- 2 months ago
Category
📺
TVTranscript
00:01Wolfgang Amadeus Mozart.
00:03Antonio Salio.
00:04The whole reason why I came to Vienna
00:06was to write for the Imperial Opera.
00:09Oh, yuck. Who wrote this?
00:11Can I change it?
00:15My goodness!
00:17Oh, fantastic!
00:20Good composer.
00:21It's an honor to serve the crown.
00:23I want you to succeed here.
00:25Mozart!
00:27Hello.
00:30It used to be that I could find his voice
00:34as easily as I found my own.
00:36His?
00:37God's.
00:38Oh, yes.
00:40Him.
00:43It was just...
00:45too many notes.
00:46Just because you're stuck rehashing boring old operas
00:48doesn't mean I have to be.
00:50Maybe God doesn't speak to you because you fucking bore him.
00:53Perhaps it was in that moment I knew
00:55I was gonna kill Wolfgang Amadeus Mozart.
01:00He didn't know what he was again.
01:01He was coming back.
01:02Peter Chisholm, he has said,
01:03No, no to him.
01:04He's got it.
01:05He has to be an alien state.
01:06He was still there,
01:07but he has to be.
01:08He was only the kind of a six-year-old owner,
01:09because I knew he won't be the owner of the project.
01:10He was taken from his side.
01:11And the Jr., and the Jr.
01:12was a young lady,
01:13in effect.
01:14He took the wood off of the ground
01:16and said,
01:17yes...
01:18That's the place he did!
01:19The Jr.
01:20He used to live in the event.
01:21The Jr.
01:23He uses a piece of the world
01:24to shine that has been laid out
01:55You're shocked.
02:02I don't blame you.
02:04It's a shocking thing to hear.
02:08Why?
02:09Why share this with me?
02:12Why not tell this to a priest or a constable?
02:16You and I have no great bond.
02:19Or had you forgotten what you did?
02:21But we have the greatest one, Frau Mozart.
02:27We have him.
02:40Hey, Mozart.
02:42They're ready for you.
02:44Come here.
03:07They're ready for you, you know.
03:22Yay!
03:36Ah!
03:42Antonio!
03:43It's the Salieri.
03:44Oh, I'm Frau Salieri.
03:46It's the Salieri.
03:47You came?
03:48Yes, we came.
03:49Congratulations.
03:50Thank you so much.
03:52Your bride is on a table.
03:54Yes, I don't know why.
03:56You know, I've been thinking about it, and I forgive you for what happened when you didn't
04:00defend me.
04:01I really do.
04:02I mean, I understand it now.
04:03You're in a very difficult position.
04:04We all know how beholden you are to this emperor, all the constraints and the rules.
04:08It's no wonder that some of your things don't fly.
04:11You're like a big, beautiful bird in a cage.
04:13I could never do what you do.
04:15It drives me absolutely fucking mad.
04:17I heard there's a new one coming, though.
04:18Is that true?
04:19Yes.
04:20La scuola de gelato.
04:22La scuola de gelato.
04:23Ice cream schooler.
04:24Gelos.
04:25Ah, gelos.
04:26School of jealousy.
04:28Well, Stanzi's sister is going up for a part.
04:31Very good singer.
04:32Completely fucking mental, but lovely singing, boys.
04:36Please, make yourselves at home.
04:38Enjoy these sausages and gherkins.
04:45Oh my god.
04:46No, man, man.
04:47Leave!
04:48Yes.
04:49Yes, yes, yes.
04:50That way we don't need any Chair,ischen.
04:51Yes.
04:52No, my goodness sir.
04:55We're so close my son.
04:56Let's start at home and go!
04:57Welcome him first and visit us.
04:58www.a-a-v-ast-s globalization.
04:59I can help him, and who's in that newbie.
05:00I'm in that he's a ë°˜ on me.
05:02Oh my God!
05:06He didn't come to the wedding.
05:21Who?
05:24My father.
05:31My father didn't mind.
05:32I suppose he is dead, so I have to forgive him.
05:40You should write to him.
05:42Tell him off.
