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00:00I'd better get back to work, Mum.
00:15Like you always say, those streets won't stay safe
00:24without your Charlie keeping an eye out.
00:28I'll be back tomorrow.
00:58Uncle?
01:02Charlie?
01:06Charlie?
01:14How is she?
01:16Still the same?
01:18I hate seeing her like this.
01:20Ruled the roost when we were kids.
01:22Terrified over I was.
01:26Yeah, there's a shadow of my sister in there.
01:30Heard about your promotion.
01:32Detective Inspector Phelps of the City of London Police.
01:36Bet your Mum's proud of you.
01:38And I am.
01:40Yeah, I'll bet.
01:42No, I am.
01:44You've done well for yourself, boy.
01:46Good on you.
01:48To.
01:50Charlie?
01:52You ain't heard this from me, but, uh...
02:04The Galanis family.
02:06They've been difficult.
02:08I'll try and keep it off your patch, but there's a storm coming.
02:16You cause me any problems, I'll put you away.
02:20Family or not.
02:22Ooh.
02:28Is that a threat, son?
02:34There were so many tattoos from, but I think my favourite animals were the giraffes.
02:38Especially when they nibbled the zookeeper's hair.
02:42I like the elephants.
02:44Apart from when she went to the toilet.
02:46Yes, very unladylike.
02:48I wish I could miss school every day.
02:50My father used to say too much fun's bad for your health.
02:54I went to skip school without telling him.
02:56I spent the day with the ancient Egyptians at the British Museum.
03:00Was your Papa Cross?
03:02Well, he would have been had he found out.
03:04But I never told him.
03:06In fact, you're the only person that I've told.
03:10Now, I needed a little bit of paperwork, and then we can head home.
03:14Why don't you read?
03:16Yes, this.
03:18I hear Mrs. Banbury's making soup for tea.
03:22It's always turnip.
03:24I hate turnip.
03:26So do I.
03:28Papa!
03:34Inspector Blake!
03:36Is everything alright?
03:38Yes.
03:39Why shouldn't it be?
03:40Oh.
03:41We're a little late.
03:42More than a little.
03:43You were supposed to take her home two hours ago.
03:44I'm sorry.
03:45We lost track of time.
03:46Mrs. Banbury was worried.
03:47She was expecting Sophia home for tea.
03:48Turnip soup, I believe.
03:50You should have sent a message.
03:51Oh, you're right.
03:52I'm sorry.
03:53We had a wonderful time at the zoo, didn't we Sophia?
03:54We saw the giraffes and the elephants and…
03:55Get your things.
03:56go home two hours ago. I'm sorry. We lost track of time. Mrs. Banbury was worried. She was expecting
04:01Sophia home for tea. Turnip soup, I believe? You should have sent a message. Oh, you're right.
04:08I'm sorry. We had a wonderful time at the zoo, didn't we, Sophia? We saw the giraffes and the
04:13elephants. I'll get your things. I really am sorry. What did you say? Thank you, Miss Garlet. It's my
04:24pleasure. We'll do it again soon. We can go back to the zoo. Of course. I'll see you tomorrow. You will.
04:54No one saw anything. Not even a landlady. No, sir.
05:24The girl who rents this room, what's her name? Natalia Lorenzo.
05:43Scotland Yard switchboard. How may I direct your call?
05:46I'm putting you through. I have a Detective Simons from Oldgate.
05:54Yes, sir.
05:59That's me done. See you in the morning.
06:03Night.
06:03Hello, Ivy. How's things? Oh, busy. Since we lost you,
06:14things have been more active than ever. But I've been promised a couple more secretaries,
06:18and I heard a rumour we're getting a manager, too. How are you getting on?
06:21It's all right, but I miss you and the other girls. It's so quiet sometimes. I managed to read
06:27Little Dorit in three days, and I'm a slow reader.
06:29I haven't even managed to take a lunch break this week, let alone read.
06:33What about your husband's book? How is it, by the way? Any better?
06:38Don't ask. Ready, is he?
06:42It's Miss Summers at work, remember?
06:44Yes, of course.
06:46Detective Willows has taken me to Barron's.
