00:04You know, like, I got to, because I'd never really been, like, on an Atom movie where, you know, he's got his, sort of, say, he brings his dog, he's got his tunes.
00:12That's right.
00:13So, like, you know.
00:14I was playing a lot of rap.
00:16A lot of usher.
00:17Yeah.
00:18That happens.
00:19That happens.
00:20That happens.
00:21So, like, you know when Sandler's coming to set, because you hear, like, the boombox.
00:25Yeah.
00:25And then you see the entourage of, like, four or six guys who are ahead, you know, security.
00:29Same way, kind of in sync, doing the same moves we practiced the night before.
00:45Emma, you play this rather eccentric character.
00:47Can you kind of talk about your approach in playing her?
00:51I drank a lot of wine.
00:53Yes.
00:53And, you know, just to see what it was like, you know, because normally I don't touch the stuff.
00:59Yes.
00:59And I wish I'd been allowed to go further.
01:04There are a lot of takes on the floor where I did just more.
01:08And I said to them, oh, we should just take in the really funny ones, because I think they're funnier ones.
01:15But I had such a ball doing it.
01:17I really had a ball.
01:18I had, I loved playing with ads and I loved playing with Ben and me and Dust just, you know, I would go and do, bring you a cup of tea.
01:25Oh, fuck.
01:31You guys play a dysfunctional family.
01:32Do you think all families are dysfunctional ones?
01:35Probably, somewhere.
01:36I've never met a functional one.
01:39I mean, families go in and out of function, don't they?
01:41Sometimes they work, sometimes they don't.
01:43Everything changes, you know.
01:44I don't know of a family that's got it down.
01:47When you're looking at someone else's family, you go, oh, we've got to be more like them.
01:51My family certainly is, there's bananas.
01:54Yeah.
01:54I mean, I think, you know, families are just, it's almost like, I don't know if the term dysfunctional is the right term,
02:00because it's just the way families function, which is, they're crazy, you know.
02:05Like, and crazy in that we're all people who have to, you know, deal with each other and everybody has their own set of issues.
02:11And I don't think it should be expected to be functional.
02:14I don't really think of it in terms of dysfunction.
02:17I mean, I think it's just, it's family.
02:19It's, you know, all families have whatever they have.
02:23And narratively, it's interesting to write and cast a family, because families are all versions of the same person.
02:32And I think narratively, that's interesting, too, because you can, you have all these sort of Venn diagrams of things that are overlap,
02:38where people are different and where people are similar.
02:41And, you know, that, of course, you know, it's why it's been, families have been used in great narratives for a long time.
02:57What are your 10 guilty pleasures?
02:59Bread.
02:59Bread.
03:00I've eaten so much bread.
03:02That's why I'm wearing gigantic trousers.
03:06I'm full of bread.
03:08I've eaten, like, six bread rolls.
03:10Like, I just can't stop eating it, because it's French bread.
03:13Yes.
03:14It's worth eating.
03:15Yes.
03:15You can't eat bread in America, it's disgusting.
03:16What's yours?
03:17Same.
03:18Bread.
03:18Yes, bread.
03:19We don't eat bread, do we?
03:20No.
03:21Nobody eats bread anymore.
03:22Probably the most unhealthy thing you can eat, too.
03:25Not here, though.
03:26The bread's better here.
03:26Yeah, the bread's much better here.
03:28I like the ham and butter on the baguette, but I don't know if that, I don't feel guilty about that at all.
03:34That's when I reveal to you, well, I killed a man yesterday.
03:39I'll find one.
03:41I'll feel guilty tonight.
03:43Now, last quick fun question.
03:44That's good.
03:45I was going to ask you what your guilty pleasure in Cannes was.
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