05:45Maybe I will.
05:52Come now.
05:53You're getting better, your majesty.
05:54What's the punishment for lying to an emperor, do you think?
05:56Is it flogging or beheading?
05:59There are people in this palace who drag you out into the garden
06:01and beat you to death with rocks, if I ask them to.
06:04All of them, actually.
06:06You still have some way to go, but you are improving, majesty.
06:15My niece, Elizabeth, was coming to Vienna.
06:18She needs a music tutor, lest she ends up like her uncle.
06:21The princess?
06:22Your majesty, I would be honoured to...
06:24I'm sure you would call composer, but no,
06:28I think the princess would like somebody a little bit more.
06:30A bit more?
06:31Oh, I don't know.
06:32Vibrant.
06:34Well, she's young.
06:35You understand what I'm trying to say.
06:37Yes, I think I do, sir.
06:38She had a rather fun idea.
06:40How about Mozart?
06:42Mozart?
06:43I think she might rather like that.
06:44He tutors, surely.
06:46I've heard the boy play.
06:47I mean, God, if he can rub some of that off on my niece,
06:49then so much the better.
06:51How is he, anyway?
06:53I was worried that he was a bit wounded
06:55by my critique on his opening night.
06:56Well, he's written about 200 concertos
06:58and gone married since then,
06:59so I think he's doing fine, sir.
07:02Yes, I was hoping that he might be given a chance
07:03to write something new for us.
07:06Another brothel set fantasy with too many notes, perhaps?
07:10Perhaps a little more judiciousness
07:11in your handling of him next time,
07:12but, you know, it's funny,
07:13I went away from that opera,
07:14I couldn't stop thinking about it.
07:16It's gone under my skin somehow.
07:18We need to be bolder, Antonia.
07:21You were right, getting you to restage Tarare,
07:22it was...
07:23A success.
07:24It was safe.
07:26A copy of a Parisian hit,
07:28that's what my sister called it.
07:29No, courage is what's needed now.
07:31Courage in court and in government.
07:33We need to be brave, Antonia.
07:36Brave men win the day, do they not?
07:38Of course, Your Majesty.
07:39I'll let you give Mozart the good news about Elizabeth.
07:42Wonderful.
07:44My goodness, Rupert.
07:56Have you been practising?
07:59Um, yes.
08:02Yes, now I can tell.
08:03You've really improved, haven't you?
08:05I kid, of course.
08:07I jest, I jape, I make merry.
08:09I can tell that you're lying, Rupert.
08:10I can tell you have not been practising.
08:12In fact, what you just produced leads me to question
08:15whether you haven't actually discovered
08:16something that is sort of the reverse of practising.
08:19A kind of not practising, so powerful
08:21as to completely undo all of the accumulated knowledge
08:23of our previous session.
08:24A sort of anti-practice.
08:26Have you cultivated an irrational fear of competency, perhaps?
08:30Did somebody perform rudimentary surgery
08:32and replace your ten fingers with flaccid baby cocks, Rupert?
08:36Do you have flaccid baby cocks for fingers, Rupert?
08:38Have you even touched this fucking harpsichord
08:40a single time since I walked out of that door a week ago?
08:42No, I didn't think so, and that's why you're not playing it very well.
08:51Now, I'm going to go and use your privy
08:53in the hope that the noise of my intestinal fluctuations
08:55are more pleasing than whatever the fuck
08:57you just try to fart out of these keys.
08:59Are he be cocks for fingers?
09:08Yes.
09:09I'm going to run out of students.
09:11Don't worry.
09:12Everybody in this town wants to learn the violin
09:14or the fortepiano or the fucking triangle.
09:16Got a letter.
09:18From your father.
09:20He came on your sleep.
09:21Like an assassin.
09:22Mm-hmm.
09:24Mm-hmm.
09:28Let me see.
09:29Don't worry.
09:36It's just his way.
09:38He doesn't deserve you.
09:40He definitely deserves me.
09:42Poor old bastard.
09:44Right.
09:45I might be a little bit late this evening.
09:47Mm-hmm.
