- 1 week ago
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00:00Captions by GetTranscribed.com
00:30Yeah, it feels like it's about three, four feet up.
00:37Just on or past the smoke shelf.
00:39Could it be a squirrel or a rat?
00:42Feels way bigger than that.
00:45We had a fox up one the other day.
00:48Must have got right up on the roof and then...
01:00...of my Christ.
01:30All we do is lying when I've been upside down.
01:36I don't wanna be the right way around.
01:40Can't find paradise on the ground.
01:44Sir?
01:59Sorry, miles away. How much is that?
02:03480, please.
02:05Excuse me.
02:08Hey, Fran.
02:09Hey, boss. I've just had a call from Hammersmith Nick
02:12who have found suspected human remains on their patch.
02:15Right.
02:16They found them in a chimney flue.
02:17They think they've been there a while.
02:18Okay.
02:19Text me the address. I'll be right there.
02:21Should I call DCI James?
02:24Oh, yeah. Well, it's today, isn't it?
02:27Yeah, I guess you should.
02:29Okay. I'll see you there in an hour, then.
02:32Okay. Good stuff. Thanks, Fran.
02:42I didn't mean to tell you like this, Jess.
02:59Mm.
03:01You had a plan.
03:03No, I mean...
03:05Who?
03:11Doesn't matter who.
03:12Oh, it does. It does to me.
03:15Magda!
03:16It's a day off.
03:17Do you want me to...
03:18No.
03:22No.
03:24Kids!
03:25Come on.
03:26You got everything?
03:27Hey, Susan.
03:28There you go.
03:29Right there, ready.
03:30See you later, lads.
03:31Life's neighbouring.
03:32I'll see you Thursday.
03:33Love to Tim.
03:34Bye, boys.
03:35I literally start my new job in 54 minutes.
03:50How could you do this?
03:51I'm really sorry.
03:52Like I said, love, it wasn't planned.
03:53Don't fucking call me, love.
03:54Okay.
03:55Well, um...
03:56I've got to go.
03:57I'm missing a train.
03:58You're not seriously still going?
03:59Oh, I've got to go.
04:00It's a massive client.
04:01No, no, no, no.
04:02You need to tell me who, and you need to tell me why.
04:03I'll call you this evening.
04:04No, you're not going.
04:05Please.
04:06Jessie.
04:07Jess.
04:08You owe me that much at least.
04:09Jess.
04:10Jess, please let me go.
04:12I'll call you this evening.
04:13No, you're not going.
04:14Please.
04:15Jessie.
04:16Jess.
04:17You owe me that much at least.
04:18Jess, please let me go.
04:24I'll call you this evening.
04:27I'm really sorry.
04:48I'll call you this evening.
04:49I'm sorry.
04:50I'll call you this evening.
04:51I'm not going to call you this evening.
04:52I'm with my whole family man.
04:54I'll call you this evening.
04:55I'm going to call you this evening and give community money.
05:01And it's for much love from Julia and Bubu.
05:03And there's another...
05:04Six kisses.
05:05But four hugs today.
05:10Two hugs to one kiss today, so actually you're two up on the deal, fella.
05:15I'm up on the deal.
05:18Thank you, old man.
05:22I'll give you this.
05:24Nym's brother.
05:26So if you look here, it's hard to make stuff out, clearly, but that match you're looking
05:34at there is about here, sitting on a smoke shelf.
05:39Why don't we just take the breast off?
05:42Oh, morning, Mum.
05:44Morning.
05:45Nice to see you again.
05:46This is Diaz.
05:47Can we take this wall off?
05:48We're not taking the breast down.
05:51Sorry, who are you?
05:53The man who owns the room you're standing in.
05:56Right.
05:56Well, sorry, but I own this scene now, so...
05:59I mean, is there a way of getting the body out and keeping it intact without removing the wall?
06:03Not guaranteed, no.
06:04Okay.
06:05Better get some macros up then.
06:06Hang on, can we...
06:07Where's the body part?
06:08Over here, Mum.
