- 1 week ago
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00:00:00Are you trying to tell me something, girl?
00:00:16Mr Malone, you're wearing pyjamas again?
00:00:21Pyjama bottoms?
00:00:24That's me young year.
00:00:26You'll catch a cold like this, and you know you shouldn't be here.
00:00:30What?
00:00:32The tablets, girl.
00:00:34They do it, isn't it?
00:00:36I'm not going to take them anymore.
00:00:49Don't call the ambulance, girls.
00:00:52Oh, I'm going home.
00:00:54I'm not going to stop me.
00:00:57But it makes you happy, girls.
00:00:59I'll go back to the hospital first.
00:01:01I'm going home first.
00:01:03I'm not going home first.
00:01:05I'm not going home again.
00:01:07I'll go home first.
00:01:09I'm not going home first.
00:01:11I'm not going home first.
00:01:12Are you going out tonight?
00:01:29No.
00:01:29What?
00:01:30No.
00:01:31Are you staying here?
00:01:32Oh, aren't you?
00:01:33Great.
00:01:34Excuse me, you haven't seen a little fella in pyjamas, have you?
00:01:38Yeah, right, son.
00:01:39He went down here.
00:01:40And what's more, he was riding a camel and carrying a handbag.
00:01:43You saw him, didn't you, Cathy?
00:01:44I saw him.
00:01:45Seriously?
00:01:45You're going off your rock or behind a counter in there?
00:01:47George Malone.
00:01:49George?
00:01:50He's in hospital, isn't he?
00:01:52He's just walked out of here wearing pyjamas.
00:01:55You're a joke.
00:01:56I'm not.
00:01:58You sure it was George?
00:02:00Yeah, George Malone.
00:02:01Which way did he go?
00:02:02I don't know.
00:02:04You haven't seen George Malone around, have you?
00:02:06No, brother.
00:02:08Oh, my God.
00:02:10Oh, my God.
00:02:10Oh, my God.
00:02:13Oh, my God.
00:02:22Oh, my God.
00:02:23How did you know he'd be here?
00:02:40He spends more time here now than when he used to work here.
00:02:53Dad, Dad, you're not supposed to be here.
00:03:23Anyway, you should be taking advantage of the rest of him.
00:03:42Look, I don't like hospitals, Doc.
00:03:44It's as simple as that.
00:03:45There's a tradition in our family when you're going to hospital, you're as good as Ted.
00:03:48Oh, rubbish.
00:03:49Especially when they plunk you in the bed near the corridor.
00:03:53It's an understandable fear, Mr Malone, but those days have long gone.
00:03:57You want to try telling that to the fella that was in the bed?
00:04:00You'd need an hour to heal it, though.
00:04:05Mr James was extremely ill.
00:04:07Besides, you really shouldn't be so pessimistic.
00:04:09I'm not pessimistic.
00:04:10I just want to go home.
00:04:11I mean, I feel like here.
00:04:13I'm A1 and I've got a bit of work to do.
00:04:15Work?
00:04:16That's absolutely impossible.
00:04:18I want to go for a walk, then.
00:04:20You went for a walk yesterday.
00:04:21Twice?
00:04:22Yes, twice.
00:04:22And the second time, an ambulance had to bring you back.
00:04:24Yeah, but he didn't give me time to have his sex in with me.
00:04:26I must insist.
00:04:28And hiding me close is not going to make any difference, either, sister.
00:04:30Oh?
00:04:32Mr Malone, you're not a healthy man at the moment.
00:04:37Well, there you are, then.
00:04:38I mean, let me go home before I die.
00:04:41You're not going to die.
00:04:43Oh, immortality as well.
00:04:45That's a good offer, considering I'm on the national health.
00:04:50This is unbelievable.
00:04:51I don't believe it.
00:04:52You've just had a major operation, right?
00:04:54You've had surgery, from which it takes time to recover.
00:04:58You might need more surgery.
00:04:59I don't know.
00:04:59No-one will know till we have the results of the tests.
00:05:04And you can't expect to go back to work today like you'd want to.
00:05:08The only thing your body wants at the moment is complete rest and recuperation.
00:05:12Surely you can understand that.
00:05:14And I'm not taking any more of them head-banging tablets, sister.
00:05:17I don't believe this.
00:05:19You are an old son, aren't you?
00:05:22Yeah.
00:05:23Oh, God.
00:05:25Do not go gentle into that good night.
00:05:30All they should burn and rave at close of day.
00:05:34Rage, rage against the dying of the light.
00:05:38Till I'm Thomas.
00:05:40Though wise men at their end know dark is right,
00:05:44because their words had forked, no lightning day.
00:05:48All right, smart ass.
00:05:49Do not go gentle.
00:05:50All right, smart ass.
00:05:51Into that good night.
00:05:55Good night.
00:05:58And what's more, the food of this grace.
00:06:14I lied to him, sister.
00:06:25Three tools came through this morning.
00:06:29Good night and God bless.
00:06:33Oh, shit.
00:06:36Sometimes I wish I was a bloody vet.
00:06:38I'm terribly sorry to tell you this, Mrs. Malone.
00:06:42But your dorm house is dying.
00:06:56I would therefore suggest, in fact, I would strongly recommend that
00:07:00more radical surgery should at least be considered.
00:07:04He doesn't want that, doctor.
