Stranger Things - Season 5 Episode 04- Chapter Four- Sorcerer
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00:00:00Hey, I know you're scared, and I know you're angry, but I promise you, we are here to help you.
00:00:20Derek, Derek.
00:00:22If you keep doing that, you're just going to hurt yourself.
00:00:24You just calm down so we can talk, okay?
00:00:27Do you know who I am?
00:00:31An evil child kidnapper.
00:00:34Okay, I understand why you would think that, but I'm not evil.
00:00:39I'm just a mom, a regular mom.
00:00:42That's my son, Will.
00:00:45Zombie boy.
00:00:47You know why they call him that?
00:00:48Because he died and came back to life.
00:00:50But what people don't know is that when he went missing, he was taken by a terrible, scary monster.
00:00:58And now that scary monster is after you.
00:01:01Yeah, I know.
00:01:02Mr. What's It told me.
00:01:03Which is why you need a...
00:01:04No, no.
00:01:05Mr. What's It is not who he says he is, okay?
00:01:09He is lying to you.
00:01:10All these monsters, they work for him.
00:01:12Now, that's why we took you here to this barn.
00:01:14We thought this barn was safe, but he's found us, so we have to move you again somewhere he can't find you.
00:01:19So if I untie you, will you cooperate and come with us?
00:01:25Please?
00:01:27Okay, great.
00:01:29You're a very brave kid, Derek.
00:01:31I want you to know that.
00:01:33Very brave kid.
00:01:34Let me go!
00:01:43Get off of me!
00:01:44Please, the door!
00:01:45Get the door!
00:01:46Let me go!
00:01:47Help me!
00:01:49Get away!
00:01:51Somebody help me!
00:01:52Get in there!
00:01:53Get away from me!
00:01:54Let me go!
00:01:56Mom, the rope!
00:01:57I need the rope!
00:01:58Don't fool me!
00:01:59Let me go!
00:02:00Easter!
00:02:04Come try us, dipshit!
00:02:06Shit!
00:02:18Dude!
00:02:19Oh!
00:02:19She's not lying to you, okay?
00:02:21Mr. What's-It is a very bad guy.
00:02:22He sent the monsters after you.
00:02:24Suck my fat one!
00:02:26Jesus, what?
00:02:27You just signed your death warrant, dipshit!
00:02:29You're just a psycho and you're going to jail!
00:02:31There is a monster coming.
00:02:33I'm here!
00:02:34Derek, please!
00:02:35You gotta move!
00:02:37I'm killed!
00:02:37I'm not let them hate.
00:02:38I'm just a psycho and I'm not with that hair and I think it's not a game.
00:02:42Baby, come play.
00:02:43Don't you have a problem.
00:02:43Get back!
00:03:13You want him? You're going to have to come through me!
00:03:16We got him!
00:03:43We got him!
00:03:46We got him!
00:04:01It flipped! It headed back towards us!
00:04:04Come on! What are you doing, man? We got to turn around!
00:04:06Wait, the gates are kind of like peanut butter boppers, right?
00:04:08What?
00:04:09The outside is, like, crunchy and tough,
00:04:11but then you bite down on it,
00:04:12it gives way to a gooey, creamy core.
00:04:13Dude, what the hell are you talking about?
00:04:15I drive fast enough,
00:04:16I think the Beamer can punch a hole straight into the gate,
00:04:18and then we can track the demo on its home turf in the upside down,
00:04:21follow it straight back to home.
00:04:22We're losing the signal!
00:04:23We're not going to be able to follow anything if we crash!
00:04:25We're not going to crash!
00:04:26We're not going to crash if it's like a bopper!
00:04:27It's almost gone!
00:04:28Do it!
00:04:32I'm not going to crash!
00:04:36Oh, my God!
00:04:38Oh, my God!
00:04:39I got it!
00:04:40I got it!
00:04:41Oh, God, go!
00:04:42It's not going to work!
00:04:43It's not going to work!
00:04:44We're not going to make it!
00:04:45It's not going to work!
00:04:46It's not about...
00:04:47Stop!
00:04:49Come on!
00:04:58You did it!
00:05:02Signal?
00:05:04What's wrong?
00:05:06Get, you son of a bitch! We got you!
00:05:19Come on!
00:05:25Will! Will!
00:05:28All right, come on.
00:05:30It's okay.
00:05:32I got you.
00:05:33I got you.
00:05:38No!
00:05:40No!
00:05:41No!
00:05:49No!
00:05:51.
00:05:59.
00:06:01.
00:06:07.
00:06:15Oh, hockety-pockety?
00:06:45Oh, yes, yes, that's right.
00:06:47Hockety-pockety-wockety-wack.
00:06:48Cards and pens and prick.
00:06:50We'll be with you in just a minute, sir.
00:06:52Patent's almost done.
00:06:57Shush.
00:06:59Jelly.
00:07:07Alan Miller?
00:07:08I'm sorry, what is this about?
00:07:11It's your daughter, sir.
00:07:15What?
00:07:18Yes, sir.
00:07:20Looks like our boy's taking us on the shortcut
00:07:45through a road cemetery.
00:07:46That's the most of the county lying.
00:07:47Doesn't this thing ever get tired?
00:07:48Uh, unfortunately, it looks like the opposite.
00:07:51I think he's speeding up.
00:07:52Wait, what?
00:07:52I'm losing the signal.
00:07:54You've got to be shitting me, man.
00:07:55Can you go faster?
00:07:56Let's see.
00:08:00Henderson, you've got to talk to me here.
00:08:02What do you got, man?
00:08:03Henderson!
00:08:03Wait, I'm picking up some interference.
00:08:05How is that important right now?
00:08:06It means I can't hear the signal.
