- 1 week ago
Firs broadcast 3rd December 2003.
Billy McCree is murdered in his work-shop and his severed hand is found next to him.
Blythe Duff - DS Jackie Reid
John Michie - DI Robbie Ross
Alex Norton - DCI Matt Burke
Colin McCredie - DC Stuart Fraser
Lesley Harcourt - Gemma Kerr
William Macbain - Jim Naysmith (as William MacBain)
Frances Thorburn - Mary Cullen
Iain Robertson - Ryan McCree (as Ian Robertson)
Linda Duncan McLaughlin - Morag McCree
Alex Harvey - Neil Mosby
Meg Fraser - Anna Martin
Maureen Allan - Amy Cullen
Kerry Lynn Hamilton - Sadie Grearson (as Kerry Lyn Hamilton)
Angela Neil - PC - Woman
Marianne Muir - Barmaid
Suzanne Sellers - Lesley Telford
James Fleming - Al Hunter
Iain McColl - Roy Skeen
Ron Paterson - Man
Iain Mossman - PC - Man
Billy McCree is murdered in his work-shop and his severed hand is found next to him.
Blythe Duff - DS Jackie Reid
John Michie - DI Robbie Ross
Alex Norton - DCI Matt Burke
Colin McCredie - DC Stuart Fraser
Lesley Harcourt - Gemma Kerr
William Macbain - Jim Naysmith (as William MacBain)
Frances Thorburn - Mary Cullen
Iain Robertson - Ryan McCree (as Ian Robertson)
Linda Duncan McLaughlin - Morag McCree
Alex Harvey - Neil Mosby
Meg Fraser - Anna Martin
Maureen Allan - Amy Cullen
Kerry Lynn Hamilton - Sadie Grearson (as Kerry Lyn Hamilton)
Angela Neil - PC - Woman
Marianne Muir - Barmaid
Suzanne Sellers - Lesley Telford
James Fleming - Al Hunter
Iain McColl - Roy Skeen
Ron Paterson - Man
Iain Mossman - PC - Man
Category
📺
TVTranscript
00:00:00Dad!
00:00:04Dad, it's me!
00:00:30Dad, it's me!
00:01:00What a hand there, darling?
00:01:02In exchange for what?
00:01:04I guarantee you it won't involve a dead body.
00:01:06See your, er, dress for the occasion?
00:01:09Mm. Just wait till you see me and my baby dolls.
00:01:12Oh, can't wait.
00:01:20Enjoy your wee lion.
00:01:22I think he means good morning.
00:01:24So, why are we here?
00:01:26Because if I'd sewn my own hand off, I'd try and call for help.
00:01:29Any sign of a break-in?
00:01:30There's no wallet. Could have been taken.
00:01:32Those bruises.
00:01:33Yeah, a couple of days old. Stuart's already on to it.
00:01:36No attempt to stem the wound.
00:01:37Maybe you passed out of the shock.
00:01:39No, you wouldn't. Not if your life depended on it.
00:01:42Anything you can give me, Gemma. Just, er, start with the...
00:01:45The exit trail?
00:01:52What are you not telling me?
00:01:53My name is Billy McCree.
00:01:5520 years ago, he was the lead witness in the Jim Naismith trial.
00:01:58Big enemy to make.
00:02:00Exactly.
00:02:01If Naismith's out, I'll not be short on motive.
00:02:03A woman turned up here late last Friday shouting the odds.
00:02:06Apparently our man here couldn't get out of the place quick enough.
00:02:09If a lady's mine, then there's Billy.
00:02:10You got a name?
00:02:11No.
00:02:12Billy was the boss.
00:02:13He liked to keep it like that.
00:02:15I don't know who that was for.
00:02:17Wife or mistress?
00:02:18Or the one-armed bandit.
00:02:20Least of his worries now.
00:02:21Stuart, go on to Berlini.
00:02:23Find out if Jim Naismith's been released.
00:02:25I'm away to talk to the wife.
00:02:27In your own time, Stuart.
00:02:29There's only a murder.
00:02:30Yes, sir.
00:02:31Wife's called Morag, sir.
00:02:46She's insisting that Mr Naismith's the murderer.
00:02:49Aye, I thought she might.
00:02:52Morag.
00:02:53You've got a nerve.
00:02:54We don't know Billy was murdered.
00:02:55You do.
00:02:56We both do.
00:02:57It could have been an accident.
00:02:58You persuaded him to give evidence.
00:02:59Persuaded me to talk him into it.
00:03:00It was the right thing.
00:03:01Someone had been killed.
00:03:02I've got a man checking.
00:03:03If Naismith's out, we'll soon know.
00:03:04This is on your head.
00:03:05How did Billy get the bruises on his face?
00:03:07He did it at work.
00:03:08They were refitting a shop in the south side.
00:03:09They were refitting a shop in the south side.
00:03:11You know what?
00:03:12I've got a man checking.
00:03:13If Naismith's out, we'll soon know.
00:03:14This is on your head.
00:03:16How did Billy get the bruises on his face?
00:03:19He did it at work.
00:03:20They were refitting a shop in the south side.
00:03:22Al slammed the van door too fast, caught Dad's face.
00:03:25Who's Al?
00:03:26Works with Dad in the shop fitting.
00:03:28They're old pals.
00:03:29Morag, were things well between you two?
00:03:31What do you mean?
00:03:32I've got to ask.
00:03:33Was Billy seeing someone else?
00:03:34What?
00:03:35I'm sorry, Morag.
00:03:36I need to know.
00:03:37Jim Naismith killed my husband.
00:03:39We don't know that yet.
00:03:40Stop wasting my time.
00:03:42You just get out there and catch the bastard.
00:03:50Do you know that people own this place or something?
00:03:53No.
00:03:54But I knew if I stood here for long enough, you'd notice me.
00:03:57Why would that be a good idea?
00:03:58I want to join the police.
00:04:00This shows I'm keen.
00:04:01Or mad.
00:04:02I've heard it helps.
00:04:03I'm studying law.
00:04:05Can I shadow you?
00:04:06I won't get in the way.
00:04:07Nah, they do open days.
00:04:09Ask in any station.
00:04:10Robbie.
00:04:11What?
00:04:12My name's Mary.
00:04:13Mary Cullen.
00:04:14Can I contact you?
00:04:15When you're less busy, perhaps?
00:04:17Please?
00:04:19Should I ask for Robbie?
00:04:21No.
00:04:22D.I. Ross to you.
00:04:29What have you got for me, Gemma?
00:04:31Something strange.
00:04:32Those are the sons?
00:04:33No.
00:04:34These are.
00:04:36Look at the sole.
00:04:38That's one of them there.
00:04:39Mm.
00:04:40There's several.
00:04:41You see the boy back to there.
00:04:43Dialed 999.
00:04:44Then went outside and threw up.
00:04:45Found that too.
00:04:46Oh, lovely.
00:04:47Hmm.
00:04:48This set's smaller.
00:04:50Female.
00:04:51I mean, there's too much blood by the body to tell how close, but I'd say she was right
00:04:54with him.
00:04:55Before or after death?
00:04:56It's impossible to say.
00:04:57Still no sign of a struggle?
00:04:58Mm-mm.
00:04:59He'd a bump in his head.
00:05:00You'll know more after the PM.
00:05:02But I'd say he was hit from behind, then grabbed, and then...
00:05:09There's something else.
00:05:10Look at the clarity of the prints.
00:05:12Whoever this was was still.
00:05:14Maybe he watched him die.
00:05:17And look here.
00:05:20He lit up a fag.
00:05:22Looks that way.
00:05:23Any chance of DNA?
00:05:25I'll try, but there's only ash.
00:05:27Jealous husband?
00:05:28It's a bit hard to tell from just the shoes.
00:05:30All right, Robbie, let's go back to base.
00:05:32Gemma?
00:05:33Impossible?
00:05:34Bye yesterday.
00:05:35So it was an accident.
00:05:38Well, we're still investigating.
00:05:40Did Billy seem troubled to you at all?
00:05:42No.
00:05:43Biggest worry was about to get Morag for her birthday.
00:05:46So they were still close?
00:05:48Oh, aye.
00:05:49Soundest couple I know.
00:05:50She must be in bits.
00:05:52Look, I'm sorry.
00:05:53I have to ask you.
00:05:54Is Billy seeing someone else?
00:05:56Does Morag know?
