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The Night Manager 2016 Season 2 Episode 1br br The Night Manager br RealityInsightHub br br Please subscribe to our official channel to watch the full movie for free as soon as possible Reality Insight Hubbr Official Channel httpswwwdailymotioncomTrailerBoltbr THANK YOU
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00:00Art of Cairo in the middle of the Arab Spring.
00:03Why does Jonathan Pine, respected Hotelier, risk his career by snitching on his guests?
00:07If there's a man selling a private arsenal, and those weapons can cause a lot of pain to a lot of people,
00:12then you just do it.
00:14Anyone will do it.
00:15I want to put you inside his operation.
00:22We will give you money, but you have to leave the boy here.
00:25We can't take you.
00:27Go!
00:28He saved me.
00:30What's his name?
00:31Thomas Quint.
00:32No, he's bloody not.
00:33You're Pine from Switzerland.
00:35Thank you very much, sir, for rescuing me.
00:39You're very welcome, Danny.
00:40Welcome to the family.
00:43Angela Burr is closer than anyone's ever been to cracking Richard Robbins' offshore operation.
00:47The company is called Trade Pass.
00:50You are my lead actor.
00:52You ever make the deal?
00:53No one really knows what we're selling.
00:54No one wants to know.
00:56If they did, they wouldn't sleep at night.
00:58This is our little contribution.
01:02Safe haven for the wretched of the earth.
01:04Justifies us being here.
01:06Every soldier fights for money, Andrew.
01:08These men are selling their skills same as anyone else.
01:10Even traitors can be forgiven.
01:18They have to commit.
01:19They have to make a decision.
01:21Jesus.
01:22I want my money back, Mr. Roper.
01:29If you do not pay, there will be consequences.
01:32Why'd you do it, Jonathan?
01:33You have to commit.
01:34You have to make a decision.
01:39Wait a minute.
01:40Wait a minute.
01:40No, no.
01:47No.
01:48No.
01:49No.
01:49No.
01:49No.
01:49No.
01:49No.
01:49No.
01:49No.
01:49No.
01:50No.
01:50No.
01:50No.
01:51No.
01:51No.
01:52No.
01:52No.
01:53No.
01:53No.
01:54No.
01:54No.
01:55No.
01:55No.
01:56No.
01:56No.
01:57No.
01:57No.
01:58No.
01:58No.
01:59No.
01:59No.
02:00No.
02:00No.
02:01No.
02:01No.
02:02No.
02:02No.
02:03No.
02:03No.
02:04No.
02:05No.
02:06No.
02:06No.
02:07No.
02:08No.
02:08No.
02:09No.
02:10No.
03:49Jonathan Pine.
03:50He never came to this godforsaken place.
03:55You all right?
03:57Yeah, I didn't sleep last night.
04:00Just last night?
04:01Don't worry.
04:02You'll sleep well after this.
04:04Yeah.
04:05Yeah.
04:06Yeah.
04:07Yeah.
04:08Yeah.
04:09No.
04:10Just one of you will perform identification.
04:11Who says?
04:12I say.
04:13Now listen here.
04:14I've had enough of this.
04:15Shifting bloody sounds.
04:16Angela, it's all right.
04:17It's not all right.
04:18None of this is all right.
04:19She'll do it.
04:20Okay.
04:21Okay.
04:22We've both waited so long for this.
04:23You've waited for me.
04:24You've waited for me.
04:25No, I don't know.
04:26I've had enough of this.
04:27Shifting bloody sounds.
04:28Angela, it's all right.
04:29It's not all right.
04:30None of this is all right.
04:31She'll do it.
04:32Okay.
04:33We've both waited so long for this.
04:34You've waited longer.
04:35You've waited longer.
04:36Bella.
04:37Good luck.
04:38You've waited for me.
04:39You've waited for me.
04:40You've waited for me.
04:41No.
04:42Just one of you will perform identification.
04:43Who says?
04:44Who says?
04:45I say.
04:46Now listen here, I've had enough of this.
04:47Shifting bloody sounds.
