00:48He kicked you out because you're a pervert, a sugar addict, and a womanizer.
00:51And you need
00:53Because my sisters are honestly scared
00:55They got a bank attack when I told them
00:57I don't feel they are the most suitable people to serve.
00:58I am, I mean for the brave
01:00I am for the brave
01:01And then it doesn't suit you
01:02I am an Arab poet
01:04My image isn't like that at all.
01:06People can't believe it
01:07I remained a warrior, strong and resilient.
01:09He returned from the crew and worked
01:10Campak
01:11What's up?
01:12Either you understand Rowan Pablo
01:13Nobody's team with you, rooftops
01:15And your hair is a monster
01:16And where is your hair, brother?
01:18Makarn Mufarn Muqbal Madbarn
01:22Art, my brother, all this talk
01:23Isn't this your brave poetry, brother?
01:25Uncle, I was talking about the dispute, not about me.
01:28Oh black fire
01:30I don't even remember how we were fighting.
01:32I'm good at talking, but
01:33What do you say?
01:34Do you think he used words?
01:36The root of the words is the strongest part of me.
01:38Are we going to start insulting each other or what?
01:39What do you say? You have Saif Ziada.
01:40And you don't have a sword
01:41One of the ignorant is a straight sword
01:43What do you say? I'm high.
01:45Your card is no longer negative
01:47What do you say? Get to the point.
01:48They investigated with suspicion, with longing, a hundred
01:49And behind me, come on!
01:50Let's hurry up and gather the equipment.
01:52And we go and hope
01:53Before your father gets cold
01:55Yes, sir.
01:56What's wrong? You invited us for lunch.
02:00Then came the shock of this ignorant brain
02:11Peace and blessings be upon the viewers
02:12Welcome to a new episode of Al-Daheeh program
02:14Dear, tighten your hoodie belt
02:16Because we will ride the camel
02:18We embark on a journey through time and space.
02:21Until the horses, the night, and the desert knew nothing
02:24From about 1600 years ago
02:25There was an Arab girl named Fatima
02:26She was moving with her tribe
02:27As is the custom of the Arab tribes
02:28Those who were constantly moving
02:31Beyond the water and the grass
02:32The area where the water and greenery are located
02:34They call it spring
02:34And the place where spring is located
02:36They call it the quarter
02:37And the important thing, my dear
02:38Fatima's tribe is moving in a good manner towards the quarter
02:40In a strict, specific order
02:41The young knights are coming forward
02:43Behind them were the men of the tribe and the elders.
02:44Finally, as I expected
02:46By the way, it's much bigger
02:47Tribal women and servants
02:49Who among them?
02:49Fatima
02:50The women, because their movement was slower than the rest of the caravan.
02:52So they began to delay the respectable deception.
02:54On the track, my dear, as they walk like that
02:56They saw a water spring
02:57In an area called Darat Jaljal
02:58Do you know, my dear, that Miss is a being who does not change throughout the ages?
03:01Fatima will be jealous of the girls
03:02As long as the delay is intentional, the delay will continue.
03:04So we stop at the one who is here
03:05Let's take a shower and wash away the heat of the road.
03:07While, my dear
03:08What, the girls were bathing in it, safe?
03:10They didn't notice
03:11Because there is an eye spying on them
03:13Eyes watching them from the sprawling mountains surrounding the water
03:17One eye is preferable for girls in a co-wife
03:19And first, my dear, they lowered the water and left their clothes on the shore.
03:22He came down from the mountain like a wolf
03:24They went and piled up their clothes
03:25I fell on top of her
03:26First, my dear, they didn't see him
03:27Or was it said to them, while he smiled triumphantly?
03:29By God, I will not give any of the women we were with her dress.
03:32If you sat in the pond that day
03:34Until she goes out naked
03:36Then she takes her garment
03:37Praise be to God
03:38You're bringing in disrespectful people for your episodes.
03:40My dear, please don't rush into the story.
03:41This is a ditch
03:42What's this, Abu Ahmed? He's got a local slingshot!
03:44It's not normal for someone to do something wrong and live
03:46My dear, please understand.
03:47Handaq is another type of fur called Jundah
03:50Oh Abu Ahmad, why didn't you say "Oh God, Jundah" from the beginning when you were an honor?
03:53You're saying, Abu Ahmed
03:54This, my dear, is Fatima's cousin.
03:57It's clear, my dear, that they don't win over their cousins.
03:59Hey, my dear, I won't remember history by those two names.
04:01History will immortalize him as the famous Arab poet
04:04And the father of the ancient Arabic poem
04:07Imru' al-Qays
04:08Oh Abu Ahmed, you are most welcome.
04:10Why isn't anyone among the servants who are traveling with this caravan of the patient one?
04:12He will present it and return the girls' clothes
04:14He draws a line with their attire, reflecting Arab pride.
04:16Do you know what your problem is, my dear?
04:17Your problem is that you go on trips without me sending you the location.
04:20people
04:20No one could do that to Imru' al-Qays
04:22Because he's not just a poet
04:23This man is a descendant of kings.
04:25Son of the King of the Kingdom of Kinda
04:26The one who ruled most of the lands of Najd
04:28Azizi's kingdom is vast
04:29It extends to the borders of Iraq and the Levant in the north
04:32And it goes down to Qubayat al-Uman in the south
04:34It means, my dear, that Saudi Arabia is the one that...
04:36Or we're back, my dear
04:37For Fatima and her female friends
04:38I have two divers in the water and they're wailing
04:41The hand of scandal is uncle and bells
04:42We're afraid the tribe will see us now.
04:43At the moment, my dear, what is it that we are now afraid of?
04:45We'll remove the second one, my dear.
04:46Or Marwal Qais sat like that, he swore an oath to him
04:48My dear sun, it's about to set, and the caravan is getting closer.
04:51Here, my dear, in a moment of despair, one of the girls appeared.
