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#RealityTVDeep
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Short filmTranscript
00:00Oh
00:30I don't know.
01:00I don't know.
01:30The light has shone on you tonight, but I'll go walking through the darkened streets alone.
01:40And fall asleep with a smile, saving my pennies, cause the oracle told me so.
01:53I've learned to trust my head to turn.
02:01I don't know.
02:03I don't know.
02:07I can't grab my hand.
02:33That's it.
02:35Good girl.
02:40Where are we coming to next?
02:44I don't know yet.
02:51Okay.
03:00Let's keep moving.
03:01Let's keep moving.
03:08Let's keep moving.
03:09Let's keep moving.
03:11Let's keep moving.
03:13Let's keep moving.
03:14Let's keep moving.
03:15Let's keep moving.
03:16Let's keep moving.
03:17Let's keep moving.
03:18Let's keep moving.
03:19Let's keep moving.
03:20Let's keep moving.
03:23Okay?
03:25Feeling cold.
03:27Right, okay.
03:28Let's get you something warm to wear and something to eat.
03:44Okay? All right?
03:53I know.
03:55Yeah, I know.
03:57Well, just think.
03:59Well, that one could be anywhere.
04:01Is it scary?
04:06Well, no one's seen it at all.
04:09I don't know.
04:11No.
04:13No.
04:14Oh, I'll let you move.
04:20Okay.
04:21Yeah.
04:22I'll catch you.
04:24All right.
04:25What we just did was whirling it in water, okay?
04:27Never ever do that again.
04:28Okay.
04:29Well, okay. Just drop it.
04:35No, wait. In there. In there.
04:43The woman cosy?
04:53Where's the cross lady?
04:55The cross lady?
04:57Oh.
04:58Oh, you mean... you mean Zoe?
05:03Um...
05:05Okay, okay.
05:07Um...
05:08Zoe might not be coming back.
05:11Um...
05:12But look, she wasn't really cross.
05:15You know?
05:16No, actually.
05:17That's a lie.
05:18Sometimes she was a bit cross.
05:21And mean.
05:23Actually, she could be really, really mean.
05:25You know?
05:28But there's this saying that we have about dogs.
05:30Her bark was worse than her bite.
05:35Woof!
05:39Oh, well, don't stop. Go on.
05:40I was enjoying that.
05:42Oh, my God.
05:43I thought you were...
05:45How did you get here?
05:47Hey.
05:49Donny.
05:50Oh, oh.
05:51Hi.
05:52Yeah, thanks for abandoning us, by the way.
05:55Who's this?
05:56This is the reason we needed the puffin boat.
06:00You left us in the boat.
06:06We're gonna have to owe you for the puffin trip. I'm sorry.
06:08Oh, not at all. On the house.
06:10I mean, you never actually saw any puffins, did you?
06:12No, we bloody didn't.
06:15Listen, you ladies better get yourself along to the police.
06:17Let them know what the English are up to out there.
06:20Us ladies will be just fine, thanks, Donny.
06:24Donny, thanks a lot.
06:25You're a pal.
06:27You know what I am.
06:28Mm-hmm.
06:30Ooh.
06:34Your puffin boy isn't the only one who's after you.
06:39Keep your head down.
06:40I should get out of here before the villagers drive a stake through my heart.
06:44A bus. A bus. There's a bus. There's a bus. This way.
06:47Can you see this woman?
06:49Do not.
06:50Do not.
07:01What's up?
07:02Good night.
07:03Yes. Thank you, officer. Definitely.
07:04Oh, yeah.
07:05Thank you, officer. Definitely.
07:06Oh, yeah.
07:07Okay.
07:08All right.
07:09All right.
07:10All right.
07:11All right.
07:12All right.
07:13All right.
07:14All right.
07:15All right.
07:16All right.
07:30All right.
07:35All right.
07:36Let's go.
08:06Let's go.
08:36What's the matter?