04:48Angela, it's all right.
04:49It's not all right.
04:50None of this is all right.
04:51She'll do it.
04:52I'll be more.
04:53We've both waited so long for this.
04:55You've waited longer.
04:56Bella.
04:57Bella.
05:00Bella.
05:01Ready?
05:02No.
05:03Can you confirm?
05:04This is Richard Rocker.
05:05Yeah, it's him.
05:06Sure.
05:07Yeah.
05:08Yeah.
05:09Yeah.
05:10Yeah.
05:11Yeah.
05:12Yeah.
05:13Yeah.
05:14Yeah.
05:15Yeah.
05:16Yeah.
05:25Yeah.
05:26Yeah.
05:27Yeah.
05:57Alex?
05:59Alex?
06:00One second.
06:03Teresa, hi.
06:04Hi.
06:05Corky escaped again.
06:06I'm so sorry.
06:07It's all right.
06:08Did he wake you?
06:09Um, well, no, because it's 4.30 in the afternoon.
06:12Of course it is.
06:13Of course it is.
06:14Sorry.
06:15I'm sorry.
06:16I'm sorry.
06:17I'm sorry.
06:18I'm sorry.
06:19I'm sorry.
06:20I'm sorry.
06:21I'm sorry.
06:22Did he wake you?
06:23Um, well, no, because it's 4.30 in the afternoon.
06:25Of course it is.
06:26Of course it is.
06:27Sorry.
06:28Yeah.
06:29You, sir, are a flirt.
06:31What are you doing disturbing our neighbour, eh?
06:33Um, you work at night, don't you?
06:36I do, yes.
06:37Yeah.
06:38What do you do?
06:39You're like vampires?
06:40Um, I work in a bank.
06:43So, so yes, basically, yeah, I am.
06:46Yeah.
06:47All right.
06:48Um, I'd love to have dinner soon, if you dare to journey across the hall.
06:53Um, yes, um, maybe, uh, one day.
06:57Yeah.
06:58Sorry again.
06:59Oh, good.
07:00Okay.
07:01Come on, you.
07:02Yeah, bye.
07:03Bye.
07:04Bye.
07:05Cocky.
07:10Get me into trouble.
07:13This is the MI6 quarterly evaluation for Alex Goodwin, director of the Night Owls Unit.
07:18Shall we begin?
07:20Sure.
07:21So, Alex, is there anything keeping you awake at night?
07:27No.
07:28Uh, no.
07:31And how's your family?
07:32Family's great, yeah.
07:35And romantically, any developments on that front?
07:39Yeah.
07:40Actually, I've started getting out with my neighbour.
07:43I see you've requested to stay with the Night Owls for another three years.
07:48Yes.
07:49Yep.
07:50How do you feel about that?
07:51I feel good.
07:52Um, I love working for Rex Mayhew.
07:56I love my team.
07:57From a central ops point of view, we've learnt more from the Night Owl Surveillance Unit,
08:05led by Alex Goodwin, than from a dozen agents in the field.
08:09Nocturnal surveillance of the top hotels has proved pivotal to our clean-up operation in the city of London.
08:15The Night Owl's patience and diligence has allowed us at MI6 to infiltrate hostile networks and avert terror threats across the city.
08:29The Night Owl, that's a nocturnal surveillance unit?
08:31That's right, yeah.
08:32Yeah.
08:33It's not exactly glamorous.
08:36Does it need to be?
08:37No.
08:47Hey, Ben.
08:49Here's the surf on the river.
08:50Thanks, Grant.
08:58It's quiet work.
09:00It's not the most dramatic.
09:03But who needs heroes?
09:09Hello, Alex.
09:10Basil.
09:11Just dropping off the new wishlist.
09:13Usual rogues gallery.
09:16Don't know how you do it.
09:17Stuck here every night.
09:19Sat in the dark, watching the world through a screen.
09:22Worried you'll go blind.
09:23Well, as head of the River House Supervisory Council, I am formally sanctioning a further three-year extension for the Night Owl unit, under the leadership of Alex Goodwin and the continued supervision of Rex Mayhew.
