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فسيلة - transplant
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هي مكتبة رقمية تحتوي علي آلاف الفيديوهات العربية في جميع المجالات
It is a digital library containing thousands of Arabic videos in all fields.
قوائم تشغيل فسيلة
https://www.dailymotion.com/fasela/playlists
Category
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LearningTranscript
00:00music
00:04Good evening, my lord
00:06Abrouh Al-Qays
00:08This is your Lord, I swear to God
00:10I am the Caesar, my lord.
00:12This is me, this is me, your servant
00:14I'm here to request a service
00:16Just accept anything, you have a gift from me
00:18Hey guys
00:20Bring me my abaya, I brought it as a gift for Barwa Al-Qais
00:22O my Lord
00:24There is no need to talk like this, I swear
00:26You're embarrassing me, I swear.
00:28Oh my God!
00:30She wants to wear it and make it for us
00:32Catwalk, because tomorrow, God willing, the Byzantines
00:34Fashion Week, you're single
00:36No, this is really nice
00:38This brand is so, so, so good
00:40Deh Local
00:42Ah, Locle, ah
00:44Seriously, Luke is a killer, not Islam Saab.
00:46Honestly, my lord, it wasn't worth all this trouble. It's really beautiful, to be honest.
00:48Thank you, I just needed
00:50Army so I can take it and go
00:52He avenged my father who was killed
00:54No, no, it's simple, simple
00:56The story you're telling about these women is real
00:58So you can go in there with that kind of hair?
01:00They fall in love with you
01:02Oh, actually, I mean
01:04I don't know how to start conversations with them.
01:06O my master, what is the movement of your highness?
01:08My heart is a simple matter
01:10I'll teach you
01:12But just so you know, I'm not as good at poetry as you are.
01:14That's strong, I don't have any advantages.
01:16It means all I have is the ability
01:18I kill people in innovative ways.
01:20But I don't have anything to attract women
01:22My lord, you just need a little bit of self-confidence.
01:24The topic is easy
01:26Yes, you're right, tell me now.
01:28Hello, many women fell in Byzantium.
01:30Since when did you arrive?
01:32Oh my God, oh my God, because a man is crazy, I can't say
01:34Oh, Jadah, I swear I won't tell anyone.
01:36Okay, I'll tell you, I just picked up a girl from outside the palace.
01:38But what does she have a piece of?
01:40She kissed her left cheek
01:42Why is my abaya so dirty? Does it have fleas or something?
01:44And I won't tell you anymore
01:46They are two lines of poetry that they brought to the ground
01:48The girl you're talking about is
01:52my girl
01:56my girl
02:00Your daughter
02:02I didn't know, my lord
02:04I wanted
02:06That's why this abaya is called "Masouba"
02:08Haven in Fashion Way
02:12Nooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooo
02:36Baqinat B is a saying for the blues
02:37I also like killing with oil
02:39The famous environment of Imruq al-Qays
02:41He was born to find his grandfather was a king.
02:43His grandfather was a king and his father was a king.
02:45He was literally born with a golden spoon in his mouth
02:47My dear, let him go, for Qais is finished.
02:49His call was that his tool and his leg would drag the hair forever
02:51My dear king, he will expel his son from the country.
02:53And in conjunction with these events
02:55Revolutions break out in all regions of the Kingdom of Kinda
02:57Revolutions aimed at overthrowing
02:59In the family of the bitter eater
03:01We will kill each other in it, all the uncles of Amrq al-Qays
03:03This message will change Amr Al-Qais's life forever.
03:05He was told that his father had been killed
03:07If the tribe of Asad attacked him and killed him
03:09So, wait for the Qais tribe.
03:11Today is a day, tomorrow is a day.
03:13Amr al-Qays finally appears to them
03:15They are dressed in black, all black.
03:17From here, my dear, began the journey of the bridge
03:19What's coming is all darkness
03:21Dear viewers, the hour is upon us, and we will be teaching you a new episode of the Al-Dahiha program.
03:23Dear viewer, are you ready? Let's start from the beginning.
03:25To the end of the journey
03:27Around the fourth century AD
03:29When the famous Byzantine architect was commissioned
03:31Sinmar said that he built one structure
03:33The Lakhmids of Hira
03:35Malik, my dear, his name is Al-Nu'man
03:37He wanted to show it off to the Arabs and Persians
03:39And like any respectable client
03:41The late King Bashir, engineer Sinmar
03:43And Sinmar is like anyone who sells
03:45He promised him that he would build him a masterpiece.
03:47Tamghan was in the presence of the king of the Arabs
03:49Indeed, my dear, he will excel at building a humiliating palace.
03:51Palace in the name of the Khawarna
03:53His magnificence will be remembered in Arab tales and poems
03:55Its construction will soon be intertwined with a terrifying legend.
03:57According to the narrations
03:59The palace, after King Nu'man had completed his work, was appointed by him.
04:01His first decision will not be a favor or a prize for Engineer Sinmar.
04:03The king, my dear, will order his soldiers to take Sinmar.
04:05And they threw him from the roof of the palace that he had built.
04:07Oh Abu Hamad, what is the reason for this treachery?
04:09It depends, my dear, on the story. Sinmar will say, "King Nu'man."
04:11What he built, Abu Hamad, is the reason for this treachery.
04:13It depends, my dear, on the story. Sinmar will tell King Nu'man a secret.
04:16After he built the palace, he laid a brick in it.
04:19The problem is that if this brick is pulled out
04:21The entire palace will be threatened, and the engineering
04:23He's the only one who knows where to shake the brick
04:25The king asked him, "Are you sure, Mr. Engineer Sinmar?"
04:27I told him, "Shame on you!"
04:29I'm an architect, I understand Al-Nu'man, I told him
04:31Well, thank God they took the young men to be killed so that no one would know this secret.
04:39Here, my dear, is the laxative that is famous among the Arabs.
04:41Their punishment is like the punishment of Sinmar.
