- 4 hours ago
Category
🎥
Short filmTranscript
00:00You
00:06Tell my heart which way to go
00:14Come in close
00:17What's that? Well, pottery, maybe Greek
00:23It's probably been here for hundreds of years. It's so beautiful
00:30Other hearts may fly away
00:32No, you keep it
00:34Why?
00:36During those nights when you're in one far-flung corner of the earth and I'm in another
00:40I want you to think of me with the same wonder and tenderness as you do when you look at that piece of clay
00:53If you love me
00:55Let me know
01:00Once the moon should take a bow
01:06Maybe you'll find a way
01:08Well
01:10I
01:12I
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05:37Alice,
05:38Alice,
05:38I don't think he ever really came back from what happened.
05:46Sorry, I
05:47I
05:48I
05:49You didn't know any of this?
05:51No.
05:54I just don't understand why he couldn't tell me himself.
06:00The world is in crisis every minute of every day.
06:03Our people here see enough depravity for a thousand lifetimes.
06:07Sometimes it just gets on your skin.
06:09He just seems so normal in Paris.
06:11But maybe that dose of nomality was the thing that shook him.
06:15But he'll show up.
06:16If it's not tomorrow, then soon.
06:18I'll call Jordan and if he contacts anyone there,
06:21I'll make sure to let me know.
06:26Don't worry.
06:28Alice will find him.
06:38Could you follow me?
07:02Let's go.
07:32Hello?
07:33Hey Helen, it's Alice.
07:35Hello Alice.
07:36Has your boyfriend returned?
07:38No, he hasn't.
07:39But does the name Aurelie mean anything to you?
07:42Is it a place in Marseilles, it could be a person?
07:44Aurélie?
07:45Aurelie?
07:46Aurelie?
07:47Aurelie?
07:48Aurelie?
07:49Aurelie?
07:50Aurelie?
07:51Aurelie?
07:52Aurelie?
07:53Aurelie.
07:54Aurelie?
07:55Aurelie?
07:56Aurelie.
07:57Aurelie?
07:58Aurelie?
07:59Aurelie?
08:00Aurelie?
08:01Aurelie?
08:02Aurelie?
08:03Aurelie?
08:04Aurelie?
08:05Aurelie?
08:06Aurelie?
08:07Aurelie?
08:08Aurelie?
08:09Aurelie?
08:10Aurelie?
08:11Aurelie?
08:12Aurelie?
08:13Aurelie?
08:14Aurelie?
08:15Aurelie?
08:16Aurelie?
08:17Aurelie?
08:18Aurelie?
08:19Aurelie?
08:20Aurelie?
08:21Aurelie?
08:22Aurelie?
08:23Aurelie?
08:24Aurelie?
08:25Aurelie?
08:26Aurelie?
08:27Aurelie?
08:28Aurelie?
08:29Aurelie?
08:30How do you know it's a boat?
08:50Oh, I don't.
08:52It's a hunch.
08:54Would you prefer it to be another woman?
08:57Look around you.
08:58What do you notice?
09:01Men paint women's names on their boats
09:04to pretend those women are central to their lives.
09:08And then they run away to the sea with their buddies.
09:14Et voilà.
09:16Aurélie.
09:25Anyone here?
09:27Bonjour.
09:27Hello?
09:29Y'a quelqu'un?
09:31Well, what are we going to do?
09:34What the heck?
09:36What?
09:36Oh.
09:37Every good journalist carries them.
09:40Oh, my God.
09:41Keep lookout.
09:41Yes.
09:42Yes.
09:43Yes.
09:44Yes.
09:45Yes.
09:45Yes.
09:46Yes.
09:46Yes.
09:47Yes.
09:48Yes.
09:48Yes.
09:49Yes.
09:49Yes.
09:50Yes.
09:50Yes.
09:51Yes.
09:51Yes.
09:52Yes.
09:52Yes.
09:53Yes.
09:53Yes.
09:54Yes.
09:54Yes.
09:55Yes.
09:55Yes.
09:56Yes.
09:56Yes.
09:57Yes.
09:57Yes.
09:58Yes.
09:58Yes.
09:59Yes.
09:59Yes.
10:00Yes.
10:01Yes.
10:01Yes.
10:02Yes.
10:02Yes.
10:03Yes.
10:03Yes.
10:04Yes.
10:05Yes.
