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The Night Manager (2016) Season 2 Episode 1

The Night Manager
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Transcript
00:00Art of Cairo in the middle of the Arab Spring.
00:03Why does Jonathan Pine, respected Hotelier, risk his career by snitching on his guests?
00:07If there's a man selling a private arsenal, and those weapons can cause a lot of pain to a lot of people,
00:12then you just do it.
00:14Anyone will do it.
00:15I want to put you inside his operation.
00:22We will give you money, but you have to leave the boy here.
00:25We can't take you.
00:27Go!
00:28He saved me.
00:30What's his name?
00:31Thomas Quint.
00:32No, he's bloody not.
00:33You're Pine from Switzerland.
00:35Thank you very much, sir, for rescuing me.
00:39You're very welcome, Danny.
00:40Welcome to the family.
00:43Angela Burr is closer than anyone's ever been to cracking Richard Robbins' offshore operation.
00:47The company is called Trade Pass.
00:50You are my lead actor.
00:52You ever make the deal?
00:53No one really knows what we're selling.
00:54No one wants to know.
00:56If they did, they wouldn't sleep at night.
00:58This is our little contribution.
01:02Safe haven for the wretched of the earth.
01:04Justifies us being here.
01:06Every soldier fights for money, Andrew.
01:08These men are selling their skills same as anyone else.
01:10Even traitors can be forgiven.
01:18They have to commit.
01:19They have to make a decision.
01:21Jesus.
01:22I want my money back, Mr. Roper.
01:29If you do not pay, there will be consequences.
01:32Why'd you do it, Jonathan?
01:33You have to commit.
01:34You have to make a decision.
01:39Wait a minute.
01:40Wait a minute.
01:40No.
01:42No.
01:43No.
01:43No.
01:43No.
01:44No.
01:44No.
01:45No.
01:46No.
01:47No.
01:48No.
01:49No.
01:50No.
01:51No.
01:52No.
01:53No.
01:54No.
01:55No.
01:56No.
01:57No.
01:58No.
01:59No.
02:00No.
02:01No.
02:02No.
02:03No.
02:04No.
02:05No.
02:06No.
02:07No.
02:08No.
03:39No one will know, not even his family.
03:41What about Danny?
03:43No, not even Danny.
03:45Richard Roper will remain a missing person and you, Jonathan Pine, you never came to this godforsaken place.
03:51You alright?
03:56Yeah, I didn't sleep last night.
03:59Just last night?
04:01Don't worry, you'll sleep well after this.
04:05No.
04:07Just one of you.
04:09No.
04:11Just one of you will perform identification.
04:15Who says?
04:16I say.
04:17Now listen here, I've had enough of this.
04:19Shifting bloody sands.
04:21Angela, it's alright.
04:22It's not alright.
04:23None of this is alright.
04:24She'll do it.
04:25We've both waited so long for this.
04:27You've waited longer.
04:28Bella.
04:29You've waited longer.
04:30Bella.
04:31Bella.
04:32Bella.
04:33Bella.
04:34You've got a lot.
04:35I've got a lot.
04:36I've got a lot.
04:37I've got a lot.
04:38One of you.
04:39I've got a lot.
04:40I've got a lot.
04:41Just one of you will perform identification.
04:42Who says?
04:43I say.
04:44Now listen here, I've had enough of this.
04:45Shifting bloody sands.
04:46Angela, it's alright.
04:47It's not alright.
04:48None of this is alright.
04:49She'll do it.
04:50I'll be.
04:51We've both waited so long for this.
04:53You've waited longer.
04:54Bella.
04:55Bella.
04:56Bella.
05:00Yalla!
05:11Ready?
05:18Can you confirm? This is Richard Rocker.
05:21Yeah, it's him.
05:22Sure?
05:27Yeah.
05:29Yeah.
05:31I don't know.
05:37Oh!
05:43Good afternoon.
05:45Hope you're doing OK.
05:47It's Colin and Claire and it's London Central
05:49At the end of the end of the end of the end of the month.
05:51The bank is half-proof forecast for the UK economy this year
05:53It's also coming to display
05:55Quite a quarter of a point of 4.5 per cent.
