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00:00Part of Cairo, in the middle of the Arab Spring.
00:03Why does Jonathan Pine, respected Hotelier,
00:05risk his career by snitching on his guests?
00:07If there's a man selling a private arsenal
00:09and those weapons can cause a lot of pain
00:11to a lot of people, then you just do it.
00:14Anyone can do it.
00:16I want to put you inside his operation.
00:23We will give you money, but you have to leave the boy here.
00:25We contact you.
00:28Go!
00:29He saved me.
00:30What's his name?
00:31Thomas Quint.
00:32No, he's bloody not.
00:33You're Pine from Switzerland.
00:36Thank you very much, sir, for rescuing me.
00:39You're very welcome, Danny.
00:40Welcome to the family.
00:43Angela Burr is closer than anyone's ever been
00:45to cracking Richard Roper's offshore operation.
00:47The company is called Trade Pass.
00:50You are my lead actor.
00:52You make the deal.
00:53No one really knows what we're selling.
00:54No one wants to know.
00:56If they did, they wouldn't sleep at night.
00:58This is our little contribution.
01:01Safe haven for the wretched of the earth.
01:03Justifies us being here.
01:06Every soldier fights for money, Andrew.
01:08These men are selling their skills same as anyone else.
01:10Even traitors can be forgiven.
01:11They have to commit.
01:12They have to make a decision.
01:13Jesus.
01:14I want my money back, Mr. Roper.
01:15If you do not pay, there will be consequences.
01:16Why'd you do it, Jonathan?
01:17You have to commit.
01:18You have to make a decision.
01:19Wait a minute!
01:20Wait a minute!
01:21Wait a minute!
01:22Wait a minute!
01:23Wait a minute!
01:24No!
01:25No!
01:26No!
01:27No!
01:28No!
01:29No!
01:30No!
01:31No!
01:32No!
01:33No!
01:34No!
01:35No!
01:36No!
01:49No!
01:51No!
03:07So, shall we talk back tomorrow?
03:26No.
03:27No.
03:28There'll be no official autopsy, no photos, no record of death.
03:34We'll just identify the body, then they'll burn it.
03:37No one gets the ashes.
03:39No one, not even his family.
03:41What about Danny?
03:42No, not even Danny.
03:44Richard Roper will remain a missing person and you, Jonathan Pine, you never came to this
03:50godforsaken place.
03:51You alright?
03:52Yeah, I didn't sleep last night.
03:53Just last night?
03:54Don't worry, you'll sleep well after this.
03:58Yeah, I didn't sleep last night.
03:59Just last night?
04:00Don't worry, you'll sleep well after this.
04:05No.
04:06Just one of you.
04:07Just one of you will perform identification.
04:08Who says?
04:09I say.
04:10I say.
04:11Now, listen here.
04:12I've had enough of this.
04:13Shifting bloody sounds.
04:14Angela.
04:15Angela.
04:16I've had enough of this.
04:17Shifting bloody sounds.
04:18Angela.
04:19No.
04:20Just one of you will perform identification.
04:36Who says?
04:38I say.
04:39Now, listen here.
04:40I've had enough of this.
04:41Shifting bloody sounds.
04:42Angela.
04:43Angela.
04:44It's alright.
04:45It's not alright.
04:46None of this is alright.
04:47She'll do it.
04:48We've both waited so long for this.
04:52You've waited longer.
04:55Bella.
05:00Bella.
05:01Ready?
05:02Ready?
05:03Ready?
05:04Ready?
05:05Go.
05:06Can you confirm?
05:07This is Richard Rocker.
05:08Yeah, it's him.
05:09Sure?
05:10Yeah.
05:11Yeah.
05:12Yeah.
05:13Yeah.
05:14I'm fine.
05:19Can you confirm?
05:20This is Richard Rocker.
05:21Yeah.
05:22It's him.
05:23Sure?
05:24Yeah.
05:54Alex?
06:10Alex?
06:11One second.
06:16Theresa, hi.
06:17Hi.
06:18Corky escaped again.
06:20I'm so sorry.
06:21Did he wake you?
06:22Well, no, because it's 4.30 in the afternoon.
06:25Of course it is.
06:26Of course it is.
06:27Sorry.