06:48Oh, very nice. Would you like us to escort you out, Mrs Potts?
06:51Oh, that's kind. But Mr Potts will be here shortly to see me home.
06:59Almost an hour I waited for Barnabas. Then I came home to find him on that damn typewriter.
07:22Apparently he'd lost track of time.
07:23Well, he wasn't the only one. I didn't get Sophia home when I should have, which didn't
07:28go down very well with Inspector Blake. That doesn't surprise me. That little
07:31girl is everything to him. Don't make me feel even more guilty.
07:35It's not like Barnabas at all. He's normally so punctual.
07:39So am I.
07:43Yet another rejection of my memoirs. Whilst we very much enjoyed your book,
07:49would you not feel that our publishing house is the right home for your work?
07:54Well, I'm utterly befuddled. If they very much enjoyed my book, why won't they publish it?
08:01I should get to work.
08:08Perhaps it's just a kind of phrase they use in all such letters.
08:11What do you mean?
08:12Well, the others all said the same type of thing, didn't they?
08:15We enjoyed your book, but we're not looking for new authors.
08:18We enjoyed your book, but we have something similar.
08:20But that's exactly my point. They enjoyed my book. Every single one of them has.
08:24I don't know what the problem is. It's an utter mystery indeed.
08:29Perhaps you should take a break from the writing.
08:31Break? Why?
08:34So you don't get too stale? Give yourself time to clear your head.
08:40Then what would I do in the meantime?
08:41Absolutely not. I will not go back to that mortuary until Mr. Wormsley has offered me a full and satisfactory apology.
08:54And on this, I shall not be moved.
08:55Message from Miss Scarlet.
09:09Would that have been me? Thank you.
09:10I can't stand another day of him mooning about the house. Someone needs to speak to him about his book.
09:22I don't suppose you would.
09:23No, no. And no.
09:26Who's that from?
09:28Someone rather surprising.
09:38I want to hire you.
09:44Go on.
09:45I've got a missing chorus girl with a lodging room that looks like Smithfield slaughterhouse.
09:50Blood everywhere and no body.
09:53The girl's name was Natalia Lorenzo.
09:57The name rang a bell so I asked around and it turns out she had two regular gentleman callers.
10:02One was a high-ranking member of the Galaness crime family and the other was my uncle.
10:10Dylan Cooper?
10:12Word on the street is my uncle took exception to his girl seeing his rival and put a bullet in her.
10:18Which makes him our prime suspect.
10:20Which puts you in a rather difficult position.
10:22Any other statements for the bleeding obvious you want to make?
10:25I see if emotion hasn't improved your manners, Charlie.
10:29There was a bloodied handprint left at the scene, the size of a man's hand.
10:34If my uncle was going to kill someone, which no doubt he has done in the past,
10:38there wouldn't be a shred of evidence left behind.
10:40So you don't think he's guilty? But you can't share that with your men?
10:44No, if the coppers in London want to put Dylan Cooper away regardless of the evidence.
10:48The other half are in his pocket.
10:53There's something else.
11:00My mum, she's not well.
11:04So, if I'm gonna send her little brother to the gallows, I need to be sure.
11:11Which is why I want to hire you.
11:13Because for all your faults, Miss Scarlet, and God knows there are many,
11:18you're someone I can trust.
11:22Thank you, I think.
11:27Duplicate copies of the investigation so far.
11:34One more thing.
11:35If word got out that I was trying to prove my uncle's innocence.
11:42No one's to know that you hired me.
11:46You do this job and you do it well, there'll be a lot more work coming your way.
11:50The city police covers an area we've yet to tap into.
12:01Blackfriars, St Paul's, Smithfield.
12:04Could mean a whole new revenue stream.
12:07So I assume this case is highly confidential and no one must know that Inspector Phelps has hired us.
12:12You assume correctly?
12:14No one at all, even if they're in the same line of business and we may feel compromised
12:19by our feelings towards them, even though...
12:21Clarence, if you were attempting to give a coded message about myself and Inspector Blake,
12:24at least try to be subtle.
12:26No, no.
12:28I'm just saying...
12:28Well, don't.
