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00:00So, shall we talk about tomorrow?
00:16Yeah.
00:18There'll be no official autopsy, no photos, no record of death.
00:23We'll just identify the body, then they'll burn it.
00:26No one gets the ashes.
00:28No one will know, not even his family.
00:30What about Danny?
00:32No, not even Danny.
00:33Richard Roper will remain a missing person, and you, Jonathan Pine, he never came to this
00:38godforsaken place.
00:43You alright?
00:46Yeah, I didn't sleep last night.
00:48Just last night?
00:50Don't worry, you'll sleep well after this.
00:51No.
00:52Just one of you.
00:53No.
00:54Just one of you will perform identification.
00:57Who's that?
00:57Who says?
00:58I say.
00:58Now listen here, I've had enough of this.
01:01Shifting bloody sands.
01:02Angela, it's alright.
01:03It's not alright.
01:04None of this is alright.
01:05She'll do it.
01:06We've both waited so long for this.
01:06I've had enough of this.
01:07I've had enough of this.
01:08I've had enough of this.
01:09Shifting bloody sands.
01:10Angela It's...
01:12It's alright.
01:12It's just not alright.
01:13None of this is alright.
01:27She'll do it.
01:29What?
01:30None of this is all right.
01:32She'll do it.
01:34We've both waited so long for this.
01:38You've waited longer.
01:40Bella.
01:44Bella!
01:56Ready?
02:00This is Richard Rocker.
02:04Yeah, that's him.
02:06So?
02:10Yeah.
02:12Yeah.
02:16Yeah.
02:18Yeah.
02:20Yeah.
02:22Yeah.
02:24Yeah.
02:30Yeah.
02:32Yeah.
02:42Yeah.
02:44Yeah.
02:46Yeah.
02:48Yeah.
02:50Yeah.
02:52Yeah.
02:54Yeah.
02:56Yeah.
02:58Yeah.
03:00Yeah.
03:02Yeah.
03:04Yeah.
03:06Yeah.
03:08Yeah.
03:10Yeah.
03:12Yeah.
03:14Yeah.
03:16Yeah.
03:18Yeah.
03:20Yeah.
03:22Yeah.
03:24Yeah.
03:26Yeah.
03:28Yeah.
03:30Yeah.
03:32Yeah.
03:34yes maybe yeah one day yeah sorry again come on you yeah I mean the trouble this
03:52is the MI6 quarterly evaluation for Alex Goodwin director of the night
03:56house unit should we begin sure so Alex is there anything keeping you awake at
04:03night no no and how's your family found me great yeah and romantically any
04:13developments on that front yeah actually I've started going out my neighbor I see
04:22you've requested to stay with the night owls for another three years yes yeah how
04:27do you feel about that I feel good I love working for Rex may here I love my team
04:33from a central ops point of view we've learned more from the night owl surveillance unit led by
04:42Alex Goodwin than from a dozen agents in the field nocturnal surveillance of the top hotels
04:47has proved pivotal to our cleanup operation in the city of London the night owls patience and
04:57diligence has allowed us to go MI6 to infiltrate hostile networks and avert terror threats across
05:03the city the night owls that's a nocturnal surveillance unit that's right yeah it's not exactly glamorous
05:08there's a need to be oh
05:20it's quiet work it's not the most dramatic but who needs heroes hello Alex how's that just dropping
05:44off the new wish list usual rogues gallery don't know how you do it stuck here every night sat in
05:52the dark watching the world through a screen worried you'll go blind well as head of the Riverhouse
05:59Supervisory Council I am formally sanctioning a further three-year extension for the night owl unit
06:05under the leadership of Alex Goodwin and the continued supervision of Rex Mayhew thank you very much thank you
06:12my honor I've taken a look at your file six years you refuse all promotions all offers for posts
06:20abroad I love being at home sorry to disappoint you you don't disappoint me Alex if I'm honest you
06:31frighten me just a reminder nothing above the parapet that face is too pretty to lose
06:42a lot of intelligence officers come through this room some of them shout some of them scream at me
06:50some even throw things but the ones I really worry about turn up every three months they sit there and