04:53Slowly she tries to cover her vagina as much as she can
04:55She stretched out her hands anxiously.
04:57And indeed, my dear or Marwal Qais is a man of his word.
04:59With her hands, the clothes
05:00This encouraged the girls to go out and find one.
05:02And the man actually turns out to be fair and gives each woman her clothes.
05:04The one who hesitated before piercing
05:06They prayed to Marwal Qais Abu Malik
05:08Fatima is a princess and from the royal family.
05:10The Canadian Al-Akl Al-Marar family
05:12Oh my dear, eat the bitterness and its death, it overflowed like a bear
05:16In the end, my dear Fatima, she was forced to leave.
05:18And we have a question about all the daughters of Imru' al-Qays, specifically about Fatima.
05:20They promised the game before me, Qadbri
05:22After that, my dear, Sayes moves it to the right, the Shiman, the curse is upon me.
05:24That's it
05:26In short, my dear, it has become intractable in one way or another.
05:28And in the end, my dear, this is just as lasting as any other.
05:31Of course, my dear, after Fatima put on the clothes
05:33She tortured her cousin because of that awful maid.
05:35She told him, "You made us cold, hungry, delayed us, and shamed us."
05:38Okay, you usually don't feel anything
05:39A year, my dear, to compensate them
05:41He slaughtered a dot on his camel for them
05:42He made them a sweet dinner
05:43Thank God, it cooled down. They took the camel liver and enjoyed the kerdasa (a type of sweet).
05:46When they moved
05:48He ordered the harsh ones to prepare for them, O people.
05:49I can hear you, camel.
05:50We remember we slaughtered it and ate it
05:52Could you please remove my comment from your sentences?
05:53And you might be forced
05:54I rode the camel behind Fatima
05:56I won't die, you'll be upset.
05:57You are Abu Hamad, right in front of you
05:58Arab history is like this
05:59And epics, history, Adenin and Ghassanids
06:03Selected from the annals of Arab history
06:04This is a story that will be told about an important poet.
06:07My dear, this is not my responsibility.
06:08This is the responsibility of the Qais.
06:09Qais ordered him to advise Qais on the situation.
06:11For future generations, in his famous poem
06:13Nabti's nape
06:14Qais will tell me
06:15And on the day I slaughtered the virgins, my camel was ready
06:17How strange is her enduring burden!
06:20The virgins continued to gather around her flesh.
06:22And the fat of the Damascene braid
06:25Second one, Abu Hamad
06:26This is the catalog that comes with the mixtures.
06:27The catalog is for the rider, I know it.
06:28When did you arrive at the twisted damask?
06:30Get rid of it quickly, it's not a people thing.
06:31My dear Abyad, you see the first blurry image
06:34One of the visual beauties that Amr Qais creates in his poetry
06:36Because it is a simile based on a simple detail
06:38What she's going through is normal
06:39And you don't feel the beauty in it
06:40Something that exists, like camel fat that comes from teeth
06:43He likened it to pieces of white silk.
06:45The white one is the size of scissors
06:46The word "مفتلة" means adorned with a shersheeb.
06:48He continues, my dear, and says
06:49And the day the greenery entered, the greenery of Awaiza
06:52Woe to you! You are a man!
06:54It means I entered the hood of Awaiza
07:04"You have hamstrung my camel, O woman of Qays!"
07:07Fanzli
07:07Here, my dear Awaiza, is the one who, O Fatima, is getting up.
07:10Don't you realize you're a bit heavy?
07:11The camel keeps going right and left
07:13It is forbidden for you to break the leg of my camel.
07:15The barbecue was amazing and a great solution, and it made a stylish move.
07:18But what now?
07:19It's ridiculous that we're accepting Islam, Qabis.
07:21Of course, Omar Al-Qais is getting better
07:22He understood, he told her
07:23Go ahead and loosen their reins
07:25And don't keep me away from the gardens of my beloved
07:27He says it like that, in the local dialect, my dear.
07:29Let's give the person who came from this camel a rest.
07:31Hug me and forget the world
07:33That's it, Anayza, now!
07:34We're still living in the dark ages, by the way.
07:35Forget the world and focus on me
07:36Don't deprive me of your closeness, from which I draw inspiration for my poetry.
07:39Of course, this is a definition of Twitter.
07:41Woman of Qais
07:42Slayer Womenizer
07:43Vein flag and manipulator
07:45And Toxic and Beforshem Silvo Qanaqa
07:47But my dear, I have decided that I will begin with this story.
07:50Because every Bad Boy has a story that explains why he is a Bad Boy
07:54difficult
07:55We determine exactly when Imru' al-Qais was born
07:57But history revolves around the year 500 AD
08:00What happened to her? How many years later? How many years after that? He didn't look around.
08:02The important thing is that he was the youngest of the king's sons.
08:05The king is in Hajar bin Al-Harith
08:06Imru' al-Qais was born to a grandfather who was a king.
08:08He found the king
08:09His father was a king
08:10His uncles were kings
08:11And his older brothers and sisters
08:12They all became Taurus and divided the rule in the Kingdom of Kinda
08:15It means Imru' al-Qais was literally born and they remain in the highest gold.
08:18An ideal environment for a rebellious, wild, and reckless young man
08:21And indeed, my dear, he has shown and spoken poetry
08:23And the Arabs were...
08:24They love to listen to poetry
08:25But our children work as poets
08:27The hair is slanted
08:27Pure ram's straw
08:29Imru' al-Qais wouldn't follow this playbook at all.
08:30Imru' al-Qais will take his family catalog and set it on fire.
08:33He turns to every poetry gathering in glory, listening and tearing
08:36And sometimes he participates
08:38One day the news will reach his father's royal court.
08:41Look at how you raised your son, he's become a poet!
08:43And he will recite to the king a poem from the poetry of Imru' al-Qais
08:46His son, this isn't a poem, my dear, this is Darat Jaljuli poetry.