04:43Meaning, my dear, that you are doing the greatest thing
04:45And you will receive the worst punishment, for you will receive evil in return.
04:47And Sinmar is a fool
04:49The plot of honesty means telling the man
04:51In this fairytale palace, my dear
04:53He sat down, grandson of King Al-Nu'man
04:55The one whose name was King Al-Mundhir Ibn Ma' Al-Sama'
04:57He is reviewing the ministers
04:59And he manages the affairs of the country
05:01Until, my dear, news reaches him that they are from his own eye.
05:03Your Majesty, we found Amr Al-Qais
05:05And now, my dear, let's continue with the second text.
05:07From the story of Imruq al-Qays
05:09Think about it, my dear, because I didn't tell you about the Canadians.
05:12I told you that they are one of the periods
05:14They preferred to expand in terms of their own people.
05:16Until they reached the point of confusion
05:18And they overthrew the Lakhmids
05:19Kener tells you, my dear, how did this happen?
05:21It happened, my dear, when one of the Persian rulers tried
05:23The dominant state in the region
05:25He convinces the kings of the dispute
05:27Which is like the state, today's edition, an edition for the Persians
05:29No, guys, what am I telling you?
05:31Why don't you embrace the Masduki school of thought?
05:33My dear friend, it seems the debaters were not convinced by the Masdouqi school of thought.
05:35The Persians convinced them, so they removed them from the position of ruler.
05:37Yes, and they appointed a place for themselves in Al-Hira, Iraq.
05:39Kings of Kinda
05:41And they chose the letter Ibn Omar, the grandfather of Amraq al-Qais, if you remember
05:51He sees this Masdouqi school of thought everywhere
05:53From here he began to persecute the followers of authenticity
05:55Jo Fares is next, my dear
05:57The king's guard, Ibn Omar, went
05:59From the size, and then the debate returned again.
06:01Remember, my dear, I told you that the supporters were
06:03What did they do? They kept expelling the charlatan.
06:05Until they reached Syria and killed there
06:07And the revolutions that took place began
06:09The birth of the federalists who were ruled by his sons
06:11The size of the Canadian gall bladder family is threatening
06:13And in this crowd, a stone is killed
06:15Abu Imru' al-Qays
06:17That's not the case, my dear. Imru' al-Qays was not the only poet of Tarabaw.
06:20But he also became the only legitimate head of the household.
06:23What's left of him?
06:25Eating bitterness
06:27And now he has the right to demand a ruling of confusion.
06:29The fact that they weren't Canadians was there
06:31And then the man came against the proven credible
06:33Shail the Canadians and Jay were present
06:35Now, the one who represents the Canadians is Imru' al-Qais.
06:37He's supposed to be the one who has the final say now.
06:39No, I want the land belonging to the Canadians.
06:41Aha, a debate, let's go!
06:42Imru' al-Qais will start thinking, "By God, I will go and take the throne."
06:44I took the ruling, I took it
06:45You didn't take it, I'm already Brazilian in the dispute
06:47And the arguments are difficult, oh
06:49The king of the dispute, my dear, lived during his time and knew about this.
06:51And he began preparing the executioner's note.
06:53Her sole mission is to subdue or kill Imru' al-Qais.
06:57So that no one else comes back and demands Canadian rule for me.
07:00We're done with the Hajj, that's it.
07:02And his son, we finish with the grandson, the little one.
07:04The argument with his son is like this, Abu Ahmed.
07:06At the same time, my dear, Imru' al-Qais was unknown in his war with the Banu Asad, seeking revenge for his father.
07:10Here, the intelligence device for the debate was able to monitor its movement.
07:12The rivals began to pursue him.
07:14The news reached Imru' al-Qays himself.
07:16So what's wrong with him, Abu Ahmed?
07:17And the man, God bless him, created a form for him.
07:19The Yemeni guy is indebted to the mercenaries and Marwa, and the situation is good.
07:21That's right, my dear. The man is in good shape and was able to fight, but what can you do about treachery?
07:25Oh Abu Ahmed, he betrayed me again
07:27In all his poems, he's talking to my friends.
07:29Imru' al-Qays's army and his mercenaries
07:31When they found out that the view was coming, each one of them
07:33He slipped between his legs and said, "Oh, you fool!"
07:35We ended up playing in the tribal league, playing a game where the flour is stolen from the tribes, a lot of it.
07:38We'll go to a few tents and take them down.
07:40The fourth one has no friend to befriend.
07:41May God be with you. You and I are not ordinary. A country the size of a spectacle.
07:44Suddenly, my dear Imru' al-Qais, who lived his whole life in sorrow, finds himself alone.
07:48He barely had a few relatives with him.
07:50Pursued by the king of Hira
07:52And here, my dear, he had only one solution.
07:54Entry or asylum
07:55My dear, that was the last resort an Arab would turn to at that time.
07:58My dear, it was well known among the Arabs that they might die without their guest.
08:02It means that whoever seeks refuge with me, I must protect them with my life, my money, and my children.
08:06As our Syrian brothers say, "I beg you and I beg your Lord."
08:09I swear by your heart
08:10It was Qais who took himself and went as a guest to the sons of Al-Arbu’ from the tribe of Tamim.
08:14The group thankfully decided that they would help him.
08:16But my dear, she was married off in the house of their elder, the guard, Ibn Shihab al-Arbu'i
08:20This is his big quarter from you
08:21My dear, a messenger from Al-Mundhir is arriving.
08:23The son of the water of the sky, the one who wants to be terrified, the one who is full of opportunities.
08:28The example, my dear, was clear and concise.
08:31Oh Abu Ahmed, you're so funny! You're so funny and amazing!
08:34May God bless you, my dear. I worked for myself.
08:36Amraq al-Qays saw his host, al-Hath ibn Shihab al-Arbu' al-Kabir, who was coming with his men.
08:40He's playing with me, swallowing hard, and can't string two words together.
