#musical #romance
Category
🎥
Short filmTranscript
00:00:19I'm in love with a calendar girl
00:00:24Every day of every month
00:00:28Of every year
00:00:32I go round
00:00:35With my head in a worm
00:00:38Every time I see
00:00:40That lovely face appear
00:00:44And to this boy
00:00:46She'll never know
00:00:48The joy she's giving
00:00:50I love her so
00:00:53She doesn't know
00:00:54I'm even living
00:01:00Time is love
00:01:03And I'm living for her
00:01:05And longing to meet
00:01:08My girl on the calendar
00:01:14And longing to meet
00:01:18The girl on the calendar
00:01:42A summer breeze is in my hair
00:01:47My heart is fancy free
00:01:49If I'm riding high
00:01:52There's a reason why
00:01:54A bluebird is singing to me
00:01:57A friendly air is everywhere
00:02:01And everyone I see
00:02:05Has a gate
00:02:06Hello!
00:02:07For they seem to know
00:02:09A bluebird is singing to me
00:02:12Hi-ho, hi-ho
00:02:15The sun's in the sky
00:02:17My cares seem to fly
00:02:19How lucky am I
00:02:21And if perchance
00:02:23A new romance
00:02:25Should join my symphony
00:02:27If he comes along
00:02:30If he comes along
00:02:30I will thank the song
00:02:32A bluebird is singing to me
00:02:35La-la-la-la-la-la-la
00:02:39La-la-la-la-la
00:02:41La-la-la-la
00:02:41La-la-la-la-la
00:02:42La-la-la
00:02:43If I'm riding high
00:02:45There's a reason why
00:02:50A friendly air is everywhere
00:02:54And everyone I see
00:02:57Has a gate
00:02:59Hello!
00:02:59For they seem to know
00:03:04I hope the sun's in the sky
00:03:08My cat seems to fly
00:03:10How lucky am I
00:03:12And if for chance a new romance
00:03:16Should join my symphony
00:03:18If he comes along I will chant the song
00:03:23A bluebird is singing
00:03:27A bluebird is singing to me
00:03:32Here's your father's lunch, Patricia
00:03:34And don't forget to stop for the beer
00:03:36Oh, Pop, it's getting me alive if I did
00:03:38I buttered the inside of the pail
00:03:39So old man's shorts couldn't put too much of a head on the sun
00:03:41He always gives you more bubbles than beer
00:03:45Pat, can you move the piano?
00:03:46Oh, sure
00:03:48I'm giving a party tonight
00:03:49And I've simply got to have that piano moved
00:03:52Well, I guess we'll have to do it the same old way
00:04:06There, she's at the cup
00:04:22Totally quick
00:04:23We've got to make a lot of smoke
00:04:24Stuff that old rag in the stove
00:04:26And close the dam first
00:04:27What, they gave me, Mr. Lulu?
00:04:29Well, I've got to get that piano moved
00:04:31And I don't know any better way
00:04:32Here, use these
00:04:46Who's the party for, Lulu?
00:04:48Billy?
00:04:50Charles Billingsworth?
00:04:51Is he coming here?
00:04:52He certainly is
00:04:53He promised to see all my protégés
00:04:55And I particularly want you to look your very best, now, Patricia
00:04:58Oh, golly, Lulu, I will
00:05:00Here they come
00:05:02Oh, your father's taking a whole minute off his usual time
00:05:05But he better not find me here
00:05:06Let's skip up the back stairs
00:05:08Hurry
00:05:22Oh, no
00:05:23Hold everything
00:05:24Hold everything
00:05:25Hold everything
00:05:26Hold everything
00:05:40Open the windows.
00:05:46Why, Matthew, whatever are you doing here?
00:05:49What am I doing here?
00:05:51You know very well what I'm doing here.
00:05:53This is a tight time in a month you're turning a false alarm
00:05:56in on me, Lulu, and I won't have it.
00:05:58I won't have it.
00:05:59Why, Matthew, I don't know what you mean.
00:06:00Are you plotting against me?
00:06:02Ruining me record of efficiency so that Olsen and his
00:06:05scanty neighbors will make a laugh in stock at me.
00:06:07Oh, now, isn't that awful?
00:06:08Somebody must have turned in an alarm just because Tony was
00:06:11burning old rags in the stove.
00:06:13Yes, and I know who that somebody was.
00:06:15Oh, what a shame to get you all out and on a Sunday, too.
00:06:20Oh, that's terrible.
00:06:22It always makes you so cross.
00:06:25Yes, but you know, Matt, even if you are a no-grouch,
00:06:27I'm glad you're here.
00:06:29Yeah?
00:06:30Of course I am.
00:06:32Why?
00:06:33Because I want to invite you to the party.
00:06:35You and Clancy and all the boys that are off duty.
00:06:38What party?
00:06:39The party, the one I'm giving tonight.
00:06:40And especially for you, Matt, I'm going to have corned beef
00:06:43and cabbage.
00:06:44Oh, that's fine.
00:06:45That's good.
00:06:46Matt, now that you are here, would you have your boys put my piano
00:06:49up there on the platform?
00:06:50I knew it.
00:06:51I knew it.
00:06:52You shameless, scheming woman.
00:06:54You're turning a false alarm to get your piano moved.
00:06:56Oh, but it's such a little teeny piano, Matt.
00:06:59Do you think New York created a fire department to be
00:07:01messenger boy that you're beckoned, Carl?
00:07:03Oh, Matt, how can you talk like that to me?
00:07:06Oh, don't cry, Lulu.
00:07:07Don't cry.
00:07:08Take it easy.
00:07:09Take it easy.
00:07:11Well, what are you standing around like ninnies for?
00:07:13You heard what he said?
00:07:14Move on to the tables and chairs and get the piano up there.
00:07:18Let's get out of here before the chief comes.
00:07:20Oh, thank you, Matt.
00:07:21Hello, Pop.
00:07:23Oh, is there a fire?
00:07:26As if you didn't know.
00:07:29And what's the party for?
00:07:30Oh, it's very special.
00:07:32Charles Dillingsworth is coming down here to look over my talented
00:07:34fledglings.
00:07:35Dillingsworth, the stuffed shirt.
00:07:37Now, you be nice to him, Matt.
00:07:39He's a very important man in the theater, and these young people
00:07:42need his help.
00:07:42Help?
00:07:43Why, he can't even help himself.
00:07:44Him and his pills.
00:07:47And don't you let me catch you singing theatrical thoughts,
00:07:49young lady.
00:07:50Oh, no, Pop.
00:07:51Not me.
00:07:52See you tonight at the party.
00:08:03Good afternoon, Chief.
00:08:05Hello, O'Neill.
00:08:06Fire out already?
00:08:08Everything's under control, sir.
00:08:09Fast way.
00:08:10This will bring Company 24's efficiency record right up to scratch.
00:08:13What do you mean, Chief?
00:08:14Why, you were trailing Olsen's company.
00:08:16This will put both of you in a tie.
00:08:18Good work.
00:08:19Olsen, that's Scandinavian.
00:08:31Well, we did it.
00:08:33Oh, my gosh.
00:08:34What?
00:08:35Pop's lunch.
00:08:36I forgot to give it to him.
00:08:37Oh, don't forget you don't start listening at two.
00:08:39I'll hold Lulu.
00:08:42Hey, Pop.
00:08:43Wait.
00:08:43Hey, Pop.
00:08:50Well, what a pretty picture.
00:08:52I wish I'd painted it that way.
00:08:53You're not hurt, are you?
00:08:54Of all the stupid elephants I've ever seen, you two take the cake.
00:08:58Why can't you look where you're going?
00:08:59Well, we were looking where we were going.
00:09:00We're just trying to find the...
00:09:02I thought so.
00:09:02A couple of hayseeds from New Rochelle.
00:09:04No, we're not.
00:09:05We're from Boston.
00:09:06Hicks.
00:09:07Hicks.
00:09:07Look at me.
00:09:08Just look at me.
00:09:09We are looking at you.
00:09:10Look at my hat.
00:09:11You must be all up.
00:09:12I wouldn't say that.
00:09:13Look at my hair.
00:09:13Look what you've done to it.
00:09:14Like spun gold.
00:09:15My dress is all dirty.
00:09:17More charming than the latest Parisian frocks.
00:09:19That's not all.
00:09:21Just...
00:09:21Your eyes?
00:09:22Even angrier they put the stars to shape.
00:09:24Oh, let her go, Steve.
00:09:24I'll go in and see if this is Lulu Varden's.
00:09:26How did you hear about Lulu Varden way up in Boston?
00:09:28Injuns.
00:09:29They spread it by Tom Tom.
00:09:30They sent up smoke signals from hill to hill.
00:09:32Oh, so you're Indian.
00:09:33Madam, you are at the moment conversing with maestro Johnny Bennett,
00:09:36the great young composer.
00:09:38And with Mr. Stephen Davis of Chestnut Hill,
00:09:40the great young artist.
00:09:41How do you do?
00:09:41I never heard of you.
00:09:42Well, nobody ever heard of us.
00:09:44Ah, but they will.
00:09:45Our fame will spread throughout the land.
00:09:47We'll take New York by storm.
00:09:48We'll take London.
00:09:49We'll take Paris.
00:09:50I'll take a ride.
00:09:53It's a nice neighborhood.
00:09:54I think I'm going to like it.
00:09:58Professor Garibaldi wrote that you boys were coming.
00:10:00He said some very nice things about your music, Mr. Bennett.
00:10:04Your ears must have burned from the nice things he said about you.
00:10:06Oh, bless his heart.
00:10:09He's such a darling.
00:10:10You know, he used to occupy the very same studio I reserved for you.
00:10:13Are you a composer too, Mr. Davis?
00:10:16Me?
00:10:16I'm too weak to carry a tune.
00:10:18Now, Steve's an artist.
00:10:19Good.
00:10:20This studio has a fine north light just right for an artist.
00:10:23Oh, that's peachy, Mrs. Barton.
00:10:24Everyone calls me Lulu.
00:10:26Everyone calls me Steve.
00:10:27I'm Johnny.
00:10:28Oh, I'm very happy to know you both.
00:10:30The price will be $6 a week double.
00:10:33Pay your own gas and no cooking.
00:10:35Here's a month in advance.
00:10:36I'll pay you back, Steve, as soon as I sell my first song.
00:10:39What kind of a struggling artist are you?
00:10:41He's a different kind, ma'am.
00:10:42You see, he's struggling not to be a banker.
00:10:45You see, Lulu, my old man is the head of one of the oldest banking houses in Boston.
00:10:49And he sort of planned on having me follow in his footsteps.
00:10:52But you always wanted to be an artist, eh?
00:10:54Well, not exactly, but it was one way of getting to Greenwich Phillies to have fun.
00:10:57Lulu.
00:10:58Oh, yes, hello, Peter.
00:10:59Here's a couple of dollars on account.
00:11:01I played at a dance last night.
00:11:03Oh, Peter, look at those cuffs.
00:11:06How do you expect to get jobs that way?