08:49The section containing the empty leaks, even Imru' al-Qais and Bint'amah
08:53Let me tell you, my dear, that this clip
08:54The palace court will be the number one trend
08:57It will be recited in the royal court.
08:59In full view and hearing of the gossips and the scornful
09:02and members of the royal family
09:03A very embarrassing moment for the king
09:05Are you embarrassed because your son writes poetry?
09:11The king was a borrower from Imru' al-Qais
09:13The one who doesn't just want to recite scandalous poetry
09:15This is all that's missing, he'll be raised on religious festivals and become the pride of the people, their leader.
09:17And he also mentions his cousin's daughter in the poem by name.
09:20They say, "Fatima, what's wrong with you after all this pampering?"
09:24The idea here is that the month is powerful and revealing
09:25However, it is ingenious and innovative in its composition.
09:27This made it more widespread and more memorized, and it reached a wider audience.
09:31For example, you have this house
09:32A house says to you, "And you have been displeased by my character."
09:36If I did something that upset you
09:37So take off my clothes and take off yours
09:40So in the country, this is how you remove this from your circle.
09:42This of course comforts me with a simplified explanation.
09:43Now, let's look at the framework that shows you why this could be considered genius poetry.
09:47Amrq al-Qays in this verse
09:49It was common for the six Arab women to be upset when they were cut.
09:52My clothes are forbidden to you.
09:54Don't touch me, don't touch my clothes.
09:56Amr al-Qays will attempt this custom to create a romantic poetic image.
10:00When he tells Fatima, "If we're going to break up, then that's it."
10:02Villa, let's get out of this.
10:04Take off your clothes from my clothes
10:05It means keeping our clothes away from each other.
10:07As is the Arab custom we know
10:08But please be aware that this has a double meaning, my dear.
10:10The word "clothes" here has another meaning; it means "heart."
10:12This meaning can also work.
10:14Take your heart out of my heart.
10:15Which is, well, well, we don't
10:17The street, my dear, as usual, is a passing place.
10:19I am a man who is scandalous, and he is scandalous in life.
10:21But it's like you say, it's collecting
10:22The art, wisdom, and proverbs found in popular culture
10:25One mix
10:26And this, my dear, made Pioneer superior to all the poets of his time.
10:29Raed, and his name will remain with us until now.
10:31Or, as Sayf al-Din al-Amidi put it
10:33In his book Al-Mu'azzanah
10:34His poetry contains subtle meanings
10:36Beautiful description and subtle simile
10:38And the wisdom of the poets surpasses all other poets in its beauty.
10:42Between pre-Islamic ignorance and Islam
10:43But unfortunately, my dear
10:45His father, King Hajar
10:46The dean of the Faculty of Arts didn't speak Arabic.
10:48So that he would know that his son is a distinguished poet
10:50The man knows that his son is a poet.
10:52He heard the poem that he wrote from here
10:53And he was seized from him on a throne that had been overthrown
10:55What heart and what clothes
10:57Are you talking about Fatima, your cousin, like that now?
10:58My dear king, he will expel his son by force.
11:01And so, my dear, his son Qais is finished.
11:03His call was a call
11:04And his leg was stripped bare of hair forever.
11:06Here, dear Hegelf, is a poem in which he says
11:08Good morning, ruins of old
11:10In colloquial Arabic, it means to become a launch
11:12This is my dear, the second long poem in his collection
11:14After the suspended
11:15Let me tell you that the poetry that will immortalize Amr Qais
11:18In the history of Arab culture
11:19It will be like Adam's amulet
11:21Whoever takes a bite of it will be expelled from his father's paradise.
11:23He will conclude that he is the rejected, ruined son.
11:26From this moment on, Imru' al-Qais's life will become a permanent state.
11:30From wandering and roaming
11:32And the fan after 10 pm
11:33Because the outcast prince began to gather around a few young men his own age
11:36Ibn al-Kalbi describes them sincerely as outcasts of the Arabs.
11:40Ibn al-Afir describes Amr al-Qays in his book al-Kamil as follows:
11:43He walks through the Arab neighborhoods
11:44He drinks wine by the streams and hunts
11:47He means he wants to travel around the Arabian Peninsula
11:49What thrones?
11:50What I gave her was a gift, a love, and a catch.
11:51And that's true.
11:52Abu was chasing him
11:53The residents left him a Visa card
11:54In every land, Qays's command went
11:56With his big gang
11:57Look at my sweetheart there
11:58Every time he goes somewhere or goes out
12:00He documents it in a poem.
12:02Because of the many places my dear friend has visited
12:03And the things he wrote about these places
12:05It became a geographical subject
12:06These are people who write dissertations for diligent students and PhDs.
12:08In the places visited by Imru' al-Qais
12:10Recently, the Saudi Arabian woman Zahrat Al-Astas demanded the conversion of the places visited by Imru' al-Qais in his poetry.
12:16This is for example, entering or visiting tourist sites.
12:19Just like what happened to the family in Egypt
12:21That's not how it is, my dear.
12:21Walking behind Imru' al-Qais
12:23tired
12:23Its routes are so long, even for an Uber line
12:26This man, for example
12:26He mentioned the city of Sil'a in his poetry
12:28And Damun in Hadhramaut, Yemen
12:29This is in the far south
12:31According to Google Art
12:31This place is far from his homeland.
12:33In Kinda in the North
12:341500 kilometers
12:36Fazi is walking like this, he doesn't care
12:38Sarh found himself in Yemen
12:39In Hadhramaut
12:39Dear Mr. De Beckers, treat all your horseback riding trips.
12:41This is a longer distance than the Aswan Railway Station.
12:44All the geography, my dear, that I'm telling you about
12:46Its importance lies in what I'm saying.
12:47The idea is that he was a traveling man.
12:49This is evident in his hair, which has a very important feature.
12:51It will remain one of the most important features of pre-Islamic poetry
12:54Standing among the ruins and weeping over them
12:56The idea of goodbye
12:57And praise is correct, and it is the farewell that is said in it.