12:30I'm perfectly capable of keeping client confidentiality, even with Inspector Blake.
12:34But then I shall say no more.
12:38May I just say...
12:39No, you may not.
12:43Thank you, sir.
12:51A single shot to the chest.
12:54I can't see an exit wound.
12:57The bullet must still be in the body.
13:00No identification.
13:01I know who he is, sir.
13:04It's Philip Galanis.
13:10You sure?
13:10He was brought in when I was at Bow Street.
13:13Twelve charges.
13:14None of them stuck.
13:16Friends in high places.
13:16Indeed.
13:20I heard of trouble brewing between the Galanis family and the Cooper gang.
13:24Philip Galanis was the top brass in the family, if this is the Cooper gang.
13:28The order must come from my arm.
13:31We need to bring in Dylan Cooper.
13:34We need to bring in Dylan Cooper.
13:53Good afternoon.
13:53I wondered if you could help me.
13:56It's about a friend of mine.
13:58Vitaly Lorenzo.
14:02Don't know her.
14:03Oh.
14:04I heard it on good authority that she used to dance here.
14:07I said I don't know her.
14:09This is for a whiskey.
14:20And this is for any information that you might have.
14:24What use is money if I'm dead?
14:29Are you aware of the Hospitality and Gaming Act of 1874?
14:32It states that any venue putting on music, dancing, theatrical production requires a performing rights license.
14:39Any failure to have said license may result in a hefty fine or indeed closure.
14:44I know this because my husband works for the licensing commission.
14:48You don't have an husband.
14:49Then you don't have a license.
14:50You don't have a license.
14:53Look.
14:55I ain't seen her.
14:58But.
14:59You know someone who has.
15:00Please make yourself known!
15:18Anything?
15:19No, sir.
15:22Doesn't look like anyone's been here for a while, sir.
15:26Let's cross this place off our list.
15:28How many safe houses do my man have?
15:30Cooper's got deep pockets.
15:33Put your weapons down!
15:34Drop your weapons and get on the floor!
15:36This is your final warning!
15:37Put down your weapons!
15:38On the floor now!
15:39We are police officers!
15:40How are we, you bloody idiot?
15:52Philip Galanis was shot in a lodging house in Fenchurch Street.
15:56That's my patch!
15:57And his body was found in Farringdon, which is my jurisdiction.
16:00Not if the crime was committed on City of London Territory!
16:03You don't know that it was!
16:04Afraid I do!
16:05Ballistics report!
16:11The bullet that was pulled from Natalia Lorenzo's wall came from the same gun that fired the bullet that killed Philip Galanis!
16:18You're stepping on my toes, Inspector Blake!
16:20And you carried out a raid on Scotland Yard turf without giving me prior warning, Inspector Phelps!
16:24Like I said, I didn't have time!
16:28We need to work together on this, Charlie.
16:31I've told you everything I know.
16:34This Natalia was shacked up with Philip Galanis.
16:36He turned up dead in an alley and her body's still missing!
16:40You've left out a vital bit of information.
16:41Your uncle was also seeing this young woman!
16:43Which is why me and my men came looking for him!
16:45Bloody hell!
16:46We're going round his circles here!
16:48We have checked all of Cooper's regular haunts, his house, his club.
17:00Do you have any idea where he might be?
17:02If I did, I wouldn't be raiding his safe house, would I?
17:14If you've got something to say, say it.
17:18Do you have any idea where he might be?
17:19Do you have any idea where he might be?
17:20Do you have any idea where he might be?
17:28Blake!
17:31Yes, he's here.
17:31Hold on.
17:33It's one of your men.
17:40What?
17:47Right.
17:48I need to go.
17:59We haven't finished.
18:00Phelps.
18:02Charlie!
18:14Was that meant to be funny, ringing me at Scotland Yard?
18:32I didn't kill Galamis, and you know it.
18:34Do I?
18:35Well, you wouldn't have hired that lady detective.
18:39You've been having me followed?
18:41I always have you followed, Charlie.
18:43I should be with your dad soon.
18:52That's the last place she'd want to be.
18:56I couldn't stand the old bugger.