09:39Thank you very much.
09:40Thank you, Myra.
09:42I've taken a look at your file.
09:44Six years.
09:45You refuse all promotions, all offers for posts abroad.
09:50I love being at home.
09:53Sorry to disappoint you.
09:56You don't disappoint me, Alex.
09:59If I'm honest, you frighten me.
10:02Just a reminder, nothing above the parapet.
10:10That face is too pretty to lose.
10:14A lot of intelligence officers come through this room.
10:17Some of them shout.
10:19Some of them scream at me.
10:21Some even throw things.
10:22But the ones I really worry about turn up every three months.
10:28They sit there and they smile.
10:31Just like you.
10:33They say nothing like you.
10:36And then one day,
10:39they explode.
10:43You need to talk to me, Alex.
10:45Tell me who you really are.
10:52I am the man.
10:57I am the man.
11:00Who will not explode.
11:23Hi, Mike.
11:24Hey.
11:25When you're settled,
11:26do a troll on all today's phone calls
11:27through hotel switchboards.
11:29I've got the latest list of bad guys.
11:31Basil Carapetti
11:32and deliver them personally.
11:34Eat spangs on mum, that man.
11:40Sorry I'm late.
11:43St. Albans traffic is a disgrace.
11:45I'm judging you.
11:46Leave that to my wife.
11:47I'll do it, Alex.
11:49Fine, thank you, Alid.
11:52You manage some sleep?
11:53A little.
12:06Oh.
12:07Kadarov's moving again.
12:09Mike for them.
12:11The reference is number 12 on the list.
12:13Thanks to Bulgarian Mafia
12:14with a bit of child trafficking on the side.
12:17Where are you running to, Mr. Kadarov?
12:22I worked at the Mumbai Carlton in the 90s.
12:26That sort of antic tended to mean
12:27a sexual assignation with the boy on reception.
12:31Oh, he's just getting a paper.
12:34That's for the white room.
12:35Sally, party in the white room tonight.
12:37Copy that, en route.
12:39Here we go.
12:44Here we go.
12:50Oh, busy room for a school night.
12:54Sally, you there yet?
12:55Just arrived.
12:56How do we look?
12:57Impeccable.
13:00Eyes only.
13:02Please?
13:03I promise.
13:04No touching.
13:10You're looking better.
13:11Hi.
13:12Number 12, your 10 o'clock.
13:14Whiskey on the rocks.
13:15Sally, don't win too much.
13:37You're not the show here.
13:38Never am.
13:40Mike, all angles.
13:45I want to see the whole room.
13:52So, who else is on tonight's interest?
13:59Something wrong?
14:01Mike, zoom in on that man in the corner.
14:05Who is he?
14:06Just do it now.
14:16What you're looking at here is the real United Nations.
14:19The Americans, Russians, Ukrainians, Serbs, Croats, Angolans.
14:24One big happy family.
14:28Jerko looks like a teddy bear, but don't let him near your neck on a bad day.
14:36THE END
14:46Go in there.
14:47Alex.
14:48Hello, Celia. Hi.
14:49Preposterously earlier.
14:50I'm sorry, I was hoping to catch Rex before the party.
14:53Is he around?
14:54Well, you can't. He's talking to some girl.
14:55He's working on his fucking birthday.
14:57Well...
14:58She's far too attractive to boot.
15:00Now, listen, will you do anything with this?
15:01Yes.
15:02Will you grab this and go in there and tell those handsome young men in Chino's we need more glasses?
15:07Glasses.
15:08Yes.
15:09Okay.
15:10Oh, no, sorry.
15:11But, but that table for you, it can't be bad.
15:13It can't be bad.
15:14It can't be bad.
15:15It can't be bad.
15:21Max is waiting.
15:23And I have to go.
15:24Roxana, you hear anything more about this, you call me.
15:27Okay. Thank you, Rex.
15:28And you tell them now about this.
15:30Clear?
15:31Alex?