00:08:07Well, then listen harder, Henderson.
00:08:09You want to try to put these on?
00:08:10I'm driving!
00:08:11You do the driving.
00:08:12I'm driving, man.
00:08:13What is that?
00:08:14I don't know.
00:08:15Steve, slow down.
00:08:16Steve!
00:08:16Steve, watch out!
00:08:20Steve, watch out!
00:08:28Jonathan, it's Mom.
00:08:29Answer me, please.
00:08:30Over.
00:08:32Jonathan, please answer.
00:08:34Jonathan, Nancy, Dustin, it's Joyce.
00:08:38Please answer me.
00:08:40Hey.
00:08:41Any luck?
00:08:42Well, on the plus side, I guess that means they made it through.
00:08:47You want to see where they're headed?
00:08:48Yes.
00:09:00Bye-bye.
00:09:08I'm sorry.
00:09:12They're coming.
00:09:13We're coming.
00:09:13We're coming.
00:09:14We're coming.
00:09:14We're coming.
00:09:15We're coming.
00:09:16We're coming.
00:09:17what is it i don't know but i could feel it's important to him it's mr what's it his real name
00:09:31is henry aka vecna aka one that's too many names why won't you just zip it and listen dipshit
00:09:38i had this feeling he didn't want me there
00:09:42i wasn't supposed to see it you've never been this close to the hive mind before i mean that
00:09:49thing was like feet away sometimes at the squawk when a signal comes in too strong it overloads
00:09:57the whole system i think that's what this was an overload you didn't just tap into the hive mind
00:10:04you jacked right into the goddamn control center and holly where was holly holly holly holly
00:10:11she was she was attached to this this spire she became a part of it somehow like it was
00:10:20doing something to her and and there were others there's three others
00:10:27i thought vecna was just coming for dipshit so did i but i only knew about derek because
00:10:35he walked right past me
00:10:36serendipitous timing you hear that serendipitous i don't know what that means i'm really not loving
00:10:44all of these extra spires i mean night one vecna kidnaps holly night two he takes three more he's
00:10:50escalating and he's coming for more yeah eight more if this is accurate which brings him to a total of
00:10:55twelve what does he want with them and why kids and why swell i don't know but we have to stop him
00:11:01before he takes any more and buy dustin and the others time to find this place to find holly
00:11:05maybe if we can pinpoint his exact targets we could get them out of hawkins and out of vecna's reach
00:11:10did you forget we're quarantined that's not all there's another problem on the way here
00:11:14we saw soldiers load debbie miller onto a bus with a bunch more kids and then we followed them for two
00:11:19blocks more and they loaded more kids onto it i don't think they're taking them to school
00:11:2411 was at the wheeler house the same night holly was taken 24 hours later we've got three more
00:11:39missing kids there's 73 children in hawkins between the age of nine and ten if the pattern holds our
00:11:46next target will be from this group and you believe 11 has taken these kids for what purpose
00:11:53killing them protecting them the reason doesn't matter and these children where are they now
00:11:58arriving at the maxi any moment which is where i want you i should be looking for lieutenant acres i
00:12:04find acres you'll find a dead man report to the maxi colonel that's an order
00:12:09major general
00:12:17with all due respect these kids are in danger to use them as bait seems seems what sergeant
00:12:29reckless
00:12:31reckless
00:12:31it's only reckless if you fail to protect them
00:12:38are you telling me you can't protect them sergeant
00:12:42no ma'am
00:12:43good
00:12:47i'm sorry for scaring you
00:13:02i haven't seen anyone in a really long time so i guess i got excited
00:13:11good news is it doesn't look that deep not enough for stitches i bet it stings though huh
00:13:19you can talk to me you know i won't bite
00:13:26you do remember me right i've been to your house like a lot
00:13:35you're max max mayfield you skateboard and never take off your walkman that's me
00:13:44but how am i in here when i'm in a coma in hawkins general
00:13:48that's a very reasonable question
00:13:52we should get going it's not safe here come on
00:13:57where are we going
00:13:59my home
00:14:00well i can't go far i came here to meet henry
00:14:03do you know henry yeah you could say that he left me this note here see and he told me to meet him
00:14:08right here at the axe right here i think he's in trouble with the monsters
00:14:10henry is a lot of things but in trouble with the monsters is not one of them
00:14:13no but look look the note says holly i know what the note says
00:14:15then how do you know he's in trouble he said hurry
00:14:17holly i know what the note says because henry didn't write it
00:14:20i did
00:14:20i i i don't i don't understand
00:14:25i'm sorry
00:14:27i didn't want to lie
00:14:30i i just i had to make sure that you came here
00:14:33you're one of them aren't you
00:14:36one of what the monsters do i look like a monster i don't know maybe you're in disguise you're dressed
00:14:41weird and you're in a coma
00:14:43okay well would a monster know that your brother tried to get a mohawk until your sister stopped him
00:14:50saving him from possibly the greatest social humiliation that a freshman has ever experienced
00:14:55at hawkins high what color was this mohawk hot orange and personally i think the use of the word
00:15:02hot is a bit ironic but people say i'm too negative i just think i'm honest
00:15:07come on
00:15:31welcome
00:15:40welcome
00:15:46hey
00:16:00hey it even comes with a view
00:16:07where are we in a memory