19:05Why are you in hiding if you weren't the shooter?
19:07Well, I know what people are saying.
19:09I know what people are saying.
19:10The Galamis was seeing my girl, so I killed them both.
19:13I mean, don't get me wrong.
19:15If I'd have known that degenerate had gone anywhere nearer, I'd have gladly put a bullet in him,
19:18but I didn't know. So I didn't kill either of them.
19:21So who did?
19:22Not a clue.
19:25But I need time to talk to the Galamis family.
19:28Things haven't been good lately. I need to sort it out. It's about the business.
19:31If you're asking me to stall the investigation.
19:33I'm being set up.
19:36And you know that.
19:39I'll find out who did it. I just need time.
19:44You owe me this boy.
19:47When he was a nipper.
19:50And your dad passed away and your mum couldn't put food on the table.
19:55It was it kept you out of the workhouse.
20:01The best I can do is keep this meeting to meself.
20:09But anything else that comes up, you're on your own. Even if...
20:22Get your heralds here!
20:24Come on, get your heralds!
20:25Good afternoon.
20:31I'm looking for a friend of mine, Natalia Lorenzo.
20:35I have it on good authority that she dances here.
20:40I'm busy.
20:42Aware of the Hospitality and Gaming Act of 1874?
20:45What?
20:47It states that any venue with outside drinking facility requires a public liability license.
20:53I've already told him what I know.
20:55Told who?
20:57Him.
21:05What are you doing here?
21:07What are you doing here?
21:08I'm looking for a missing show girl.
21:14As a you, it seems.
21:17I thought this case was in the City of London jurisdiction.
21:19It's more complex than that.
21:20I take it you're working for Phelps?
21:22I'm sorry, Alexander, but I think it's best that we stop this conversation.
21:26You need to tell me what you know.
21:29I can't.
21:32I'm running a business. We've been through this before.
21:35This isn't a missing horse, Eliza. This is a murder.
21:38And if we're to be together, you can't keep hiding things from me.
21:41Things?
21:42I need to get back to work.
21:45What things?
21:46Telling me you went to the city side to visit your aunt when in fact you were meeting Patrick Nash.
21:49I knew you'd been stewing on that.
21:51I have to be able to trust you.
21:52And I have to be able to respect the wishes of my clients.
21:55This isn't about me working the case. This is about me working for Phelps, isn't it?
22:01Oh, that'd be ridiculous.
22:02Your competitiveness is clouding your judgment, and might I add, making you rather childish.
22:05Says the adult who forgot to bring my daughter home one time.
22:11I need to get back to work.
22:15As do I.
22:16The landlord of the indigo sun confirmed that Natalia Lorenzo is very much alive.
22:37She collected the wages that she was owed. She was in a bad way.
22:42Sweating feverish bandage across her shoulder.
22:45He asked her what had happened, but she didn't want to say.
22:48He thinks that she got on the wrong side of Cooper and somehow managed to escape.
22:53The crime scene report states that a bullet was found in the wall of the room.
22:58So perhaps it passed through her shoulder and into the wall.
23:01Well, if she was shot, she'd need medical attention.
23:05And wanting to lie low, she wouldn't go to a doctor.
23:08It's their duty to inform the police when treating a gunshot wound.
23:11That depends on the doctor.
23:14A list of qualified doctors and surgeons who work on the wrong side of the law.
23:23This is Patrick's handwriting.
23:25Yes, that list was compiled by Mr. Nash himself,
23:27after an unfortunate incident with a shotgun.
23:29And a jealous husband.
23:33Let's hope that one of these doctors treated our Natalia Lorenzo.
23:36I want a list of every quack doctor with a criminal conviction.
23:48Anyone who might tend to a bullet wound and not reported.
23:50Yes, sir.
23:51And get yourself over to city police.
23:53I see if Inspector Phelps is willing to share any new information on Dylan Cooper.
23:57What?
24:01Evening, gents.
24:05This is my lawyer, Mr. Torrey.
24:07We'd like to discuss the unfounded accusation that I'm somehow connected to your murder investigation.
24:19I'm a businessman.
