- 2 days ago
Dadilja sa sela - 7 epizoda NOVO
https://dai.ly/x9xdjqc
https://dai.ly/x9xdjqc
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00:00Transcription by CastingWords
00:30Can I ask you a little bit to Mr. Konstantinovic?
00:41Asimetria.
00:43Yo, yo, yo, yo...
00:47A šta ti misliš?
00:50Misliš da si neka paca pa ne daješ autogram, ja?
00:54Ovek možu da radi svoj posao, ajmo da ne smije.
00:57Uvijem ti posao, pa ja to mogu da ti namalam očas posla i to za džabe.
01:06Šta se dešava?
01:08Bože me, oprostim.
01:11Prizivale su duha naše mane, pa su se uplašile nekog duha.
01:16To ne postoji.
01:17Užas!
01:29Kaj je to?
01:30Pa mi nismo sigurno.
01:32Sa sela došla je, pravo u veli grad.
01:42Da nađe sreću, to je sela.
01:46Za troje djece sam, usamljena, uspešan.
01:51Daj svoji, sudbina je sela.
01:54Jer život stano, pravi smica lice se.
02:00Fenomenalno, mi tvoje rešit će i sve.
02:05Sad je cela kuća, šašava pućna i vesela.
02:10Baš kao misa, da bilja se sela.
02:15Baš kao misa, da bilja se sela.
02:24Hvala što pratite.
02:54Tako.
03:03Oj, živote!
03:05Za kore vam je potrebno 12 belanaca, 12 kašika šećera, 4 kašike brašna...
03:14Lako, tebi i kad ti sve u činnicama tako postave ispred.
03:17Da vidim da sama sve trebaš da kupiš.
03:19Pa još da staviš pa posle i da opereš.
03:21No, misa, ne možeš da vedeš šta se desilo.
03:25Opet neki dečko.
03:26Nije dečko, misa mnogo bolje od toga.
03:28Da nisi možda dobila peticu u školu?
03:30Nisam, ne.
03:31Slušaj, dobila sam giveaway da Tanja DIY dođe kod mene.
03:35Ko dolazi?
03:36Tanja DIY, do it yourself, uradi sama, na engleskom.
03:39Pa dobro sve u životu, moraš i sam da uradiš.
03:41Pa neće ništa ti padne s neba.
03:42Ne, misa, to je ime, ona je influencerka, jako popularna influencerka
03:46i ja sam dobila giveaway da dođe kod mene.
03:48Pritom, ona ti, znači, ona ti pravi video o tome kako
03:51ona uzme neku, na primer, staru košulju
03:53i onda od toga napravi kao novu haljinu, izgleda novo.
03:57Onda od starih kesa ona ti iskekla i napravi novu torbu.
04:01Pa dobro, to je radila i moja baba kad ne imala para za vunicu.
04:04Da, ali ovo izgleda mnogo bolje.
04:06I to je važno za ekologiju.
04:08Stalno kupuješ stvari pa onda bacaš i tako...
04:10E, kako ko?
04:11E, videla sam tvoj orman, znam koliko stvari imaš.
04:13Pa u šta si ti gledala? Pa ne vidiš da sve tri stvari vrtim u krug?
04:17Ja, a znaš šta je upcycling mod?
04:20Vidi, to ti je kao da uzmiš neku stvar i onda je preurediš.
04:24Izgleda kao da je dizajnirano.
04:26Vidiš?
04:27Pa iskreno, meni to onako.
04:29Meni je super.
04:30I mislila sam da mi daš ono tvoju čipkano roze haljeno.
04:35Znaš, to ti je već mala. I one sako roze.
04:38Pa ne znam ja bi da je čuvam ako skinem koje kilo možda mogu da se utegne.
04:42Ali mi se verujem da će slijedati bolje kada Tanji i ja to uradim.
04:45Hoćeš da me pusješ da odmaram ako ti je dam?
04:48Idem sad po njom.
04:50Aj, aj, aj.
04:59Da se nećeva.
05:01Vlado.
05:02Ajmo.
05:03Šefe.
05:04Šta?
05:05Jalošćate vi...
05:07Šta jalošća?
05:08Jalošćate neki seks u vazduku, a?
05:10Seks?
05:11Jalošćate neki seks u vazduku, a?
05:12Jalošćate neki seks u vazduku, a?
05:13Seks?
05:14Jalošćate neki seks u vazduku, a?
05:15Seks?
05:16Jalošćate neki seks u vazduku, a?
05:17Jalošćate neki seks u vazduku, a?
05:18Seks?
05:19Jalošćam ništa. Ajde, moram da idem da radim. Kreći.
05:22Jalošćate neki seks u vazduku, a?
05:24Seks?
05:25Jalošćate neki seks u vazduku, a?
05:27Seks?
05:28Jalošćate neki seks u vazduku, a?
05:30Seks?
05:31Jau.
05:33Ne osjećam ništa. Ajde, moram da idem da radim. Kreći.
05:37Ma kakvi rad, kakav posao, šefe, nema posla, mislim.
05:41Ima posla, uvega ima, ali mora malo da bude nekog zadovoljstva, valjda.
05:46Ima posla, uvega ima, ali mora malo da bude nekog zadovoljstva, valjda.
05:51Ima i ti zadovoljstva koliko god hoćeš, ali posle radnogo nema.
05:56Dobro, pisim.