05:57Alex?
06:06Alex?
06:11One second.
06:16Theresa, hi.
06:17Hi.
06:18Corky escaped again.
06:19I'm so sorry.
06:20It's all right.
06:21Did he wake you?
06:22Well, no, because it's 4.30 in the afternoon.
06:25Of course it is.
06:26Of course it is.
06:27Sorry.
06:28Yeah.
06:29You, sir, are a flirt.
06:31What are you doing disturbing our neighbour, eh?
06:33Come on.
06:34You work at night, don't you?
06:36I do, yes.
06:37Yeah.
06:38What do you do?
06:39You're like vampires?
06:40I work in a bank.
06:43So, yes, basically, yeah, I am.
06:46All right.
06:47I'd love to have dinner soon, if you dare to journey across the hall.
06:52Um, yes, maybe, one day.
06:57Yeah.
06:58Sorry again.
06:59Oh, good.
07:00Come on, you.
07:01Yeah, bye.
07:02Bye.
07:03Bye.
07:04Corky.
07:05Get me into trouble.
07:10This is the MI6 quarterly evaluation for Alex Goodwin, director of the Night Owls Unit.
07:18Shall we begin?
07:19Sure.
07:20So, Alex, is there anything keeping you awake at night?
07:25No.
07:26Uh, no.
07:27And how's your family?
07:28Family's great, yeah.
07:29And romantically, any developments on that front?
07:32Yep.
07:33Actually, I've started going out with my neighbour.
07:34Mm-hmm.
07:35I see you've requested to stay with the Night Owls for another three years.
07:38Yes.
07:39Yep.
07:40How do you feel about that?
07:41I feel good.
07:42Um, I love working for Rex Mayhew.
07:43I love my team.
07:45From a Central Ops point of view, we've learned more from the Night Owl Surveillance Unit led
07:50by Alex Goodwin than from a dozen agents in the field.
07:53Nocturnal Surveillance of the Top Hotels has proved pivotal to our clean-up operation in
07:57the...
07:58the...
07:59the...
08:00the...
08:01the...
08:02the...
08:03the...
08:04the...
08:05the...
08:06the...
08:07the...
08:08the...
08:09the...
08:10the...
08:11the...
08:12the...
08:13The Night Owl's patience and diligence has allowed us at MI6 to infiltrate hostile networks
08:26and avert terror threats across the city.
08:29The Night Owl, that's a nocturnal surveillance unit?
08:31That's right, yeah.
08:32It's not exactly glamorous.
08:34Does it need to be?
08:37No.
08:38I...
08:39Hey, Ben.
08:40Business sir.
08:41on the river.
08:42Nice, Greg.
08:43It's quiet work.
08:46It's, er, not the most dramatic.
08:48Here's the surf from the river.
08:50Thanks, Grant.
08:57It's quiet work.
08:59It's not the most dramatic.
09:02But who needs heroes?
09:08Hello, Alex.
09:10Basil.
09:11Just dropping off the new wish list.
09:13Usual rogues gallery.
09:15Don't know how you do it.
09:17Stuck here every night.
09:19Sat in the dark, watching the world through a screen.
09:22Worried you'll go blind.
09:25Well, as head of the Riverhouse Supervisory Council,
09:29I am formally sanctioning a further three-year extension
09:32for the Night Owl unit,
09:34under the leadership of Alex Goodwin
09:36and the continued supervision of Rex Mayhew.
09:39Thank you very much.
09:41Thank you, Myra.
09:42I've taken a look at your file.
09:44Six years.
09:46You refuse all promotions, all offers for posts abroad.
09:50I love being at home.
09:53Sorry to disappoint you.
09:56You don't disappoint me, Alex.
09:59If I'm honest, you frighten me.
10:02Just a reminder.
10:07Nothing above the parapet.
10:10That face is too pretty to lose.
10:12A lot of intelligence officers come through this room.
10:17Some of them shout.
10:19Some of them scream at me.
10:21Some even throw things.
10:22But the ones I really worry about
10:25turn up every three months.
10:27They sit there and they smile.
10:30Just like you.