06:28Yeah.
06:29You, sir, are a flirt.
06:31What are you doing disturbing our neighbour, eh?
06:33Come on.
06:34You work at night, don't you?
06:36I do, yes.
06:37Yeah.
06:38What do you do?
06:39You're like vampires?
06:41I work in a bank.
06:43So, yes, basically, yeah, I am.
06:46Yeah.
06:47All right.
06:48I'd love to have dinner soon, if you dare to journey across the hall.
06:53Um, yes, maybe, one day.
06:57Yeah.
06:58Sorry again.
06:59All good.
07:00Okay, come on you.
07:01Yeah, bye.
07:02Bye.
07:03Bye.
07:04Bye.
07:05Bye.
07:06Bye.
07:07Cocky.
07:10Let me into trouble.
07:13This is the MI6 quarterly evaluation for Alex Goodwin, director of the nighthouse unit.
07:19Shall we begin?
07:20Sure.
07:21So, Alex, is there anything keeping you awake at night?
07:27No.
07:28Er...
07:29No.
07:31And how's your family?
07:32Family's great, yeah.
07:35And romantically, any developments on that front?
07:39Yep.
07:40Actually, I've started getting out with my neighbour.
07:45I see you've requested to stay with the nighthouse for another three years.
07:48Yes.
07:49Yep.
07:50How do you feel about that?
07:51I feel good.
07:52Erm...
07:53I love working for Rex Mayhew.
07:55I love my team.
08:00From a central ops point of view, we've learnt more from the nighthouse surveillance unit,
08:05led by Alex Goodwin, than from a dozen agents in the field.
08:09Nocturnal surveillance of the top hotels has proved pivotal to our clean-up operation in
08:14the city of London.
08:16The nighthouse's patience and diligence has allowed us at MI6 to infiltrate hostile networks
08:25and avert terror threats across the city.
08:28The nighthouse, that's a nocturnal surveillance unit?
08:31That's right, yeah.
08:32It's not exactly glamorous.
08:33Does it need to be?
08:34No.
08:35I...
08:36Does it need to be?
08:37No.
08:38I...
08:47Hey, Ben.
08:48Here's the surf from the river.
08:50Thanks, Grant.
08:51It's quiet work.
08:52It's, er, not the most dramatic.
08:57But who needs heroes?
09:02Hello, Alex.
09:03Basil.
09:04Just dropping off the new wish list.
09:05Usual rogues gallery.
09:06Don't know how you do it.
09:07Stuck here every night.
09:08Sat in the dark, watching the world through a screen.
09:09I'm worried you'll go blind.
09:11Well, as head of the River House Supervisory Council, I am formally sanctioning a further three-year extension for the Night Owl Unit, under the leadership of Alex Goodwin and the continued supervision of Rex Mayhew.
09:24Thank you very much.
09:26Thank you very much.
09:42I've taken a look at your file.
09:44Six years.
09:45You've refused all promotions, all offers for posts abroad.
09:50I love being at home.
09:52Sorry to disappoint you.
09:55You don't disappoint me, Alex.
09:58If I'm honest, you frighten me.
10:06Just a reminder, nothing above the parapet.
10:10That face is too pretty to lose.
10:12A lot of intelligence officers come through this room.
10:17Some of them shout.
10:19Some of them scream at me.
10:21Some even throw things.
10:23But the ones I really worry about turn up every three months.
10:27They sit there and they smile.
10:28They sit there and they smile.
10:31Just like you.
10:32They say nothing.
10:33Like you.
10:34And then one day.
10:37They explode.
10:40They explode.
10:41You need to talk to me, Alex.
10:44Tell me who you really are.
10:46Tell me who you really are.
10:47I am the man who will not explode.
11:01Hi, Mike.
11:02Hey.
11:03When you're settled, do a troll on all today's phone calls through hotel switchboards.
11:16I've got the latest list of bad guys.
11:17Basil Carapetti and deliver them personally.
11:18Eat spangs on mum, that man.
11:19Sorry I'm late.
11:23St. Albans traffic is a disgrace.
11:24I'm judging you.
11:25Either to my wife.
11:26How's your day, Alex?
11:27Fine.
11:28Thank you, Alid.
11:29You managed some sleep?