08:44Fahin Amraq Al-Qais knows he's not up to it, and they have what it entails.
08:46So he decided to relieve them of the embarrassment and leave the tribe of Yarbu'
08:49Of course, my dear, Amrq al-Qais will emerge, and he will be completely broken.
08:52This is often the period when Amruq al-Qais recites his famous verse.
08:56He said, "O long night, the angels will come in the morning, and what is the meaning of your prayers compared to mine?"
09:01Oh night, oh heavy, oh long night, I wish it would end already and bring morning.
09:04Even if the morning doesn't bring you much light, it's still dark, and this darkness is from our side.
09:09The man was very frustrated, seeing his situation deteriorating before his eyes.
09:12From a spoiled prince, I don't ask him for anything in the world, for his kingdom and his bird, he didn't ask for them.
09:16And now he's become a refugee; no one wants to take him in because everyone is afraid to do so.
09:21This, my dear, made the poetry of Amr Qais sad, like a long night.
09:25His hope is as far away as the stars, and his only companion is solitude.
09:28Amr al-Qays describes his long night and says
09:30Oh, what a night, as if its stars were all like a mirage, each one a thorn in the side of the mountain.
09:35This, my dear, is one of the fantastic pictures of Qais's broth that I told you about in the first episode.
09:39Here he describes a very long night, so long that the stars of that night seem tied together by all the strong ropes in the world.
09:46These ropes are tied to Mount Yathbul, a famous mountain in the region.
09:50It's as if the stars are stuck in the sky, fixed there, not wanting to move, and then daylight comes.
09:56If, my dear, the poet's imagination hadn't been conjured up and followed, he would have concluded that the stars didn't uproot the mountain, nor that the mountain allowed the stars to escape and bring daylight, thus disrupting the Earth's rotation.
10:06Here we are not talking about a long night, but rather, Qays is talking about an eternal night, an eternal darkness.
10:11This man, my dear, is breaking the laws of physics with his poetry, his pen, and his pain.
10:15Indeed, my dear, this is the secret of Amr Qais's genius.
10:17He could have said the night is long and never ends, but he conveyed a much more beautiful image with the same meaning.
10:22One of the most esteemed figures, like Ibn Rashiq al-Qayrawani, says that poets who differed from Imruq al-Qays used to say
10:27Her cheeks are smooth, and what is observed here is that she has soft cheeks.
10:30Amraq al-Qays said here, and the name of Adi is clear and strong, a flowing stream of tears.
10:34Instead of saying "Take her," I say "The place where her tears run is ignorant but crazy."
10:40They used to say she was tall, beautiful, and had a full neck, indicating that her neck was long.
10:45Amraq al-Qays says, "What's so far away? And what's the earring?"
10:48The earring, my dear, is the place where you put it in the throat.
10:51Here, my dear, he says that a woman with a long neck is one whose throat is far from her shoulder.
10:55The distance the ring falls to the shoulder is a long, wide distance.
10:58My dear friend, the idea is that rhetoric does not require directness.
11:01If I do something for you, I will tell you clearly what it is.
11:03So, if I don't sleep, you won't give the other person's mind any space to get tired and restless.
11:08That's what Amrq al-Qays does.
11:10That's what Ahmed Ali and Daz are doing.
11:12Sheikh Al-Qirani says that there was no one at that time
11:15His mind is perceptive of these metaphors because of their indirectness.
11:18At the right time, my dear, pass by Qais, and you will be flirting with his shoulder and his perfume.
11:20If we went to his place now in our story
11:22We'll find him completely humiliated.
11:24Harban is trying to escape from his long night
11:26He's trying to find a new place to go.
11:28And here he begins to search for the Qahtani Yemeni tribes who are related to him.
11:32So that he can go to them and they will protect him conscientiously.
11:34They won't remain mercenaries
11:36The other settled among the Yemeni Tayy tribe in the north of Najm
11:38He sought help from one of the leaders of this tribe.
11:40Al-Mu'alla ibn Tayma al-Ta'i
11:42He's inside, my dear, and he's scared.
11:44He rode it, bumping into each other and terrified of its treachery.
11:46I'm surprised, my dear, that the king is behind him.
11:48Then, after that, a messenger was sent to this tribe threatening them.
11:50The same definition, everyone.
11:52They are threatened by the same specific designation, folks.
11:54They will take custody of the man who is with you.
11:56Either we fight you and kill you
11:58And we shorten your absence
12:00The unexpected, my dear, is what's surprising, and what's astonishing is that the Tayy tribe
12:02They told the viewer, "We don't surrender."
12:04Our guests, Abu Hamid, is it possible that someone...
12:06He's not afraid of Munzar, oh my dear, I'm not afraid of Munzar
12:08By God, if a request came, I would pass by Qais
12:10By God, I won't let him see the view, of course, he heard.
12:12This statement greatly upset me in response.
12:14If I were to send them horses and soldiers
12:16We'll bring him, I mean, we'll bring him.
12:18But the Tai tribe estimated that
12:20A battalion looks out to meet the view
12:22And here, like the sharp edge, the Qais will be documented
12:24This noble stance is expressed in poetry, and he says
12:26As if I had descended upon the one who was ill
12:28I descended upon the plains of Shamami
12:30That means when she went, she sought help from the teacher.
12:32Those who are able to stand it, as if they were here when they sought refuge.
12:34The summit took refuge in a towering place
12:36A very, very high peak for those who try to reach me
12:38Nobody's on my side, and he keeps going and saying
12:40What did the Iraqi own over the cause?
12:42By the Almighty, nor the King of the Shaqami
12:44Meaning the kings of the two largest countries
12:46In our region in the Levant
12:48And in Iraq, they are unable to
12:50Before the poor people who are under the roof
12:52He concludes by saying, "Read the words of the Qais tribe."
12:54Ibn Hajar Banu Tayman
12:56Those who are tolerant of the lamps of darkness
12:58I mean, my dear, what he saw was fire.