00:05:57I'm not sure.
00:05:58According to her, me and Billy are joined at the hip.
00:05:59Truth is, I was his alibi.
00:06:00She's been having it away for years.
00:06:01So do you know who she is?
00:06:02I didn't want to know.
00:06:03I like Morag too much.
00:06:04Well, OK.
00:06:05So tell me about the accident.
00:06:06What accident?
00:06:07The bruising on his face?
00:06:08Turned up at work Tuesday morning, we was head mashed.
00:06:10Wond about it all day.
00:06:11Never was very brave.
00:06:12So this didn't happen at work?
00:06:13No.
00:06:14Morag must be devastated.
00:06:15How'd you get away with hair like that?
00:06:16I've been under control.
00:06:17No.
00:06:18I've been under control.
00:06:19I've been under control.
00:06:20I've been under control.
00:06:21I've been under control.
00:06:22The truth is, I was his alibi.
00:06:23I've been having it away for years.
00:06:24So do you know who she is?
00:06:25I don't want to know.
00:06:26I like Morag too much.
00:06:27Well, OK.
00:06:28So tell me about the accident.
00:06:30What accident?
00:06:32The bruising on his face.
00:06:33Turned up at work Tuesday morning, we's head mashed.
00:06:36I've been undercover.
00:06:37What has?
00:06:39August 1983, Buchanan's shopping centre.
00:06:42Nathmas gang hit the security van.
00:06:45This guy tried to stop them.
00:06:46A have-a-go hero.
00:06:48Otherwise known as an idiot.
00:06:49He'd been out shopping with his wife.
00:06:51She was seven months pregnant.
00:06:53He saw the heist and get piled in.
00:06:55Nathmas got stuck in with a baseball bat,
00:06:57battered the man to death.
00:06:58So McCree gave evidence against him?
00:07:00The fact that the dead man's wife was pregnant convinced him.
00:07:03Billy always was a bit soft-hearted.
00:07:05This guy Mosby, he's still at it, isn't he?
00:07:08He got off on those building society jobs last year.
00:07:10So the big question of the day, Stuart,
00:07:12is Jim Naismith out and taking revenge?
00:07:15I'll chase it up, sir.
00:07:17And is our man Mosby next in line?
00:07:19Billy lied about the bruises.
00:07:21Why?
00:07:21Oh, don't know yet.
00:07:23Anyone for a coffee?
00:07:25Naismith's out, sir.
00:07:26He got released two weeks ago.
00:07:28Why am I not surprised?
00:07:29Andy's been out in work experience for six months.
00:07:31Out of florists.
00:07:33Get your coat back on, Jackie.
00:07:34This we have to see you two find a mistress.
00:07:36Yeah, all right.
00:07:45A murderer and a penny.
00:07:47Isn't rehabilitation wonderful?
00:07:49I'm working.
00:07:53So am I.
00:07:57Bird of paradise.
00:07:58Real name, Strelitzia.
00:08:01Named after the wife of George III.
00:08:03Do you know, it's a wonderful love story.
00:08:05They were never apart for more than one hour.
00:08:08Beautiful.
00:08:09You must have been awful bored inside Naismith.
00:08:17I didn't kill Billy McCree.
00:08:19How did you know he was dead?
00:08:21Arrange any roses this morning?
00:08:24So what are you after?
00:08:25A signed confession?
00:08:26Or a wee bunch of flowers?
00:08:28Jim?
00:08:29Police.
00:08:30They've been frightening the customers.
00:08:32DCI Buck.
00:08:33This is DS Reid.
00:08:34This is...
00:08:34It's Martin.
00:08:35Anna Martin.
00:08:36Are you the owner?
00:08:37Yes.
00:08:38He's just trying to do an honest day's work.
00:08:40No, he won't mind if I ask him where he was between 9 and 10 a.m. this morning.
00:08:43It's all right, Jim.
00:08:44Let me.
00:08:51He left here at 8.45 on two deliveries.
00:08:55He was back here by 10.15.
00:08:58One in Shetleson, the other way over in Drum Chapel.
00:09:01He did well in the time.
00:09:03Do you mind if I have a look?
00:09:05And the folk you deliver till back this up, will they?
00:09:08People don't forget flowers been delivered.
00:09:10That's special.
00:09:12When was the last time somebody sent you flowers, Mr Burke?
00:09:17Thanks for that.
00:09:18He said you'd come.
00:09:20I thought he was just being paranoid.
00:09:22We were just doing our job.
00:09:24Jim's earned his fresh start.
00:09:25If I see you in here again, I'll be straight on to your superiors.
00:09:28Thank you for your time.
00:09:30Both of you.
00:09:40You could have paid someone to murder Billy.
00:09:42You could have done that 20 years ago.
00:09:44Now, if he's involved, he did it himself.
00:09:51You'd better warn Mr Mosby.
00:09:53Anything?
00:10:02Billy McCree's phone records.
00:10:04They're checking out a couple of numbers he only called from his mobile.
00:10:08Bookies, betting aside.
00:10:10What'd you bet?
00:10:10Robbie, not everyone's a gambling womaniser.
00:10:13Only from his mobile?
00:10:14Trust me.
00:10:16First one, bookies?
00:10:19Yeah, thanks.
00:10:20Thanks.
00:10:23Second one's a Sadie Grierson, flat and yoker.
00:10:32Shall I try the neighbours?
00:10:34Hold on a wee minute.
00:10:42No way.
00:10:43Come on, Stuart.
00:10:44You're smaller than me.
00:10:45It's illegal.
00:10:46It's a good on the property.
00:10:47We're doing them a favour.
00:10:48Come on.
00:10:48Come on.
00:10:48Come on.
00:10:48Come on.
00:10:48Come on.
00:10:48Come on.
00:10:48Come on.
00:10:48Come on.
00:10:48Come on.
00:10:49Come on.
00:10:49Come on.
00:10:50Come on.
00:10:50Come on.
00:10:51Come on.
00:10:52Come on.
00:10:54Come on.
00:10:55Come on.
00:10:56Come on.
00:10:56Come on.
00:10:57Come on.
00:10:58Come on.
00:10:58Come on.
00:11:00Come on.
00:11:00Come on.
00:11:00Come on.
00:11:05What are you doing in there?
00:11:07Baking a cake?
00:11:13I landed in the cat litter.
00:11:15This must be her with Billy McCree.
00:11:33Not married, then?
00:11:35Not unless her husband gets off on pictures of her and her lover.
00:11:39She still might have a jealous ex.
00:11:40Yeah, you check the rest.
00:11:45Looks like we've been spotted.
00:11:59It's all right, Arnie.
00:12:00It's only an old friend.
00:12:02Isn't that right, Mr Burke?
00:12:06Naismith was always going to get Billy.
00:12:08You knew that, and I knew.
00:12:10And let's face it, Billy knew.
00:12:13Got to shut him up.
00:12:15Arnie, slap!
00:12:19He knows better than to argue.
00:12:20You could be next.
00:12:22You got yourself out of prison, you left Naismith in there.
00:12:24I seem to remember you were very grateful at the time.
00:12:26Naismith wasn't.
00:12:28At the very least, he might want his business back.
00:12:30And what business would that be?
00:12:31We don't want a turf war in our patch, Mosby.
00:12:34One death's enough.
00:12:35Naismith won't bother me.
00:12:36What, he knows you're the boss, does he?
00:12:38No, yeah, but he will.
00:12:39Meaning?
00:12:40Meaning you've got nothing to worry about, Mr Burke.
00:12:42Sir.
00:12:59Blood.
00:13:01And?
00:13:02OK, let's get some help down here.
00:13:05Get these bagged up and off to the lab.
00:13:07I'll keep an eye out.
00:13:08She could be back any time.
00:13:10Not today, she won't.
00:13:11OK, let's get some help.
00:13:17I'm sorry. I should have told someone. I've changed my mind.
00:13:23No, we're not from a clinic, Sadie.
00:13:27D.I. Ross, this is D.C. Fraser.
00:13:31I'm sorry. I should have told someone.
00:13:35I've changed my mind.
00:13:38No, we're not from a clinic, Sadie.
00:13:41D.I. Ross, this is D.C. Fraser.
00:13:43We need to talk to you about Billy.
00:14:13Boss is Robbie. I think we've found our killer.
00:14:22So you walked into the store, found Billy lying there dead, took his wallet, walked out.