00:11:08Here, take this money and go buy yourself a new shirt.
00:11:11Well, thanks, Lulu.
00:11:12Oh, Igor.
00:11:13How did the audition for the symphony go?
00:11:15They turned me down.
00:11:18Now where are you going?
00:11:19Oh, I'm not skipping, Lulu.
00:11:20I was going to...
00:11:22It's a wonderful violin, worth money.
00:11:25Mm-hmm.
00:11:25I thought I saw that pawn shop gleam in your eye.
00:11:29Don't be silly.
00:11:30Go back to your room.
00:11:31How are you going to audition without it?
00:11:32I told you, the audition was...
00:11:34Oh, I mean the next audition, the one when they won't turn you down.
00:11:37Oh, thanks, Lulu.
00:11:38Say, what kind of a landlady are you, anyhow?
00:11:40What do you mean?
00:11:41Well, you're supposed to harang and berate and foreclose mortgages.
00:11:44They even cast people out in the snow.
00:11:46Oh, next week, East Lynn.
00:11:48And, no, boys, this is a house of artists.
00:11:51Some are singers, some are writers, and some are painters.
00:11:54But all are artists.
00:11:56I was one myself.
00:11:58A great one.
00:11:59And so, you see, without art, we have nothing to live by.
00:12:02People pay when they can, and if they can't, well, they're still artists.
00:12:06And I still love them.
00:12:07Lulu, you're a very nice girl.
00:12:09Will you marry me?
00:12:11I think I'm a little old for a June bride.
00:12:13Ask me next January.
00:12:16Well, here we are.
00:12:18I have your things brought up just as soon as they arrive by Express.
00:12:20And your trunks are in the bedroom.
00:12:22Thanks.
00:12:23And here's the piano.
00:12:25Oh, I do hope it's in tune.
00:12:29Well, I'll leave you boys to get settled now.
00:12:32The laundry's picked up on Tuesdays, and the gas meter's just outside the door when the lights go out.
00:12:37When you leave, the lights will go out.
00:12:40I'll then just drop a quarter in the meter.
00:12:42Come right this way, and I'll show you how.
00:12:45Put your coin in there.
00:12:48Now, that'll give you one revolution.
00:12:50Oh, by the way, Steve.
00:12:51Yes?
00:12:51Uh, a young lady telephoned you, and Miss Radford, she wants you to call just as soon as you arrive.
00:12:58Her number's on the telephone pad downstairs.
00:13:00Well, thanks, Lulu.
00:13:01You don't waste much time, do you?
00:13:03Oh, life's too short to waste time.
00:13:05Keep beautiful.
00:13:09Steve, is Livvy here in town?
00:13:11Staying at her aunt's.
00:13:13Say, that's swell.
00:13:15Yeah?
00:13:16What's swell about it?
00:13:17Well, you're in love with her, aren't you?
00:13:19She's your fiancée.
00:13:20Oh, sure, sure.
00:13:22Now, don't get me wrong.
00:13:24Olivia's a great girl, and she'll be a wonderful wife.
00:13:26But this isn't Boston.
00:13:27This is Gotham, served up on the half-shell at Risingweather's.
00:13:30This is the land of wild oats and Greenwich Village and beautiful women.
00:13:34And I don't want any Boston strings tying me down.
00:13:44Hello, Pat.
00:13:45Hello, my lady.
00:13:46You better not let your father catch you.
00:13:51Very well, young ladies.
00:13:53Let us begin.
00:13:55Now, we will start with the hand positions in the middle zone.
00:13:59Number one, the palm supine.
00:14:02Number two, the palm prone.
00:14:05Number three, the palm vertical.
00:14:09Tessie, dear, the palm vertical should be raised in gentle terror.
00:14:13Remember, as you move into the mood, that you're with a cad.
00:14:16A cad?
00:14:17A nefarious scoundrel whose intentions are not honorable.
00:14:21I'm sure Byron's intentions are honorable, Lulu.
00:14:23Who?
00:14:24She means Byron Jones.
00:14:26She's always making the palm vertical to me.
00:14:28But suppose Byron weren't out with you?
00:14:30I'd just like to see him out with anyone else.
00:14:31Well, we're practically engaged.
00:14:34Does he know it?
00:14:36Come, come, come now, girls.
00:14:38Come, let's try it again.
00:14:42Patricia, Patricia.
00:14:44Now, how many times have I told you?
00:14:46You should be weak and wilting and timid,
00:14:48as if the very air around you were charged with peril.
00:14:50But that's an ambi-pambi, Lulu.
00:14:52I'm not afraid of anything.
00:14:53My dear, do you wish to be a star?
00:14:55A great star?
00:14:57Or do you wish to dispute the championship with Mr. James J. Jeffries?
00:15:01Now, that's more like a lady.
00:15:03A lady.
00:15:05Patricia, life is a book of etiquette and rules.
00:15:07You're born a girl, but you have to learn to be a lady.
00:15:11Girls may be attractive to boys,
00:15:12but only ladies attract gentlemen,
00:15:15and only gentlemen are rich.
00:15:17You know those two new boys that are staying with me?
00:15:19Uh-huh.
00:15:20Suppose one of them were a millionaire.
00:15:22Suppose one of them were a Boston banker incognito.
00:15:25Oh, then he'd be in Boston being a banker.
00:15:27Oh, no, you're wrong.
00:15:28He might be right here, learning to paint or compose.
00:15:31As a matter of fact, my dear, he is right here.
00:15:38Swell light on this end.
00:15:39How about you?
00:15:40Fine.
00:15:41This one looks out on somebody's roof, Terrace.
00:15:43This one looks up at heaven.
00:15:52Hey, take it easy.
00:15:53You could pickle onions on that kind of music.
00:15:57I can't seem to get this tune.
00:16:14It's a nice quiet place.
00:16:17One, two, three, four.
00:16:19Grief, two, three, four.
00:16:21Shame lower the body's girls.
00:16:23Harking to the little virgin.
00:16:25One, two, three, four.
00:16:26Retreat keeps the bombs vertical.
00:16:28Fear, two, three, four.
00:16:30Delights express it with the face.
00:16:32Joy gives to the whole world.
00:16:33Grief, two, three, four.
00:16:39Hey, Steve, come and take a look at this.
00:16:44It's a little goat we locked horns with.
00:17:08Time is right for a man sing.
00:17:15The starry light shines above.
00:17:20Lovely night to go dancing.
00:17:25But it's a much better night to fall in love.
00:17:43Patrice O'Neil, come in out of there.
00:17:45Oh, my gosh.
00:17:49I thought that song was original.
00:17:51Yeah, so did I.
00:17:53Hey, you.
00:17:55Who, me?
00:17:56I want to see you.
00:17:58You do?
00:17:59Right away.
00:18:00I'll be right over.
00:18:07Hiya.
00:18:08Who are you?
00:18:09What's your name?
00:18:10I'm Byron Jones.
00:18:11Byron?
00:18:11Yeah, I'm a poet.
00:18:12You're a card.
00:18:13No, a bard.
00:18:15I'm one of the bards of Greg's greeting cards.
00:18:17I write verses for birthdays and Christmas and all that.
00:18:20You know, like roses are red.
00:18:22I send them to you just to say on this day,
00:18:25I'll always be true.
00:18:27Look, I'm Johnny Bennett.
00:18:28This is Steve Davis.
00:18:29Hello, Steve.
00:18:30Look, where'd you hear my tune before?
00:18:31Oh, I never heard it before.
00:18:33Well, but you sang words to it.
00:18:34I made them up.
00:18:36Just like that?
00:18:36Sure.
00:18:37I can write poems faster than you can write music.
00:18:40You can, huh?
00:18:41Uh-huh.
00:18:41Well, we'll see about that.
00:18:42Okay.
00:18:44Now we'll see how good you are.
00:19:07You know, you're pretty intelligent.
00:19:09Not only that, but I'm smart, too.
00:19:11I'm the only guy in the world that can rhyme orange.
00:19:13Orange?
00:19:14Yeah.
00:19:14Orange.
00:19:16Hey, that is a tough one.
00:19:17How do you rhyme orange?
00:19:19Oh, no, you don't.
00:19:20If I told you, I wouldn't be the only guy in the world anymore.
00:19:24Look, I'm writing tunes and I need words.
00:19:27What do you say we team up, Byron?
00:19:28Leave us, get working, and keep the muse perking.
00:19:34I'll bet that's Eddie.
00:19:35Come in.
00:19:39Hi, Eddie.
00:19:40Come on in.
00:19:42Hey, fellas, this is Eddie Gaskin.
00:19:44Oh, yeah.
00:19:45I'll bet Lula sent you up here to invite the fellas to that shindig tonight down in the restaurant.
00:19:48Do you usually ride that night around the third floor?
00:19:50Oh, that's just a model.
00:19:52He's an artist.
00:19:52He lives right across the hall.
00:19:54An artist, eh?
00:19:54You sell your stuff?
00:19:55He sure does.
00:19:56He's got pictures all over the country in all the best places.
00:19:59Where?
00:19:59He's hanging in every pool room, saloon, livery stable.
00:20:03All the best places.
00:20:04They are for his pictures.
00:20:05What kind of pictures do you do?
00:20:06He does calendars.
00:20:07Ah, girls.
00:20:08No, cows.
00:20:10Just cows?
00:20:11That's all just cows.
00:20:12Contented cows, discontented cows, blue cows, moo cows.
00:20:16He's the bovine Botticelli.
00:20:18Well, how'd you happen to pick on cows?
00:20:20He's a little cow-happy.
00:20:21He painted a picture of Pat O'Neill once.
00:20:23Boy, was she mad.
00:20:25What happened?
00:20:26Well, nothing much, really.
00:20:27She turned out kind of pretty.
00:20:29Except for the horns.
00:20:30You're in a bad way.
00:20:31He can't look a bottle of milk in the face anymore.
00:20:34They're trying to graduate him to horses.
00:20:36Calendars.
00:20:36Seems like a good way to break in.
00:20:38Might try it myself.
00:20:39Just go see Mr. Ward.
00:20:40He's the president of the Calendars Incorporated.
00:20:42Maybe he'll give you a job.
00:20:43But I don't know him.
00:20:44Oh.
00:20:45Well, he does.
00:20:46He'll take you down tomorrow and introduce you.
00:20:48Thanks, Eddie.
00:20:49You're a thoroughbred.
00:20:51Don't forget to call Olivia.
00:20:53I'll pay her a quick visit on the telephone
00:20:55and then we'll settle down to a life of art.
00:20:57And things.
00:21:08Hello.
00:21:09Hello, Olivia.
00:21:10How are you, darling?
00:21:12I'm just fine, darling.
00:21:13How long are you going to be in New York?
00:21:15Don't sound so worried.
00:21:17I'm going back to Boston tonight.
00:21:18Oh.
00:21:19Oh, that's too bad.
00:21:20Doesn't give me any time to see you.
00:21:22You can see me, Steve.