13:00And the sons of Tayman, who are
13:02Part of the floor found lamps
13:04This darkness is like everything it touches
13:06Amrq al-Qais has also become
13:08A grave for all time, and still clinging to the tribe of Al-Tayiq.
13:10And part of their reputation to this day
13:12And imagine, my dear, a title that has remained for 1600 years
13:14Today, the Lam tribes are in northern Saudi Arabia.
13:16And southern Iraq, which is happy because of the Al-Tayiq tribe.
13:18She is proud of this title
13:20And they call him in their poetry the lamps of darkness
13:22But it means from the perspective of
13:24Lucky is the one who looks and hides and passes by Qais
13:26It meant that the circumstances would decrease a little.
13:28And they're not hurting me in this war dinner
13:30So, Amraq Al-Qais decides to move.
13:32One named Khalid ibn Sadus al-Ta'i
13:34The man also helped him and supported him.
13:36But my dear, how did you get your fingers after that?
13:38This time, pass by Qais, he won't come down
13:40On a high peak, but he will descend
13:42On a hole
13:44It contains many rods of varying lengths
13:46Four meters, you know, my dear, that the tribes at this time
13:48They were fighting each other over the spoils.
13:50And Amraq al-Qays did not escape this attack.
13:52What happened, my dear, is that her beauty
13:54She was stolen in a raid and she was an elephant.
13:56There is no consideration for the man who is hosting him.
13:58Khaled Ibn Sadous, as we said
14:00The one who stole from them is named Beef
14:02When Qais passed by, he knew and ran to Khalid ibn Sadus
14:04And I have a melody, O Abba, the beauty has been stolen, and I am your guest.
14:06Our customs and traditions as Arabs
14:09The man looked at him with utter indifference. "Look, boss."
14:11I don't have a car dealership to get the stolen items back.
14:14If I use an Uber, we can go with it, I have no problem.
14:16Amr Al-Qaysim has gone to give him his family
14:18The beauty of his journey, which he had specifically arranged, was found
14:20So that whenever the view comes to him, he can age
14:22Here, Ibn Sadus found the camel in front of him.
14:25He is forced to go and get what he needs.
14:27Didn't you have transportation?
14:28Continuing? Aham and Madik, the sentences I need to escape
14:31Here, Ibn Sadus, riding the camel, went running, and after him came the sender.
14:34When he arrived, he said to him, "What beauty did you steal from Dakhila?"
14:37The sender of Amqa says, "You're being difficult for me, by the way."
14:39Amro Al-Qayz is not under your protection
14:40Fāmqa says Khalid ibn Sadūs
14:42No, the man is under my protection, and the camel I'm riding now belongs to him.
14:45And by the way, the same mark that the beauty you have is stamped with
14:49The tag here is a motivator, my dear, that he says
14:50My dear, I'm telling him
14:51Yeh, Deh, Reen, why is your name unclear?
14:52Could you post about the camel so he can see it?
14:54Let her, my dear, get off the camel.
14:55He stole that camel too.
14:57What? I want to know who you downloaded the question from?
14:58He went and came amidst the crowds
15:00This is an intruder, this is an intruder, this is under my protection
15:01And my camels walked empty
15:03And like my dear friend, the one who praised the beautiful one
15:05He satirized Ibn Sadus and said about him
15:07This is about you, a cry of anguish in his chambers
15:09But recently, the talk of Al-Rawahli
15:11Sik, the beauty that was stolen while you weren't there
15:13Thank you, Mr. Man, you are so sweet, you are the pride of the Arabs
15:16On the transport that you took from under you
15:18Khaled Ibn Sadous, in order to rectify the situation
15:20How many goats did you meet?
15:22And take care of yourself with these
15:24Amraq al-Qays was a high point
15:26My brothers, it was only a few years ago that I was a prince.
15:28My father was a king and we ruled this whole island.
15:30I'm going to put a goat in my pocket while I'm walking.
15:32God is not playing on you.
15:34And the spirit of Sakaa, and there was a house they were talking about.
15:36Unless it was before, then it was a goat
15:38As if the horns of the mountain were made of sticks
15:40Its people expanded their territory and made us more beautiful.
15:42And enough for you is the wealth of the satiated and the satisfied
15:44It's enough that you found something to eat.
15:46I mean, my dear, from the very beginning, after the pride of beauty
15:48I stayed in Zul Al-Ma'iz
15:50We filled the house with ghee and dairy products
15:52It is enough for us to be rich enough that my food melts with me.
15:54After I was the son of kings
15:56The phrase "enough for you is satiation and satisfaction"
15:58The Arabs are still the same today.
16:00Imru' al-Qais, my dear, will be exposed if he seeks refuge.
16:02From the tribe of Yarbu' to the commentator
16:04And from the commentator Ibn Sadus
16:06And from Ibn Sadus to Amer Ibn Juwayn Al-Ta'i
16:08Those who have Imru' al-Qais will feel the stumble more.
16:10More than the goat herder
16:12Much more, my dear, you haven't seen anything.
16:14What's happening, my dear, is that the owner of this house
16:16He is harassing the wife of Marouq Al-Qais
16:18Imru' al-Qays said that he takes some of it and walks
16:20Oh, what a day you were, man of the goat!
16:22You were just sitting there being polite
16:24After that, he will go and ask for refuge and help.
16:26And the embrace of a slave girl from Mur Al-Ta'i
16:28Anyone who's a slave, my dear
16:30He'll turn out to be a bit of a gentleman
16:32He will tell him, "I will get you your rights from whoever is bothering you."
16:34He'll say, "Is it possible you'll get me justice from Munther?"
16:36No, you rooftops, Munther, who are you, this is a country?
16:38I will get you justice from the harasser who harassed your wife.
16:40Okay, let me tell you something: there's time for Harmis Maba'ith to take Jamal from me.
16:42Hey, hey, I'm telling you, I swear to God that I'll meet you in my house.
