Tv, Great Expectations 1989 Ep. 3-CHARLES DICKENS NOVEL MOVIES
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00:00The
01:38Well?
01:39What do you think?
01:40Astonishing old chap.
01:41Very handsome, Pip.
01:42Look, Mrs. Joe.
01:43He's a hackney.
01:44He's waiting on him.
01:45I hope to.
01:46Aren't you going to kiss your sister goodbye?
01:49Aren't you going to kiss your sister goodbye?
01:50Goodbye, Mrs. Joe.
01:51Goodbye, Mrs. Joe.
01:52Here's something for the journey.
01:54Thanks, Pip.
01:55I'll bring it.
01:56No.
01:57I'll have to.
01:58Aren't you going to kiss your sister goodbye?
02:01Goodbye, Mrs. Joe.
02:03Here's something for the journey.
02:04Thanks, Piddy.
02:05I'll bring it.
02:06Oh, Piddy.
02:07Oh, Piddy.
02:08You will look after Joe, won't you?
02:09Of course I will.
02:10I mean, help him on.
02:11Help him on?
02:12How?
02:13Well, with his learning.
02:14He's the finest man in the world, and when I come into my money, my capitalist money.
02:16I won't go.
02:17Yeah, hey, come on.
02:18Oh, I'll bring it.
02:19Hey, buddy.
02:20Oh, Biddy.
02:21You will look after Joe, won't you?
02:23Of course I will.
02:24I mean, help him on.
02:25Help him on.
02:26How?
02:27Well, with his learning.
02:28He's the finest man in the world and when I come into my money, my capital,
02:40I want to help him out.
02:41And you're afraid he won't be genteel enough for you, is that it?
02:44No, of course not. It's just that...
02:48No matter. I'd better be off.
03:10Don't look so glum, Joe.
03:21I'm not going off forever.
03:23Well, it's just that this change comes so uncommon plumb,
03:26bit old chap.
03:31God bless you.
03:35Goodbye, Joe.
03:40Take care, Pip.
04:10Goodbye, Oleg.
04:18God bless you, Pip, old chap!
04:22Goodbye.
04:25Goodbye.
04:26Goodbye.
04:40Goodbye.
04:41Goodbye.
04:59Goodbye.
05:01Goodbye.
05:02Goodbye.
05:03It's fire! It's fire!
05:33It's fire!
05:35It's fire!
06:03It's fire! It's fire! It's fire!
06:07It's fire! It's fire!
06:10It's fire! It's fire!
06:12It's fire! It's fire!
06:14It's fire! It's fire!
06:16Excuse me?
06:17Can you... can you turn with me?
06:19No one?
06:22To Little Britain?
06:24Yes, sir. Down there, first left, across the square.
06:26Thank you very much.
06:33Also, I should approach the chapel.
06:36I go to my office.
06:43Let's go!
06:45So I...
06:52I kit the Soichita,
06:55are we waiting for you about who we sustainable park?
06:59You got home.
07:00Iilitit.
07:03Come back here.
07:33Here, what's your game?
07:43Wait in line.
07:44Wait in line.
07:46All right.
07:47Mr. Pepp?
07:49Mr. Pepp?
07:56Mr. Jagger's left word would you wait in his room.
08:00He's in court at present.
08:07He couldn't say how long he'd be having a case on but it stands to reason his time being valuable he won't be longer than he can help.
08:30Mr. Jagger's, Mr. Jagger's, Mr. Jagger's, I must talk to you.
08:45Oh, come on with me.
08:54All right, Mr. Wemmick, sir.
08:56Let go of my coat.
08:58We'll give you our money back.
09:00Mr. Wemmick, you'll speak for me.
09:02You will stay the night with Mr. Herbert Pockett, Mr. Matthew Pockett's son.
09:16He will take you to his father's house at Hammersmith tomorrow.
09:19Your allowance will be $500 a year.
09:25In addition, I have arranged credit for you with these tradesmen.
09:31In that way I will be able to check your bills.
09:34And pull you up if you overspend.
09:36When, I should say.
09:39Of course you will find some way of going wrong.
09:42But that's no fault of mine.
09:44Wemmick, my clerk will walk you round to Herbert Pockett's.
09:48Goodbye for the present.
09:50Goodbye, sir.
09:51Wemmick, take Mr. Pipp round to Barnard's court.
09:56And... thank you, sir.
09:58No thanks due to me.
10:00Hello, Mr. Pipp.
10:01Hello.
10:05What's up?