09:48Bring some people back with me.
09:49Do you mind?
09:49No.
09:49Your sister is a great talent.
10:15Yes.
10:22I'm sorry.
10:23You did want to see me, didn't you?
10:25Yes.
10:25Yes.
10:25I hear your husband lost another pupil.
10:32Yes, he did.
10:35Well, as luck would have it, a new job has become available.
10:41A royal appointment, actually.
10:43Princess Elizabeth.
10:44A princess?
10:46The princess.
10:47A princess.
10:47Now, tutoring her is a position that will hold significant standing in the court and beyond.
10:53I mean, he'd be perfect for it.
10:56He's a brilliant tutor.
10:57My playing has come out so much and that's just what I said to him.
10:59I'm wondering if you might bring me his manuscript so that I can properly consider his work.
11:03Make his case to the emperor.
11:05Yes, of course.
11:09Bring the works to my residence, newer ones if possible, and I ask that we keep this strictly between us.
11:17Absolutely.
11:19Well, I'll go and get them right away.
11:23All right.
11:23Well, I'll go and get them right away.
11:53A young lady is here to see you, son.
12:03Yes.
12:08Send her in.
12:15Constance, sir.
12:16Herr Salieri.
12:17Come on, please.
12:18I'm telling you.
12:19Help yourself to a treat from Werner's.
12:23My footman gets them.
12:24Do you know Werner's in town?
12:25Mm-hmm.
12:25Very good bakery.
12:29So these are his newest works?
12:32All from the last month or so.
12:37All this from the last month.
12:39Or so.
12:40Do you think I could keep these to look over?
12:50I don't think that, um, well, he doesn't know I've come here.
12:54And he'll miss them.
12:56He doesn't make copies.
12:58These are our origins?
13:05Mm-hmm.
13:12Dear God.
13:16Do you mind if I...
13:17No, please.
13:17Do you mind if I could keep these?
13:47So what do you think?
13:51Could you speak to the emperor on his behalf?
13:53Yes, I could speak to the emperor.
13:58What is his name for?
13:59But know that to do so would be a cost on my blood.
14:12It will be a cost.
14:14There are many powerful men who could give me something in return for my help.
14:21We don't have anything we could give you.
14:23I thought you wanted to help us.
14:35Well, I do.
14:37I do, of course I do.
14:41But you are a woman.
14:43I am a man.
14:46This is the way of things, now.
14:47Is it really so awful, the thought of it?
14:58The idea of it?
15:00Is it so high a price to pay for what I am offering?
15:04You do understand what I am offering.
15:06You must never know.
15:27I am a woman.
15:43Like you said.
15:45So where should we do it?
15:46Should we do it here?
15:47Or in the bedroom?
15:48You have to be delicate.
15:49Do you understand?
15:50Get dressed.
15:51Why, have you changed your mind?
15:54You're so dressed.
15:59The princess.
16:04Yes, I'll speak to the emperor.
16:15Forgive my sinful mind and my temptation.
16:17I walked to the edge, but I didn't go over.
16:21I didn't.
16:24You pulled me back.
16:26And I commend myself to you.
16:30I know your destiny is right.
16:33Perhaps in your divine wisdom you felt you'd given me too much already.
16:37Terraria was a success.
16:38I thought the next one will be too.
16:41And I am grateful.
16:43I'm so grateful.
16:44And I commend myself to you.
16:52The purity.
16:56This ends now.
16:59I swear.
17:00I swear.
17:01I swear.
17:01I swear.
17:03I swear.
17:03I swear.
17:03I swear.
17:04I swear.
17:04I swear.
17:05I swear.
17:05I swear.
17:05I swear.
17:06I swear.
17:06I swear.
17:07I swear.
17:07I swear.
17:07I swear.
17:07I swear.
17:08I swear.
17:08I swear.
17:08I swear.
17:09I swear.
17:09I swear.
17:09I swear.
17:10I swear.
17:10I swear.
17:11I swear.
17:11I swear.
17:11I swear.
17:12I swear.
17:12I swear.
17:13I swear.