06:59they smile just like you they say nothing like you and then one day they explode
07:09you need to talk to me Alex tell me who you really are
07:15I am the man who will not explode
07:29hi Mike hey when you're settled do a troll on all today's phone calls through hotel switchboards
07:55got the latest list of bad guys that's the carapete and deliver them personally
07:59eat spangs on mum that man
08:02sorry I'm late
08:07St. Albans traffic is a disgrace
08:10I'm judging you
08:11give that to my wife
08:12how's your day Alex
08:13fine thank you
08:15you manage some sleep
08:18a little
08:19oh
08:31Kaderoff's moving again
08:32Mike follow him
08:34the reference is number 12 on the list
08:37next to Bulgarian mafia with a bit of child trafficking on the side
08:40where are you running to Mr. Kaderoff
08:43I worked at the Mumbai Carlton in the 90s
08:50that sort of antic tended to mean a sexual assignation with the boy on reception
08:54or he's just getting a paper
08:56that's for the white room
08:59Sally party in the white room tonight
09:00copy that on roof
09:02here we go
09:07oh busy room for a school night
09:14Sally you there yet
09:17just arrived
09:18how do I look
09:19impeccable
09:22eyes only
09:24please
09:25I promise
09:26no touching
09:27number 12
09:34your 10 o'clock
09:35whiskey on the rocks
09:37Sally
09:57don't win too much
09:58you're not the show here
09:59never am
10:01Mike all angles
10:05I want to see the whole room
10:05so who else is on tonight's head list
10:13something wrong
10:19Mike
10:21zoom in on that man in the corner
10:23who is he
10:25just do it now
10:27what you're looking at here
10:35is the real United Nations
10:37Americans
10:38Russians
10:39Ukrainians
10:40Serbs
10:41Croats
10:41Angolans
10:42one big happy family
10:44yeah
10:44yeah
10:45yakko looks like a teddy bear
10:48don't let him near your neck
10:49on a bad day
10:50thanks
10:51hello
11:05Celia hi
11:06I'm sorry
11:08I was hoping to catch Rex
11:09before the party
11:10he's talking to some girl
11:12he's working on his fucking birthday
11:14she's far too attractive to boot
11:16now listen will you do me a thing
11:18yes
11:18will you
11:19go in there
11:20and tell those handsome young men in Chino's
11:22we need more glasses
11:23glasses
11:24yes
11:24thanks
11:25okay
11:25thank you
11:25oh sorry
11:27but that crazy
11:28can you help me
11:29do you have to need to help me
11:31don't you have to need to help me
11:32do you have to need to help me
11:35I have to go
11:39Roxana you hear anything more about this
11:41you call me
11:42okay thank you Rex
11:43and you tell now about this
11:45okay
11:45hi
11:52I got your message, show me what you've got.
12:22Taken last night. Old Roper fieldman. What's he doing coming to London under a false name?
12:29You sure I'd swim?
12:29Absolutely sure.
12:32You talk to anyone else about this?
12:34How could I? I'm Alex Goodwin now.
12:36And you should stay that way.
12:41Rex, I'd like to talk to Burr.
12:43Absolutely not. Angela's retired, fully detached.
12:46She barely leaves her French retreat and won't want to be disturbed over some soldier for her.
12:53Who is your mini-map before the party?
12:58She was a friend.
13:01What kind of friend?
13:02The kind you never saw. My dear boy, listen to me.
13:06If I'd had my way, you'd be on a beach in Bali now.
13:09State pension in your pocket. Yoga teacher in your bed.
13:12And you chose to stay.
13:16And I gave you one condition.
13:18Jonathan Pine never existed.
13:21Nobody in that garden has any idea who you are.
13:26Alex Goodwin stands before me now.
13:28And it so happens I've grown rather fond of him.
13:32Well, he's fond of you too.
13:33Glad to hear it.
13:34Roper is dead.
13:35The past is the past.
13:37We spent five years creating you and you.
13:42Let's not ruin it for one chance.
13:46Sighting in Mayfair.
13:47May I keep this?
13:48Oh, I have, um, I have a new number.
13:54Let's use this from now on.
14:03Memorize and eat.
14:05You know the drill.
