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#adventure #horror #sci-fi #thriller
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00:00:00THE END
00:02:30The following report to the Royal Geological Society by the undersigned Alexander Saxton
00:02:38is a true and faithful account of events that befell the Society's expedition in Manchuria.
00:02:45As the leader of the expedition, I must accept responsibility for its ending in disaster,
00:02:55but I will leave to the judgment of the honorable members the decision as to where the blame
00:03:02for the catastrophe lies.
00:05:18I'm sorry.
00:05:19There is deceit left.
00:05:20My name is Saxton.
00:05:21Alexander Saxton.
00:05:22If you will check, you will find a telegram I sent you three weeks ago instructing you to reserve accommodation for me.
00:05:34There is nothing I can do.
00:05:36Hello?
00:05:37Yes.
00:05:38Yes.
00:05:39Yes.
00:05:40Well, well, look who is here.
00:05:45Professor Saxton, are you?
00:05:47Dr. Wells.
00:05:48And what are you doing in Shanghai?
00:05:50I've asked you the same thing.
00:05:52Oh, I'm just collecting a few specimens.
00:05:54Miss Jones, let me introduce Professor Alexander Saxton.
00:05:57He dabbles in fossils and bones.
00:06:00Glad to meet you, Professor.
00:06:02Miss Jones has been assisting me.
00:06:04Bacteriology, excellent technician.
00:06:06For a woman, he means.
00:06:08Well, Georgia's broadcast misunderstood.
00:06:12Cómo, where did she get a new setup?
00:06:17Will you do her?
00:06:18What are you doing today?
00:06:20Is she talking to therí incredulous?
00:06:23Are you behold?
00:06:24Look at him.
00:06:25He came to his bed.
00:06:26Yes.
00:06:27How'd he think?
00:06:28Yes.
00:06:29He goes, his...
00:06:31How!
00:06:32What's he wearing?
00:06:33My, honey.
00:06:33The red vere He said...
00:06:34Who did she speak?
00:06:35I'm the grandmother!
00:06:36Excuse me, two private compartments, two of Moscow, if you please.
00:06:55Two, you say?
00:06:57Will that be all?
00:06:58And three crates of animals.
00:07:00Impossible.
00:07:01I know I'm asking you to perform miracles, sir.
00:07:04That will help.
00:07:34It's called squeezing, China.
00:07:37The American people know how.
00:07:39And in Britain, we call it bribery and corruption.
00:07:43Now, sir.
00:07:44Excuse me.
00:07:55You're...
00:07:56Get out!
00:07:58What?
00:07:59Sir Alexander Saxton.
00:08:00Captain O'Higgins, sir.
00:08:06General Wang told me to find you and to make myself useful.
00:08:11Um, now I remember.
00:08:13I do have Your Excellency's ticket.
00:08:17Your...
00:08:17Your ticket.
00:08:18Right here.
00:08:21And the Lord had mercy on his soul.
00:08:36Not that he deserves it, the dirty thief.
00:08:40You have his things?
00:08:41You knew him?
00:08:43Krasinski, the locksmith.
00:08:46He could open any trunk with a hairpin.
00:08:55A thief?
00:08:57But he was blind.
00:08:59Blind?
00:09:00He could spot a policeman a mile away.
00:09:02I'll be damned.
00:09:13The work of the devil.
00:09:15Can I be of any assistance, father?
00:09:31This is yours.
00:09:32It is, but I demand an explanation.
00:09:36Whatever you have here is unholy.
00:09:38You must be destroyed.
00:09:40Inspector Mirov, what is in there, Excellency?
00:09:55Fossils.
00:09:57What is a fossil?
00:09:59A stone.
00:10:03Storms.
00:10:03There wouldn't be something valuable in there, like gold.
00:10:07Gold?
00:10:08It's a laboratory specimen.
00:10:11No value to a thief.
00:10:13Where there is God,
00:10:15there is always a place for the cross.
00:10:19Even on this stone floor, just so.
00:10:26But Satan is evil.
00:10:29And where evil is,
00:10:31there is no place for the cross.
00:10:38There is no place for the cross.
00:10:49Rubbish.
00:10:50A conjurer's trick.
00:10:52Captain?
00:10:53Yes, sir?