17:13I swear.
17:14I swear.
17:14I swear.
17:15I swear.
17:15I swear.
17:15I swear.
17:16I swear.
17:16I swear.
17:17I swear.
17:17I swear.
17:18I swear.
17:19I swear.
17:19I swear.
17:20I swear.
17:21I swear.
17:22Dear Wolfgang, I write to you now as a father, a position which I understand you are soon
17:39to occupy yourself. I have great concerns about you and much that we need to talk about.
17:45I wonder if you will now understand this better once...
17:52He looks like a tomato. Is he said anything yet?
18:17Erm, no. No. Very rude, Jan. Very rude. How was it? I shit myself.
18:26What are you trying to write? Pardon? What are you trying to write?
18:45A Mass? A Mass? Yes, you know, a celebration.
18:49For what? For becoming a father.
18:54And how is that going? I'm trying to get Sophie.
18:58He's alone.
18:59About as well as this fucking Mass?
19:01Why can't you just sit and be a film again?
19:07Dear Wolfgang, I've concerns about you and much that we need to talk about. I hear you've been making a spectacle of yourself. I hear hardly anything of your talent. And I hear even less of your success.
19:20You embarrass our good name. A child masquerading as a composer. Outstanding arrogance to think you no better than your own father. The years your mother and I spent on you.
19:29You trained for so long. So hard. You must listen to me. Insolent fool. Abject face. Salved your reputation. Come back to Sonson. Return home. Come back.
19:49Come back to Sonson.
20:01It's Moncato.
20:02It's Moncato.
20:29Hello?
20:32You're having a nightmare.
20:40Let's have a look at you.
20:51I do love you.
20:54I think I do.
20:57I think that's what this is.
20:59Do you feel loved?
21:02Eh?
21:04Can I ask you a question?
21:06Do you like me to love you, Raymond?
21:10No, I'm just asking.
21:14Just asking.
21:15All you do is piss and shit and suck on my wife's tits.
21:24You stole my act.
21:25Why can't I finish your fucking mask, Raymond?
21:28Why can't I finish your fucking mask, Raymond?
21:31Yes, well there we go. A noble attempt, your highness.
21:37Um, might I suggest...
21:38I don't care for it.
21:39I'm sorry?
21:40Music.
21:41Music.
21:42Ah.
21:43Yes, well there we go. A noble attempt, your highness. Um, might I suggest...
21:48I don't care for it.
21:49I'm sorry?
21:50Music.
21:51Ah.
21:52Yes, I wondered if that might be the problem.
21:54Would you like to, um, sit next to me? On the stool?
22:00Of course.
22:01I don't care for it.
22:03I'm sorry?
22:05Music.
22:07Ah.
22:09Yes, I wondered if that might be the problem.
22:13Would you like to, um,
22:15sit next to me? On the stool?
22:17Of course.
22:25The last teacher I had was even younger than you.
22:29Used to rub himself onto the clavicle as I played.
22:35Did he? Yes.
22:39He put a finger inside me once.
22:42My father found out and had his hand cut off.
22:48That was just before I was sent to live here.
22:56Shall we, uh, start again?
22:59From the top?
23:00Well, we can start from whichever end you like, Mozart.
23:06Very good.
23:08Fucking hell.
23:10Okay, Your Highness.
23:11Whenever you're ready.
23:13I'm just going to, uh,
23:16watch from over here.
23:17Come over here.
23:29The opportunities I lost.
23:31The time I spent.
23:32Come back to Salzburg.
23:33You cannot continue to ignore me, Wolfgang.
23:35Come back to Salzburg.
23:36You must listen to me.
23:38Fight!
23:39I'll shut you up.
23:40Stanza!
23:42Pack your trunk.
23:43We're going away.
23:45Where?
23:46Salzburg.
23:50He used to feed every two hours or so, but it's been going down lately.
23:52Her night he used to sleep quite badly.
23:55He needs his bed clothes cleaned.
23:56A child I've raised four girls.
23:57I think we can look after a baby.
23:58Well, this one has a cock, so don't get startled and chop it off by mistake.