00:16:29which exists inside a world of a thousand memories
00:16:34i know it might look nice
00:16:36but it's not
00:16:37this place
00:16:39this world
00:16:41it's a prison
00:16:43henry's prison
00:16:51it's okay sweetie
00:17:19these are the good guys
00:17:21they're gonna keep everyone safe
00:17:23just try and think of this as a field trip
00:17:26a learning expedition
00:17:29cargo has arrived
00:17:44i repeat cargo has arrived
00:17:47they're taking them into a barrack second from the library
00:17:53tunnels
00:17:54tunnels
00:18:00tunnels
00:18:02tunnels
00:18:02yeah see the north tunnel of the max z runs right underneath the barracks
00:18:12lucky break
00:18:13around having one of these days we're gonna need a lot more luck if we want this plan to work
00:18:16if we're right the military is trying to protect these kids so this barracks is going to be heavily guarded
00:18:21i mean we have to dig up into the barracks unnoticed grab the kids get them to murray smuggle them out of hawkins
00:18:26all before anyone notices they're gone
00:18:28dick
00:18:29what
00:18:30what
00:18:31oh
00:18:32sorry did i say that out loud i thought i was talking
00:18:34in my head but
00:18:36you guys know tom dick and harry right
00:18:38seriously
00:18:40none of you have seen the great escape
00:18:42well basically
00:18:44it's about these pow's right
00:18:46and they're stuck in a barracks just
00:18:48like this one and they need to escape
00:18:50so they dig these tunnels and they call their tunnels tom
00:18:52dick and harry
00:18:53they have to hide the tunnels from the nazis so they put tom in this dark corner
00:18:57and they put harry under the stove and they put dick in the washroom and personally
00:19:01for us i like dick
00:19:03oh um sorry the washroom i actually don't even
00:19:09never mind
00:19:10okay
00:19:11say we go with dick
00:19:13how do we find the washroom
00:19:15and how do we get the kids to it
00:19:16how do we even know which kids are being targeted by vecna
00:19:19we use an inside man
00:19:20someone who could get into the barracks
00:19:23measure the distance of the washroom
00:19:24find out which kids have actually seen mr what's it
00:19:26and somehow avoid the military altogether
00:19:27well that's a lovely plan
00:19:30but isn't it a tad
00:19:31missing impossibly
00:19:32yeah i mean mike
00:19:33who are you gonna get to do this
00:19:35bond
00:19:36magnet
00:19:36no no we don't want a super spy
00:19:38we want the opposite
00:19:39we want someone no one would suspect
00:19:41someone that could just walk in
00:19:43no questions asked
00:19:44the one kid the military failed to wrangle
00:19:46what
00:19:53what
00:19:54no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no
00:20:24Two grunts in the tower by the west gate.
00:20:29One more in the tower by the east gate.
00:20:32One, two, three, four on the ground.
00:20:35I hope to God you're right and Vecna is in there.
00:20:37Because we might just die trying to break in.
00:20:40I am right.
00:20:41Well, you can't be right about everything because your theories aren't exactly lining up.
00:20:44Why not?
00:20:45You heard Kryptonite.
00:20:46It means if Vecna is in there, he doesn't have his powers.
00:20:48If he doesn't have his powers, how could he have anything to do with Holly's kidnapping?
00:20:52You can ask him before I kill him.
00:20:54How high is that fence?
00:20:57Hey, you're not jumping that.
00:20:59Why not?
00:21:00Because this is not training.
00:21:02This is a real world situation.
00:21:04And that roof is metal.
00:21:07You hit that on a jump, you're going to alert the whole damn base.
00:21:10Not if I time it with the thunder.
00:21:12Yeah.
00:21:13It's seven seconds.
00:21:14One, two, three, four, five, six, seven.
00:21:30Okay.
00:21:31You got lucky.
00:21:33Hopper, you copy.
00:21:35Dustin!
00:21:35Dustin!
00:21:36Hopper, you copy.
00:21:38Dustin.
00:21:39Hey, hey, uh, it's Hop.
00:21:41I copy.
00:21:42Who is it?
00:21:43Okay.
00:21:43Well, they're alive.
00:21:45El, ask about El.
00:21:46Uh, El, El.
00:21:46Is El with you?
00:21:47Over.
00:21:47Yes, I'm here.
00:21:49Over.
00:21:49Okay.
00:21:50Yay.
00:21:51Terrific.
00:21:51I don't know what you're doing right now, or if you're kind of in something important,
00:21:54but...
00:21:54Dustin, meet us.
00:21:55Meet us at Rhone Cemetery Church, please.
00:21:58Rhone Cemetery?
00:21:58How the hell are you contacting us?
00:22:00From there.
00:22:00Right.
00:22:01You don't know.
00:22:02We're in the Upside Down.
00:22:04What?
00:22:05Long story short, we're in here to track a Demogorgon using our telemetry tracker,
00:22:08only to then hit a wall.
00:22:09Literally.
00:22:10Now, Steve's Beamer is stuck, so we need El to come and pry it loose using her power,
00:22:13so we can then resume the search for said Demogorgon, which will, in theory, lead us to Holly.
00:22:17Does any of this make sense?
00:22:18Do you need additional details?
00:22:19Questions?
00:22:20Concerns?
00:22:21Over.
00:22:21You hit a wall.
00:22:24What kind of wall, exactly?
00:22:27Uh...
00:22:28It's a bit...
00:22:29hard to describe.
00:22:32Sort of...
00:22:33Huge.
00:22:35Disgusting.
00:22:36Smells like Henderson's armpit.
00:22:39Yeah, we hit the same thing, but not at the Rhone Cemetery.
00:22:41We hit it about a quarter mile southeast of the Old Hagen Bridge.
00:22:45That's the opposite side of town.
00:22:48Fascinating.
00:22:49We don't know what it is, but we think that Holly's behind it.
00:22:52Don't bother trying to break through.
00:22:53You can't.
00:22:55We're working on a solution.
00:22:56It needs a solution.
00:22:58What kind of solution?
00:23:01Wait, what kind of solution?
00:23:03Hop in!