00:07:08It's not always a complete waste of time.
00:07:11It can very often give time.
00:07:15He wants to go home.
00:07:17Yes, I understand that.
00:07:20Are you going to tell him?
00:07:23Surely it's obvious.
00:07:25Pardon?
00:07:27He already knows.
00:07:30It's why he wants to go home.
00:07:32He keeps going on about his work, Mrs. Malone, but
00:07:38obviously he will never return to work.
00:07:42Hasn't worked in 18 months.
00:07:44Oh, God, that's fine.
00:07:46No, I'm sorry.
00:07:47I mean, it's...
00:07:49This may seem somewhat rather silly, but...
00:07:53I, um, my father worked on the docks, Mrs. Malone.
00:07:59And, uh, he...
00:08:01Well, he was somewhat of a militant.
00:08:03But there was a chap there.
00:08:04He was the chairman of the Chef's Stewards Committee.
00:08:08I went to a meeting that he chaired once.
00:08:11My father took me...
00:08:13I'd rather he made me go.
00:08:15I was only a boy at the time, 11 or 12.
00:08:17It's 20 or maybe 30 years ago, you understand.
00:08:22Go on.
00:08:24Well, his...
00:08:26This chap's name was...
00:08:27was George Malone.
00:08:30And the people in the hall, they kept chanting for him to...
00:08:32to speak.
00:08:34They kept on and on till he did.
00:08:37I'm sorry.
00:08:38I just wondered if it was possibly the same person.
00:08:41Oh, aye.
00:08:42It's the same person?
00:08:44Aye.
00:08:44He was blacklisted in 58.
00:08:50Went to work on the black stuff.
00:08:52The black stuff?
00:08:54The tarmac.
00:08:55The tarmac.
00:08:57Yeah.
00:08:58I...
00:08:58I listened to him speak that late.
00:09:00Like I've never heard anyone speak before.
00:09:02Yeah, yeah.
00:09:03All sense of one for all and all for one with a...
00:09:07a tremendous passion.
00:09:09That's him.
00:09:10I've never forgotten it.
00:09:12My father spoke about him a lot.
00:09:14He said he was a great man.
00:09:17He still is, Doctor.
00:09:20Yes.
00:09:20He still is.
00:09:22Would you like to come through?
00:09:23Do you have any political beliefs, Doctor?
00:09:42Well, yes.
00:09:43Actually, I'm very involved with the local Liberal Party and the SDP.
00:09:47It's the alliance, you know.
00:09:49The stint of my husband didn't really have that much effect, then, after all.
00:10:01Mr. Mallon!
00:10:02Oh, God.
00:10:16Oh, no.
00:10:19He seems to have disappeared again.
00:10:20I know where he'll be.
00:10:28Well, it should have been our youngest son's birthday today.
00:10:32Hello, son.
00:10:47You should be here talking to me like a, like a soft git.
00:10:59Oh, son.
00:11:01Son.
00:11:04I never dreamt I'd be doing this.
00:11:06Well, here I am.
00:11:11And I'd come every day.
00:11:14If I couldn't.
00:11:15When a man loves his kids, he loves them more than anything in a whole wide friggin' world.
00:11:27And that's a fact.
00:11:31Oh, God, Michael.
00:11:35Oh, I miss you, son.
00:11:37I'd willingly have taken your place.
00:11:45I'd have jumped off the Empire buildings for you.
00:11:49Gladly.
00:11:50Any of you.
00:11:55I loved you.
00:11:58Oh, dear.
00:11:59If there's anything I can be glad about,
00:12:01and we can be glad about,
00:12:03is that we both knew it, son.
00:12:05Oh, my goodness.
00:12:14I feel like James Stewart in Shannon's Oa.
00:12:19Oh, my goodness.
00:12:35I don't want that.
00:12:51Come on.
00:12:52Oh, my goodness.
00:12:54Come on.
00:12:56Come on.
00:12:58Let's go.
00:13:28Ah, this is the stuff to give the troops.
00:13:31God, I've looked forward to this.
00:13:33Sitting by me old little coal-fired.
00:13:36With clear heads.
00:13:38And with you.
00:13:40Well, you fight the good fight.
00:13:42Well, among other things, but it keeps me occupied.
00:13:50This is a letter.
00:13:52Oh, Mr Farrell's house.
00:13:54Listen to this.
00:13:56Execution of termination of tenancy.
00:13:59It's great, isn't it?
00:14:04Congratulations on reaching the final right page of 79.
00:14:07I'll be out of your house within a month.
00:14:09You ought to know who I am and what business it is of mine.
00:14:16They seem bloody fine now, bastard landlords and solicitors.
00:14:23Well, you can't do too much, George.
00:14:25Hardly anything.
00:14:26For a whale.
00:14:26Look, I can have a go.
00:14:28I mean, I'm not going to sit here just doing crosswords and stare at the floor more.
00:14:35Ask Frank Farrell to come round with you, please, love.
00:14:38In the morning sometime.
00:14:39Look, I'm not going to stop you doing all this, but...
00:14:42Have you ever.
00:14:44But I am going to tell you when you've had enough.
00:15:00I'll know that meself, I think, love.
00:15:02But that's just the trouble you want.
00:15:05Look, you won't be able to help anyone if you...
00:15:17If you get the stage where you can't help yourself.
00:15:20Ah, take it, Dee.