24:02We'll write to you when we get there and we don't plan to stay beyond the end of the month.
24:05Off we go.
24:06Enough faffing.
24:08Bye, Raymond.
24:14Sometime just you and me.
24:17Without this small goat lying between us.
24:20Kicking us with its tiny hooves.
24:23Do us good, I think.
24:24I don't remember that.
24:26It was a joke.
24:29Mozart had taken you, his beautiful wife, on a sojourn away from the city.
24:35And in his absence, piano was mine once again.
24:39I released my newest opera, La Scuola de Gelosi, to great acclaim.
24:44and clean.
24:45The
24:47love indeed.
24:48so
24:51How good is it not happening?
24:53Yeah.
24:55Holy crap.
24:56We're sorry.
24:59We're is algunos good quizzers.
25:00We're sc兵 über
25:09We're
25:11Ovo, dessi sta, latina e svera
25:14Ti disturba in sacco nordur
25:18Chaffa si perderÃ
25:20A non negli che cerferfergo
25:23Più di quella di giustosi
25:26Se ne stringe noi ci attento
25:28Non incerta fedeltÃ
25:31Non incerta fedeltÃ
25:35Fedeltà , fedeltÃ
25:41It was such a hit, in fact, that my librettist De Ponte and I even considered a sequel.
25:47The idea was abandoned, but offered to another composer who reworked it into a new piece.
25:52You'll know it by the name Cosifantuti.
25:55But then I tried not to dwell on such detail.
25:59For a while, I reveled in my success and position, as if nothing had ever changed.
26:07Little did I know what was coming.
26:11This is where you grew up?
26:15Mm-hmm.
26:16Would Master Wolfgang care for some supper, perhaps?
26:21Or would Sir prefer to go straight to his bedchamers?
26:27Straight to the bedchamers, please, Floyd.
26:29Very good, Sir.
26:41Good morning, Florian.
27:07Good morning, Master Wolfgang.
27:11Where is my father?
27:12Left early this morning, sir.
27:15He expects to return in a day or two.
27:17You told him that we arrived last night, yes?
27:19Oh, indeed, yes, sir.
27:24Very good.
27:25Good, schon.
27:42Yes, sir.
27:46Good night.
28:17The first piece I ever wrote.
28:23The piano I wrote it on.
28:27Where's your father?
28:29Gone somewhere for a few days, I don't know.
28:33But he knows we've arrived.
28:37Yes, he does.
28:47He does.
29:17Good to see you, you too. We're having chicken. We've been here for three days.
29:34I had business out of town. Well, you knew we were coming.
29:40Where's your wife? Getting changed. Into what? Is there wine?
29:46You know, I wrote to you for months. You didn't reply.
29:50I've been busy. Oh, yes, I hear that. I hear you've been very busy.
29:54I hear you drink. I hear you throw lavish parties.
29:58Here we go. I hear you've been making a spectacle of yourself.
30:01Or am I wrong? Too many notes. Don't think that didn't filter back to me.
30:05The emperor does not know anything about music, does he?
30:08Is this cognac? Brandy? Take anything at this point.
30:13My greatest fear when he left Salzburg was that this would happen.
30:17That what would happen?
30:20That you would squander your gift.
30:22Not squandering anything. Teaching the princess piano.
30:26Did you not know about that? I thought you'd be impressed.
30:29That's one hour of your week accounted for. What of the rest?
30:32Why do I not hear any tales of triumph and glory?
30:36Just stories of an insolent fool dancing around an apartment he can barely afford with some pauper's daughter on his arm.
30:44And Mozart.
30:49You should call me Papa. Your father is dead. He won't mind.
30:55My mother also forbade the wedding, by the way. He weren't the only one. She did attend it, though.
31:01You think me rude?
31:03What would you call it?
31:05I'm a straightforward man. I don't feign enthusiasm where I do not feel any.
31:10I don't send regards where I do not feel they're warranted.
31:15How is my grandson?
31:20Wolfgang.
31:21Wolfgang.
31:23He prepares when he does not get exactly what he wants.