00:14:34walked out? Yes. And do you expect us to believe that? Why did you take the wallet, Sadie?
00:14:42Why don't you believe me? Why did you take the wallet? Well, I've got her a few pictures.
00:14:47I gave it to him. That's all. Did you kill Billy, Sadie? No. You were at the scene. You had a motive.
00:14:55What motive? You're pregnant and he rejected you. That is a motive. Did you go back angry?
00:14:59Had you been storing it up? No. I got the appointment for the abortion. I went to tell him.
00:15:08But it didn't change his mind, did it? You thought it would, but it didn't. Billy was already
00:15:13dead. Did you see the rose, Sadie? The rose for his wife. Is that what pushed you over the
00:15:18edge? No. But you did see it, didn't you? Yes. But he was already dead. He was already
00:15:29dead. And this is definitely the man who delivered the flowers? Aye. He'd right laugh
00:15:41at me. I nearly binned the flowers. A piece offering from my boyfriend on a bender for three
00:15:47days. Have you forgiven him yet? No way. He's no suffered nearly enough. And you're sure
00:15:54about the time? Aye. Five to ten. He only just caught me. I was off to my slimming club.
00:15:59He seemed nice. What's he done? Ah, most of the police works is elimination. Thank you,
00:16:06Mr Helford. You've been very helpful.
00:16:10Stuart. Wait here. She wouldn't take no for an answer. Stuart, you're a police officer.
00:16:22You're supposed to be forceful. She brought this. A reference from our tutor. She seems
00:16:26very committed. You're nothing if not persistent. Please. You won't know I'm here. Stuart, show
00:16:35Miss Cullen around. You're a star. Why me? Look on it as assertiveness training. Anything?
00:16:45Yep. Said he's an only child. No family locally. Lived her life for Billy. Kind of fits.
00:16:52Hmm. Still doesn't explain the male footprints. Well, Naismith's alibi checks out. Two deliveries,
00:16:58one at 9.30, one at 9.55. All right, Jackie. Get back out there. Get to the boat with those
00:17:03bruises in Billy's face. Whoever killed Billy McCree would have been drenched in blood,
00:17:09splattered from head to toe. Unless they covered themselves. Sure. But the markings on Sadie's
00:17:15clothes tell a different story. See, there's only blood where she's made contact with the body.
00:17:21Look, I get in close. And where I touch, I'm covered in blood. But here, no blood. Not a spot.
00:17:31So if Sadie had cut Billy's hand off, she'd have been sprayed all over. So who...?
00:17:36I don't know. That's... Our job. Mm-hmm. Yeah.
00:17:39Good news. Get in the clear. Come on, Sadie. I'll get better.
00:18:03I'm carrying his child.
00:18:08When you walked in and found him... I know. Thanks, Sadie. Did you see anyone?
00:18:15No. I was wound up. I'd got it all worked out.
00:18:23Was gonna tell him I'd do as he wanted.
00:18:27Didn't have the abortion.
00:18:30Can I keep his wallet? I'd like some.
00:18:41No, I'm sorry. It's evidence.
00:18:48Well, let's get you out of here.
00:18:51Get a tighter statement. I'll get you a lift home. Okay?
00:18:55Shame.
00:18:58Billy was a good customer.
00:19:00You didn't like him then?
00:19:02I didn't say that.
00:19:04Who killed him?
00:19:05Who said he'd been killed?
00:19:09Had he been in any bother of late?
00:19:11Only the other night.
00:19:13Bet his lads already told you about that, though.
00:19:15Yeah, well, why don't you tell me?
00:19:18Monday night, him and Ryan were sat having a pint.
00:19:21Nice to see that, don't you think?
00:19:23Father and son drinking together.
00:19:25What happened, Mr Skeen?
00:19:27Some bloke came in.
00:19:28Dragged Billy outside.
00:19:30Didn't try and stop him?
00:19:32First rule of being a landlord, darling.
00:19:35Don't get involved.
00:19:36So, could you describe this man?
00:19:38Second rule of being a landlord?
00:19:40Yeah.
00:19:41I can guess.
00:19:50Ryan?
00:19:52Have you got a minute?
00:19:58Oh, come on, out your gate.
00:20:00I've done nothing.
00:20:01Out.
00:20:02Out.
00:20:05Whoa!
00:20:13Do you have to explain?
00:20:32The scum deserves it.
00:20:42No, no one deserves this, Ryan.
00:20:46Is this about your father?
00:20:49Look, we can stay here all day for all I care.
00:20:52I'm gonna get him.
00:20:53You can take that and I'll still get him.
00:20:55No, right now you're going to the Bar-El.
00:20:57For illegal possession of a firearm.
00:21:00Oh!
00:21:05Is this about the guy in the pub?
00:21:08The guy who beat up your dad?
00:21:12He just wouldn't leave dad alone.
00:21:14Just wouldn't let him go.
00:21:17Who are you talking about?
00:21:19Is it Naismith?
00:21:21No.
00:21:22Mum's got it all wrong.
00:21:23It's no him.
00:21:24Who then?
00:21:27Look, Ryan, this is not the answer.
00:21:30Let us get him for you.
00:21:34Mosby.
00:21:36Neil Mosby.
00:21:37That's who killed my dad.
00:21:39Dad had had enough.
00:21:41He told Mosby he wanted out.
00:21:44He didn't have any choice.
00:21:47Mosby said he'd hurt my mum if Dad didn't work for him.
00:21:49Mosby's planning another job.
00:21:51This time he wanted me in on it too.
00:21:54And your dad objected?
00:21:56Got a kicking for it.
00:22:02Ugh, poor kid.
00:22:04That poor kid had a shotgun.
00:22:06Like father, like son.
00:22:08No wonder Mosby was so laid back.
00:22:10He's hardly the next victim, is he?
00:22:12He will be when I get my hands on him.
00:22:14Okay.
00:22:16Neil Mosby is our number one suspect.
00:22:18Want me to bring him in?
00:22:20A guy like that, a pleasure.
00:22:22Who's that?
00:22:24That's a law student just finishing a tour.
00:22:26Okay, you two with me.
00:22:28Stuart.
00:22:30See ya.
00:22:32That was brilliant.
00:22:34Stuart's really nice, isn't he?
00:22:36Yeah, mostly.
00:22:37So, have you caught the killer?
00:22:39Stuart told me all about it.
00:22:40Said the man's hand was cut off.
00:22:42Did he indeed.
00:22:44You just sit there for a minute.
00:22:47Ah, they're getting younger, Robbie.
00:22:49Hey, come on.
00:22:50Even I'm not that sad.
00:22:52She could be my daughter.
00:22:54Never stopped you in the past.
00:22:56Hey, excuse me.
00:22:58You aren't really supposed to be looking at that.
00:23:00Sorry, I didn't realise.
00:23:02You're gonna have to go.
00:23:03You can walk out with us.
00:23:06Can I buy you a drink later?
00:23:08Just to say thank you.
00:23:10I'm a bit, er, busy.
00:23:13Thanks for asking them.
00:23:15Do you see Ian?
00:23:17Er, you've just missed him.
00:23:18You got something?
00:23:19Just the blood report.
00:23:20I'll leave it in his desk.
00:23:21Are you a police officer too?
00:23:22Er, no, I'm in forensics.
00:23:24Can I have a look round your lab?
00:23:26Sorry, I know I'm being cheeky.
00:23:28Mary, he's a law student.
00:23:29Robbie's taking a bit of a shine to her.
00:23:31Why am I not surprised?
00:23:32Okay, if you want to wait in reception, tour bus will get you in about ten minutes.
00:23:36It's all closed up round the back.
00:23:51Any sign of Fido?
00:23:52No.
00:23:55Could just be away on holiday.
00:23:56Yeah.
00:23:57He knows we're on to him.
00:23:58And I'm the bright spark that told him.
00:24:01You two go on to the neighbours.
00:24:02I want to find out exactly when he left.
00:24:06It's not your fault, sir.
00:24:07Oh, spare me the platitudes, son.
00:24:11What the...
00:24:14Lovely day, Mr Park.
00:24:16Tanning motors at your age.
00:24:18You certainly slipped out of the first division.
00:24:19Got your attention though.
00:24:20Arrogant as ever, Naismith.
00:24:22A wee word of advice.
00:24:24Don't piss me off.
00:24:26So, you can't find Mosby.
00:24:29What's that to you?
