Tv, Great Expectations 1989 Ep. 5-CHARLES DICKENS NOVEL MOVIES
#GreatExpectations #CHARLESDICKENS #NOVEL
#NOVELMOVIES #Britishfilm
#GreatExpectations #CHARLESDICKENS #NOVEL
#NOVELMOVIES #Britishfilm
Category
📺
TVTranscript
00:00To be continued...
02:49Thank you, Charles.
02:51Dear boy.
02:51Thank you my wife, poor man.
02:52The real genuine one.
02:53It does me good for to look at you, Pip.
02:55Just to stand by and look at you, dear boy.
02:58Ha, ha, ha.
03:00But I mustn't see my gentlemen a footing it in the mire of the streets, neither.
03:03No, my gentlemen must have horses.
03:04Horses to ride.
03:05And horses to drive!
03:07Ha, ha, ha.
03:10So there's plenty to spend here, dear boy.
03:13Take it, it's yours.
03:13It's not mine, but it's yours.
03:16Mr. Magwish, what do you want from me?
03:19What?
03:21Want from you?
03:22Oh, that's right.
03:25Take it, dear boy, it's your own.
03:27Every penny of it.
03:29Don't be a fear, dear boy.
03:31I never would have gained any of it if it hadn't been for you.
03:34I don't understand.
03:36It ain't the strength of a man's arm that keeps him alive in the colonies, dear boy.
03:40No, it's the strength of his spirit.
03:42I never, I never would have kept going, never made my pile,
03:45if it hadn't been for the thought of coming back to the old country
03:47and seeing my gentleman spending his money like a gentleman.
03:50And blast you all!
03:52And blast you, everyone in the air!
03:54From the judge in his wake,
03:57to the colonists stirring up the dust.
04:01I'll show you a gentleman better than the whole kitchen you put together.
04:04Stop, please.
04:06I mean,
04:08what I mean to say is,
04:10you said yourself it isn't safe.
04:13Oh, the danger ain't so great, dear boy.
04:15Well, you said last night that it was death to return.
04:17And so I swear it is death.
04:20I was sent away for life, do you see?
04:21And if they catch me here, it's the rope for certain.
04:24But they gotta catch me first, you know.
04:27And that ain't likely,
04:28considering there's only Jaggers and Wemmick and you, which knows.
04:32But if you were recognized?
04:33Well, there's wigs and spectacles and such as can be bought for a disguise.
04:37Where are you to live?
04:38Where can you hide yourself?
04:39Oh, I look to your opinions for that, dear boy.
04:44How long do you intend to stay?
04:46I ain't going back.
04:50I'm here for good.
04:53For good?
04:53I'm here because I meant it by you, dear boy.
04:59Years and years.
05:02I'm an old bird, Pippin, and a wily one.
05:05And I've escaped many traps since I was a fledgling.
05:08And I interfered to perch upon a scarecrow now.
05:11And if death himself is hid inside,
05:13then let him come out and I'll face him.
05:15Now, let me have a look at my gentleman again.
05:31Be careful, Pipp.
05:33Don't commit yourself.
05:34Or anyone else.
05:36Don't tell me anything.
05:38I don't want to know anything.
05:40I merely want to confirm that what I've been told is true.
05:43You mean told, Pipp?
05:44You mean informed.
05:46Told implies verbal communication.
05:49You can't have verbal communication with a man in Australia.
05:52What I meant to say is that I have been informed.
05:55Good.
05:55By a person named Abel Magwitch
05:58that he is the benefactor so long unknown to me.
06:06Magwitch was the name of the man
06:07who originally wrote to me from Australia.
06:10In his letter, he hinted at some idea
06:14of eventually returning to England.
06:16I reminded him that he had been transported
06:19for the term of his natural life
06:21and that to return would be an act of felony
06:24rendering him liable to the extreme penalty of the law.
06:30He heeded my caution, no doubt.
06:32No doubt.
06:41Webbick received a letter asking particulars of your address
06:44from a colonist named Purvis.
06:47Purvis.
06:48Purvis.
06:51It was through Purvis, I assume,
06:54that you learned the identity of your benefactor.
06:57It came through Purvis.
06:58Very good.
07:01Mr. Jaggers, I don't hold you responsible
07:03for my own mistaken conclusions.