10:05Yes.
10:06Yes.
10:07Yes.
10:07Yes.
10:08Yes.
10:09Yes.
10:09Yes.
10:10Yes.
10:11Yes.
10:11Yes.
10:42Oh, my God.
10:49Is it Hayes?
10:58Alice?
10:59Alice?
11:00Alice?
11:03Alice?
11:05Taxi?
11:12Alice?
11:22It's Uncle Brian. He's in London.
11:27It's Uncle Brian. He's in London.
11:29What are you going to tell me about that?
11:34I was wondering what you'd notice.
11:36He may be useless with cars, but he could talk a dog of a meter.
11:40A dog of a dog.
11:41Yeah, I came as soon as I could.
12:00Hey.
12:01Um, yeah. I spoke to Jordan. You were right. Tom did make a call on Thursday morning.
12:11And?
12:12He wanted to be put through to one of his colleagues.
12:18Alice, there is no easy way to say this.
12:20You know, um, I met her, actually.
12:26That woman that you're...
12:29Were they...
12:32Are they...
12:34It's really not my place to speculate.
12:36Come on.
12:36He's not thinking rationally.
12:52So, what happens now?
12:57My God is he will show up somewhere, or makes contact with someone in the next 48 hours,
13:03and then you both need to decide what happens next.
13:06But if I were you, I would go to R.
13:10Go to R.
13:12There's no need to hang around in Marseille.
13:14If he turns up, you'll be the first one to know.
13:17Okay?
13:19Okay.
13:21Alice, um, uh, I wish I had better news. I'm sorry.
13:25No, it's okay. You've been very kind to me. Thank you.
13:32Call me for Ma, yeah?
13:34If you need anything at all.
13:36No, I don't think.
13:38Why don't you miss him?
13:39I don't knows.
13:42I'm sorry to ask all the questions.
13:42Come here.
13:43Peaches and questions.
13:43Bye-bye.
13:52Bye-bye.
13:53Bye.
14:01Bye-bye.
14:02Bye-bye.
14:03Bye-bye.
14:03Bye-bye.
14:04Bye-bye.
14:04Bye-bye.
14:05Bye-bye.
14:06I don't know.
14:36I don't know.
15:06I don't know.
15:08I don't know.
15:10I don't know.
15:12I don't know.
15:14Who is that?
15:16I invited him.
15:18Hi.
15:19Hi.
15:20Tom.
15:21Rafiq.
15:22Rafiq.
15:24Okay?
15:25You came.
15:26Well, one thing I learned living here, if an attractive woman invites you to a party on a Friday night, you go.
15:34Is everyone here from the dig?
15:44Is everyone here from the dig?
15:58Yeah, why?
16:00I kind of want you to show me your world.
16:06My gosh.
16:10This is totally illegal, you know.
16:16We get caught.
16:17What?
16:18Well, I could get fired.
16:20What's that man back there?
16:21Your boss?
16:22Rafiq?
16:23Yeah, why?
16:24I think your job is safe.
16:26Whoa.
16:27Cool.
16:28Really?
16:29Come on, let's go.
16:30Come here.
16:31This was built by the Nepoteans.
16:32Oh, so was that ninth century?
16:34Fourth century.
16:35A.D.?
16:36B.C.
16:37Did you say the Nepoteans?
16:38Oh, you didn't hear me?
16:39No.
16:40Oh, now you know.
16:41I know.
16:42I know.
16:43Oh, no.
16:44I know.
16:45Oh, no.
16:46I know.
16:47I know.
16:48I know.
16:49I know.
16:50I know.
16:51I know.
16:52I know.
16:53I know.
16:54I know.
16:55I know.
16:56I know.
16:57I know.
16:58I know.
16:59I know.
17:00I know.
17:01That's what all it was.
17:02Yeah, sure.
17:03You know, it actually flourished due to trade routes.
17:05Incense, spices, silks, and of course, it's gorgeous rock-cut architecture.
17:11It was annexed by the Romans and fell into total disrepair.
17:14By the time the earthquakes hit in the sixth century, entire infrastructure was basically
17:19destroyed.
17:20So when the Ottomans got here, they didn't know what to do with it.
17:23They just kind of left it.
17:26As is.
17:28It's that interesting to you.
17:33Very.
17:35Let's go.
18:05He's coming back.
18:35He's coming back.
19:05He's coming back.