00:23:04Listen, we gotta keep the airwaves clear, all right?
00:23:06We'll come get you.
00:23:07Just stay put.
00:23:10You think they're safe?
00:23:12I mean, compared to us, yeah.
00:23:14Okay.
00:23:17Let's go see if that training is paid home.
00:23:19You're gonna let me jump?
00:23:20Let's go, before I change my mind.
00:23:32Dechna's curse.
00:23:34It never goes away.
00:23:36It never leaves you.
00:23:38With each victim that he took, he created a new gate.
00:23:41A gate to the Upside Down?
00:23:43When he took me, he opened the fourth, final gate.
00:23:48Splitting Hawkins in two.
00:23:52Wait, but if Mr. What's It, I mean, Henry, took you,
00:23:57how are you here?
00:23:59You mean, shouldn't I be dead?
00:24:01It's okay.
00:24:02It's a fair question.
00:24:04I definitely should be.
00:24:06And for a moment, I was.
00:24:10I don't know how long I was gone,
00:24:16but then I felt something calling to me.
00:24:20What?
00:24:21What?
00:24:33What?
00:24:34What?
00:24:34Oh,
00:24:39oh,
00:24:42oh.
00:24:42Oh, my God.
00:25:12One night only. Don't miss it. Tickets are only 50 cents.
00:25:23That's two quarters for your point, Dexter.
00:25:25Joyce! Is that stupid play of yours?
00:25:28Better see you there, Harrington.
00:25:30Friday night? You wish.
00:25:35Nice shot, jerk.
00:25:36Somehow, I was in another time. Hawkins.
00:25:4630 years ago.
00:25:48Time travel.
00:25:50Only, I wasn't actually there.
00:25:53Not really. I was just...
00:25:56an observer.
00:26:00And that's when I understood.
00:26:02I was trapped inside Henry's mind.
00:26:05His memories.
00:26:07Like a nightmare prison world ruled by an evil, psychopathic piece of shit.
00:26:15Like Camazots.
00:26:16Cam... what?
00:26:18Camazots. From Wrinkle in Time.
00:26:21Never read it.
00:26:21You should. It's amazing. Camazots is like this dark planet that's under the control of It,
00:26:25which is this giant, disembodied, evil brain.
00:26:28Anyways, Meg's dad makes the main character. He gets taken prisoner there.
00:26:31So, Henry's kind of like It, and you're kind of like Meg's dad.
00:26:34Okay, well, I don't know if Meg's dad would agree, but the way I see it, when you're a prisoner in a messed up prison world,
00:26:43you really only have a few doors open to you.
00:26:46Door one?
00:26:47You take your own life.
00:26:49Door two, accept your fate, or door three.
00:26:54You escape?
00:26:55I chose door three.
00:26:56That seems like the best door.
00:26:58So, I kept moving from memory to memory, only this place is a maze.
00:27:08I became lost, turned around.
00:27:12I got so turned around, I actually ended up right back at the beginning.
00:27:17And that's when I heard her.
00:27:28I heard Kate Bush.
00:27:33Is she one of your friends?
00:27:35You could say that.
00:27:38Music has a way of finding you, even in the darkest of places.
00:27:46Lucas had used it before, to reach me, to guide me out of Vecna's mind, back to the light.
00:27:52So, this music was coming from Lucas, from the real world.
00:28:13Even after all this time, he hadn't given up on me.
00:28:18If you followed this music, then what?
00:28:23Then it would lead me out of here?
00:28:25Back home?
00:28:28At least that's what I thought.
00:28:32Then...
00:28:36Everything went wrong.
00:28:41Hey!
00:29:09What the hell are you doing?
00:29:12Can't you read, kid?
00:29:14No trespassing.
00:29:16Right, I see that, officer.
00:29:18It's just...
00:29:19My school is missing.
00:29:27Let's go.
00:29:27Move it.
00:29:45Holy shit, remote laser blasters?
00:29:47Might just be.
00:29:49And the blaster, if you don't keep it moving.
00:29:55Boys.
00:29:56You can't get me.
00:29:57Boys.
00:30:00All right.
00:30:01Absolutely not.
00:30:03Whoa, whoa, whoa, whoa, whoa, whoa.
00:30:06This is private chat.
00:30:07You do exactly as he says.
00:30:09If you got any questions, direct them to him.
00:30:12Where might I relieve myself?
00:30:17Breaking bar.
00:30:20Shovel.
00:30:22Five safety goggles.
00:30:25A surveyor's wheel.
00:30:26Well, and hold for applause.
00:30:33Santa's sleigh is ready for his reindeer.
00:30:36We got built-in benches, seat belts, foam padding.
00:30:40Everything a kidnapped child could desire.
00:30:43Foam padding.
00:30:44Don't want to break any eggs and wrap now, do we?
00:30:48I'm in.
00:30:49Do you copy?
00:30:50Repeat, I'm in.
00:30:51Do you copy?
00:30:52Yes, yes, we copy.
00:30:54We copy.
00:30:54Where are you?
00:30:55Bathroom.
00:30:56Back stall.
00:30:56Forty-five of mine paces from the front entrance.
00:30:59Good job.
00:30:59Now round up anyone who's seen Mr. Wetted.
00:31:01And we'll be there soon.
00:31:03And remember, you're not dipshit Derek.
00:31:06You're delightful Derek.
00:31:19Okay, once you get that gate open and I'm inside...
00:31:23You lead.
00:31:25That's right.
00:31:26And you?
00:31:27I will destroy your crypt tonight.
00:31:30Don't worry.
00:31:31Okay.
00:31:33Oh...
00:31:36What?
00:31:49Oh...
00:31:50Oh...
00:31:50Oh...