00:21:23Night and day for the rest of your life
00:21:25simply by going back to Boston with me to a wedding.
00:21:27Oh, but I can't, darling.
00:21:29You know I want to, but I've got to have a try at my art.
00:21:31Don't play Rembrandt with me, Steve.
00:21:34Rembrandt?
00:21:35We've been through this artist thing before.
00:21:37You had to go to Paris, remember?
00:21:39When the girls caught on to you there, you had to go to London.
00:21:42When the ladies there got your number, you came running back to Boston.
00:21:47Oh, really, Libby?
00:21:48That's not fair.
00:21:49It certainly isn't.
00:21:50And now it's Greenwich Village.
00:21:51Well, this is the last time you're going to break out the plow to sow your wild oats.
00:21:55I'll be patient for three weeks.
00:21:57No more.
00:21:58Paint fast, young man.
00:22:00But three weeks is all...
00:22:01But three weeks is all I'll need.
00:22:03Three weeks is all you'll get.
00:22:04Then back to Boston to be a banker and a husband.
00:22:07Shall we have tea?
00:22:08Well, I'm pretty busy.
00:22:10Oh, if you'd rather not.
00:22:11Oh, sure, sure, Libby.
00:22:13I'll meet you for tea.
00:22:13Four o'clock at Rector's?
00:22:15Four o'clock.
00:22:16You're the most wonderful girl I've ever known.
00:22:19I'd rather be the only one.
00:22:22Goodbye.
00:22:25Women.
00:22:36That's what I said.
00:22:38Women.
00:22:41Try this.
00:22:42In her bonnet of blue, what a picture she'd make.
00:22:46No.
00:22:48Try this.
00:22:49In her bonnet of blue, what a picture she made.
00:22:52She was the belle of the bucket brigade.
00:22:57Come in.
00:23:00Hello, Pat.
00:23:01Hello.
00:23:03Hiya, Pat.
00:23:04This is Johnny Bennett, Patricia O'Neill.
00:23:06We just called her Pat.
00:23:07Uh, we've already met, in a way.
00:23:09Uh, Lulu set up some tea for you.
00:23:11Oh, boy!
00:23:12Not for you, Byron.
00:23:13This is strictly a Boston tea party.
00:23:16Oh, I can take a hint.
00:23:17A house doesn't have to fall on me.
00:23:19Well, a house will if you don't hurry.
00:23:21Tassie's waiting for you downstairs.
00:23:22Uh, where is, you know, the other one?
00:23:25Steve, he's not back yet.
00:23:27Oh.
00:23:28Well, you don't have to look so disappointed.
00:23:30I'm not.
00:23:31I didn't mean that.
00:23:32Then you'll have tea with me.
00:23:33I'd love to.
00:23:35How do you like your tea?
00:23:36Lemon and one sugar.
00:23:38And I saw you dance down there on the roof.
00:23:40You were pretty good.
00:23:42You were really wonderful.
00:23:44Only I can't say things like that.
00:23:45Makes me blush.
00:23:46I'm a shy guy.
00:23:48Where'd you learn to dance like that?
00:23:50Oh, it was easy to dance to the music you were playing.
00:23:52What was it?
00:23:53One of my tunes.
00:23:55It's beautiful.
00:23:56You know, it was a song I could never finish.
00:23:58I was stuck with it until I saw you start to dance.
00:24:00And then it, well, it just kind of flowed out like champagne.
00:24:03You're about as shy as a brass band.
00:24:05Well, don't get me wrong.
00:24:06I really am.
00:24:07What, what I mean is I, I...
00:24:09What you mean is you like me.
00:24:10Well, that doesn't sound strong enough that on account of I'm shy, I'll settle for it.
00:24:15Anyway, thanks a lot.
00:24:16What for?
00:24:17Well, for letting me in your life.
00:24:19For being here, part of Greenwich Village in New York.
00:24:23What I can't figure out is how you can like leaving a palatial mansion in Boston
00:24:27and coming to a grubby place like Greenwich Village.
00:24:30Wait a second.
00:24:30I think you've got something wrong.
00:24:32I haven't any palatial mansion in Boston.
00:24:34I haven't got but a dollar to my name.
00:24:37Then it's Mr. Davis.
00:24:39Oh, Steve.
00:24:40Yeah.
00:24:41He's quite wealthy.
00:24:42Banking family.
00:24:43He's very sophisticated.
00:24:44Been to Europe, London, Paris.
00:24:48Don't you worry.
00:24:49Someday when you've written your songs, you'll be rich too.
00:24:51I'm not worried.
00:24:52I don't even care.
00:24:53You don't care?
00:24:54No.
00:24:55Don't you want to be rich and famous?
00:24:57Well, if it goes with being happy.
00:25:00You see, all my life, ever since I was a kid, I've been full of music.
00:25:04Before I even knew what to do about it, I had songs in my head.
00:25:08I used to hear them playing at night with full orchestra when I'd go to sleep.
00:25:11And even then, with a kazoo or an ocarina, when I was old enough, I'd play these tunes out until
00:25:17my mother didn't know what to do with me.
00:25:20Now, this is wonderful.
00:25:22Now, this is wonderful.
00:25:22Piano like this, to play to my heart's content.
00:25:25To write out some of these melodies that have been inside me.
00:25:30I can sit here and touch these ivory keys and look up at the stars at night through this window.
00:25:40And they'll become my orchestra, playing with me.
00:25:44With all the strings and horns and harps of heaven, joined in a strange and wonderful symphony.
00:25:55That's beautiful, Mr. Bennett.
00:25:58You're beautiful, Pat.
00:26:02Call me Johnny.
00:26:05I was just going to.
00:26:09You know what's happened to me since I saw you?
00:26:12What?
00:26:13Pulse fast.
00:26:15Lump in the throat.
00:26:16Hot and cold flashes.
00:26:19Maybe you've got the measles.
00:26:21Then maybe I've...
00:26:23Yes.
00:26:29Say, I've got to write a jingle for the party tonight.
00:26:32Byron left these lyrics here.
00:26:34Will you help me with it?
00:26:36Sure, I will.
00:26:37We've got to impress Dilly.
00:26:39I met an old flame at the fireman's ball.
00:26:41How did it go?
00:26:43Well, that's what I want to know.
00:26:44How's this?
00:26:50That's good.
00:26:51Do it again.
00:27:00Oh, I met an old flame at the fireman's ball.
00:27:32She was so charming, so dainty and small.
00:27:36In her bonnet of blue, what a picture she made.
00:27:40She was the bell of the bucket brigade.
00:27:43And she looked so demure by the old fire hose.
00:27:46I simply had to propose.
00:27:49How my heart seemed to pound.
00:27:52As I waltzed her round and round.
00:27:55By the fifth time I kissed her, I heard people call.
00:28:27Why don't you two go and hire a hawk?
00:28:29Three skiddoops.
00:28:30Three skiddoops.
00:28:31Ha!
00:28:31He gave me the hot foot and I should have learned.
00:28:34I played with fire and boy, I got burned.
00:28:37But if you want the truth on my knees, I would crawl.
00:28:41Back to the fireman's ball.
00:28:46There was Patsy.
00:28:48O'Leary.
00:28:49O'Toole.
00:28:49The A-Chick.
00:28:50All of them tried to win her away.
00:28:53But those visiting firemen hadn't a chance.
00:28:57She never gave him a glance.
00:29:00She had eyes just for me.
00:29:03Just the way the two feet.
00:29:06So the Merties and Hennikins fought quite a stir.
00:29:10All the shenanigans didn't face her.
00:29:13For it was I who walked off with the bell of the frog.
00:29:17Down at the fireman's ball.
00:29:19Whoa!
00:29:21It never ever would have happened if she hadn't happened to be standing there.
00:29:24She was such a lovely creature.
00:29:26I could feature such a lovely love affair.
00:29:28And the band began to play the melody.
00:29:29I said, would you consent to dance with me?
00:29:31She was all a Twitter, but she didn't disagree.
00:29:34How my heart seemed to pound.
00:29:37As I walked her round and round.
00:29:41Then I slipped a ring upon her finger.
00:29:43And we went to linger underneath the moon.
00:29:45I could see that we were heading for an early wedding in the month of June.
00:29:48Soon we'll have a lot of little blazes.
00:29:50We'll be singing praises and we'll bring them all.
00:29:52Back to the fireman's ball.
00:29:55Back to the fireman's ball.
00:30:01Back to the fireman's ball.
00:30:15Back to the fireman's ball.
00:30:34That Colleen happens to be my daughter.
00:30:36That's what business it is.
00:30:37And if I catch you filling her foolish head with foolish notions...
00:30:40Are you implying that I...
00:30:42No, no, no, no, Dilly. He means the theater.
00:30:46Well, what's foolish about the theater?
00:30:47The theater, ah.
00:30:48Well, that's only for show-offs and brazen women.
00:30:51And no decent place for any self-respect of man or woman.
00:30:55Oh, I'm of the theater now.
00:30:57Ah, but...
00:30:58But you're an exception.
00:31:00But I still say...
00:31:02Oh, you say?
00:31:04You say?
00:31:05And I suppose it's better for the self-respect to sit around a fire station all day...
00:31:08Just waiting for an alarm to ring.
00:31:10Just sitting there hoping that somebody's house will be burned down...
00:31:13And then licking your chops if somebody's gonna be toasted.
00:31:15Rare, medium, or well done.
00:31:17Hang in, man. I save lives.
00:31:19And we in the theater save souls.
00:31:22Boys, boys, boys, don't spoil your appetites.
00:31:24Oh, the food is coming.
00:31:25And for you, Matt, darling.
00:31:26Corned beef and cabbage.
00:31:28Corned beef and...
00:31:29Oh, my dear. Oh, my word. What an awful combination.
00:31:31Oh, dilly, darling. Try it just once.
00:31:34I wouldn't mind trying it once, but it keeps repeating itself.
00:31:37All right, Ben. I'll take over.
00:31:42All right, boys.
00:31:46Well, how do you like New York?
00:31:48Not as much as Boston.
00:31:50Oh, is that so?
00:31:51Well, you have no Statue of Liberty.
00:31:52No, but we have the Cradle of Liberty.
00:31:54Manuel Hall.
00:31:55Ah, you have no Palisades.
00:31:57Bunker Hill.
00:31:58Trinity Church.
00:32:00Old North Church.
00:32:01Grants, too.
00:32:02Paul Revere.
00:32:04You win.
00:32:05You forgot the one natural beauty
00:32:07that makes Boston a wilderness
00:32:08and New York a shining city.
00:32:10What's that?
00:32:11You.
00:32:15New York is a nice place to visit.
00:32:18Yes, it has quite a future, they say.
00:32:22It's got Fifth Avenue, Mr. Chauncey Depew.
00:32:25And the street that is known as Broadway.
00:32:28New York has a glamour.
00:32:30What is it that makes every stranger so gay?
00:32:34New York is a nice place to visit.
00:32:37But it's also a nice place to stay.