08:43Can I just say something?
08:45Like, maybe, maybe Mr. Puffinboy was right, you know?
08:49What if we just go to the police,
08:51tell them what's happened and that none of this is our fault?
08:55Come over here.
08:56So, listen, um, Sarah,
09:04so we're not in Balamore.
09:07We are in the middle of a massive government cover-up.
09:10There is a bounty on her head and probably one on yours too.
09:13This is way above the pay grade of PC Plum,
09:15so we've got to get out of here as soon as possible, get it?
09:17Yeah.
09:18OK, so let's go.
09:22Come on.
09:26I'll go first.
09:27You go first.
09:28OK.
09:28Hello.
09:31Hi.
09:32Hi.
09:33To the train station.
09:34Two adults and one child.
09:36Yep.
09:37Thanks.
09:41That's five pounds, please.
09:45We'll be home soon.
10:07I promise, OK?
10:12Oh, God.
10:15They're gone.
10:23They're gone.
10:30They're gone.
10:30Oh, God.
10:32Shh.
10:45No one can find out where that came from.
10:53Who put all of this together?
10:56Joe Silverman.
10:57He was an Oxford PI working with a woman called Sarah Trafford.
11:00She believed that the young girl who survived the explosion had been deliberately disappeared.
11:05And your boss shut this down?
11:08Orders from above.
11:09Leave it alone.
11:11So, over to you.
11:14Oh, God.
11:30Oh, God.
11:31Oh, God.
11:32Oh, God.
11:35Oh, God.
11:36What the hell is all this?
11:56Let's get the fuck out of here before someone puts us on TikTok.
12:06Let's get the fuck out of here before someone puts us on TikTok.
12:22Let's get the fuck out of here before someone puts us on TikTok.
12:57Do it.
13:27I want to know everything about the group of soldiers who were meant to be court-martialed but weren't.
13:41What happened to them?
13:43You might need to be more specific.
13:45Don't treat me like an idiot just because they're like a smelly candle.
13:47Why was a house exploded in Oxford?
13:49And why is there a child called Dinah Singleton missing?
13:52You said you barely knew Isaac right.
13:54He had your fucking number on speed dial.
13:57Well, I was trying to protect you.
13:59How chivalrous.
14:00But you didn't need to know everything.
14:02However, your digging will have no doubt left you with dirt on your perfectly manicured hands.
14:11Plausible deniability only really works when it's plausible.
14:15Tea?
14:16No, no, no, no.
14:17The shit is on your shoes, right?
14:19I'm not carrying the can for your tomfuckery.
14:22Look.
14:26The plot's information hasn't yet made its way out into the murky waters of social media.
14:31So do please just allow me to bang it on the head with a shovel.
14:36Where's the child?
14:46We have top government employees containing the situation.
14:50What's that code for?
14:53But you're right.
14:56The court-martialed soldiers, let's call them what they are, war criminals, didn't die in a helicopter crash.
15:04We gave them an opportunity to volunteer R&D, weapons testing.
15:13R&D?
15:16Research and development.
15:17Yes, I'm aware of what it means, but in this context, what were you developing?
15:25A new weapon and an antidote.
15:30So the soldiers were guinea pigs?
15:32The soldiers were lucky.
15:39Oh, my God.
15:46This department has committed appalling war crimes.
15:52Yes, I admit the optics aren't great.
15:54The antidote could have been the holy grail.
16:00Game-changing for modern defense and for them.
16:06Now it's just a case of tying up loose ends.
16:10I...
16:11I don't...
16:13Okay, we just drove straight past those people waiting at a bus stop.
16:37Did we?
16:38Yeah.
16:54Hi, you've reached Hamza Malik.
16:55I'm not able to answer the phone at the moment, but if you'd like to leave a message, please do so after the beep.
17:00I may be just in a meeting or temporarily indisposed.
17:05Alternatively, if it's urgent, you can also contact my assistant, Claire, or you can try me again in five minutes.