00:10:53You get your men to put the crate on the train.
00:11:02Ready?
00:11:03Lift it up, off you go.
00:11:10Off you go.
00:11:31Where's Crete's seat?
00:11:32It's all there, sir.
00:11:33It's all there.
00:11:35I want to be careful with this one.
00:11:37I want to be careful with this one.
00:12:01Follow me.
00:12:07I want you to be careful.
00:12:09Are we going?
00:12:13I want you to be careful with this one.
00:12:16I am not sure what you are talking about.
00:12:21I am not sure what you are talking about.
00:12:22Let's go.
00:12:52Let's go.
00:13:22What are you going to astound the scientific world with this time?
00:13:46You read about it in the Society's annual report.
00:13:49It's a remarkable fossil.
00:13:50A fossil?
00:13:52But you've got something live in there.
00:13:53I heard it.
00:13:54You're mistaken.
00:13:56You won't need to feed it, then.
00:13:58The occupant hasn't eaten in two million years.
00:14:01That's one way to economise on two bills.
00:14:03Let's go.
00:14:07Baggage man.
00:14:13Alinka, what's the matter with you?
00:14:15Yes, Countess?
00:14:16You have a safe of valuables?
00:14:18Yes, Countess.
00:14:18I shall make out a receipt.
00:14:26Excuse me.
00:14:31Alinka's afraid of something.
00:14:33What do you have in that crate?
00:14:36Oh, nothing that would interest Alinka, Madame.
00:14:41Normally she likes Englishmen.
00:14:44All we Poles do.
00:14:45I am honoured, Madame.
00:14:48Oh, yes.
00:14:49England.
00:14:51Queen Victoria.
00:14:52Crumpets.
00:14:53Shakespeare.
00:14:55I admire Poland, Madame.
00:14:57I believe that there is a bond between our countries.
00:15:00My husband, the Count Petrovsky,
00:15:04says that in the 15th century,
00:15:06your King Henry betrayed us to the Russians.
00:15:10Hmm.
00:15:12I hope that you and your husband, Madame,
00:15:14will accept my profoundest apologies.
00:15:16She's really afraid.
00:15:21I wonder what it is.
00:15:24May I escort you back to your carriage, Madame?
00:15:30I wonder what it is.
00:15:56Yours?
00:15:58Oh, thank you.
00:16:00Excuse me.
00:16:02Yes?
00:16:04I was on the platform before,
00:16:06when that mad monk was carrying on.
00:16:08Yes?
00:16:10I'm an engineer, a scientist.
00:16:16And this is ordinary chalk.
00:16:20How do you explain it's not writing on that crate?
00:16:24Hypnosis, yoga.
00:16:26These mystics can be very convincing.
00:16:28They can even hypnotize themselves.
00:16:42The fresh food we will pick up.
00:16:44Who will pay for it, sir?
00:16:46Oh, just keep an account of how much you spend.
00:16:50If someone were to drill a little hole in this crate during the night,
00:16:56and take a look at what's inside,
00:17:00I'd be very grateful.
00:17:02I'd be very grateful.
00:17:20Let's you know, though.
00:17:22Help me.
00:17:30In what way, madam?
00:17:38Is this number eight?
00:17:40In the world's confinement.
00:17:42There, there.
00:17:44Don't cry.
00:17:46Everything will be all right.
00:17:52Excuse me.
00:17:54Sorry, dear fellow.
00:17:55I'm afraid you're in the wrong pew.
00:17:56Here.
00:17:58Number eight.
00:17:59Do you see?
00:18:00Eight A.
00:18:02Lower birth.
00:18:04Eight B.
00:18:06Upper birth.
00:18:07Don't worry.
00:18:08Look here.
00:18:09I was supposed to have this compartment to myself.
00:18:11If you don't mind.
00:18:12I'm sorry if I'm in your way.
00:18:13Not at all.
00:18:14Excuse me.
00:18:15I have no ticket, and I have to get out to Shanghai.
00:18:17I'm sure I can make it worth your while.
00:18:19The young lady's in trouble.
00:18:21Well, what do you suggest we do about it?
00:18:23Couldn't you, couldn't you double up with somebody else?
00:18:27Miss Jones.
00:18:28Steady.