15:32Where am I going to stop?
15:33Alex?
15:34Where are you going to stop?
15:35Alex?
15:36Where are your saúde?
15:37They're up to climb.
15:38Oh!
15:42No!
15:43Oh!
15:44Oh!
15:45Oh!
15:46Oh my God.
15:47That føling, Tighten.
15:48Patrick.
15:49Right?
15:50It's okay.
15:51That's okay with our father today.
15:52Alex?
15:53Where have you go so much?
15:54.
15:56Shing z changing.
15:57Well I do have time.
15:58Can't just say Phil said.
15:59Oh my god.
16:00I got your message.
16:07Show me what you've got.
16:11Taken last night.
16:13Old Roper Fieldman.
16:14What's he doing coming to London under a false name?
16:16You sure it's him?
16:17Absolutely sure.
16:20You talk to anyone else about this?
16:22How could I?
16:23I'm Alex Goodwin now.
16:24And you should stay that way.
16:26Rex, I'd like to talk to Burr.
16:31Absolutely not.
16:33Angela's retired.
16:34Fully detached.
16:35She barely leaves her French retreat.
16:38And won't want to be disturbed over some soldier for hire.
16:42Who is your man you met before the party?
16:47She was a friend.
16:50What kind of friend?
16:51The kind you never saw.
16:53My dear boy, listen to me.
16:54If I'd had my way, you'd be on a beach in Bali now.
16:58You're a state pension in your pocket.
17:01Yoga teacher in your bed.
17:03You chose to stay.
17:06And I gave you one condition.
17:08Jonathan Pine never existed.
17:12Nobody in that garden has any idea who you are.
17:17Alex Goodwin stands before me now.
17:19And it so happens I've grown rather fond of him.
17:21Well, he's fond of you too.
17:24Glad to hear it.
17:25Rupert is dead.
17:27The past is the past.
17:29We spent five years creating you anew.
17:34Let's not ruin it for one chance.
17:37Sighting in Mayfair.
17:39May I keep this?
17:40Oh, I have, um, I have a new number.
17:46Best to use this from now on.
17:52Hey.
17:56Memorize and eat.
17:57You know the drill.
17:58Alex.
18:12What on earth are you doing here?
18:15Myra, hello.
18:16Don't you know it's bad luck to see an owl during the day?
18:19Rex said that this owl needs a bit of vitamin D, so here I am.
18:23Wise man.
18:24You know, I'm so grateful for Rex.
18:29He's made me feel welcome from the moment I took the reins at the river.
18:33He's a good man.
18:34Yeah.
18:34He recruited you, didn't he?
18:36Yes, he did.
18:36Is it Nigeria?
18:38That's right, Port Harcourt.
18:39Private contractor.
18:41IT, mainly.
18:42Um, we met, he was there and, um, there was an opportunity.
18:46I put my hand up and...
18:47Good.
18:48Do you think he's all right?
18:49Why do you ask?
18:54I'm worried about him.
18:56He didn't mention anything to you?
18:58No.
18:59No.
18:59No, no.
19:00Right, have a lovely time.
19:01Thank you, you too.
19:02SPF.
19:02OK, yes, OK.
19:03No less than 50.
19:04LAUGHTER
19:05Cheers.
19:06Thank you for coming to this auspicious occasion.
19:25After this, it's just a funeral, isn't it?
19:27No, no, I am genuinely grateful to be able to celebrate my 60 years surrounded by colleagues.
19:36People who have the same love of their country and what that country stands for, or should, or should.
19:44You know, a nation's security service is the truest expression of itself.
19:52You know, we are its soldiers and its priests.
19:56And as such, we have a choice.
19:58We can serve blindly, whatever the occasion, or we can take a view.
20:07Know thyself.
20:10So, uh, indulge an old trooper when he says the same to you now.
20:16And now, fuck off and get pissed.
20:18I said...
20:20Have fun.
20:29No, Danny, the more's the middle.
20:31You're not watching the Cubs, Danny.