17:10I'll endeavour to respond ASAP or very soon after that.
17:12Okay, thank you.
17:14Malik.
17:16Tiny bit of pressure building here.
17:18What the hell are you doing up there?
17:20Sporan shopping.
17:22Whatever it is, please stop.
17:24And, oh, I don't know, turn on your fucking phone.
17:27Okay, who's next?
17:37Oh, great, okay.
17:51Hang on.
17:52No, no, driver, this is our stop.
17:54Mate, could you slow down?
17:55We need to get off the bus.
17:56Why is he not slowing down?
18:00Oi, mate!
18:01What's your problem?
18:03Oh, God.
18:04Why are you driving us into the middle of everything?
18:06There is no need for you to...
18:09Oh, my God.
18:10It's you.
18:10Yes, yes!
18:12Oh, God!
18:16Oh, God!
18:17It's my friend!
18:21Don't get past! Don't get past!
18:23Come on, Spire won't stop!
18:26Oh, God!
18:28Oh!
18:30Ah!
18:32Oh!
18:35Oh!
18:36Oh!
18:36Oh!
18:36Oh!
18:41Oh!
18:42Oh!
18:42Oh!
18:43Oh!
18:44Hey, you okay?
18:45Yeah.
18:45You okay?
18:46Not hot?
18:47Oh!
18:48Oh!
18:49Oh!
18:50Oh!
18:51We've got to get out of here. He's wanted them.
18:58Let's go to the church.
19:15Might have someone in there.
19:21Let's go for a little walk here, shall we?
19:27Come on! Let's go!
19:30Hold on, mate. It's all right.
19:33Move! Come on!
19:37In the church.
19:42Right.
19:51Stay there!
20:00Right, in. Let's go.
20:05In, in, in, in, in! Come on!
20:18Right. Um...
20:20OK. OK.
20:22OK.
20:31Yes?
20:32I've got them, sir.
20:34All three of them.
20:36In a church.
20:37Church?
20:39Yes, sir.
20:40I trust we're not talking congregations, hymns and vicars.
20:43No, no, no, no, no, no, sir.
20:44It's empty.
20:46I, I drove them here myself.
20:49In a bus.
20:50Marvellous.
20:52So everything is going according to plan?
20:55Yes.
20:56What is...
20:57It'll be OK.
20:58What are you doing?
21:00Sit down.
21:01Sit down!
21:03Sit down!
21:04Here!
21:05Sit down here!
21:06Quick!
21:07Come on!
21:08Sit down!
21:09It's OK.
21:14What, what exactly do you want me to do, sir?
21:17I've been through this, Malick.
21:19Don't make me repeat myself.
21:22I said finish it.
21:24Yes, sir.
21:25Yeah.
21:26And, um...
21:27Just to clarify, sir.
21:33Finish it.
21:34You're supposed to be military intelligence men.
21:39I've met more intelligent mollusks.
21:48But, um...
21:52Not a kid either.
21:55Surely.
21:57No.
22:02Sir?
22:07Second thought, stay put.
22:09I'm sending backup.
22:12Yes.
22:13Yes.
22:15Thank you, sir.
22:17OK.
22:19OK.
22:23Lovely.
22:27Hello, sweetheart.
22:44Where are you?
22:45Heading off on Hollybobs.
22:47It's got this nice, but, uh, I'd rather have the sun on my skin.
22:51Malick has shat the bed.
22:52Sorry to hear that.
22:53But I've done my bit.
22:55They only shuffled off this motor coil and I'm out.
22:58I need you.
22:59I am handing this to you on a plate, Cray.
23:02See to them all.
23:05All three.
23:07I've sent the coordinates.
23:09I need an incentive.
23:11I've got you the money.
23:13Fake ID.
23:14Flight's out.
23:15What else do you want?
23:16Hamza.
23:18Enjoy.
23:34OK, so what's our plan?