14:06Alex, what on earth are you doing here?
14:21Ira, hello.
14:22Don't you know it's bad luck to see an owl during the day?
14:26Rex said that this owl needs a bit of vitamin D, so here I am.
14:29Wise man.
14:32You know, I'm so grateful for Rex.
14:35He's made me feel welcome from the moment I took the reins at the river.
14:39He's a good man.
14:39Yeah.
14:40He recruited you, didn't he?
14:41Yes, he did.
14:42Is it Nigeria?
14:43That's right, Port Harcourt.
14:45Private contractor?
14:46IT, mainly.
14:48Um, we met, he was there and, um, there was an opportunity.
14:51I put my hand up and...
14:52Good.
14:53Do you think he's all right?
14:56What?
14:57Why do you ask?
14:59I'm worried about him.
15:01He didn't mention anything to you?
15:03No.
15:03No, no.
15:04All right, have a lovely time.
15:05Thank you, you too.
15:06SPF.
15:07Yes, okay.
15:08No less than 50.
15:10Jeez.
15:11Happy birthday, dear Rex.
15:14Happy birthday, you are in trouble.
15:22Yes, take cheers.
15:24Okay, thank you.
15:25Thank you for coming to this auspicious occasion.
15:28After this, it's just a funeral, isn't it?
15:30See ya?
15:30No, no, no, I am genuinely grateful to be able to celebrate my 60 years surrounded by colleagues,
15:38people who have the same love of their country, and what that country stands for, or should, or should.
15:46So, you know, a nation's security service is the truest expression of itself.
15:54You know, we are its soldiers and its priests, and as such we have a choice.
16:00We can serve blindly, whatever the occasion, or we can take a view.
16:08Know thyself.
16:11So, indulge an old trooper when he says the same to you now.
16:15And now, fuck off and get pissed.
16:20I said, have fun.
16:30No, Danny, the ball's in the middle.
16:32You're not watching the cups, Danny.
16:36Thomas is watching the cups, aren't you, Thomas?
16:45There's your man.
17:09His name is Jaco Brouwer, 42 years old.
17:16South African, but he spent the last six years as a fixer for cartels in South America.
17:20He arrived at Heathrow, under a Dutch Antilles passport, named Michel Hebert.
17:25And he's staying at a small hotel in Richmond, the Rogers.
17:28So, how did he end up playing poker at the Mortimer?
17:31I don't know.
17:32My hunch is he was told to keep out of the main London hotels, but went off-piste.
17:36Addiction issues.
17:37I want to know what he's doing in London.
17:39How do you know him?
17:42From a previous life.
17:45What previous life?
17:47I can't say, Mike.
17:47I'm not allowed to tell you.
17:49And I have no official authority to follow or trail him.
17:51So, up to you.
17:57I've never been to Richmond.
18:01Guys, cancel your plans.
18:03We're going fishing tomorrow.
18:05It'll be nice to see some light.
18:16Agamber's on the move.
18:18Stay on his tailground.
18:20Copy that.
18:21Travelling east on the tow part.
18:23Sally, take possession on the bridge.
18:26Here he is.
18:28In position.
18:29Yeah, we see him.
18:36He's heading up towards the cafe.
18:38Eyes on target.
18:47Will he move it?
18:48Got it.
18:49On my way.
18:49Looks like he's got a date.
19:08Photo's incoming.
19:11Hello.
19:11Who's that?
19:21You know him?
19:22No.
19:24Audio coming in.
19:25The shipment arrives in Cartagena port in three days.
19:32Once it's through customs, we're ready to press go.
19:35And you'll make the anniversary.
19:38No problem.
19:38We're on schedule.
19:40But my chief wants the shipment list.
19:43Full spec.
19:43Government stamped in a diplomatic briefcase.
19:46I'll speak to my client.
19:47But they want to keep documentation minimal.
19:49For obvious reasons.
19:51This isn't your average gun run.
19:53Think of it as his insurance policy.
19:56He knows his mind, your chief.
19:58He learned from the best.
20:01Calls himself.
20:03Mike, Mike, can you just clean that up?
20:05On it.
20:08Well, I'll be in touch.