12:59Omar Al-Qais, everything that passes through the area
13:01Why are there memories in it?
13:01He finds that the people of the land are gathered together
13:03They took their belongings and left.
13:05Take the tents and go somewhere else.
13:06He will remember his beloved and lament over the ruins.
13:08The one who was hit in her place
13:09This same dear friend will continue to be a prominent figure in Arabic poetry.
13:11You hear things like, "Nostalgia took me after all these years and brought me here."
13:14Anything that comes from the comfort of loved ones
13:15And all that stuff you know
13:16One year, Abu Hamad
13:17So you want to say
13:19Al-Nimr al-Qays was the first to speak of ruins and travel in his poetry.
13:23Well, we'll find him, my dear.
13:24Wandering and weeping over ruins
13:26Part of the culture of a group of people who are always embarrassed all the time
13:29This is the tribal culture of that time.
13:31But Nimr al-Qais was the first one to stand on the ruins
13:33And the aesthetic meaning is captured
13:34He does that, my dear, with just two words.
13:36We cry in a basket
13:37This is the opening of his famous poem
13:38A basket of tears for the memory of a loved one and my home
13:40The brigade's handprint between the entrance and the entrance
13:43I mean, I'm telling you guys, let's stand up and cry for a bit.
13:45And we recall the memory of Habib, who lived here and had a house.
13:48In the area located between Dakhl and Hawmal
13:50Why would this meaning be used?
13:52Amr al-Qays wrote in a house before the Mu'allaqat
13:54He will say in this second house
13:55Turn it towards the ruined, desolate place that is visible
13:57We weep for the homes as Ibn Khadani wept
14:00And despite the history, I didn't leave out who Ibn Khadham was.
14:02But my dear, history is devoid of this house
14:05The most beautiful opening to an Arabic poem
14:07One of the most creative ways to enter a poem
14:09And he, my dear, is weeping over ruins.
14:11This, my dear, is the approach that all pre-Islamic poets after him would follow.
14:16Take my absence with you, my dear
14:17Antarah ibn Shaddad
14:18Labid ibn Rabi'ah
14:19Zuhair ibn Abi Salama, my dear, remained a consistent opening.
14:22We are facing a field of genius art.
14:24If this mind saw a bathhouse
14:26Or abandoned ruins
14:27It will create a visually rich and elegant poem.
14:29If you consider the environment in which a man lives
14:31He lived in a desert
14:32There's nothing in it but a horse being ridden.
14:34And prey that he is chasing
14:34Even in these countries, he will write miraculous poetry about them.
14:37Your work, Qais, will be praised for his horse.
14:39He will praise the chase, the maneuvering, and the speed.
14:41And he will say about them in their poem
14:43They were deceived and they took omens from it and its components.
14:45With a single word, a chain of ancient things will speak to you.
14:48Bakran Mafraan Muqbilan Mudabiran Ma'an
14:51Like a rock, he put it down and poured it from Ali.
14:54The most famous thing in the world
14:55He says to him, "My dear, in the first house..."
14:56He goes out to hunt at dawn
14:58Before he flies away, he leaves his nest.
14:59A rider on a fast, large horse
15:01They described it as a shackle on ancient ruins
15:03His horse was from Kadar, but it was a strong horse in the desert.
15:06So he remained working like handcuffs
15:07The one that runs or the one that hooves
15:09So he grabbed her and held her.
15:10Arabs, my dear, with their dazzling charm
15:11By the word "restriction of the ancients"
15:13They will consider it one of the noble words.
15:15Or, in the words of al-Baqillani in his book
15:17The miraculous nature of the Quran
15:17People followed his example, and poets imitated him.
15:20A few words that restrain the gaze, the speech, and the conversation
15:23If I get stuck in conversation or speech
15:25My dear, they call me "under the control of sources".
15:27We received it, my dear, but what about the source?
15:28I'll handcuff and beat his mother
15:30And he continues, my dear, with his mother Qais
15:31He kept talking about his horse.
15:34His car is a Ferrari
15:35He describes it in his famous house
15:37They are upset, they are moving, they are moving, they are moving
15:39Meaning: God willing
15:41It comes in a certain form and it comes in a different form.
15:43He accepts, he attacks, a skilled striker defends
15:45It means he knows how to do everything together
15:47This is a continuation, Abu Ahmed
15:48But any number eight plays boxing.
15:50He can say these roles
15:51My dear, don't be a hustle
15:53Eloquence isn't about everything you say.
15:54They are upset, they are moving, they are moving, they are moving
15:57All of this is normal, meaning
15:58She's the one who's there tonight
15:59I mean, all these things
16:01Simioltnias Leh
16:02Do I understand now?
16:03My dear, he attacks and defends
16:05It advances and regresses at the same moment.
16:07And here, my dear, lies the essence of eloquence.
16:09The horse does something no one else can do.
16:11Other than the horse of Amraq al-Qays
16:12My dear, I'm referring to my Fiat 500X.
16:14That's how it is too.
16:15Amraq al-Qays from his imagination, the sorrow
16:16He will leave it completely free of realistic descriptions.
16:18He likened his horse to a complete mythical creature.
16:21My dear, what is your imagination like?
16:22It's like something in front of you
16:24I need an Australian, not a path
16:25Lana, I went to a fantastical place here.
16:28So you can understand how much my horse is generous.
16:30He says about him
16:37What's wrong, Abu Hamad? I need to uncover it.
16:38Here, my dear, he's telling you that he lost his horse.
16:41The gazelle lost, a sign of agility and lightness.
16:43and sticking
16:44In the name of God, what God wills, an ostrich's leg
16:46Indication of length and speed
16:48And the slave girl is a slave girl of Deeb
16:49A sign of defiance and strength
16:50The leap is the leap of learning.
16:52She said, "It doesn't mean learning, Abu Hamad."
16:53He learned that he was cunning, not that he jumped.