24:21I own two casinos and a number of companies linked to the hospitality trade.
24:26I know exactly where you are, Mr. Cooper.
24:29In great detail.
24:30So these false allegations are costing me money, so my lawyer recommended that I come in here
24:37and answer any questions you may have so that we can put this matter to bed.
24:41How thoughtful of you.
24:44Talked me through your movements yesterday.
24:47Well, I spent a morning at my club, the Silver Lane.
24:50After that, I went to visit my poor sister at St. Agatha's Hospital.
24:53Then I did a stock check at my new pub in Hackney, all of which can be confirmed.
24:58By your men?
25:00No, by my work colleagues.
25:08Tell me about Natalia Lorenzo.
25:12She's a young lady that I've known for a few years.
25:16And the nature of your relationship?
25:17My lawyer says that I'm not obliged to answer that question.
25:31Well, then I shall answer it for you.
25:35I think you were romantically involved with Miss Lorenzo.
25:44And when you found out she was betraying you with a member of a rival gang,
25:48you went to her lodging rooms and shot her and her lover Philip Galanis.
25:53You dumped his body in the street and left Natalia to die.
25:56It's quite an imagination you've got here, Inspector Blake.
26:08It's pure fantasy, of course.
26:11Unless you've got any evidence to back it up.
26:13No, I thought not.
26:21So, you've got my alibi which can be easily checked unless there's anything else.
26:25I think I'm free to go.
26:28Looks like I'll only be paying you for half a day, Mr Torrey.
26:31Would you mind stepping outside for a minute?
26:33Well, I do hope this is an end to the matter.
26:48No, Mr Cooper, it very much is not.
26:52It would be a mistake to make an enemy of me, Inspector Blake.
26:56But a friend, I would welcome that with open arms.
27:00I have enough friends.
27:03Hmm.
27:06Eight.
27:08Kempton Lane, isn't it?
27:11Lovely place you've got here.
27:13Must be very nice for you and your little girl to live so near the path.
27:18Get out!
27:23With pleasure.
27:33If I wanted to apologize, would it be better in writing or in person?
27:56Um, in person?
28:04Well, that's a relief. I have terrible handwriting.
28:05I was angry and frustrated. I say things that don't mean when I feel that way.
28:13I can't imagine what that's like.
28:14Well, what you said there was some truth in it.
28:24I don't always tell you everything just like you don't always tell me.
28:27It's the nature of our jobs, which is even more difficult to navigate now that there's an ass.
28:35Ass?
28:36Well, I like that.
28:41I've booked that little place south of the river for dinner.
28:43Oh, sounds perfect.
28:45I'll get my things.
28:48How was your day?
28:49Rough.
28:50Which is why I wanted to see you.
28:52Do you need my help?
28:54I wanted to see you because I wanted to be with you, Eliza.
29:00To take the sting out of my day by finishing it with you.
29:11Does that help?
29:14Always.
29:18Well, that was a waste of time.
29:25I'm sure that man was even a doctor.
29:27I think he may have been a veterinarian.
29:28Well, either way, he hasn't seen our missing showgirl.
29:30He can cross them off the list.
29:32So that is three down, six left to try.
29:34Who's next?
29:35Dr. Hudson on Church Street.
29:40So, how was last night?
29:42Last night?
29:43You said you had dinner with Inspector Blank?
29:45Ah, yes. Very nice, thank you.
29:47Oh, it was very nice.
29:48Yes, yes. Good food, good wine, good conversation.
29:52Yes. Thank you.
29:54Conversation about what, exactly?
29:57I didn't tell Inspector Blank that we're working for Phelps.
29:59Good.
30:00Because he already knows.
30:01What?
30:03He saw me questioning that landlord that I was telling you about.
30:06Eliza, it's supposed to be a confidential investigation.
30:08Yes, I am aware of that.
30:10What's done is done.
30:12There's no point ruminating on it.
30:14Like you're doing now.
30:15Still, I'd be a lot happier if you told me everything you were doing.
30:18Oh, would you?
30:18No, on second thoughts, let's see if things are safe.
30:28It was a lovely evening.
30:30Food was delicious.