00:24:30Everything.
00:24:31But I think you know that.
00:24:33Do you mind if we take a wee drive?
00:24:34Do you think a moonlight is a taxi service?
00:24:36It would be in your best interest.
00:24:38And why is that?
00:24:40I know what Mosby's planning.
00:24:44When you're ready.
00:24:56Jack, have you seen the Mosby file?
00:24:59Eh, you had it.
00:25:01Now, Gemma, how's Robbie's star pupil?
00:25:04You tell me.
00:25:05I was just talking to her about her course
00:25:07and she doesn't seem to know the first thing about it.
00:25:09Ugh.
00:25:10She's a student.
00:25:11Probably too busy getting pissed.
00:25:12I mean, that's what students do, isn't it?
00:25:13She asked too many questions about the case, Robbie.
00:25:17Right.
00:25:23What did you make of her, Jackie?
00:25:25Ugh.
00:25:26I didn't really speak to her.
00:25:27I mean, she seemed keen.
00:25:28Over-keen.
00:25:29Mary Cullen.
00:25:31Yeah.
00:25:32She's a first year.
00:25:34No, thanks.
00:25:35You sure?
00:25:37Okay, thanks.
00:25:41You're right.
00:25:42I'd never heard of her.
00:25:43Save that address she gave us checks.
00:25:47Yeah.
00:25:48Why would a girl her age want to get into this place?
00:25:52Address checks.
00:25:53All right, let's go.
00:25:58Pavement cafes and cappuccinos.
00:26:01It's not the Glasgow I remember.
00:26:03Start talking or get out.
00:26:05You should try a wee spell inside, Mr Burke.
00:26:08Teach you some patience.
00:26:10Next left, then pull over.
00:26:23I could put you back inside.
00:26:24I've done my time.
00:26:25This is about not doing any more.
00:26:26Meaning what exactly?
00:26:27In 1983, a man died here.
00:26:28A man was murdered here.
00:26:29And there's not a day goes by.
00:26:30I don't regret that.
00:26:31Very touching.
00:26:32If the same robbery took place tomorrow.
00:26:33Who would you come after?
00:26:34Are you trying to tell me that's what Mosby's planning?
00:26:37He knows you'll think I did it.
00:26:38It's his idea of a joke.
00:26:39And how do you know about this wonderful plan?
00:26:40Because he wants me out of the way.
00:26:41And he's got a big mouth.
00:26:42And he's got a big mouth.
00:26:43He always did like showing off.
00:26:44When?
00:26:45I don't know.
00:26:46Soon, though.
00:26:47The sooner it is, the more it'll look like I did it.
00:26:48The sad thing is, though, he's making his point for no reason.
00:26:50That's why he's making his point for no reason.
00:26:51That's why he's making his point for no reason.
00:26:52That's why he's making his point for no reason.
00:26:53That's why I don't regret that.
00:26:54I don't regret that.
00:26:55Very touching.
00:26:56If the same robbery took place tomorrow,
00:26:57who would you come after?
00:26:58Are you trying to tell me that's what Mosby's planning?
00:27:00He knows you'll think I did it.
00:27:01It's his idea of a joke.
00:27:02And how do you know about this wonderful plan?
00:27:04The sooner it is, the more it'll look like I did it.
00:27:07The sad thing is, though, he's making his point for no reason.
00:27:10I spent my first ten years inside,
00:27:13hating Mosby and Billy McCree in equal measure.
00:27:16And my next ten years, realising that life's too short.
00:27:21I just want a fresh start, Mr. Buck.
00:27:24If you're playing me, Naismith, I'll play back.
00:27:27And believe me, I'll always win.
00:27:29Do you think I don't know that?
00:27:34Do you believe him?
00:27:36I don't know.
00:27:37But if he's right, it's one way of catching Mosby.
00:27:40How do we find out?
00:27:44Oh! Oh!
00:27:45Fire!
00:27:46Fire!
00:27:47Fire!
00:27:50Barry!
00:27:51Barry!
00:27:53Barry!
00:27:55Leave it.
00:28:02Oh, no.
00:28:03Mary.
00:28:04No, no, it's all right.
00:28:05Mary's not hurt.
00:28:06How's she getting on with her law studies?
00:28:08I don't know what you mean.
00:28:09She works in a supermarket.
00:28:11She seems a bit too interested in police stations
00:28:13for a checkout girl.
00:28:14Oh, no, that'll be about her father.
00:28:16She's making us a cup of tea.
00:28:17Robbie, you weren't to know that she was his daughter.
00:28:19She's making us a cup of tea.
00:28:20Robbie, you weren't to know that she was his daughter.
00:28:34Boss briefed us on it.
00:28:35I've seen all this in the files.
00:28:36Yeah, but still.
00:28:37Her name's Cullen, Jackie.
00:28:38I should have got it.
00:28:39Apparently, tomorrow's the anniversary of her father's death.
00:28:40Oh, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
00:28:41It wasn't that old, but still.
00:28:42Possibly, it's not bad, but still.
00:28:43Oh.
00:28:44Robbie, you weren't to know that she was his daughter.
00:28:46Boss briefed us on it.
00:28:49I've seen all this in the files.
00:28:50Yeah, but still.
00:28:52Her name's Cullen, Jackie.
00:29:00I should have got it.
00:29:01Apparently tomorrow's anniversary of her father's death.
00:29:08It's hard to believe she wasn't even born when her father was murdered.
00:29:15I mean, no wonder she's obsessed.
00:29:27Jackie.
00:29:35She killed Billy McCree.
00:29:38You don't know that.
00:29:41Don't know.
00:29:52Sorry, boss. She just seemed like a normal kid.
00:29:55Oh, come off it, Robbie. She fluttered her eyelashes and you rolled over.
00:29:59And you showed her round.
00:30:00She did ask a lot of questions about the case, sir.
00:30:02And you, of course, told her nothing.
00:30:04Have none of you ever heard a procedure?
00:30:09Okay, so Mary's haunted by her father's death.
00:30:12She tracks down one of the guys who killed him, Billy McCree, businesses shop.
00:30:16And then Billy gets killed.
00:30:17You're forgetting about the male footprints.
00:30:19The strength that needed to push Billy's arm under that saw.
00:30:22She'd stored it up her whole life.
00:30:24Being obsessed doesn't make the lassie a killer.
00:30:26Come on, boss. She was stalking the guy.
00:30:28Mosby stands up better. You rattle because you screwed up.
00:30:31Right, you and Jackie go and bring her in.
00:30:33Make it quick. I need your help catching Mosby.
00:30:35You shouldn't dismiss this girl.
00:30:37I'm not.
00:30:38Now go, Robbie, before I decide to hang you out to dry.
00:30:49Call me if you get anything useful.
00:30:51Where are you going?
00:30:52Talk to the supervisor.
00:30:54It saves time for we split up.
00:30:55Robbie, we're supposed to work together.
00:31:02Robbie, it's me.
00:31:03Ah, supervisor hasn't seen her for a week either.
00:31:06No, but her mum reckons we might be at the library.
00:31:08I mean, that's worth a try.
00:31:10I'm halfway there already.
00:31:11Robbie, wait for me.
00:31:17Get off me.
00:31:18Jackie.
00:31:21I've got her at the library.
00:31:23I'll meet you in that bar on Erskine Road.
00:31:26You can buy me that drink.
00:31:28Met your mum.
00:31:30Lovely woman.
00:31:31She's worried sick.
00:31:32You leave her alone.
00:31:33I can't, Mary.
00:31:34You lied to me.
00:31:35I had to.
00:31:37Look, the men who murdered your father were punished.
00:31:40They went to prison.
00:31:41Billy McCree didn't.
00:31:43So it was you.
00:31:44Bastard didn't even go to jail.
00:31:46Aye, calm down, Mary.
00:31:47Here, drink this.
00:31:52I never even met him.
00:31:54Never met my own da.
00:31:55Yeah.
00:31:56Yeah, I know, sweetheart.
00:31:58It must be hard.
00:32:00Get off!
00:32:01Are you all right, Hank?
00:32:03Yeah, she's fine.
00:32:05Come on, get you sorted.
00:32:06Robbie.
00:32:20What happened to you?
00:32:22Mary didn't like her drink.
00:32:23Why did you bring her in here in the first place?
00:32:26So where is she?
00:32:28On her own?
00:32:29Aye, what's wrong with that?