16:56jump
16:57My dear, who taught you Arabic?
16:58He tells me, "Our darkness has taught me both of us."
17:00But Khalil, let me tell you what learning means.
17:01That's because learning can jump four feet in the air.
17:04He is Beagle and Raversto
17:05And we're here, my dear.
17:06The poetic meaning expressed by a poet in the desert centuries ago
17:09It is possible that it actually exists scientifically.
17:12In an environment far from the Arabian Peninsula
17:14To the point that it could reach the point of being a cat
17:16For example, traditional learning
17:17He has a distinctive jump
17:18Let him jump in the air
17:19His nose is embedded in the ice, reaching a meter in length.
17:22He takes the mouse out, brings it back, puts it in a bowl, and eats it.
17:24This mischief is almost like spitting
17:26Of course, my dear, you read the text's evaluation.
17:28Imru' al-Qays's uncle was like a grocery store in a specific place and time.
17:31He was able to generate meanings before he even confirmed their existence.
17:34All of this in 19 words.
17:36His neck is straight
17:37He rode the sea of the poem without any cutting or lengthening
17:40That, my dear, is the definition of simple yet profound.
17:42It's like you're sitting with one of your friends and talking to him.
17:44That's why Imam Ali ibn Abi Talib
17:46When they asked him who the most poetic of the Arabs was
17:48I saw him, a woman from Qaysi
17:49I am appointed
17:56It means the man had no fault in his poetry.
17:58He wasn't writing out of desire
17:59I want something from someone, I want money, I want dinars
18:01Nor is it fear because he's afraid of a ruler doing something to him.
18:04He, God willing, sees the ruins and writes and publishes
18:06Don't ask about sales
18:07His only fault in poetry was its art, beauty, and joy.
18:10He describes the hunting trip
18:11And a moment of trickery from his beloved
18:12His words sounded sweet and calm, and he let go of his hand like that.
18:15This, my dear, is in contrast to some of his later poems in praise and satire of the tribes.
18:19What's wrong, Abu Ahmed?
18:20What makes a young man like this the son of Malik?
18:22He worked, going right and left.
18:24And all the girls love him, all the pretty girls.
18:26What makes the object get into his hair?
18:28This man needs the world's values
18:29Come on, my dear, that's an excellent question.
18:31I'll go out and come back again
18:33My dear, I fell for you quickly, like a rock that the questioner placed on top of me.
18:36During one of the beautiful days in the life of Amr al-Qays
18:39Where the carriage, poetry, love, and passion reside.
18:41The one who spent time among them, the Qais, O youth!
18:43My dear, your dignity will surprise me.
18:44Waad is playing cards with his friends, the Bizin.
18:47By the messenger of his generation, and he is eager
18:49After he cut across the entire Arabian Peninsula to the south
18:51Why? To deliver a secret message to him.
18:54This message will change Amr Al-Qays's life forever.
18:56My dear, this day will be the last day of freedom, and you will be gone with it.
19:00That spoiled young man is finished.
19:02The Qais will look into the eyes of his messenger.
19:04He will see in it a look of their vision
19:06Even his friends who were still happy with the base
19:08They began to understand, to sense that earth-shattering news was coming.
19:10It contains momentous news
19:11The messenger, my dear, will tell Amru al-Qays
19:13What can I say? But Hajj, may you live long.
19:15My dear, it would have happened if a tribe of lions had attacked him and killed him.
19:18The messenger expected that the matter would be very serious.
19:21Amro Al-Qais will become angry, cry, train, and get agitated.
19:25And he will explode in it himself.
19:26But the message surprised everyone, and Amru al-Qays did not react at all.
19:29His companions were very shocked by what they heard, of course.
19:31He is sitting focused on the role of the dice player with him.
19:34A strange coldness that won't break until the Qays orders him to look at his friend.
19:38It's only natural that after this news, the game would stop.
19:40What is the meaning of "al-marru al-qays"?
19:41By God, I wouldn't have spoiled it for you, Dostak
19:44Throw away the wine today, and the command tomorrow.
19:46My dear, I found something resembling a table.
19:48The phrase "today wine, tomorrow command" is a proverb.
19:50It will transform from a cautionary tale to a lesson learned from the story of Marwa al-Qays.
19:53For example, Khalid in the Arabic language
19:54From this moment on, the motto of a man's life
19:56From this moment on, my dear, this man will not touch anything.
19:59But it will become a common issue among Arabs
20:02One example is Aisha, who is still alive today.
20:04When I told Abu Hamid, I didn't want to interrupt her story, which was clearly starting to heat up.
20:07But I want to record a note
20:08Her father told me, "He who is not good to his family is not good to anyone."
20:10My dear father, he has a conflict of interest in this advice.
20:12What's up, Abu Ahmad?
20:13Just for now, Amro Al-Qais
20:15He was told that Abu would kill
20:16So he wasn't even satisfied
20:16If the game pauses for a second
20:17Because I don't hate my friend's jinn
20:19How can this be a poet and sensitive?
20:20Let me tell you, my dear, that
20:22As humans, we all have different reactions.
20:24Some people resort to the Danil
20:26Some people resort to hysteria
20:27Amru al-Qays, as a poet, understood very, very well.
20:30Although I understand this statement and feel this way
20:32Amru al-Qays understood this shock very well.
20:34That same night, after receiving the news, he will say
20:36The night grew long upon us, Damoun
20:38We are a Yemeni people
20:40We are loving towards our family.
20:42Amro Al-Qais is speaking out and thinking
20:44His father, who had been taunted all his life
20:45Despite this insult
20:47However, he prefers to love him
20:48He speaks of his love at a moment when his death was ignited
20:51Amru al-Qays said, "Here is your destiny, for his father could not restrain him or control his movements while he was alive."
20:55But the father's death was like a shackle on the sons.
20:57The one who seized the matter of the Qais and handcuffed him
21:00Because of the irony
21:00Abu Amr al-Qays finally succeeds in changing his son and endorsing his rebelliousness.