10:06Let's go.
10:07How are you?
10:09How are you?
10:10How are you?
10:11How are you?
10:12How are you?
10:13How are you?
10:14How are you?
10:15How are you?
10:16How are you?
10:17So, Mr. Pipp...
10:18you were never in London before?
10:19Aye.
10:20No.
10:21No, I was new here once myself.
10:22Rum to think of it now?
10:23Aye.
10:24Isn't it very wicked place?
10:25wicked place. you may get murdered cheated and robbed in London but there
10:28are people anywhere I'll do that for you.
10:32well you don't want me anymore. first floor number five. as I keep the cash we shall most
10:56probably meet pretty often. good day. good day. oh yes. to be sure yes you're in the
11:04habit of shaking hands. I've got so out of it. very glad I'm sure to make your
11:13acquaintance. good day. good day.
11:26good day.
11:56mr. pip. mr. pip. mr. pocket. dear me I thought coming from the country you
12:12might like some fruit. so I went to market to get it fresh. but come in. come in.
12:18dear me. may I? much obliged. it tends to stick you know.
12:35allow me to lead the way. rather bare here I'm afraid but I hope you'll make out
12:41tolerably well. but good heavens. I've left you with a... allow me.
12:54follow me.
12:56lord bless me. am I right? miss Havisham's. you challenged me to a fight. so I did.
13:04knock you about a bit too. but look here. I hope you shake hands. oh gladly.
13:11well the idea of it's been you. the idea of it's been you.
13:25mr. pip. you'll take a glass of wine. thank you.
13:29but look here. my name's Herbert. oh my name is Philip.
13:35Philip. don't you like the name?
13:38it doesn't seem quite to suit you.
13:51ah dinner from the coffee shop.
13:53by order of mr. Jackers.
13:59since it's at your expense you must take a seat.
14:02oh.
14:04come on.
14:23oh.
14:44is that better?
14:46well I hardly think...
14:48I was brought up a blacksmith. I know little of polite manners. I'd take as a kindness if you put me right.
14:52well since you ask I might mention that it's more the custom in London to bring the spoon to the mouth.
15:00oh yes thank you.
15:02it's scarcely worth mentioning. only it's as well to do as other people do.
15:11I say would you mind very much if I made up my own name for you?
15:15well not at all.
15:17you wouldn't be offended if I called you Handel.
15:21Handel?
15:22you see we seem to get along harmoniously.
15:24and you've been a blacksmith.
15:26and there's a charming piece of music called the harmonious blacksmith by Handel.
15:30handle.
15:35the first time we met you hadn't come into your good food.
15:38no.
15:39I was rather on the lookout for fortune myself that day.
15:42another bottle master.
15:45we do keep a good burgundy for those what can afford it.
15:48oh well yes um certainly by all means a burgundy.
15:51yes Miss Havisham had sent for me to see if she could take a fancy to me.
16:06but she couldn't.
16:07that surprises me.
16:08yes bad taste on her part.
16:11my father's her cousin you know.
16:13but he won't bow and scrape to her like the others.
16:17still I look on the bright side.
16:20if Miss Havisham had taken me up
16:22I'd most likely be engaged to Estella by now.
16:26don't you admire Estella?
16:28Estella?
16:30she's a tartar.
16:32Miss Havisham has brought her up to wreak revenge on the male sex.
16:36what relation is she to Miss Havisham?
16:38none.
16:39only adopted.
16:41what is this revenge?
16:44you don't know Miss Havisham's story.
16:55best burgundy sir.
17:00pardon me gents but you wouldn't happen to be looking for a servant to take on would you?
17:05only I have been considering terminating my present employment down at the coffee house.
17:09afraid the money don't stretch the servants in this establishment young fellow.
17:13poor sort of a gentleman what can't afford a servant.
17:18be off with you you young rascal.
17:19two bob a week.
17:23be off with you.
17:24take another glass of wine handle and excuse my mentioning that it's not expected to empty the whole glass in one go.
17:35thank you.
17:37not at all.
17:39now where'd I got to?
17:41our father had died leaving Miss Havisham the better part of his fortune.
17:44ah yes.
17:45an immense sum.
17:47immense.
17:48and her half-brother was jealous.
17:51been provided for.
17:52but it was all swallowed in debts.
17:55then Miss Havisham fell in love.
18:00my father says he was a showy sort of fellow.
18:03pretend gentleman.
18:04you know the type.
18:06well the wedding day was fixed.