10:32They say nothing.
10:33Like you.
10:34And then one day.
10:37They explode.
10:40You need to talk to me, Alex.
10:44Tell me who you really are.
10:46Tell me who you really are.
10:47I am the man.
10:48Who will not explode.
11:01Hi, Mike.
11:02Hey.
11:03When you're settled, do a troll on all today's phone calls
11:05through hotel switchboards.
11:06I've got the latest list of bad guys.
11:07Basil Karapetian delivered them personally.
11:09Hi, Mike.
11:24Hey.
11:25When you're settled, do a troll on all today's phone calls
11:28through hotel switchboards.
11:30I've got the latest list of bad guys.
11:32Baz and Karapetian deliver them personally.
11:35Eat spines on mum, that man.
11:39Sorry I'm late.
11:43St. Albans traffic is a disgrace.
11:45I'm judging you.
11:46Either to my wife.
11:48How's your day, Alex?
11:49Fine, thank you, Alid.
11:52You manage some sleep?
11:54A little.
12:06Oh, Kaderov's moving again.
12:09Mike, follow him.
12:11The reference is number 12 on the list.
12:13Next to Bulgarian Mafia with a bit of child trafficking on the side.
12:17Where are you running to, Mr. Kaderov?
12:24I worked at the Mumbai Carlton in the 90s.
12:27That sort of antic tended to mean a sexual assignation
12:29with the boy on reception.
12:32Or are you just getting a paper?
12:35That's for the white room.
12:36Sally, party in the white room tonight.
12:38Copy that.
12:39On roof.
12:44Here we go.
12:45Oh, busy room for a school night.
12:54Sally, you there yet?
12:55Just arrived.
12:57How do I look?
13:00Impeccable.
13:02Eyes only.
13:03Please?
13:04I promise.
13:05No touching.
13:06I don't know.
13:13Number 12, here 10 o'clock.
13:15Whiskey on the rocks.
13:18All right.
13:18Sally, don't win too much. You're not the show here.
13:40Never am.
13:44Mike, all angles. I want to see the whole room.
13:48So, who else is on tonight's list?
13:59Something wrong?
14:02Mike, zoom in on that man in the corner.
14:06Here is he.
14:07Just do it now.
14:07What you're looking at here is the real United Nations.
14:20Americans, Russians, Ukrainians, Serbs, Croats, Angolans.
14:25One big happy family.
14:28Yerko looks like a teddy bear.
14:30Don't let him near your neck on a bad day.
14:33You're in there.
14:48Alex.
14:48Hello, Celia. Hi.
14:50You're postiously earlier.
14:51I'm sorry. I was hoping to catch Rex before the party.
14:54Is he around?
14:54Well, you can't. He's talking to some girl.
14:56He's working on his fucking birthday.
14:58Well, she's far too attractive to boot.
15:01Now, listen, will you do me a favor?
15:02Yes.
15:02Will you quit this?
15:04Sure.
15:04Go in there and tell those handsome young men in chinos we need more glasses.
15:08Glasses?
15:08Yes.
15:10Oh, no, sorry, but that table for you, it can't be a bad guy.
15:14I'm going to get you to help you.
15:15Open up your eyes.
15:17I need to be a bad guy.
15:21Max is waiting.
15:23And I have to go.
15:25Roxana, you hear anything more about this, you call me.
15:28Okay, thank you, Rex.
15:29And you tell them now about this, clear?
15:31All right.
15:38Bye.
15:38Alex, where are you going, sir?
16:06I got your message.
16:07Show me what you've got.
16:08Taken last night.
16:13Old Roper field man.
16:14What's he doing coming to London under a false name?
16:16You sure I'd send?
16:17Absolutely sure.
16:20You talk to anyone else about this?
16:22How could I?
16:23I'm Alex Goodwin now.
16:24And you should stay that way.
16:30Rex, I'd like to talk to Burr.
16:31You're absolutely not.
16:32Angela's retired, fully detached.
16:35She barely leaves her French retreat and won't want to be disturbed over some soldier for hire.
16:41Who was who I'm going to meet before the party?
16:47She was a friend.