07:07But I had always supposed that it was Miss Havisham.
07:10Well, as you say, Pip, I am not responsible.
07:15And yet it looked so like it, sir.
07:18Hmm.
07:19Take nothing on its looks, Pip.
07:22Take everything on evidence.
07:25There is no better rule.
07:26Ah, you done well, dear boy?
07:42I've, uh, I found lodgings for you nearby.
07:44It's good enough for the time being.
07:45Until we...
07:46Handel, my dear fellow.
07:53Here I am.
07:54A day ahead of time.
07:56How are you?
07:57How are you?
07:58And again, how are you?
08:02It's all right, dear boy.
08:04Hubbard.
08:05Take this in your right hand.
08:08Do as he wishes, please.
08:09Now, swear!
08:13Lord, strike you dead,
08:14if ever you tell in any way someever.
08:19Please.
08:21Oh, I swear.
08:22Now, kiss the good will.
08:30You're on your own.
08:31May you never believe me on mine,
08:34if Pip shall make a gentleman on you.
08:36Ha, ha, ha, ha, ha, ha.
08:37No, no, no, no, no.
09:07It's just along here.
09:29It's on the first floor.
09:31For heaven's sake,
09:31don't show yourself in the street.
09:32You're jumping at shadows, dear boy.
09:35But I honor you for it.
09:36We'll bring your breakfast in the morning.
09:39Good night.
09:40Good night.
09:53What's to be done?
09:55Poor dear Handle.
09:58I'm too stunned to think.
09:59I feel I'm being watched at every step.
10:04Imagination, surely.
10:07Look at this.
10:11We're to buy horses and carriages
10:12and roll about London like a couple of lords.
10:15It's madness, Herbert.
10:17What in God's name can I do?
10:18But there's a fortune here.
10:20A fortune.
10:21A fortune.
10:22Yes.
10:24And it's yours.
10:25I mean, he gives it to you.
10:26Well, I won't touch a penny of it.
10:27I can't.
10:29But Handle,
10:30what of your debts?
10:32How will you live?
10:33I don't know.
10:36I don't care.
10:38I won't take his money.
10:40Never.
10:41The very sight of him makes me shudder.
10:42But Handle,
10:43think.
10:45From what you told me
10:46of your first encounter with him,
10:48he's a violent, dangerous man
10:50and very much attached to you.
10:52He's risked his life
10:53to fulfill a dream.
10:55If you destroy it,
10:58if you cast him off,
11:00he'll have nothing left to live for
11:01and he'll turn on you.
11:03The first thing to do
11:11is get him out of England.
11:13You'll have to go with him
11:13or he'll never consent.
11:15Well, what will that gain me?
11:17A chance to extricate yourself.
11:20Your only chance.
11:22And when you have,
11:23we'll see it out together.
11:33No, I ain't to blame you, dear boy.
11:56You'd better be looking
11:57for better lodgings for us
11:59on the fashionable side of town.
12:03Do you hear me, dear boy?
12:09Mr. Mappage,
12:10do you remember the man
12:12you fought with on the marshes
12:13the night you were taken?
12:15I remember him.
12:17I think so.
12:20Is he still alive?
12:22Popperson?
12:23I haven't heard any more of him.
12:25But if he were alive,
12:26he'd bear a grudge against you?
12:27If he were alive, dear boy,
12:28he hopes I'm dead.
12:31His name was...
12:33Comperson?
12:34Aye.
12:35The dog.
12:38Handel,
12:39we must be off.
12:41Yes.
12:41So soon, dear boy,
12:42when shall you return?
12:43I...
12:44I have to leave town for a night.
12:47Oh.
12:48What a night?
12:49And leave town?
12:50I go to Kent
12:51to visit my stepfather,
12:52Joe Gardery,
12:53the blacksmith.
12:53Do you remember him?
12:54I do, yes.
12:55That same night.
12:57You acted as noble as yourself.
12:59Well, it's a longstanding engagement,
13:01but I cannot disappoint him.
13:02Nor shall you, dear boy.
13:03Not on my account.
13:05I'm glad and pro to know,
13:06as my gentleman
13:07ain't cast aside his old friends
13:10as many would,
13:12being elevated to prosperity.
13:14God bless you, Pip.
13:16God bless you, Pip's comrade.
13:28Well, what is it, Herbert?