00:31:51Oh...
00:31:53Oh...
00:32:00Oh...
00:32:00All right, come on.
00:32:17Come on, you got this, you got this.
00:32:30Wait, you're too early, you're too early.
00:32:57God.
00:33:00I'm sorry.
00:33:07You trying to give your old man a heart attack?
00:33:10Nice job, by the way.
00:33:18Pop.
00:33:20Yeah?
00:33:24For what?
00:33:25For teaching me.
00:33:28And trusting me.
00:33:29Always.
00:33:39The day of reckoning has arrived.
00:33:41With this in mind, I've been sent by Mr. What's-It to gather the Chosen Ones.
00:33:45If you've been visited by Mr. What's-It, speak now.
00:33:48And when night falls, follow me to the latrine.
00:33:50And I will lead you to our savior.
00:33:52To safety.
00:33:53Derek's gone mental.
00:33:56The monsters are coming and you're all gonna die.
00:34:01Ha, ha, ha, ha, ha, ha.
00:34:03Derek?
00:34:03Were you talking about Henry?
00:34:06Anywhere from Derek yet?
00:34:19Not yet.
00:34:21Just give him time.
00:34:23It hasn't been that long.
00:34:24I just can't get over the fact that the fate of the world rests on Derek freaking Turnbow.
00:34:31When you look in the mirror, do you see a Navy SEAL looking back at you?
00:34:34Sometimes people need someone to believe in them.
00:34:37And they can do amazing things.
00:34:41Your mom and Robin are getting along better.
00:34:43Well, it didn't hurt that mom scared off that demo.
00:34:47It saved Robin's life.
00:34:49Everybody's life.
00:34:50So, when your mom, when she had her axe, you could see her, like, through the demo's eyes?
00:35:00Yeah.
00:35:01And I was so close to the hive, it's like I could-I could feel what it was feeling.
00:35:06Like-like this anger, that I was still in there too.
00:35:10And I was afraid.
00:35:11I was afraid for my mom.
00:35:13You wanted to protect her.
00:35:14Yeah.
00:35:15But-but I-I-I just couldn't.
00:35:17It was like this-this scary movie you just can't turn off.
00:35:24Open sesame.
00:35:26Oh.
00:35:27Well.
00:35:28Have fun.
00:35:29Thanks.
00:35:30Are you positive you didn't?
00:35:33I didn't want-
00:35:35Turn off the scary movie.
00:35:36Protect your mom.
00:35:37Not the other way around.
00:35:38I mean, no offense.
00:35:39I know she's badass and everything, but you know.
00:35:40Yeah.
00:35:41She's five foot three.
00:35:42Yeah.
00:35:43And Vecna likes to control the hive mind like a puppet master.
00:35:45So, maybe when you tap into the hive, you can pull the strings too.
00:35:48Except I'm not Vecna.
00:35:50You sort of are.
00:35:52You're trying to say that I'm evil and hell-bent on destroying the world?
00:35:55Totally.
00:35:56No.
00:35:57I'm just saying that, you know, you're like a wizard.
00:35:59Like him.
00:36:00In D&D, Mike.
00:36:01Not in real life.
00:36:02True.
00:36:03In real life, you're more like a sorcerer.
00:36:04Because your powers don't come from a book of spells.
00:36:07They're innate.
00:36:08Listen, as far as crazy theories go, I've had crazier.
00:36:11And with Eleven in the Upside Down, we really need some magic up here.
00:36:32Let's go.
00:36:33Let's go.
00:36:34Let's go.
00:36:35Let's go.
00:36:36Let's go.
00:36:37Let's go.
00:36:38Let's go.
00:36:39We're looking at them.
00:36:40Go.
00:36:41Let's go.
00:36:42Let's go.
00:36:43Let's go.
00:36:46Let's go.
00:36:49Würfe dekat ascoltos.
00:36:52Let's go.
00:36:53Working on a solution?
00:36:54I mean, if Hopper has a solution to get through this and get to Hawley, he should...
00:36:59He should share it with us.
00:37:00share it with us i just say we ignore the old man we keep moving look for a door or something
00:37:06yeah and um but just curious uh this door yours why it's soft like a peanut butter bopper you
00:37:11got something to say bars why don't you just come out and say it man i'm just saying that maybe you
00:37:14shouldn't be making the calls from now on it was not just his call it was mine because it's my
00:37:19sister and i agree with steve okay we can't just sit here i don't know about a door but
00:37:26this wall can't go on forever there has to be a way around it there isn't this wall is a circle
00:37:35a circle completely surrounding the upside down oh yeah and how exactly do you figure that because
00:37:40unlike you i didn't sleep through algebra one so my telemetry tracker picked up a weird frequency
00:37:47coming from the wall and it took me a bit to place but i've heard it before rather we have you remember
00:37:54when we were out looking for hop and you heard that sound off of erwin road yeah you said it was
00:37:57an interference it was but this interference it wasn't coming from a military broadcast or an emi
00:38:03it was coming from this wall which is important because that gives us three known locations so i
00:38:09connected the dots measured the midpoints drew the perpendicular all right yeah we're not your teachers
00:38:14we don't need to see your work we get it you think it's all a big circle i don't think i know
00:38:19i triple checked and my calculations jesus whatever still don't see how this gets us any closer to
00:38:24finding holly because it's not about the circle it's about the center
00:38:30the doe the department of energy that's hawkins lab what are the chances that the center of this wall
00:38:38just so happens to be in the very place where all of this started where the upside down was created
00:38:42so the lab created the wall no idea but i think we should find out don't you
00:38:56the music it led me to a new memory only something was different about this memory
00:39:03i was there
00:39:03it was the day that henry cursed me it was his first memory of me i know as if this goddamn place
00:39:13wasn't heady enough right but i still had the music to guide me so i followed it and it led me through
00:39:24new memories
00:39:32terrible memories
00:39:33let's go follow me into death
00:39:39and it felt like they would never end
00:39:57but then eventually they did
00:40:00it was the night that beckna killed me
00:40:07the night he took me prisoner
00:40:15i finally found it
00:40:16and i was so close
00:40:46so close that i could feel his hand on mine
00:40:53and it was like i was there
00:40:56like i was with him in that hospital
00:41:16it was like
00:41:27No.