00:15:21And I don't want any argument about it, George.
00:15:25If you say so.
00:15:27Lights of me life.
00:15:29You're ace.
00:15:30Oh, young Katie, eh?
00:15:36Oh, Chrissie's sister.
00:15:38Yeah.
00:15:39She's got an appeals tribunal next Wednesday week.
00:15:43She won't represent.
00:15:45I won't be fine.
00:15:45Be told, will you?
00:15:47You can't go.
00:15:50OK.
00:15:55John and Richie are coming over later.
00:15:57Are the kids coming?
00:15:58Uh-huh.
00:15:59Oh, that's great.
00:15:59Oh, while you're there, love.
00:16:01Fetch me in that good pen of mine, will you?
00:16:03And that pad with the lines on.
00:16:05Aye.
00:16:11And that's going to happen to you.
00:16:13You've got to take those men out.
00:16:15I mean, look, I don't have to tell you.
00:16:18You know that I used to hate to bring the men out on strike.
00:16:20If there was an option.
00:16:21Especially when he had to bring them back to his illusion.
00:16:24They're empty-handed.
00:16:24Dad, you know this girl.
00:16:25But there's nothing you can do.
00:16:27Man can't walk into them.
00:16:29I know, Dad.
00:16:30But look, times are hard.
00:16:31Now, let's face it.
00:16:33And most of them don't want to come out because they're thinking of the few barbers, right?
00:16:36Aw.
00:16:36Money before singing.
00:16:37No.
00:16:38But that's the way it is.
00:16:39Yeah, the boss is a girl's over that.
00:16:40Look, you know what it's like now, Dad.
00:16:42You go on strike.
00:16:43Before you can get out the gates, management's having sing-song and wearing party hats.
00:16:47Goodbye, boys.
00:16:47Written right across the front of them.
00:16:48Come back next week to get your cards.
00:16:50Aw.
00:16:50Listen, what are the men thinking about?
00:16:52I don't know.
00:16:52I mean, don't submit it to trying to safeguard the future because he's got nothing, but
00:16:56everywhere it goes.
00:16:57I mean, so he may as well do what's right in others.
00:16:59God, look.
00:17:01I stood there last week.
00:17:02Right, John?
00:17:03Yeah.
00:17:03And I said to them, I said, look, this workshop's a debt trap.
00:17:06I said, money is going to end up killed.
00:17:08And it won't be a finger or a thumb next time.
00:17:10It'll be 200 rates of bloody mincemeat lying there.
00:17:13They just looked at me.
00:17:14They just stood there looking around wondering who they'd like it to be.
00:17:16On the floor.
00:17:16As long as it wasn't dead.
00:17:17I tell you, Dad, honestly, I've got to look around sometimes at some of the fellas I'm
00:17:24supposed to be fighting for.
00:17:26And they don't seem to care or understand about anything that hasn't got tits or comes
00:17:30out of a battle.
00:17:31No.
00:17:31I mean that.
00:17:32Oh, you poor silly.
00:17:34I mean it.
00:17:39I won't have that defeatist talk at my table.
00:17:42Come on.
00:17:42Go and eat jelly with the bairns.
00:17:44Go on.
00:17:45Hey.
00:17:45And on your way to work in the morning, buy the daily meal.
00:17:49Oh, come on now.
00:17:50How are you doing that?
00:17:50Talking soft.
00:17:51That's what you were doing.
00:17:52And soft most your lives.
00:17:55Talk to me about hardship and want.
00:17:57What's he saying?
00:17:57Talk to me about no shoes on your feet.
00:17:59Have you any idea what no shoes on your feet means?
00:18:02You need to get your feet wet when it rains.
00:18:03Uh-huh.
00:18:04Your socks go mouldy.
00:18:05That means the 30s and soup kitchens and hunger marches.
00:18:08You with your father marching from the northeast and me dad with his.
00:18:11And standing together and fighting.
00:18:13And it means another time and age, ma'am.
00:18:15And the only reason things got better was because of men like your father.
00:18:19Who refused to be slave labour and cannon fodder.
00:18:23Who said, no.
00:18:24No, I won't go down the docks every morning and stand in a stinking pen.
00:18:30And no, I won't beg for half a day's work and come crawling home defeated.
00:18:37We were brought up on that, ma'am.
00:18:38And what's it got better for, eh?
00:18:49So the likes of you can sit back and say you can't do nothing.
00:18:53And let it all happen to us again.
00:19:00What do you want to do, Karl Marx?
00:19:01What's that?
00:19:03Dickens.
00:19:03Pardon?
00:19:05Tail of two sissies.
00:19:07We are the most important part of the nation.
00:19:10We're the ones who do the work.
00:19:18And what can I do for you, Hannah, babe?
00:19:21I really can't die, Grandad.
00:19:25It has been all to happen.
00:19:29What's it like?
00:19:30Enough, enough, enough, enough.
00:19:32Shh, shh, nobody knows.
00:19:35It's like the next episode of Spider-Man.
00:19:42Nobody knows what it's like until it happens.
00:19:46I don't like Spider-Man.
00:19:49And neither do I.
00:19:51Come on, kids.
00:19:52Does anyone want more jelly?
00:19:53Come on.
00:19:53Come on.
00:19:54Come on.
00:19:55Come on.
00:19:57Come on.