11:30No.
11:31No.
11:32No.
11:33No.
11:34No.
11:35No.
11:36No.
11:37No.
11:38No.
11:39No.
11:40No.
11:41No.
11:42No.
11:43No.
11:44No.
11:45No.
11:46No.
11:47No.
11:48No.
11:49No.
11:50No.
11:51No.
11:52No.
11:53No.
11:54No.
11:55No.
11:56No.
11:57No.
11:58No.
11:59No.
12:00No.
12:02No.
12:03Oh, Kudoroff's moving again.
12:08Mike Folam.
12:09For reference he's number 12 on the list, next to Bulgarian mafia with a bit of child trafficking
12:19on the side.
12:20I worked at the Mumbai Carlton in the 90s.
12:27That sort of antic tended to mean a sexual assignation
12:29with the boy on reception.
12:32Or he's just getting a paper.
12:35That's for the white room.
12:36Sally, party in the white room tonight.
12:38Copy that. On roof.
12:44Here we go.
12:45Oh, busy room for a school night.
12:54Sally, are you there yet?
12:55Just arriving. How do I look?
13:00Impeccable. Eyes only. Please?
13:04I promise. No touching.
13:10You need the medic.
13:11Hi.
13:13Number 12, you're ten o'clock.
13:15Whiskey on the rocks.
13:37Sally, don't win too much.
13:38You're not the show here.
13:40Never am.
13:41Mike, all angles. I want to see the whole room.
13:52So, who else is on tonight's address?
13:59Something wrong?
14:02Mike, zoom in on that man in the corner.
14:04What you're looking at here is the real United Nations.
14:19Yeah!
14:20Americans, Russians, Ukrainians, Serbs, Croats, Angolans.
14:25One big happy family.
14:26Yeah!
14:27Yerko looks like a teddy bear.
14:30Don't let him near your neck on a bad day.
14:33Honey?
14:47Alex!
14:48Hello, Celia. Hi.
14:50Preposterously early.
14:51I'm sorry.
14:51I was hoping to catch Rex before the party.
14:54Is he right?
14:54Nie!
14:54Well, you can't.
14:55Not, he's talking to some girl.
14:56He's been working on his fucking birthday, which is far too attractive to boot.
15:01Now listen, will you do me a favor?
15:02Yes.
15:03Will you quit this?
15:04Sure.
15:05And go in there and tell those handsome young men in chinos we need more glasses.
15:08Glasses?
15:09Yes.
15:10Okay.
15:12Oh, no, sorry, but that table...
15:14Can you get me to help me?
15:16Thanks, he's waiting, and I have to go.
15:25Roxana, you hear anything more about this, you call me.
15:28Okay, thank you, Rex.
15:29And you tell Noah about this, okay?
15:38Mike!
15:46Alex, where are you going, sir?
15:53I got your message, show me what you've got.
16:07Taken last night.
16:12Old Roper fieldman.
16:14What's he doing coming to London under a false name?
16:16Are you sure I'd swim?
16:17Absolutely sure.
16:20You talk to anyone else about this?
16:22How could I?
16:23I'm Alex Goodwin now.
16:24And you should stay that way.
16:30Rex, I'd like to talk to Burr.
16:31Absolutely not.
16:32Angela's retired, fully detached.
16:35She barely leaves her French retreat and won't want to be disturbed over some soldier for hire.
16:41Who is your mini-met before the party?
16:47You...
16:49She was a friend.
16:50What kind of friend?
16:51The kind you never saw.
16:52My dear boy, listen to me.
16:54I'd had my way.
16:55You'd be on a beach in Bali now.
16:57State pension in your pocket.
17:00Yoga teacher in your bed.
17:02You chose to stay.
17:05I gave you one condition.
17:07Jonathan Pine never existed.
17:09Nobody in that garden has any idea who you are.
17:15Alex Goodwin stands before me now and it so happens I've grown rather fond of him.
17:21Well, he's fond of you too.
17:24Glad to hear it.
17:25Rupa is dead.
17:27The past is the past.
17:29He spent five years creating you anew.
17:34Let's not ruin it for one.
17:36Chance sighting in Mayfair.
17:39May I keep this?
17:40Oh, I have a new number.
17:44Best to use this from now on.