06:33Hey, hey, hey!
06:35Help!
06:36Help!
06:36Help!
06:39Fucking bitch, man.
06:40Hi!
06:50So obviously, the footage already suggests there's more up there, but also this.
06:55These are bite marks.
06:58My guess is that that's how the leg came to be separated.
07:00Bite marks from rats, I guess.
07:03So first glance, it is small.
07:05Adult small or child small?
07:07Could be a child.
07:09Okay.
07:09So obvious question, could it be Victorian?
07:14That's the obvious question.
07:17Child didn't have a Victorian chimney.
07:18Dick van Dyck's little brother, you mean?
07:20I don't know.
07:21Just a thought.
07:22Okay, um, do you want to leave back to the neck?
07:26We could talk, yeah?
07:33I've got a couple of questions, if you don't mind.
07:34Yeah.
07:41Hey, yeah, the mask.
07:42Uh, yeah, let's get up.
07:46That's it.
07:46That's it.
07:50And you completed when?
07:51Uh, about two months ago.
07:53Okay, and the previous owners?
07:55A developer.
07:57He was going to turn into some flats, but he went bankrupt because of Covid.
08:01Right.
08:01He bought it in a probate sale.
08:03Okay.
08:04Some long-running family will dispute, I think.
08:06By the time I got it, it had been unoccupied for maybe five years.
08:10And was it secured, you know, during that time when it was unoccupied?
08:14I don't know.
08:15One of the neighbours said something about some squatters at some point,
08:17but you need to speak to them.
08:20MUSIC PLAYS
08:21MUSIC CONTINUES
08:26Confident
08:40Sorry, I, uh, sort of forgot you were there.
09:03Well, thank you.
09:06Listen, um, the ICANN,
09:09all I wanted to say was that,
09:12I am aware of the boots that I'm filling,
09:15and I sincerely hope to do her and all of our team justice.
09:25Here it comes.
09:39Live spot on the black belt, please, boss.
09:44And 40 reds.
09:48Be good.
09:53Be good.
09:57So, this is it.
10:06Obviously it's been cleared of all her, um, well, we've already had two interim DCIs here,
10:15so there shouldn't be too many ghosts.
10:19So, I thought we'd have a proper briefing with the team once we got the body out and know what we're dealing with.
10:24Sounds good.
10:25But full disclosure, I don't intend to run this team like she did.
10:30Okay.
10:46I mean, this has obviously become the go-to team for historical cases now, which is great,
10:52but these cases have hoovered up ridiculous amounts of resources that I believe could be better spent elsewhere.
10:57Right.
10:57As does Superintendent Andrews, I should say.
11:00So, if this body does turn out to be, um, your sweep, or 30 years old, maybe even 20, I'm afraid I'd give it minimal time.
11:09I'd rather we spend our always limited resources on murders that happened today.
11:16Obviously, I would advocate that we can do both.
11:20That two opposing ideas can coexist in the same world.
11:24In the same ideal world, yeah, maybe, but, um, we don't live in an ideal world, do we?
11:30We live in a shitty one.
11:34Is there a Nick house?
11:36Uh, not for now, no, thanks.
12:00Hi, I'm sorry, I can't take your call.
12:04Please leave a message.
12:06Come on.
12:31Tony, never had you down as a grawny admin?
12:32No, it's more surprising to me, Rhett.
12:34How are you?
12:35I was rather hoping you'd tell me that.
12:37Come on through.
12:43So, if this is a secondary, given my history,
12:49what's the likelihood there are, in fact,
12:53multiple growths?
12:56Every case is different, of course.
13:02But yes, it's possible.
13:05Percentages?
13:06I don't want to talk about percentages, Tony.
13:09We're getting ahead of ourselves.
13:11We still need more scans, and then we'll see where we are then.
13:25Grab it!
13:27I am so sorry if you haven't bought, we're totally full to lie.
13:34Two Chalindale, one mushroom at Clare, one at Carrot.
13:37Next available Saturday night is looking like June now.