20:36Thomas is watching the Cubs, aren't you, Thomas?
20:38Thomas is watching the Cubs, aren't you, Thomas?
21:01There's your man.
21:14His name is Jaco Brouwer, 42 years old.
21:18South African, but he spent the last six years as a fixer for cartels in South America.
21:22He arrived at Heathrow under a Dutch Antilles passport, name of Michel Hebert.
21:27And he's staying at a small hotel in Richmond, the Rogers.
21:31So, how did he end up playing poker at the Mortimer?
21:34I don't know.
21:35My hunch is he was told to keep out of the main London hotels, but went off piece.
21:39Addiction issues.
21:41I want to know what he's doing in London.
21:43How do you know him?
21:46From a previous life.
21:49What previous life?
21:50I can't say, Mike.
21:51I'm not allowed to tell you.
21:53And I have no official authority to follow or trail him.
21:55So, up to you.
21:57I've never been to Richmond.
22:05Guys, cancel your plans.
22:07We're going fishing tomorrow.
22:09It'll be nice to see some light.
22:20Our camper's on the move.
22:23Stay on his tail, Graham.
22:24Copy that.
22:27Travelling east on the tow part.
22:29Sally, take position on the bridge.
22:31Here he is.
22:34In position.
22:35Yeah, we see him.
22:42He's heading up towards the cafe.
22:44Eyes on target.
22:45Willie, moving.
22:54We've got it.
22:55On my way.
23:10Looks like he's got a date.
23:12I thought he was incoming.
23:16I thought he was incoming.
23:19There they are.
23:28Who's that?
23:29You know him?
23:31No.
23:33Audio coming in.
23:34The shipment arrives in Katahinyo port in three days.
23:41Once it's through customs, we're ready to press go.
23:44And you'll make the anniversary.
23:47No problem.
23:48We're on schedule.
23:49But my chief wants the shipment list.
23:52Full spec.
23:53Government stamped in a diplomatic briefcase.
23:55I'll speak to my client.
23:57But they want to keep documentation minimal.
23:59For obvious reasons.
24:00This isn't your average gun run.
24:02Think of it as his insurance policy.
24:06He knows his mind, your chief.
24:08Daddy!
24:08Come back here!
24:09He learned from the best.
24:11Calls himself...
24:12Mike, Mike.
24:14Can you just clean that up?
24:15On it.
24:18I'll be in touch.
24:20You lay low.
24:22Go and feed the docks.
24:23And they'll go on in the Londoners to my eyes.
24:43How are you doing?
24:45Uh, quiet.
24:48He knows his mind, your chief.
24:52He learned from the best.
24:54Calls himself Richard Roper's true disciple.
24:59Nothing quite as pretty as Mayparl at night.
25:04Mean anything to you?
25:07No.
25:09No.
25:09Calls himself Richard Roper's true disciple.
25:24All right.
25:41Hey, Alex.
25:43I'm out.
25:43Hello.
25:44Hello.
25:44Hello.
25:45Hello.
25:47Hello.
25:48Hello.
25:49Hello.
25:49All right, Alex, I've got Yakko's coffee date.
25:59Okay. Adam Hollywell is a middleman.
26:02He connects dozens of UK companies with clients abroad, often in the shadows.
26:07He calls himself the Alternative Foreign Office.
26:10The question is, who's he working for this time?
26:20I'm a straight home park.
26:27Just here on MF would be great. Thank you.
26:49Sally.
26:55Okay, we know who owns the house.
26:57Who?
26:59We do.
27:02I'll call you back.
27:03I'll call you back.
27:05We can't wait.
27:06Rex, I'm driving down tomorrow.
27:35We need to talk.
27:37We do.
27:38When you get here, park away from the house.
27:40Use the side entrance to the library.
27:42I have something to show you.
28:05Alex, Alex, something terrible has happened.
28:33Alex, something terrible.
28:35Alex, something terrible.
28:36Alex, something terrible.
28:37Rex is dead.
28:38He's dead.
28:40Alex, something.
28:42I don't know what the puzzle's here and the police.