17:56Memorise and eat.
17:57You know the drill.
18:12Alex!
18:13What on earth are you doing here?
18:15Myra, hello.
18:16Don't you know it's bad luck to see an owl during the day?
18:19Rex said that this owl needs a bit of vitamin D, so here I am.
18:23Wise man.
18:27You know, I'm so grateful to Rex.
18:29He's made me feel welcome from the moment I took the reins at the river.
18:33He's a good man.
18:34Yeah.
18:35He recruited you, didn't he?
18:36Yes, he did.
18:37Is it Nigeria?
18:38That's right.
18:39Port Harcourt's.
18:40Private contractor?
18:41I.T. mainly.
18:42We met.
18:43He was there and there was an opportunity.
18:45I got my hand up and...
18:46Good.
18:47Do you think he's all right?
18:52Why'd you ask?
18:54I'm worried about him.
18:56He didn't mention anything to you?
18:58No.
18:59No, no.
19:00Right, have a lovely time.
19:02SPF.
19:03Yes, okay.
19:04No less than 50.
19:06Cheers.
19:07Happy birthday, dear Rex.
19:12Happy birthday to you.
19:18Yes, take cheers.
19:20Okay, thank you.
19:21Thank you for coming to this auspicious occasion.
19:25After this it's just a funeral, isn't it?
19:27No, no, I am genuinely grateful to be able to celebrate my 60 years surrounded by colleagues,
19:36people who have the same love of their country and what that country stands for, or should, or should.
19:44You know, a nation's security service is the truest expression of itself.
19:52You know, we are its soldiers and its priests, and as such we have a choice.
19:58We can serve blindly, whatever the occasion, or we can take a view.
20:07Know thyself.
20:10So, uh, indulge an old trooper when he says the same to you now.
20:17And now, fuck off and get pissed.
20:20Have fun.
20:30No, Danny, the ball's in the middle.
20:32You're not watching the cups, Danny.
20:36Thomas is watching the cups, aren't you, Thomas?
20:39Oh, I'll tell you, Thomas.
20:40I'll tell you, Thomas.
20:41Let's have dinner.
20:42Please follow me.
20:43In the middle of my life.
20:44This is a funeral to be done.
20:47Kill us, Tony.
20:48To be like a friend.
20:49This is ani-a-men-a-men-a-men-a-men.
20:50Yeah.
20:51Let's have to wait.
20:52Do not feel it.
20:53No, no.
20:54Captain.
20:55The guest.
20:56The guest.
20:57The guest.
20:58Answered the guest.
21:00Do not have.
21:02He's on the guest.
21:03Boo!
21:04The guest.
21:05The guest.
21:06The guest.
21:07The guest.
21:08There's your man.
21:14His name is Jaco Brower, 42 years old.
21:18Some African, but he spent the last six years as a fixer for cartels in South America.
21:22He arrived at Heathrow under a Dutch Antilles passport,
21:25named Michel Hebert.
21:28And he's staying at a small hotel in Richmond, the Rogers.
21:31So, how did he end up playing poker at the Mortimer?
21:34I don't know.
21:34My hunch is he was told to keep out of the main London hotels, but went off piece.
21:39Addiction issues.
21:41I want to know what he's doing in London.
21:43How do you know him?
21:46From a previous life.
21:49What previous life?
21:50I can't say, Mike.
21:51I'm not allowed to tell you.
21:53And I have no official authority to follow or trail him.
21:55So, up to you.
22:01I've never been to Richmond.
22:04Guys, cancel your plans.
22:07We're going fishing tomorrow.
22:09It'll be nice to see sunlight.
22:20Our gambler's on the move.
22:23Stay on his tail, Graham.
22:25Copy that.
22:27Traveling east on the tow part.
22:29Saleh, take possession on the bridge.
22:31Here he is.
22:32In position.
22:35Yeah, we see him.
22:42He's heading up towards the cafe.
22:44Eyes on target.
22:53Willie, moving.
22:55Got it.
22:55On my way.
22:56Looks like he's got a date.
23:15The photo's in common.
23:18Elliot.
23:19Who's that?
23:28Who's that?
23:29You know him?
23:31No.
23:33Audio coming in.