05:57Pazite, ne morate da se stidite, sve u redi.
06:01Ma čega da se stidim, šta ti?
06:04Vidite ovako.
06:06Svaki put kad imate slobodno veče, ja vas dovezem u ovde.
06:09Dobro.
06:10Pa me je to nagnalo na neko razmišljanje
06:13da možda ovde imate neku prijateljicu noći.
06:19A?
06:24Slušaj me sa dobro, Vladimire Tufekđićo.
06:28Šta ja radim u svoje slobodno vreme, to je moja stvar.
06:33I ne pada mi na pamet da se ikome pravdam.
06:35Ne, ne, ja sam samo mislio da...
06:37Nije tvoje da misliš, nego da voziš.
06:40Ajde.
06:43Razvijem šefjer.
06:44Jelisaveta?
06:45Gdje ti je otac?
06:46Jelisaveta?
06:47Jelisaveta?
06:48Gdje ti je otac?
06:49Jelisaveta?
06:50Jelisaveta?
06:51Jelisaveta?
06:52Jelisaveta?
06:53Jelisaveta?
06:54Jelisaveta?
06:55Jelisaveta?
06:56Jelisaveta?
06:57Jelisaveta?
06:58Jelisaveta?
06:59Jelisaveta?
07:00Jelisaveta?
07:01I don't know.
07:06Is there a sign? Where is your father?
07:10Is there a sign?
07:11Is there a sign?
07:12I don't know.
07:19I have to get you on, but I'm in the account.
07:21I'm going to get you on.
07:23I'm going to get you on.
07:24I'm going to get you on.
07:25Hello, Milice.
07:26Where is Konstantin in the hospital?
07:28I don't know.
07:29You, little girl, are you in the room?
07:32No, I don't know.
07:33I don't know where it is.
07:34I'm going to shoot a video and it's the only thing I'm interested in.
07:37Wait.
07:38Wait.
07:39Today is afternoon.
07:40Yes.
07:42Wow.
07:44Okay.
07:45I'll leave this document in the hospital.
07:48It's very important to write.
07:50I'll write a message, but you tell him.
07:53Is it?
07:54Okay.
07:57Here we go.
07:59Let me go.
08:00Let me go.
08:01I told you.
08:02I'll leave it now.
08:03Okay.
08:09I wanted something to ask you.
08:11Tanja is vegan.
08:13I wanted to invite you to make something vegan for a hand.
08:17What will they eat, Ilija and Maja?
08:19You can do something else to prepare them.
08:22Yes.
08:23It's really nice.
08:24Tomorrow I'll make two hands.
08:25It's important that there's nothing of life.
08:29Okay?
08:30What's your father's husband?
08:31Everyone is a little bit.
08:32I don't know what his father is, but she is vegan.
08:35I don't know what his father is, but he's vegan.
08:36I'm not sure if I'm going to make a sandwich.
08:38Let me make a sandwich.
08:39I'm going to make a sandwich.
08:40I don't like a sandwich.
08:41I don't know what you like.
08:42I'm going to make a sandwich.
08:43You understand that?
08:45I don't know what he does.
08:46No.
08:48No.
08:49No.
08:50No.
08:51Are we ready to eat some meat?
08:53You can cook hummus.
08:55Hummus?
08:56Yes, you have great recipes on the internet.
08:58I'm going to prepare my own, I have to be Instagram-ish for tomorrow.
09:02Bye!
09:04My life.
09:06Hummus is ready.
09:09I don't know how to do it.
09:11Tomorrow I'm going to do it.
09:13Two minutes for myself in this day.
09:15The food and the food and the food are good for you.
09:23I don't really have time to catch them, and wait for them to get into it,
09:27and then I'll just get rid of them.
09:29It hurts me.
09:30See you!
09:31I know how you think about it.
09:34Victory is successful.
09:36Victory is successful.
09:39Victory is successful.
09:41Victor!
09:43Remember!
09:45Remember!
09:47Remember!
09:49Stop!
09:51Stop!
09:53You're crazy!
09:55When I'm in your stomach,
09:57I have to change Leblebi!
09:59There are many bigger problems than Leblebi.
10:01With Constantin's something isn't right.
10:03What?
10:05Why he's falling out for a nice day?
10:07Where he goes tomorrow and tomorrow?
10:09Where?
10:11Where do I know?
10:13The sauce from the sauce!
10:15Where do I find it?
10:17These people are normal!
10:19It's got the yellows!
10:21Or he's sick and goes to therapy,
10:23but we don't know about it.
10:25If I put the sauce in the blender,
10:27it's good to fall out!
10:29He's a bit different than these days.
10:31I don't know.
10:33Maybe it's a little...
10:35But here in Beograd everyone is a little bit.
10:37Yeah, yeah.
10:38That's what happens.
10:39Hey, the man does all day!
10:40A little sleep,
10:41just drink those coffee!
10:42You think it's a heart?
10:44Where am I?
10:45I don't know!
10:46They say,
10:47when your heart hurts you,
10:48or some problems,
10:49it's just a mess.
10:50When you're afraid of yourself,
10:51and that's it!
10:52What?
10:53All of you are falling down,
10:54God!
10:55Death is a natural thing.
10:56Nobody will lose us from us!
10:58Don't mess up in the morning,
11:00please!
11:01You asked me!
11:02Come on, God help!