13:42Here you go.
13:46Thank you so much.
13:48Thank you, bye.
13:49See you again soon, yeah?
13:55How was that?
13:56How was it ever?
13:57I don't know how you do it.
14:00Do you want to do ten minutes on tomorrow?
14:03Nope.
14:04Me?
14:05We can do it in the car on the way up.
14:06It's a three-hour drive.
14:07It'd just be so nuts to go and prepare, though, you know.
14:12It's you that want to hear talk anyway.
14:14I'm just a talent now.
14:28I mean, maybe all she's saying is that if you do have to prioritise,
14:32and I guess, sadly, these days you do,
14:36maybe it's better to be living in the here and now a bit more.
14:39Not looking back so much.
14:42Well, I don't like her.
14:44They've got the body out.
14:45I'll drive.
14:48Got to go.
14:49Are you still good for dinner tonight?
14:50Yeah.
14:51Because then I'm away in the team jolly for two nights.
14:53Yep, sure.
14:547.30?
14:55Yep, see you then. Love you.
15:10Shh.
15:16All right.
15:17All right, boss.
15:18See you next time.
15:39Stupid question, I'm sure.
15:55It is female.
15:56It is.
15:57Any obvious signs of trauma to the body?
15:59Again, it's hard to say yet.
16:01It wasn't easy getting her out, and I need to try and work out what damages what.
16:05What about age, roughly?
16:06The cartilage I can see on the leg has turned to bone, so she's older than late 20s.
16:11And again, from what I can see, there's no evidence of arthritic degeneration,
16:17so I'd guess somewhere between 30 and maybe 60.
16:22Obviously, dental tests will give me more of an accurate picture.
16:25She's more for an adult.
16:26She is.
16:27She's tiny.
16:28No more than 4'9", 4'10", I guess.
16:30Wearing any underwear?
16:32No.
16:33No, no shoes, no socks?
16:35Nothing else on her at all, for ID purposes.
16:38DNA comparison's gonna be hard too.
16:41The tissue's very degraded.
16:43This discoloration on her dress is what?
16:46It's body fluids, I guess, and soot.
16:49From a fire or from the signs of the flu?
16:51Very uneven.
16:52Even if it were from a fire, I'd expect it to be all over.
17:03Is the owner around?
17:05Uh, yeah.
17:06He's, um, Mr. Bradley.
17:12Hi.
17:13When I came earlier, there was some battening marks on the chimney breast.
17:16Yes.
17:17And it was like that when you bought it, or...?
17:18Uh, no, no.
17:19The whole breast was covered in plasterboard.
17:21We exposed the fireplace.
17:22Okay.
17:23Thanks.
17:25Thanks.
17:35What are you thinking?
17:36Dunno.
17:37I'm just wondering if the plasterboard was specifically put up to make sure no one ever looked up there.
17:42Why whoever put her up there?
17:44Yeah.
17:45Well, explain why there's not more soot in there.
17:47And so then I'm thinking, building ranks.
17:50My, um, husband works construction, so I know that regulations change with the wind,
17:54and then I'm wondering if we might be able to date the plasterboard based on its chemical components.
17:59Yeah, that's a good show.
18:00So, yeah, let's, um, try and date the board.
18:03Uh, and if it's cheap and easy, the same with the dress,
18:06because that, that looks old to me, like 30s, 40s old.
18:09And then hopefully, if we can prove that, we can get off the books quickly.
18:13Thanks, guys.
18:16Hi, Mum. Yeah, just hang on one sec.
18:20Hiya.
18:21Hi, love. I just got your message. Everything okay?
18:24Uh, not really, no.
18:25My, uh, derp-like husband's been having an affair.
18:28Uh, ask Kaz to find all the owners going back to...
18:34...the war?
18:43Salut.
18:44Salut.
18:45Hello.
18:46Uh!
18:59Hello.
19:03Hello.
19:06Hello.
19:08Hello.
19:10I don't know.
19:32I don't know.