23:38The shipment arrives in Katahinyo Port in three days.
23:41Once it's through customs, we're ready to press go.
23:44And you'll make the anniversary.
23:47No problem.
23:48We're on schedule.
23:49But my chief wants the shipment list.
23:52Full spec, government stamped in a diplomatic briefcase.
23:56I'll speak to my client, but they want to keep documentation minimal.
23:59For obvious reasons.
24:00This isn't your average gun run.
24:02Think of it as his insurance policy.
24:06He knows his mind, your chief.
24:07He learned from the best.
24:11Calls himself rich.
24:12Through the site.
24:13Mike, Mike, can you just clean that up?
24:15On it.
24:19Will I be in touch?
24:20Yeah, hello.
24:22Go and feed the ducks.
24:24And no going under London.
24:25There's too many guys.
24:27How are we doing?
24:45Uh, quite.
24:48He knows his mind here, chief.
24:51He learned from the best.
24:54Calls himself Richard Roper's true disciple.
24:57Nothing quite as pretty as Napalm at night.
25:04Do you mean anything to you?
25:07No.
25:09No.
25:21Calls himself Richard Roper's true disciple.
25:27All right Alex, I've got Yakko's coffee date.
25:55All right Alex, I've got to go.
25:59Okay.
26:00Adam Hollywell is a middleman.
26:02He connects dozens of UK companies with clients abroad, often in the shadows.
26:07He calls himself the Alternative Foreign Office.
26:10The question is, who's he working for this time?
26:13I'm a straight home park.
26:22Okay.
26:28Just here on MF would be great.
26:29Sally.
26:45Okay.
26:46We know who owns the house.
26:48Who?
26:49We do.
27:01I'll call you back.
27:04Rex, Alex.
27:21Alex.
27:22Rex.
27:23Alex.
27:23Rex, I'm driving down tomorrow.
27:36We need to talk.
27:37We do.
27:38When you get here, park away from the house.
27:40Use the side entrance library.
27:43I have something to show you.
27:53I have something to show you.
28:23I have something to show you.
28:29Celia.
28:30Alex, something terrible has happened.
28:33Celia, whoa, whoa, whoa, whoa.
28:34Slow down.
28:35Tell me what's happening.
28:37Rex is dead.
28:38He's dead.
28:40Alex, something.
28:42I don't know what the puzzle's here and the police.
28:45You've got to come, please.
28:47I can't.
28:48Let's go over the river.
28:54Let's go over the river.
29:06Coffee.
29:07How did you hear?
29:34Celia called me.
29:38Asked me to come as soon as I could.
29:45Myra wants me to deal with the locals.
29:49Keep the noise down.
29:50It seems Rex had a stash of pills Celia knew nothing about.
29:57Took them in the shed with a bottle of Macallan.
30:01Classy bastard.
30:03Do you have any idea why he would take his own life?
30:06Was it something he wasn't telling us?
30:08Debts?
30:09An affair?
30:09No.
30:11Rex is the most loyal man I know.
30:13To Celia more than anyone.
30:14Then what?
30:22I'll send full cavalry tomorrow to sweep the place.
30:25Anything you can think of, call me.
30:27Celia, what happened?
30:42Oh no.
30:44He was agitated.
30:45He said he'd found something.
30:47Wanted to talk to you.
30:48It was about your man.
30:49Um, and then I got a call from the vets saying that the dog's medicines were ready.
30:58When I got back, the shed door was open.
31:03I just knew the people.
31:06What have you got involved in?
31:09What?
31:10What?
31:11I don't know.
31:12Memorize and eat.
31:38You know the drill.
31:38You know the drill.
31:42I don't know.
31:44I know.
32:09I just didn't give up.
32:11Oh, my God.
32:41Oh, my God.
33:11I spent five years creating you anew.
33:24Let's not ruin it for one chance sighting in Mayfield.
33:41Let's not ruin it for one chance.
34:11He knows his mind, your chief.
34:26Pulls himself, Richard Roper's true disciple.
34:29Rex, you said you'd call me at six.
34:42Where are you?
34:44Rex?
34:47Hello?
34:47Hello?
35:02Okay, I traced the number you sent me.
35:03Show me.
35:04It belongs to Roxana Belagos.