16:51What kind of friend?
16:51The kind you never saw, my dear boy, listen to me.
16:55If I'd had my way, you'd be on a beach in Bali now.
16:58You're a state pension in your pocket.
17:01Yoga teacher in your bed.
17:03You chose to stay.
17:06And I gave you one condition.
17:08Jonathan Pine never existed.
17:12Nobody in that garden has any idea who you are.
17:17Alex Goodwin stands before me now,
17:19and it so happens I've grown rather fond of him.
17:22Well, he's fond of you, too.
17:24Glad to hear it.
17:26Rupa is dead.
17:27The past is the past.
17:29He spent five years creating you anew.
17:34Let's not ruin it for one chance.
17:37Sighting in Mayfair.
17:39May I keep this?
17:40Oh, I have a new number.
17:46Best to use this from now on.
17:49Memorise and eat.
17:57You know the drill.
17:58You know the drill.
17:58Alex!
18:12What on earth are you doing here?
18:15Myra, hello.
18:16Don't you know it's bad luck to see an owl during the day?
18:19Rex said that this owl needs a bit of vitamin D, so here I am.
18:22Wise man.
18:27You know, I'm so grateful for Rex.
18:29He's made me feel welcome from the moment I took the reins at the river.
18:33He's a good man.
18:34Yeah.
18:34He recruited you, didn't he?
18:36Yes, he did.
18:36Is it Nigeria?
18:37That's right, Port Harcourt's.
18:39Private contractor.
18:41IT mainly.
18:42We met, he was there and there was an opportunity.
18:46I put my hand up and...
18:47Good.
18:48Do you think he's all right?
18:51What?
18:52Why'd you ask?
18:54I'm worried about him.
18:56He didn't mention anything to you?
18:58No.
18:59No.
18:59No, no.
19:00Right, have a lovely time.
19:01Thank you, you too.
19:02SPF.
19:02Yes, okay.
19:03No less than 50.
19:06Jeez.
19:07Happy birthday, dear Rex.
19:13Happy birthday to you.
19:18Yes, thank you.
19:20Okay, thank you.
19:21Thank you for coming to this auspicious occasion.
19:25After this, it's just a funeral, isn't it?
19:27See it?
19:27No, no, I am genuinely grateful to be able to celebrate my 60 years surrounded by colleagues,
19:36people who have the same love of their country, and what that country stands for, or should,
19:43or should.
19:44You know, a nation's security service is the truest expression of itself.
19:52You know, we are its soldiers and its priests, and as such, we have a choice.
19:58We can serve blindly, whatever the occasion, or we can take a view.
20:04Know thyself, so indulge an old trooper when he says the same to you now.
20:14And now, fuck off and get pissed.
20:18I said, have fun.
20:22You know, Danny, you're not watching the cops, Danny.
20:33You're not watching the cops, Danny.
20:35Thomas is watching the cops, aren't you, Thomas?
20:38Yeah, girl, it looks like a teddy bear.
20:49They're really near your neck on a bad day.
20:53May I keep this?
20:55If you want to stay right there,
20:59Thomas is watching the cups, aren't you, Thomas?
21:08There's your man.
21:14His name is Jaco Brouwer, 42 years old.
21:18South African, but he spent the last six years
21:20as a fixer for cartels in South America.
21:22He arrived at Heathrow under a Dutch Antilles passport
21:25named Michel Hebert,
21:28and he's staying at a small hotel in Richmond, the Rogers.
21:31So how did he end up playing poker at the Mortimer?
21:34I don't know.
21:35My hunch is he was told to keep out of the mainland
21:37and run in hotels, but went off piece.
21:39Addiction issues.
21:41I want to know what he's doing in London.
21:43How do you know him?
21:46From a previous life.
21:49What previous life?
21:50I can't say, Mike.
21:51I'm not allowed to tell you.
21:53And I have no official authority to follow or trail him.
21:55So, up to you.
22:01I've never been to Richmond.
22:05Guys, cancel your plans.
22:07We're going fishing tomorrow.
22:09It'll be nice to see some light.
22:20Our gambler's on the move.
22:23Stay on his tailground.