00:20:07Lovely soup, sir.
00:20:09Oh, my God.
00:20:39Oh, my God.
00:20:47George!
00:20:49George!
00:20:51What?
00:20:53Nothing.
00:20:57No, no.
00:20:59It's...
00:21:01It's all right.
00:21:09My mother took me in.
00:21:13In the end...
00:21:15My mother took me in.
00:21:27In the end...
00:21:29My mother.
00:21:31I'm sorry, I say.
00:21:41I know that you got your problems, but it comes to the point, son.
00:21:47I'm better now, George.
00:21:53I've reached bottom, but...
00:21:57I'm better now.
00:21:59Better than I was.
00:22:01I'm getting better all the time.
00:22:05I can see things.
00:22:09What?
00:22:11What can you see?
00:22:13How do you mean?
00:22:15I want my children back.
00:22:21That's what I want.
00:22:25Go to the social services.
00:22:31And talk quietly.
00:22:35Behave properly.
00:22:37Tell them that you want to reopen the case for the custody of the kids.
00:22:43And explain your position.
00:22:45And your mother's a nice, good, clean woman.
00:22:49Show them where you live.
00:22:51And how you're living.
00:22:57I haven't got a chance, then.
00:23:01You're...
00:23:05I know that you love your kids.
00:23:07But you can't inflict your business and hers on them.
00:23:13Or on anyone else for that matter.
00:23:16Once you've broken something, I mean, you can't bring it again.
00:23:20You've just got to start picking up the pieces.
00:23:31Why do you know everything?
00:23:37Oh, Bummies, howling, big, sad Bummies.
00:23:53I'm not the Holy Father.
00:23:55I don't know everything.
00:23:59I hardly know bugger all.
00:24:01I just applied to a little, but no...
00:24:03I'm one of them.
00:24:05To some useful purpose or that, that's all.
00:24:11I want to be like that.
00:24:14I want to be someone...
00:24:18Just that.
00:24:22Be yourself, Yoss.
00:24:24That's all.
00:24:26Just be yourself.
00:24:35What happens if you don't like yourself?
00:24:36What happens if you don't like yourself?
00:24:48Next.
00:24:52Next, please.
00:24:56Mary!
00:24:59Mary!
00:25:00I'll pop back before evening surgery, just to see how he is.
00:25:16Thanks.
00:25:17That's it, Mum, you know.
00:25:35You can't see anybody else.
00:25:38Nobody else.
00:25:41Nobody else has bastard problems.
00:25:43He's got enough of his own.
00:25:45I'll stand by that front door and stop them if need be.
00:25:48Oh, Mum.
00:26:03I could have seen Lugo.
00:26:04I could have seen Lugo.
00:26:06I could have seen you at the end.
00:26:08I could have seen you come back before you.
00:26:09Who did you say?
00:26:10He's just started.
00:26:11He's got enough to his only...
00:26:13He's got enough to go back before you.
00:26:14I'm pretty sure he got the door.
00:26:15He's going.
00:26:16He's going.
00:26:17I can't wait for him.
00:26:19He's going.
00:26:20He's looking.
00:26:21He's going.
00:26:23We're doing his poo on.
00:26:24Oh, Mary, oh my poor sweet, what am I doing to you, oh, I'm sorry, girl, I'm in the
00:26:54It's me, Stonwicker, I think it's gone, I'm, it's the worst thing, I'm so helpless, oh, God, no, what am I doing to you?
00:27:24I'll see you, Mary
00:27:29All right, Ace
00:27:34Oh, it's a great day, son
00:27:36Where have we gone?
00:27:38What about the balsa, can we get 30 things?
00:27:40Yeah, well, we're going there anyway
00:27:41Saturday to the time, I'm not a soul about
00:28:00Once upon a time, Chrissie
00:28:05Once upon a time
00:28:08If you're going to tell me about Cinderella, I'm taking you home now
00:28:17Saturday afternoon
00:28:28We'd have been looking forward to it from the previous Saturday
00:28:33Payday Saturday, you know
00:28:36No five-day week
00:28:41And after the leisure centre then, boy-o
00:28:44Oh, there'd be hundreds of us come along here
00:28:52There'd be this ship
00:28:54There'd be the permit, the scalers, the talkers
00:28:57The Murray-Ellens used to swap and clean the big liners
00:29:01Right behind us
00:29:04There'd be them great big shy car horses
00:29:08Ah, Chrissie
00:29:11There was many a good old horse
00:29:14Went down the hill
00:29:15But he came back up in the knackers' car
00:29:18The vet had put a gun to its head
00:29:21The straw bolts around its neck
00:29:24He'd wind it up into the knackers' car
00:29:27As its big ends turning
00:29:31You could see the whites of its eye
00:29:33And yet those horses of privilege
00:29:38Who just pose outside Buckingham Palace
00:29:44And Ponson Parade up and down the mall
00:29:47There turned out into a meadow
00:29:52Of cowslip and clover
00:29:56And guaranteed a full plop and bag
00:29:59For the rest of their lives
00:30:01Ah, Chrissie
00:30:06It just seems like sudden yesterday
00:30:13The midday gun
00:30:16The women's sand stolen the steps and the flags
00:30:20And the little kids
00:30:23Letting alley hole
00:30:24And the shops on the corner
00:30:27Where you got your three bent of fine Irish
00:30:31The old snuff
00:30:32And the Tickswister tobacco
00:30:34Your old gran
00:30:36Had a nice flat top
00:30:39Car purse
00:30:40Used to sell
00:30:40Salt fish
00:30:41And a big battle of ribs
00:30:44Slaced off the pig's back
00:30:46From the Irish bunts
00:30:48And then on the third Saturday
00:30:54We'd have the orton grinding
00:30:56As monkey
00:30:56And there we'd be
00:31:01All piling in
00:31:03In the terpennellies
00:31:05And big leg pizza
00:31:06And a couple of pints of good beer
00:31:09Maybe the first in the week
00:31:11And we'd have the crack
00:31:14Or the crack
00:31:17Or we'd talk about many things
00:31:20Of cabbages and kings
00:31:23Of politics
00:31:25And power
00:31:27Come the day when we'd have
00:31:30Inside toilets
00:31:31Proper bathrooms
00:31:33Of Atlee
00:31:36Bevan
00:31:37Hogan and Logan
00:31:41The Braddocks
00:31:42Dixie Zee
00:31:44Lawton
00:31:46Liddle
00:31:47Matthews
00:31:49And Finney
00:31:50Come the revolution
00:31:54For the Blackpool
00:31:56Illumination
00:31:57Joseph Jones
00:32:07Had a violin
00:32:09It's Tadavarius
00:32:14He said
00:32:15The Braddocks
00:32:17The Braddocks
00:32:20ORGAN PLAYS
00:32:50Well, we've got our bathrooms at considerable expense.