19:33But still, in a moment, I'm going to tell you, because he's very beautiful, very beautiful, and it's true.
19:38Excuse me 20 times, it's a colleague, it's a colleague, it's a colleague, it's a colleague, it's a colleague.
20:19MUSIC PLAYS
20:34Cher?
20:36In here.
20:42Did she get it? Yeah. That's on food.
20:49MUSIC PLAYS
20:56MUSIC PLAYS
21:30Well, the menus will be on their desks already when they walk in so they can look at them while I'm doing the general hello and intro.
21:45Sorry, remind me when I set up?
21:47Dave, I've literally just been through that. The pitch is at one.
21:53Yeah, I know.
21:54But we're allowed in the room from twelve.
21:56Got it.
21:57And don't forget, you got a haircut at nine.
21:59I won't forget.
22:01And these?
22:03Yeah, all right.
22:05I just need you to play your part.
22:08I will.
22:10I promise.
22:12I will.
22:14I will.
22:15I will.
22:16I will.
22:17I will.
22:18I will.
22:19I will.
22:20I will.
22:21I will.
22:22I will.
22:23I will.
22:24I will.
22:25I will.
22:26I will.
22:27I will.
22:28I will.
22:29I will.
22:30I will.
22:31I will.
22:32I will.
22:33I will.
22:34I will.
22:35I will.
22:36I will.
22:37I will.
22:38I will.
22:39I will.
22:40I will.
22:41I will.
22:42I will.
22:43I will.
22:44I will.
22:45I will.
22:46I will.
22:47I will.
22:48I will.
22:49I will.
22:50you know,
22:51I will.
22:52I will.
22:53I will.
22:54I will.
22:55I am not.
22:56I am not the type of person who can forgive this sort of crap.
23:00I don't know.
23:01Maybe I can forgive it, but I certainly can't forget it.
23:04Which means we'll never be able to get to any kind of normal.
23:11Even if you want to, which I am not even sure he does, judge him by this morning.
23:17Which means we're done.
23:20Yeah.
23:22What I thought was my totally normal,
23:27happy marriage until ten hours ago is over.
23:33Just like that.
23:38And if it is, if this really is it, I think
23:41I'm gonna have to resign.
23:44Get something more nine-to-five, less pressured or
23:50take leave or something, I just...
23:58First time in my life,
24:02I don't know what to do.
24:13It was two and a half very unhappy years, Mum.
24:16Rubbish, and why on earth you resigned?
24:18Well, I kind of think I'm best placed to know how I felt.
24:20After three years at uni and God knows how many thousands of pounds...
24:23Okay, can I move on, please? Because, you know, touchy subject.
24:25How's Dad? How's the trip?
24:27Good.
24:28He's home now.
24:30But everyone's fine.
24:31Your uncle's moving back, apparently.
24:32To Krakow.
24:33Wants a nice Polish girl.
24:37He's 59.
24:39On which subject?
24:41Amazingly, I'm still single.
24:43Just like yesterday.
24:45I've spoken to your father about this, and, um...
24:48Well, we both think we know where you're going wrong.
24:50Bliss, off you go then. Could do with a kip.
24:52I think you need to be more realistic.
24:59So...
25:01Tony Hume's serving now to stay in the match.
25:13Ah!
25:16Well played, young man.
25:18You too.
25:19You too.
25:21But I shall be demanding a rematch.
25:23So better get practising, hmm?
25:27What are you like?
25:29Show me a good loser, and I'll show you a loser, Yasmin.
25:32Mm-hmm.
25:33I'll call you in the application of funding this week.
25:35Okay.
25:36Having a drink with a mate who vets them Tuesday.
25:39So, uh...
25:41fingers crossed, huh?
25:49Ilya?
25:50I'm not hungry.
25:51You've got to eat, Shan, man.
25:52You haven't eaten since Monday.
25:53Where's the rest of the gear?
25:54Not until you've eaten something.
25:56Ilya?
25:57I'm not hungry.
25:59You've got to eat, Shan, man.
26:00You haven't eaten since Monday.