11:10Why don't you do it on the computer?
11:12Is everything in the eyes?
11:15Yes.
11:16You know what I want,
11:18I want things to go through my hands.
11:21That's how they did,
11:23and my grandfather,
11:24and my grandfather.
11:25You see,
11:26all these objects,
11:28the bridges,
11:29the houses,
11:30the buildings,
11:31the buildings,
11:32and the day-to-day things.
11:33Yes.
11:34What do you mean knowledge
11:36and knowledge?
11:41When did you measure the pressure?
11:44I don't know.
11:46What?
11:51Did you feel good?
11:53Yes.
11:54I was great.
11:55Okay,
11:56maybe my psychiatrist
11:57won't be able to do this,
11:59but I feel great.
12:02I feel great.
12:03I feel great.
12:04Health is first place,
12:06and prevention is the law.
12:08That's how it is.
12:09The World Health Organization,
12:11and who are we
12:12to take this question?
12:13Is that right?
12:14Yes.
12:15Yes.
12:16Yes.
12:19You see what's going on?
12:20What?
12:22What's that?
12:23What's that?
12:24The pressure pressure.
12:25Don't ask me.
12:26Don't ask me if you become a hypocrite.
12:28I'm enough in this house.
12:29What?
12:30No, on here's the problem.
12:31It's the problem,
12:32it's the love for you.
12:33Amazing.
12:34How about that.
12:35I'm going to measure the pressure pressure.
12:36Wow,
12:38what a pressure pressure.
12:39Good.
12:40Okay.
12:41Good.
12:42Okay.
12:45Yes.
12:46!
12:47You are working?
12:52Ha, ha, ha, ha, it's all right.
12:54Constantin, don't give up the pressure on your brain.
12:58I know.
12:59It's just one.
13:01You see, it's an error.
13:03You're not a error.
13:05You don't see it.
13:07It's something we're working out.
13:08Let's go to yourself.
13:10Let's measure it and I focus on working.
13:12I could even put a pulse to measure it.
13:14Okay, what are you doing?
13:15How are you? People fall around us like this. I want things to hold up under control.
13:21Tell me, when did you get the last time out of your blood?
13:24How did you get it?
13:27It's been a long time.
13:30I know that you're right.
13:32Not because of yourself, but because of your children.
13:35Right, because of their children.
13:37Everything is because of their children.
13:39Let's go.
13:41I mean, go and go to the house.
13:43I mean, she organizes everything.
13:44See, the best thing was to get here.
13:47It's nice to get everything out of here.
13:50Yes, except for some days.
13:52What about some days?
13:54I mean, the children are here.
13:57They go to school, to training.
13:59But we don't have to organize it.
14:00We will organize it.
14:01We will be in the first place.
14:03Constantine, you know that you can tell me everything.
14:09Everything?
14:10Absolutely everything.
14:13Ok, all right.
14:14All right.
14:15Everything.
14:16All right.
14:17I'm sorry.
14:18I'm going to go.
14:20Let's go.
14:21Let me go.
14:22Do you know how many jobs I have,
14:26and she's hitting the bar,
14:27and I'm hitting the bar.
14:28Where else you're going?
14:29Where else you're going?
14:30Open the laptop.
14:53How beautiful, Guća.
14:55And light is great.
14:56Only when we're in the rain,
14:57when we're in the rain.
14:58Yes.
14:59I would be a bit more modern.
15:01I would like to see the walls
15:03like in your video,
15:04but my dad won't be in life.
15:06Okay, maybe you can see
15:07these walls.
15:08Yes.
15:09I saw that in your video,
15:10I don't know how to sew.
15:11Okay, you're creative
15:13and your mom and dad can help you.
15:15I live with my dad,
15:16I don't know how to sew.
15:17But I'm a good architect.
15:18Is that a terrible image?
15:19Yes, a terrible image.
15:20Yes, a terrible image.
15:21My life didn't enjoy it.
15:22You're just doing it.
15:23You didn't know it.
15:24I didn't know it.
15:25I can't find it in this house.
15:28I can't find it.
15:29What do I need?
15:30It's Mica,
15:31our dad.
15:32I mean, my dad,
15:33my young brother and sister.
15:34I'm going to take something vegans.
15:35I'm going to meet you.
15:36Cool.
15:37Mica.
15:38Mica.
15:39Mica.
15:40I'm going to get out of here.
15:41I'm going to meet you.
15:42I'm Tanja.
15:43I'm Tanja.
15:44I'm good.
15:45I'm good.
15:46I'm good.
15:47I'm good.
15:48I'm good.
15:49I'm good.
15:50I'm good.
15:51I want to take this baguette.
15:52I don't have a baguette.
15:53Where is your baguette?
15:54Where is your baguette?
15:55I'll show you one cool hack.
15:57Call the phone.
15:58Okay.
16:01Let's go.
16:02Hello, guys.
16:03Today I'm going to show you one cool hack for the baguette.
16:07People usually when they make the baguette,
16:09take them and put them together.
16:12However, what if you do this?
16:17Ta-dam.
16:19That's it.
16:20Like, share and subscribe for more advice.
16:23Thank you very much for watching.
16:25Bye.
16:27Is it possible?
16:29How did this never fall?
16:31I told you, Mica, that is Tanja genial.
16:33I'm just creative.
16:38Can you send me those clips?
16:40I've already sent you.