00:41:33Lucas!
00:41:36Lucas!
00:41:38Lucas!
00:41:39Lucas!
00:41:43Hello, Max.
00:41:48I ran.
00:41:52And I kept running.
00:41:57I ran.
00:42:27I'll never forget the look on his face that day.
00:42:31He was scared.
00:42:33More than scared.
00:42:34He was terrified.
00:42:37There's something about this cave.
00:42:40This memory.
00:42:44He won't come in.
00:42:45And here, I'm safe.
00:42:51So I turned it into my sanctuary.
00:42:54My home.
00:43:02I took door two.
00:43:05Shitty door two.
00:43:06Except your fate.
00:43:11That was.
00:43:13Until you showed up.
00:43:16And now door three is back.
00:43:19Escape.
00:43:21I have a plan.
00:43:23A plan to get us out of here.
00:43:24And it's gonna take time.
00:43:26More time than we have now.
00:43:28Henry will return to his house soon.
00:43:30And when he does, he cannot know that you're gone.
00:43:33You want me to go back there?
00:43:36Back to him?
00:43:37Back to Henry?
00:43:37No, I know.
00:43:38It's scary.
00:43:40But if you want to get out of here.
00:43:42If you want to escape Camazots.
00:43:45This is the only way.
00:43:46It's the only way.
00:43:55Tell me what I need to do.
00:44:16Wait, wait.
00:44:16Hey.
00:44:17Hi.
00:44:21Do you, um, play any chance remember Tammy Thompson?
00:44:25Yeah.
00:44:25Isn't she that terrible singer?
00:44:28Yeah.
00:44:29But in the ninth grade, I thought that she sounded like Whitney goddamn Houston.
00:44:35I mean, the first time I saw her, oh my God.
00:44:38Like, time slowed down.
00:44:40It was like a scene from some label movie.
00:44:43You know, her hair blew in the wind and she just looked perfect.
00:44:46It's so goddamn perfect.
00:44:49And it was right then and there that I knew she was the one.
00:44:52That with Tammy, I would finally be able to be myself.
00:44:57You know, all of myself.
00:44:59Because there was always this part of me that kind of scared me, you know?
00:45:02But I thought that if Tammy loved me, all of me, you know, I wouldn't be so scared anymore.
00:45:11And then he showed up.
00:45:13Steve the hare, Harrington.
00:45:14Oh, God.
00:45:16You probably can't guess the rest.
00:45:18Tammy fell for him hard.
00:45:20Mm.
00:45:20And my entire fantasy life with her, along with the rest of my life, pretty much imploded
00:45:27before my eyes.
00:45:28I mean, my grades plummeted.
00:45:30I got grounded.
00:45:30I had to stay home every weekend doing chores.
00:45:32But then one day, I was cleaning that shit out of my parents' garage and I found this
00:45:36this eight-millimeter film reel, you know?
00:45:38And it was just from this silly movie that I made in the fourth grade, but I got it up
00:45:42on the projector.
00:45:44And all of a sudden, I was looking at this little version of myself.
00:45:49And that little me, I could hardly recognize her.
00:45:52You know, she was so carefree and, like, fearless.
00:45:59She just loved every part of herself.
00:46:01And that's when it hit me.
00:46:05It was never about Don't Have Damn.
00:46:08It was always just about me.
00:46:12I was looking for answers in somebody else, but I had all the answers.
00:46:19I just needed to stop being so goddamn scared.
00:46:23Scared of who I really was once I did that.
00:46:29I felt so free.
00:46:33It's like I could fly, you know?
00:46:35Like, like I could finally be...
00:46:37Rock and Robin.
00:46:39Yeah.
00:46:41Rock and Robin.
00:46:43Hey, guys!
00:46:45Take your time, will you?
00:46:51You finally hit dick!
00:46:53Hit the dick.
00:46:54Yep.
00:46:54Let's just hope it's not too hard.
00:46:56If it is...
00:46:58I'll soften it.
00:47:05Hey!
00:47:07Hey!
00:47:10Hey!
00:47:13Take me to K.
00:47:14Damn it!
00:47:36Damn it!
00:47:36Damn it!
00:47:37Make a sound, it'll be your last.
00:47:43Not if you understand.
00:47:49Come on, let's go.
00:47:51Come on!
00:47:51It's not working.
00:47:56How do we get through?
00:47:57I don't have clearance.
00:47:58I didn't ask if you have clearance.
00:48:00I asked how do we get through.
00:48:01You can't.
00:48:02Dr. K, your boss.
00:48:04She got clearance?
00:48:06I don't know.
00:48:08I don't know.
00:48:09Thanks for your help.
00:48:12Plan B.
00:48:13You have.
00:48:32No.
00:48:33Oh, my God.
00:49:03Oh, my God.
00:49:33Oh, my God.
00:50:03Breathe in and out.
00:50:07As you continue breathing, I want you to picture yourself on a beach.
00:50:12The water is blue, blue as a smurf.
00:50:15You listen to it lap the sandy shore like a dog slurping from his bowl.
00:50:20It's called visualization.
00:50:30Mom does it when she's out of Valium.