22:25Copy that.
22:27Travelling east on the tow part.
22:29Sally, take possession on the bridge.
22:31Here he is.
22:32He's heading up towards the cafe.
22:44Eyes on target.
22:53Willie, moving.
22:55Got it.
22:55On my way.
22:56Looks like he's got a date.
23:15The photo's incoming.
23:19Elliot.
23:19Who's that?
23:29You know him?
23:31No.
23:33Audio coming in.
23:34The shipment arrives in Katahinyo port in three days.
23:41Once it's through customs, we're ready to press go.
23:44And you'll make the anniversary.
23:47No problem.
23:48We're on schedule.
23:49But my chief wants the shipment list.
23:52Full spec.
23:53Government stamped in a diplomatic briefcase.
23:55I'll speak to my client, but they want to keep documentation minimal.
23:59For obvious reasons.
24:00This isn't your average gun run.
24:02Think of it as his insurance policy.
24:06He knows his mind, your chief.
24:08Daddy!
24:08Come back here!
24:09He learned from the best.
24:11Calls himself a...
24:12Mike, Mike, can you just clean that up?
24:15On it.
24:19I'll be in touch.
24:20You lay low.
24:22Go and feed the docks.
24:23And they'll go on in the Londoners, two millionaires.
24:43How are you doing?
24:45Uh, quiet.
24:48He knows his mind, your chief.
24:52He learned from the best.
24:54Calls himself Richard Roper's true disciple.
24:59Nothing quite as pretty as Mayparl at night.
25:04Mean anything to you?
25:07No.
25:09No.
25:09No.
25:09No.
25:10No.
25:16No.
25:17No.
25:18No.
25:18No.
25:18Oh!
25:18Oh!
25:18No!
25:19No!
25:19No!
25:21No!
25:22Richard Roper's true disciple.
25:52All right, Alex, I've got Yakko's coffee date.
25:59Okay. Adam Hollywell is a middleman.
26:02He connects dozens of UK companies with clients abroad, often in the shadows.
26:06He calls himself the Alternative Foreign Office.
26:10The question is, who's he working for this time?
26:14I'm a straight home park.
26:22Okay.
26:27Just here on MF would be great. Thank you.
26:44Sally.
26:56Okay, we know who owns the house.
26:58Who?
27:00We do.
27:04I'll call you back.
27:14Rex, Alex, I'm driving down tomorrow. We need to talk.
27:36We do.
27:38When you get here, park away from the house. Use the side entrance to the library.
27:42I have something to show you.
28:12Come in.
28:13Asilia.
28:14Alex.
28:28Something terrible has happened.
28:30судio, whoa, whoa, whoa, whoa, whoa. Slow down.
28:31Slow down. Tell me what's happening.
28:33Rex is dead.
28:34He's dead.
28:35So now, then what's happening?
28:37Rex is dead. He's dead.
28:40I don't know what the puzzle's here and the police.
28:45You've got to come, please. I can't.
28:53Let's go to the river.
29:05How did you hear?
29:33Celia called me.
29:38Asked me to come as soon as I could.
29:45Myra wants me to deal with the locals.
29:48Keep the noise down.
29:51It seems Rex had a stash of pills Celia knew nothing about.
29:56Took them in the shed with a bottle of Macallan.
30:00Classy bastard.
30:02Do you have any idea why he would take his own life?
30:06Was it something he wasn't telling us? Debts? An affair?
30:09No. Rex is the most loyal man I know.
30:12To Celia more than anyone.
30:13Then what?
30:14I'll send full cavalry tomorrow to sweep the place. Anything you can think of, call me.
30:26Celia, what happened?
30:38Oh no. He was agitated. He said he'd found something. He wanted to talk to you. It was about your man.
30:43Um, and then I got a call from the vets saying that the dog's medicines were ready.
30:58When I got back, the shed door was open. I just knew the people. What have you got involved in?
31:12You know the drill.
31:30Memorize and eat. You know the drill.
31:40My brother.
31:44I'm going to be at her.
31:46I was like, no one of them.
31:49I was like, no one of them.
31:52What are you doing?
31:53I don't know.