16:41You'll be the right influencer.
16:42Let's go to my house to see if I'm good things for the website.
16:46Let's go.
16:47And when you prepare me food,
16:48you take some vegetables,
16:50some vegetables,
16:51some vegetables,
16:52some vegetables,
16:53some vegetables,
16:54all you know.
16:55You have some tricks on my YouTube channel.
16:57Bye.
16:59Hello.
17:02Bye.
17:03I'm confused.
17:04Look at these!
17:05How are you going?
17:06How are you going?
17:07Amazing, your house is so sweet!
17:10Great job!
17:11Thank you!
17:13See what I wanted to do.
17:15Do you like it?
17:16I've really loved it.
17:17How are you feeling?
17:18I love it!
17:19It's so amazing!
17:20You know what I thought was,
17:21this isn't as cheap!
17:23You know what we have now?
17:24Something which was good.
17:25Take some female pants and the men's clothes
17:27But I believe that we can get some cool fashion guys.
17:30You can. You think they'll be like baggy pants?
17:33Yes. You're like a designer.
17:35My mom was a designer.
17:37It's amazing.
17:39Can I take these pants for my dad?
17:42Yes, I can. I always take my daughter's wardrobe,
17:45and he won't try it.
17:47And when he'll try it, he'll be back.
17:49Do you want to take a photo?
17:52Yes, it can. And when we take a photo,
17:54we'll go to your dad to take a photo.
17:57You can.
17:58Let's go.
17:59Let's take a photo.
18:01Tani, I'll take a photo.
18:03Three, four, now.
18:05Tani, I'll take a photo.
18:07Great, let's go.
18:12I'm finished with my hands.
18:14When I come from school, they have to eat.
18:16And this is a little, I don't eat anything.
18:18I've got some Pavlića that I've had.
18:20Hummus, if it's good, if it's good,
18:22and if it's good, I'll give her and bread and bread.
18:24That's what I'm looking for.
18:25And you eat this food in the kitchen.
18:28Stress.
18:29Maybe it's good to solve stress.
18:31I pray for you.
18:36Milica, I ask you to try this pressure on you.
18:40Just to see if it works.
18:42I tried it on Konstantin.
18:43I tried it, but I didn't do anything.
18:45Thank you very much.
18:46I always get caught up when they press me,
18:48and then I'll jump.
19:01He jumped.
19:02Yes, but I'm not a genius.
19:04Konstantin told you to call the laboratory
19:06to come and give us the blood to check us out.
19:09Yes, exactly.
19:10I knew that in this house
19:11there will be blood to be in the house.
19:13That's a good job.
19:15How do you do that?
19:16Yes, and Ilija and Maja,
19:18they'll be able to take care of their hands.
19:21Tell them that they have to do it.
19:24That's your job, Milica?
19:26Yes, everything here is my job.
19:28If I ask myself,
19:30I'll take care of the doctor.
19:31I'll take care of the doctor.
19:32I'll bring it to the laboratory,
19:33and we'll take care of it.
19:34We'll pay it to the doctor.
19:35We'll pay it there.
19:36Not to come home and bury us.
19:37That's not a luxury.
19:39Where is the doctor?
19:40I have to go back to Maja.
19:41When he comes,
19:42I ask him to talk about it.
19:43Me?
19:44Yes, yes, yes.
19:45Where is Konstantin at the 4th of the day?
19:48Oh, no.
19:49Where is it at the 4th of the day?
19:51Where is it at the 4th of the day?
19:52Why is it difficult for you to get on your hands?
19:54He likes everything he's on two feet.
19:57He wears a dress.
19:58That's right.
19:59Can I have another one?
20:00Yes, of course.
20:01Yes, of course.
20:06How are you doing?
20:07I'm here.
20:08Father, I'm here to meet with you.
20:12Tanja.
20:13It's nice to me.
20:15I'm here.
20:16Father, in general,
20:17he doesn't know anything.
20:18Tanja is our famous influencer.
20:20He's here to shoot a video on upcycling mode.
20:22I don't know anything about it.
20:24Yes.
20:25It's nice.
20:26It's nice to me.
20:27I'm here, Tanja.
20:28I'm here.
20:29I need something to do with you.
20:30Yes.
20:31I need your female pants to make them like a shalvere.
20:34I can't do it?
20:35Of course.
20:36You can do it.
20:37Go to my house.
20:38Take whatever you want.
20:39Yes.
20:40This is the past.
20:41I thought it was important.
20:42Wait here, Tanja.
20:43We're not known.
20:47We're not known.
20:48We're not known for us.
20:49We're not known for us.
20:50We're filming a video.
20:52Let's see.
20:53We're filming a video.
20:54We're filming a video.
20:55We're filming a video.
20:56I don't know what I want you to ask. Do you have your permission to make our videos online?
21:13I don't want to use it. I don't use it.
21:17No, I don't understand our videos.
21:20I want to open another YouTube channel where I'm going to pay attention to the audience.
21:25No, you don't get into it.
21:31But we have great chemistry. Why not? We inspire, motivate others.
21:36Listen, Tanja, this is between us. It's for me a...
21:41...disappointing.
21:43No, I would say that it's just like that.
21:45I said no. And I ask you now, just to say something else.
21:49I don't think something else. I ask you.
21:52What do you want?
21:55The hand is placed in the room, please.
22:06Is everything okay?