28:45You've got to come, please.
28:47I can't.
28:52Alex, go to the river.
28:54I can't.
29:15How did you hear?
29:36Cedar called me.
29:38Asked me to come as soon as I could.
29:45Myra wants me to deal with the locals.
29:49Keep the noise down.
29:52It seems Rex had a stash of pills Celia knew nothing about.
29:57Took them in the shed with a bottle of Macallan.
30:01Classy bastard.
30:03Do you have any idea why he would take his own life?
30:06Was it something he wasn't telling us?
30:08Debts? An affair?
30:10No. Rex is the most loyal man I know.
30:13To Celia more than anyone.
30:14Then what?
30:15I'll send full cavalry tomorrow to sweep the place.
30:25Anything you can think of, call me.
30:41Celia, what happened?
30:42Oh no.
30:44He was agitated.
30:45He said he'd found something.
30:47Wanted to talk to you.
30:48It was about your man.
30:52And then I got a call from the vets.
30:55Saying that the dog's medicines were ready.
30:59When I got back.
31:01Shed door was open.
31:03I just knew.
31:05What have you got involved in?
31:08Oh my God.
31:27Oh my God.
31:34Memorize and eat.
31:38You know the drill.
32:04You know the drill.
32:34You know the drill.
33:04You know the drill.
33:34You know the drill.
34:04You know the drill.
34:34You know the drill.
35:04You know the drill.
35:34You know the drill.
36:04You know the drill.
36:34You know the drill.
37:03You know the drill.
37:04You know the drill.
37:05You know the drill.
37:07You know the drill.
37:09You know the drill.
37:10You know the drill.
37:12You know the drill.
37:14You know the drill.
37:15You know the drill.
37:16You know the drill.
37:18You know the drill.
37:19You know the drill.
37:20You know the drill.
37:22You know the drill.
37:24You know the drill.
37:25You know the drill.
37:26Room booked at the Bridcott Hotel, Queensway.
37:29I've called in a favour from Tony to keep watch.
37:32That's room 122.
37:34Check out 7-11 in tomorrow. Thank you.
37:46Come here.
37:56Drink.
38:01Sure.
38:15Have a seat.
38:26Okay, listen.
38:31All I need is to ask you a few questions.
38:34How do you know Rex?
38:39How did you know him?
38:41Start at the beginning.
38:43Take your time.
38:53I have a small trading outfit in Miami.
38:55I met Rex at one of those City of London dinners just schmoozing and we've been in contact ever since.
39:09Why were you there on the day of his birthday party?
39:11Because I've been working on something.
39:16In Colombia?
39:17In Colombia?
39:18Yes.
39:20An import company in Cartagena is buying UK machine tools for oil pipelines.
39:25I grew up there. My family's from there. They trusted me to broker the deal.
39:29We used to lug an intermediary.
39:30We used to lug an intermediary.
39:31Adam Holywell.
39:32Name of the import company?
39:34It's a bunny kiddo commerce.
39:37So what happened?
39:39Something started to feel wrong.
39:42What do you mean?
39:43Like I wasn't being told the whole story.
39:47About what was in the shipment?
39:49Yes.
39:51So I took it to Rex.
39:54He said that he would look into it and that's why I was calling him.
39:58Who knows you met him?
39:59No one.
40:00Ever heard of a man called Jaco Brower?
40:07No.
40:08Why?
40:14What about this man?
40:19No.
40:20No, I don't think so.
40:30Listen.
40:32Until we know what happened to Rex, you should stay here tonight.
40:34No, I can't.
40:35I have a flight booked in Miami tomorrow.
40:36I have to leave.
40:37No, we'll deal with that.
40:38No, I actually have to go.
40:40This has everything you might need.
40:43Tony will stay with you and we will need your phone.
40:45It's for your own safety, okay?
40:48I'll be back soon.
40:49Well, how long are you going to be?
40:51I promise you're in safe hands.
40:53Wait, what's your name?
40:59Bingo.
41:04That's our shipment.