00:32:40New York has its own Tony Pastors
00:32:43where Astor's and Vanderbilt's call.
00:32:47It's got Diamond Jim Brady
00:32:48and Rose Pee O'Grady.
00:32:50It's even got Hannity Hall.
00:32:53It's rowdy and bawdy and gaudy.
00:32:56And people from Brooklyn may say,
00:32:59New York is a nice place to visit.
00:33:02But we say it's a nice place to stay.
00:33:06New York is a nice place to visit.
00:33:08But we say it's a nice place to stay.
00:33:13Oh, Johnny, I want you to meet Mr. Dillingsworth.
00:33:16Dilly, this is the young man I was telling you about,
00:33:18the one Professor Garibaldi sent down from Boston.
00:33:20Mr. Bennett?
00:33:21Mr. Dillingsworth.
00:33:22Glad to know you, Mr. Bennett.
00:33:23Glad to know you, sir.
00:33:24He's a composer, Charles.
00:33:26A pupil of Garibaldi's and very promising.
00:33:28I want you to listen to his tunes.
00:33:30Young man, it was nice knowing you.
00:33:31Good night.
00:33:32Oh, he'll listen to your tunes, Johnny.
00:33:34Really, little?
00:33:36Tunes, darling, tunes.
00:33:37What's wrong with tunes?
00:33:38They give me dyspepsia.
00:33:41Babes in Toyland didn't give you dyspepsia.
00:33:43Oh, but that was Victor Herbert.
00:33:44His music is immortal.
00:33:46And profitable.
00:33:47Mr. Dillingsworth, young man.
00:33:49Young man, I give you some advice.
00:33:51Free.
00:33:51Yes, sir.
00:33:52Stop writing tunes.
00:33:54Go back to your first love,
00:33:55driving a beer wagon or bank clerking or whatever it was,
00:33:58and live out your life happily.
00:34:00And if I don't?
00:34:01Then poor Dilly will just have to listen to your tunes.
00:34:04Very well, Mr. Bender.
00:34:05When you have a score, a complete score,
00:34:07I'll do you the honor of listening to it.
00:34:09And I'll try and give you the pleasure of hearing it, sir.
00:34:21Now that I've had a sample, how about each and every dance?
00:34:24Do you always sample everything first?
00:34:25I'd like to sample crepes and zettes with you alone and Maxine.
00:34:29You'll be too busy painting.
00:34:31Well, every artist has to have his inspiration.
00:34:33Da Vinci had his Mona Lisa, Goya his Duchess.
00:34:36And Whistler had his mother.
00:34:38Seriously, Pat, you're just the model I want.
00:34:40The moment I saw you dancing on the roof,
00:34:42I knew I had to paint you.
00:34:43Uh, you haven't met my father.
00:34:45I don't want him to pose.
00:34:47No, and he doesn't want me to pose.
00:34:48If he heard you asking, he knocked your block off.
00:34:52Listen, Pat.
00:34:54Eddie tells me that his calendar company is having a contest.
00:34:56A calendar contest.
00:34:57Calendars?
00:34:58Sure, they want something new, something fresh, something different.
00:35:01And there's a $500 prize for the best picture.
00:35:03500 smackers?
00:35:05Pose for me, and if I win, it's all yours.
00:35:07500.
00:35:09Gee, I could get Pat that sterling silver speaking trumpet he's wanted so long.
00:35:13Then you'll do it?
00:35:14Uh-huh.
00:35:15But mum is the word.
00:35:18Byron.
00:35:19Mm-hmm?
00:35:20If you don't hold me closer, I'll get horse shouting all the way over there to you.
00:35:23Oh, I can hear you fine.
00:35:25Byron, you're so cold.
00:35:27I am.
00:35:29Hold me tighter.
00:35:32Like this.
00:35:34Please.
00:35:35Not in public, Tessie.
00:35:43Everybody here got their tickets for the jamboree?
00:35:46No, what jamboree?
00:35:47You mean you haven't heard about the fireman's benefit jamboree at the Swiss Gardens the night of June the 30th?
00:35:53No.
00:35:54Beer.
00:35:54That's lunch.
00:35:56Maybe a moonlight stroll with your best girl.
00:35:58Or somebody else's.
00:36:00I'll take two.
00:36:00Two girls?
00:36:01No, two tickets.
00:36:02How much are they?
00:36:03Uh, a buck each.
00:36:04Oh, I'm a little short.
00:36:05I'll take one now and pick the other one up later.
00:36:07Sure, sure.
00:36:09Shall we dance, my dear?
00:36:14I'm warning you.
00:36:15Keep that silly dilly away from me, daughter.
00:36:17Do you want her to be an ignorant Irishman like yourself?
00:36:20Well, that's better than being no Irishman at all.
00:36:23Oh, Matt, she needs grooming.
00:36:24You can't grow her up to be a fire chief.
00:36:27Matt, he's here.
00:36:29Who's here?
00:36:30Oh, smorgasbord himself.
00:36:31Fortum and Olsen.
00:36:32Watch.
00:36:38Now, Matt, take it easy.
00:36:40Olsen, you spying snake, what are you doing here?
00:36:43Good evening, Mr. O'Neill.
00:36:45I just dropped by to wish you...
00:36:47Wish me bad cess.
00:36:49Well, the same to you.
00:36:50And if you're as good at fighting fires as you are at passing insults,
00:36:54you'd be the battalion chief by now.
00:36:57Now, now, O'Neill.
00:36:58Just don't get a stroke.
00:37:00Man, your age wouldn't get so excited.
00:37:02You know I cannot be battalion chief
00:37:04until my engine company number 18 win the efficiency trophy.
00:37:08Oh, get out of here
00:37:09and stop spying on better engine companies
00:37:11than your own pitiful crew of arsoners.
00:37:14As a matter of fact,
00:37:15if yours calmed me, O'Neill,
00:37:18you and I may be tied on our efficiency record.
00:37:21So?
00:37:22So I thought, if it happened,
00:37:24we might just settle the issue at the jamboree
00:37:27with a contest.
00:37:29Contest?
00:37:30Why, I'll wrestle you, I'll fight you,
00:37:33I'll drink you under the table
00:37:34or anything else you like to name.
00:37:36A tug of war, maybe?
00:37:39Tug of war, is it?
00:37:40Well, how can you tug of war at the jamboree?
00:37:42Well, why not?
00:37:44But would you mean on the dance floor of the Swiss Gardens?
00:37:46We used wear regulation sneakers.
00:37:49Oh, sneakers, is it?
00:37:50How did you hear that, men?
00:37:52A tug of war, he says.
00:37:54Agreed, Olsen, agreed.
00:37:55And we'll pull your scrawny little team
00:37:57clean over into the East River.
00:37:59It's a bargain.
00:38:02Tug of war.
00:38:03An engine company, 24 the champions of the city.
00:38:06Well, the square head's crazy.
00:38:08I smell a rut, Matthew.
00:38:10You do that, but he's not a very smart one.
00:38:26See ya.
00:38:30I'm in love with a calendar girl
00:38:36Every day of this
00:38:40Every day of every month
00:38:47Every year
00:38:56If you want to buy your dad that silver trumpet,
00:38:58you'd better sit still.
00:38:59Da, da, da, da, dee, dee, dee, dee
00:39:04I love you
00:39:10Have I told you lately
00:39:14I love you
00:39:19Beautiful.
00:39:21Yeah, that'll work.
00:39:43Let's have some pretzels and beer
00:39:46Let's have some pretzels and beer
00:39:51Let's have some pretzels and beer
00:39:55Strength of a song of good cheer
00:39:58When the glasses are clinking
00:40:01What rhymes with clinking?
00:40:05St...
00:40:06Blink, uh...
00:40:08Winking
00:40:08Winking
00:40:09When the starlight is winking
00:40:12And clinking
00:40:13And brink
00:40:16There.
00:40:17What do you think of it?
00:40:18I think it's just beautiful, Steve.
00:40:20Boy, if it's pretty faces they want in our calendars,
00:40:22that's it.
00:40:23That's great, Steve.
00:40:24It's great.
00:40:25If I had more time, I'd rave about it.
00:40:26But I got an appointment with Mr. Charles Dillingworth
00:40:28to play my score.
00:40:30For the love of Mike Byron, where's the wall?
00:40:32Underneath your arm.
00:40:33Don't be so nervous.
00:40:34Come on, we've got to hurry
00:40:35or we'll never make it.
00:40:39Oh, Pat.
00:40:40Yes, Johnny?
00:40:41Aren't you going to wish me good luck?
00:40:42You bet I am.
00:40:44Oh, I've got to get my hat.
00:40:45I'll meet you outside.
00:40:46This is better than wishing you good luck, Johnny.
00:40:49It's my St. Cecilia medal.
00:40:54Thanks, Pat.
00:40:55I can't lose now.
00:40:57Johnny, Johnny, go on, go on.
00:40:59You're late now.
00:41:00Well, goodbye, Pat.
00:41:01Bye, Johnny.
00:41:03And now, what are you going to give me for good luck?
00:41:07Golly, Steve, I don't know.
00:41:08I'll tell you what.
00:41:09What?
00:41:10Celebrate the finishing of the picture with me.
00:41:11When?
00:41:12Tonight.
00:41:12Rice and Weber's.
00:41:14Champagne, caviar, lobster, and you and me.
00:41:16But tonight's the fireman's jamboree at the Swiss Gardens.
00:41:19Anybody taking you?
00:41:20Well, not exactly.
00:41:21I think Johnny said...
00:41:22Then you're going with me.
00:41:24Patricia!
00:41:25Coming, Lulu.
00:41:27Your father's lunch is ready.
00:41:29Oh, my gosh, Pop's lunch.
00:41:31I almost forgot.
00:41:31He'll be fit to be tied.
00:41:32Goodbye, Steve.
00:41:33See you tonight.
00:41:35Oh, Eddie.
00:41:36Did you finish the horse?
00:41:40You're in a rut, kid.
00:41:43Come on.
00:41:44Tell me what you think of mine.
00:41:47There you are.
00:41:50Don't like my masterpiece, eh?
00:41:52Old stuff, eh?
00:41:54Nothing unusual, nothing different.
00:41:55To tell you the truth, Eddie, old boy,
00:41:57I haven't quite finished this little job as yet.
00:42:00I still have, shall we say, some unusual touches to put into it.
00:42:05You know what the calendar people said?
00:42:08Something different, something daring,
00:42:10something to make the people's eyes pop.
00:42:27I don't know.
00:42:29I don't know.
00:42:29I just kept swallowing pills.
00:42:30I didn't say.
00:42:31How about you?
00:42:31Oh, the calendar's been submitted.
00:42:33It's gone in.
00:42:35What are you all dressed up for?
00:42:36Hi, my boy.
00:42:37I'm going out.
00:42:38Where?
00:42:39On the town.
00:42:40An hour at the Swiss Gardens, then Claridge's, Churchill's, San Suci.
00:42:44I'm going to show her all of them.
00:42:45Olivia, you mean.
00:42:47Olivia, I don't mean.