20:10Yeah, hello.
20:11Go and feed the ducks.
20:13I know going into London, there's too many eyes.
20:17How are you doing?
20:33Uh, go ahead.
20:36He knows his mind here, chief.
20:39He learned from the best.
20:42Calls himself Richard Roper's true disciple.
20:44Nothing quite as pretty as Napalm at night.
20:51You mean anything to you?
20:54No.
20:56No.
21:08Calls himself Richard Roper's true disciple.
21:10All right, Alex, I've got Yakko's coffee date.
21:40Okay.
21:45Adam Hollywell is a middleman.
21:47He connects dozens of UK companies with clients abroad, often in the shadows.
21:51He calls himself the Alternative Foreign Office.
21:54The question is, who's he working for this time?
21:57All right, Alex, I'm going to go to home park.
22:06Okay.
22:11Just here on the left would be great.
22:13Sally.
22:29Okay, we know who owns the house.
22:39Who?
22:42We do.
22:45I'll call you back.
22:46I'll call you back.
22:46Rex, I'm driving down tomorrow.
23:16We need to talk.
23:17We do.
23:18When you get here, park away from the house.
23:20Use the side entrance library.
23:22I have something to show you.
23:24I've got you.
23:33Whatever it is, Alex.
23:33I have a question.
23:34I know you can go to school.
23:35I can go downstairs.
23:37Listen up to you.
23:37I can cook feet inography.
23:41Hey what are you eating?
23:43Sometimesroom coisas.
23:43I think anything else we are talking about.
23:46Hey.
23:46Hey, baby.
23:48Okay.
23:48Come back.
23:49Come back.
23:50Go back.
23:50I'm working on some other profile.
23:51I don't know what the puzzle's here.
24:20And the police, you've got to come, please, I can't.
24:28Let's go over the river.
24:50Let's go over the river.
25:00Let's go over the river.
25:06How did you hear?
25:09Celia called me.
25:12Asked me to come as soon as I could.
25:15Myra wants me to deal with the locals.
25:21Keep the noise down.
25:24It seems Rex had a stash of pills Celia knew nothing about.
25:29Took them in the shed with a bottle of Macallan.
25:32Classy bastard.
25:35Do you have any idea why he would take his own life?
25:38Was it something he wasn't telling us?
25:40Debts?
25:41An affair?
25:42No.
25:43Rex is the most loyal man I know.
25:45Celia more than anyone.
25:46Then what?
25:54I'll send full cavalry tomorrow to sweep the place.
25:57Anything you can think of, call me.
26:12Celia, what happened?
26:14He was agitated.
26:15He said he'd found something.
26:17He wanted to talk to you.
26:18It was about your man.
26:20And then I got a call from the vets saying that the dog's medicines were ready.
26:29When I got back, the shed door was open.
26:33I just knew the people.
26:36What have you got involved in?
26:39What have you got involved in?
26:50Memorize and eat.
27:05You know the drill.
27:20You know what?
27:21The door is open.
27:22You see there.
27:23You look at the door is open.
27:25I'll show you to the door.
27:26The door is open.
27:27Let's go.
27:28How are you?
27:29That door is open.
27:31You see it?
27:32Your door is open.
27:33Oh.
27:35I don't know.
27:37I'm so tired.
27:38This window is dark.
27:39You'll beware.
27:40This window is in joy.
27:41I see it.
27:42I see it.
27:44This window was cool.
27:46Oh.
27:47The door is open.
27:48The door is open.
27:49I don't know.
28:19I spent five years creating you anew.
28:46That's not ruining it for one chance sighting in Mayfield.
28:51Sighting in Mayfield.
28:56Sighting in Mayfield.
29:01Sighting in Mayfield.
29:06Sighting in Mayfield.
29:10Sighting in Mayfield.
29:15Sighting in Mayfield.
29:19Sighting in Mayfield.
29:22Sighting in Mayfield.
29:27Sighting in Mayfield.
29:32Sighting in Mayfield.
29:41He knows his mind, your chief.
29:47Calls himself Richard Roper's true disciple.
30:00Rex, you said you'd call me at six.
30:02Where are you?
30:04Rex?