35:07She's Colombian, but works as a shipping broker out of Miami.
35:10Haven't been able to link her to Yakko or Hollywell yet.
35:14All right.
35:15We need to talk to her now.
35:16I'm serious.
35:26What are you doing?
35:32What?
35:33We're watchers, Alex.
35:35Eyes and ears.
35:36We're not the show, remember?
35:38What's going on?
35:43Rex Mayhew was murdered.
35:46And the river house are involved.
35:51So I need to talk to Roxana Belagos.
36:00So what is your favorite place to live in America and you have to keep it?
36:04So nobody's getting home.
36:06You like the cinnamon glaze?
36:07There's a gentleman waiting for you at the front desk.
36:10He says he needs to talk to you.
36:14Sorry.
36:15Excuse me, guys.
36:16I'm just going to run into the restroom real quick.
36:18Sorry.
36:19Get me a dessert.
36:20Yes?
36:21Okay.
36:23Excuse me.
36:24Did you get a name?
36:25No.
36:26Just this way.
36:30Roxana Belagos?
36:31Yes?
36:32I'm here on Rex Mayhew's behalf.
36:35Oh, yeah.
36:35You were at his house at the day of the birthday party.
36:37Yes.
36:38And we need to talk.
36:40Uh, so where's Rex?
36:43Get your things.
36:44Make your excuses.
36:45I'll tell you everything in the car.
36:47In the car?
36:49Excuse me.
36:50Sorry.
36:51Um, I'm not going anywhere with you.
36:53I need to talk to Rex.
36:55This is ridiculous.
37:01Trust me.
37:02Rex won't answer.
37:03He's dead.
37:07He left this phone for me.
37:12And you and I, the only two numbers on it, so we need to talk.
37:14Your life could be in danger.
37:16Get your things.
37:17I'll wait for you outside.
37:18Room booked to the Brickcott Hotel, Queensway.
37:30I've called in a favour from Tony to keep watch.
37:33That's room 122.
37:35Check out South London as well.
37:47Come in.
37:48Huh.
38:00Drink.
38:00Sure.
38:14Have a seat.
38:28Okay, listen.
38:31All I need is to ask you a few questions.
38:34How do you know Rex?
38:39How did you know him?
38:41Start at the beginning.
38:43Take your time.
38:46I have a small trading outfit in Miami.
38:55I met Rex at one of those City of London dinners just schmoozing and we've been in contact ever since.
39:09Why were you there on the day of his birthday party?
39:11Because I've been working on something.
39:17In Colombia?
39:18Yes.
39:20An import company in Cartagena is buying UK machine tools for oil pipelines.
39:25I grew up there.
39:26My family's from there.
39:27They trusted me to broker the deal.
39:29We used to lug an intermediary.
39:31Adam Hollywell.
39:32Name of the import company?
39:34It's about a kiddo commerce.
39:37Is that what happened?
39:40Something started to feel wrong.
39:43What do you mean?
39:44Like I wasn't being told the whole story.
39:47About what was in the shipment?
39:49Yes.
39:50So I took it to Rex.
39:53He said that he would look into it and that's why I was calling him.
39:58Who knows you met him?
39:59No one.
40:00Ever heard of a man called Jaco Brower?
40:06No.
40:07Why?
40:08What about this man?
40:14No.
40:15No.
40:16No.
40:17No, I don't think so.
40:18Listen.
40:19Until we know what happened to Rex, you should stay here tonight.
40:34No, I can't.
40:35I have a flight booked in Miami tomorrow.
40:36I have to leave.
40:37No, we'll deal with that.
40:38No, I actually have to go.
40:40This has everything you might need.
40:42Tony will stay with you and we will need your phone.
40:45It's for your own safety, okay?
40:47I'll be back soon.
40:48Well, how long are you gonna be?
40:50I promise you're in safe hands.
40:52Wait, what's your name?
41:02Bingo.
41:03That's our shipment.
41:10The ship is called the Alcestis.
41:15It left Felixstowe a month ago and it docks in Cartagena, Colombia tomorrow.
41:20We also found out who runs Barquero Commerce.
41:23I'm sending that to you now, Alex.
41:24Okay.
41:25His name is Teddy Dos Santos.
41:29He lives in Medellin.