18:09dresses bought.
18:10guests invited.
18:12the day came.
18:14but not the bridegroom.
18:16he wrote her a letter.
18:17which arrived the moment she was dressing for her marriage.
18:20at twenty minutes to nine.
18:22the very hour and minute of which she afterwards stopped all the clocks.
18:26and she laid the whole place waste.
18:29as you have seen it.
18:31and has never since looked upon the light of day.
18:34it had all been a plot of the half-brother to gain revenge.
18:38he was in league with the bridegroom from the first.
18:41and now she seeks her own revenge.
18:43on the whole world.
18:45and all the men in it.
18:49so I reckon myself lucky in a way to have escaped her patronage.
18:53you must make large profits at the counting house.
18:56well there's no actual profit in the work.
18:59matter of fact I have to keep myself.
19:01but the thing about the counting house is that you look around.
19:09that's the advantage you see.
19:11you see your opening.
19:13swoop in upon it.
19:15and make your capital.
19:17then you invest.
19:19i think i shall trade to the east indies.
19:22silks.
19:24spices.
19:25precious woods.
19:26all that sort of thing.
19:28so you too have expectations.
19:29tremendous ones.
19:31let's drink to expectations.
19:33yours.
19:35and mine.
19:36clothes with volonties.
19:37stuff ejercits and dangerous.
19:38and nothing with beginnen.
19:39so you can use them as it is for the end of your ì—†ceptions.
19:41and no money with the crowns.
19:42no money with the crowns.
19:44가능 moves to date!
19:47how do you know things?
19:48Good day, Mother.
19:50Ah, my dear boy.
19:52Come on.
19:53Come on.
19:54Come on.
19:55Come on.
19:56Come on.
19:57Come on.
20:14Good day, Mother.
20:16my dear boy may I present mr. pip handle my mother mrs. pocket mr. pip mr. pip my
20:29father very glad to see you very glad I hope you're not sorry to see me for I am
20:36really not an alarming personage do care for the taste of orange flower water mr.
20:42pip what is the matter Alec? the ball was stuck up in the tree. I'll go and get it I'll get it
21:07oh do me careful mr. pip
21:12it's fearfully dangerous
21:14please
21:15can I have the ball please
21:16give me the ball
21:17give me the ball
21:18give me the ball
21:19please mr. pip can I have the ball
21:21please can I have the ball
21:23please give me the ball mr. pip please let me have the ball
21:26oh hell, please mr. pip
21:35mr. pip will be a valuable addition to our little household idea
21:39good lord a monkey
21:46mr. pip may I present your fellow students mr. startop mr. drummle
21:52honor to make your acquaintance mr. pip
21:54monkey
21:56copper
21:58horn
21:59uncün
22:15hello
22:17john
22:18hello
22:19hello
22:20hello
22:21hello
22:22hello
22:23hello
22:24I
22:48thought I'd divide my time between Hammersmith and Barnard's court.
22:52Herbert's pocket is agreeable.
22:54And his father? Is he agreeable?
22:56Perfectly.
22:58What else?
23:00Well I thought that I would buy some furniture as it's rather bare at Herbert's.
23:04And a boat to use on the river.
23:08How much do you require?
23:11I don't know.
23:12Fifty pounds?
23:13Not nearly as much as that.
23:14Five pounds?
23:16More than that.
23:17More than five? How much more?
23:20Well it's so difficult to fix a sign.
23:22Well come sir, let's get at it.
23:26Twice times five will that do?
23:30Three times five will that do?
23:33Four times five will that do?
23:35Handsomely.
23:36Four times five will do handsomely.
23:39Wemmick!
23:41What do you make of four times five sir?
23:43What do I make it?
23:45How much?
23:47Well I suppose you call it twenty pounds.
23:51Never mind what I make of it sir.
23:53I want to know what you make of it.
23:55Twenty pounds of course.
23:57Wemmick!
23:58Take Mr. Pipp's written order and pay him twenty pounds.
24:02I knew you'd go wrong.
24:06Take care to sign this Mr. Pipp.
24:22Mr. Wemmick.
24:23Is Mr. Jagger's manner always so strange?
24:24I never know what to make of him.
24:25You don't mean you should know what to make of him.
24:40He's deep Mr. Jagger's.
24:42Deep as Australia.
24:44Mr. Wemmick.
24:48Who are these likenesses?
24:50Clients.
24:52Dead clients.
24:53Hanged all of them.
24:55See that's the genuine look.