23:36Ideally, we can get out of here before Bungaloo Butch Cassidy goes rogue.
23:41You know, I reckon we can take him down.
23:46He's out of control.
23:47He's got a gun, Sarah.
23:48Jesus Christ.
23:50Sorry.
23:51Didn't mean to be rude.
23:52Another spot of divine intervention would be creatively received.
24:06Oh, no, careful.
24:07That's dangerous.
24:10Will you two stop whispering?
24:12Right, I'm separating you.
24:13You sit over there.
24:15Move.
24:16Right.
24:17Here's what's going to happen.
24:18Wait, can you not keep doing that, please?
24:20Yes.
24:21Yes.
24:22Look, I'm in charge here.
24:25We all just need to stay calm until backup arrives.
24:27To find backup.
24:28Well, I imagine it'll be a helicopter.
24:31Or something.
24:38Well, er...
24:40You remember the big birdie helicopter?
24:43Eh?
24:44She's all right.
24:45She knows me.
24:47You remember the big birdie...
24:49helicopter?
24:52Don't you, Dinah?
24:53Here you are.
24:55Don't you, Dinah?
24:56Here, take it.
24:57I know, I know how this looks, me, with a G-U-N, but honestly, honestly, I am not a bad person.
25:08And the G-U-N is just a precautionary measure.
25:11Look, look, look, if it helps, I could...
25:13I could do that.
25:14Could you not?
25:15Does that help?
25:16No.
25:17All right.
25:18It doesn't help.
25:19Look, we all just...
25:20We all just need to stay calm, and then we won't have to resort to any...
25:24B-I-O...
25:27Ellie...
25:32Violence!
25:43Oh, shit.
25:44Get out!
26:05Are you okay?
26:06No.
26:07No.
26:08No.
26:09No.
26:10No.
26:11No.
26:25Sorry.
26:28Sorry.
26:37Quick.
26:38Quick.
26:41Get out.
26:47Get out, get out.
26:57Go down.
26:58Let's get.
26:59Someone call for backup?
27:12You.
27:29He sent you.
27:39For fuck's sake.
27:41Yeah.
27:42Your horrible boss sent me because his lily-livered lackeys too chicken shit to get his own hands dirty.
27:49To be fair, this bit was way easier than I expected.
27:57Woman and kid, all done in one easy hit.
28:03Boom!
28:05Literally.
28:08Anyway, now he wants your scalp too, hamster.
28:11I don't believe you.
28:13Suit yourself.
28:15By the way, you've been on my personal hit list for a while.
28:19You said they were size of a leaf when they bagged my little brother.
28:24You called him an idiot.
28:31Are you joking?
28:33I will be dancing the street when I drag your corpse home.
28:39Nothing you say can scare me anymore.
28:58Sorry.
28:59Stay, stay there.
29:13Stay, stay there.
29:15Stay, stay there.
29:24Spare!
29:25Do it.
29:26Come, please.
29:28Stop it.
29:29Hurry up.
29:30Please, come here.
29:31I dare you.
29:32Stay.
29:33Do it.
29:34Come on.
29:36Do it.
29:39Come on.
29:48How'd she get out there?
29:55Sally.
30:06Ah!
30:11What's that?
30:12Dina!
30:15Dina!
30:27Dina!
30:29Dina!
30:37Dina!
30:38Dina!
30:41Dina!
30:57Dina!
30:59Dina!
31:01Dina!
31:03Dina!
31:04Dina!
31:06Caught me!
31:08Dina!
31:24Dina!
31:25Sounds a bit like
31:26dinosaur, doesn't it?
31:28You like dinosaurs, don't you?
31:31What's your favourite dinosaur?
31:42My son Milo loves a Brachiosaurus.
31:47I'm a little dinosaur, short and stout.
31:51Here's my wings and here's my...
31:58I'm a Brontosaurus, tall and thin.
32:03I've got a pointy tail and I've got no...