26:02Where's the rest of the gear?
26:03Ilya?
26:04I'm not hungry.
26:05You've got to eat, Shan, man.
26:06You haven't eaten since Monday.
26:07Where's the rest of the gear?
26:09Not until you've eaten something.
26:10Ilya?
26:11I'm not hungry.
26:12You've got to eat, Shan, man.
26:13You haven't eaten since Monday.
26:15Where's the rest of the gear?
26:20Not until you've eaten something.
26:40Okay.
26:54What...
26:58How are you laughing?
27:04You buried your pockets.
27:08PHONE RINGS
27:38Oh, Christ's sake, Cher, man, how much you taking?
27:59Cher, wake up, wake up.
28:05I need an ambulance, please, fast.
28:07I think my girlfriend's overdosed.
28:24Fuck.
28:25Fuck.
28:29PHONE RINGS
28:31Hello?
28:35Sal, I'm so sorry.
28:37What happened?
28:39I was working late on the case.
28:40I forgot my phone in the car.
28:42I'm really sorry.
28:44Right.
28:47What did you cook?
28:52Nothing special.
28:53There's a bowl for you in the fridge if you're still hungry.
28:56Definitely.
28:57I'm leaving right now.
29:00Yeah, I will be asleep.
29:02I've got that Leeds thing tomorrow.
29:03Seven o'clock train, so...
29:04Yeah, yeah, of course, of course.
29:09I'm sorry again.
29:11No problem.
29:13I love you.
29:15Love you too.
29:15I love you too.
29:45I love you too.
29:46I don't care.
30:16So the main label says Delmuir, which I've researched and which was a fairly well-known couture label just after the war.
30:31Right.
30:31Yeah, had a shop in Kensington from 1946 to 1962 till they went out of business.
30:37Okay. Sorry, you said main label.
30:41Yeah, there's another smaller label on the hem which says Shaper.
30:47And that's, what, a sub-brand or a line or...?
30:50Yeah, I guess.
30:51Okay. Just check out that small label, will you, Fran?
30:55Okay. Good work.
31:00So, um, it looks like the dress is from the 40s or 50s.
31:05And the plasterboard?
31:06Still waiting on that.
31:07Okay. Sorry, what was that?
31:08Yes. So, no obvious cause of death as yet. I hope to get more when I open her up.
31:13In terms of her age, a good few teeth are missing, but dentine thickness suggests an age somewhere between late 20s and early 40s.
31:21Wasn't it unusual even back then for someone so young to have lost so many teeth?
31:26Not particularly. No fluoride in the water, poor dental hygiene, poverty...
31:31And height?
31:324'10", 4'11".
31:33Could that be poverty? Malnourishment, I mean?
31:35There's no signs of that in the bones. And there does seem to be very little subcutaneous tissue,
31:40even taking into account the post-mortem changes. So, I'd say she was pretty skinny.
31:45And ethnicity?
31:47No clear indicators, I'm afraid.
31:49In terms of more specific ID, we could possibly retrieve fingerprints with some new hydration techniques the labs have developed.
31:56They're quite pricey, but...
31:57I'm... I'm sorry, I'm just gonna stop you right there. I mean, obviously we can revisit once we get the plasterboard results,
32:04but if they confirm we are looking at a body from 70 or 80 years ago, we're not going to be retrieving fingerprints.
32:12Okay.
32:13Agreed?
32:14Absolutely.
32:15One thing I would throw in, could the dress be vintage by?
32:20It's quite a thing these days, apparently.
32:22Hmm. You're not going to vintage, are you?
32:24No, just...
32:25What's, er... What's the name of the officer handling the plasterboard test?
32:30That's DS Bolting, ma'am.
32:32Okay, maybe I'll chase that one myself, but thanks for now, guys.
32:35Sorry. One last detail. She has a C-section scar.
32:40Oh.
32:42Yeah, it's slightly concealed by her position, but...
32:46that there is the edge of a cesarean scar.
32:49All right.