00:33:16And I write letters to prison.
00:33:20For the mother of a man who rapes little boys.
00:33:25And there's hundreds of frigging rapists still running free.
00:33:30Get me off some, will you?
00:33:52Get me off, you see.
00:33:57Are you sure, George?
00:34:00Sure.
00:34:00I don't know.
00:34:02I don't know.
00:34:04I don't know.
00:34:04I don't know.
00:34:05I don't know.
00:34:06I don't know.
00:34:07I don't know.
00:34:08I don't know.
00:34:11I don't know.
00:34:12I don't know.
00:34:14I don't know.
00:34:16I don't know.
00:34:17I don't know.
00:34:1847 years ago, I stand here.
00:34:41A young ball.
00:34:44I watch my first ship come in.
00:34:51They say that memories, they're longer than dreams.
00:34:57But my dreams, those dreams of long ago, they still give me hope and faith in my class.
00:35:12I can't believe that there's no hope.
00:35:19I can't believe that there's no hope.
00:35:24I can't believe that there's no hope.
00:35:28I can't believe that there's no hope.
00:35:35Hey, come on, George.
00:35:39Your lads will be in the Baltic fleet now, you know.
00:35:43Pints on the bar.
00:35:46Logo said he might come over.
00:35:51Christ, George, you're getting heavy.
00:36:07George.
00:36:11They'll be waiting for us, you know, George.
00:36:20Oh, Jesus.
00:36:27They'll be waiting for us.
00:36:30They'll be waiting for us.
00:36:37People, again, have been waiting for us to find us.
00:36:43In a number go there, vending from Peter or Ellen Greenbacker,
00:36:46so everyone inside, you're going to be waiting for us to find us.
00:36:49Oh, my God.
00:37:19Oh, my God.
00:37:49Oh, my hair, Mom.
00:37:53First car. Thank you.
00:37:55Come on.
00:37:57Oh, my God.
00:38:01Oh, my God.
00:38:03Oh, my God.
00:38:13Oh, my God.
00:38:15Oh, my God.
00:38:17Oh, my God.
00:38:29Okay.
00:38:31Oh, my God.
00:38:33Oh, my God.
00:38:35Oh, my God.
00:38:37Oh, my God.
00:38:39Oh, my God.
00:38:41Oh, my God.
00:38:43Oh, my God.
00:40:45In my own eyes I shall gaze upon him, and in my flesh I shall see God my Saviour.
00:40:50This is the hope which is laid up in my heart, and in my flesh I shall see God my Saviour.
00:40:56And in my flesh I shall see God my Saviour.
00:41:03And in my flesh I shall see God my Saviour.
00:41:09I shall see God my Saviour.
00:41:47In the name of the Father, and of the Son, and of the Holy Spirit, Amen.
00:42:00The grace of our Lord Jesus Christ, and the love of God, and the fellowship of the Holy
00:42:06Spirit be with you all.
00:42:08Also say to you.
00:42:11My brothers and sisters, to prepare ourselves to celebrate the sacred mysteries, let us
00:42:17call to mind our sins.
00:42:29Rejoice and be glad, for your reward will be great in heaven.
00:42:33This is how they persecuted the prophecy for you.
00:42:35This is the gospel of the Lord.
00:42:37Praise to you, Lord Jesus Christ.
00:42:44Please sit down.
00:42:47My dear friends, may I say that I have never seen so many people gathered here to pay their
00:43:14last respects.
00:43:15I am sure that the family of Patrick Malone must be proud.
00:43:21Your father's name's George.
00:43:23I'm sorry.
00:43:24But he was christened here in this very church as Patrick, and that is his name as known
00:43:32to Almighty God.
00:43:33I don't care what his name was known by under Almighty God.
00:43:38Patrick Malone means nothing to the people here.
00:43:42His name was George Malone.