32:15And I've got no wings.
32:20Dinah, wait there! Dinah!
32:24Dinah, wait!
32:28Dinah, run.
32:31Go!
32:34You know you're a tool. You're a weapon of the state. You're screwed.
32:38No, I know where all the bodies are buried because me and my brother buried them.
32:43One more reason for them.
32:45To throw you to the lions. I'll be delighted to watch.
32:49Your brother killed my husband.
32:53Oh, you're thinking kin for kin.
32:57Or then we'll be even.
32:59Might as well have fun while I still can.
33:01Oh, we've got two ways that we can game this, haven't we Sarah?
33:07Put the gun down.
33:09You help me find Dinah, persuade her to come with me and then honestly from your point of view it's just a matter of signing a few official secret documents.
33:16You put this thing behind you, start again like it never happened.
33:22No.
33:24I'm not giving you the kid.
33:25Okay.
33:26The other way is that you don't put the gun down.
33:29Let's say you end up killing me.
33:32And, um...
33:35Well, you tell the world...
33:38whatever it is you think you know.
33:39Oh, I know exactly what you've been up to.
33:43Covering up toxic war games.
33:51Shit.
33:52Well, in that case you need to bear in mind the consequences.
33:57I might be dead but the department I work for won't be.
34:04It's not a difficult decision, is it, Sarah?
34:07Happily ever after or fuck everyone.
34:11Pardon my French.
34:15Why can't you just leave us alone?
34:18I can help you, Sarah.
34:21I'm not a psychopath.
34:29You see, I...
34:31I don't want to harm you.
34:33And if you pull that trigger,
34:36everything could backfire.
34:40Look, I get it.
34:42You got involved in something that wasn't your fault.
34:45I know what I got involved.
34:46Compare to my colleagues!
34:48I am motherfucking terrazer!
34:55And if you pull that trigger,
34:58you'll start something you can't ever stop.
35:01You.
35:03The child.
35:05Everyone you know and love
35:07will all meet major accidents.
35:13Oh, no!
35:15Here's your final moments, Barham!
35:16No!
35:18You should be saying your fucking prayers.
35:20No!
35:22No!
35:24No!
35:26Come on, put the gun down.
35:28And I promise you,
35:30nothing bad will happen to you or the child.
35:34I promise you.
35:38Come on, put the gun down.
35:39Ah!
35:52Ah!
35:54Ah!
35:56Ah!
35:57I thought you might do that.
36:07Yeah.
36:11Sorry.
36:27Plugs are in.
36:40It'll blow your arm off.
36:43Dickhead.
36:57Oh, my God.
37:27Dinah? Where are you, Dinah?
37:35Dinah?
37:38Dinah!
37:40Are you all right, pal?
37:42Oh!
37:46Oh!
37:48Oh!
37:54Luca's dead.
38:06You okay?
38:07Never better.
38:09Let's go.
38:12Hear, hear.
38:17Mountain mile
38:18Oh, my God.
38:48Or whatever that means
38:52Into a crazy time
38:56What's in my head?
39:01I'm not a good girl
39:06Into a crazy time
39:10And I'm sharp outside
39:12And I take a difference
39:14And I get real high
39:16And I creep on the top
39:17But my love is what's going on
39:21In all the games
39:27Hey, hey
39:29I said hey
39:31What's going on?
39:35And I said hey
39:39Hey, hey
39:43I said hey
39:45Go ahead
39:47Know your rights
39:49That's better
39:51These are your rights
39:53Hey
39:55Hey
39:57Stay free
39:59Hey
40:01Hey
40:03Hey
40:05Hey
40:07Hey
40:09Hey
40:11Hey
40:13Hey
40:15Hey
40:17Hey
40:19Hey
40:21Hey
40:23Hey
40:25Hey
40:27Hey
40:29Hey
40:31Hey
40:33Hey
40:35Hey
40:37Yeah, she's spark out.