32:53So, if the dress is, say, 1950s, and she had a kid in her mid-20s in the 1930s,
33:02then, conceivably, her child could still be alive.
33:09Okay. Useful to know.
33:19All I am asking, all I want to know is, are you still seeing her?
33:29I'm just going to say the same thing, Jess.
33:31Can we speak tomorrow properly when I'm back?
33:34I don't want to speak when you're back.
33:36Jess, your signal is terrible.
33:39You keep cutting out. This is not the way to do this.
33:41You know what? No.
33:42I mean it. You either tell me now, or you don't come back.
33:45Jessie. Jess.
33:47I mean it, Steve. This is a dick move.
33:50So, you either tell me now, if it's over with whoever this woman is,
33:52or you'll find a suitcase on the doorstep when you do come back.
33:57Steve.
34:00Steve?
34:00Steve?
34:00Okay. Best vegan dish I think I've ever tasted.
34:30And this is not just a one-off.
34:31I've eaten there maybe more than a dozen times,
34:33and every meal has been as good as this one.
34:36So, look, we're interested.
34:38You did a great presentation.
34:39LA, you've done your homework on us, on the business.
34:42Like your branding?
34:44I like you. Both.
34:46The big question is, can we scale you?
34:48My worry is that what we most like about you,
34:50the food, the brand, the unique feel,
34:53is innately tied to the fact that you are a tiny little business
34:55doing 30 covers on a busy night.
34:57Would it work doing 3,000 a night over 10 sites?
35:00Well, we think it would.
35:01Good.
35:02And what do you think, Dave?
35:06Well, he agrees that...
35:07Can we just let Dave answer?
35:13I don't underestimate how hard it will be
35:15to recreate some of what we do at scale.
35:18My sort of food is labour and ingredient intensive,
35:21and that costs, so...
35:22So, yeah, it is a challenge.
35:27But one that we feel we can and will overcome.
35:30Indeed.
35:31Because, let me tell you,
35:32we both overcome so much more than that
35:34to get here today,
35:36so please believe in us.
35:38Yeah, we do.
35:38The rather painful truth is that the electorate
35:44in very many Western democracies
35:46have now become entirely disengaged from politics.
35:49They no longer believe the system
35:50can positively influence their lives,
35:52and instead view politicians simply as figureheads,
35:55as vague representations of often their baser instincts.
35:59And so the idea that a prime minister
36:01would ever need to offer any kind of moral leadership
36:03these days, well, it's for the birds, I'm afraid.
36:05I was just being honest.
36:13No-one is interested in honesty, David.
36:15People are interested in passion,
36:17in self-belief, in ambition.
36:19They want to know that, of course, it's going to be hard,
36:21but that we 100% believe that it is totally achievable.
36:25Don't just lie, for Christ's sake, like the rest of us.
36:27Sorry, I obviously don't find it as easy as you do.
36:29Oh, hilarious.
36:31I wasn't joking.
36:32It's like you don't even want to be successful.
36:34We already are successful, Belay.
36:37What I don't share is your desire to make everything bigger.
36:40Oh, right, but that certainly explains
36:41why you were living in a fucking tent when I met you.
36:43Class.
36:43And why I've had to bankroll you for the last few years.
36:46You've had to bankroll me?
36:47Yeah, sure you have.
36:48Right, are we not even allowed to mention all the times I've had...
36:50Shut the fuck up!
36:51Belay, I'll not be...
36:53I'll be too late!
36:54I'll crush the fucking car for you!
36:56Ah!
36:57David!
36:58David!
37:00David, what are you doing?
37:07David, please!
37:14So, Aspenster of the parish, Hazel Dunmore died...
37:17Ah, 2015.
37:19And bought the house in 1979 with Braham at John and Mary Garton.
37:24Yeah, who were the polar opposite.
37:26They raised five kids there.
37:27And they, in turn, bought the house in 1947.
37:30So, if we're saying the dress is late 40s, earliest,
37:35then let's leave out anyone before the gardens.