00:32:30It's the lady's toilet.
00:32:39Nothing, Robbie.
00:32:41Nothing at all.
00:32:45What were you doing in a pub?
00:32:46I had a drink.
00:32:47What do you think I was doing?
00:32:48She's a suspect in a murder case.
00:32:49I thought you decided she wasn't.
00:32:50Don't push it, Robbie.
00:32:51I should be back out there.
00:32:52No.
00:32:53You had your chance.
00:32:54Mary Cullen is our murderer.
00:32:55Aye, and I'm the Queen of Sheba.
00:32:56You weren't there.
00:32:57So convince me.
00:32:58She's got a motive.
00:32:59So has Mosby.
00:33:00Look, that girl is vulnerable.
00:33:01This is my call, Robbie.
00:33:03Mosby's her man, and with this robbery,
00:33:04we've got one chance of catching him.
00:33:06Boss, someone should be looking for her.
00:33:07She's out of control.
00:33:08Then get her description out to her uniform.
00:33:10Right now, I'm up to my arse with all this,
00:33:11and I need you and manpower.
00:33:13Understood?
00:33:14Yes, sir.
00:33:24Thanks, sir.
00:33:26If I can help, I have to.
00:33:28For my dad's sake.
00:33:29You know what to do?
00:33:41Hello, Mr Mosby.
00:33:43It's Ryan McCree.
00:33:45I know, I know my dad didn't want me involved,
00:33:48but he's not here, is he?
00:33:53Can't you meet me?
00:33:54We could talk about it.
00:33:59I won't tell my mum.
00:34:01No.
00:34:03I want to meet you.
00:34:04I need to know what you want me to do.
00:34:08Don't push it, son.
00:34:09Let him do the running.
00:34:12Sorry, Mr Mosby, I'm listening.
00:34:14It's just I need the money for the funeral.
00:34:24Thanks, Mr Mosby.
00:34:26No, that's cool.
00:34:28I'll be there.
00:34:32He won't meet me or tell me where it is,
00:34:34but he's gonna drop me keys for a taxi.
00:34:36It'll be in Drum Street on Saturday.
00:34:38I have to be waiting as a lookout at 1pm sharp.
00:34:41This Saturday?
00:34:42Aye.
00:34:44I'm to tell no one.
00:34:45Well done, son.
00:34:47I'm gonna get Mosby for you.
00:34:49And if he's your dad's killer,
00:34:50he'll go down for it.
00:34:51I promise you.
00:34:59This operation's to catch a killer.
00:35:01The killer of Ryan McCree's father.
00:35:03Under no circumstances can Mosby or any of his men be allowed anywhere near him.
00:35:07Whatever happens, I want to remember.
00:35:09He's with us.
00:35:13Everybody ready, Jackie?
00:35:14Yeah.
00:35:15As I'll ever be, sir.
00:35:18Here's our boy now.
00:35:25Just keep your cool, son.
00:35:30Yes, Ryan.
00:35:32Good lad.
00:35:33You just stay in that taxi.
00:35:34Whatever happens, we can keep you safe there.
00:35:38All right.
00:35:40He's giving the all clear.
00:35:43Any minute now.
00:35:49Okay, security vehicle arriving.
00:35:53All units, be in the lookout for our target.
00:35:55We should be arriving any moment now.
00:36:07You got anything, Stuart?
00:36:08Nothing, sir.
00:36:09God, Stuart, any moment.
00:36:11Oh, Stuart has been serenaded.
00:36:14Stay down, sir.
00:36:15Get rid of him, Fraser.
00:36:16Hello.
00:36:17Thank you, sir.
00:36:18You got anything, Stuart?
00:36:19Nothing, sir?
00:36:20Guards, Stuart.
00:36:21Any moment.
00:36:22Still, Stuart's been serenaded.
00:36:23Stuart? Nothing, sir.
00:36:28God, Stuart, any moment.
00:36:31Oh, Stuart, he's been serenaded.
00:36:34Get rid of him, Fraser.
00:36:43Check out the woman with the red coat.
00:36:47What the hell's going on?
00:36:48There's a woman claiming her purse has been snatched.
00:36:51Oh, great. All we need to know is a bloody orange walk.
00:36:58Diversion's over.
00:36:59He's found a purse.
00:37:07Something's no right.
00:37:09The guard should be back out by now.
00:37:11Robbie, get in there and see where the hold-up is.
00:37:13I'm on my way.
00:37:21Anyone there?
00:37:28Boss, get down here now.
00:37:35DCI bar, save position.
00:37:37Repeat, save position.
00:37:38We pulled her fast one.
00:38:04You get away.
00:38:04You promised.
00:38:05I promised I'd get her.
00:38:06I will.
00:38:07Sir, this might be nothing,
00:38:09but when I've received a call about a white British bulldog like Mosby's
00:38:12in a van on the waist ground by Donald Street.
00:38:14I want it.
00:38:15It's worth a try.
00:38:15Robbie, you mop up here.
00:38:18I'm sorry, sir.
00:38:19I'm sorry.
00:38:19It won't let us kneel.
00:38:44I wouldn't if I was you.
00:38:51It's Mosby, sir.
00:38:52I can see by the collar.
00:38:55Annie.
00:38:57Annie, calm down.
00:38:58It's all right, boy.
00:39:00I've called the RSPCA,
00:39:02but there'll be at least an hour.
00:39:03I've got to get in there.
00:39:05Remember when we were at Mosby's, sir?
00:39:06What he did to calm the dog down?
00:39:08I hate dogs, J.K.
00:39:18You also do not eat.
00:39:28Annie!
00:39:29Shlaff!
00:39:33Be careful, sir.
00:39:33Now there, boy.
00:39:43It's fate.
00:39:44Your fate.
00:39:46That's it.
00:39:53Jackie.
00:39:54This is a waste of time.
00:40:18What are you off to?
00:40:19Catch the killer.
00:40:21And you know who that is, do you?
00:40:22And don't you?
00:40:23Sorry to interrupt.
00:40:23You're not.
00:40:25Single shot to the head,
00:40:26had guests, back door open,
00:40:28gun fired, door closed.
00:40:29There's not much to go on.
00:40:30Just do what you can.
00:40:32Same killer?
00:40:32Exactly.
00:40:34Where do you think you're going?
00:40:35Use your eyes!
00:40:36I'm using my eyes.
00:40:38Mosby, one of the men responsible
00:40:39for killing Mary's dad.
00:40:41So that's an emotive crime?
00:40:42Of course it's an emotive crime.
00:40:43The guy killed her father.
00:40:45That's not emotive.
00:40:46It's a single shot.
00:40:47An execution.
00:40:48Oh, come on.
00:40:49What, do you think Mary's that calculating?
00:40:50Well, she conned her way
00:40:51into the police office.
00:40:53Look, Mary wants revenge.
00:40:56Her first target is dead.
00:40:57That is her second.
00:41:00You're wrong, Robbie.
00:41:02Mary's not the killer.
00:41:05Mosby's file's gone.
00:41:06Shoot, Mary must have taken it.
00:41:09All right, listen up.
00:41:11He's probably long gone by now,
00:41:12but I want Nathsmith targeted.
00:41:14You're not serious.
00:41:15He set me up.
00:41:17He knew we'd take the tip off
00:41:18about the robbery.
00:41:18He knew how humiliating it would be
00:41:20for me to sit outside.
00:41:22That's his idea of revenge.
00:41:25Are you not forgetting something?
00:41:26What would that be, Robbie?
00:41:27Two men dead.
00:41:28Does that not matter a bit more
00:41:30than your reputation?
00:41:32I'm not saving face here.
00:41:34I think Nathsmith's our killer.
00:41:35Nathsmith's got an alibi
00:41:36for Billy McCree's death.
00:41:37I checked it.
00:41:38I know that, Jackie.
00:41:39I'm not doubting you.
00:41:40But I want Stuart to have a look at it.
00:41:42Maybe it needs a fresh set of eyes.
00:41:45Look, Nathsmith pulled a fast one
00:41:47of the robbery.
00:41:48He could have done the same
00:41:48with the murders.
00:41:49I'm sorry, sir.
00:41:50I'm with Robbie.
00:41:51Sir, there's something else.
00:41:53A statement from Mosby's neighbour.
00:41:55A girl matching Mary's description
00:41:56was seen hanging around
00:41:57outside his house.