30:06Hello?
30:11Okay, I traced the number you sent me.
30:22Send me.
30:23It belongs to Roxana Belanos.
30:26She's Colombian, but works as a shipping broker out of Miami.
30:29Haven't been able to link her to Yakko or Hollywell yet.
30:32Alright, we need to talk to her, now.
30:41I'm serious, what are you doing?
30:49What?
30:50We're watchers, Alex.
30:52Eyes and ears, we're not the show, remember?
30:55What's going on?
31:00Rex Mayhew was murdered.
31:03And the Riverhouse are involved.
31:07So I need to talk to Roxana Belanos.
31:16So what is your favorite place, darling?
31:18If you live in America, you have to be in the freezer when you get out of here.
31:21So sorry, sir.
31:22You like to say in the glaze?
31:23There's a gentleman waiting for you at the front desk.
31:25He says he needs to talk to you.
31:30Sorry.
31:30Excuse me, guys.
31:31I'm just going to run to the restroom real quick.
31:33Sorry.
31:34Get me a dessert.
31:35Yes?
31:35Excuse me, did you get a name?
31:40No, just this way.
31:44Roxana Belanos?
31:45Yes?
31:46I'm here on Rex Mayhew's behalf.
31:49Oh yeah, you were at his house the day of the birthday party.
31:51Yes.
31:52And we need to talk.
31:54Uh, so, where's Rex?
31:57Get your things, make your excuses, I'll tell you everything in the car.
32:01In the car?
32:01Excuse me, sorry.
32:04Um, I'm not going anywhere with you.
32:06I need to talk to Rex.
32:08This is ridiculous.
32:14Trust me.
32:15Rex won't answer.
32:16He's dead.
32:22He left this phone for me.
32:23And you and I are the only two numbers on it, so we need to talk.
32:27Your life could be in danger.
32:29Get your things.
32:29I'll wait for you outside.
32:39Room booked to the Brickcott Hotel, Queensway.
32:42I've called in a favour from Tony to keep watch.
32:44It's room 122.
32:46We'll check outside of London tomorrow.
32:58Come in.
33:10Drink?
33:12Sure.
33:14Have a seat.
33:38Okay, listen.
33:41All I need is to ask you a few questions.
33:44How do you know Rex?
33:48How did you know him?
33:50Start at the beginning.
33:53Take your time.
33:53I have a small trading outfit in Miami.
34:04I met Rex at one of those City of London dinners, just schmoozing, and we've been in contact ever since.
34:16Why were you there on the day of his birthday party?
34:21Because I've been working on something.
34:24In Colombia?
34:25Yes.
34:25An import company in Cartagena is buying UK machine tools for oil pipelines.
34:32Since I grew up there, my family's from there, my family's from there, they trusted me to broker the deal.
34:35We used to lug an intermediary.
34:37Adam Holliwell.
34:39Name of the import company.
34:40Name of the import company?
34:41It's a buddy kiddo commerce.
34:43So what happened?
34:46Something started to feel wrong.
34:49What do you mean?
34:49Like I wasn't being told the whole story.
34:54About what was in the shipment?
34:55Yes.
34:56So I took it to Rex.
35:00He said that he would look into it, and that's why I was calling him.
35:04Who knows you met him?
35:05No one.
35:05Ever heard of a man called Jakob Rauer?
35:12No.
35:13Why?
35:18What about this man?
35:23No.
35:24No, I don't think so.
35:34Listen.
35:35Until we know what happened to Rex, you should stay here tonight.
35:37No, I can't.
35:38I have a flight booked to Miami tomorrow.
35:40I have a place.
35:40Well, we'll deal with that.
35:41No, I actually have to go.
35:43This has everything you might need.
35:46Tony will stay with you, and we will need your phone.
35:48It's for your own safety, okay?
35:50I'll be back soon.
35:51Well, how long are you going to be?
35:53I promise you're in safe hands.
35:55Wait, what's your name?
35:56Bingo.
36:06That's our shipment.
36:16The ship is called the Alcestis.
36:17It left Felixstowe a month ago, and it docks in Cartagena, Colombia tomorrow.
36:22We also found out who runs Barquero Commerce.