13:29You notice my excitement?
13:31Well, yes.
13:31What is it?
13:32Compassion
13:33was the name
13:33of Miss Havisham's
13:34pretended lover,
13:35the man who broke her heart.
13:37This warrants further investigation,
13:39I think,
13:39when you return.
13:41Yes.
13:43It's an awkward business
13:44you're having to go to Kent,
13:46but like Magwitch,
13:47I'm glad of it.
13:48Very glad of this old fellow.
13:51I'm forced to myself
13:52and to the world,
13:53but I cannot be forced to you.
13:54I'm not going down to see Joe.
13:57I'm going to see Estella.
13:59I know there's no hope.
14:02I haven't a penny in the world.
14:04And as for Miss Havisham's
14:05designing us for each other,
14:07well, that dream is broken, too.
14:09But I must see her
14:10for a last time.
14:10I must.
14:13All the same, Landell.
14:15Since you will be nearby,
14:17you might call in on Mr. Gargery.
14:20For the love of heaven,
14:20don't torture me beyond
14:21what I can't bear.
14:23With my own hand,
14:24in my own pride,
14:25I threw Joe off.
14:27I can never look him
14:28in the eye again.
14:29It's done.
14:33Finished.
14:35And all for nothing.
14:44Top of the morning,
14:45my lord.
14:46Remember me?
14:48You're Traps, boy, aren't you?
14:50Was, my lord.
14:51Been elevated, I am.
14:53Head hostler of the Blue Boar
14:54in these days.
14:55Friend of yours, Mr. Pip.
14:57Tummel.
14:58Like brothers we was, sir.
15:02Just come down?
15:04Yes, and you?
15:05Oh, been here some days.
15:07Long enough to want a change.
15:09Beastly place.
15:11All mist and marshes
15:12and tumble-down smithies.
15:13Oh, it's your neck
15:14in the woods, ain't it?
15:17Lady not riding with you today, sir.
15:19You don't like the look
15:20of the weather.
15:21I'll be dining with her, though.
15:26Tell him inside, would you?
15:28Dining with the lady.
15:29Lady.
15:29What wind blows you here, Pip?
15:54I heard that some wind
15:57had blown Estella here,
15:58and so I followed.
16:00Sit down, sit down.
16:11What I had to say to Estella,
16:13I can say in your presence.
16:16It will neither surprise
16:17nor displease you.
16:20I am as unhappy
16:21as you can ever have meant me to be.
16:22But first, I must tell you
16:25that I've found out
16:26who my benefactor is.
16:29It is not a fortunate discovery.
16:32I may not reveal the reasons,
16:33but all my expectations
16:34are at an end.
16:39For many years,
16:40I thought it was you.
16:44And you let me
16:45and the world believe it
16:47to spite your relations,
16:48Sarah, Camilla, and the others.
16:49Yes, I did.
16:51Was that kind?
16:55Oh, my, for God's sakes,
16:57that I should be kind!
17:00Quite.
17:01It wasn't worth mentioning.
17:05Well, what else?
17:10Your cousins,
17:12Mr. Matthew Pocket and his son.
17:13What do you want for them?
17:14I am an open book, it seems.
17:17Well, they are your friends,
17:19are they not?
17:19Yes.
17:20They made themselves so,
17:22even when it seemed
17:22that I stood in the way
17:23of their future fortune.
17:25They are as generous
17:26as the others are.
17:27What do you want for them?
17:30If you would spare the money,
17:32you could do Herbert
17:34a lasting service in life.
17:36It must be done
17:37without his knowledge,
17:38but I can show you how.
17:40Why must it be done
17:41without his knowledge?
17:42Because I began it myself
17:44that way,
17:44and it must not be betrayed.
17:48Well, what else?
17:56Stella,
17:57you know I love you.
18:02I've loved you
18:03since the first moment
18:04I set foot in this house.
18:06Against all my warnings.
18:08When you say you love me,
18:09I know what you mean
18:10as a form of words,
18:11but nothing more.
18:13I can feel nothing.
18:15But surely it is not in nature
18:16to feel nothing.
18:18It is in my nature.
18:20It is in the nature
18:21formed within me.
18:24I make a great difference
18:25between you and all other people
18:26when I say so much.
18:28I can do no more.
18:29I know you say
18:33you can't love me.