00:18:29I'm sure we can all get along very well together.
00:18:51Can't you, Peter?
00:19:08What?
00:19:21Oh, my God.
00:21:51There's the stink of hell on this train.
00:21:58Even the dog knows it.
00:21:59When the Englishman comes to call, what should I wear?
00:22:08Sure of yourself, aren't you?
00:22:11The blue one with the decollete.
00:22:14Or perhaps the red one.
00:22:16You're jesting with her immortal soul.
00:22:23That's why we keep you, Pujardov.
00:22:26Our immortal souls are your concern.
00:22:28She's afraid of something.
00:22:37Tell me, Pujardov.
00:22:39Yes.
00:22:41Which do you think I should wear for the Englishman?
00:22:44The red or the blue?
00:22:46Enough.
00:22:49I forbid you to talk this way.
00:22:51You forbid.
00:22:55Forgive me, Your Excellency.
00:22:58I'm concerned for the spiritual welfare of the Countess.
00:23:02I forgot myself.
00:23:04I will pray for humility.
00:23:09Pray hard, Pujardov.
00:23:11Or you'll find yourself praying for a job, too.
00:23:14May the Father look so good.
00:23:16Oh, it's the piece I was playing.
00:23:36I wonder who it is.
00:23:46I wonder who it is.
00:24:16You wish to see us?
00:24:22I thought one of you might know what happened to the baggage man.
00:24:26I haven't the remotest idea.
00:24:28What about you?
00:24:31Perhaps it had something to do with what's inside that crate.
00:24:34I agree with you.
00:24:36He was trying to open it when something happened.
00:24:38What?
00:24:46Fortunately, he was interrupted.
00:24:48Yes.
00:24:48By whom?
00:24:51Why are you so worried about it being opened?
00:24:54It may be my fault.
00:24:56I asked the baggage man to take a look.
00:24:58I was curious.
00:25:00It was no concern of yours.
00:25:03Or of yours.
00:25:04Good night.
00:25:10One man dead.
00:25:11Another missing.
00:25:12It's time we open this box.
00:25:14You will do no such thing.
00:25:17Give me the key.
00:25:18Koneff.
00:25:36See if you can open the crate with that.
00:25:40Go ahead.
00:25:41Go ahead.
00:26:11My God.
00:26:26It's the baggage man.
00:26:28What was in there?
00:26:30I told you.
00:26:31A fossil.
00:26:31Part ape, part man.
00:26:33It lived two million years ago.
00:26:34Are you telling me
00:26:35that an ape that lived two million years ago
00:26:38got out of that crate
00:26:39killed the baggage man
00:26:40and put him in there
00:26:41then locked everything up
00:26:42neat and tidy
00:26:43and got away?
00:26:45Yes, I am.
00:26:46It's alive.
00:26:46It must be.
00:26:47Lock him up.
00:26:48We'll search the train
00:26:50and find it
00:26:50whatever it is
00:26:51and destroy it.
00:26:52But if it's alive...
00:26:53I want this kept quiet.
00:26:55I don't want to panic the passengers.
00:26:57I don't want to panic the passengers.
00:26:57I want this.
00:26:57Let's get this.
00:26:58Let's go.
00:27:28Let's go.
00:27:58Let's go.
00:28:28Let's go.
00:28:58Let's go.
00:29:28Let's go.
00:29:58Let's go.
00:30:28Let's go.
00:30:58Let's go.
00:31:28Let's go.
00:31:30Let's go.
00:31:32Ask me when I finish my dinner.
00:31:34It's urgent.
00:31:35Let's go.
00:31:37Let's go.
00:31:39Let's go.
00:31:41There's nothing I can do for him.
00:31:47Let's go.
00:31:49Let's go.
00:31:50Let's go.
00:31:51Let's go.
00:32:01Let's go.
00:32:02Let's go.
00:32:03Let's go.
00:32:13Let's go.
00:32:14Let's go.
00:32:15Let's go.
00:32:16Let's go.
00:32:17Let's go.
00:32:18Let's go.
00:32:19Let's go.
00:32:27Let's go.
00:32:29Let's go.
00:32:30Let's go.
00:32:38Let's go.
00:32:39Let's go.
00:32:40A genetic defect, obviously.
00:32:45Scalpel?