24:57Nostril caught up as if with a little fish hook.
25:00Is it like him?
25:02Like him?
25:03That's himself.
25:04It's a cast done in Newgate the day after he was cut down.
25:08He had this made for me.
25:13These are all gifts of that kind.
25:15Not worth much but they're property and portable.
25:18Of course it don't signify to you with your brilliant look out.
25:22But as for me my guiding star always is get hold of portable property.
25:32I have one or two curiosities of me own at home if you'd care to step out to Walworth.
25:39Why?
25:40I'd be delighted.
25:42You've got to go.
25:45You're not going to go.
25:47I'll go.
25:48I'm a hot dog.
25:49Look.
25:50't go away.
25:51It's not very sweet.
25:52You're not going to be too soon.
25:53No no no no no no no no it's not.
25:54You're a big fan of a nice Red falch.
25:55I have one for you.
25:56You're a big fan.
25:57I'll go.
25:58I'll go by.
25:59Well I think so.
26:00I won't even go.
26:01I want this.
26:02I've got a baby to live.
26:03good shot mr. pip your orange flower water my dear what news of your cousin
26:20sir george mr. drummle none that have heard ma'am mr. drummle is next heir to
26:26the baronetcy mr. pip my own dear father was knighted of course
26:32but what's the use of breeding where there's no fortune if certain persons
26:38with rich relations would only swallow their pride my dear belinda miss
26:44havisham is the sort of relation that any self-respecting man would choke on
27:02so you haven't dined with mr. jaggers yet not yet he means to invite you told me
27:09so himself this morning and your pals too now if you're interested in curiosities you
27:17take a look at his housekeeper observe her closely is there something very remarkable
27:23about her the castle mr. pip pretty it's marvelous mr. wammick i'm me own architect engineer carpenter and plumber
27:44nine o'clock every night greenwich time he fires when you hear him go i think you'll say he's a stinger
27:49there's a genuine flagstaff every sunday run up the colors
27:59brushes away the new gay cobwebs and pleases the aged you don't object to meeting an aged parent do you
28:07feed the carp
28:08hello how are you today yes i'm jack of all trades
28:19hello aged parent how am you how are you john this is mr pip aged p and i wish you could hear his name
28:32oh stone deaf um nod at him if you please mr pip that's what he likes nod at him if you will like winking
28:42this is a fine place of my son sir it ought to be kept together by the nation after he's gone
28:51for the people's enjoyment you're as proud of it as punch ain't you aged it is a remarkable place mr
29:01wemmick what does mr jaggers think of it never seen it never heard of it never seen or heard of the aged
29:08bonus pip office is one thing private life another when i go to the office i leave the castle behind me
29:13when i come to the castle i leave the office behind me getting near gunfire time gunfire aged
29:28come on come on yeah yeah yeah and i can rely on you mr pip not to mention the castle of the office
29:34of course not a word to mr jaggers
29:35that's right and um and when you dine with him be sure to look out for his housekeeper you'll see a wild
29:45beast tamed
29:49he's fired i heard him yes you heard didn't you you heard all the things didn't you
29:55you're all of you too free with your money well that's good coming from you you had to borrow
30:11five pounds from start-up yourself last week well i'll pay him back well no doubt
30:19you're the last person to talk about being too free with money i'd say would you know and who are you
30:31i've never seen you lend money to help the fellow out you won't i wouldn't lend sixpence to any of you
30:38admirable sentiments mr drummle i drink to you
30:42rather mean to borrow then isn't it it's not very gentlemanly gentlemanly from you
30:55oh drummle's jealous sir because pip beats him at rowing uh pips our champion or sir
31:02strong is he
31:03i'll show you a wrist gentlemen molly let them see your wrist master don't let them see
31:15master please show them
31:23both of them
31:33the strength here gentlemen
31:42few men have the strength of wrist this woman has
31:55that will do molly you've been admired you can go
32:03gentlemen i'm sorry to announce that it is half past nine
32:17pray make the best use of your time
32:19good night good night sir good night mr drummle a pleasure to have made your acquaintance
32:27good night good night good night pip i like that drummle of yours
32:33spidery blotchy sprawly sulky sort of fellow i'm glad you do sir i don't much you're right keep as
32:41clear of him as you can but i like the fellow he's a spider good night sir
32:46and the poisonous one i shouldn't wonder
33:00good night
33:02yes very good sir clockwise to raise it and when it reaches the required height you knock it off with
33:07the little handle
33:08you got the hang of it mr pip sir well if you'd just like to sign here sir yes of course
33:17course mr philby now here
33:29much obliged as always sir good day good day mr philby
33:34good day good day good day good day good day for you
33:40oh what do you think of it isn't it rather... large
33:50left way sir
33:56that's the laziest boy i ever knew and he's an inveterate thief
34:03It's from Biddy. Joe's in London. Joe Gardery, my stepfather.