30:31I've never been anywhere so fancy.
30:32Me neither.
30:33I felt quite out of place next to all those fine ladies.
30:37Surprised red wasn't turned.
30:39I couldn't take my eyes off you.
30:40Is that true?
30:43Are you just trying to butter me up?
30:46Both.
30:48Give us a kiss.
30:49What, in here?
30:50Yes, here.
30:59Did you take to Brillo's?
31:00Mrs Potts.
31:01The advert for the new office manager.
31:03I've got copies going up all over the yard,
31:05but I want you to call the evening papers with the wording for the classifieds.
31:08Wanted, manager for the clerical office Scotland Yard.
31:11You should apply, Ivy.
31:12Keep reading.
31:14The gentleman in question.
31:16Why can't it be a lady?
31:17You could do that job standing on your head.
31:19I've got enough to worry about as it is.
31:21One day a woman will run this whole place.
31:25What's funny about that?
31:26I'd better get on.
31:43Can I help you, madam?
31:44I need to speak to Inspector Blake.
31:48Sir?
31:50Mrs Banbury?
31:53What's happened?
31:55It's Sophia.
32:00So, last and hopefully not least, a Dr Marsh.
32:04What do we do if he hasn't seen Natalia?
32:06We move to plan B.
32:07Which is?
32:08No idea.
32:09Well, that's the address.
32:14He doesn't look like a doctor.
32:16No, but he does.
32:23That's her.
32:24That's Natalia Lorente.
32:26Should we help?
32:28He doesn't appear to be forcing her.
32:30The inspector's daughter's gone missing.
32:44Lock on every door of every street within a three-mile radius of Inspector Blake's house
32:48and his daughter's school on Eastbury Way.
32:50Scale of the area.
32:51Every inch.
32:54Understood?
32:54Yes, sir.
32:55Off you go.
33:00We heard about the inspector's little girl.
33:04We've come to help.
33:05How many of you?
33:05All of us girls in the office, about a dozen.
33:08Go to Gladstone Park.
33:10It runs adjacent to Inspector Blake's house.
33:11Perhaps the little girl went there and got lost.
33:13Inspector Blake must be out of his mind, won't worry.
33:15If anything's happened to that little girl.
33:17Oh, just the person.
33:18Go and tell the girls.
33:19I'll join you in a moment.
33:20Barnabas, this is not a good time.
33:22It should be very quick, my child.
33:24I just wanted to share the most wonderful news.
33:27I've decided to write a novel.
33:28Oh, never mind that now.
33:31I need your help.
33:38Sophia has long dark hair, blue eyes, about this tall what she was when I last saw her.
33:42She's probably grown by now.
33:44Never fear, my dear.
33:45They do not call me eagle-eyed pots for nothing.
33:47They don't call you that at all, Barnabas.
33:49Excuse me, have you seen a little girl on her own dark hair, blue eyes, about this pig?
33:54Sorry.
33:54So, um, what do you think about my idea to write a novel?
33:59Barnabas, as I've said many times, what I think is that you need to get your old job back.
34:05Huh?
34:06Oh, excuse me, have you seen a little girl, dark hair, blue eyes, about this pig?
34:10No.
34:11What makes you think I need my job back?
34:14My novel will be published, I'm sure of it.
34:16Barnabas, I only say this because I love you.
34:19You have many skills, but writing is not one of them.
34:26You said you enjoyed my memoirs?
34:28You said I was a wonderful writer.
34:30I was being nice.
34:31There's a reason no one wants to publish it.
34:36I'm sorry, that's the truth.
34:40Excuse me, have you seen a little girl, dark hair, blue eyes, about this tall?
34:46No.
34:55Miss Scarlet.
34:57Oh good, you got my message.
34:58You want to update me on the case here, at Scotland Yard?
35:01Something's happened, and in Inspector Blake's jurisdiction.
35:04Don't tell me Blake knows I've hired you.
35:07It's my duty to inform him as well as you.
35:10And it's your duty to keep to client confidentiality.
35:13Miss Scarlet, we had an agreement.
35:17Detective Willows, have you seen Inspector Blake?
35:20Have you not heard?