21:04But of course, an important research project was completed.
21:06Here, Amru al-Qays says
21:07He lost me when I was young, and burdened me with his blood when I was old.
21:10I mean, when I was little, he considered me the lost son.
21:12And when the drum was played, I was supposed to take the drum.
21:14This saying, dear to us, is similar to a proverb; it simply states that the poet, free to roam the field, intends to dedicate his entire life to one goal.
21:21The drummer, Imru al-Qays, will stand amidst the Arabs and demand the drum.
21:25Buhamad, I'm revealing a small flaw in the plot.
21:26What does it mean that this guy is the one who gets to take the revenge?
21:28In the name of God, what God wills, there are other matters and there are uncles
21:31The boy was the youngest of his brothers, an outcast, and everyone was ashamed of him throughout his life.
21:36Why is everyone leaving the drum and wanting him to take it?
21:39Of course, to understand this topic we need to go back to Canada
21:42Imru' al-Qays's birthplace and the starting point of the crisis
21:46The Kingdom of Kinda Aziza was ruled by the Al-Akl Al-Marar dynasty.
21:50Its founding dates back to the period between the fourth and sixth centuries AD.
21:53The first place Canadians settled in the area
21:56It was a continent called Al-Faw, and from there the expansion began.
21:59It kept growing and growing until God created its form and it became a kingdom.
22:02One after another, powerful rulers began to rule over her, one after the other, and then the third.
22:05Some of them were able to make this kingdom expand
22:08It was able to continue expanding until it reached the Al-Manathra area in Al-Hira, southern Iraq.
22:12And they seize it too
22:14And here, my dear, remained a stable and prosperous kingdom.
22:16What matters to us now is which one of all the kings who come to Kinda Dol
22:19One named Al-Harith ibn Umar
22:21This, my dear, is the direct grandfather of Barou al-Qays
22:23This is the last of the mighty kings of Kinda
22:25When this man found himself facing a large and vast kingdom that he was required to rule, he decided to turn it into a dictatorship.
22:31Each of his sons transforms a region of the kingdom
22:35And divide them as follows
22:36For example, Sharhabil ibn Harith would rule the Bakr ibn Wael tribe and all its branches.
22:40And Ma'ad honors Ibn al-Harith, who will rule the Qays tribe with all its branches.
22:44As for the remaining share of Salama ibn al-Harith, it was from the tribe of Taghlib and al-Nimr ibn Qasin.
22:48Then comes Muharriq ibn Harith, who leads the tribes of Tamim and Dhuba.
22:55The one who will rule the tribes of Asad and Ghatafan, who is this Hajar, my dear? Go back to the first episode.
23:00Come on, pull this YouTube thing tight, it's Abu Amr al-Qais
23:04Maybe Aziza got it, but I wrapped you up in the industrial area.
23:06The important thing, my dear, was that the situation, everything was fine, and the father was taking money, collecting taxes, and distancing himself from his son.
23:13And his son, a hardworking, rascal, is around a butcher shop, happy and doing great.
23:17The remnants remained, and they were able to regain their rule.
23:20The first ones defeated the grandfather, Salharith, the cousin, who was forced to flee to Syria, but he was killed there as well.
23:25Simultaneously with these events, revolutions erupt in all regions of the Kingdom of Kinda.
23:30Revolutions aimed at overthrowing the Al-Akl Al-Murar family from power
23:34My revolution, my dear, is not just a joke, but all of Imru' al-Qais's uncles were killed in it.
23:38There's only Uncle and Salma, but he said we'll get away from it.
23:40Fosti, my dear, these revolutions are a tribe of lions that have become ill.
23:43She said, "We're not going to pay the annual tax, folks."
23:45So, my dear, the people who were collecting tributes for King Hujr, the son of Imru' al-Qays, were beaten and returned to King Hujr.
23:52They told your father that they were going to collect taxes from them, so they gave us taxes.
23:54Go, my dear, you got a beating that even the messenger of my horse didn't get in the palace of the Roman king
23:58They returned to the king, Hajar, and their leader ordered, "We are not afraid to take taxes from them."
24:02When Hajar knew about this matter, he sent them a small army, and the tribe of Bani Asad grew stronger.
24:07And my dear mother, he took them like that, and instead of killing them with swords, he killed them with sticks. Longer time, more pen, less effort, more fun for me.
24:14To the point, my dear, that Banu Asad will know about the slaves of the age.
24:17My dear uncle, Dai, your tribe's title in the story of the Arab tribes, you will find, my dear, titles like lamps in the darkness, for the camel is victorious.
24:24And these, my dear, are slaves of the age.
24:25Banu Asad previously published a large book by Banu Asad, who decided to take revenge and exploit the enemies present throughout the kingdom to surprise King Hajar.
24:33He moves between two regions within his kingdom, and they don't just take him as a prisoner, but they also treat him like a captive so that he will suffer a fatal wound while in captivity.
24:41When Aziz felt that he was about to die, he tried, as he was dying, to pass on a message to his children, telling them in this message who had killed him.
24:47Thabit gave the messenger a will, saying, "Go to my son Nafi', and this was the reason for his children's distress. So weep and grieve, and leave him and inquire about them one by one until you reach Marwal Qais, who is the most prominent among them."
24:57Those who are not panicking, fearful, or nervous should be given their weapons.
25:05He wouldn't have been burdened with these heavy responsibilities if he hadn't turned his back and kept begging his father. If he had been the player, all of this would have been a disaster.
25:13Did you obtain any sources, my dear?
25:14The man went to Nafi' and Nafi' and Alwan
25:16He went to the next one, to my father, even though
25:17He went to the next one, to my father, even though
25:19Until he went to Amr ibn al-Qais, our hero
25:21As I told you at the beginning, my dear
25:22He played and didn't show any sign of injury.
25:24Here, the messenger considered Imru' al-Qays to have given the will.