00:43:44That's how he's known by all of us, George Malone.
00:43:46I'm sure that the family of George Malone must be proud of the recognition and respect accorded
00:43:57to this man, to George Malone.
00:44:00The acts of the apostles perhaps sum up best the effect that this one man's life must have
00:44:06had on all who met him.
00:44:08It says in the act of the apostles, silver and gold have I none, but such as I have, give I thee.
00:44:20From what I have learnt of Pat George Malone, I believe this noble and fine sentiment pertains
00:44:28to him.
00:44:30Of one thing be certain, however, and at this sad time, when by nature of why we are gathered
00:44:34here this morning, we must be aware of our own mortality.
00:44:38Let us remember we are all children of Almighty God.
00:44:41We are all here on this good earth till he calls us to him.
00:44:43And we must always, in the word of the Lord, stand ready because the Son of Man is coming
00:44:48at an hour you do not expect.
00:44:50And with this in mind, I would like to remind you of my earlier reading from the Romans,
00:44:55chapter 14, verses 7 to 12.
00:44:58The life and death of each of us has its influence on others.
00:45:01If we live, we live to the Lord, and if we die, we die to the Lord.
00:45:04This explains why Christ both died and came to life.
00:45:08It was so that he might be Lord both of the dead and the living.
00:45:11This is also why you must never pass judgment on a brother or treatment with contempt.
00:45:15We shall all stand before the judgment seat of God, as scripture says.
00:45:22Be my life, it is the Lord who speaks.
00:45:24Every knee shall bend before me and every tongue shall praise God.
00:45:28It is to God, therefore, that each of us will have to...
00:45:30I'm sorry, Father, but you're not on.
00:45:35We didn't come here to listen to this.
00:45:42The last thing I want to do is to stand up and interrupt you.
00:45:46But you'd better know we're all here today not to send George to a better place or a judgment day
00:45:57or to worry about our own going
00:46:02but to remember his life
00:46:07and curse the fact that he's not here.
00:46:24He was a good man.
00:46:29He was the best man I ever knew.
00:46:32Oh, I love George Malone.
00:46:42And our lives are going to be a lot emptier
00:46:45now that he's not here.
00:46:51He didn't do nothing for no reward.
00:46:55Not here, nor in heaven.
00:46:59Well, yes.
00:47:12It's clear that the church has very little to do here today
00:47:19to pay its own respects to George Malone.
00:47:24And I understand that.
00:47:31I'm aware of the intensity of feeling.
00:47:33Good life lost
00:47:37was little compensation
00:47:41for those who remain.
00:47:45in the name of the Father
00:47:49and the Son
00:47:49and the Holy Ghost.
00:47:51Amen.
00:47:51I see, I heard he's going to do something.
00:47:53But, again, it's a bit of a living thing.
00:47:57And the Holy Ghost will be here.
00:48:00I'm sorry.
00:48:01I'm sorry.
00:48:01I'm sorry.
00:48:02I'm sorry.
00:48:02I'm sorry.
00:48:02I'm sorry.
00:48:02I feel I was going to do that.
00:48:03Yeah.
00:48:04I'm sorry.
00:48:04Let's go!
00:48:34Ma'am!
00:48:36Oh!
00:48:38Get off!
00:48:40Ma'am!
00:48:42Ma'am!
00:48:44Oh, come on, Ma'am!
00:48:46Jesus! Ma'am!
00:48:48Ma'am!
00:48:50Take it easy, boys.
00:48:52All right.
00:48:54Oh!
00:48:56Oh.
00:48:58Oh.
00:49:00Is she okay?
00:49:02I think she's all right.
00:49:04Mother!
00:49:06Come on, you're going on.
00:49:08Come on, come on.
00:49:10Come on, come on.
00:49:12Come on, come on.
00:49:32Come on, come on.
00:49:34Here's the Anyway.
00:49:36Come on, come on.
00:49:38Is there anything here on earth?
00:49:40Yeah.
00:49:42Ooh.
00:49:44Ooh.
00:49:46Who's this golden?
00:49:48Ooh.
00:49:49Ooh.
00:49:50Do you see that?
00:49:51Chrome-yum-yum!
00:49:52What Epic.
00:49:54So where?
00:49:55Yeah.
00:49:56How a MEC.
00:49:58I got there.
00:50:15I got there.
00:50:17I got there.
00:50:21I'll tell you, get over here.
00:50:24No bones broken.
00:50:25She's all right.
00:50:26All right.
00:50:27No, I'm still wrong with the clock.
00:50:30It is.
00:50:31No, I'm not.
00:50:32No, I'm not.
00:50:33I'll never sit down.
00:50:34I'll never get away.
00:50:36Take it easy.
00:50:37Yeah.
00:50:38Definitely.
00:50:39Yeah.
00:50:40Mm-mm.
00:50:42Mm-mm.
00:50:44Mm-mm.
00:50:46Yeah, triple hit.
00:50:48Yeah.
00:50:49Yeah.
00:50:50Adaisant man, George.
00:50:53Mm-mm.
00:50:55Oh, no, no.
00:50:58No, no, no, no.
00:50:59Now they're back.
00:51:17Put one horse left to stay with her.
00:51:19That's for sure.
00:51:20Okay, let's see you again.
00:51:21Okay.
00:51:21Look after yourself.
00:51:24No scars.