32:23I don't know.
32:53I don't know.
33:23I don't know.
33:25That's not ruin it for one chance sighting in Mayfield.
33:53I don't know.
34:23He knows his mind, your chief calls himself Richard Roper's true disciple.
34:29Rex, you said you'd call me at six.
34:42Where are you?
34:44Rex?
34:45Hello?
34:47Hello?
34:47Hello?
34:48Okay, I traced the number you sent me.
35:03Show me.
35:04It belongs to Roxana Belanios.
35:07She's Colombian, but works as a shipping broker out of Miami.
35:10Haven't been able to link her to Yakko or Hollywell yet.
35:13All right, we need to talk to her, now.
35:25I'm seriously going to...
35:26We're watchers, Alex.
35:35Eyes and ears were not the show, remember?
35:38What's going on?
35:43Rex Mayhew was murdered.
35:46And the river house are involved.
35:50So I need to talk to Roxana Belanios.
35:54There's a gentleman waiting for you at the front desk.
36:10He says he needs to talk to you.
36:14Sorry.
36:15Excuse me, guys.
36:16I'm just going to run to the restroom real quick.
36:18Sorry.
36:19Get me a dessert.
36:20Yes?
36:21Okay.
36:24Excuse me, did you get a name?
36:25No, just this way.
36:30Roxana Belanios?
36:31Yes?
36:32I'm here on Rex Mayhew's behalf.
36:35Oh, yeah, you were at his house the day of the birthday party.
36:37Yes.
36:38And we need to talk.
36:40Uh, so...
36:42Where's Rex?
36:44Get your things, make your excuses, I'll tell you everything in the car.
36:47In the car?
36:48Excuse me, sorry.
36:51Um, I'm not going anywhere with you.
36:53I need to talk to Rex.
36:55This is ridiculous.
37:01Trust me.
37:02Rex won't answer.
37:03He's dead.
37:10He left this phone for me.
37:12And you and I, there are only two numbers on it, so we need to talk.
37:15Your life could be in danger.
37:16Get your things.
37:17I'll wait for you outside.
37:18Room booked at the Bridcott Hotel, Queensway.
37:30I've called in a favour from Tony to keep watch.
37:33That's room 122.
37:35Check out Saturday 11th tomorrow.
37:37Come in.
37:38Come in.
37:48Come in.
38:00Drink.
38:00Sure.
38:02Have a seat.
38:16Okay, listen.
38:30All I need is to ask you a few questions.
38:35How do you know Rex?
38:36How did you know him?
38:41How did you know him?
38:42Start at the beginning.
38:45Take your time.
38:45I have a small trading outfit in Miami.
38:55I met Rex at one of those City of London dinners, just schmoozing, and we've been in contact ever since.
39:09Why were you there on the day of his birthday party?
39:15Because I've been working on something.
39:17In Colombia?
39:19Yes.
39:19An import company in Cartagena is buying UK machine tools for oil pipelines.
39:26I grew up there.
39:27My family's from there.
39:28They trusted me to broker the deal.
39:29We used to log an intermediary.
39:32Adam Holywell.
39:33Name of the import company?
39:36It's a buddy kiddo commerce.
39:38So what happened?
39:40Something started to feel wrong.
39:43What do you mean?
39:46Like I wasn't being told the whole story.
39:49About what was in the shipment?
39:50Yes.
39:50So I took it to Rex.
39:55He said that he would look into it, and that's why I was calling him.
39:59Who knows you met him?
40:00No one.
40:04Ever heard of a man called Jakob Rauer?
40:08No.
40:09Why?
40:15What about this man?
40:20No.
40:20No, I don't think so.
40:32Listen.
40:32Until we know what happened to Rex, you should stay here tonight.
40:35No, I can't.
40:36I have a flight booked in Miami tomorrow.
40:37I have to leave.
40:37We'll deal with that.
40:38No, I actually have to go.
40:41This has everything you might need.
40:43Tony will stay with you, and we will need your phone.
40:46It's for your own safety, okay?
40:48I'll be back soon.
40:49Well, how long are you going to be?
40:51I promise you're in safe hands.