25:27They delivered the message as requested.
25:29And this, my dear, answers our question.
25:30Why did Imru' al-Qais become the person?
25:32The one who must bear the responsibility for taking Trabo
25:35From here, my dear, began the journey of the bridge
25:37Imru' al-Qays, who will fill the alliance with great treachery and revenge.
25:42Imru' al-Qays, my dear, will ally with two tribes.
25:45Bakr and Taghlib in the north
25:46Their trickery is from the Basus War
25:47In this episode, my dear, they are friends
25:48In the second episodes, they didn't insult each other, they just flattered each other.
25:51The second group, Bani Asad, were the first to learn about this alliance.
25:54They will send a delegation to Imru' al-Qais for divination.
25:56At the head of this newcomer was a man named Qubaysah ibn Na'im
25:59Come on, my dear, Qubaysah was pessimistic from the moment he arrived in the Bakr tribe.
26:03Wow, I see a state of mobilization and recruitment, and a spirit of poverty and revenge.
26:07The army is preparing its shields and getting ready.
26:10Qubaysa and the newcomer will spend a few days at the house of Imru' al-Qays
26:13Without the homeowner himself, the one they came for, showing them the way.
26:16And everything he asks matters, and he pointed out the landmarks to them. Imru' al-Qais is not lacking in anything.
26:19He brings weapons from the warehouses
26:21Hey guys, we're going to negotiate, engage in dialogue, and then implement a plan.
26:25No, I
26:25For three days, the delegation from Bani Asad asked the same question and received the same answer.
26:30In a quarter of a day, Amru al-Qaysah finally appears to them, dressed in black on black.
26:34My dear Arab, they used to wear black in the battles of Thaqir.
26:36What does Hind Jim mean to them? If I come, I will take revenge.
26:39This isn't something personal, it's not professional.
26:41The one who's coming is all black
26:42Here, Imru' al-Qays left the Bani Asad's mounts stumbling amongst themselves.
26:45As you say, he's winning them over morally.
26:47Those who might have lost it before it even began
26:49And they won't be sure that Amru al-Qaysah is a type of evil.
26:52The deceased's right is to try him.
26:53They tried to offer him solutions for reconciliation.
26:56Take all the livestock, horses, and camels of Bani Asad.
26:59At your service, O Hour of Response
27:00Okay, let me tell you something, choose Ashraf, our Ashraf.
27:03We'll bring the bravest one of us to you, chained and at your feet.
27:06You kill him in revenge for your father's blood.
27:07It's as if nothing, my dear, is coming from anything other than negotiation at all.
27:11Well, the one who tells you the need, give us nine months
27:13nine months
27:14Should we prepare just so that if we have pregnant women, they will give birth?
27:17Why would a baby die in the placenta?
27:18Here, my dear, is Amru al-Qaysah's response to them.
27:20It will reflect nobility and honor before any other quality.
27:23The one who is a rascal and a troublemaker
27:24But he has morals and isn't mean.
27:26Hume, I tell them, my dear
27:27The Arabs have learned that there is no hand in the blood of a stone.
27:30And I will not give it to a camel or a she-camel
27:33As for the rest of the look
27:34It was necessitated by the fetuses in their mothers' wombs
27:37I will not be the cause of its damage.
27:39I mean, I'm not going to spoil the embryos.
27:40Everything you've said before is rejected.
27:42You have nine months ahead of you
27:43Pregnant women give birth
27:45And we begin to see the remaining sheikhs
27:46Prepare it, my dear, he brought them the summary
27:47And you will come to know the nature of Kinda after that.
27:50It carries resentment in hearts and hangs like a leech on spearheads.
27:53blood
27:54They took nine months
27:55And I'm coming for you with spears
27:56Her final form will be on blood
27:58Take your nine months
27:59See you in battle
28:00It seems, my dear, that the matter of Qalqais left no chance.
28:03And any possibility
28:04To understand something other than that the man wants to fight and wants revenge
28:07So Umm Qubaysah gathered her entourage and walked away
28:09Losing those four days we wasted
28:11Teacher brings a weapon
28:12The teacher in the Maghden
28:13My father is not a camel
28:13My dear mother, with the nine-month challenge
28:16After this deadline expires
28:17The Qalqais matter begins to move
28:19Standing at the head of a mighty army
28:20Between Kinda, Bakr, and Taghlib
28:22What I'm telling you, my dear, is that I'm not a lion when I learn about him.
28:24They gathered their tents, their belongings, and their horses
28:26What is it, Lord?
28:27Where did they go?
28:28They went and hid with their brothers.
28:29In the Kinana tribe
28:30Qalqaisa order is finished
28:31What does "Tamam" mean?
28:32So, you're going to take your land?
28:34no
28:34He saw them with his eyes and his spies
28:37I'll find out where you are and I'll bring you here.
28:38By God, I have no interest in it, it's all ruins, and I won't cry over it again.
28:41That's not what I'm saying, may God have mercy on him.
28:42The one who lives, you say, I hate him
28:43When Bani Asad realized that he was still chasing them
28:45They grow up at night without telling anyone.
28:47Qalqais, my dear, arrived this morning
28:49And indeed, my dear, the whole place turned into ruins.
28:51His path is clear.
28:52And where, oh where, my dear, did he notice the money?
28:54The countries are not the tribe of Assad.
28:56Kinana tribe countries
28:57Strange
28:58Countries that are very similar to lions
29:00Let's go
29:01The issue was brought to the attention of the public.
29:02There were six old women from Bani Kinana
29:03I heard Qalqais's order, and he was singing and shouting.
29:06Oh, the king's revenge!
29:08Yalla Tharat Al-Homan
29:09This blood is for his father, may God have mercy on him.
29:11So here, my dear, six old women came out of the courtyard and said to him
29:13O Qalqais order
29:14You have no claim against us.
29:15We are the Kinana tribe
29:16Banu Asad, not yesterday
29:18any?