36:24I'm sending that to you now, Alex.
36:26Okay.
36:28His name is Teddy Dos Santos.
36:30He lives in Medellin.
36:31Now, I can find nothing on him until 2018.
36:34Whoever cleaned his background knows their stuff.
36:36All I've got is a very sudden entry into legitimate business in Colombia about six years ago.
36:42The formation of Barquero Commerce and a charity foundation.
36:47What charity foundation?
36:49It's called the Aurora, based in Medellin.
37:06The safe haven project for refugees is the true expression of my belief in a commitment to the wider world.
37:14Because my good fortune means nothing, unless it also lifts up my fellow mayor.
37:20My name is Eduardo Dos Santos.
37:22And Aurora, you're in Medellin.
37:25Sally, I need to know what my recaptured is.
37:28She's really sending them to Colombia when the ship docks.
37:30We need to stop the cargo from leaving Cartagena port.
37:34Find a way.
37:35All right, it's in time.
37:37I'll tell Graham to stay on Yakub Rauer.
37:39Okay.
37:41And where are you, Alex?
37:50Some of the stuff we started to sell on, I mean a rule.
37:53Okay.
37:53So we've got attics, furniture, arts, interior sculptures, documents.
37:59Through there?
38:00Through there.
38:01Richard Roper, terrible man, beautiful taste.
38:03Let me know if you need anything.
38:05I'll be upstairs.
38:16Let me hear.
38:34I don't know.
39:04I don't know.
39:34I don't know.
40:04I've been abroad for a few years.
40:05No running.
40:07I'm his unofficial godfather, so I thought I'd pop in and say hello.
40:12Well, apart from his mum, nobody else comes to see him, so I'm sure he'll be happy to see you.
40:16Good.
40:20Mr. Roper? Guest for you.
40:25Hi, Danny.
40:28Michael Oakes.
40:32Remember me?
40:33I'll leave you to it.
40:34I'll be outside if you need anything.
40:35I'll be outside if you need anything.
40:47Hello.
40:48I'm sorry I didn't come before.
40:54There were rules I had to obey for protection.
40:56Mine or yours?
40:57Both.
40:58So what's changed?
41:00Because something tells me this isn't just pastoral care.
41:05Okay.
41:06I just need to know.
41:14Do you know this man?
41:15Why?
41:17Because I think your father knew him.
41:19Why did he have this photograph?
41:21Who is he?
41:22I've never seen him.
41:23Danny, please.
41:24Just look again.
41:26Sorry.
41:26Take one more, then.
41:27Sorry, sorry.
41:28Michael.
41:29Is it?
41:30Yeah.
41:31You're a fucking liar.
41:33You destroyed my family.
41:35You never once were honest with me.
41:37So why should I give you anything?
41:42Huh?
41:45Okay.
41:52I shouldn't have come.
41:56Sorry.
42:04See you in another ten years.
42:23There's something I haven't told you.
42:26About your father.
42:34He was, uh, executed by his captors.
42:45When?
42:48Six years ago.
42:50That's fucked.
42:52Why wasn't I thought?
42:56I'm sorry you had to find out like this.
43:17I'm sorry, Danny.
43:18Excuse me, but when is your friend coming back?
43:35He won't be long.
43:37Look, I've got people expecting me in Miami.
43:41I have to get back.
43:42Please.
43:43He's been gone since last night.
43:45Can I at least have my phone?
43:46Look, I'm afraid I can't do that.
43:48Like I said, he's going to be back soon.
43:50He's just been held up.
43:53I think you're going to be sick.
43:55Can I get you anything?
43:56I'm going to be sick.
43:57Jakob Brower just received a delivery to his hotel.
44:17A diplomatic briefcase.
44:19He's booked on a flight to Barcelona tomorrow at 8am.
44:21Okay.
44:24Tell the team we're going to Spain.
44:26Come on in.
44:33I'll cover the entrance.
44:42Graham says you've asked him to bring firearms.
44:45We're night owls, not operatives.
44:48It's just a precaution.
44:53This previous life of yours you mentioned.
44:57You want to tell me about it?
45:01I was someone else once.
45:04He had to go away.