41:30Now I can find nothing on him until 2018.
41:33Whoever cleaned his background knows their stuff.
41:36All I've got is a very sudden entry into legitimate business in Colombia about six years ago.
41:42The formation of Barquero Commerce and a charity foundation.
41:47What charity foundation?
41:48It's called the Aurora based in Medellin.
41:55Aurora queremos brindar alegrÃa y esperanza a los cientos de jóvenes que han sido marcados por las décadas de violencia en nuestro paÃs.
42:05Lo mismo vengo de ese mismo.
42:07My safe haven project for refugees is the true expression of my belief in a commitment to the wider world.
42:15Because my good fortune means nothing unless it also lifts up my fellow mayor.
42:21My name is Eduardo Dos Santos.
42:23And Aurora remains a cientos.
42:27Sully.
42:28I need to know what Myra Cavendish is really sending to Colombia.
42:31And the ship docks.
42:32We need to stop the cargo from leaving Cartagena port.
42:36Find a way.
42:37Buy you some time.
42:39And tell Graham to stay on Jakob Rauer.
42:42Okay.
42:43And where are you, Alex?
42:52Some of the stuff we started to sell on.
42:55Five year rule.
42:56Okay.
42:57So we got attics, furniture, arts, interior sculptures, documents.
43:03Through there?
43:04Through there.
43:05Richard Roper, terrible man, beautiful taste.
43:08Let me know if you need anything, I'll be upstairs.
45:09So you're a friend and family this house?
45:11Yes, um, well I've been aboard for a few years, but...
45:15No running.
45:16I'm his unofficial godfather house, so I thought I'd pop in and say hello.
45:23Well, apart from his mother, nobody else comes to see him,
45:25so I'm sure he'll be happy to see you.
45:29Good.
45:32Mr. Roper? Guest for you.
45:36Hi, Danny.
45:40Michael Oakes.
45:43Remember me?
45:45I'll leave you to it.
45:46I'll be outside if you need anything.
46:02Look.
46:04I'm sorry I didn't come before.
46:07There were rules I had to obey for protection.
46:09Mine or yours?
46:10Both.
46:11So what's changed?
46:13Because something tells me this isn't just pastoral care.
46:19Okay.
46:23I just need to know.
46:28Do you know this man?
46:29Why?
46:30Because I think your father knew him.
46:33Why did he have this photograph?
46:35Who is he?
46:36Never seen him.
46:38Danny, please.
46:39Just look again.
46:40Sorry.
46:40Just take one more look.
46:41Sorry, sorry.
46:43Michael.
46:44Is it?
46:45Yeah.
46:45You're a fucking liar.
46:47You destroyed my family.
46:50You never once were honest with me.
46:53So why should I give you anything?
46:57Huh?
47:00Okay.
47:01I shouldn't have come.
47:15Sorry.
47:16See you in another ten years.
47:40There's something I haven't told you.
47:42About your father.
47:52He was, uh, executed by his captors.
48:03When?
48:06Six years ago.
48:09That's fucked.
48:10Why wasn't I gone?
48:32I'm sorry you had to find out like this.
48:37I'm sorry, Danny.
48:40Excuse me, but when is your friend coming back?
48:56He won't be long.
48:58Look.
49:00I've got people expecting me in Miami.
49:02I have to get back.
49:03Please.
49:05He's been gone since last night.
49:06Can I at least have my phone?
49:07Look, I'm afraid I can't do that.
49:10Like I said, he's going to be back soon.
49:12He's just been held up.
49:15I think I'm going to be sick.
49:17Can I get you anything?
49:18I'm going to be sick.
49:19Jacko Broward just received a delivery to his hotel.
49:40A diplomatic briefcase.
49:42He's booked on a flight to Barcelona tomorrow at 8am.
49:45Tell the team we're going to Spade.
49:50I'm on in.
49:57I'll cover the entrance.
49:58Graham says you've asked him to bring firearms.
50:10We're night owls, not operatives.
50:12That's just a precaution.
50:18This previous life of yours you mentioned,
50:22you want to tell me about it?
50:23I was someone else once.
50:29But he had to go away.
50:31Who was he?
50:34I'll tell you when this is over.
50:37I might just hold you to that.