29:18Banu Asad, not yesterday
29:20Wake up, you delusional fool, you son of a delusional man!
29:21You're making the wrong connection.
29:23Here, my dear, Qalqais felt that he had made a mistake.
29:25He decided to stop the beating.
29:27Understand, my dear, the matter of Qalqais: that Banu Asad escaped at night before the dough was kneaded
29:30Allies of the Qalqais order, Bakr and Taghlib
29:32They were very upset
29:33Because they fought the people of the Kinana tribe
29:35For no reason
29:35They left without any time
29:36And they were shocked by the matter of Qalqais
29:38I realized the paragraph
29:39Among the Arabs, my dear
29:40Brother Besed in the drum
29:41And sometimes the drum might be taken from him
29:43A replacement for a brother is required.
29:44And the Bani Kinana tribe
29:45They are the brothers of Bani Asad
29:46So, the revenge we took on them
29:48Let's leave it like this.
29:49We finished our work
29:50Raz Braz Baqa
29:51Praise be to God
29:51And we begin a new chapter
29:52The two midwives are sisters anyway.
29:54Their name is Ibn Khuzaymah
29:55From the tropical tribes
29:56Here, Qalqais, of course, rejects this statement.
29:58Hey guys, I'm talking to you
30:00Bani Asad tribe
30:01Not the Bani Kinana tribe
30:02We are Bakr and Taghlib
30:03They also understood that they had hunted and captured
30:04They cheered, "You are a man of ill omen, a man of bad luck."
30:06And the trips won't bring any good.
30:08And they dispersed from him
30:09Arab spirit, if anyone
30:10Here, of course, my dear
30:11The Qays ordered him to be defeated.
30:12How come I have such a strong army?
30:14And the preparations
30:15And he didn't reach me, he came closer
30:16And they will express their condition through poetry and say
30:18Oh, how they stole from Hind!
30:20They were the ones who were healed, so they were not harmed.
30:22What does this mean, my dear?
30:23It means, oh my poor Indian daughter
30:25Because I didn't know how to be a good brother to people
30:28If I had afflicted them and afflicted them, I would have been cured.
30:31He protected them from their oppression by their father's sons.
30:33And the most wretched of people will not be punished.
30:35It means that their luck protected them from their brothers from the Banu Kinanah.
30:38So they did not inflict their punishment
30:38In short, my dear
30:39It is a ah, it is overcome, it is a walk and a morning walk
30:41But the revenge isn't over yet.
30:43If he still hasn't been surprised
30:45Ebru Al-Qays, my dear
30:46He will look for a new ally
30:48And the satisfaction in the Himyarite kingdom
30:50A kingdom in southwestern Arabia
30:52They gathered there as a council, the leaders of Yemen.
30:54And the Yemenis are states that remain princes
30:56From the relatives and descendants of the kings of Yemen, the Adami
30:58My dear Ayumi, I'm going to someone there named
31:00Marthad Al-Khair Al-Himyar
31:02And I will tell him how the Bakr and Taghlib tribes betrayed him.
31:05Even the Azd tribes
31:06Their closest relatives are Yemenis
31:08They refused to fight alongside him and help his army.
31:10This is what forced him to resort to it.
31:12Although his cart is owned by Mr. Marthad
31:14Beyond the Azd
31:15I am ignorant of you, and I really mean
31:17I tried with Bakrah and Taghlib and Al-Azd
31:19Some of them are my relatives, some are my friends, and some are my father's loved ones.
31:23What do you know?
31:23Here, my dear Himyari, he will be brave with him.
31:25And Imru' al-Qays will come out from the good place of Marthad
31:27He is in command of a battalion of 500 Himyarite points.
31:32Equipped with their weapons
31:33On their way to fight the Banu Asad in the north
31:36The battalion, my dear, was always passing through a tribe.
31:38Imru' al-Qays opens his treasury and recruits mercenaries from it.
31:41Come on, guys, whoever wants to fight
31:43The man brought people and soldiers from everywhere.
31:45Until, my dear, the tribe of the world reached a lion in Najl
31:49Surprise them, my dear, and achieve a resounding victory over them.
31:52He was burning them alive while they were in their tents.
31:54Oh, how I praise Him! Finally, Imru' al-Qais has triumphed!
31:56And take the tambourine, a story by Mohamed Ramadan
31:59Directed by Mohamed Samia with excellence
32:01So now his father's glory has returned.
32:03He will live comfortably, happily, and contentedly, and then he will go to the ruins and gaze upon them with one eye.
32:08Joseph, my dear, has brought you out of your rosy dreams.
32:10And I'm unbundling the howdah straps and saying, "Thank God for your safety."
32:14We have reached the messengers, my dear, but the journey is still long and extended.
32:17You haven't noticed anything, my dear
32:18Yes, Hamad, three things
32:19Firstly, this episode is labeled "Imru' al-Qais One".
32:22Secondly, Imru' al-Qays, Sa'id, and Mabsut
32:25And it ended against the drama in the Al-Daheeh episodes.
32:27But there's a slide underneath, and we might get out, or we might not.
32:30Thirdly, let's go back in a flashback to a certain point in the episode.
32:34I told you, people criticize the fame and status of Qais during a certain period.
32:38This, my dear, is the part where I said
32:41Hey, Hamad, live
32:42Shoni, watch the next episode
32:43By the grace of God and the Prophet, any further details will be revealed.
32:45So live, there's no one to talk to.
32:46All I can say is, wait until we see the next episode.
32:48Watch the previous episode
32:49We'll look at the blades if we share them
32:51I say the Prophet needed
32:52No, there's no creation.
32:53Let me tell you, my dear, that what's past is just a memory.
32:55And the one who's coming is Layla Doub
32:56My heart beats with what is written.
32:57You know, my dear, the matter of Qais
32:59When he recites poetry alone
33:00And she likes him and he starts to get along with her
33:02What do we call it?
33:03With the bites