40:53Wait, what's your name?
40:54Bingo.
41:03Bingo.
41:04That's our shipment.
41:05The ship is called the Alcestis.
41:17It left Felixstowe a month ago, and it docks in Cartagena, Colombia tomorrow.
41:21We also found out who runs Barquero Commerce.
41:23I'm sending that to you now, Alex.
41:25Okay.
41:27His name is Teddy De Santos.
41:30He lives in Medellin.
41:31Now I can find nothing on him until 2018.
41:34Whoever cleaned his background knows their stuff.
41:36All I've got is a very sudden entry into legitimate business in Colombia, about six years ago.
41:43The formation of Barquero Commerce and a charity foundation.
41:48What charity foundation?
41:49Uh, it's called the Aurora.
41:52Based in Medellin.
41:53In the Aurora queremos brindar alegría y esperanza a los cientos de jóvenes que han sido marcados por las décadas de violencia en nuestro país.
42:07Lo mismo vengo de ese mismo.
42:08My safe haven project for refugees is the true expression of my belief in a commitment to the wider world.
42:16Because my good fortune means nothing unless it also lifts up my fellow mayor.
42:22My name is Eduardo Dos Santos.
42:24And Aurora también is a city.
42:28Sally, I need to know what my recaptured is really sending to Colombia when the ship docks.
42:33We need to stop the cargo from leaving Cartagena port.
42:35Find a way.
42:38Borrow you some time.
42:40And tell Graham to stay on Jakob Rower.
42:42Okay.
42:44And where are you, Alex?
42:54Some of the stuff we started to sell on, five-year rule.
42:57Okay.
42:57So we've got attics, furniture, arts, interior sculptures, documents.
43:03Through there?
43:04Through there.
43:05Richard Roper, terrible man.
43:07Beautiful taste.
43:09Let me know if you need anything.
43:10I'll be upstairs.
43:36I don't know.
44:06I don't know.
44:36I don't know.
45:06So, you're a friend and family, Mr. Adams?
45:12Yes.
45:14Well, I've been abroad for a few years.
45:16No running.
45:17I'm his unofficial godfather house, so I thought I'd pop in and say hello.
45:23Well, apart from his mother, nobody else comes to see him.
45:25So, I'm sure he'll be happy to see you.
45:27Good.
45:32Mr. Roper?
45:33Guest fee.
45:36Hi, Danny.
45:40Michael Oakes.
45:43Remember me?
45:45I'll leave you to it.
45:46I'll be outside if you need anything.
46:02Hello.
46:02I'm sorry I didn't come before.
46:07There were rules I had to obey for protection.
46:09Mine or yours?
46:11Both.
46:11So, what's changed?
46:13Because something tells me this isn't just pastoral care.
46:16Okay.
46:23I just need to know.
46:28Do you know this man?
46:29Why?
46:30Because I think your father knew him.
46:33Why did he have this photograph?
46:35Who is he?
46:36Never seen him.
46:38Danny, please.
46:39Just look again.
46:40Just take one more look.
46:41Sorry, sorry.
46:43Michael.
46:44Is it?
46:45Yeah.
46:46You're a fucking liar.
46:47You destroyed my family.
46:50You never once were honest with me.
46:53So, why should I give you anything?
46:57Huh?
46:57Huh?
47:00Okay.
47:08I shouldn't have come.
47:15Sorry.
47:20See you in another ten years.
47:30There's something I haven't told you.
47:48About your father.
47:49He was, uh, executed by his captors.
48:04When?
48:06Six years ago.
48:09That's fucked.
48:11What was it I thought?
48:13I'm sorry you had to find out like this.
48:34I'm sorry, Danny.
48:38Excuse me, but when is your friend coming back?
48:56He won't be long.
48:58Look, I've got people expecting me in Miami.
49:02I have to get back.
49:03Please.
49:05He's been gone since last night.
49:06Can I at least have my phone?
49:08Look, I'm afraid I can't do that.
49:10Like I said, he's going to be back soon.
49:12He's just been held up.
49:15I think I'm going to be sick.
49:17Can I get you anything?
49:18I'm going to be sick.