00:42:48I'm presenting Miss Patricia O'Neill to New York
00:42:50in a champagne night to celebrate the finishing of my picture.
00:42:53Who knows what wonderful things may happen.
00:42:56To Pat or to the picture?
00:42:57Both.
00:42:58Love to have you along, John boy, but you know the old adage.
00:43:01Two's company and three isn't even a quartet.
00:43:04Wait a second.
00:43:06What?
00:43:06Steve, I don't like this.
00:43:07Write a letter to the Times.
00:43:09Oh, that's not funny.
00:43:10Pat's a nice girl.
00:43:11A very nice girl.
00:43:12To put it mildly, she's a dish.
00:43:14But she needs to be told about life.
00:43:15She needs to be told about Olivia.
00:43:18You better keep your nose out of my business.
00:43:20Yeah, but Pat is my business.
00:43:21And I don't like you going out with her when you're engaged to Olivia.
00:43:23Johnny, how could you think?
00:43:25Look, a fella could change his mind.
00:43:27It would be better if you made up your mind.
00:43:29You wouldn't be jealous, would you?
00:43:30You'll bet I would.
00:43:31Too bad, too bad.
00:43:33Isn't it a shame that Pat prefers me?
00:43:35You know, I'd make any sacrifice for you, but c'est la vie, c'est la guerre.
00:43:39And now if you'll excuse me, I'll be wafting along.
00:43:41Hello.
00:43:42Oh, may I go with you, Steve?
00:43:43Ah, Olivia.
00:43:44I'm glad to see you.
00:43:46Hello, Johnny.
00:43:46You seem to be happier to see me than Steve is.
00:43:48I was never so glad to see anybody in my life.
00:43:51Ah, thank you.
00:43:51I hope I haven't interrupted any important plans, darling.
00:43:54Who, me?
00:43:55I'm delighted you came, darling.
00:43:57Here I was going out all alone, and you arrived.
00:44:00Won't you join us, Johnny?
00:44:01I'd love to.
00:44:02Oh, no, no.
00:44:02He can't.
00:44:03I mean, he has a date.
00:44:05You're going out with Pat, aren't you, Johnny?
00:44:07Huh?
00:44:08You're going out with Pat to the jamboree.
00:44:11Oh, Pat.
00:44:12Oh, yeah, we have a date.
00:44:13We're supposed to go to the, I mean, we'll probably go to the...
00:44:16Isn't it the Swiss Gardens?
00:44:18Uh, yeah.
00:44:19I think that's what she said.
00:44:21Oh, I almost forgot to give you the five dollars I owe you.
00:44:25Well, I'm sure Pat's waiting for you, isn't she, Johnny?
00:44:28Oh, sure, yeah.
00:44:29I'm sure she's waiting.
00:44:30You'll excuse me, lady.
00:44:31Oh, yes, Johnny.
00:44:32Have a good time.
00:44:32We always have a good time.
00:44:34Goodbye, Johnny.
00:44:35Shall we go, Steve?
00:44:35I have my aunt's carriage.
00:44:36Oh, that's wonderful.
00:44:37Simply wonderful, darling.
00:44:38So good to see you again.
00:44:39And what a surprise.
00:44:41Why didn't you let me know you were coming?
00:44:43I prefer to steal up on my prey and catch the critter dead to rights.
00:44:47What do you mean, Libby?
00:44:48I think you know what I mean.
00:44:50Where are you taking me?
00:44:51Uh, Delmonico's.
00:44:53I want to be bohemian.
00:44:55Let's go to the place where Johnny's going.
00:44:56Oh, no.
00:44:58Johnny might be embarrassed.
00:44:59Johnny, or you?
00:45:00Well, what have I got to do with it?
00:45:02Who is this girl Pat?
00:45:03Patricia O'Neill.
00:45:05What does she like?
00:45:06Well, she's not your type, naturally.
00:45:09She's just a, uh...
00:45:10An ordinary girl?
00:45:11Well, yes.
00:45:13She's, uh...
00:45:14The quiet type?
00:45:15Not exactly, but, uh...
00:45:17Beautiful?
00:45:18Oh, not exactly, but, uh...
00:45:20Talented, perhaps.
00:45:21Not exactly, but, uh...
00:45:22What does she do?
00:45:23Well, she...
00:45:24She's just a girl.
00:45:26An artist model, maybe.
00:45:28She has been posing lately.
00:45:30Not for you, by any chance.
00:45:31Well, yes.
00:45:32Oh, I'm most anxious to meet her.
00:45:34I don't remember where Johnny went.
00:45:36There are a hundred beer gardens in New York.
00:45:38Oh, I do.
00:45:38Well, there's Miss Gardens.
00:45:41We have a hundred beers in New York City, but, uh...
00:45:44We have a hundred beers.
00:45:44We have a hundred beers.
00:45:44We have some of them here.
00:45:47When the glasses are flickin', and starlight is wakin', she'll whisper sweet words in your ear.
00:46:21Let's have some brokers and stuff.
00:46:25Somebody throw the guy out.
00:46:28Try to put it.
00:46:29Yeah, sure.
00:46:30Everybody having a good time.
00:46:34Here's a deal.
00:47:02Just better go easy on that beer, O'Neil.
00:47:05Go away, you little pipsqueak, or I'll drown you next time.
00:47:09And do it.
00:47:09Oh, good luck.
00:47:13He's right about that beer, Matt.
00:47:15You may have a tug of war tonight.
00:47:17I can drink a barrel of beer and still pull the little square head and the whole of his company
00:47:21right off their legs with one hand.
00:47:25But, Johnny, I still don't understand what happened to Steve.
00:47:27In a minute, you're going to hurt my feelings.
00:47:29Oh, that would be very silly of you.
00:47:30I can't think of anyone I'd rather be with than you, but I still don't see why he didn't.
00:47:35Oh, well, I'm a lucky guy, Pat.
00:47:36You see, a friend blew in from Boston and Steve had to, well, you know.
00:47:39Well, it was very nice of you to take me instead, Johnny.
00:47:42Oh, I didn't want to.
00:47:43I fought against the whole thing.
00:47:44Steve, I said, now why should I take out the most beautiful, the most wonderful girl in New York when
00:47:48I can stay home alone in the attic and play dominoes?
00:47:50But I finally gave in.
00:47:53Waiter.
00:47:55Pat!
00:47:56Johnny!
00:47:57Gosh, are you surprised?
00:47:58For the love of Mike.
00:47:59Hello, everybody.
00:48:00Hello.
00:48:01I would get you.
00:48:02There goes my tips.
00:48:03So this is where you learn to rhyme beer with tears.
00:48:05What are you doing here?
00:48:07Verse has gone from bad to worse.
00:48:09And so you're a waiter.
00:48:10Yeah.
00:48:11Tessie's a pretzel girl.
00:48:12Just for a couple of hours at night, fella has to live, you know.
00:48:15It's not bad.
00:48:16Pay and tips and pig knuckle thrown in once in a while.
00:48:19Will it be beer?
00:48:20Yeah, I'll have a beer.
00:48:21Make mine a ginger beer.
00:48:22Okay.
00:48:22But Byron, put it in a real beer stein, huh?
00:48:25Yeah.
00:48:27Oh, don't go away.
00:48:28I got a surprise for you.
00:48:29Well, come on, Tessie.
00:48:32What do you suppose he's up to?
00:48:34There's no telling.
00:48:38Have I told you lately I love you?
00:48:49Have I told you?
00:48:54That's one of your songs.
00:48:55Well, Byron's not only a waiter.
00:48:56He's a song-plugger.
00:48:57I may be blinded by all of your charms.
00:49:07Grow absent-minded when you're in my arms.
00:49:16Have I told you lately you thrill me?
00:49:26Have I overlooked it somehow?
00:49:31Somehow have I told you lately I love you?
00:49:57Have I told you lately I care?
00:50:05Have I told you lately I care?
00:50:12Have I told you lately I care?
00:50:15If I have been blinded by all of your charms?
00:50:19Have I told you lately you thrill me?
00:50:31Have I overlooked it somehow?
00:50:36Have I told you lately I love you?
00:50:53Have I told you lately I care?
00:51:02Have I told you lately I care?
00:51:04Have I told you lately I care?
00:51:12I may be blinded by all of your charms.
00:51:21I may be blinded by all of your charms.
00:51:28I may be blinded by all of your charms.
00:51:55If I haven't I'm telling you now.
00:51:57If I have and I'm telling you now.
00:52:09Are we intruding?
00:52:11Olivia, for guys' sakes, what are you doing here?
00:52:13Steve!
00:52:14Hello, Pat.
00:52:15Olivia Radford, Patricia O'Neil.
00:52:17How do you do?
00:52:17Hello.
00:52:18Do you mind if we join you?
00:52:19Oh, no.
00:52:20Please do.
00:52:21Yes, please do.
00:52:23Thank you, Johnny.
00:52:24Miss Radford is from Boston.
00:52:26Oh, really?
00:52:27You're sure you don't mind our joining you?
00:52:29Oh, of course not.
00:52:30We're glad to have you.
00:52:32What a surprise, huh, Pat?
00:52:33Yes, I should say so.
00:52:35Well, Steve, she's really beautiful.
00:52:36You didn't do her justice.
00:52:37My dear, you've been underestimated.
00:52:39Sometimes I think men don't like women.
00:52:41Maybe I'm not their type.
00:52:43I'm sure you're Steve's type.
00:52:44Olivia.
00:52:45Will you have a beer?
00:52:46I'll have a beer, please.
00:52:47Olivia?
00:52:47I'll have a ginger beer and a dance with Johnny.
00:52:50I only handle the refreshment side, lady.
00:52:52You'll have to make the other arrangements yourself.
00:52:54Come on, Johnny, darling.
00:52:55Who, me?
00:52:56Yes.
00:52:56I want to speak to you.
00:52:58Hello.
00:52:58Excuse me.
00:53:05Say, what's the idea of nailing me?
00:53:06Am I that hard to take?
00:53:08Not at all.
00:53:09Well, you're already taken.
00:53:10What about that girl, Pat?
00:53:12Isn't she wonderful?
00:53:13That's what I'm afraid of.
00:53:14Remember, Olivia used to tell me that someday when the right girl would come along,
00:53:17I'd start sending up sky rockets and get absent-minded.
00:53:20I remember.
00:53:20Well, last night, I put out the clock and wound up the cat.
00:53:23Don't tell me that for once in his life, Steve told the truth.
00:53:26He said I was stuck on Pat.
00:53:27He sure did.
00:53:28Oh, Johnny, that's grand.
00:53:29I'm so happy for you.
00:53:31Oh, you don't know how happy it makes me.
00:53:37Your lady friend from Boston certainly doesn't let any dust settle on her feet.
00:53:41Oh, Olivia's always rather had her own way.
00:53:43Is Johnny part of her own way?
00:53:45I don't know what you mean.
00:53:46How long has he known her?
00:53:47Oh, they're old, old friends.
00:53:49What kind of friends?
