- 2 days ago
Luther tv series - Season 5 , Episodes 1
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TVTranscript
00:00To be continued...
00:30Let's go.
01:00Let's go.
01:30Let's go.
02:00Let's go.
02:29Let's go.
02:59Let's go.
03:29Let's go.
03:59Let me in.
04:00Lee, go home.
04:01I'm calling the police.
04:04I'm doing it right now, Lee.
04:29Let's go.
04:36Let's go.
04:37Let's go.
04:38Let's go.
04:39She will love you like a flag, she will love you like a flag, she will love you like a flag.
04:49I'll get you like a flag, she will love you like a flag, she will love you like a flag.
05:01I'll get you fixed, I promise.
05:03All right, all right, all right, all right, all right, hold on, just relax, all right?
05:09Don't...
05:11Oh, God.
05:41George, what is all this bollocks?
05:57Where is he?
05:59Why is who?
06:00Where is he?
06:12Oh, George, oh! I don't know who you're talking about!
06:24That's my son, Alistair.
06:27Alistair, yeah, it's the older one that washes the money for you, yeah, what about it?
06:33Allegedly.
06:34Okie dokie.
06:36Massey, please.
06:38So, what we're going to do is, I'm going to ask that question a maximum of five more times.
06:50Calling this. I have no...
06:52Where's my boy? Come on, John, hurry up, where is he?
06:56I have no clue.
06:58Now, that's twice.
07:02Alright, I don't know, I don't know!
07:04Last chance, come on, wake up, John.
07:09Thank you!
07:16Give me that.
07:19Put your hands where I can see them.
07:22So, what's going on?
07:24You really don't know, do you?
07:25No, I really don't know!
07:29Where was he?
07:30When he got taken, Alistair, where was he?
07:33Who was it?
07:33Ah, I see. Now you're fishing.
07:36Well, if you tell me who did it, then I might be able to help you.
07:39Oh, you know what?
07:41Heуск!
07:43Oh, not wonderful!
07:50And now...
07:51Yo, now that this door is bad for you I hear from you just right now.
07:58Oh, and go!
07:59What do I hear from of your neighbor?
07:59Okay?
08:00I want to get here!
08:01I'll get here!
08:02Well, what do I get here?
08:02I won't get you away from you.
08:04I justispiel, son, I'm going to get here.
08:05Let me hurry!
08:06I can see him before you get there!
08:07I don't know.
08:37G.C.I. Luther.
09:01I'll put the kettle on, shall I?
09:07I see you're settling in?
09:13Yeah, yes, of course.
09:15Listen, milk's in the fridge.
09:17You know where everything is.
09:18I'll be back in a second.
09:37I'll be back in a second.
09:45So, how's Catherine working out?
10:08D.S. Halliday?
10:10This is okay, I suppose.
10:12Why'd you ask?
10:13You don't like her?
10:17Oh, it's not that.
10:18I, um...
10:19Look, John, this, uh, direct entry thing, headhunting people from the public sector, fast-tracking them through the ranks, none of us like it, but that's the way it is.
10:27Give it ten minutes and D.S. Halliday will be superintendent Halliday.
10:34Boss, are you, um, telling me to behave myself?
10:38I'm saying that we're the dinosaurs and she's the meteor.
10:44So, yes.
10:45Don't show her how it's done.
10:48Show her how it's supposed to be done.
10:50Noted.
10:54Good.
10:55I hope so.
10:56Yeah, I hope so.
10:58Luther?
11:00All right.
11:02We're on our way.
11:04I think we've got a customer, boss.
11:20Yes, how are they?
11:32Morning.
11:34Morning.
11:39Can I borrow a pen?
11:41Yeah, sure.
11:50The killer took his eyes and cut his tongue out.
11:57All right.
11:59Keep it.
12:01No, I couldn't. It's a lovely pen.
12:02Honestly, it's my gift to you.
12:07The killer chased him from Ballaritch Street, just around the corner.
12:14All right.
12:14Um, can, can I ask, um, is, is this normal?
12:25Normal.
12:39Thanks.
12:40Witness hasn't a clue as to what happened.
12:48The victim's an ex-pupil, Lee Peck.
12:51He followed her home.
12:53Next thing she knows, he's banging on the door, pleading to be let in.
12:57Seems like the killer came from nowhere.
12:59I'd like to talk to the witness.
13:10The killer came from.
13:11It's not aabolicalieni.