50:42That's him.
50:43Taxi!
50:44Can you hold that...
50:45Taxi!
50:47Excuse me!
50:48Oh, shit!
50:50No.
50:52Bloody terminal.
50:53Yeah, fine.
50:54Thanks.
50:55Taxi!
51:04Let's go.
51:08Taxi!
51:09Taxi!
51:11Taxi!
51:12Taxi!
51:13Taxi!
51:14Taxi!
51:15Taxi!
51:16Taxi!
51:17Taxi!
51:18Taxi!
51:19He's taking the N2 north,
51:21heading towards Girona.
51:23Copy that.
51:24We're on it.
51:30Turning left into the Hotel Rossignol.
51:34See if our car has a room there.
51:35Yeah, checking out.
51:36See you in there.
51:37See you in there.
51:37See you in there.
51:52See you in there.
52:19Yakko's booked into room 249.
52:21Got it.
52:23Okay.
52:25I'm fine.
52:26It's okay.
52:27Thanks.
52:28I love it.
52:29Master key, room 249.
52:30Ah, vale.
52:31Oh, my God.
52:33Oh, my God.
52:34Oh, my God.
52:35Oh, my God.
52:36Oh, my God.
52:38Oh, my God.
52:39I'm not sure what you're doing.
52:41Oh, my God.
53:12Mr. Valarón, how are you?
53:16How are you?
53:17How are you?
53:18How are you?
53:19Very good.
53:20Everything is good.
53:21We have a habitable room.
53:23I like the fourth floor.
53:28Jacob, Teddy, be your friend.
53:31Come here, it's so nice to see you.
53:34Tell me everything. How is London?
53:36Good.
53:39They look tired.
53:43Did you stay out of trouble?
53:45I did my best.
53:46I know.
53:47You always do the right thing.
53:51So, you have something for me?
53:53Yes.
53:54The shipment lives where the government's stamp has requested.
53:57But they're insisting on no more contact until the anniversary.
54:02The British always have arms length.
54:05Let's go check the documents in the room.
54:07Then get some rest.
54:09It's a long flight back to Colombia tomorrow.
54:22Teddy Dos Santos is here and they're on the way up.
54:25We got him.
54:26Keep him in the room.
54:28I want to talk to him.
54:36You are in room 249.
54:37Correct?
54:38Yeah.
54:39I said it so.
54:40I said it so.
54:53You are a good man, Jacob.
54:55Robert knew a soldier when he saw one.
55:10Show me.
55:19Really?
55:20Teddy, I had no idea.
55:32I swear.
55:34Let's go.
55:35I'm almost there.
55:36You still got him?
55:37No.
55:38No, listen.
55:39We've lost him.
55:40We've lost the signal.
55:41They must be on to us.
55:42Clear the system and move Roxanna.
55:43Mike, delete everything off the system.
55:44What?
55:45Delete everything off the system.
55:46Do it now.
55:47You're still not here.
55:48What is?
55:49Get out of there.
55:50Now.
55:51Who's yours?
55:52Aren't you fine, Tony?
55:53Who is it?
55:54Who is it?
55:55I don't know.
56:14Who's yours?
56:15Aren't you fine, Tony?
56:18Who is it?
56:24No, no, no, no, no, no.
56:54No, no, no, no, no.
56:55Hey, what are you?
56:56What are you?
56:57Hello.
56:58Hello.
56:59Hello.
57:00Hello.
57:01Hello.
57:02Hello.
57:03Hello.
57:04Hello.
57:05Hello.
57:06Hello.
57:07Hello.
57:08Hello.
57:09I'm a old friend of Mr. Maradon.
57:12I think he has a room in the fourth floor.
57:14I'm going with him there, but can I remember the name, please?
57:20Can I remember the name, please?
57:21Can I remember the name, please?
57:24Hello.
57:25I'm a old friend of Mr. Maradon.
57:28I think he has a room in the fourth floor.
57:30I'm going with him there, but can I remember the name, please?
57:35I'm going with him there, but can I remember the name, please?
58:03Who are you?
58:04Who are you?
58:33Hi, this is Alex Goodwin.
58:48Please leave a message.
58:49Please leave a message.
59:19Bye.
59:20Bye.
59:21Bye.
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