00:32:46Mm-hmm.
00:32:50Can you keep that still?
00:32:51Mm-hmm.
00:32:57What is he doing?
00:32:58Tree pen.
00:33:10Don't get up, please.
00:33:22I see you have decided to die in alone, Sir Alexander.
00:33:26I've eaten in worse circumstances and in worse company.
00:33:36Bands on.
00:33:37Here you are, Doctor.
00:33:40You're in bad humor because you've lost your box of bones.
00:33:54Hmm?
00:33:56That box of bones, madame,
00:33:58could have solved many of the riddles of science.
00:34:02If the theory of evolution is confirmed,
00:34:05if the science of biology is revolutionized,
00:34:08if the very origin of man is determined.
00:34:10I have heard of evolution.
00:34:12It's...
00:34:13It's immoral.
00:34:14It's a fact.
00:34:16And there's no morality in a fact.
00:34:18And what about the baggage man?
00:34:27And that poor thief at the station?
00:34:31What about them?
00:34:32They are dead.
00:34:33Was your creature responsible for that?
00:34:40Probably.
00:34:43And you don't care?
00:34:47A baggage man and a thief?
00:34:49You're right, madame.
00:34:57I don't care as much as I should.
00:35:05Can you tell me how he died?
00:35:10Smooth as a baby's bottom.
00:35:12You saw this man today, and he was normal.
00:35:15Absolutely.
00:35:16It must be a mutation, a freak of nature.
00:35:19What's so special about this brain?
00:35:21Learning and memory
00:35:22are engraved on the normal brain,
00:35:26leaving a wrinkled surface.
00:35:31This brain has been drained.
00:35:33The memory has been removed,
00:35:36like chalk erased from a blackboard.
00:35:38A man.
00:35:43The name.
00:35:48A man.
00:35:51A man.
00:35:54A man.
00:35:59A man.
00:36:01A man.
00:36:03A man.
00:36:07A man.
00:36:08Come in.
00:36:36It's all yours.
00:36:38I won't be long.
00:37:08I won't be long.
00:37:38I won't be long.
00:38:08I won't be long.
00:38:38I won't be long.
00:39:08I won't be long.
00:39:18Miss, it's Dr. Wells.
00:39:24Miss, are you all right?
00:39:26Miss, are you all right?
00:39:42Miss, are you all right?
00:39:44Miss.
00:39:46Miss, are you all right?
00:39:50Miss, are you there?
00:40:20Miss, are you there?
00:40:50Miss, are you there?
00:41:20Miss, are you there?
00:41:50Miss, are you there?
00:42:00come in feeling better yes anything wrong that woman was killed the engineer you know the chess
00:42:18player he told me that she was an international spy yes i know oh you do well could that fact
00:42:28have had anything to do with her death what do you think dr wells and i performed an autopsy on her
00:42:36her brain was completely smooth just like the baggage man's everything had been erased
00:42:41now i have a theory about this i'm only a policeman professor i don't have much education
00:42:46well i'd make it simple supposing that creature the one you killed
00:42:54was capable of taking ideas directly from other people's brains and transferring them to its own
00:43:00you mean it sucked other people's brains absorbed through the eyes
00:43:06that was our first clue the eyes going white
00:43:13then if the beast had absorbed your brains all of your education would have gone into its brain
00:43:20it would have been as clever as you much more so because what it had taken from me would have
00:43:28been added to the learning that it already had professor spy baggage man thief
00:43:37what was the creature looking for that we'll never know now that it's dead and yet what
00:43:44a creature like that
00:43:50how would it ever die
00:43:53inspector what is it i found this the animal had it the animal had it give it to me
00:44:02it belonged to count petrovsky how do you know i saw him put it in the safe
00:44:14in the safe
00:44:19steel harder than a diamond that's why the spies are after it
00:44:24french german english but they're wasting their time
00:44:30what really matters is the formula and that gentleman is safe up here
00:44:37what happened to the girl the spy she's dead the fossil or whatever it was killed her
00:44:49but there's no more danger countess beast is not dead i put four bullets into him
00:44:54you think evil can be killed with bullets
00:45:02satan leaves
00:45:05the unholy one
00:45:06the unholy one is among us
00:45:17oh
00:45:19shamash
00:45:20shamash
00:45:21shamash
00:45:23shamash
00:45:25shamash
00:45:27shamash
00:45:29shamash
00:45:31shamash
00:45:33shamash
00:45:46specimen jar
00:45:50what do you expect to find in the eye fluid
00:45:52i don't know
00:46:03why is this is Crowded
00:46:12what
00:46:16Why, this is incredible.