18:36In any case,
18:36I have no
18:37expectations
18:39to lay before you now.
18:44But in the town,
18:46I met
18:47Bentley Drummond.
18:51Is it true
18:52he dines here tonight?
18:53Quite true.
18:56So you still encourage him?
18:57You cannot love him.
19:04It's not possible.
19:09Tell him the truth.
19:14I'm going to be married to him.
19:17For the love of God,
19:18Estella,
19:19are you blind?
19:20Can't you see the trap
19:21she lays for you?
19:22On the contrary,
19:23Pith.
19:24Miss Havisham
19:24would have no weight
19:25and not marry yet.
19:26It is entirely my own choice.
19:28But to fling yourself away
19:29on a...
19:30on a brute!
19:32Why?
19:33I'm weary of the life I lead.
19:36That's all.
19:37But drummle,
19:37drummle of all men!
19:39Come, Pip.
19:41Let's not part like this.
19:43It will all pass in no time.
19:45You'll get me out of your thoughts
19:46in a week.
19:49Out of my thoughts.
19:51You're part of my existence.
19:54Part of myself.
20:01Till the last hour of my life
20:03you cannot choose
20:04but remain part of my character.
20:07Part of the little good in me.
20:09Part of the evil.
20:10You're in every line
20:14I've ever read.
20:16Every prospect I've seen
20:17since I came here.
20:20In the river.
20:21The sails of the ships.
20:24The marshes.
20:25The clouds.
20:26The wind.
20:28The woods.
20:28The sea.
20:29The streets.
20:30In light and darkness
20:32you're there.
20:33The embodiment of all
20:34that's beautiful and graceful.
20:35Cruel and...
20:36Stop!
20:38I'll not endure it.
20:41Get out.
20:42Get out.
20:44Do you hear me?
20:47Get out.
20:48Get out.
20:50Get out.
20:52Get out.
21:06Get out.
21:11Be quiet.
21:31Make it dry.
21:32Castle in my room.
22:02Mr. Pip, sir?
22:04Yes.
22:18Mr. Pip, sir?
22:20Yes.
22:32Now then, you didn't go home?
22:40I stayed the night at an hotel.
22:42Good.
22:46All right, AGP?
22:48All right, John.
22:50Right now, Mr. Pip, it's understood
22:52that we're in our private and personal capacities?
22:54Absolutely.
22:56Very good.
22:58Yesterday morning, I accidentally heard, won't say where...
23:00That a certain person
23:02of not altogether uncolonial pursuits,
23:04and not altogether unpossessed
23:06of portable property,
23:08won't name names.
23:10Not necessary.
23:12Was returned to England,
23:14and furthermore, that your rooms was being watched.
23:16Being watched?
23:18By whom?
23:22Please, Mr. Wemmink.
23:24Well, at the risk of a clash
23:26with official responsibilities,
23:28I'm sorry.
23:30Have you heard of a man,
23:32a bad character named, um...
23:34Comperson?
23:36Comperson?
23:38So he is alive?
23:40And in London?
23:42Let me come to the action I took
23:44after hearing what I heard.
23:46I went to Clarica's to find Mr. Herbert.
23:48And found him.
23:50And found him.
23:52He must have been much puzzled as to what to do.
23:54Well, somewhat, but I was able to advise him.
23:56As you know,
23:58there's no place like a great city
24:00for lying close.
24:02Accordingly, it was arranged to shift
24:04a certain person to the lodgings
24:06of a young lady of Mr. Herbert's Quaintons.
24:08Clara is betrothed.
24:10Ah, you're in secret.
24:12Well, I am eternally obliged to you.
24:14You look worried, Mr. Pip.
24:16I'm tired.
24:18I hope you know you can at all times
24:20rely on John Wemmink.
24:22In his private capacity, of course.
24:42I'm tired.
25:06Hamble, thank heaven.
25:12All's well.
25:14Our friend is in the attic room.
25:16Quite happy, though eager to see you.
25:18Ahoy, bless your eyes,
25:20says old Bill Barley.
25:22On the flat of his...
25:24Old Barley, the father.
25:26Sad old rascal, I'm afraid.
25:28Not that I've ever seen him.
25:30Keeps to his room.
25:34Clara, my dear.
25:36May I present, Mr. Pip.
25:38Handle, Miss Clara Barley.