41:15The ship is called the Alcestis.
41:16It left Felixstowe a month ago and it docks in Cartagena, Colombia tomorrow.
41:21We also found out who runs Barquero Commerce.
41:23I'm sending that to you now, Alex.
41:24Okay.
41:26His name is Teddy Dos Santos.
41:29He lives in Medellin.
41:30Now I can find nothing on him until 2018.
41:34Whoever cleaned his background knows their stuff.
41:36All I've got is a very sudden entry into legitimate business in Colombia
41:40about six years ago.
41:42The formation of Barquero Commerce and a charity foundation.
41:47What charity foundation?
41:49It's called the Aurora, based in Medellin.
41:52In the Aurora, we want to bring joy and hope to the hundreds of young people
42:01who have been marked by the decades of violence in our country.
42:06The same comes from that same time.
42:07My safe haven project for refugees is the true expression of my belief in a commitment to the wider world.
42:15Because my good fortune means nothing unless it also lifts up my fellow mayor.
42:21My name is Eduardo Dos Santos.
42:23And Aurora to visit you.
42:27Sally.
42:28I need to know what Myra Cavendish is really sending to Colombia.
42:31And the ship docks.
42:32We need to stop the cargo from leaving Cartagena port.
42:36Find a way.
42:37Bary some time.
42:39And tell Graham to stay on Jakob Rower.
42:42Okay.
42:43And where are you, Alex?
42:44Some of the stuff we started to sell on, five year rule.
42:56Okay.
42:57So we've got attics, furniture, arts, interior sculptures, documents.
43:03Through there?
43:04Through there.
43:05Richard Roper, terrible man, beautiful taste.
43:08Let me know if you need anything, I'll be upstairs.
44:44I'm going to get here and do a while.
44:54so you're a friend and family this house yes um well i've been abroad for a few years
45:16no running i'm his unofficial godfather house so i thought i'd pop in and say hello
45:22well apart from his mother nobody else comes to see him so i'm sure he'll be happy to see you
45:27good
45:29mr rober guest fee
45:34hi danny
45:37michael oakes
45:41remember me i'll leave you to it i'll be outside if you need anything
45:52hello i'm sorry i didn't come before there were rules i had to obey for protection
46:09mine or yours both so what's changed because something tells me this isn't just pastoral
46:16care
46:16okay
46:19i just need to know
46:25do you know this man why because i think your father knew him why did he have this photograph
46:35who is he i've never seen them danny please just just look again just take one more though
46:41sorry sorry michael is it yeah you're a fucking liar you destroyed my family you never once
46:51were honest with me so so why should i give you anything huh
46:59okay
47:01okay
47:02i shouldn't have come
47:09sorry
47:16see you in another ten years
47:22there's something i haven't told you
47:42about your father
47:49he was uh executed by his captors
47:57when
48:04six years ago
48:08that's fucked
48:10i'm sorry you had to find out like this
48:29i'm sorry danny
48:39excuse me but when is your friend coming back
48:55he won't be long
48:57look
48:58i've got people expecting me in miami i have to get back
49:03please
49:04please
49:04he's been gone since last night can i at least have my phone
49:07look
49:08i'm afraid i can't do that
49:10like i said he's gonna be back soon
49:11he's just been held up
49:13i think i'm gonna be sick
49:17can i get you anything
49:18i'm gonna be sick
49:19jacko brower just received a delivery to his hotel a diplomatic briefcase he's booked on a flight to barcelona tomorrow at 8am
49:45okay tell the team we're going to spade
49:50i'm on in
49:53i'll cover the entrance
49:59graham says you've asked him to bring firearms
50:08we're night owls
50:11not operatives
50:12it's just a precaution
50:13this
50:18previous life of yours you mentioned
50:21you want to tell me about it
50:23i was uh someone else once
50:29that he had to go away
50:31who was he
50:32i'll tell you when this is over
50:35i might just hold you to that
50:39that's him
50:43taxi
50:43can you hold that
50:45taxi
50:46excuse me
50:48oh shit
50:49no
50:50bloody terminal
50:53yes fine thank you
50:54thanks
50:55taxi
50:56let's go
51:04he's taking the n2
51:20north heading towards girona
51:22copy that
51:24we're on it
51:25turning left
51:31into the hotel
51:33rosina
51:33see if our car has a room
51:35yeah it's okay now
51:36see you in there
51:51see you in there
51:53yeah
52:07hola buenas
52:08algo está pasando fuera
52:09creo que es bueno
52:10oye
52:11vale
52:12gracias
52:13yep
52:18yako's booked into room 249
52:21got it
52:21thank you
52:24thank you
52:24okay thanks
52:25master key
52:28room 249
52:28master key
52:30249
52:31and
52:39no
52:40no
52:41no
52:41no
52:42no
52:42no
52:43no
52:52no
52:52no
52:54no
52:57Thank you very much, I have a pleasure to see you at the end of the day.