00:53:50Well, you know.
00:53:52You men.
00:53:54You needn't cover up for him.
00:53:55Some men just like to play the field.
00:53:57Oh, now, look here.
00:53:58I didn't say that.
00:53:58She's very beautiful, isn't she?
00:54:00Yes.
00:54:02Takes after my mother's side, I'd say.
00:54:04Your mother's?
00:54:05Hmm.
00:54:06Are you related?
00:54:07Cousins.
00:54:08Oh, but don't mention it.
00:54:09We never talk about it.
00:54:10It's a tiresome idea.
00:54:11But I thought...
00:54:14Steve, I have a confession to make.
00:54:16I thought you stood me up.
00:54:18Why, I wouldn't do anything like that to you.
00:54:20I just had to...
00:54:22You know.
00:54:23Yes, I know.
00:54:25Relatives.
00:54:29It's a lovely night to go dancing.
00:54:31Why waste it?
00:54:32It's a lovely night for a moonlight stroll.
00:54:34Come on.
00:54:52Well, isn't this much nicer than dancing?
00:54:54Moonlight and the girl you love.
00:54:57Johnny says you go for the girls, and the girls sure go for you.
00:55:00All the girls in my life are you, and all nights are tonight.
00:55:04You kissed the Blarney Stone.
00:55:05But it really is a lovely night.
00:55:07This was meant to be our night, until it got spoiled.
00:55:10If only Olivia hadn't come.
00:55:12Johnny was glad enough to see her.
00:55:14Anyway, you and I will have another lovely night together.
00:55:16Just the two of us.
00:55:17Without anyone spoiling it.
00:55:19And only the stars for company.
00:55:21Please don't.
00:55:21Pat, this is the only moment of our evening.
00:55:24Ladies and gentlemen, I give you the mayor of New York City.
00:55:27Oh.
00:55:28Hey, wait a second.
00:55:29It's the mayor.
00:55:30Well, why do we care about the mayor?
00:55:31But it's the duty of every civic-minded citizen to listen to the mayor,
00:55:34and besides, there's an election coming.
00:55:35But women can't vote.
00:55:36To be here with you tonight, in the intrepid company.
00:55:42Steve.
00:55:42Oh, hello, Libby.
00:55:43I've changed my mind.
00:55:44We're going to Delmonico's.
00:55:45Oh, but we can't just walk out.
00:55:47On the mayor.
00:55:48He isn't the mayor of Boston.
00:55:50Good night.
00:55:51Good night, Libby.
00:55:51He has an unrepresentative dilemma.
00:55:54The fine records of two fire companies.
00:55:59There's something wrong.
00:56:00I can fit it in me feet.
00:56:04Number 24, under Foreman O'Neal, and number 18, under Foreman Olsen,
00:56:17are so matched that we could not pick either one to win the efficiency trophy.
00:56:29So, we shall let Foreman O'Neal and Foreman Olsen settle it between themselves by tossing a coin.
00:56:43Do you have a coin?
00:56:45Yes, sir.
00:56:45Uh, well...
00:56:49Thank you very much.
00:56:50Uh, if you gentlemen will step forward, please.
00:56:53Wait a second, Your Honor.
00:56:54Tossing the coin is not a contest.
00:56:57Just the luck.
00:56:58We've agreed to settle it by tug-of-war, Your Honor.
00:57:02Done!
00:57:02Square away your teams!
00:57:07Oh, yes.
00:57:08My mistake.
00:57:09All right, coach up, boys.
00:57:11Good luck, Pop.
00:57:12You know anybody who wants to bet against your dad?
00:57:17He loves me.
00:57:19He loves me.
00:57:20He loves me not.
00:57:21He loves me.
00:57:24He loves me not.
00:57:25He loves me.
00:57:26Can't that guy make up his mind?
00:57:27That's what I want to know.
00:57:29He loves me.
00:57:31He loves me not.
00:57:33He loves me.
00:57:35Oh, Byron, it took you so long to make up your mind.
00:57:37Hey, take it easy.
00:57:38When I'm with you, I get feeling all peculiar.
00:57:41My heart starts pounding, and my pulse runs wild,
00:57:44and my blood runs hot, and I get feverish.
00:57:46Gee, you ought to see a doctor.
00:57:47And then I start to tingle, and I hear bells in my ears.
00:57:50Fire bells?
00:57:51Wedding bells for you and for me.
00:57:53Oh, Byron, I thought you'd never ask me.
00:57:59Olsen's bug house.
00:58:01He's forgotten.
00:58:02Twenty-four companies never lost a tug-of-war since I've been foreman.
00:58:05Hey, look!
00:58:09Come on, you fellas.
00:58:10They've got sex in dollars here on Olsen's team.
00:58:12Who wants to take this hand back here?
00:58:14Half dollars here.
00:58:15Six dollars more, you fellas.
00:58:17Hey, wait a minute.
00:58:18Who are these three elephants?
00:58:19You mean Jordan, and Yardsen, and Jorgensen?
00:58:23I don't care how you yawn them.
00:58:24They're ringers.
00:58:25You're still regular sign-up members of my company?
00:58:28Since when?
00:58:29Since yesterday.
00:58:30Commissioner, I object.
00:58:32I'm sorry, O'Neil, but they have passed all tests.
00:58:35What?
00:58:37Right.
00:58:38Right.
00:58:39Right.
00:58:41The first team to pull that handkerchief to its own marker wins.
00:58:49You ready?
00:58:54Go!
00:58:55Go!
00:58:56Go!
00:58:59Go!
00:58:59Come on, come on, come on!
00:59:37Come on, come on!
01:00:15Come on, come on!
01:00:40Come on, come on!
01:00:44Come on, come on!
01:00:46Come on, come on!
01:00:49The winner and our next battalion chief, Foreman Battle Neal!
01:00:55Come on, come on!
01:00:57Come on, come on!
01:00:59Congratulations, Olsen.
01:01:01The best man won.
01:01:02Best man, my input.
01:01:04Just remember, my first official visit as battalion chief,
01:01:07I want to see those three elephants
01:01:09from up and down that extension ladder.
01:01:11Come on, come on, come on!
01:01:13Come on, come on!
01:01:16Byron!
01:01:17What happened to you?
01:01:20We're engaged.
01:01:21Oh, Buck, congratulations!
01:01:24Well, I'm about to take leave of you now.
01:01:27Oh, but it's so cool and lovely on the terrace.
01:01:29Let's sit a while.
01:01:30Oh, but it's past me bedtime.
01:01:33I'm beginning to think you don't like me, Matt.
01:01:36Oh, why would you be saying that?
01:01:38Oh, why did you have to drag me home and away from the party so early?
01:01:41Me feet were killing me, Lulu.
01:01:42Are you saying that you're getting too old for parties?
01:01:44I never said anything of that kind.
01:01:46I just said me feet hurt me, that's all.
01:01:48And I was about to say goodnight to you.
01:01:50Uh, you know, I've had such a lovely time at the party
01:01:53that you can kiss me goodnight.
01:01:55Me?
01:01:57Come on, right here, hmm?
01:02:01Well, maybe it is just as well that we came home.
01:02:03Gave Pat a chance to get out from under your eagle eye.
01:02:07Yes. Goodnight.
01:02:09What did you say?
01:02:11You know, it's quite possible that one of these days
01:02:13Patricia is going to get married.
01:02:15She is not.
01:02:17Matthew, you may as well get used to the fact
01:02:20that you may lose fat.
01:02:21Loser? Over me dead body.
01:02:24Your dead body won't help if she's in love.
01:02:26Love? Oh, that's a lot of nonsense.
01:02:29I'd like to see the scallywag that would
01:02:30put such a silly idea into her head.
01:02:32I'd knock the stuffing out of him.
01:02:34You couldn't knock the stuffing out of love.
01:02:36Oh, don't be saying that, Lulu.
01:02:40She wouldn't do that.
01:02:42and leave her poor old father alone.
01:02:45You wouldn't have to be left alone, Matt.
01:02:48Huh?
01:02:49Oh, no you don't, you scheming female and your pitfalls.
01:02:53You're a wanton woman.
01:02:55You don't catch me falling into your clutches.
01:02:57Have you no shame?
01:03:00Well, you sprung your trap, but I'm not in it.
01:03:07I'll just have to set my trap again.
01:03:09Then I'll just have to set my trap again.
01:03:11Lovely night to go dancing.
01:03:15Lovely night to dance with you.
01:03:18Seems to me I hear music.
01:03:24Is it music?
01:03:27Or is it my heart that's singing?
01:03:31Time is right for romancing.
01:03:35Starry light shines above.
01:03:40Lovely night to go dancing.
01:03:45But it's a much better night to fall in love.
01:03:52You seem to be very happy.
01:03:53I am happy.
01:03:54Why not?
01:03:55Yes, why not?
01:03:58Thank you very much for a very lovely evening and good night.
01:04:01Wait a minute, what's your hurry?
01:04:02It's getting late.
01:04:04Oh, it's only 12.30.
01:04:06I don't know about you, but I had a wonderful time.
01:04:09I could see that you did.
01:04:11Well, didn't you?
01:04:12Yes.
01:04:13Miss Radford is very charming.
01:04:15Oh, Olivia, she's wonderful.
01:04:16Salt of the earth.
01:04:17Oh.
01:04:18As a matter of fact, I don't want a finer girl in the world than Olivia.
01:04:21Except you.
01:04:22It's very nice of you to say so.
01:04:24Is something wrong, Pat?
01:04:26No, nothing's wrong.
01:04:28Nothing at all.
01:04:29Oh, good.
01:04:30Well, let's go out again tomorrow night.
01:04:32I have a previous engagement.
01:04:34Oh.
01:04:35Well, uh...
01:04:37Well, how about the next night and we'll go to the Nickelodeon?
01:04:40Well?
01:04:41Well, what?
01:04:42Well, all right, only...
01:04:44Only what?
01:04:45Wouldn't you rather take Olivia?
01:04:48Gosh, no.
01:04:49Olivia's not exactly the Nickelodeon type.
01:04:51Well, of all the nerve...
01:04:54Patricia O'Neil!
01:04:55If you don't stop that lolly dude and come up to your bed,
01:04:58I'll come down there and take my fist to that young whelp!
01:05:01Oh, my gosh, good night.
01:05:04Good night, Pat.
01:05:06Have I told you lately I love you?
01:05:11Hello, Lulu.
01:05:12What are you doing out here?
01:05:14Oh, I came out to watch the stars, but I see they're in your eyes.
01:05:21What'd you say?
01:05:23Oh, I was just thinking how wonderful it would be to be young again.
01:05:27And in love.
01:05:28And in trouble.
01:05:30In trouble?
01:05:30They're the same thing, though.
01:05:32Well, I'm not in trouble.
01:05:33But I am in love, again.
01:05:36Have you asked her yet?
01:05:38Oh, told her you're me.
01:05:39Oh, no, you usually ask the young lady to marry you, Johnny.
01:05:42Marry me?