00:46:24What?
00:46:30Why, it's the last thing the creature saw.
00:46:36Police, Inspector.
00:46:37The image has been retained in the fluid.
00:46:40Exactly.
00:46:41The creature's visual memory is located not in its brain,
00:46:44but in the eye itself.
00:47:14Can you identify anything?
00:47:31It's a brontosaurus.
00:47:34A tetrodactyl.
00:47:36What?
00:47:45Move.
00:47:46Move.
00:47:49Move.
00:47:49This is not a map.
00:48:15It can only be the Earth they've seen from space.
00:48:19I hope I'm not intruding.
00:48:22People on the train are becoming afraid, Professor.
00:48:25People on long journeys become bored, Madame.
00:48:28They crave excitement.
00:48:31Then there's no more danger.
00:48:34It's all finished.
00:48:36And what about your science?
00:48:38The evolution you were talking about?
00:48:42Look for yourself.
00:48:49Come here, Pujadov.
00:48:59There's something I want to show you.
00:49:04Look.
00:49:06Pujadov.
00:49:10Oh, my.
00:49:16It is the holy reed.
00:49:23It is the Holy Writ.
00:49:31On the second day, he created the earth.
00:49:39Where did you get it?
00:49:42There, from the creature's eye.
00:49:50The eye of Satan.
00:49:51Nonsense. There's a scientific explanation.
00:49:55You know it?
00:49:58No.
00:50:01Not yet.
00:50:06Before the fall, before Satan was banished from the throne of God,
00:50:12the evil one looked down from heaven and did see...
00:50:17Rubbish!
00:50:18Bajardov!
00:50:29Bajardov!
00:50:30Bajardov!
00:50:43Bajardov! Where is he?
00:50:46I don't know.
00:50:48He's gone mad.
00:50:49I'll look in the baggage car.
00:50:51Right.
00:50:55I'll look in the baggage car.
00:50:56Right.
00:50:58I'll look in the baggage car.
00:50:59Yes.
00:51:03I'm going to wait for him to stop the boy.
00:51:05Where is he going?
00:51:07He's dead.
00:51:09He's dead.
00:51:11He's dead.
00:51:15I'll break him.
00:51:16Let's go.
00:51:46Looking for the thief, Miss Jones?
00:52:05You know about it.
00:52:07What's all the fuss?
00:52:09You get back that eye and there's a thousand rubles in it for you.
00:52:19A thousand rubles for an eye?
00:52:21There's something in it.
00:52:26Pictures.
00:52:28Pictures of what?
00:52:31Pictures of the earth in prehistoric times.
00:52:35Pictures of the earth seen from space.
00:52:38Who else has seen such pictures?
00:52:40Pictures.
00:52:42Dr. Wells, Professor Saxton, and that pretty countess.
00:52:47I see.
00:52:48There's something in the photos.
00:52:56Oh, there's nothing in it.
00:52:59I see.
00:53:02What are you?
00:53:04Oh, no!
00:53:05No!
00:53:06No!
00:53:06No!
00:53:06I'm sorry.
00:53:08I'm sorry!
00:53:09I'm sorry!
00:53:10No!
00:53:10It's crazy!
00:53:11Let's go!
00:53:41Have pity! Have pity!
00:54:02Are you going to kill me?
00:54:06Fool, there's nothing in your head of any use.
00:54:11Another killing.
00:54:27Stop the train! I have no right!
00:54:29I want to get off! There's no law! Quiet!
00:54:32There's been talk about getting off the train. Well, you can forget it.
00:54:37I'll complain to the authorities! I'm not one of your musics!
00:54:40If necessary, I'll shoot anyone who tries to stop the train.
00:54:43Shoot! Shoot, you stupid Russian!
00:54:46Who else has seen such pictures?
00:54:51Who else has seen such pictures?
00:54:52Dr. Wells. Professor Saxton. And that pretty Countess.