13:14What a
13:33it's not a.
13:35ready
13:49mate
13:51I need a favour
13:54an off the box time favour
13:56oh yeah
13:58I thought we'd be heaving ourselves these days
13:59no we are
14:00it won't be a problem
14:01says who
14:02well then what do you need
14:04someone's got George Cornelius on the hook
14:07I need to find out who it is
14:09why do we care
14:10I don't know
14:14I um
14:14it just doesn't feel right
14:17so I'm just gonna have a little
14:20nose about it and not
14:22fuss with
14:23warrants or anything like that
14:25no no no
14:34go on then
14:37you talk me into it
14:38you silver-tongued devil
14:39yes
14:40right so where are we
14:49first victim's Paul Redford
14:5129 landscape gardener
14:54single and ready to mingle
14:56what does that mean
14:57oh he used a number of online hookup sites
15:00oh let's hope we're not looking at another Stephen Port
15:02lab's looking for GHB and other drugs
15:05but Port he liked to incapacitate rape and then murder his victims
15:09he didn't do anything like this
15:11nothing similar on the books
15:12no nothing close
15:14all right well you know this isn't our boy's first disco
15:17I mean even
15:18Jack the Ripper had to work up towards what he did to
15:21Mary Jane Kelly
15:22and our boy hasn't got to this place from a standing start
15:26nope
15:28okay first up
15:30um let's see if there's an uptick on
15:32people being assaulted in public
15:35stabbed in the groin in the buttocks with a
15:37pen knife or a big pin
15:39like a hat pin
15:40a what
15:42a hat pin
15:43it's like a long pin
15:44um like this big and use it for
15:47I've seen those
15:48and then let's check uh recent
15:51prison releases of men that generally fit the pattern
15:55what about the other victim
15:57any connection
15:59uh no
15:59it looks like an acute case of wrong place wrong time
16:03hmm
16:04what does this say to you
16:06the um eyes and the tongue
16:08uh symbolic punishment
16:10for what
16:12intruding on a private act
16:15maybe
16:15in this business
16:19how's he doing that
16:21that's led sewn into his hood
16:24it confuses cctv
16:25ah okay
16:27so this isn't random is it
16:28which means
16:30there's gonna be more
16:32ja patrimony
16:34so this is right
16:34it's not random is it
16:36yeah
16:37yeah
16:38yeah
16:39yeah
16:39yeah
16:45yeah
16:45yeah
16:46yeah
16:47yeah
16:48yeah
16:49yeah
16:51yeah
16:51yeah
16:52yeah
16:56yeah
16:57yeah
16:58yeah
16:59yeah
17:00No one near it.
17:30Yeah, who's this?
17:36This is I, Krampus.
17:37Benny.
17:38Half-demon creature who punishes naughty children.
17:41Bad timing. What's up?
17:43Listen, mate, I need a favor.
17:44Of course. Totally.
17:46What, seriously?
17:47No.
17:48Then you leave me no alternative but to huff and puff and blow your walls down.
17:54How are you going to do that then?
17:55I'm telling Mr. Cornelius that you're on the skim.
17:57Well, I haven't.
18:03And that's mad because they kill anyone who did something like that.
18:06How do you even know this shit?
18:07Big lad, you need to brush up on your online security.
18:10Yeah.
18:11Hmm.
18:11Hmm.
18:11I don't know.