25:40Honour, Miss Barley.
25:42On the flat of his back,
25:44like a drifting old dead flounder,
25:46here's your old Bill Barley.
25:48Heavens.
25:50Papa wants me.
25:52If you'll excuse me, Mr. Pip.
25:54Come on. Let's go on.
26:10I've been thinking of a plan.
26:12We're both strong warsmen,
26:14and I still have the boat.
26:16We could row him down river,
26:18when Wemmink gives the word.
26:20I know a place where the steamers heave to,
26:22and take on passengers.
26:24Capital!
26:26No ticket offices,
26:28no hiring,
26:30no inquisitive boatmen.
26:32What do you think, Mr. Magwitch?
26:34I'm in your hands entirely, dear boy.
26:36Well, I mustn't visit here again until the last day,
26:38in case I'm watched.
26:40Are you perfectly comfortable?
26:42Aye.
26:44I'll wait content,
26:46knowing that you and me will make the run together.
26:48And together,
26:50we run clean away, too.
26:52And so we will.
26:54Let's go.
27:18He just sat scarred,
27:20and I've never felt...
27:24My son!
27:26His son!
27:27Of light from yonder window...
27:28Oh, Mary!
27:29His son!
27:30Of light from yonder window,
27:32of light.
27:33His son!
27:34Mary!
27:35Julia!
27:36His son!
27:37Oh,
27:38Julie!
27:39His son!
27:40Alive!
27:42Alive!
27:43Alive!
27:45Alive!
27:46Ud, son!
27:48Alive!
27:49And kill the envious moon.
27:51That is all.
27:53Thou Hamey, act far more fair than she.
28:10Be not, be not Hamey.
28:23It is the strangest thing, and yet I could swear to him.
28:29To who, Mr. Wopsle?
28:30Walden Garver.
28:33Mr. Walden Garver?
28:34Who did you see?
28:36Do you remember in old times, a sudden Christmas, when you were quite a child,
28:40and I dined with you at Gargery's?
28:43I remember it well.
28:44And I led you on a chase after two convicts.
28:46One of those two prisoners sat behind you tonight.
28:51I saw him over your shoulder.
28:54The one with the scar?
28:56With the scar!
29:00Come on, sir.
29:05Who could ever forget such a face?
29:19Good evening, Pip.
29:20Yes, well, well...
29:21Good evening, sir.
29:23Since we're going in the same direction, we may as well walk together.
29:29Have you dined?
29:31No, sir.
29:33Not engaged anywhere?
29:34No, sir.
29:35Well, then dine with me.
29:38Wemmick's coming.
29:39Thank you, sir.
29:40Mr. Wemmick.
29:53Evening, Wemmick.
29:55Served in the straightaway, Molly, please.
29:58Yes, master.
29:59It's a happy chance, Mr. Pip, to be in here, sir.
29:59There's a ride for him last post.
30:00Oh.
30:01From Miss Herbisham.
30:03Thank you, sir.
30:05Thank you, sir.
30:05Thank you, sir.
30:07Thank you, sir.
30:08It's a happy chance, Mr. Pip, to be in here, sir.
30:13There's a ride for him last post.
30:15Oh.
30:16From Miss Herbisham.
30:18From Miss Herbisham.
30:20A glass of wine, Wemmick.
30:21Thank you, sir.
30:30So, Pip, our friend the spider has played his cards and won the pool.
30:35Mrs. Stella Herbisham is to be Mrs. Bentley Drummle, in due course Lady Drummle.
30:42A promising fellow, this spider, in his own way.
30:46But I wonder which of the two will prove the stronger.
30:50Of course, if he turns and beats her.
30:53Beats her?
30:54You can't seriously think that he's scoundrel enough for that?
30:57Well, I've no opinion.
30:58I'm merely putting a case.
31:00If it's a matter of physical strength, Drummle gains.
31:03If intellectual, the lady has it.
31:05A fellow like this spider only knows two ways to act.
31:09Well, may I ask what those are?
31:11They are the beats or he cringes.
31:13What's your opinion, Wemmick?
31:15Beats or cringes?
31:17Well, I drink to the lady. Let's hope she makes them cringe.
31:20You're a woman to make a man cringe, aren't you, Molly?
31:23Bib?
31:24Bib?
31:25Whatever's the matter?
