TIDES OF ANNIHILATION New Gameplay Demo 20 Minutes

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Transcript

00:01If you know not of what you speak, accept your defeat!

00:14Beware!

00:16Namorak!

00:18She's created another Folded Realm!

00:21I can't reach her!

00:23We cannot cross you both of us, but this fear can!

00:30Take the fear!

00:42She's human again!

00:49It seems you do have the capacity to surprise us!

01:00Not enough to change your...

01:05Rectis!

01:19Even with your new...

01:22Anna!

01:24End this!

01:26Here!

01:27Palomini!

01:34Enemy of my enemy!

01:36I lend you my strength!

01:39We fight...

01:40As one!

01:50Tyrannok!

01:51You will not escape justice!

01:52Justice!

01:56Death!

01:57Death!

01:58Death!

01:59There is only the King's will!

02:01Go to Hell!

02:05Death. There is only the king's will.

02:18Go to hell!

02:31Foolish knight.

02:33And your foolish friend.

02:42Faced with the agony of truth, you choose the comfort of lies.

02:48Loyalty without inquiry is in itself a betrayal.

03:03Your loyalty has condemned this man.

03:18Your loyalty has condemned this man.

03:22Go!

03:23Go!

03:25Go!

03:26Go!

03:27Let's go.

03:57Hmm. We thought all his knights were dead. Yet Lamarack sends one more. I almost admire him.

04:07Tyrannoy! But you're one of the White King's sorceresses. You destroyed the White Lance.

04:15That destruction is in fact salvation!

04:19You're insane!

04:27Is this a car? It's too small. It's a baby carriage.

04:38Ah, a baby. I'm so sorry for everything that's happened to you.

04:44Let's go.

04:58Get over here!

04:59Let's go.

05:29Let's go.

05:59Let's go.

06:29In time, no see.

06:34Oh no, not again.

06:37Ah, no!

06:50The path has flooded.

06:59Look, a path.

07:08Not enough yet. Let's find more.

07:13Up here! Just knock down the pillar.

07:17Don't forget! Knights don't fear the scarlet waters.

07:20Nice! Now we can get across.

07:24I sense danger. Seems like that's where we're headed.

07:43Once we go in, there's no turning back.

07:45We need to be prepared.

08:03I warned you.

08:05Gwendolyn.

08:09Did you come here just to get upset?

08:13With me?

08:15Dormit! Mordred!

08:17That's up to you.

08:19Just here to read, are you?

08:21I have more pressing matters.

08:30You should have stayed...

08:34Out of my way.

08:37Like I said before, I've no interest in your throne.

08:41You're a right pain, aren't you?

08:51You'll soon pay the price.

08:55You're nothing!

08:56You're nothing!

08:57You're nothing!

08:59I'm not going toaku!

09:00No!

09:01You're nothing!

09:03Good luck!

09:05You're nothing!

09:07You're nothing!

09:11You're not falling!

09:15I was making track!

09:16What a beautiful sight, a perfect picture of Famian.

09:46Neil, feel the true power of Pendragon. Feel the despair. This is proof of my inevitable victory.

10:11How is this possible?

10:16You were just lucky.

10:34How safe?

10:40You'll regret that.

10:42You're nothing but a buck. While I'm destined to have it...

10:59I may be a mere buck. But who the hell do you think you are?

11:11Watch your mouth.

11:14Face it. You're just a discarded pawn in this game.

11:18Damn you! I'm Pendragon! No one can cast me aside, ever!

11:30Where are you?

11:32I'm outta the way!

11:34I'm out of here.

11:36I'm outta here.

11:42We'll see you, in the next phase.

11:44You're turning blue.

11:46You're turning blue.

11:49You're turning blue.

11:51You're turning blue.

11:53You're turning blue.

11:54Tides of Annihilation is an upcoming single-player fantasy action-adventure game developed and

12:15published by Chinese studio Eclipse Glow Games as its debut title.

12:20Built in Unreal Engine 5 and planned for release in 2026 for PlayStation 5, Xbox Series X & S,

12:27and Windows PC via Steam and the Epic Games Store, with no exact launch date yet announced.

12:33Inspired by Arthurian legend and framed as a fusion of medieval myth with a contemporary

12:38setting, the game takes place in a shattered modern London and the mythical realm of Avalon

12:43after an otherworldly invasion fractures the city, leaving skyscrapers, bridges and landmarks

12:49twisted together into a surreal, world-tree-like structure, whose districts function as distorted

12:55branches patrolled by colossal knight entities that act as explorable, climbable, living dungeons.

13:02Players control Gwendolyn, voiced by Jennifer English, portrayed as the lone survivor of

13:07the initial catastrophe, who discovers the power to summon spectral incarnations of the

13:12Knights of the Round Table, and sets out to find the Holy Grail in order to rescue her

13:17sister, confront demigods from Avalon and restore the broken world, while facing off against the

13:23antagonistic Mordred, played by Alyona Baranova.

13:27Combat is designed around fast, stylish third-person melee, with significant emphasis on defense

13:33into offense mechanics.

13:35Alongside Gwendolyn's own swordplay and magic-infused combos, the dual-frontline battle system lets her

13:41field-and-command spectral knights, such as spear-wielding Sir Lamarack, configuring two

13:47squads, four knights total, that can be switched mid-fight, with each knight bringing different

13:52moves, buffs and crowd control tools.

13:55A complementary mirror-combat focus on precise blocks, parries and counter-attacks turns well-timed

14:02defense into powerful retaliatory strikes, evoking character-action influences while remaining

14:08more readable than pure combo-heavy brawler systems.

14:13Light RPG elements underpin this action.

14:15Gwendolyn gains levels and unlocks skill trees that expand both her own abilities and her

14:21knight's arsenals, while players can tweak weapon loadouts, equipment, accessories and

14:26knight lineups to refine their preferred playstyle, and can also alter cosmetic aspects such as clothing,

14:33hairstyles and makeup, reinforcing her dual role as both a customizable avatar and a defined

14:39narrative protagonist.

14:41Structurally, the game aims for a roughly 30-plus hour experience, blending story-driven progression,

14:48large interconnected combat arenas, environmental exploration, and occasional colossus-style encounters

14:55in which players scale and dismantle towering knights that double as puzzle-like battlefields.

15:01Difficulty options are included to allow both action-game veterans and more story-focused

15:06players to tune the challenge.

15:08Visually and thematically, Eclipse Glow Games describes its direction as a reimagined London

15:13infused with a sense of withering and spiritual erosion, mixing realistic urban ruins, heavy atmospheric

15:21fog and dynamic lighting, with touches of East Asian ink-wash influence in the colour-grading

15:26and environmental motifs, while boss designs and key story beats explicitly draw on King Arthur's

15:33Court, recast as corrupted demigods and monstrous knightly figures.

15:38In interviews, the Chengdu-based team has emphasised its effort to treat British history and Arthurian

15:44law with respect, consulting reference materials and experts, and conducting on-site visits to

15:50London, both for location research and early playtests, and has cited the recent success of visually

15:57ambitious Chinese action games as encouragement to push for high production values and a global audience.

16:04Now you can enjoy the screenshots without any interruption. Enjoy!

16:20Unav

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