00:50:32Mom does it when she's out of Valium.
00:50:44Oh.
00:50:45Mom does it when she's out of Valium.
00:50:49Oh, my God.
00:50:50What?
00:50:51What?
00:50:51What?
00:50:52What?
00:50:53What?
00:50:53What?
00:50:54Oh.
00:50:54What?
00:50:55Oh.
00:50:55Oh.
00:50:55Oh.
00:50:56Oh.
00:50:56Oh.
00:50:56Oh.
00:50:57Oh.
00:50:57Oh.
00:50:57Oh.
00:50:59Oh.
00:50:59Oh.
00:50:59Oh.
00:50:59Oh.
00:51:00Oh.
00:51:00Oh.
00:51:01Oh.
00:51:01Oh.
00:51:03Howdy.
00:51:33I feel the sand under your butt.
00:51:39It feels cool and soft.
00:51:42Time.
00:51:43There you go.
00:51:45Good job.
00:51:46Good job.
00:51:47All right.
00:51:48Hey, sweetie.
00:51:50What's your name?
00:51:52Debbie.
00:51:53Do you work for Mr. What's It?
00:51:55Mr. What's It?
00:51:56Oh, yes, of course.
00:51:58I'm one of his elves.
00:52:00You know, like a magic elf.
00:52:03Right here.
00:52:04Couple more steps.
00:52:05All right.
00:52:06Nice.
00:52:07Good.
00:52:08All right.
00:52:09Great job.
00:52:10Step by step.
00:52:11Good.
00:52:12Good.
00:52:13Good.
00:52:14Good.
00:52:15Good.
00:52:16Good.
00:52:17Good.
00:52:18Right here.
00:52:19A couple more steps.
00:52:20All right.
00:52:21Nice.
00:52:22Good.
00:52:23All right.
00:52:24Great job.
00:52:25Step by step.
00:52:26Shit.
00:52:41Shit.
00:53:11Eleven, I have been looking for you for a very long time.
00:53:30My name is Dr. K. I know who you are.
00:53:38I know who you've taken.
00:53:44And I also know that you and your men are going to die.
00:54:08What the hell?
00:54:24I know who you are.
00:54:38I know who you are.
00:54:54I know who you are.
00:55:10I know who you are.
00:55:30It's best not to struggle.
00:55:34The greater the perceived threat, the more aggressive its response.
00:55:38Miss Robin, what about the others?
00:55:45Just Robin.
00:55:46And don't worry.
00:55:47They're right behind us.
00:55:48Something's wrong, isn't it?
00:55:49No.
00:55:50No, Siree.
00:55:51Everything is going exactly according to plan.
00:55:53Carol, just with your dad.
00:55:55Hold it.
00:55:56Hold it.
00:55:57Hold it.
00:55:58Hold it.
00:55:59Hold it.
00:56:00Hold it.
00:56:01Hold it.
00:56:02Hold it.
00:56:03Hold it.
00:56:04Sorry, I have a plumbing problem here.
00:56:05Are you by chance looking for Mr. What's-It?
00:56:07Right through there.
00:56:08Hold it.
00:56:09Hold it.
00:56:10Hold it.
00:56:11Hold it.
00:56:12Hold it.
00:56:13Hold it.
00:56:14Hold it.
00:56:15Hold it.
00:56:16Hold it.
00:56:17Hold it.
00:56:18Hold it.
00:56:19Hold it.
00:56:20There's a little breeze in the air telling you to see it.
00:56:23You look up at the sky, searching for clouds, but all the-
00:56:27Hold it.
00:56:44Mr. Watson?
00:56:51Shit.
00:56:52Officer!
00:56:53Officer!
00:56:54Whoa, whoa, whoa.
00:56:55Hey, calm down.
00:56:56Lucas! We've been spotted!
00:56:58No, no, no! Just get him out of here!
00:57:00Just go! What about the others? Just go, go, go, go!
00:57:02Damn it! Okay, come on, guys!
00:57:12Hey, stand right there!
00:57:14Ashley Clyde is in stitch!
00:57:26I've got that door!
00:57:34So you're the reason,
00:57:36the reason she's been so hard to track.
00:57:40The thorn in my side.
00:57:44And after all that effort to hide her,
00:57:48you bring her here, of all places?
00:57:52Why?
00:57:56Why risk her life
00:57:58for the other?
00:58:00What do you know
00:58:02that I don't?
00:58:10It's actually holding back
00:58:12if you can believe it.
00:58:14That heat you feel
00:58:16weakens it.
00:58:22But in the cold,
00:58:24it thrives.
00:58:30I can stop it.
00:58:32But you're gonna have to start talking.
00:58:34You're gonna have to start talking.
00:58:54Good hell.
00:58:56I can't stop it.
00:58:58I can't stop it.
00:59:00I can't stop it.
00:59:02I can't stop it.
00:59:04I can't stop it.
00:59:06I can't stop it.
00:59:08I can't stop it.
00:59:10In your current state,
00:59:12I'm afraid that won't work.
00:59:14I can't stop it.
00:59:16I can't stop it.
00:59:18I can't stop it.
00:59:20I can't stop it.
00:59:22I can't stop it.
00:59:24Not the sharpest, are we?
00:59:26I can't stop it.
00:59:44You're too late.
00:59:46Cavalry's on its way.
00:59:48That's alright.
00:59:50I'll be quick.
01:00:04Grocery delivery.
01:00:06Where's everyone else?
01:00:08Coming.
01:00:10Come on, sweetie.
01:00:12Come on down.
01:00:14Come on.
01:00:15You get down here right now
01:00:17or a monster's gonna eat you.
01:00:20Where's the door?
01:00:21No one's coming.