16:46Imru' al-Qays goes with a slave girl and her men, and they surround the house of 'Amir.
16:48And when they get hold of him, he will...
16:50Imru' al-Qays took his right
16:52What will you do? He'll say, my dear
16:54See how he took revenge before his wife.
16:56As before, your wife, what
16:58They were crushed, Abu Hamid, surely Imru' al-Qais refused.
17:00Dila Adab Dol Arab
17:02Imru' al-Qays agreed, what?
17:04Some sources say he strongly agreed
17:06This incident, my dear, became a scandal afterwards.
17:08I heard about it among all the tribes and it turned into Tring
17:10To the point that Ibn Gwen's employee was promoting him to a black market.
17:12In the market of Uqaz, he pointed out his despicable act.
17:14But still, my dear, with this guy's nonsense
17:16Imru' al-Qays remained a modern city
17:18The whole story is now on the lips of every Arab in the region.
17:20Oh Abu Ahmad, this is Imru' al-Qais, this is the Awi
17:22Ever since Bani Asad was killed, he hasn't seen a single happy moment.
17:24No one, my dear, has ever witnessed the past of Imru' al-Qais, the poet
17:26He is a man with self-respect.
17:28Here, my dear, is what Imru' al-Qais says.
17:30Al-Harith, the king, removed Ibn Amran
17:32His Iraqi king is Omani
17:34Neighborhood of Bani Shamja Ibn Jarman
17:36Our love is not a source of humiliation.
17:38And the Bani Shamja ibn Jarman grant it
17:40Their goats are affectionate, just like my affection.
17:42I mean, after Al-Harith ibn Amr
17:44He is my grandfather, the king who ruled over Iraq.
17:46I mean, after Al-Harith ibn Amr
17:48He is my grandfather, the king who ruled over Iraq.
17:50Which is Oman, they're giving me goats at the end of time.
17:52You can see, my dear, that the images and analogies
17:54Imru' al-Qaysah here began to change
17:56During his asylum journey
17:58Poetry, my dear, no longer has the same luster it once did.
18:00This month may now have a non-artistic purpose.
18:02Art is no longer about dealing with things just for the sake of art.
18:04This person is hurt and calling
18:06And it takes less time for people to understand.
18:08So it needs to be as direct as possible.
18:10And we will begin to see his poems, which contain humor and satire.
18:14This poem is the purpose.
18:16And what is the purpose, my dear? The purpose is illness.
18:18That's why Imam Ali ibn Abi Talib
18:20Those who admired the poetry of Imru' al-Qais
18:22He said that he did not write out of fear or awe
18:24Perhaps, my dear, that's exactly what he meant here.
18:26Long, encrypted poems
18:28The most important thing is the hanging of Qifa, oh we cry
18:30The one who wrote it before all this happened
18:32My dear, it will ease his pain a little bit.
18:34He remembers the old days of mischief
18:36When he went to the water source, the girls' clothes would change.
18:38Imru' al-Qais bargains with them, promising to alleviate their suffering with the fairer sex.
18:41When one of the brown dinners is good
18:43They honor him and grant him permission from among themselves.
18:45What? Wait a minute, Abu Ahmed, isn't he married?
18:46Hello my dear, you are in the age of polyamory
18:48Hey Abu Ahmed, are you running away from them with Polyamri?
18:50Oh, these ten of them are going to marry one of them.
18:52To spare him the humiliation of displacement
18:54And alienation prevails
18:56Her name, my dear, will be Umm Jundub.
18:58Oh my dear, that Umm Jundub will make him long for all the days that have passed.
19:02And it will cause his pain and wounds to worsen.
19:04Let Abu Ahmad ask you a poetic question
19:06Is it possible that you would hurt a man who is already dead?
19:08What kind of pen are you, presenter of misleading content?
19:10This is the man who lost everything.
19:12Homeland, king, family, money, dignity, and beauty
19:16My dear, all of this is lost, and all that's left is the longing of the goats they begged for.
19:19Omar Al-Qais, my dear, had only one favorite thing in this whole world.
19:22the hair
19:23Omar Al-Qais will enter a poetic challenge, accompanied by poetry.
19:26Alqama ibn Abda
19:27Omar Al-Qais is inside, he has nothing left in this world, he has lost everything.
19:30So there was no obstacle amidst these miserable and sad circumstances.
19:34He's still going to showcase his poetic skills, anything.
19:37You challenge me, Qadi, to the top? I'll challenge you.
19:39They both stood in front of her, my dear, and there was a Lord who fought them.
19:42You say one thing, and I say another, but who is the judge?
19:44Felsam Raisin or Jundub
19:46Abu Hamid, I don't have a feeling, but I sense that there's something here that could be identified as...
19:49conflict of interest
19:50The woman will surely testify that her husband won.
19:52He has the sweetest son of Abu Al-Ayal and the poetry of Abu Al-Ayal
19:54By God, my dear, this is what happens when this woman
19:57Authentic
19:58The important thing, my dear, is that they agreed to recite poetry on the same topic.
20:01What's up? The horse is out.
20:03What are you doing at the horse market? Horse
20:06The most precious thing you have is Makram Makram
20:09What's your most famous thing? It's been around for hundreds of years.
20:12Easy, huh? Go for it.
20:14My dear, they might challenge each other, and the condition is that they challenge each other with the same rhyme.
20:17Amr al-Qays sold his young girl, and he says about her
20:19Khaliliya passed by Umm Jundabi
20:22His money for the data of the tormented heart
20:24He's calling out to two of his friends, my dear.
20:26Those who have no other solution but them
20:27He tells them, "Let's go to Umm Jundub."
20:29So that when we go there our hearts will be happy
20:31And she relaxes, and to the same rhythm
20:33He responds to him at the top and says
20:35I went away from my own beliefs.
20:37And it wasn't really all avoidance.
20:39So you followed every path of abandonment
20:41You have no right to avoid me like this.