49:19I'm going to be sick.
49:19Jacko Brower just received a delivery to his hotel.
49:40A diplomatic briefcase.
49:42He's booked on a flight to Barcelona tomorrow at 8am.
49:45Okay.
49:47Tell the team we're going to Spain.
49:50I'm on in.
49:57I'll cover the entrance.
49:58Graham says you've asked him to bring firearms.
50:10We're night owls, not operatives.
50:13That's just a precaution.
50:17This previous life of yours you mentioned,
50:22you want to tell me about it?
50:23I was someone else once.
50:29He had to go away.
50:31Who was he?
50:34I'll tell you when this is over.
50:37I might just hold you to that.
50:42That's him.
50:43Taxi!
50:44Can you hold that...
50:45Taxi!
50:46Excuse me!
50:48Oh, shit!
50:50No.
50:52Bloody terminal.
50:53Yeah, fine.
50:54Thanks.
50:55Taxi!
51:04Let's go.
51:16He's taking the N2 North,
51:21heading towards Girona.
51:23Copy that.
51:24We're on it.
51:30Turning left into the Hotel Rossonar.
51:34See if our car has a room there.
51:35Yeah, check it now.
51:36See you in there.
51:56See you in there.
52:05Hola buenas, algo está pasando fuera. Creo que puedo ir. Vale, gracias.
52:18Yaco's booked into room 249.
52:20Got it.
52:24Okay, thanks.
52:26Master key, room 249.
52:35I'm glad.
52:37But I'm glad we were here.
52:39And I'm glad we were going for it.
52:43Yes, I'm glad to see you.
52:44I'm glad you got there.
52:49It's not fair to hear you.
52:51It's not fair to hear you.
52:53It's nothing to hear you.
52:57No sir, you're right.
52:59I'm just going to go to the room which you can hear.
53:01I'm just going to walk into the room.
53:03It's so nice to see you.
53:33Hmm? Tell me everything. How was London?
53:36Good.
53:39They look tired.
53:43Did you stay out of trouble?
53:45I did my best.
53:46I know. You always do the right thing.
53:51So, you have something for me?
53:53Yes. The shipment lives where the government's stamp has requested.
53:57But they're insisting on no more contact until the anniversary.
54:02The British.
54:03Always have arms length.
54:06Let's go check the documents in the room.
54:08Then get some rest.
54:10It's a long flight back to Colombia tomorrow.
54:11Teddy Dos Santos is here and they're on their way home.
54:25We got him.
54:26Keep him in the room.
54:28I want to talk to him.
54:29You are in room 249, correct?
54:39Yeah.
54:40So the floor.
54:40You are a good man, Yakub.
54:56Robert knew a soldier when he saw one.
54:58Show me.
55:11Show me.
55:11Show me.
55:15Really?
55:20Teddy, I had no idea.
55:32I swear.
55:34Let's go.
55:35I'm on this, sir.
55:45You still got him?
55:46No, listen.
55:46We've lost him.
55:47We've lost the signal.
55:48They must be on to us.
55:50Clear the system and move Roxanna.
55:52Mike, delete everything off the system.
55:54What?
55:55Delete everything off the system.
55:56Do it now.
55:57They're still not here.
56:00What is?
56:01Get out of there.
56:02Now.
56:10Who's there?
56:15Aren't you fine, Tony?
56:17Who is it?
56:27No.
56:40Great, great, great.
56:42No.
56:44What is?
56:45What?
56:46What is?
56:51No, no, no, no, no.
56:53No, no, no, no, no, no.
56:54Hey, what is?
56:55What is?
56:57No, no, no, no, no, no, no, no, no.
57:23Hola.
57:24Hola.
57:24Soy un viejo colega de Sr. Maradona.
57:28Creo que tiene una habitación en la cuarta planta.
57:30He quedado con él ahí, pero...
57:32¿Me podría recordar el número, por favor?
57:34Who are you?
58:04¿Qué?
58:04No, no, no, no, no.
58:14No.
58:15Hola.
58:16Yo.
58:16I don't know.
58:46Hi, this is Alex Goodwin. Please leave a message.
59:16I don't know.
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