34:07He wants to visit us here tomorrow for breakfast.
34:09I can make myself scarce. Leave early for the city. No matter.
34:13No, no, no. I particularly want you to be here.
34:16But you'll have so many old times to talk over. I'd be in the way.
34:19I'd be obliged if you'd help me entertain him, Herbert.
34:23Entertain him?
34:28Very well, Handel. Whatever you wish.
34:33I'd be in the way.
34:35I'd be in the way.
34:35I'd be in the way.
34:36I'd be in the way.
34:37I'd be in the way.
34:38I'd be in the way.
34:39Come on.
34:40Walk on, my view.
34:42Walk on.
34:42Come on.
34:43Go on, Ed.
34:44Come on, Ed.
34:46Come on, Ed.
34:47You're fine, Mrs. Potter.
34:49Good morning, Mr. Man.
34:50Good day, man.
34:51Ed.
34:52You doing other pretty too?
34:53Hi, Ed.
34:54Hi.
34:55Hi.
34:56Hi.
34:57Hi.
34:58Hi.
34:59Hi.
35:00Hi.
35:01Hi.
35:02Mr. Gargery, sir.
35:05Joe.
35:08Joe.
35:09How are you?
35:17how are you people chap how are you it's good to see you Joe may I take your hat
35:37that grod and that gentleman well you look well Joe oh I am thank God and your sisters know
35:57no worse than she were and Betty ever right and ready and all your friends go on much the same
36:06except in Wopsle he's had a drop a drop Joe here he he's given up the church and he's gone into the
36:21play-acting which have brought him to London and me to see him his wish were if no offense to give you
36:31this her pocket delighted to meet you mr. Gargery your servant sir ah toast you must be hungry mr.
36:46Gargery yes Joe to table okay Joe thank you sir now
37:16to your coffee mr. Gargery thank you sir whichever is most agreeable to yourself coffee I will not run
37:45contrary since you make the choice but don't you find it heats the blood tea then
37:57good heavens I must be off delighted to have made your acquaintance mr. Gargery sir
38:19us two now being alone sir Joe how can you call me sir
38:36us two now being alone sir and me not having the intention of staying many minutes more
38:47I come to the purpose of my visit which is to convey the following message to you from Miss
38:56Aversham Miss Aversham what desired me to convey the following that mrs. Stella has come home
39:05Stella
39:07and we'll be glad to see him
39:11As of a sudden
39:25jo you're not going yes I am but you're coming back for dinner no I am not
39:34No, I am not.
39:38Joe.
39:42Pip,
39:44if there's been any fault here today,
39:48it's mine.
39:52You and me is not two figures to be seen together in Larnham.
39:59And so God bless you,
40:01dear old Pip, old chap.
40:05God bless you.
40:31God bless you.
40:38Ornick?
40:40Ah, young master.
40:42There's been other changes than yours.
40:44Have you left the forge?
40:45Did this look like a forge?
40:47Ah.
40:54Have you left the forge?
40:55Did this look like a forge?
40:56Did this look like a forge?
40:57Ah...
41:02Ah.
41:03Ah.
41:04Ah.
41:06Ah.
41:07Ah.
41:08Ah.
41:10Ah.
41:12Ah.
41:14Ah.
41:15Ah.
41:17Ah.
41:19Ah.
41:20Ah.
41:21Ah.
41:22Ah.
41:23Ah.
41:24Well, Pip, do you find her much changed?
41:41Is he changed?
41:44Very much.
41:54Is she not beautiful, Pip? Graceful.
42:01Do you admire her?
42:03Everybody must.
42:04Then love her, Pip.
42:06If she favors you, love her.
42:08If she wounds you, love her.
42:11If she tears your heart to pieces, love her, love her.
42:16Hear me, Pip.
42:18I adopted her to be loved.
42:21I bred her, educated her to be loved.
42:24Love is blind devotion, utter submission.
42:29Surrender your whole heart and soul as I did.
42:42Mr. Jaggers, punctual as ever.
42:47As ever.
42:54This is where you tried to make me cry.
42:59Is it?
43:00I don't remember.