20:44This is the introduction, my dear friend who has given a fatwa.
20:46Because if you're asking yourself, is there anything good about this?
20:48Wait, my dear, the horse is coming
20:50By God, the horses are coming
20:51My dear, not one of them has finished yet.
20:53He said that everyone who had that month asked Umm Jundub.
20:55Oh, Umm Jundub, which one of them is a better poet than the other?
20:58Um Jundub, my dear, expectations have been missed here.
21:00And he ruled in favor of the top
21:02Yeah yeah yeah yeah yeah, I'll crush them
21:04We're going to cry over a lot of problems.
21:06And Imru al-Qays did not ask her
21:09How do you choose the month for the top spot? I'm your husband, my dear.
21:11You'll tell him that a horse on top is better than his horse.
21:13You're also insulting my horse.
21:15You've gone too far.
21:16She explained her opinion, my dear, and told him, "You called your horse a killer."
21:19For the one who sticks to the horn, and for the sound, their echoes, and for the rebuke from it, a wild, reckless sound.
21:24So, in order for your horse to respond to you, you need to hit it with goatskins, spur it on with a leg, and yell at it.
21:29At the time, those who left me hanging were my beloved, the one who...
21:31Then he came, falling a second time from his reins, passing like a fleeting, smudging scent.
21:36It means the man controlled his horse easily without all that stuff you pushed in.
21:41Let me tell you, my dear, pass by, my dear. Qays was stunned by her words.
21:45I'm the man of the house, and you call me a researcher? You said, "What's wrong with you, Mrs. Jundub?" Indeed, my dear, he's divorcing her.
21:49And at that time, my dear, he's at the top, what does he marry during the waiting period, Abu Ahmed?
21:53My dear friend, before Islam, what kind of medicine and what kind of locusts are you, Abu Ahmed? Who will you be sitting with now?
21:56What's up, my dear? Is the name "Ah Umm Jundub" like "Al-Maknasoun"? Is the name "Fish Jundub"? It means "Oh, you who pass by."
22:00Not only that, my dear, but when people saw what happened
22:02They repeated that they were being generous to the top and called the top stallion
22:06Because he not only outshone Amr al-Qays in poetry, but he also took his wife from him.
22:09After the collision, he says that Amraq al-Qais did not suffer from the defeat.
22:12And he said to Umm Jundub, "What is more beautiful than me, but you are his lover, a lover's reputation."
22:17By the grace of God, this word is a gathering, not like a disciple's.
22:19No, my dear, the word "di" means "I adore him," meaning why should I adore him?
22:22But my dear, what can we say about the edge when it's so wide?
22:25Amraq al-Qays experienced the truth firsthand; the man fell from the throne and the emirate.
22:29After that, it kept falling apart, then falling apart, then falling apart.
22:32To the point that even his own family members abandon him.
22:34Even his greatest quality, his poetry, is no longer appreciated; it's no longer enough to do him justice.
22:38Therefore, after this humiliation, the man left the entire country of Tayq.
22:41He decided to flee to the land of Ghatafan and sought refuge with Umar ibn Mazin al-Fazari.
22:45And this man, despite the fact that Amr al-Qays's stay with him was not long
22:47However, he gave advice, and advice worth its weight in gold.
22:50So what is this advice?
22:52In a large council, Fazara Omar Ibn Mazen Al-Fazari, he was still giving it up.
22:55The man was experiencing a moment of clarity and honesty with himself.
22:58He knew the whole story of Amr Qais, so he forgot them.
23:01He told him, "Let me tell you about a country where the people have no ideas."
23:04Neither its vicinity is safe nor its fortress impregnable.
23:06Abu Shidak, Uncle Al-Fazari, tell me, what is this country and who owns it?
23:09I'm calling Dit to the end, please tell me about the Samawil in Tayma.
23:11What? Al-Samawil in Tayma
23:13I'm ashamed to ask him where to go.
23:14Al-Samawil in Tayma
23:16Al-Samawil is Al-Samawil ibn Adiya, a pre-Islamic Jewish poet.
23:20Hayish is located in an area called Tayma.
23:22This man is staying in a fortress called Al-Ablaq
23:24He established a headquarters for his residence and rule.
23:26He is considered a leader of his people; you could consider him the chief of the tribe.
23:29He was known for adhering to Arab customs and traditions in honoring guests.
23:32And protecting the stranger who seeks refuge with them
23:39It's unbelievable that I would personally host Imru' al-Qais.
23:42Oh light, oh light
23:44Imru' al-Qais, my dear, was not trustworthy.
23:46He did indeed spend some very pleasant days there.
23:48Finally, someone didn't leave me.
23:50Here, thoughts will start playing in his mind.
23:52Well, since I'm thankfully a little more relaxed and happy now...
23:55I'm starting to try to reclaim my father's kingdom instead of this mess I'm in.
23:58Especially here, Samuel has connections that can link him to the king.
24:01He doesn't control a tribe or a region or anything like that
24:03He owns half the land.
24:05At that time, my dear Caesar of Byzantium, he was able to help Imru' al-Qays regain the kingdom of Kinda.
24:10So, Abu Ahmed, what are you waiting for? The man is a poor fellow.
24:13And Samuel, it's clear he's connected and will solve it.
24:15Al-Samawil was indeed an influential man with extensive connections, may God bless him.
24:19He knew someone who could connect Imru' al-Qais with Caesar
24:22Finally, after years of humiliation and degradation, a glimmer of hope appeared.
24:25When he had a dispute with Emperor Justinian I
24:28And he, my dear, is leaving the Samawil area and will leave his daughter there.
24:31And whatever armor, weapons, and money he had left behind were entrusted to the care of the Samawil.
24:35He goes to Constantinople to meet the emperor.
24:37On a journey so famous because he documented it in his immortal poem
24:40He named you Shawq after he had been the most oppressive of them
24:43Longing and love appeared to you after the longing had already taken hold and affected you.