22:08I ask?
22:09Is everything okay?
22:10Yes, yes, yes. I just wanted something to ask for the laboratory.
22:14I'll check it out with the children.
22:16I'll check it out.
22:23No.
22:25No, this doesn't work. I have to go back every time.
22:29It looks like you were right.
22:32I'm always right. Why?
22:34For Konstantina.
22:35Is he sick?
22:36No, he's sick. I didn't want to listen to him.
22:39I only came to ask for the laboratory.
22:42What did you hear, Milica?
22:44I don't know, but...
22:45I was with that girl.
22:47And they told her as if they knew.
22:49And she said they were good.
22:50They had a chemist.
22:51They had a chemist.
22:52They had a chemist.
22:53They had a chemist.
22:54What did he say?
22:55I told her.
22:56I told her.
22:57I told her that she didn't do anything.
22:58Wait.
22:59Wait.
23:00Wait.
23:01That means that she is here and she is here and is telling her to be close to her?
23:05Just so that nobody knows.
23:07What do I care about?
23:08Is there anyone knows?
23:09That means that he goes two times a week.
23:13There, beside her.
23:17He's a man.
23:20Maybe I didn't hear it well.
23:22Milica, have you heard a chemist in the same sentence?
23:26Yes.
23:27Let me tell you another situation in which these two sentences can be used together.
23:34I can ask her.
23:35Aha.
23:36And then you can explain to him why I was caught up on the computer and why you did it.
23:41But I didn't explain to him.
23:43I just wanted to go and ask for the laboratory.
23:44Just explain to him.
23:47Why am I nervous here?
23:49His private life is his thing.
23:51Why are you messing with me?
23:52No, I don't want no problem.
23:55Here's it.
23:56Let's go.
24:07Look what's up.
24:10Now as you can see, my her beautiful advice is to be a model.
24:13Thank you so much for being a model, and how to make it when everything is done in its way.
24:17Now, tell us in the comments how our upcycling idea is coming up and how you would stylize it.
24:23Bye!
24:25You know what I thought? I'm going to show you just for the montage,
24:28just to make all the pictures of you.
24:30So, it'll be cool. Just stand there.
24:33Can I do that?
24:35Yes, that's great idea.
24:38I'm going to show you a little left leg and left leg.
24:43That's it!
24:47Just to introduce yourself, I'm the real assistant of the family, Maksimovic.
24:52And just to know that every evil needs of any part of this family will be properly sanctioned.
24:59I don't understand, my Viktorian is a strange idea for humor.
25:02No humor. You are a little male.
25:05And this lady who knows what she wants to use?
25:08Did you tell me that you are a little male?
25:09I have an agreement with my parents.
25:11That's the same.
25:12You are a little naive, lady. You are not here just like that.
25:16Viktorian, I don't know who you are today, but I'm going to stop attacking her.
25:20Why are you talking about it?
25:22Let's go!
25:23Let's go!
25:28Look!
25:29What?
25:30What are you looking at?
25:31This is a thin profile.
25:32Look how many friends have.
25:34783...
25:35Yes.
25:36What?
25:37That's a great thing.
25:38That's a great thing.
25:39A great thing.
25:40That's a great thing.
25:41You know what?
25:42When you're looking at any social media, she is the first one.
25:45She is the popular one.
25:47Who can do it to me?
25:48I'm the main one.
25:49I'm the main one.
25:50I don't understand.
25:51You don't understand him.
25:52You're the same.
25:53You're the same.
25:54You're the same.
25:55You're the same.
25:56You're the same.
25:57You're the same.
25:58You're a psychotherapist.
25:59Psychotherapist.
26:00Okay.
26:01I have a daughter who is called Johnny J.
26:04He is the same influencer.
26:05They are the one.
26:06They're the only influencer club.
26:07I could you see how many girls do look like if they are on a TV show?
26:10That's a movie right there.
26:11I'm the same one.
26:12You're the same.
26:13What are you talking about?
26:14What's Johnny J?
26:15What?
26:16I'm asking you.
26:17I'm sorry to report it.
26:19I don't know that it's something.
26:26It's nothing.
26:28No, I don't have anything to do for this.
26:32I'm telling you, it's not nothing.
26:35It's neither a trace nor any information.
26:38It's not something to do with Konstantin.
26:42Listen.
26:44I'm sorry, I'm sorry. Let me tell you what happened.
26:49You have to look at me at the cards.
26:51How many times do I tell you?
26:53It's not for me to look at the cards, but for Konstantina.
26:56I may have heard wrongly, but I think you have Valerku.
26:59I want you to see what are those two.
27:01Come on, run. She's on my knees.
27:03Okay, don't do that.
27:05It's true, it's true. She has such a girl.
27:08I don't care about her.
27:09No, I don't care about her.
27:11No, I don't care about her.
27:13No, I don't care about her.
27:14I don't care about her.
27:15Just comment on her.
27:16What is it about her?
27:18Who cares about her?
27:19What?
27:20Because of her, of course.
27:21No, don't.
27:22I don't care about her.
27:23I'm not sure about her.
27:24Why are people who are the same for us?
27:26I don't care about her to be in the same place.
27:28I don't care about her.
27:30I don't care about her.
27:31I know how I am my own family.
27:34I know.
27:35The brain has been through it.
27:37I know.
27:38I know.
27:39I know.
27:40I know.