00:41:58She was following him.
00:41:59What more proof do you need?
00:42:01Robbie?
00:42:02Go after him, Jackie.
00:42:03Help him find her.
00:42:06You going after Nathsmith, sir?
00:42:08No, I doubt I'll find him now.
00:42:10Can I be checking that alibi, sure?
00:42:12Robbie, stop.
00:42:14Look, you shouldn't have walked out like that.
00:42:17I would have hit the man
00:42:17if I had stayed.
00:42:18So where are you going?
00:42:20Robbie, where are you going?
00:42:21The library.
00:42:22Oh, what?
00:42:22Where are you caught the last time?
00:42:24She's not that stupid.
00:42:25Have you got any better ideas?
00:42:26Look, Robbie,
00:42:27stop and think for a minute.
00:42:29Remember her mum said
00:42:30that today was the anniversary
00:42:31of her dad's death.
00:42:32So where would you go?
00:42:34My father's grave.
00:42:36Good.
00:42:36Worth a try.
00:42:45I can't believe you're doing this.
00:42:46When did you last see him?
00:42:47I heard about the robbery on the news.
00:42:49He said you'd come.
00:42:50Nathsmith's here.
00:42:53Wait!
00:42:53What game are you playing, Nathsmith?
00:42:58Our flowers aren't a game, Mr Burke.
00:43:00They're living creatures.
00:43:01I should be treated with respect.
00:43:03James Nathsmith,
00:43:04I'm detaining you in suspicion
00:43:05of the armed robbery
00:43:06at Buchanan Street Shopping Centre
00:43:07at 2pm today.
00:43:09This is victimisation.
00:43:11He's done nothing.
00:43:12You can't do this!
00:43:13I can do a lot worse than this
00:43:14if I want to.
00:43:15And I will.
00:43:16Leave it, Anna.
00:43:17Just do what I said, eh?
00:43:18Mrs Cullen.
00:43:31Have you some news?
00:43:32No, I'm sorry.
00:43:33Roses.
00:43:37I should have called you.
00:43:39I was just so pleased to hear from her.
00:43:41To know that she was all right.
00:43:43They're from Mary?
00:43:45Arrived this morning.
00:43:46It's the anniversary of Rob's death.
00:43:49She just needed some time
00:43:51to sort things out.
00:43:52We always put a rose on his grave.
00:43:58First year we haven't been together.
00:44:00You really have no idea
00:44:02where she might be, Mrs Cullen.
00:44:03It's very important.
00:44:05No.
00:44:06But you can stop looking for her now.
00:44:08These prove that she's all right.
00:44:10OK.
00:44:12That's your time.
00:44:13And, eh, sorry to intrude.
00:44:15If, eh, if she does get in touch,
00:44:18will you contact us immediately?
00:44:19I will.
00:44:22One on each body.
00:44:26She's doing it for her father.
00:44:28Look, we all missed it, Robbie.
00:44:29I had her, Jackie.
00:44:30I had her.
00:44:30I let her go
00:44:31and I let her kill again.
00:44:33So this afternoon,
00:44:35all afternoon,
00:44:36you were arranging flowers?
00:44:38I wasn't arranging them.
00:44:39I was sorting them.
00:44:40Them in the boxes.
00:44:42I cleared out the stockroom.
00:44:43You expect me to swallow this?
00:44:45You've got no choice.
00:44:47I've got an alibi.
00:44:48I know what you've done
00:44:49and you're going down for it.
00:44:51So you were nowhere near the shopping centre?
00:44:53No.
00:44:54I didn't want to bump into you.
00:44:57Have you got any witnesses?
00:44:58What do you think?
00:44:59I think you're a clever man
00:45:00who's planned his alibis.
00:45:02Oh, I accept the compliment.
00:45:04I've written enough of you.
00:45:06So ask me,
00:45:07did I kill Neil Mosby?
00:45:10How do you know Mosby's dead
00:45:12if you're not his killer?
00:45:13Wasn't he me?
00:45:15It couldn't have been.
00:45:16Why's that?
00:45:17Because whoever killed Mosby
00:45:18also killed Billy McGree.
00:45:20What makes you say that?
00:45:22Oh, maybe I'm psychic, son.
00:45:27Give it up, Mr. Burke.
00:45:29You're going to have to soon anyway.
00:45:30Is that right?
00:45:32I've got a very good lawyer.
00:45:34And Anna will have called him by now.
00:45:36Ex-prisoner being hounded
00:45:38by an obsessive policeman.
00:45:39Not nice.
00:45:42I haven't even started yet.
00:45:44You see?
00:45:45Oh, I'm glad this is all on tape.
00:45:49Sorry, sir.
00:45:50You're wanted upstairs.
00:45:51I'm in the middle of an interview.
00:45:53Well, they said you have to
00:45:54stop interviewing
00:45:54and come immediately.
00:46:01What'd I tell you?
00:46:03I don't know how you did it, Naismith.
00:46:05But believe me,
00:46:06I won't rest till I find out.
00:46:08Where's the boss?
00:46:18On the top floor.
00:46:19He got called up urgently.
00:46:21What's that you're doing?
00:46:22I'm back checking Naismith's files.
00:46:24Changing records, Stuart.
00:46:25It's not him.
00:46:26I'm not so sure.
00:46:27We just interviewed him.
00:46:28What, he's here?
00:46:29Yes.
00:46:30Claims to have an alibi.
00:46:31But the boss is right.
00:46:32He knows too much
00:46:33not to be involved.
00:46:34Look, drop it, Stuart.
00:46:35He may have done the robbery,
00:46:36but he's not our man.
00:46:37You didn't see him.
00:46:38I said drop it.
00:46:42Pause.
00:46:44No word.
00:46:45Hey, so what was that all about?
00:46:47Naismith's lawyer.
00:46:49Anna Martin said
00:46:50he was with her all afternoon.
00:46:51He's brief brought in
00:46:52a CCTV tape proving it.
00:46:53Do you think she's in on it?
00:46:55No, she's not.
00:46:56He's making a complaint
00:46:56against me for harassment.
00:46:58She's backing it.
00:46:59You're investigating
00:47:00a double murder here?
00:47:01Or has your ego
00:47:02forgotten that?
00:47:03You still think
00:47:04the killer was Mary Cullen?
00:47:05Actually, sir,
00:47:06so do I.
00:47:06All right.
00:47:11I'm listening.
00:47:14So can we trace
00:47:15where she sent the roses from?
00:47:16Internet order,
00:47:17but we're trying.
00:47:19What do you think, sir?
00:47:21The roses are a strong argument.
00:47:24So,
00:47:24what do we do to catch her?
00:47:26That's the problem.
00:47:27She's a loner.
00:47:28We're out of ideas.
00:47:34Right.
00:47:36Mary Cullen.
00:47:38First victim,
00:47:39Billy McCree.
00:47:40Second victim,
00:47:41Neil Mosby.
00:47:44Motives,
00:47:45the key.
00:47:47Revenge.
00:47:47And she's not finished?
00:47:50Naismith's next.
00:47:56I won't drop the complaint.
00:47:58I wouldn't expect you to.
00:47:59Oh, is that your way
00:47:59of saying sorry?
00:48:00I have no intention
00:48:01of apologising, Mrs Martin.
00:48:02Where is he?
00:48:03He's a free man.
00:48:04A free man
00:48:05who could be in danger.
00:48:06It's the truth.
00:48:08We've got reason to believe
00:48:09someone could be trying
00:48:09to kill him.
00:48:11Who?
00:48:12We really need to make sure
00:48:13he's safe.
00:48:14Do you know where he's gone?
00:48:15Well, no.
00:48:16To meet someone.
00:48:17Did he say who?
00:48:18Someone called him.
00:48:19A woman.
00:48:20What did she say?
00:48:21She left a number
00:48:21and he called her back.
00:48:22We've still got it.
00:48:32Hi, this is Mary.
00:48:33Sorry, I can't come
00:48:34to the phone right now.
00:48:35This is important.
00:48:36Did he say where he was going?
00:48:38Look, I'm not messing around here.
00:48:40I might not like the man,
00:48:41but I don't want him
00:48:41running up dead.
00:48:43He borrowed my car.
00:48:44Asked for directions
00:48:45to St Andrew's Bridge.
00:48:49Robbie, it's me.
00:48:50He's already gone to meet us
00:48:51at Andrew's Bridge.