24:46Oh, longing
24:48This poem is sometimes called the Levantine poem of Imru' al-Qais
24:50Because it describes the route from Tayma through the cities of the Levant until it reached Constantinople.
24:55He mentioned Homs, Baalbek, and other Levantine locations.
24:58Some people, my dear, believe that this poem is no less good than "Qafa Nabki" (Let's Stand Up and Cry).
25:02It deserves to be among the suspended poems.
25:04And in it, Imru' al-Qais recited his famous verses.
25:06My friend cried when he saw the path leading to him.
25:08He realized that they would follow Caesarea
25:11Masoud, my dear, the one who cried was Amer Ibn Qumaiqa.
25:14My friend was shocked when he saw the road behind him.
25:16He remained certain that we were on our way to Caesar and the Arab lands behind us.
25:19So I said to him, "Do not weep, for we will either make him king or kill him, and then we will excuse him."
25:24This means we're not going to die, we're going to take our king.
25:27We will succeed and we will be kings
25:29Either we will fail and people will excuse us
25:31As the saying goes, the dead have their excuse with them.
25:33Of course, the dead are not a disgrace.
25:35The person mentioned in this verse is the pre-Islamic poet Omar ibn Qumayqa.
25:39The one who went with him on this trip
25:40But what he sold about his homeland, the Bani Bakr, son of Waqal, is like that, my dear, steadfast in his ways, overcome by homesickness, so he cried.
25:46And my dear uncle, he died on this journey.
25:48Don't you feel, Mr. Imru' al-Qays, that this could be a public declaration that the man is dead?
25:52And you've encountered many signs along the way telling you that you're no longer coming from your own possession.
25:56You went to get your tarbouk, you killed the tribe, names that don't come.
25:59Imru' al-Qais, my dear, will ignore all the signs and continue his journey to Constantinople.
26:03When he reaches that point, he will play the game of politics for the first time in his life.
26:08Thank God for your safe arrival, my dear Imru' al-Qays. He reached Constantinople and met the Caesar.
26:13Here, my dear Imru' al-Qays, he decided to play politics a bit, to flirt with Caesar.
26:18Yes, we're talking to Hamoud, I'll tell him this is Netfrex.
26:20My dear, I mean he'll flatter the Caesar's ideas so he can get what he wants from him.
26:24He said to him, "O Caesar, look, I honestly want soldiers from us so that I can use them against your Persian enemies."
26:29And specifically, your enemies' allies, who are the supporters in the conflict, are waging a proxy war right under your nose, Abu.
26:35This is for your own good, not mine. I'm a great poet, but I'll remain Yourhound.
26:39Life, my dear, Justinian I watched and liked the idea. Justinian liked the idea.
26:44He decided that he would give him the army he wanted.
26:46And as long as the army and weapons were being prepared, Imru' al-Qays was honored and respected in the court of Caesar.
26:52But my dear, as you know, a strong tile cutter can break down buildings.
26:56I can tell you that this period in Imru' al-Qais's life is relatively obscure.
26:59Opinions and sources differed regarding it.
27:01Some sources, for example, say that he took the army and actually moved with it.
27:04But on his way south, he became a snake and died naturally.
27:07Caesarean section extension in Türkiye
27:09Let's start, my dear, by seeing more extreme endings in another novel.
27:12Do you remember, my dear, the Banu Asad who killed him? It is said that there was an Arab man from the Banu Asad named Al-Tammah ibn Qays Al-Asadi.
27:18He was in contact with the court and went to the court of Imru' al-Qais, seeking to sow discord with Caesar.
27:23Meaning, they rode the slide; meaning, he made a name for himself at Caesar's court.
27:27Hey boss, that little weasel is going to take up an army to settle his scores, and it wouldn't surprise me if you found your men ready to fight.
27:33Pasha's cart and traitors, I know them well
27:35Honestly, I wanted to tell you, "Give me what, no way!"
27:37If he were small and thin, he would be a little boy.
27:39They criticized him himself, saying he was a chaser and that he could follow me.
27:41It is not necessary to fight news like this
27:42She tells him that if he continues to flirt with a girl like that, it's your turn.
27:44What, my daughter, are you chatting with Imru' al-Qais?
27:47This is an honor
27:49And here, my dear, according to the story, Caesar sold with Al-Tammah a pot of gold.
27:53It means wearing all gold.
27:55So that he could deliver it to Marw al-Qays as a gift
27:57Imru' al-Qais saw this and said, "God
27:59He started wearing a sweet outfit that began to melt the sores on his skin.
28:03The illnesses spread throughout his entire body.
28:05To the point that people are high and have sores
28:07This illness was so cruel to him that it made him die.
28:10He is dying slowly, by Shadin's pen
28:12Accompanied by deformities
28:14It seems that Imru' al-Qais was left to die alone.
28:16At the time when the army returned from the Tsar
28:18My dear Imru' al-Qais, in his solitude, had no refuge.
28:21The best poetry is that which describes moments of dying and loneliness.
28:24And the last moments of his final, remaining life
28:26In another poem, he also stood lamenting the ruins.
28:28As if in the delirium of death, he sees the phantom of his early youth.
28:31Days of glory, kingship, and emirate
28:33Imru' al-Qais says
28:34Pain upon the old quarter with its darkness
28:37It's as if I'm calling out to her or talking to her, and then silencing her.
28:39It's as if, my dear, he's standing on ancient ruins.
28:41She calls out but no one answers her
28:43It seems that if he doesn't confirm that no one responds to him except for a very small number of relatives
28:47The last one who remained with him
28:48Those who were broken because of his condition
28:49He spoke about the state of unity
28:50It's as if I'm calling out to her or talking to her, and then silencing her.
28:52He returns to present an image of the mythical
28:54When he describes a slow death and says
28:56If it were the same soul, they would all die.
28:58But it is the same breath that falls
29:00Oh, how wonderful it would be if this illness could make me die and then become active all at once!