27:41I know.
27:42I know.
27:43But don't be kidding.
27:44You didn't have children.
27:45I don't care about her.
27:46I know.
27:47I know.
27:48I know.
27:49But don't be kidding.
27:50You didn't have children.
27:51It's not the same.
27:52I don't know how the children will react here if Constantine has a girl.
27:56Yes, I know.
27:58Do you think she can take her place?
28:01Okay.
28:02You didn't understand me at all.
28:04I have to leave.
28:05I have to leave.
28:06I need to get to Maja and Vlada.
28:07Let's hear it.
28:08Bye.
28:09Bye.
28:17What did she say?
28:19John...
28:20DJ...
28:21John is...
28:22Wait, wait, wait.
28:24Johnny J.
28:35You want me to add memory.
28:38You want me to add memory.
28:54teeth?
28:57Jjoj.
28:58It's delicious.
28:59I mean...
29:06ordinance?
29:07It's not...
29:08That will help you.
29:09You will not hide Crookedle.
29:11Remember that you have to go in, right?
29:12Sure.
29:13That's sano for both...
29:14Can you hear it?
29:15I have to try for him to give it.
29:17You can buy them for myself!
29:19I find you the best.
29:20Well, that could be nice all the way.
29:21I'll take care of the fact.
29:22I don't have a pleasure.
29:23I don't have anything to do with me.
29:25Is it just that it will be enough for everything?
29:28Sorry, I haven't eaten for three days.
29:31What?
29:33Well, I met with a woman because of a girl.
29:37She put a gun on a prisoner.
29:41And this little girl...
29:45I don't know, I don't know.
29:47It was a little romance at the beginning.
29:50I don't know if I'm stuck with that.
29:52I don't know if I'm stuck with me.
29:56How sexy are you when you're so cute?
30:00I mean...
30:02Is it all your women falling on your own?
30:06You see this one doesn't fall.
30:08It's not a miracle.
30:10I want to ask you for a service.
30:13I don't have anything to do.
30:15I don't plan to have anyone.
30:17I don't...
30:19I don't think of it.
30:21But I just need another one.
30:23Look.
30:25Let me make your princess Crof.
30:28They are the best princess Crof in the world.
30:31And my wife loves it.
30:34I love you.
30:35Don't go.
30:36Don't go for it.
30:37No, no, no.
30:38No, no, no.
30:39No, no.
30:40No, no.
30:41No, no, no.
30:42No.
30:43No, no.
30:44No, no.
30:45It's not that.
30:46It's not that.
30:47You understand?
30:48I mean, in Ivanjici, I buy her a coffee for her, you know?
30:52And she has to be upset, you understand? How much does it cost?
30:55And again, you're lying. There's no money, my Vladimire.
30:59There's no money.
31:01There's no money.
31:03There's no money.
31:05Well, if there's no money,
31:08then I'll give you something to you.
31:11You know, as they say,
31:13hand-hand hand,
31:15you can make me a solution.
31:19Well, that's fine.
31:21What's going on?
31:26Yes.
31:28He's on.
31:29He won't leave me.
31:31Not at once.
31:32Come on.
31:34Come on.
31:36Come on.
31:38You have to give me information
31:41where Constantine will drive tomorrow and tomorrow.
31:47That would be you to know, huh?
31:50Do you want Princess Crofna, or do you want?
31:54I want.
31:55I want.
31:56Listen, tell me.
31:58Ana, can you do that?
32:00I want to see Princess Crofna here on the table.
32:04She's prepared.
32:05She's everything for me.
32:07You can.
32:08Yes, she's that?
32:09And I'll tell you where I'm going, Constantine.
32:11Sorry, but I'm going to have to say,
32:14I'm going to go with this little girl
32:15and their company
32:16somewhere
32:17with an influencer.
32:19What's that?
32:20Guys, pray.
32:21Let's pray.
32:22Bye.
32:23Have a good time.
32:24Everyone is the same,
32:25but the last minute is all that you're in love.
32:27What are you missing?
32:29Let's go!
32:31Come on, Mica!
32:33Oh, how beautiful!
32:37I'm going, it was top.
32:39It was top, isn't it?
32:41What was the most top?
32:43Everything, home, people, everything was top.
32:45People!
32:47Who was the most top?
32:49Nobody.
32:51Nobody, isn't it?
32:53Let's try it, Mica.
32:55Let's see how I'm standing.
32:57Let's try it.
32:59Let's try it.
33:01Let's try it.
33:03Let's try it together.
33:05Thank you very much.
33:07Thank you, Elisa.
33:09It will be great.
33:11Thank you, Tanja.
33:13Bye.
33:15Bye.
33:17What are you saying?
33:19You're standing by me.
33:21One day, when you wake up
33:23at the end of the day,
33:25I'm coming to the city.
33:27I'm asking you,
33:29where did you buy it?
33:31It was my advice, Maksimovic.
33:33Okay, then I have to think about what art name is.
33:35Fashion girl.
33:37What are you thinking?
33:39Fashion queen.
33:41Oh, you're strong.
33:43Okay, but I have to tell you something.
33:45Tanja asked me to be an assistant.
33:47I have to tell you something.
33:49Tanja, you have to tell me something.
33:51Yes.
33:52I have to tell you something.
33:53But we have to tell you about Konstantina
33:54to let me leave.
33:55I love you.
33:56He's not already told me.