00:48:52We'll meet you there.
00:48:56Too young to die, Robbie.
00:48:57Oh, no.
00:49:13Oh, no.
00:49:17Sir, it's Jackie.
00:49:19We're at the boathouse.
00:49:20It doesn't look good.
00:49:21Don't do this.
00:49:21Don't do this.
00:49:22You want revenge for your daddy?
00:49:34You killed him.
00:49:36You'll never reach her.
00:49:44Call for backup.
00:49:45Yes, sir.
00:49:46Come on, Robbie.
00:49:48Go on, darling.
00:49:50You have the guts.
00:49:52Shut up.
00:49:53Shut up.
00:49:54Shut up.
00:49:55Go on.
00:49:56Do it.
00:49:57Do it.
00:49:57Do it.
00:49:59Do it.
00:50:02Me, no!
00:50:03No!
00:50:03No!
00:50:05Ah!
00:50:06Ah!
00:50:36Go with us, Stuart.
00:51:05Make sure their dog sees her.
00:51:08Robbie, don't!
00:51:13This should never have happened.
00:51:15Police launch is on its way. They're going to start searching downstream for the body.
00:51:18Would you never stop?
00:51:19I think you should stop right now and button that lip of yours.
00:51:22I'm doing my job.
00:51:23What are you doing your job when you told me not to look for her?
00:51:25Robbie!
00:51:26I knew it was her. I told you it was her!
00:51:28I'll deal with your personal feelings later. This is not the right time.
00:51:31Mary Cullen committed murder because of your obsession with Naismith.
00:51:34Let me remind you, Inspector, I am still your superior officer.
00:51:36Superiors are supposed to earn my respect!
00:51:39This is a murder scene, Robbie.
00:51:41We still have a job to do.
00:51:49Whoa!
00:51:51Enough.
00:51:53River's high. You'll find him, but it could take a while.
00:52:00Yeah, the current doesn't look that strong.
00:52:01Well, it's finding by the bank here, but further down.
00:52:04Current's powerful. Probably drag him all the way to Greenock.
00:52:08How long?
00:52:09A couple of days, maybe.
00:52:13You all right, sir?
00:52:14That wee lass's face, Jackie.
00:52:18I don't think I'll ever forget it.
00:52:23Yeah, well, none of us knew.
00:52:25Robbie did.
00:52:26It's a .38.
00:52:35Same as the one that killed Mosby.
00:52:38I'll confirm it once I've run some tests.
00:52:41Thanks, Gemma.
00:52:47Do you want me to drive you back?
00:52:48No, I'll stay here and brief the service team.
00:52:53Sir?
00:52:54Just leave it, Jackie.
00:53:10Stuart.
00:53:12The doctor says we can't interview Mary till the morning.
00:53:15What?
00:53:17Well, let's go for a drink.
00:53:19Yeah.
00:53:21You coming, Stuartie?
00:53:22I might join you later.
00:53:23I want to go over the interview tapes of Naismith's.
00:53:26Mary Cullen's the murder of Stuart.
00:53:28Some of the things he said didn't add up.
00:53:29Am I the only person who saw that girl shoot him dead?
00:53:33Ignore him.
00:53:34He's upset.
00:53:36Look, I'd better go after him.
00:53:46You're in early, Stuart.
00:53:47Too early.
00:53:48Too early for what?
00:53:49Barlini.
00:53:50I wanted to check who visited Naismith.
00:53:51We know that Mary's the killer, but there's still the robbery money.
00:53:52I've been up half the night thinking about that.
00:53:53But Naismith's got an alibi.
00:53:54Endless footage of him clearing the stockroom.
00:53:55Check this.
00:53:56See there's something I'm missing.
00:53:57Okay, boss.
00:53:58Ballistics reporting Mary's gun.
00:53:59Same one that was used in Mosby.
00:54:00I'll get straight on with this.
00:54:01Oh, good night, was it?
00:54:02It was until he got us started on the whiskies.
00:54:03How's he order the doubles?
00:54:04Morning, Jackie.
00:54:05Robbie, have you got a minute?
00:54:07I've been up half the night thinking about that.
00:54:08I've been up half the night thinking about that.
00:54:09But Naismith's got an alibi.
00:54:10Endless footage of him clearing the stockroom.
00:54:11Check this.
00:54:12See there's something I'm missing.
00:54:13Okay, boss.
00:54:14Ballistics reporting Mary's gun.
00:54:15Same one that was used in Mosby.
00:54:18I'll get straight on with this.
00:54:20Oh, good night, was it?
00:54:22It was until he got us started on the whiskies.
00:54:24How's he order the doubles?
00:54:25Morning, Jackie.
00:54:27Robbie, have you got a minute?
00:54:35I think there might be an inquiry.
00:54:37Does the boss know?
00:54:38I don't know.
00:54:40Ah, you're still digging away at Naismith.
00:54:43I got nowhere, though.
00:54:44But you think there's something?
00:54:46Instinct's not enough, though, is it?
00:54:54Where are you going?
00:54:56Instinct's got to count for something, Stuart.
00:54:59Anything's better than hiding about here today.
00:55:01Gemma just dropped this off.
00:55:05It's ballistics and Mary's gun.
00:55:10You were right about everything, Robbie.
00:55:12She was the killer.
00:55:15I take full responsibility for not targeting her earlier.
00:55:18It's all in my report here.
00:55:21I like to read it before I hand it in.
00:55:23No, don't need to read it.
00:55:28You and Jackie question Mary.
00:55:30I think she'll open up to you.
00:55:36You did a good job, Robbie.
00:56:00I'm sorry, so I've heard the guy.
00:56:06I think you didn't get it.
00:56:08It's a bad idea.
00:56:09The idea of the place is that you do with the oil.
00:56:11I had a really bad idea.
00:56:12It's a good idea.
00:56:13I mean, you have to pay for that.
00:56:14I think I need to get to sell it too.
00:56:15I think that's just going to be.
00:56:16Sometimes this guy has to be able to sell it.
00:56:17Can't figure it out.
00:56:18I can't do it.
00:56:19Never do that.
00:56:20I think I can do it.
00:56:21No, maybe you could do it.
00:56:22I think it's a good idea.
00:56:23I can give it some money!
00:56:24I can't do it.
00:56:25There's nothing new to do it.
00:56:26There's nothing more.
00:56:27She in trouble?
00:56:42Why'd you say that?
00:56:43You're polis, aren't you?
00:56:45No, Miss Telfer's been helping us, so she's not in trouble.
00:56:48Oh, I suppose she can now that he's out of the way.
00:56:52Sir, I'm not with you.
00:56:53Er, man! You lot put him away six months, boy.
00:57:18Can I get you anything, sir?
00:57:19No, why not?
00:57:22Er, coffee would be nice.
00:57:23I've got no time.
00:57:24Why?
00:57:25Take a look at this.
00:57:30Right.
00:57:30What do you see?
00:57:45Naismith working in the stockroom.
00:57:47Look at the time.
00:57:4916.30.
00:57:50What are you getting at, Jim?
00:57:51He's just switched the light on.
00:57:52Midsummer and he needs a light on at 4.30.
00:57:55Are you saying this is fate?
00:57:57I'm no florist, but those flowers aren't very summery either.
00:57:59That's a poinsettia.
00:58:02I bought my auntie one for Christmas.
00:58:05Gemma, you're a genius.
00:58:06Where are you going?
00:58:07To talk to Anna Martin.
00:58:09She faked that for Naismith.
00:58:10Maybe I can prove he did the robbery.
00:58:13The mother's there.
00:58:15Good.
00:58:16I'll come now.
00:58:18Where's Jackie?
00:58:19Erm, not sure.
00:58:22You're a terrible liar, Stuart.
00:58:25Checking Naismith's alibi.
00:58:26What?
00:58:28OK, you're with me.
00:58:29We've got the go-ahead turn of you, Mary.
00:58:39Hello again.
00:58:41This is still about the flower man.
00:58:43No.
00:58:44No, not exactly.
00:58:46Let's talk about your man.
00:58:48I've spoken to the bar L.
00:58:49He was in the same hall as someone called Jim Naismith.
00:58:54Does that ring a bell?
00:58:55He told me what to say.
00:58:57Naismith?
00:58:58He threatened my man.
00:59:00I had no choice.
00:59:03She didn't know what she was doing.
00:59:05I did.