37:37I mean, obviously, if anything's possible, but putting a woman in a chimney in a house
37:45with five kids doesn't seem like a likely scenario.
37:47Yeah, but it's all spin stuff.
37:49True, although...
37:50What are you doing?
37:51I'm just going through the history of the house, ma'am.
37:56Why?
37:57The dress was 40s.
37:58We know that.
37:59Well, we know it was made in the 1940s.
38:01That doesn't necessarily mean that...
38:03And the plasterboard was made sometime between 1951 and 1967.
38:06I just got the results.
38:08Right.
38:10This isn't therapy, D.I. Can.
38:13This isn't your chance to somehow...
38:16Look, I don't know.
38:17I am very sorry for the woman who died,
38:19but it was at least 55 fucking years ago, probably more so.
38:22The case is closed.
38:25As of now.
38:36I don't.
38:48I don't know.
38:51I don't know.
39:21I don't know.
39:51I've told you so many times.
39:54Sorry.
39:55Let me tell you how much you can have.
39:57I ain't got a clue, sure.
39:59Come on.
40:00Let's get you home, huh?
40:01Listen, I'm not excusing Will's behaviour at all.
40:11It's bad manners apart from anything else.
40:14But I do also find myself asking why these young ladies drink so much.
40:19Maybe I should have a word with him and the school.
40:23Their response needs to be proportionate.
40:27Tea?
40:28Hmm.
40:31Everything okay?
40:33Yes, fine.
40:34Just a bit tired.
40:35Sorry.
40:36It wasn't Shaper.
41:00It was Shaper.
41:01Sorry?
41:02The other label on the victim's dress.
41:05I had it...
41:05Go on.
41:11I had it stuck through a spectrograph and it's actually Shaper.
41:14And Shaper & Co. is a vintage shop that opened in early 2010.
41:18Oh.
41:19Just come from there.
41:19They've confirmed that is their label.
41:21Here's the Zinger.
41:22Did a search on their website and found the actual dress.
41:25The actual dress?
41:26Yep.
41:28It's the only Delmuir one they've ever had.
41:31And it sold for $29.99 at their Portobello store in early June 2016.
41:36How was it paid for?
41:38They're big card.
41:40So, unless someone redressed a corpse.
41:43Your victim died no more than six years ago.
41:49Then I'd say it's game on.
41:51Game on, indeed.
41:57Call the bank.
41:59See if they can identify these card details.
42:02My friend.
42:04Your star.
42:05Bloody star.
42:20No.
42:33Mm-hmm.
42:34Look at these.
42:35I wanted to see if they were there.
42:38I ¡D
42:44Hey, Betty, how are you doing?
42:49I'm gonna have a drink, Jen.
42:56I'm gonna have a...
42:59I'm gonna have a...
43:02I'm gonna have a...
43:05I'm gonna have a...
43:08I'm gonna have a...
43:11I'm gonna have a large vodka,
43:15and then another one.
43:17And that's...
43:18That's just how it is.
43:20Right.
43:21And if that's what you think you need to do,
43:24go for it.
43:26Just before you do,
43:27have you got five minutes to tell me what's happened?
43:30I hit him again.
43:33I hit him really hard.
43:41So how do we explain the plasterboard then?
43:49I have no idea.
43:50That's part of the job description, isn't it?
43:52I mean, obviously the bit that you had tested
43:56was from 50 years ago,
43:58but maybe they put a new bit over the original opening.
44:01I mean, from what I can remember from the house,
44:03the board was in a thousand pieces on the floor.
44:05Maybe you just picked the wrong bit.
44:07So it was my fault, was it?
44:09It's nobody's fault, TCI James.
44:12It's just the way it goes sometimes.
44:14But we move forward now, yes?
44:17It's been six years.
44:24Did you apply for this job, D.I.Cann?
44:30No.
44:31I don't know.
44:32But they offered it to me.
44:33Multiple times.
44:34In fact, they fucking begged me.
44:37You can beg me.
45:07Mmm.
45:37You
46:07You
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