01:05:43Oh, I didn't.
01:05:44I mean, uh...
01:05:45Well, how could I?
01:05:46I'm broke.
01:05:47I couldn't afford it.
01:05:49Two would live as cheaply as one.
01:05:51If they're in love, and if they live in my house.
01:05:54Yeah, but I haven't anything to offer.
01:05:57The only thing she'd marry you for, if she's in love, is yourself.
01:06:01That's all.
01:06:02That's all that matters.
01:06:04Well, I don't know, though, Lulu.
01:06:07If I were you, I wouldn't let any grass grow under my feet.
01:06:10Somebody might beat you to it.
01:06:12Now, what if you're wrong?
01:06:14My dear boy, I may not always be right, but I'm never wrong.
01:06:21All right.
01:06:22I'll do it.
01:06:23I'll ask her at the Nickelodeon.
01:06:25Good.
01:06:26Good night, Cupid.
01:06:29Johnny?
01:06:31What a bow and arrow showing again.
01:06:45Sure, whatever you say.
01:06:49Hey!
01:06:50What's the matter?
01:06:51What happened?
01:06:54Gee, halt the fact!
01:06:56Go tell Pat!
01:06:57Hey, go!
01:07:00Goodbye!
01:07:02Lulu!
01:07:03Lulu!
01:07:04Lulu!
01:07:04What is that?
01:07:06Yahoo!
01:07:08Steve!
01:07:09Good heaven and earth!
01:07:11Hello!
01:07:13Happy New Year!
01:07:14Hey, Steve!
01:07:15Hey, Johnny!
01:07:16Hey, Byron!
01:07:18Oh, that's me!
01:07:19Somebody!
01:07:20Everybody!
01:07:22Look!
01:07:23Lee!
01:07:24Yahoo!
01:07:25I got it for Bill Pesci!
01:07:27Johnny!
01:07:28Johnny, I won!
01:07:30What?
01:07:30You were talking with the Da Vinci of Lulu's.
01:07:32The contest.
01:07:32Sure!
01:07:33I won the calendar contest!
01:07:34Look at it!
01:07:35500 simoleons!
01:07:36Congratulations, Steve!
01:07:37The rich are getting richer all the time!
01:07:39Just think of it!
01:07:39My calendar girl will be hanging all over the country!
01:07:41Did you tell Pat yet?
01:07:42Oh, I forgot!
01:07:42That's her check!
01:07:44Pat!
01:07:44Pat!
01:07:46Here I am!
01:07:48Hello, Johnny!
01:07:49I just heard!
01:07:50Isn't it wonderful?
01:07:51You bet it is!
01:07:52And that's not all!
01:07:53I'm going to introduce New York to its new calendar girl!
01:07:55Rectors, Churchills, Pastors, Delmonicos!
01:07:57We'll blaze a lobster trail up and down Broadway!
01:08:00I've always wanted to go to all those wonderful places!
01:08:03Oh!
01:08:04Oh!
01:08:05What's the matter?
01:08:06Oh, I'm sorry, Steve!
01:08:07I forgot!
01:08:07Johnny and I have a date tonight!
01:08:09What kind of a date?
01:08:10What were you going to do?
01:08:11Oh!
01:08:12Wasn't anything!
01:08:13We were just going to the Nickelodeon!
01:08:14Ah!
01:08:15Those tin-type flickers will make you dizzy!
01:08:17They'll ruin your eyes!
01:08:18Let's all go on the town together!
01:08:19Make it a threesome!
01:08:20We ought to have a celebration!
01:08:22Sure!
01:08:22How's about it, John Boy?
01:08:24Well, if Pat would rather!
01:08:26Oh, I would!
01:08:26I would!
01:08:27Fine!
01:08:28Then we'll start at 8!
01:08:29The pot's on night duty at the station, so we can really have a whirl!
01:08:33Oh, golly!
01:08:33I've got lots to do!
01:08:34I'd better get ready!
01:08:36Shall I dress up?
01:08:37Of course!
01:08:37You'll be the belle of the town, Pat!
01:08:38From now on, you have something to live up to!
01:08:40You'll have your picture in every house in the land!
01:08:42Oh, and here's the check!
01:08:43It's all yours!
01:08:45A solid silver trumpet!
01:08:48Oh, gee, Pop will be thrilled!
01:08:50See you later!
01:08:57Are you ready, my friend?
01:09:00Gee, Steve!
01:09:01You look terrific!
01:09:02Always terrific, son!
01:09:04Always the epitome!
01:09:05Let's roll!
01:09:07Oh, wait a second, Steve!
01:09:09I feel kinda...
01:09:10Well, maybe I'm not dressed well enough!
01:09:13That's your best suit, isn't it?
01:09:15Yeah!
01:09:16That's the only suit I got!
01:09:18Well, that's alright, kid!
01:09:19Let's go!
01:09:20The carriage I ordered is probably waiting!
01:09:22I want to stop off and pick up orchids for the lady!
01:09:24Carriage?
01:09:26You got orchids?
01:09:27Nothing but the best for Patricia tonight!
01:09:30Steve, I'm not going!
01:09:32What?
01:09:32You two go ahead with me!
01:09:33Oh, come on, Johnny!
01:09:36We can squeeze you by the maitre d's!
01:09:38We can take a corner table!
01:09:40I'm not going!
01:09:41You and Pat go and have a fine time!
01:09:43Well, what'll I tell her?
01:09:44Well, tell her...
01:09:46Tell her I had to wait!
01:09:47That I was expecting a phone call or anything!
01:09:49A phone call?
01:09:50All right!
01:09:51I'll tell her!
01:09:54Steve!
01:09:55Yes?
01:09:57Look, Steve, uh...
01:09:59Don't ever do anything to hurt her!
01:10:00I never hurt him, kid!
01:10:02I just stunned him!
01:10:53How are you?
01:10:59Oh, Lulu.
01:11:00Johnny, are you all right?
01:11:02Sure, I'm all right. What's the matter?
01:11:03Well, I was just worried about you.
01:11:05I heard you facing back and forth.
01:11:07Well, I'm sorry. I didn't mean to keep you awake.
01:11:09Oh, that didn't matter.
01:11:11Were you worrying about that?
01:11:13Well, aren't you?
01:11:14No, of course not.
01:11:15You can't blame a girl her age for wanting the excitement, the glamour.
01:11:19It doesn't mean a thing.
01:11:20Well, it does to me.
01:11:22Johnny, you trust Pat, don't you?
01:11:24Of course I do.
01:11:25But I don't trust Steve.
01:11:27Go to bed and stop your fretting.
01:11:29You're acting like a little bull.
01:11:32Everything's going to be all right, Johnny.
01:11:34Believe me.
01:11:36Good night, boys.
01:11:37Good night, Lulu.
01:11:38Thanks.
01:11:56Water, water, water everywhere, but not a drop of champagne left.
01:12:01I just love champagne, don't you see?
01:12:03Don't you just love champagne?
01:12:04I just love you, Pat.
01:12:06You and champagne.
01:12:08Do you love me first and champagne second, or do you love champagne second and me first?
01:12:13That's not right.
01:12:38Johnny doesn't adore me.
01:12:41Johnny doesn't adore me.
01:12:42Johnny doesn't adore me.
01:12:42Johnny only adores telephone calls from Boston.
01:12:43Let's get away from all this.
01:12:46You've been to every place, haven't you, Steve?
01:12:48You've traveled all over the place.
01:12:50Yep.
01:12:52Have you ever been to Niagara Falls?
01:12:53Why, Angel Eyes?
01:12:55I always wanted to go to Niagara Falls on my honeymoon.
01:13:01Honeymoon?
01:13:03What's it like, Steve?
01:13:04What's Niagara Falls like?
01:13:05As far as I'm concerned, it's just a lot of water going over a cliff.
01:13:11Is that so?
01:13:13I want to go home.
01:13:15Oh, all right.
01:13:16But let's go to the San Suu's Sea first, huh?
01:13:18Nope.
01:13:19I said I want to go home, and when I say I want to go home, I go home.
01:13:24Stop pushing.
01:13:27She wants to go home.
01:13:39Here you are, my friend.
01:13:57Thank you, sir.
01:14:10Harding is such sweet sorrow.
01:14:12Tomorrow...
01:14:13Johnny, Johnny, Johnny, Johnny.
01:14:14What do you mean, staying out so late?
01:14:16I ought to spank you.
01:14:17Cut it out, Steve.
01:14:18You've got a lot of nerve keeping her out till this hour.
01:14:20Oh, look who's talking.
01:14:22It's none of your business.
01:14:23If your father was home, he'd whip the tar out of you with a razor strap.
01:14:26Wait a minute.
01:14:27You can't talk to Pat like that.
01:14:28That's right.
01:14:29You can't talk to Pat like that.
01:14:31I can't, huh?
01:14:31Well, I happen to know that...
01:14:33Shut up.
01:14:33You better run along like a good boy.
01:14:35Take your hands off me, Steve.
01:14:37She's a big girl now.
01:14:38She's old enough to take care of herself.
01:14:40I said take your hands off me.
01:14:41Come on.
01:14:42Johnny.
01:14:44All right, Johnny.
01:14:46That's the way you feel?
01:14:47That's the way I feel.
01:14:49Good night, Pat.
01:14:50Wait a minute.
01:14:51Get away from me and leave me alone.
01:14:53I don't need you to help me.
01:14:54You go help your old Olivia.
01:14:55I can take care of myself.
01:14:57See?
01:14:57You can take care of yourself like a baby when it comes to guys like Steve.
01:15:00You're just jealous of Steve.
01:15:02Pat, there's something you've got to know.
01:15:03You're jealous of his painting and winning the prize and everything.
01:15:06Listen, you're wrong, Pat.
01:15:08I'm not jealous of anything except you.
01:15:10Don't you understand how I feel about you?
01:15:13You're it.
01:15:14You're the one.
01:15:15You're the only thing in my life that means more to me than even music.
01:15:20Boston Blarney.
01:15:21Go tell it to Olivia.
01:15:22Olivia?
01:15:23What do you mean?
01:15:24Olivia doesn't mean anything to me.
01:15:26Next thing you'll tell me, you don't even know her.
01:15:28Of course I know her, but only as a friend.
01:15:30It's just that, well, Steve and...
01:15:33Oh, I see.
01:15:33Now she's Steve's girl.
01:15:35Well, she is Steve's girl.
01:15:38You contemptible.
01:15:39Get away from me and leave me alone.
01:15:42Get out of here.
01:15:43Get out.
01:15:43I never want to see you again.
01:15:45All right.
01:15:47If that's the way you want it, Pat.
01:15:56Johnny.
01:16:02Johnny.
01:16:02I don't want to see you again.
01:16:03I don't want to see you again.
01:16:04I don't want to see you again.
01:16:06I don't want to see you again.
01:16:06I don't want to see you again.
01:16:08I don't want to see you again.
01:16:11I don't want to see you again.
01:16:13I don't want to see you again.
01:16:15I don't want to see you again.