35:21Heard what?
35:33Is it true, Mr. Figwan missing?
35:35She didn't come home from school.
35:37Michael Simmons here with me.
35:38Whatever you need, just ask.
35:39If you want to help, then tell me where your uncle is.
35:42What's he got to do with him?
35:43Well, this has got Cooper written all over it.
35:52Could it be him?
36:01Have you taken her?
36:13The inspector's kit!
36:15What's she talking about, boy?
36:16Where's Cooper?
36:32We ain't over yet.
36:32Right, take them outside and question them.
36:34Yes, sir.
36:36Has he got my daughter?
36:40How should I know?
36:40Well, I will ask you one more time.
36:42That's Cooper got my daughter.
36:46You get.
36:48How should I know?
36:55Where is she?
36:57Where is she?
36:58Sir!
37:00The founder.
37:00There.
37:18Very good.
37:19We're looking for an office manager.
37:21I think you should apply, young lady.
37:24Sophia.
37:25Papa!
37:26She went to the British Museum.
37:40She got lost on the way home.
37:42Was found by an officer wandering the streets.
37:44Thank you, Mrs. Potter.
37:47I told him who my father is.
37:48He says you're a very important man, Papa.
37:50Let's get you home.
37:56Good day, Miss Watts.
37:58Good day, Sophia.
38:20Where have you been?
38:24Looking for Sophia.
38:25I went to the zoo to see if she'd gone back there.
38:27No, no, they found her.
38:28She's safe and well.
38:29Ivy sent you a message to let you know.
38:31Ivy?
38:32Not Inspector Blake?
38:34What difference does it make?
38:36Where was she?
38:37Yeah, well, I'll get to that in a minute.
38:38Keep that on.
38:38I've sent a message to Inspector Phelps.
38:40You ought to join him.
38:41Why?
38:43I found something on the Cooper case.
38:50I told you I don't know nothing about a kid.
39:05We're not here about that.
39:09Lady Detective, I assume.
39:12So the word is that you've been hired to prove my innocence.
39:16So I do hope your presence here means that you've done just that.
39:18Well, innocent of killing Philip Galanis, but
39:23of obstruction of justice, your hands are dirty, Mr. Cooper.
39:27It was Natalia Lorenzo that killed Philip Galanis, and you've been protecting her.
39:33We found a financial trail between you and Dr. Marsh, your own personal doctor.
39:39You paid him to patch up your girl, didn't you?
39:45She's not my girl.
39:47Never has been.
39:49She's the daughter of an old mate.
39:51The fella did a long stretch inside, but he kept his mouth shut.
39:56Ten years' hard labour.
39:58Pretty well killed him.
39:59He died a month after he'd come out.
40:03So yeah, she's been like a daughter to me.
40:07So it didn't go down well when you discovered her affair with Galanis?
40:11Tried to warn her against her, but she's that strong young girl.
40:16I think they thought they were some kind of Romeo and Juliet.
40:19But he didn't treat her right. He was a drunk and a bad one. If she hadn't got his gun, I need to kill her.
40:26Well, if she shot him in self-defence and there's no reason for her to go on the run.
40:31Try selling that to the Galanis family.
40:33So, you two can do what you want.
40:42I'll just deny it all.
40:44And any link to Dr Marsh can be explained away.
40:47He'll never stand up in court.
40:48Especially as you have half the judges in London in your pocket.
40:51Where's Natalia now?
40:56She got on a boat from St Catherine's docks and I don't know where.
41:00I told her it was safer that I didn't in the event that something like this happened.
41:06So, you want to waste your time chasing after a young woman who shot a drunk to stop him beating her to death?
41:13Be my guest.
41:14Boss.
41:21Is your mother?
41:36She passed.
41:39I'm sorry, son.
41:41Sorry.
41:52Come along, ladies.
41:53There's work to be done.
41:57Oh, Barnabas, I am rather busy.
41:59I'll give you just a few moments, my jaw.
42:02I only wish to say how profusely sorry I am for my recent behaviour.
42:06I just want you to be happy, Barnabas.
42:08And I don't think writing makes you happy.