00:54:56Well, Saxton.
00:54:59Well, Saxton. I am not one of your musics.
00:55:01Who else has seen such pictures?
00:55:03Dr. Wells. Professor Saxton. And that pretty Countess.
00:55:09Wells. Saxton. Countess.
00:55:11Wells. Saxton. Countess.
00:55:14Welles, is this creature dead or not?
00:55:31If it is, who killed Miss Jones?
00:55:37Do you have any idea?
00:55:39No, Inspector, I haven't, but I've asked the conductor to wire ahead to stop the train at the next station.
00:55:58What's the idea?
00:56:09Tell me who you are.
00:56:18Tell me, I will serve you.
00:56:25Tell me who you are.
00:56:31Tell me, I will serve you.
00:56:35Tell me, I will serve you.
00:56:51I want to help you.
00:56:54It's like some contagious disease.
00:56:57Well, if there's a disease, there must be symptoms.
00:57:00Fever?
00:57:01You could take everyone's temperature.
00:57:04The eyes.
00:57:06Why do their eyes go white?
00:57:07Do you think it's true what they say about those horrible white eyes?
00:57:08Oh, that part is true enough.
00:57:09Do you think it's true what they say about those horrible white eyes?
00:57:13Oh, that part is true enough.
00:57:14Oh, Inspector.
00:57:15It's only you now.
00:57:16What about me?
00:57:17Your eyes.
00:57:18What about me?
00:57:19Your eyes.
00:57:20We must examine your eyes, too.
00:57:21Oh, Inspector.
00:57:22It's only you now.
00:57:23What about me?
00:57:24What about me?
00:57:25Your eyes.
00:57:26We must examine your eyes, too.
00:57:27Certainly.
00:57:29Perhaps you should test out the eye.
00:57:31What about you?
00:57:32Do you think it's true what they say about those horrible white eyes?
00:57:33Oh, that part is true enough.
00:57:35Oh, Inspector.
00:57:36It's only you now.
00:57:37What about me?
00:57:38Your eyes.
00:57:39It's only you now.
00:57:41What about me?
00:57:42Your eyes.
00:57:44We must examine your eyes, too.
00:57:48Certainly.
00:57:57Perhaps you should test for radiation or other invisible rays.
00:58:01X-rays?
00:58:02Well, it's a thought, but on this train, how would we go about it?
00:58:07Are you a scientist?
00:58:08An engineer, but I try to keep up with things.
00:58:12That's to be admired.
00:58:15Inspector, I suggest you tell all these people to stay together in groups or in pairs,
00:58:21so that if anything does happen to anybody, then somebody can raise the alarm.
00:58:24On no account must anybody be left alone.
00:58:38Whee!
00:58:39Whee!
00:58:39Whee!
00:58:40Whee!
00:58:41Whee!
00:58:41Whee!
00:58:42Whee!
00:58:42Whee!
00:58:43Whee!
00:58:43Whee!
00:58:44Whee!
00:58:44Whee!
00:58:45Whee!
00:58:45Whee!
00:58:46Whee!
00:58:46Whee!
00:58:47Whee!
00:58:47Whee!
00:58:48Whee!
00:58:48Whee!
00:58:49Whee!
00:58:49Whee!
00:58:50Whee!
00:58:50Whee!
00:58:51Whee!
00:58:52Whee!
00:58:53Whee!
00:58:54Whee!
00:58:55Whee!
00:58:56Whee!
00:58:57Whee!
00:58:58Whee!
00:58:59Whee!
00:59:00Whee!
00:59:01Whee!
00:59:02Whee!
00:59:03Whee!
00:59:04Whee!
00:59:05Use of the train.
00:59:35The train will be here in exactly... 14 minutes.
00:59:5514 minutes?
00:59:57Yes, Your Honor. That's what it says here.
01:00:05It doesn't say it in words, Your Honor, but in code. It's like another language.
01:00:11I know about telegraphs, little papa. I know about trains. I know about electrical currents.
01:00:19On your feet, everybody. Outside, full pack.
01:00:26Even though I still believe in God, I don't like to be made a fool of.
01:00:30No, Your Honor.
01:00:35I wouldn't do that.
01:00:40Tell me, little father, do you believe in the devil?