01:00:22Shit!
01:00:23Get out of the way!
01:00:24That goddamn power!
01:00:26No!
01:00:27No!
01:00:28No!
01:00:29No!
01:00:30No!
01:00:31No!
01:00:32No!
01:00:33No!
01:00:34No!
01:00:35I got you.
01:00:36That's good.
01:00:37Good, good.
01:00:38Hey there.
01:00:39Where do you think you're going?
01:00:55What are you doing?
01:00:57Hey.
01:00:58You gotta go.
01:00:59Oh, you gotta go.
01:01:00Come on.
01:01:04We're gonna get to the woods?
01:01:06That kryptonite shit can't get you there.
01:01:08We can't.
01:01:09We can't leave.
01:01:10We came for Henry.
01:01:11Hey, you take this compass.
01:01:12Yeah.
01:01:13You're gonna follow it north-east.
01:01:14That'll take you to the graveyard.
01:01:15You're gonna find Nancy and the others.
01:01:17Whoa, whoa, whoa.
01:01:18Hey, hey, hey.
01:01:19Hey.
01:01:20What is that?
01:01:21It's just a failsafe, okay?
01:01:22No.
01:01:23It's a failsafe.
01:01:24If anything happens, I gotta make sure that he goes down with me.
01:01:26No.
01:01:27No.
01:01:28It's the only way.
01:01:29It's the only way.
01:01:30I'm not gonna risk losing you.
01:01:31I will not risk it.
01:01:32Oh, no.
01:01:33No.
01:01:34I want you to know something.
01:01:35From here on out, I want you to know how proud I am of you.
01:01:39I am so proud of you.
01:01:40I am so proud of what you've overcome.
01:01:42No.
01:01:43I'm proud of who you are.
01:01:46No.
01:01:47No.
01:01:48No.
01:01:49Noah.
01:01:50Hopper.
01:01:51I love you, Jane.
01:01:52Hopper.
01:01:53Hopper.
01:01:54Hopper.
01:01:55Hopper.
01:01:56Hopper.
01:01:57Hopper.
01:01:58Hopper.
01:01:59Hopper.
01:02:00Ohinos.
01:02:02It's nothing.
01:02:03gewesen.
01:02:05No.
01:02:06I'm sorry.
01:02:07I'm sorry.
01:02:08I'm sorry you were therefore.
01:02:11Ohinos.
01:02:13Oh.
01:02:14Delololololol .
01:02:15Helmer.
01:02:16If you're surrounded by chance, you're alive.
01:02:19Helmer.
01:02:28No.
01:02:29I'm sorry.
01:02:31I'm sorry.
01:02:38I'm sorry.
01:02:40All right, kids. Come on. Find a seat in the back.
01:03:06All right.
01:03:08Okay, let's have some fun, huh? This is going to be great, huh?
01:03:12Okay, let's get our seat belts on. Safety first. Come on, time's a-wasting.
01:03:16Pretty comfy, huh?
01:03:18Not really.
01:03:19Oh, sorry.
01:03:21Robin, Lucas, do you copy? Over.
01:03:24Copy, it's Robin.
01:03:25Lucas, I copy.
01:03:27We've got a problem here at the MAC.
01:03:29What kind of problem?
01:03:30Let go of me, you asshole!
01:03:34You want to explain to me what in God's name is going on here?
01:03:37Get the hell off me!
01:03:38We've got five missing kids, sir.
01:03:39You've lost five kids?
01:03:41How is that possible?
01:03:42This woman-
01:03:43Joy Spires?
01:03:44She broke into the barracks.
01:03:45She's been helping them escape through some kind of tunnel.
01:03:47I'm sorry. Can you repeat that?
01:03:49Listen, these kids, they are not safe, okay? They are in danger.
01:03:54And why exactly do you think they're here, ma'am? Hmm? They're under our protection.
01:03:58If I may reject, officer, I've seen what's coming. And no disrespect meant, but you and your men can't protect shit!
01:04:05You cried!
01:04:06Help you hate your man!
01:04:07Hey, hey.
01:04:09Take it off!
01:04:10Get out of here!
01:04:12Help us wait in here!
01:04:13No running around!
01:04:14monte in love, all your military gun!
01:04:18Hey kids!
01:04:19Will!
01:04:20Will!
01:04:21Will!
01:04:22Will!
01:04:23Are you okay?
01:04:24Baby, are you okay?
01:04:26They're here.
01:04:56Take the nearest threat. Engage on sight.
01:05:12We're all gonna die. We're all gonna die.
01:05:20Get behind me. Get behind me.
01:05:26You're in a threat.
01:05:45I'm in a threat. I'm in a threat.
01:05:50I'm in a threat.
01:05:52Stay behind me, stay behind me!
01:06:04Move! Move! Move!
01:06:08No!
01:06:10No!
01:06:16Let's go!
01:06:18We are under attack!
01:06:22I repeat, we are under attack!
01:06:35We gotta go.
01:06:36We gotta go!
01:06:37What about the other kids? Shit!
01:06:48Go, go, go, go, go!
01:06:50Go, go, go, go, go!
01:06:54Come on, get away!
01:06:56Please, get out!
01:06:58Just go!
01:07:00No!
01:07:04No!
01:07:08No!
01:07:10No!
01:07:12No!
01:07:14No!
01:07:16Yeah!
01:07:18No!
01:07:21No!
01:07:22Not the guy!
01:07:26I
01:07:56Are you guys okay?
01:08:01Radio Shack if we move quick enough, I think we can make it get into the tunnels and get the hell out of here
01:08:06Okay, I saw me remember
01:08:26Oh
01:08:56I
01:09:07Have no idea
01:09:26Oh
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01:10:52Sister
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