19:35He's coming back.
20:05He's coming back.
20:35Hello.
20:35Hi, I'm looking for Maurice Giroux.
20:37Is he around here?
20:38Maurice?
20:38Oh, I'm sorry.
20:40He left around an hour ago.
20:42Do you know where I could find him?
20:44Why?
20:44Uh, it's personal.
20:48Do you have an address or a number or something?
20:50Oh, I'm afraid I can't give this address to a stranger, but how do you know Maurice Giroux?
20:54I don't.
20:54He was the conductor on a train I took recently and I need to tell...
20:58Yeah, okay.
20:58Yeah, okay.
20:59I'm sorry, Mademoiselle, I can't just give out his address, you understand?
21:04Yes, of course.
21:06Okay.
21:07Sorry.
21:08I think she slept together about a month ago.
21:16It wasn't a big deal, kind of casual, but now it is a big deal because I'm pregnant with
21:19Maurice's child.
21:20I need to speak to him right now.
21:21What did she say?
21:23Oh, yeah.
21:25She said she was born by Maurice.
21:27What?
21:28That's not true.
21:31He's born by Maurice.
21:33He's born by Maurice.
21:34He's a horrible.
21:35Sorry.
21:36I'm sorry about my colleague, sorry.
21:38Of course, I'll give you his address.
21:41Sorry.
21:42Good.
21:42Of course.
21:44Yeah.
21:51I'm sorry.
22:21Stop, stop, stop!
22:49My baby, what are you doing?
22:51You're lost, what are you doing?
22:53Don't talk to me!
22:54I promise you won't be like mine!
22:56Leave me 20 minutes!
22:58How are you doing?
23:00How are you doing?
23:01I'm not known for two!
23:03Two, it's a ton of gay!
23:04You're crazy!
23:05Back up!
23:08Get out of my way!
23:10How are you doing?
23:12Tranquille!
23:13How are you?
23:15How are you?
23:16You're going to be hurt, right?
23:17It's like you've never seen it!
23:19Yeah, that's right.
23:21It's like that when I'm holding you.
23:22How are you doing?
23:23How are you doing?
23:24How are you doing now?
23:26How are you doing now?
23:28How are you doing now?
23:29What are you doing now?
23:31What are you doing now?
23:32Look, i don't get out of my way...
23:34There you go.
23:40Come and dance with me.
23:42Come up with me.
23:43Oh!
23:43What did you say?
23:44I called the police!
23:45Oh!
23:46You hear me?
23:47Are you scared?
23:48Let's get it.
23:49Wait, you're missing my brain.
23:51Don't get it, I told you.
23:53You'll be talking again, like that, and I'll be in the room.
23:55Well, I'll call you.
23:57I'll call you my mother.
28:07When did you get so cynical?
28:10Something has happened.
28:15I need to see you right away.
28:16I'm going to be right back.
28:18Is everything okay?
28:19I thought you'd left.
28:20No, no, it's not.
28:21I just went to see the conductor, the one from Tom's train, and when I got there, he was dead.
28:26He was dead.
28:27He was dead.
28:27Wait, wait, wait, wait, wait, wait, wait, wait.
28:28Slow down, okay?
28:29Are you okay?
28:30Yeah, I saw the man who did it.
28:34What man?
28:35He was very muscular, he had very dark hair with, like, a bun.
28:40Where are you?
28:41I'm at the Hotel Peron, room 218.
28:45Okay, I'm coming.
28:47Okay, thank you.
29:04She saw you.
29:06She's at the Hotel, room 218.
29:08Go down, now.
29:12Go down, now.
29:42Go down, now.
29:54What?
29:55I was right about the conductor.
29:57What?
29:58I went to his apartment, but when I got there, he was already dead.
30:00Someone slit his throat.
30:03Who have you spoken to?
30:05Um, just one person from Tom's Charity.
30:07He's coming, actually, to meet me right now.
30:09Alice, which hotel?
30:11Which hotel are you staying at?
30:13Peron.
30:14I'm coming now.
30:15Do not speak to anyone.
30:17You hear me?
30:18Do not speak to anyone.
30:20Come on.
30:42Come on.
30:43Come on.
30:44I'm gonna go.
30:50I'm gonna go.
31:04I have a delivery for Alice Monroe.
31:14Oh, my God.
31:44Oh, my God.
32:14Oh, my God.