42:10Well, I'll give it up forthwith.
42:12Find myself a proper job.
42:14But not back at the mortuary.
42:16I believe it's time for a fresh start.
42:19And I know exactly where.
42:20Oh, that's wonderful.
42:21Where did you have mine?
42:23Here, of course.
42:25Scotland Yard.
42:28It was pinned on the notice board in the corridor.
42:32As I happened upon it, I thought, Barnabas Potts, this job is tailor-made for you.
42:38Manager of the clerical office.
42:40Hmm.
42:40Here, where I work.
42:43Call it fate, call it kismet.
42:45Either way, it was meant to be.
42:47And we will work together every single day.
42:50Right, that'd be marvellous, huh?
42:54Marvellous.
42:55Oscar.
42:56Or do you need to grab another moment?
42:58Marvellous.
42:58Marvellous.
42:58The door is set on the end of my mind.
43:00The door, the door is set on me, I say.
43:01If I can't florist and I see myself, can I say the door?
43:03Car is inside.
43:03Yes, that's the door.
43:05To the door.
43:06And I say the door, I say the door is open.
43:06Here is my door.
43:07A door, is door.
43:08Oh my door.
43:08To the door is open.
43:09Tuck, you can get out.
43:10recibir somebody who has a door.
43:12I say they can't get there.
43:13What is the door?
43:14The door is open.
43:15What is the door?
43:16I say the door is open door.
43:18It's open door.
43:19It's open door.
43:20It's open door.
43:20Inspector Phelps
43:30How's your little one?
43:33Happy to be home
43:34Just got her off to sleep
43:37I'm sorry I lost my temper earlier
43:42I'd have done the same
43:44Full report on Aguilani's case
43:50It was Natalia who shot him
43:52Cooper was just protecting her
43:54You could pursue Cooper on obstruction of justice
43:57Or
43:57You could take a look through this little lot
44:04I've been building a case against my uncle for a few years now
44:10My hands were tied before but now
44:13My old mum died
44:18Today
44:19He's all yours
44:23I'm sorry for your loss
44:27Wish I could come in
44:30You're not good company at the minute
44:34But maybe a pint and a ghost snake sweet
44:39You're buying of course
44:40Don't know her always
44:41Charlie
44:43Charlie
44:44Thank you
44:47See the problem that you gentlemen have got is I've got a lucky face
45:07You unlucky face
45:09You not so lucky face
45:10You very unlucky face
45:11Look have a look
45:13Look at that
45:13Right
45:18Dillon Cooper
45:31Dillon Cooper
45:31What now?
45:35We've got a warrant for your arrest
45:40On what charge?
45:44You may want to get yourself comfortable Mr Cooper
45:46It's quite a long list
45:48He's only here early
46:04It's not exactly early. I haven't had a chance to change it.
46:21Would you mind if we cancelled dinner?
46:25I should be with Sophia.
46:27Of course. I could come to you.
46:29She went to the British Museum.
46:32She said you missed school once to go there.
46:35Well, yes, but I didn't mean for her to do the same.
46:39She's a child, Eliza.
46:42She has no mother to guide her. You must realise how much she looks up to you.
46:46I'm sorry. I didn't think.
46:52Are you blaming me for what happened?
46:58I lost control today. I could have lost my job.
47:02I can't afford to do that.
47:04I am all Sophia has, and it is down to me to keep her safe.
47:11To make sure there is food on the table and a roof over her head.
47:13What are you trying to say?
47:25I need time to think.
47:30Perhaps some time apart will do us both good.
47:34Sorry.
47:34I need time to think.
47:35I need time to think.
47:36I need time to think.
47:37I need time to think.
47:38I need time to think.
47:38I need time to think.
47:39I need time to think.
47:40I need time to think.
47:40I need time to think.
47:41I need time to think.
47:42I need time to think.
47:43I need time to think.
47:44I need time to think.
47:45I need time to think.
47:46I need time to think.
47:47I need time to think.
47:48I need time to think.
47:49I need time to think.
47:50I need time to think.
47:51I need time to think.
47:52I need time to think.
47:53I need time to think.
47:54I need time to think.
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