33:57No.
33:58Let's eat Princess Croft.
33:59Let's know that Mica will do everything for you.
34:01I don't want to tell you.
34:02I don't want to tell you.
34:03Let me tell you, Tanja.
34:04Pam, pam, pam, pam, pam, pam...
34:07ETRAGAMMANG
34:09Hutu!
34:34Music
34:36Music
34:49Hey, they're in the garden?
34:52Here, I'm just finished.
34:55Yeah?
34:56I thought...
34:58No, please don't worry.
34:59You should have been exposed to this Kabbalah's blood.
35:02Well, it's good to do that, but I don't know what is the victory in the past.
35:08I didn't get it because of that.
35:10Is the advice to do on that video with the little influencer?
35:14Yes, I have to write carefully and review the time for today.
35:20There is a lot of great creations.
35:22I think it could be interesting in the future.
35:24If you write a design.
35:26We will only see it, slowly.
35:28If you decide for another school,
35:30if you continue with the creation,
35:32it may be a way to express yourself,
35:34and be able to do more.
35:36Okay, I think it's good.
35:38I don't think it's good.
35:40It's good that someone doesn't do it.
35:42That's why I am here.
35:44This Tanja is very popular.
35:46She is good in her job.
35:48She is talented.
35:50She has noticed that she is good.
35:52She is good in social media.
35:54She would want her to be an assistant.
35:58She is good in social media.
36:00She is good in social media.
36:02She is good in social media.
36:04She has to learn.
36:06Okay, but I would say no.
36:08I don't want to do anything with that Tanja.
36:12But I think that Tanja is okay.
36:14No means no.
36:16Okay.
36:18I think that you will have to find out
36:20that you will say or suggest
36:22why it is not.
36:23The conclusion that I have said so.
36:25Well, if you say so.
36:27I'm sorry.
36:28I didn't expect such a comment from you.
36:32And not me.
36:34The conversation is finished.
36:36It's not a lie, I think.
36:38Speaking of the truth.
36:39Yes, that's scary.
36:41And you can't wait to see you.
36:44You did not sleep all after the event.
36:46Yes, no one at all.
36:47Yes, no one is悦.
36:48Yes, no one is bad.
36:49Yes, no one is a nightmare.
36:50Yes, no one is bad.
36:51Yes, no one is bad.
36:52No one is bad at all.
36:53Most of my time.
36:54I have a funny story.
36:55I have a funny story with Constantino.
36:58Yes, I was in the hospital, but I'm nervous.
37:02I think it's the best to wait for a moment.
37:04First of all, the video will be revealed and he will see that it's great.
37:07And you can do a plan to make a report,
37:10see how much time it takes from school,
37:12how it looked like it,
37:14and maybe you can present the report and see how it will be.
37:17That's it.
37:18Let's go.
37:19Where are you going?
37:20Let me tell you how it was.
37:23It's done.
37:24It's done.
37:26It's good to try it.
37:28First of all, the information.
37:30No, I'm trying it.
37:31Only one thing.
37:33Here.
37:35It's good.
37:44It's good to see you, mother.
37:50Good, Konstantina.
37:51I'm driving every week of the week of the week of the week of the week of the week of the week.
37:54What happens from the week of the week of the week of the week of the week of the week?
37:56I don't know.
37:58Most of them have nothing from Princess Hrani.
38:01Wait, you told me I'll tell you where I'm driving and I'm going to tell you where I'm going.
38:05And you won't be fired.
38:06I won't!
38:07I won't be fired.
38:08What would I say?
38:09He won't tell you.
38:10He won't tell you.
38:11He won't tell you.
38:12He won't tell you.
38:14I've all been saved.
38:16What do you think?
38:17Lepo. I found this little girl, I told her everything, so she won't be a problem anymore.
38:24Is it normal? But what did you say? We don't know exactly exactly what we do.
38:29You don't know, you don't know, but I don't want you to see you again.
38:32We'll see you later.
38:34Is there someone in this house?
38:37I told you to listen to who you are walking, but...
38:40Aaaah!
38:41Shebe!
38:42What do you do?
38:43What do you do?
38:44What do you do, secretary?
38:46No, no!
38:47Victoria!
38:48Victoria!
38:49She said, moment, girl, that we're together.
38:51No.
38:52No.
38:53No.
38:54No.
38:55No.
38:56No.
38:57No.
38:58No.
38:59No.
39:00No.
39:01No.
39:02No.
39:03No.
39:04No.
39:05No.
39:06No.
39:07No.
39:08No.
39:09No.
39:10No.
39:11No.
39:12No.
39:13No.
39:14No.
39:15No.
39:16No.
39:17No.
39:18No.
39:19No.
39:20No.
39:21No.
39:22No.
39:23No.
39:24No.
39:25No.
39:26No.
39:27No.
39:28No.
39:29No.
39:30No.
39:31No.
39:32No.
39:33No.
39:34No.
39:35No.
39:36No.
39:37No.
39:38No.
39:39No.
39:40Let's go!
39:42I'm very upset.
39:44Both!
39:46You don't have time to meet me!
39:48Is that right?
40:01I'm going to take you to me.
40:03Can you do it?
40:10Why did Tanja tell me that I can't be an assistant?
40:13And she told me that I'm going to ask you both.
40:15It came up to a little bit.
40:17I understand.