31:26Oh, nothing, sir.
31:27The subject's a painful one to me, that's all.
31:29Well, we can only do something.
31:31Bib?
31:32Bib?
31:40Bib?
31:42Whatever's the matter?
31:44Oh, nothing, sir.
31:46The subject's a painful one to me, that's all.
31:48Oh that's over.
32:03he's a wonderful man mr. Jaggers nobody like him but I always feel like to wind
32:20myself up when I dine with him and I dine more comfortably unwound. Mr. Wemmett you
32:24don't happen to know the story of mr. Jaggers housekeeper? some did yes. I ask in a
32:30private and personal capacity. oh well in that capacity. do you care to step across
32:36to the tavern? I usually take a drop after dining with mr. Jaggers to wind
32:42myself down as you might say.
32:46well now mr. Pip 20 or so years ago that housekeeper Molly was tried at the old
33:09bay for the murder of a gypsy woman and was acquitted. mr. Jaggers was for her and
33:14worked the case in a manner that was most astonishing for it was dead against her.
33:19she was half gypsy herself and married to a man of the same sort and had a child by him.
33:25a child? come to the child presently. crown's case was that in a fit of jealous rage she
33:33had done in the gypsy had a massive woman who had been consorting with her husband since there was no other likely suspect that seemed open and shut.
33:44but from her first appearance in court Molly was dressed so artfully that she seemed
33:49slighter than she was. those great arms of hers may be quite delicate and um lacerations on her hands.
34:00which the prosecution said had been made by the gypsy woman tearing with her fingernails.
34:06mr. Jaggers proved had been made by her tumbling into a bramble bush but his boldest spoke.
34:14here we come to the child. it was brought in evidence of her jealous rage that she'd killed her child too to spite her husband. but where was the body? hmm?
34:27that was the weakness and mr. Jaggers seized on it.
34:31sir Z we have demonstrated the cause of those lacerations and in open court we've shown you traces of those brambles in her skin.
34:43you say that she killed her child? why don't you produce the body in open court?
34:49why don't you try her for the murder of the child?
34:53in short it was too much for the jury. they gave it in and he made his reputation.
34:58but the child? what of the child?
35:01yeah i never heard. was it a girl?
35:05oh yes i believe i did hear it. it was a girl.
35:11oh yes i know i will be getting into the children.
35:13oh yes i believe i was fortunate.
35:15oh my god.
35:17oh my god.
35:19oh my god.
35:21oh my god.
35:23oh my god.
35:55Miss Havisham.
36:02What? Is that a voice?
36:05It's Pip, Miss Havisham.
36:08Pip.
36:11I received your note. I lost no time in coming down.
36:14Thank you, Pip. Thank you.
36:18Come closer. There, where I can see you.
36:25Pip, I want to show you that I'm not all stone.
36:32Can you believe that there's anything human in my heart?
36:37Of course, Miss Havisham.
36:40You said I could do something good and useful for Herbert Pocket.
36:44Yes. Um, some time ago, in secret, I began the purchase of a partnership for him in a trading house.
36:55I now cannot afford to complete it.
36:59How much is wanting?
37:03Nine hundred pounds.
37:06I keep no money here.
37:09This is an authority to Mr. Jaggers
37:11to pay you that sum
37:13on behalf of your friends.
37:15Can I do nothing for you, Pip?
37:43Nothing.
37:48You'll hate me too much.
37:50You can never forgive me.
37:54Dear God, what have I done?
37:59Nothing.
38:01I should love Estella under any circumstance.
38:03No, no.
38:05When you spoke to her of your love,
38:08I hurt myself as I once spoke.
38:12Felt again the agony that killed my heart.
38:17What have I done?
38:19What have I done?
38:24Is she married?
38:25Miss Havisham, I beg you to dismiss me from your thoughts.
38:32But if you can put right the wrong you have done, Estella.
38:36I never meant her harm.
38:38Never.
38:40I meant only to save her from a misery like my own.
38:44But she grew.
38:46Oh, she promised to be beautiful.
38:49I couldn't help myself.
38:53But with my praises and my jewels
38:56and my teachings,
38:59I stole her heart away
39:01and put ice in its place.
39:05Miss Havisham, whose child was she?
39:08Whose child?
39:09I never knew.
39:13But Mr. Jaggers
39:14brought her here
39:15and sent her.