31:25Pays no attention to anyone else's feelings, needs or desires.
31:27So, we can be sure he is a Mozart at least.
31:34Glad to have finally met you.
31:36I told you Vienna would not be impressed with your frivolities.
31:39Oh, you think the Imperial Opera indulges nonsense?
31:44An opera set in a whorehouse.
31:46That was your grand entrance?
31:48Yes.
31:49was it worth it for you to get a dressing down on stage from the emperor in front of everybody
31:54was that what we were working so hard towards all those years all those miles
32:00i'm talking to you yes
32:04what about a follower i assume you have plans to try and salvage your reputation i've written
32:13hundreds of things i write every day father don't worry thank you very much looking forward
32:19to the chicken what about a follow-up then well obviously i have been a little bit distracted
32:24i have a basset hound who i'm trying to train he can follow basic commands except for when he
32:30sees a pigeon when he completely forgets what he was doing and sits there drooling slightly
32:34i forgive him this because he's an imbecile and he is a basset hound but you are not a basset hound
32:41wolfgang your ears are not long and soft you do not have a rounded muzzle or a glossy coat
32:48you are a man
32:49something colorful should be able to float into view without knocking every last intelligent thought
32:59from your mind grow up you're distracted no one cares your first opera was a failure you haven't
33:05written a second one that should alarm you as much as it does me what's his name what you're
33:10basset hound gregor well that's a bit of a silly name papa well wolfgang was already taken
33:18you are throwing away the gift that god gave you
33:25not you as well wolfgang they're my gifts so they're mine to do what i want with no they
33:35are not you tell him maybe he'll listen to you
33:38people have died for your tans beg your pardon your mother is in the ground no flowers on her grave
33:51no mourners to tend it left to rot in a cold corner of a parisian church 500 miles away from home
34:00because you she was ill she was ill and you didn't send for me
34:07it's not true it's true it's true and you know it's true and you can drink and whore and pray as
34:22loud as you can but you know she stands in the dark and watches you and she weeps at what you're doing
34:29with the gift that she gave her life for you selfish little bastard
34:33why'd you behave like that
34:55why like what wolfgang like the great amadeus mozart who teaches piano to princesses and writes
35:08ditties for babies our baby
35:10it's one piece you've never been able to finish
35:16perhaps you can't write a celebration for something you don't actually celebrate
35:23you know i spent five minutes with your father and i have to say i'm not a fan but he's right
35:32people have made sacrifices for you they have they've humiliated themselves
35:40twisted themselves into what you needed because we see what you are what you could be but you need to
35:47earn that you're not a little boy writing minuets anymore you're a man
35:53at least you're fucking supposed to be
35:58um
36:07um
36:09Oh, my God.
36:39Oh, my God.
37:09Oh, my God.
37:39Oh, my God.
38:09Oh, my God.
38:11Oh, my God.
38:13Oh, my God.
38:15Oh, my God.
38:17Sir, I'm sorry to tell you that your son is dead.
38:23He succumbed to a fever shortly after you left.
38:26Oh, my God.
38:28Oh, my God.
38:30Oh, my God.
38:32Oh, my God.
38:56No, no, no, no!
39:26She needs rest.
39:46A proper bed.
39:51Wolfgang.
40:01Good speed on your travels.
40:21Let's go.
40:31Let's go.
40:37That's the last time I leave you with a baby.
40:53Oh, Wolfgang.
41:01Is she dressed?
41:03She's in bed.
41:05She's asleep.
41:07I've never seen anybody sleep like this.
41:11What am I supposed to do?
41:13Have another.
41:15Have another before the grief is allowed to settle.
41:19Only joy can dispel grief, joy, and light, and love, and music.
41:23Oh, my God.
41:41Oh, my God.
41:45I'm so proud.
41:49Okay.
41:50I'm so proud.
41:52I got a great help.
41:53Okay.
41:54All right.
41:55I'm so proud of you.
41:57Okay.
41:58I'm so proud of you.
42:00I'm so proud of you.
42:02I hope you've enjoyed you.