00:51:25Okay.
00:51:25Take care of yourself.
00:51:26Like this.
00:51:27Tell me.
00:51:28Take it easy.
00:51:29Take care of yourself.
00:51:29Take care of yourself.
00:51:30Have we got much on this afternoon?
00:52:01Not a lot.
00:52:04How much money have we got?
00:52:07Enough.
00:52:09Good.
00:52:10Because I am going to get arsehole.
00:52:12I am going to get arsehole.
00:52:26I am going to get arsehole.
00:52:42I am going to get arsehole.
00:52:44I am going to get arsehole.
00:52:44I am going to get arsehole.
00:52:46If I were a bright bird, I'd whistle at sea.
00:52:57Very nice, Ronnie.
00:53:01Enter your glasses, please.
00:53:06Hurry along, please.
00:53:09That's what I like about this place, Chris.
00:53:11It's nice and quiet at lunch times, isn't it?
00:53:16It's nice and quiet.
00:53:18It's nice and quiet.
00:53:20It's nice and quiet.
00:53:22It's nice and quiet.
00:53:24Oh, it's nice.
00:53:26You all right, mate?
00:53:28You all right, fellas?
00:53:30All right, lads.
00:53:32I, er, told you you were in a way, Kev.
00:53:34I did.
00:53:36Well, what happened?
00:53:38I came back, you know.
00:53:40I came back, you know.
00:53:42I came back.
00:53:44I came back, you know.
00:53:48Er, want yous fellas one another or what?
00:53:50Not from yous two, no.
00:53:52Oh, come on, dicks.
00:54:00Well, you can win them all.
00:54:02Oh, shite, not shake, Hans.
00:54:12Shake, Hans.
00:54:15I can't do it, er, shakes.
00:54:17I've got dermatitis.
00:54:18Shake, Hans.
00:54:20What do you want?
00:54:34An ambulance, no?
00:54:36No, I'll have a pint of pitta shakes.
00:54:38Quite a bit of boss.
00:54:39Let's have your glasses, please.
00:54:41Come on, ladies.
00:54:42Let's have your glasses.
00:54:44Let the big lads eat, please.
00:54:45Let the big lads eat, please.
00:54:46What, at ten past twelve?
00:54:47Must be bleeding, joking.
00:54:48Shake, Hans.
00:54:49Oh, come on, you shakes.
00:54:50You're barred out.
00:54:51Shake, Hans.
00:54:52Well, I'll let you off this side.
00:54:53What are you having?
00:54:54What?
00:54:55I'll have a pint of pitta joseph.
00:54:56Let the big lads eat, please.
00:54:57Let the big lads eat, please.
00:54:58Let the big lads eat, please.
00:54:59Well, at ten past twelve.
00:55:00Must be bleeding, joking.
00:55:01Shake, Hans.
00:55:02Well, I'll let you off this side.
00:55:03What are you having?
00:55:04What?
00:55:05I'll have a pint of pitta joseph.
00:55:06Let the big lads eat, please.
00:55:07Hey, hey.
00:55:08What's up with him?
00:55:09Those dickheads over there slip some speed into slops.
00:55:11Going full well, he drinks the dregs.
00:55:12I tried to lock him in the toilet before, but he broke the buggy door down.
00:55:17That's not nice.
00:55:18I like Harold.
00:55:19He's my friend.
00:55:20Shake, Hans.
00:55:21Shake, Hans, now.
00:55:22Has he had a go at yours as well?
00:55:23Uh, yeah.
00:55:24going full well he drinks the dregs tried to lock him in the toilet before but he
00:55:29broke the bloody door down that's not nice I like Harold he's my friend
00:55:42shake hands shake hands now
00:55:48has he had a go at yours as well I tell you I've been glad when I'm gone I've been
00:55:56due for a move for nearly nine months now but you can't get anyone else to come here
00:55:58I wouldn't mind you know but find a better for the boy
00:56:04I wouldn't mind but shake hands I talk to myself shake hands
00:56:12and if I find out who's bringing home brew in here
00:56:18I wouldn't mind you know but three years ago
00:56:22three years
00:56:25make that two pints
00:56:27three years ago this was a choir
00:56:29I mean there was only
00:56:31there was only fights at weekends of weddings
00:56:34I mean if they
00:56:35make that three pints boss
00:56:47if they got legless they'd answer on the tables
00:56:49now they break them over each other's heads
00:56:51get it down your life get it down your life
00:56:53someone is bringing home brew in here you know
00:56:56I know they are
00:56:57empty your glasses please
00:56:59I mean they've only they've all
00:57:02they've all got too much time to kill
00:57:04shake hands
00:57:06I took myself shake hands
00:57:10I'm not spit on somebody else's
00:57:12shake hands
00:57:13I'm not spit on somebody else's
00:57:16I'm wearing my boots
00:57:18I swissled
00:57:20I'm less face fat boys
00:57:22you're the bedding in here
00:57:24just freaking look at them
00:57:27what you do
00:57:30but here we are
00:57:32I mean
00:57:32just take a look around
00:57:34we all had something to give
00:57:36when Nash
00:57:39over there
00:57:40he never gnashed until
00:57:41Tate and Lyle laid him off here
00:57:42and Ronnie
00:57:43Ronnie he was a waiter
00:57:45at the Adelphi