01:16:17I don't want to see you again.
01:16:18I don't want to see you again.
01:16:20I don't want to see you again.
01:16:21I don't want to see you again.
01:16:22I don't want to see you again.
01:16:23I don't want to see you again.
01:16:23I don't want to see you again.
01:16:25I don't want to see you again.
01:16:28I don't want to see you again.
01:16:41Hey, Johnny!
01:16:42Hiya, Butch!
01:16:43Did you see the calendar girl?
01:16:44No!
01:16:50She hasn't much modesty, has she?
01:16:52Perfectly shocking.
01:16:54Some figure.
01:16:55She doesn't mind showing it.
01:16:57What do women think of next?
01:17:05Oh, that's me!
01:17:08Hey, it's the calendar girl!
01:17:12Oh, you beautiful dog!
01:17:14Mama, find me that!
01:17:16Hey, fellas, look.
01:17:17It's the calendar girl.
01:17:18Anytime you want to get off that calendar,
01:17:19I'll show you a real date.
01:17:22I'd really more at home like you.
01:17:24I love my wife, but oh, you can't.
01:17:48The shameful shame of it.
01:17:50You and me own daughter making a public spectacle of yourself.
01:17:53Oh, Pop, I didn't.
01:17:54Posing like a hussy with next to no clothes on.
01:17:57I didn't.
01:17:58I didn't pose like that at all.
01:17:59Steve changed the picture after it was finished.
01:18:01Oh, it was Steve, was it?
01:18:03Oh, Pop, I only did it so I could win the prize money for you.
01:18:08I wanted to get you this.
01:18:14Well, well.
01:18:17Build up the pressure!
01:18:21Oh, that was a sweet thing for you to do, Patsy.
01:18:24And I believe what you did was done in innocence.
01:18:27But as for that Steve fella,
01:18:29that double-crossing, worthless young no-good,
01:18:31preying on a maiden's innocence,
01:18:33I'll beat him to a fresh pup within an inch of his life!
01:18:36Oh, Pop, please, Pop, don't do it!
01:18:57This is perfectly beautiful.
01:18:59Lulu!
01:18:59Beautiful!
01:18:59What, dear, what happened?
01:19:01It's Pop, he's on his way over here.
01:19:02Why?
01:19:03The calendar.
01:19:04Calendar, indeed.
01:19:05Well, how can he get excited over a calendar
01:19:06when he doesn't even know what month it is?
01:19:08He's going to beat up on Steve.
01:19:09But why?
01:19:10It's a perfectly beautiful calendar.
01:19:11It brings out your personality charmingly,
01:19:13but most charmingly, my dear.
01:19:15That's why I'm here.
01:19:16Do you know what I'm going to do?
01:19:17Please, Lulu, help me.
01:19:18I will, dear.
01:19:19Come on.
01:19:21Tell Steve to hide.
01:19:22I'll try to stop your father.
01:19:23Bye.
01:19:27I must say, darling,
01:19:28I was honestly overwhelmed when I saw your art.
01:19:30Didn't think I could do it, eh?
01:19:32I'm the hottest thing on canvas in this town right now.
01:19:34Painting calendars, you mean.
01:19:36The time is up, you know, Steve.
01:19:37I expected you to return with me.
01:19:39But if you'd rather paint, I...
01:19:40Wait, Libby, I didn't say that.
01:19:42Steve!
01:19:43Hello.
01:19:43Hello.
01:19:44Steve, you've got to get out of here.
01:19:45Why?
01:19:45The painting, the calendar.
01:19:47My father's on his way up here to kill you.
01:19:48What?
01:19:49I couldn't help it, Steve.
01:19:50His temper is out of control.
01:19:51You've got to hide someplace.
01:19:52You ought to work things out better than that, Steve.
01:19:54You've had enough experience by now.
01:19:55This isn't funny, Olivia.
01:19:56You don't know my pop.
01:19:58Steve will be lucky if he can crawl out of here.
01:20:02Matt?
01:20:03Matthew O'Neill?
01:20:04Turn yourself right around and march away from my house.
01:20:06Out of my way!
01:20:07Have you seen the calendar?
01:20:08I have, and it's beautiful.
01:20:10It's a disgrace and shaper.
01:20:12Now, just a minute.
01:20:13Don't get so personal.
01:20:14Suppose it wasn't your daughter.
01:20:16That's a beautiful picture.
01:20:18You uncultured old baboon.
01:20:20You don't know art when you see it.
01:20:21It's a fine infuriate you've been on me, child.
01:20:23And she posed for it in your house.
01:20:25And I'm proud of it.
01:20:26Are you just finding out that your daughter has legs?
01:20:29It's about time some artist did something about it.
01:20:31Women do have legs, you know.
01:20:33And they're very beautiful.
01:20:35Woman, you're depraved.
01:20:37And you're blind.
01:20:38You don't know beauty when you see it.
01:20:40Out of the way!
01:20:40I'm going to press that youngster!
01:20:41Now, Matt, can you get out of my house?
01:20:43Woman, stand aside.
01:20:45I'm going to murder it.
01:20:46I'll call the police.
01:20:47Well, call them.
01:20:48I'll call...
01:20:55Eddie, Eddie!
01:20:56Hurry, hurry, quick!
01:20:57Go down in the kitchen.
01:20:58Close the damper.
01:20:59Make a lot of smoke down there.
01:21:00Try to find something to burn in the stove.
01:21:02Yes, yes, those things will be fine.
01:21:13Here he comes.
01:21:14Go back.
01:21:14But there's no place to hide him.
01:21:16You can always hide behind my skirt.
01:21:17Go ahead.
01:21:18I'll see if I can stop him.
01:21:21Please, Pop, you don't understand.
01:21:23It takes very little understanding.
01:21:24Oh, wait a minute.
01:21:25There'll only be trouble.
01:21:26Trouble?
01:21:27There may be murder.
01:21:28Stand aside.
01:21:29Listen to me.
01:21:29There's something I have to tell you.
01:21:31What is it?
01:21:32We're engaged.
01:21:33Ah.
01:21:37Engaged?
01:21:38You know, to be married.
01:21:40What?
01:21:41You and Steve?
01:21:42Yes.
01:21:52Me funny, little Colleen.
01:21:54And why didn't you tell your old daddy?
01:21:57You didn't give me time.
01:21:59Well, well.
01:22:00What do you know, me little girlie?
01:22:03We thought you might be angry.
01:22:04Me angry?
01:22:06Now, how silly.
01:22:07Have you ever seen me lose me temper?
01:22:12Well, maybe it is, Art.
01:22:14You do kind of look like your mother a little.
01:22:18You're a talented fellow, Steve is.
01:22:20And I always wanted a son.
01:22:23Well, I'll have to congratulate me prospective son-in-law.
01:22:26Oh, no, Pop.
01:22:27Not now.
01:22:27Not now.
01:22:28Now, come along.
01:22:28You wouldn't have him think we're snobs just because we're from New York.
01:22:31And he's only from Boston.
01:22:33Now, come along now.
01:22:38Engaged, is it?
01:22:39Why, yes.
01:22:41This is my fiancée, Miss Radford.
01:22:44What?
01:22:45Oh, I'm afraid there must be some sort of mix-up.
01:22:47Nothing to what there's going to be.
01:22:49Well.
01:22:50Making her fool of me daughter.
01:22:51Taking advantage of her ignorance.
01:22:53Tricking her into the picture.
01:22:54Cheating with her affections.
01:22:57You see now?
01:22:58What a snake in the grass is snake in the grass has turned out to be.
01:23:00Indeed, I do.
01:23:02Ah, teach you, young well.
01:23:03I'll show you what.
01:23:04I'll...
01:23:05Here.
01:23:11That's pretty far.
01:23:14I'll take care of you later.
01:23:18Don't get scared.
01:23:19It's just a trick of Lulu's.
01:23:20I want to talk to you.
01:23:34Are you crazy man clenching smell and smoke?
01:23:36Get out of here!
01:23:37We're trying to save you the thing.
01:23:39It's too late.
01:23:40Don't you know the house is burning?
01:23:48Where's the fire?
01:23:48Down in the kitchen.
01:23:50Oh no, no, not again.
01:23:53Pulse alarm!
01:23:54Hold everything!
01:23:55Hold that woman.
01:24:03Let me out of here!
01:24:06Let me out of here!
01:24:07All right, Eddie.
01:24:08Let me out of here!
01:24:09Let me out of here!
01:24:11Let me out of here!
01:24:13Let me out of here!
01:24:13Why'd you tell me she was your cousin?
01:24:15Cousin?
01:24:16Oh really, Steve?
01:24:16Isn't that going a bit too far?
01:24:18I'm sorry, Pat.
01:24:19You're sorry.
01:24:20What have I done to Johnny?
01:24:21You better get out of here before Pop comes.
01:24:23How can we get out without he seeing us?
01:24:25Come on, I'll show you.
01:24:30This way, hurry up!
01:24:34That's Riley, just go right through my room and downstairs.
01:24:36And I hope you'll both be very happy.
01:24:38Oh, thank you so very much, Pat.
01:24:39This way to Boston, Steve.
01:24:40Yes, Libby.
01:24:41Patricia.
01:24:43I have wonderful news for you.
01:24:45Yes?
01:24:45There's no time to be crying.
01:24:47I've decided to stage a musical comedy, Calendar Girl, and the real Calendar Girl is going
01:24:52to be in it, naturally.
01:24:54And the score, Pat.
01:24:55The score is written by a brilliant young composer.
01:24:57I can hear it now, opening night, curtain time.
01:25:02The best people are waiting in the audience, only the best people.
01:25:07The orchestra tunes up.
01:25:16Conductor mounts the podium, takes out his baton, and after an expectant hush,
01:25:34I'm in love with a calendar girl, every day of every month of every year.
01:25:47I go round with my head in a whirl, every time I see that lovely girl.
01:25:57My face appears, and to this boy, she'll never know the joy she's giving.
01:26:08I love her so, she doesn't know I'm even living.
01:26:19I'm in love, and I'm living for her, and longing to be my girl on the calendar.
01:26:38Have I told you lately I love you?
01:26:45Johnny.
01:26:46Have I told you lately I care?
01:26:53I may be blinded by all of your charms.
01:27:01Grow absent-minded when you're in my arms.
01:27:08Have I told you lately?
01:27:12Have I told you lately?
01:27:13Have I told you lately you've thrilled me?
01:27:20Now then, you scallywag.
01:27:24It's all right, Pop.
01:27:25We're in case.
01:27:27In case, is it?
01:27:29Will you make up your mind?
01:27:30I love you?
01:27:32If I hadn't, I'm telling you now.
01:27:42I love you.
01:27:49I love you.
01:27:57I love you.
01:28:12I love you.
01:28:12I love you.
01:28:19I love you again.
01:28:19Bye, cold, cold.
01:28:19I love you.ầda
01:28:19Tellur. Dr cause
01:28:22you're from the symptom that's always gonna be sad mob on today. Mr.
Comments