29:04along
29:05But this illness makes me feel like I'm in a droplet
29:07Workers dying one by one
29:09It's as if he's dying from the number of sores on his body.
29:12breath after breath until death
29:13And a pen behind a pain until death
29:15My dear, the tamarind tree lived a life full of ups and downs.
29:18Life literally crushed him
29:20I left him in his final days, despairing
29:22And because of his struggle and hard work
29:23And he still didn't deliver the item.
29:24This man says in one of his poems
29:26I have traveled far and wide until
29:28I was satisfied with the spoils of war.
29:30I mean, I traveled the whole world
29:32I worked hard and tried to regain the king and the tar and all that
29:35And in the end, if he had any spoils from all this apartment
29:37Is she my uncle? I'm going to her mother's house.
29:39He wants to stay in our house
29:40And in the year, my dear, forty
29:41The lost king finally finds peace
29:43Amrq al-Qays ibn Hajar dies
29:45He is affected by his illness
29:46He'll die, my dear, at the age of 40.
29:48Everything I just told you happened in just 40 years.
29:51His journey of revenge against his father began when he was 22 years old.
29:54And here, my dear, I want to tell you what happened to the people of Amraq al-Qays
29:57The one who was favored by Al-Samaw'al in Tayma
29:59Because he was one of the Ghassanid kings
30:00He attacked Al-Samawal to take what remained of the messengers of Amraq Al-Qais
30:04The money and weapons he left behind, he thought
30:06Samawal, my dear, refused vehemently.
30:08Although the Ghassanid king threatened him
30:10He said to him, "You have refined me like Amraq al-Qais."
30:12He expressed it to him
30:13I am more deserving of this correspondence.
30:14And the first to receive this correspondence
30:15And Samawal also refused because he saw
30:17This is the right of the daughter of Amraq al-Qays
30:19Hind, the Ghassanid king, will kidnap one of the sons of Samawal.
30:23He threatens him with it, and Samawal refuses.
30:25And he preferred his own way.
30:26My dear, no one should kill their son right before their eyes.
30:28And also, the heavens preferred to preserve their trust.
30:30And from here, my dear Arab, he said
30:32More faithful than the heavens and the earth
30:33So that he would be an example of someone who sacrificed his son
30:35He preserves the trust that Amraq al-Qais entrusted to him
30:37He remained a paragon of loyalty
30:39From the first appearance of Amraq al-Qais's talent
30:41And until the very last scene of his life
30:42Many places and many events
30:44They have become timeless examples
30:46Amraq al-Qays was a unique case of generosity
30:48Different from them in every way
30:49When the people of the kings decided that it would remain a centeh
30:51When they took their kingdom, he decided that he would reclaim it.
30:53Fame has been around for a long time, and they're still talking about ruins.
30:55They mention it in their poetry
30:56But Amraq al-Qays was the first to stand up
30:58He stopped and cried and cried
31:00All this fuss, my dear, in just two words
31:02Let's stop crying
31:03To such an extent that the Arabs adopted his method, which was exhausting in poetry.
31:05He felt this value, living a life of change like Amraq al-Qais.
31:09It made sense that he would die a legendary death like this.
31:11Wearing a poisonous golden disease
31:12The gift is from the ruler of half the land.
31:14A legendary final scene befitting this legendary poem
31:17He is a legend, an icon, and a symbol.
31:19To the point that there are those who are suspicious of him
31:21According to a research paper titled
31:23The Greek death of Amrq al-Qays
31:26The death of Amraq al-Qays according to Arab narratives
31:28It is an attempt to reproduce ancient Greek myths.
31:32Specifically, the death of Hercules in Ames, poisoned
31:35The issue sometimes goes beyond questioning the manner of Imruq al-Qays's death.
31:38And doubts even arise about his own existence.
31:41Some people say that Amr al-Qays is all a compilation of the life stories of other people.
31:45A collection of their poetry, history, and stories
31:47All of this is mixed into one cohesive narrative, a single legend from several poets and princes.
31:52They lived in the Arabian Peninsula for a long time
31:54All countries are Amr Al-Qais
31:56According to this view, the human being slowly begins to disappear and his presence disintegrates.
31:59Here, Imruq al-Qays becomes a purely Arab legend.
32:02The famous Umayyad poet Jarir, who was one of the most eloquent and accomplished Arab poets and the most poetic of his time.
32:08When they ask him about Amraq al-Qays, he says something unclear.
32:10The wicked one took hair as shoes, meaning this vile and wicked man made shoes out of hair to walk around in as he pleases.
32:18Aziz saw how great poetry was, to the point that he envied the creator.
32:21Jarir said that Amraq al-Qais found poetry easy, and by "sandals" he meant that he walked in all directions.
32:26He trampled on all the purposes of poetry: love, war, standing among ruins, describing homes, the mouth, the sigh, and satire.
32:32And so on and so forth
32:33The Caliph Amraq al-Qays says, and he is one of the most eloquent of the Arabs
32:36When they asked him about poets, he said
32:37Amraq al-Qays preceded them, and he eclipsed the very essence of poetry for them.
32:41It means he's the one who dug the well of poetry and let everyone drink from it.
32:43Taking from this well is an easy matter.
32:45That's why I feel this value
32:47He is almost the founder of ancient Arabic poetry
32:50The princely poem that lost everything
32:52But his fame was immortalized thanks to poetry.
32:54And it became for the Arabs
32:55Unforgettable icon
32:56An icon that tells the story of the lost king
32:58An icon that tells the story of the prince and the king
33:01Father, husband, father and poet
33:04They are all lost
33:05And finally, my dear
33:06Let me close a little pre-Islamic poetic chapter for you
33:09Let me tell you something from the school of poetry, my dear.
33:11I went down and examined all the sources.
33:13Subscribe if you're on YouTube
33:15Watch the episodes, both old and new.
33:18It is my gift to my beloved.
33:20Peace be upon you, my dear