42:04Bye-bye.
42:05Bye-bye.
42:06Bye-bye.
42:07Bye-bye.
42:08Bye-bye.
42:09Bye-bye.
42:11Bye-bye.
43:43There's a service on Sunday at the church.
43:52The Mass for Raymond is ready to perform.
43:54People keep saying to me that God speaks through me.
44:15Well, now he's taken our son.
44:24Maybe we can speak back.
44:26And if it's in your voice, I think you might hear it.
44:32Amen.
44:33Amen.
44:34Amen.
44:35Amen.
44:36Amen.
44:38Amen.
44:39Amen.
44:40Amen.
44:42Amen.
44:44Amen.
44:45¶¶
45:15¶¶
45:45¶¶
45:53¶¶
45:55¶¶
46:01¶¶
46:05¶¶
46:07¶¶
46:15¶¶
46:21¶¶
46:25¶¶
46:27¶¶
46:33¶¶
46:37¶¶
46:39Oh, my God.
47:09Christe, Christe, Jesus.
47:23Christe, Christe, Christe, Jesus.
47:53Christe, Christe, Christe, Christe, Jesus.
48:23Christe, Christe, Christe, Christe, Christe, Christe, Christe, Christe, Christe, Christe, Christe, Christe, Christe, Christe, Christe, Christe, Christe, Christe, Christe, Christe, Christe, Christe, Christe, Christe, Christe, Christe, Christe, Christe, Christe, Christe, Christe, Christe, Christe, Christe, Christe, Christe, Christe, Christe, Christe, Christe, Christe, Christe, Christe, Christe, Christe, Christe, Christe, Christe, Christe, Christe, Christe, Christe, Christe, Christe, Christe, Christe, Christe, Christe, Christe, Christe, Christe, Christe, Christe, Christe, Christe, Christe, Christe, Christe, Christe, Christe, Christe, Christe, Christe, Christe, Christ
48:53But thank you. Thank you.
49:00Why?
49:02What have I ever done to you?
49:05I strayed from the path. I came back to you. I came back to you.
49:08I promised myself to you to piety.
49:11I have only ever pursued virtue with rigor.
49:16I have works.
49:18And I have worked with the talents you allowed me.
49:21Surely that in the end, in the practice of the art that alone makes the world comprehensible to me,
49:27I might hear your voice.
49:36And now I do hear it.
49:39And it says only one name.
49:42And it's not mine. You chose him.
49:46A foul, spiteful, shit-talking bastard must are to be your sole conduit.
49:54And my, my sublime pleasure is to be the one man alive in this time that can clearly recognize your incarnation.
50:01You give me just enough talent to know how little I truly possess.
50:05I possess.
50:22It's a wonderful job.
50:24It's a wonderful job.
50:30So be it.
50:37From this time on, we are enemies.
50:40You and I.
50:41I am not accepted from you.
50:44I won't.
50:47They say God is not mocked.
50:48I tell you, that is not.
50:52I tell you I am not mocked.
50:58You are the enemy.
50:59You are the enemy.
51:00I name thee now.
51:02And this, I swear, to my last breath, I will block you on this earth.
51:10I will block you.
51:12And your vessel as far as I am able.
51:18Diminish the man.
51:20Diminish the God.
51:21Diminish the man.
51:22Diminish the man.
51:23Diminish the man.
51:24Diminish the man.
51:25Diminish the man.
51:26Diminish the man.
51:27Diminish the man.
51:28Diminish the man.
51:29Diminish the man.
51:30Diminish the man.
51:31Diminish the man.
51:32Diminish the man.
51:33Diminish the man.
51:34Diminish the man.
51:35Diminish the man.
51:36Diminish the man.
51:37Diminish the man.
51:38Diminish the man.
51:39Diminish the man.
51:40Diminish the man.
51:41Diminish the man.
51:42Diminish the man.
51:43Diminish the man.
51:44Diminish the man.
51:45Diminish the man.
51:46Diminish the man.
51:47Diminish the man.
51:48CHOIR SINGS
52:18CHOIR SINGS
Comments