00:59:06Someone had to get justice for Dad.
00:59:08You weren't going to.
00:59:09Mary, don't say that.
00:59:10Sorry, Mrs Cullen, you're going to have to remain silent.
00:59:14Mary,
00:59:14are you confessing to murdering Jim Naismith?
00:59:19Yes.
00:59:21Killing a man's a big thing, Mary.
00:59:24I saw you.
00:59:25I know it wasn't easy.
00:59:26It's your fault.
00:59:28You shouldn't have let him out.
00:59:30A life for a life.
00:59:31And what about Billy McCree's son, Ryan?
00:59:33So?
00:59:34So, he's lost a father.
00:59:36You know how he feels, don't you?
00:59:38He'll never get past it.
00:59:40It'll burn away at him.
00:59:41Always.
00:59:42And you think that's fair?
00:59:44Of course it's not.
00:59:45Then why'd you do it?
00:59:46Why did you kill Billy McCree?
00:59:47I didn't.
00:59:48Billy McCree and Neil Mosby,
00:59:49the other men who killed your father,
00:59:51both murdered.
00:59:51Naismith killed my dad.
00:59:53They were just part of the gang.
00:59:54They don't count.
00:59:55This is the Blissics report.
00:59:56It confirms that this gun
00:59:57was also used to shoot Neil Mosby.
00:59:59You killed him, Mary, in cold blood.
01:00:01I didn't.
01:00:01If she says she didn't, she didn't.
01:00:03Mrs Cullen, please.
01:00:05How do you explain?
01:00:06Your gun was used to shoot Neil Mosby.
01:00:09It's not mine.
01:00:10Oh, come on.
01:00:11It's not my gun.
01:00:12Then whose is it, then?
01:00:13Naismith's.
01:00:14It's Naismith's gun.
01:00:15It's Naismith's gun.
01:00:16It's Naismith's gun.
01:00:17It's Naismith's gun.
01:00:18It's Naismith's gun.
01:00:19It's Naismith's gun.
01:00:20It's Naismith's gun.
01:00:21It's Naismith's gun.
01:00:22It's Naismith's gun.
01:00:23It's Naismith's gun.
01:00:24It's Naismith's gun.
01:00:25It's Naismith's gun.
01:00:26It's Naismith's gun.
01:00:27It's Naismith's gun.
01:00:28It's Naismith's gun.
01:00:29It's Naismith's gun.
01:00:30It's Naismith's gun.
01:00:31Oh, my God.
01:01:01Sarah, where is everyone?
01:01:29Well, the D.I. and Stewart are interviewing the suspect. Do you want this?
01:01:33Oh, probably not. What is it?
01:01:35Well, it was faxed from Barrel for Stewart. It's Naismith's visitors list for the past ten years.
01:01:40Didn't have many friends, did he?
01:01:42Thanks.
01:01:44This is a weird one.
01:01:46Mary's saying she didn't kill McCree or Mosby.
01:01:48Yeah? How do you know that?
01:01:50The woman that Naismith delivered flowers to. Turns out her man's in the Barrel.
01:01:54He put pressure on her, said that if she didn't help him out, her man was going to get it.
01:01:59That's how he got his alibi for McCree's murder.
01:02:01And we've just found out the CCTV tape was a fake, too.
01:02:04Oh, thanks for sharing that with us, Stewart.
01:02:07Here's your visitors list, Stewartie.
01:02:09Anna Martin.
01:02:11She visited Naismith every two weeks until he was released.
01:02:14Who is she?
01:02:14The woman from the flower shop.
01:02:15Stewart, it's me. I'm at the flower shop.
01:02:35Mary Cullen denies killing Mosby and McCree.
01:02:37And Naismith's alibis are broken.
01:02:39Listen, Stewart.
01:02:40I found a bulletproof vest.
01:02:42It doesn't make sense.
01:02:44I know that, Stewart.
01:02:45I think he's still alive.
01:02:46Why'd you say that?
01:02:48Put that down.
01:02:50Sir?
01:02:52Sir, what's happening?
01:02:54I said, put it down.
01:02:59Sir!
01:03:00Oh!
01:03:00Sir!
01:03:01Naismith's got him.
01:03:10He's at the flower shop.
01:03:13DI Ross, code 21 red to Anna's flower shop, Belmont Lane.
01:03:17Oh, I used to dream of this.
01:03:20So nice of you to make it happen.
01:03:23Jim!
01:03:24Jim!
01:03:26My God, no.
01:03:27I told you he would never give up.
01:03:30He's bleeding.
01:03:31Take the bag and wait in the car.
01:03:34You're already an accessory to two murders.
01:03:37Don't make it three.
01:03:39Oh, Jim's no killer.
01:03:40You've got that all wrong.
01:03:41No, I'm right.
01:03:42Anna Naismith.
01:03:44No, you told me those deaths were nothing to do with him.
01:03:46That's right.
01:03:47Now go and wait in the car.
01:03:49I won't be long.
01:03:52He's going to kill me.
01:03:54Can you live with that?
01:03:56Go and wait in the car, Anna.
01:03:58It's all right.
01:03:59Trust me.
01:04:04Wait!
01:04:05Please!
01:04:07Oh, dear.
01:04:09Oh, dear.
01:04:11Oh, dear.
01:04:13This is code 21 red.
01:04:15DCI Bunt's life is in danger.
01:04:17How far over are we?
01:04:18Too far.
01:04:21You set up Mary Cullen.
01:04:23You weren't meant to work that out this fast.
01:04:25Oh, this is long overdue.
01:04:27Never get past customs.
01:04:29By the time they try and stop me, I'll be long gone.
01:04:32And with the robbery money, it's a nice little nest egg.
01:04:35I can't believe you fell for the tip-off.
01:04:38That really made my day.
01:04:40You knew I'd fall for it.
01:04:41It made sense.
01:04:42Of course it did.
01:04:44I planned it.
01:04:4620 years is more than enough time.
01:04:49I even faked my own death to try and get away from you, but no.
01:04:52You couldn't let go, could you?
01:04:58He's got the gun.
01:04:59I didn't know.
01:05:00Where are they?
01:05:01Round the back.
01:05:01Did he kill those two men?
01:05:02Yes, there's a back entrance.
01:05:04There's a gate.
01:05:05Right, I'll go round the front.
01:05:06He's armed, so no heroics.
01:05:07What, we're back up?
01:05:08We can't wait.
01:05:17Any last words?
01:05:20You scum.
01:05:21I wouldn't waste spitting you, let alone words.
01:05:24On your knees!
01:05:27I don't want to miss now, do I?
01:05:32If we go in, we can make it worse.
01:05:36Or it could buy us time.
01:05:44Put the gun down, Naismith.
01:05:46There's no way out.
01:05:48You're not even armed.
01:05:49Some cavalry.
01:05:51Don't do anything stupid.
01:05:52As far as I can see, I'm the one with the gun.
01:05:55This way!
01:05:57I wouldn't if I were you.
01:05:59Drop your weapon.
01:06:00Let the man go.
01:06:01Another one without a gun.
01:06:04Bad luck.
01:06:05Armed officers have their weapons trained on you.
01:06:10I don't see them.
01:06:12Out my way!
01:06:15Do as he says, Robbie.
01:06:17I said move!
01:06:18This is about him and me.
01:06:19Stay back.
01:06:22Subject takes another step.
01:06:23Take him out.
01:06:27Give me the gun.
01:06:29Stay back!
01:06:30Give me the gun, Jem.
01:06:32I don't think so.
01:06:35Stand by.
01:06:36Stand by.
01:06:36Don't.
01:06:37Give me the gun.
01:06:43Stop.
01:06:43Come.
01:06:54Period.
01:06:59Stephanie.
01:06:59Oh, God.
01:07:15All right, that's fine.
01:07:16But you need a band.
01:07:17No, no, that'll do.
01:07:20You should let them take you in, sir.
01:07:22Aye, as soon as I got a spare minute.
01:07:25Robbie.
01:07:28Sorry, boss.
01:07:29You all right about Naismith all along?
01:07:32How is he?
01:07:33Look, he'll survive.
01:07:34You know, for a minute there, I thought you were bluffing.
01:07:36For a minute, so did I.
01:07:38Didn't know if Bicott would make it.
01:07:44Don't mind me whenever he play you at poker.
01:07:45Oh, God.
01:07:49Yeah.
01:07:55Yeah.
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