53:12Mr. Valarón.
53:15Beatriz.
53:16What a pleasure.
53:17What a pleasure.
53:18How are you doing?
53:19Very good.
53:20Everything is good.
53:21We have a virtual room for the 4th floor.
53:25Yeah, go.
53:29Tell me.
53:30Be your friend.
53:31Come here, it's so nice to see you.
53:34Tell me everything.
53:35How was longer?
53:36Good.
53:37You look tired.
53:41Did you stay out of trouble?
53:44I did my best.
53:46I know.
53:47You always do the right thing.
53:49So, you have something for me?
53:53Yes.
53:54The shipment lives where the government's stamp has requested.
53:57But they're insisting on no more contact until the anniversary.
54:01The British always have arms length.
54:05Let's go check the documents in the room.
54:07Then get some rest.
54:09It's a long flight back to Colombia tomorrow.
54:22Teddy Dos Santos is here, and they're on their way home.
54:25We got him.
54:26Keep him in the room.
54:28I want to talk to him.
54:29You are in room 249.
54:30Correct?
54:31Yeah.
54:32Second floor.
54:33You are in room 249.
54:34Correct?
54:35Yeah.
54:36Second floor.
54:37You are a good man, Jacob.
54:38Robert knew a soldier when he saw one.
54:53Shhh.
54:54Shhh.
54:55Shhh.
54:56Shhh.
54:57Shhh.
54:58Shhh.
54:59Shhh.
55:00Shhh.
55:01Shhh.
55:02Shhh.
55:03Shhh.
55:04Shhh.
55:05Shhh.
55:06Shhh.
55:07Shhh.
55:08Shhh.
55:09Shhh.
55:10Shhh.
55:11Shhh.
55:12Shhh.
55:13Shhh.
55:14Shhh.
55:15Shhh.
55:16Shhh.
55:17Shhh.
55:18Shhh.
55:19Shhh.
55:20Shhh.
55:21Shhh.
55:22Teddy, I had no idea.
55:32I swear.
55:34Let's go.
55:44Come on, Mr.
55:45You still got him?
55:46No, listen.
55:46We've lost him.
55:47We've lost the signal.
55:48They must be on to us.
55:50Clear the system and move, Roxanna.
55:52Mike, delete everything off the system.
55:54What?
55:55Delete everything off the system.
55:56Do it now.
55:59They're still not here.
56:01What is?
56:01Get out of there.
56:02Now.
56:10Who's there?
56:15Aren't you fine, Tony?
56:17Who is it?
56:22No.
56:37No.
56:39Gray, Gray, Gray.
56:41No.
56:42What is it?
56:45Yes.
56:46Please.
56:46No, no, no, no, no.
56:53No, no, no, no, no, no, no.
56:55Hey, wait, wait.
57:16Hello.
57:23Hello.
57:24I'm a old friend of Mr. Maradona.
57:27I think he has a house in the fourth floor.
57:30I'll leave him there, but...
57:32Can I remember the name, please?
57:46Who are you?
58:16No, no, no, no, no!
58:46Hi, this is Alex Goodwin. Please leave a message.
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