01:00:47Yes, Your Honor.
01:00:51Oh, good. Send a telegram.
01:00:55Tell him that Captain Kazan, he knows that a horse has four legs.
01:01:00He knows that a murderer has two arms.
01:01:04But still, the devil must be afraid of one honest Cossack.
01:01:12Mm-hmm.
01:01:22Earth gravity. You know how to measure it?
01:01:26How to measure gravity?
01:01:40What I would like to know is, can gravity be overcome?
01:01:44Ah, if you mean, can man get beyond the gravitational field of the Earth into space? Not yet. But any day now.
01:01:53Someday?
01:01:55There is a mathematics professor. His name is Tchaikovsky. He has ideas about rockets. Machines that can fly free of the Earth's gravity.
01:02:03You know him?
01:02:04Tchaikovsky was one of my teachers. He was like a father to me. But why would a man like you be interested?
01:02:19Your interest.
01:02:49what do you think is behind all this excellency
01:02:54look at this that's what we saw under the microscope
01:02:59shows the earth as it might look from space what does it mean
01:03:04it means that millions of years ago something some form of intelligence
01:03:09came to the earth from another planet the atmosphere of the earth was new to
01:03:14it different but it learned how to survive
01:03:18how by entering into the body and brain of an earth creature
01:03:24the fossil that i found and brought with me
01:03:27and this thing from another planet survived the fossil
01:03:31then came to life again exactly go on professor
01:03:34the animal that you shot was only the host
01:03:40and when that animal died the alien intelligence
01:03:45transferred somehow to another host
01:03:49it's alive
01:03:52in someone on this train
01:03:56you're a very good detective
01:03:58you've discovered everything except who is now the host
01:04:02that's our next step
01:04:04thought this might come in handy
01:04:07oh good idea two of you together that's fine
01:04:10but what if one of you is the monster
01:04:13monster we're british you know
01:04:16but you must have seen something
01:04:28i told you i was asleep
01:04:30he knew about the white eyes he told me
01:04:35when you fell asleep the lights were on
01:04:39and when you woke up they were off
01:04:41are you sure positive it was dark
01:04:45i put the lights on and that's when i found him beside me
01:04:50when we did the test the lights were on
01:04:53master
01:04:58master
01:05:08master
01:05:15master
01:05:19master
01:05:27Inspector, this steel at high temperatures, what happens to it?
01:05:44It gets stronger.
01:05:45What temperatures, for example?
01:05:4810 or 12,000 degrees.
01:05:50Where on earth would you get such temperatures?
01:05:53Nowhere on earth.
01:05:56.
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01:08:18you english believe in free speech don't you huh certainly if instead of babbling nonsense you
01:08:33investigate this property oh this is outrageous so you are a police inspector huh yes captain
01:08:45Mirov is my name Mirov oh that's a good Russian name Mirov tell me Mirov what do you know about all the
01:09:00filth that's going on here huh filth oh come on inspector certainly you know what I'm doing here
01:09:05don't you you just point out the suspects and I promise you I'll get the truth out of them
01:09:11you're mistaken sir mistaken fool
01:09:17get back get back back or I will put the curse on your heads
01:09:32he has the evil eye
01:09:38beware the wrath of satan
01:09:51on your knees monk
01:10:13we must try and stop this
01:10:34he was trying to protect you why he's mad
01:10:59who are you I told you a policeman
01:11:06oh
01:11:16No!
01:11:46You saw his eyes! One look at them and you're dead!
01:11:52Come into me, Satan!
01:12:07Thine is the kingdom and the power and the glory.
01:12:12glory. Thy will be done on earth as it is in hell. Now anything, anything that moves
01:12:26near that door, kill it. But what is the monkey's innocent? Yeah, we got lots of
01:12:32innocent monks. All right, let's move these peasants out of here, quickly.
01:12:42Oh, my God.
01:15:42He always kills in the dark.
01:15:48He can't play his little tricks in a strong light.
01:16:12He can't play his little tricks in the dark.
01:16:20He can't play his little tricks in the dark.
01:16:27He can't play his little tricks in the dark.
01:16:34He can't play his little tricks in the dark.
01:16:36He can't play his little tricks in the dark.