39:18Brought her.
39:21I wanted a little girl to rear and love
39:24and save her from my own fate.
39:30One night he brought her.
39:34She was asleep.
39:35He carried her in his arms.
39:41Such a little thing.
39:45No more than two or three.
39:48So pale.
39:51So simple.
39:53But smiling.
39:56In her sleep.
39:59Yes.
40:02She was smiling.
40:05Dear God, what have been done.
40:16What have they done?
40:27Oh, my God.
40:28Oh, my God.
40:29Oh, my God.
40:29Oh, my God.
40:35Oh, my God.
40:36Oh, my God.
40:37Oh, my God.
40:38Oh, my God.
40:39Oh, my God.
40:40Oh, my God.
40:41Oh, my God.
40:42Oh, my God.
40:43Oh, my God.
40:44Oh, my God.
40:45Oh, my God.
40:46Oh, my God.
40:47Oh, my God.
40:48Oh, my God.
40:49Oh, my God.
40:50Oh, my God.
40:51Oh, my God.
40:52Oh, my God.
40:53Oh, my God.
40:54Oh, my God.
40:55Oh, my God.
40:56Oh, my God.
40:57Oh, my God.
40:58Oh, my God.
40:59Oh, my God.
41:00Oh, my God.
41:01Oh, my God.
41:02Oh, my God.
41:03Oh, my God.
41:04Oh, my God.
41:34she's alive it's a remarkable thing may I go up you're badly burned yourself sir
41:58you must take care but I have to return to London immediately I'd like to see
42:03her before I go see her by all means but she won't know you her mind well thank you
42:09don't
42:39so
42:46so
42:47so
42:51is that was you
42:56it's aEC
43:28This looks bad, Handel.
43:48I'm sorry, old fellow.
43:49Is all well with Magwitch?
43:58He seems content.
44:00I spent two hours with him today.
44:03He improves upon acquaintance.
44:06One can't help but feel a certain compassion for him.
44:10He's led a hard life.
44:12Touched with tragedy.
44:13Did he tell you he was married once?
44:19She was evidently a violent, vicious woman.
44:24Tried for murder at the Bailey.
44:26And worse.
44:28She murdered her own child by Magwitch.
44:32I mean, can you conceive of it?
44:36To murder an innocent child out of spite against the father?
44:42Just bear thinking about.
44:45My dear fellow, I'm upsetting you with my infernal prattle.
44:48When did this happen?
44:50My dear Handel.
44:51Did he say when?
44:53Some 20 years ago, I think he said.
44:55And the woman at her trial, did Jaggers defend her?
44:58Well, yes, that's how Magwitch first came to hear of him.
45:01But Magwitch still believes the child's dead.
45:03Well, yes, but...
45:04Well, she isn't dead.
45:05She's alive.
45:07And was adopted by a rich old woman who gave her a new name.
45:12Estella.
45:15Magwitch is Estella's father.
45:28Magwitch.
45:48Magwitch.
45:50Magwitch.
45:51Let's go.
46:21It's a little better, I think.
46:22And it feels worse.
46:23Morning, Mr. Robert.
46:25Morning, Master.
46:26That do look nasty.
46:29See you to our breakfast.
46:30Very nasty.
46:36It's from Wemmick.
46:46We're to get Magwitch away as soon as possible.
46:48He doesn't say why, of course.
46:52At least he does.
46:53But in terms so guarded, you can't make head nor tail of it.
46:57We're to roam down the river and hail one of the North Sea steamers.
47:01Will you go with him?
47:02I must.
47:06I'll speak to Wemmick when I see Jaggers this morning.
47:09See Wemmick by all means.
47:10But I've told you, you'll get nothing out of Jaggers.
47:13I will, if I have to choke it out of him.
47:32Morning, gents.
47:33You both know that I am, but I don't think I've had the honour of your acquaintance.
47:38I'll see you next time.
48:08Morning, how good do you are.
48:13You both know that I am.
48:19Morning, how are you, My favourite of your acquaintance?
48:21Morning, how is it happened?
48:28Morning, how are you, My birthday?
48:32Morning, how are you, My luke and south?
48:34Morning, how are you, The other union.
48:35¶¶
49:05¶¶
49:35¶¶
49:45¶¶
49:51¶¶
Comments