45:06Who was he?
45:08I'll tell you when this is over.
45:12I might just hold you to that.
45:13That's him.
45:17Taxi!
45:18Can you hold that?
45:19Taxi!
45:21Excuse me!
45:22Oh, shit!
45:23No.
45:25Bloody terminal.
45:26Yeah, fine.
45:28Thanks.
45:29Taxi!
45:37Let's go.
45:43He's taking the N2 North, heading towards Girona.
45:55Copy that.
45:56We're on it.
46:02Turning left into the Hotel Rossana.
46:06See if our car has a room there.
46:07Yeah, I'll take it now.
46:13They're going there.
46:37Hello, hello.
46:38Something's happening outside.
46:39I can hear you.
46:40You can hear me all?
46:41No, I can hear you.
46:42Forever.
46:42Thanks.
46:42Yes.
46:47Yup.
46:48Yakko's booked into room 249.
46:49Got it.
46:52Thank you, I'm fine.
46:53Yeah, thanks.
46:55Master key room 249.
47:12Master key room 249.
47:33It's a pleasure to see you again.
47:35Mr. Alaron.
47:41What's your pleasure?
47:42What's your pleasure?
47:43What's your pleasure?
47:44How are you doing?
47:45Very good.
47:46Everything is fine.
47:47We have a habitable room.
47:48This room is for you.
47:49The fourth floor.
47:53Yakko, Teddy, your friend.
47:56Come here, it's so nice to see you.
47:58Tell me everything.
48:00How was London?
48:01Good.
48:02Yeah.
48:05They look tired.
48:08Did you stay out of trouble?
48:10I did my best.
48:11I know.
48:12You always do the right thing, hm?
48:15So, you have something for me?
48:17Yes.
48:18The shipment lives where the government's stamp has requested.
48:21But they're insisting on no more contact until the anniversary.
48:26The British.
48:27Always at arm's length.
48:29Let's go check the documents in the room.
48:31Then get some rest.
48:33It's a long flight back to Colombia tomorrow.
48:45Teddy Dos Santos is here and they're on their way up.
48:48We got him.
48:49Keep them in the room.
48:50I want to talk to him.
48:51You are in room 249.
48:52Correct?
48:53Yeah.
48:54Second floor.
48:55You are in room 249.
48:56Correct?
48:57Yeah.
48:58Second floor.
48:59You are a good man, Jacob.
49:00Robert knew a soldier when he saw one.
49:01you are in room 249.
49:02You are a good man, Jacob.
49:03Robert knew a soldier when he saw one.
49:04You are a good man, Jacob.
49:05Robert knew a soldier when he saw one.
49:06You are a good man, Jacob.
49:17Robert knew a soldier when he saw him.
49:31Show me.
49:37Really?
49:49Teddy, I had no idea. I swear.
49:54Let's go.
49:55I'm on this, sir.
50:03You still got them?
50:04No, listen. We've lost them. We've lost the signal. They must be on to us.
50:08Clear the system and move Roxanna.
50:11Mike, delete everything off the system.
50:12What?
50:13Delete everything off the system. Do it now.
50:17You're still not here.
50:18What is?
50:19Get out of there. Now.
50:27Who's yours?
50:32Once you find Tony.
50:34Who is it?
50:35Who's your character?
50:38No.
50:41Great, great, great, great.
50:45No.
50:47Please.
50:49Please.
50:50Please.
50:52Please.
50:53No.
50:55Greg, Greg, Greg.
50:57No.
50:59What are you doing?
51:01Please.
51:07No, no, no.
51:09No, no, no, no, no.
51:11Hey, wait.
51:23No, no, no.
51:25No, no, no.
51:27No, no, no.
51:29No, no, no, no, no.
51:31No, no, no, no, no.
51:35Hola.
51:37Hola.
51:39Soy un viejo colega de Señor Maradón.
51:41Creo que tiene una habitación en la Cuarta Planta.
51:43He quedado con él allí, pero...
51:45¿Me podría recordar el número, por favor?
51:53No, no, no, no, no.
52:15Who are you?
52:53Hi, this is Alex Goodwin.
52:59Please leave a message.
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