41:01I reckon as two women who don't want kids,
41:04we've done a pretty damn good job.
41:06Don't you think?
41:07Yeah.
41:07At least you'd be good at swearing.
41:14Ueno.
41:16Who's that?
41:17Right, sorry.
41:18The Ueno stands have been fretting.
41:19Where are you?
41:20I reckon we're ready to go global, Ueno.
41:26Time to deploy.
41:28Or you could just press send.
41:30Yeah, yeah.
41:31Well, actually, Zoe, I think you find it's a little bit more complicated
41:33than just pressing send.
41:34You see, what you want is you want three different backups
41:36in three separate locations, and then you want to check the IP...
41:38Stop talking, goodbye.
41:45What, so you think you're going to keep doing the private investigator thing when you get back?
41:49No, I thought I might start a modelling agency.
41:53Really?
41:54No.
41:54Oh, God, I don't know what I'm going to do.
42:00Yeah, maybe it's time for a change.
42:03You know, you asked me once, you said, when did you get so small?
42:11I've been thinking about it, and I think it's when I stopped, like, trusting myself, you know?
42:15You know, some people might see what we've been through as a bonding experience.
42:26Yeah.
42:28No, they might.
42:31Meanwhile, I've got a funeral to organise.
42:33Oh, my God.
42:47To Joe.
42:55To Joe.
42:56Oh, God.
43:25you know we employ oxford graduates to sellotape documents like those back together
43:50why were you i just torched a lot and one of your smelly candles you're leaving i am taking the hit
44:01that was your plan wasn't it
44:06just pop down to say good luck with tonight's interview and the accountability and transparency
44:12well good luck staring into the dark cesspit of your own soul
44:16don't you worry i have plans on my own as churchill once said never let a good crisis go to waste
44:46welcome to the private center
45:16i had no intelligence about these activities until i saw the images
45:23so no prior warning so hang on you're asking us to believe that until today you had absolutely no idea
45:31that the government had sanctioned lethal chemical weapons testing on our troops
45:36no no idea well let's take a look at some of the footage then that's been posted online and i
45:46should say that viewers may find some of these images disturbing
45:50i have to ask your reaction to these shocking images sorry excuse me
46:11this should never have been allowed to happen and on my watch it never ever will happen again and i'd
46:24like to reiterate my pledge to the families of the victims and to the people of britain
46:29that we can and we will do better defense secretary talia ross thank you
46:41minister the car's that way
46:53minister the car's that way
47:05so uh how about we just round it up to two grand it's a lot of extra expenses incurred
47:25what you've actually been charging me payment within 28 days
47:33oh
47:35swain would say it's popping off
47:43okay ready ready hey hi hey everyone hi this is dinah
47:50hello hello hello hello hello hello hello hello hello say hi meet your cousin hi wow look at you
48:00i like your jumps for me okay right listen dinah everything's gonna be all right
48:12I'll be seeing you
48:18OK, here you go
48:21Terry!
48:24Who's he?
48:25Ted!
48:26Ted!
48:27Hi, Ted!
48:30Does Ted like chicken noodles?
48:31I'll be seeing you
48:32OK, here you go
48:34Terry!
48:36Who's he?
48:38Ted!
48:39Hi, Ted!
48:40Does Ted like chicken noodles?
48:41In the park
48:42Caused the waves
48:45Children's carousel
48:48Zoe?
48:49Zoe?
48:50Zoe?
48:51I guess I'll just see you around then
48:57I'll be seeing you
49:02Every lovely summer's day
49:08And everything that's light and gay
49:12I'll always think of you that way
49:16I'll find you in the morning sun
49:22And when the night is noon
49:26I'll be looking at the moon
49:31I'll be seeing you
49:32I'll be seeing you
49:41I see you all
49:44Oh, in the same old world
49:54I'll be seeing you
50:02I'll be seeing you
50:06I'll be seeing you
50:12I'll be seeing you
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