01:16:44He can't play his little tricks in the dark.
01:16:46He can't play his little tricks in the dark.
01:16:48He can't play his little tricks in the dark.
01:16:55He can't play his little tricks in the dark.
01:17:07He can't play his little tricks in the dark.
01:17:08He can't play his little tricks in the dark.
01:17:09He can't play his little tricks in the dark.
01:17:10He can't play his little tricks in the dark.
01:17:11Will you take this?
01:17:13Fine.
01:17:14You know, in spite of everything, Pujatov had a certain affection for you.
01:17:43Yet you humiliated him often, even in front of the Countess.
01:18:13Oh!
01:18:14He's dead!
01:18:15Oh!
01:18:16He's dead!
01:18:17Oh!
01:18:18He's dead!
01:18:19You killed him!
01:18:20You killed him!
01:18:21You killed him!
01:18:22If you want to kill Pujatov, it's too late!
01:18:28I see you hanged!
01:18:29I see you hanged!
01:18:30The poor monk.
01:18:31He loved you more than he loved the promise of heaven.
01:18:33I see you hanged!
01:18:35The poor monk.
01:18:36He loved you more than he loved the promise of heaven.
01:18:42Over there!
01:18:43Quickly, over there!
01:18:44Irina, behind me!
01:18:45Irina, behind me!
01:18:46Irina, behind me!
01:18:47I see you hanged!
01:18:48If you want to kill Pujatov, it's too late!
01:18:51I see you hanged!
01:18:53The poor monk!
01:18:54The poor monk!
01:18:55The poor monk!
01:18:56He loved you more than he loved the promise of heaven!
01:19:00Over there!
01:19:01Quickly, over there!
01:19:02Irina, behind me!
01:19:03It would be a mistake to kill me!
01:19:04Who are you?
01:19:05In words is difficult.
01:19:06I am a form of energy occupying this shell.
01:19:10Where do you come from?
01:19:15Another galaxy.
01:19:16I came with others like myself.
01:19:17I was left behind.
01:19:18An accident.
01:19:19I survived in protozoals.
01:19:20I was a friend of mine.
01:19:21I was a friend of mine.
01:19:22And I was born with him.
01:19:23I was an unknown.
01:19:24I would be a mistake to kill me.
01:19:25Who are you?
01:19:26In words, it's difficult.
01:19:27I am a form of energy occupying this shell.
01:19:30Where do you come from?
01:19:31Another galaxy.
01:19:34I came with others like myself.
01:19:41I was left behind.
01:19:42An accident.
01:19:43I survived in proto-zones, fish, vertebrates.
01:19:48The history of your planet is part of me.
01:19:54Pull the trigger and you will end it.
01:20:02What am I to do with you?
01:20:05Let me go.
01:20:07That's not possible.
01:20:09It is possible.
01:20:13I will teach you to end disease, pain, hunger.
01:20:20Wait!
01:20:23There's something more.
01:20:43There's anything more in the life of me.
01:20:56Oh, my God.
01:21:26Let me go.
01:21:51Oh, no.
01:21:56Oh, no.
01:22:26Oh, no.
01:22:29Oh, no.
01:22:33Oh, no.
01:22:35Oh, no.
01:22:39Oh, no.
01:22:40Oh, no.
01:22:42Oh, no.
01:22:44Oh, no.
01:22:47Oh, no.
01:22:49Oh, no.
01:22:51Oh, no.
01:22:53Oh, no.
01:23:25Saxton, thank God.
01:23:33Stand back, please. Make room.
01:23:55Moscow says to stop the express when it goes through the switching point.
01:24:12Devaill it. That means killing everybody on board.
01:24:15That's what it says. Maybe there's a war.
01:24:24Maybe it's war.
01:24:25Let's go.
01:24:27Let's go.
01:24:32Let's go.
01:24:34Let's go.
01:24:35Let's go.
01:24:39Let's go.
01:24:41Let's go.
01:24:42Let's go.
01:24:46Let's go.
01:24:48Let's go.
01:24:54Let's go.
01:24:55Let's go.
01:24:56Oh, my God.
01:25:26Oh, my God.
01:25:56Oh, my God.
01:26:26Oh, my God.
01:26:56Oh, my God.
01:27:26Oh, my God.
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