40:18Milica and I thought that Tanja was Konstantinova's lover.
40:26That's why you got it with me.
40:28I pray.
40:29They're together a couple of times.
40:31They play a salsa, but Konstantin is crazy from us.
40:33Who is normal in Serbia playing a salsa?
40:36Why is she laughing because of me?
40:38I'm not lying about you.
40:40Let's go, Victoria.
40:41What did you do?
40:42Okay.
40:43Maybe I went to this...
40:47Johnny...
40:48Johnny J.
40:49Johnny J.
40:50And then I told her to kill her girl
40:53because she was attacked by the Beograd architect.
40:57What did you do?
40:58Don't worry.
40:59Konstantin went to Tanja to explain her that he was a mess.
41:02Of course, it's a mess.
41:03It's a mess.
41:04It's a mess.
41:05You and you stupid Konstantin.
41:08I'm sorry to see her in May.
41:11I'm sorry to see her again.
41:12It's nice that Žiža said that the Mercury is a retrograde.
41:14It's a retrograde.
41:15I'm a retrograde.
41:16It's a whole life.
41:18We need to solve this.
41:20We can all die.
41:22And all the society is dead.
41:24What would you do to me?
41:27What would you do to me?
41:30A kind of old town.
41:35You know that you're right.
41:38I'm always right.
41:41Old town.
41:54How did you go to school?
41:59No.
42:01Do you want me to take my hand?
42:02I'm not hungry.
42:25How you like to do...
42:28How about you to use the machine?
42:31No, she's not mine.
42:32She's not yours.
42:33If you want, of course.
42:35I want to use the machine.
42:36I want to use the machine.
42:38I know.
42:40I will learn you on the most common problems.
42:42I will learn you on the most common problems.
42:44What will you use to learn?
42:46Now what's your work?
42:47I can't do it, but I will do it.
42:50I know I will teach you with the biggest problems
42:52or anyone, to teach you what you want.
42:54I'm going to help you.
43:00I know that I'm going to break everything up.
43:03Yes, Konstantin is still a little.
43:05Like a rice.
43:07Here we are, Viktorija, and I'm going to place him.
43:09Here we need your Ilina and Majina help.
43:12Let's show you how he works.
43:14See this way.
43:15First, you hit him.
43:225 hours, go home.
43:30Let's finish the mail.
43:33Let's send the mail.
43:35And let's leave the cabinet.
43:44Konstantin...
43:45I've already told you,
43:47we're in a strict job.
43:50Sorry.
43:53Yes?
43:57Father, I ask you,
43:58you have to come to see
43:59what we've done with Ilija and I for you.
44:01For me?
44:02Yes, and the advice helped us.
44:04The question is something amazing.
44:07Let's go.
44:20It's a bit of a big deal.
44:25We're all over.
44:26I'm the biggest.
44:27The truth is that everyone needs to have what makes him happy.
44:31And no one needs to move.
44:32And we need to remember when I'm in the middle.
44:35And so there's no one against us here at 4th,
44:37we have a day to play.
44:39No.
44:40Every day is a day to play.
44:43I hope you'll be asking us.
44:46Yes, I'm sorry. I think I'd heard this secret until the grave, if you understand.
45:00It's crazy that I've created this from you.
45:04I've only wanted five minutes for myself and nothing else.
45:08From all of this.
45:10What we're talking about, do you want to play?
45:16We can.
45:18But since you've made a decision for me, I'm going to teach you how to play salsa.
45:26Can't you?
45:28Everyone in line, quickly, quickly, quickly.
45:32Line, line.
45:34Let's go, Vlado.
45:36Line.
45:38First, the main chord.
45:40You can see the fingers like this.
45:42Look at how the chords are.
45:44Let's go.
45:45Left leg starts.
45:47Let's go from the left leg.
45:481, 2, 3, 2, 2, 3.
45:511, 2, 3, 2, 2, 3.
45:541, 2, 3.
45:561, 2, 3, 2, 3, 2, 3.
45:591, 2, 3, 2, 3.
46:001, 2, 3, 3.
46:011, 2, 3, 3, 2, 3.
46:03You have no idea.
46:04Why do I have no idea?
46:05Stand behind me.
46:06Wiki said I don't have no idea.
46:08And the salsa is playing this.
46:11Listen to me.
46:13Listen.
46:15And left, forward, right, forward, left, forward.
46:23I'm right.
46:25And left, left, right, left, left, right.
46:33Parovi?
46:35Signorita.
46:37Oh, perfect.
46:43It's my whole house.
46:51Well, how did you know this character?
46:55We were éxito for the first time.
46:59We were kissed.
47:02We asked him again whether we wanted him to get danced with the feeling.
47:06You know the sign-up?
47:10You know that I'm a crumb man. I would like to thank this project, this trade center, this will be a part of the project.
47:22It's the child of Konstantinov and my job partner.
47:27I want to give him something special to me.
47:31A small hachipiper.
47:33With my majumor.
47:35You are welcome. To know our truth, you will surely hear a lot about her.
47:43The house is a listener.
47:45Markov father is the president of the urbanist commission in our city.
47:51How could he be happy when he got that job?
47:56Okay, I'll give you a chance Markov.
47:59But if I'm happy, I'll sit with Pavlov.
48:02Ladies and gentlemen, are you married?
48:06I'm Markov, who is a young man.
48:08And I'll see you next time.
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