32:20Are you okay?
32:21Yes.
32:23Okay?
32:24I'm having a panic attack.
32:25Freeze.
32:28Oh, my God.
32:28Freeze, freeze, slowly.
32:30Oh, my God.
32:31You're safe, Alice.
32:34It's Durand.
32:35The works at SOS.
32:37Not Anthem.
32:38No, he's been helping me.
32:40I cannot protect you if you do not want to be protected.
32:43Does he know which hotel you are staying at?
32:46Yes, but Intel knows.
32:48I guess Inspector Drax knows, but...
32:50Okay, so at least one of them is trying to kill you, huh?
32:53I didn't tell you about SOS.
32:59How do you know that's where Tom worked?
33:04How do you know that's where Tom worked?
33:09It's my job.
33:10What is?
33:14To...
33:14To know things.
33:15Okay, you better start telling me some truths or I'm gonna call him back.
33:18Don't be so stupid.
33:19Okay, fine.
33:20Don't be so...
33:21Please!
33:22Tom got off the train because of me.
33:28What?
33:29I will explain.
33:30What?
33:31First, we need to go somewhere safe.
33:34First.
33:36I...
33:36Shit, my bags are at the train station.
33:40Okay.
33:41Don't worry.
33:42Let's go to the train station.
33:44Seriously, what is going on?
33:45What?
33:58I'm something like a bête noire for your former lover.
34:11The truth is, for the past six months, I've been investigating him.
34:17On the train, I was following him.
34:20Either he saw me or someone told him I was on it and he must have panicked and got off.
34:28Why on earth are you investigating him?
34:31I believe Tom Parker runs one of the largest human trafficking operations in the Middle East.
34:39Tom.
34:40Yes.
34:45I have reason to believe.
34:48Oh, no.
34:49You are...
34:49You are so, so far off on this one that Tom would never, ever...
34:55Did you know he kept a boat in Marseille?
34:58So you knew about the boat?
35:01Yes, of course.
35:04So you lied to me?
35:05No.
35:06I withheld the truth.
35:07That's very different.
35:08I thought you were helping me.
35:10I was investigating you.
35:15Who do you work for?
35:16Oh.
35:17I'm freelance.
35:18Suits me better.
35:19Yeah, when did they let you go?
35:20Five years ago.
35:28I'm not going to listen to any more of this nonsense.
35:30You don't know Tom at all.
35:31I'm leaving.
35:33Where to?
35:34It's the police, obviously.
35:37You told me only two people knew you were staying at Le Perron, right?
35:41Durant, Durant, and Drax.
35:44So the question is, which one is trying to kill you?
35:48If I had to choose, I would bet on Durant.
35:50He's too smooth, too polite, too German.
35:53Okay, no.
35:54No.
35:54Alex has been kind.
35:55He's been helpful.
35:56Okay, so Drax.
35:58Hmm.
35:59The city is packed with dirty cops.
36:01Maybe he plans to set you up for Gero's murder.
36:03Oh, my God.
36:04This is insane.
36:05There has to be a very simple explanation for all of this.
36:09Explanation?
36:09For what?
36:10A guy showing up at your door, ready to kill you?
36:13Give me a simple explanation for that.
36:19Have you seen the news?
36:25Un crime brutal a bouleversé Marseille ce soir.
36:28La police a ouvert une enquête après la découverte du corps de Maurice Gérou, 45 ans,
36:32retrouvé sans vie à son domicile en début de soirée.
36:34Selon les premières informations, une femme aux cheveux bruns aurait été vue quittant les lieux,
36:39peu après l'agression.
36:40Elle est désormais activement recherchée et considérée comme principale suspecte.
36:44You have nowhere to go.
36:45La découverte de la découverte de la découverte de la découverte de Maurice Gérou,
36:46nous recherchons activement la suspecte numéro un,
36:49une Américaine dénommée Alice Monroe, la trentaine.
36:53Vous avez la moindre information concernant cette personne.
36:55Vous avez la moindre information concernant cette personne.
36:57Contactez la police.
36:58Sous-titrage Société Radio-Canada
37:28Sous-titrage Société Radio-Canada
37:58Sous-titrage Société Radio-Canada
38:28Sous-titrage ST' 501
38:58Sous-titrage Société Radio-Canada
39:00Sous-titrage Société Radio-Canada
39:02...
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