00:57:45last thing he did was
00:57:46rob the uniform when he left
00:57:48he had no time
00:57:51for his freaking whistling then
00:57:52it's all
00:57:53shake hands
00:57:59shake hands
00:58:00shake hands
00:58:00was a bouncer in town
00:58:01and at least
00:58:02two of those lads
00:58:03had apprenticeships
00:58:04everybody
00:58:05everybody was either
00:58:06respectable
00:58:07or a villain
00:58:08I mean
00:58:08hurry along now please
00:58:10haven't you got any home
00:58:11to go to
00:58:11they have good reason
00:58:12to get pissed
00:58:13now they just get pissed
00:58:14because they wish
00:58:15they were dead
00:58:15so do I
00:58:17I mean after all
00:58:19you know
00:58:20this is only building up
00:58:21for Saturday night
00:58:22hey
00:58:24say what Joe
00:58:25this is going to be the right to end all night
00:58:27oh shite
00:58:28not another redundancy party
00:58:30oh four meters
00:58:32listen Joe
00:58:34come on mate
00:58:35come on mate
00:58:35every single one barred out already
00:58:37what am I going to do
00:58:38right now listen
00:58:39hey
00:58:39come here
00:58:40Joey
00:58:41Joey
00:58:42the manager for Eagle's got a shock
00:58:45hey come on now
00:58:47Joey
00:58:48I'd only shoot myself
00:58:49if I had one
00:58:50a golden lager
00:58:51plus six whiskeys
00:58:52and a gin and tonic
00:58:52with a puff
00:58:53I'll leave off boys
00:58:54there you are Joe
00:58:55when that's done
00:58:57when that's done
00:58:58let us know
00:58:58alright
00:58:58hey what do you want fellas
00:59:00anything you want
00:59:01time to go
00:59:05time loggo
00:59:06oh let's finish me pipe first
00:59:07because you'll have me finished
00:59:08what do you want fellas
00:59:09anything you want
00:59:10no you're alright
00:59:10mate
00:59:11come on loggo
00:59:11what's up with you
00:59:12you look like you've been to a funeral
00:59:13hey look boys
00:59:16I've got a grand in here
00:59:17when it's gone
00:59:17it's gone
00:59:17frigate
00:59:18nah you're alright
00:59:19Mitch we're in honest
00:59:20you can be here again can you
00:59:22two more parts out here
00:59:23Joey
00:59:23large brandy
00:59:24matele
00:59:24much appreciated
00:59:26I hope that's here
00:59:27what do you all want
00:59:28eh
00:59:28what do you all want
00:59:30come on
00:59:31I had to wear me
00:59:36something
00:59:37he wants planes
00:59:42it was a lousy job
00:59:44anyway
00:59:45what's your mind then
00:59:47whiskey and dry
00:59:48whiskey and dry ginger please
00:59:49whiskey and dry ginger please
00:59:49it's my pleasure
00:59:50whiskey and dry ginger please
00:59:53I'm going now
00:59:55you have mine
00:59:56look hang on
00:59:57I'll just
00:59:58come with you
01:00:00I'll buy someone in as well shall we
01:00:04for the play school after
01:00:06where's my baby there eh
01:00:09where's my baby there eh
01:00:20where's my baby there eh
01:00:22hey look are you not though you
01:00:26oh Mitch I've got to get out of this friggin'
01:00:28I've got to get out of this friggin'
01:00:31I've got to get out of this friggin'
01:00:32I've got to get out of this friggin'
01:00:33shake hands
01:00:49shake hands
01:00:53shake hands
01:00:58if I were a blackbird
01:01:01if I were a blackbird I'd whistle
01:01:31know the parts are better
01:01:34boss
01:01:34George is dead.
01:02:02I know, Chrissie. I know.
01:02:09You know what he stood for, don't you?
01:02:15What...what do you mean?
01:02:19Yeah, well, that's dead and all, isn't it?
01:02:25For Christ's sake, honey, I told you to shut up.
01:02:29All right, buddy, you're gonna go.
01:02:32Hello!
01:02:34Hello!
01:02:35Hello!
01:02:36Hello!
01:02:37Hello!
01:02:38Hello!
01:02:39Hey!
01:02:40Hey!
01:02:41Well, I never felt more like singing the blues
01:02:47Cause I never thought that I'd ever lose your love, dear
01:02:51Why you doing me this way?
01:02:54I never felt more like crying all night
01:02:57Cause nothing is wrong...
01:02:59Hey, Joe! Look at this here!
01:03:01Go!
01:03:02You're gonna sing the blues
01:03:05It's either them or me.
01:03:08And it's them.
01:03:11Hey, you dick, are you blind?
01:03:17Hey, you dick, are you blind?
01:03:36There isn't a soul in there who is certified.
01:03:39They...are all sane people.
01:03:47What's going wrong, Lago?
01:03:49What's going wrong?
01:03:51Everything, La.
01:03:55Everything.
01:04:06Beam me up, Scotty.
01:04:08Beam me up.
01:04:09Beam me up.
01:04:10Beam me up.
01:04:11Beam me up.
01:04:12Beam me up.
01:04:30Give us a job.
01:04:31Go on, give us a job.
01:04:33Give us a job.
01:05:03Be safe.
01:05:19Do you want to do it?
01:05:20Who has a job?
01:05:29Just in the next half of the 21st 7 ====
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