43:01If memory has anything to do with heart, I have no heart.
43:05Oh, Stella, come.
43:07Oh, I have a heart to be stabbed or shot.
43:10Did you know what I mean?
43:11I have no softness there, no sympathy, sentiment, nonsense.
43:20Don't stare so, Pip.
43:22If we're to be thrown much together, believe for your own sake that what I tell you is true.
43:26I have no tenderness.
43:29But you shall not shed tears for my cruelty today.
43:35You shall be my page and give me your shoulder.
43:37Mr. Jaggers, you notice the new man at the gate?
43:49Yes.
43:50Well, I feel it my duty, sir.
43:51I know something of him.
43:52To his discredit?
43:54Very much so.
43:56He...
43:56Be careful, Pip.
43:59Well, he was my stepfather's journeyman at the forge.
44:03And you do not consider him a suitable person to keep him at Havisham's gate?
44:06No, sir.
44:07He...
44:08Don't tell me why.
44:10A hint is sufficient.
44:11I shall pay him off tomorrow.
44:14You're staying at the Blue Ball.
44:17I thought it more convenient.
44:18Hmm.
44:20You intend visiting Mr. Gargery?
44:25No.
44:28Oh, well.
44:33Oh, well, I'll be right back.
45:02Oh, well, I've seen...
45:05Oh, well, I've seen...
45:07Evening, master.
45:13Go out and buy some, um, strawberries.
45:16Strawberries?
45:17This time of the year.
45:20Well, hothouse strawberries, of course.
45:21Hot-house strawberries.
45:22Where am I going to get hot-house strawberries?
45:24I don't know.
45:24Just look.
45:26Hot-house strawberries.
45:29And don't come back until you've found them.
45:31My dear Handel, the things you dream up to give that idol, good-for-nothing, a job to do.
45:40We're slaves to the wretched creature.
45:43Both of us.
45:44Herbert, I've seen her.
45:49Estella.
45:51I love her, Herbert.
45:52I adore her.
45:53Of course.
45:55But have you told her?
45:58What do you mean, of course?
45:59Well, I mean, I know you adore her.
46:02But I've never told you.
46:04My dear Handel, you don't tell me when you get your hair cut, but I have the senses which enable me to perceive it.
46:11But you have always adored Estella, ever since I've known you.
46:17Well, you brought your adoration and your portmanteau here together.
46:21Well, I adore her doubly now.
46:26And Estella?
46:30Any idea of her views on the adoration question?
46:33She's a thousand miles away from me.
46:38I wonder.
46:45I know we're forbidden to talk of your secret benefactor.
46:50But can there be any doubt that a certain person has picked you for Estella and Estella for you?
46:57That's what frightens me, Herbert.
46:59All my expectations, in love as well as money, depend on the constancy of mishap...
47:04Well, of a person who could cut me off tomorrow on a whim.
47:08I can't believe you have anything to fear on the money side.
47:11It must be all settled and done, or Mr. Jaggers would not be party to it.
47:14That's a point.
47:15A good one.
47:17What a hopeful disposition you have, Herbert.
47:19Ah, well.
47:20Hope is what I live on.
47:24As to the love side...
47:28Handel, I'm going to make myself disagreeable to you.
47:33Positively repulsive, in fact.
47:35It's impossible.
47:36Nothing has been openly said between you and Estella, has it?
47:46No.
47:47Or by a certain person?
47:51No.
47:53Then it's not too late to detach yourself.
47:57Well, think what Estella is.
47:59Remember how she was brought up.
48:02What Miss Havisham has made of her.
48:06Utter misery may lie ahead of you.
48:10I know it, but I can't help it.
48:12Can't you try?
48:15No.
48:16Well, the next best thing is to seek distraction.
48:34Your friend opens in Hamlet tonight.
48:39Wopsle!
48:40I'd completely forgotten.
48:41Shall we go?
48:42Well, why not?
48:43Let's go.
48:44Well, what are you doing?
48:45Look at that.
48:45I'll see you next time.
48:47Bye-bye.
48:47Bye-bye.
48:53Bye-bye.
49:01See you next time.
49:01Bye-bye.
49:01Bye-bye.
49:09Bye-bye.
49:11Bye-bye.
49:11Bye-bye.
49:11Bye-bye.
49:12Bye-bye.
49:12Bye-bye.
49:13ORGAN PLAYS
49:43ORGAN PLAYS
50:13ORGAN PLAYS
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50:57ORGAN PLAYS
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