18:41yeah oh cool nice one all right right um if anything comes up you let me know
18:49okay oh yeah sure em cool where will you be out yep cool sure
19:11errol if they catch me wearing this i'm dead about 18 times he'll feed me to his dogs i'm not joking
19:19well don't get caught there actual dogs he's got dogs like them 70s dogs errol dobermans i just need
19:27to know what's going on right i don't even know anything huh he just wants me there for a bit of
19:32extra vavavoom that's all i'm numbers mate i'm muscle i just need you in the room listening
19:37that's all all right don't say nothing don't go asking any questions just let us listen
19:43everyone keep your wig on keep stomp
20:07afternoon
20:13well we all want the money but my son has nothing to do with this
20:20that's not how we do things in the civilized world
20:23oh what's left of him
20:26all right all right you get your money i'll get my boy and that's it i'll meet you there close the play
20:35right
20:37i want this place watched like a hen knight in saudi
20:44all right off we toddle
20:48are you all right errol are you looking a bit peaky
20:55no i'm good george really you're coming across as me clammy to be honest
21:06yeah just just sway it's a family thing on my mum's side
21:12delightful
21:14delightful
21:15somebody point a gun into errol's face please
21:20just
21:22oh mate
21:24do me a favor errol
21:30lift your shirt
21:32oh you don't have to bend over mate just
21:34lift your shirt
21:36i can't do that
21:39i can't do that
21:40stop
21:41all right all right
21:42all right
21:43well done
21:44bloody hell
21:45hello hello hello hello
21:52what's all this here
21:54oh john i suppose this goes to show you really don't have a scooby about what's going on
21:59but you're still curious hey little tinker
22:03so here's what we'll do
22:06you can follow me if you like
22:08or you can save
22:10poor old errol here
22:16remember what happened to harry samson
22:21what happened to harry samson
22:44what happened to harry samson
22:49the blues head off
22:51so what do you think they're taking him
22:53somewhere quiet
22:54privacy
22:55a bit of distance
22:56a bit of real estate
22:57where
22:58where'd they go
23:03where'd they go
23:04where'd they go
23:05where'd they go
23:06come on
23:07come on
23:08come on
23:09come on
23:10come on
23:12come on
23:13come on
23:14come on
23:15come on
23:16come on
23:17come on
23:18come on
23:19come on
23:35come on
23:39hello
23:42police
23:43Where is this thing?
24:05Where is it?
24:13Ten minutes?
24:14What happens in ten minutes?
24:16It goes off.
24:18No.
24:19The key...
24:20Wait, wait, no, no, you can't do that!
24:22Hey, wait!
24:23Ah!
24:24Ah!
24:25Ah!
24:26Ah!
24:27Ah!
24:28Ah!
24:29Ah!
24:30Ah!
24:31Ah!
24:32Ah!
24:33Ah!
24:34Ah!
24:35Ah!
24:36Meggie, where are you?
24:37I've got this.
24:38This, this, this, this, this, this thing around my neck, this metal thing.
24:41I think it's a puppet.
24:42Wait, you can't calm down.
24:43I can't calm down.
24:44I've got this thing around my neck.
24:46Relax, we lost you to the Cory Road.
24:49We, we, we turned on, on Brandon Street.
24:51Where?
24:52I think.
24:53Then, then, er...
24:54Okay, okay.
24:55Okay, I know where he is.
24:56Brittany!
24:57Brittany!
24:58Brittany!
24:59Brittany!
25:00Oh!
25:01Oh!
25:02Oh!
25:03Oh!
25:04Oh!
25:05Oh!
25:06Oh!
25:07Oh!
25:08Oh!
25:09Oh!
25:10Oh!
25:11Oh!
25:12It's holiday.
25:13Look, where are you?
25:14Uh, Tim Lyne got a call from a consultant psychiatrist to Dr. Vivian Lake.
25:21She's worried about one of her patients, quote, escalating risks.
25:24Okay, do you like her for it?
25:25Do you know?
25:26It sounds interesting.
25:27Oh, excellent.
25:28Bring her in.
25:29Oh, no, I've already sent her car.
25:30Great, okay.
25:31As soon as I can, I'll be back.
25:32What?
25:33I'm in here!
25:35You better be alone!
25:37Yeah, yeah, man, I'm alone!
25:39I'm alone! Come on, man!
25:41Come on! Look, look, look!
25:43Alright, let's have a look, let's have a look!
25:45Just shut up, just shut up!
25:47Come on, man!
25:49I can't open it.
25:51Wait, wait, there's the keys! He threw the key over there!
25:53Where? Over there in the corner!
25:55Ben, have a quick look!
25:57Come on!
25:59Come on, man!
26:01Just relax!
26:03I don't think I can open this.
26:05Yeah, man, you could do it.
26:07You could do it. Yes, you could do it.
26:09No locks are pickable!
26:11This might be pick-resistant.
26:13What does that mean?
26:15It means I can't pick it, Minty, relax!
26:17Of course you can open it!
26:19Benny, how you looking?
26:21I can't see it!
26:23In the corner!
26:25What corner?
26:27Hurry up!
26:29Oh, my God!
26:31Come on, man!
26:32Come on!
26:33Relax, okay?
26:35Relax!
26:45Benny?
26:47What does that look mean?
26:49What does that look mean?
26:51Benny?
26:52Yeah?
26:53You should go.
26:54Come on, come on!
26:55Stop moving!
26:56Find a key!
26:57Find a key!
26:58Find a key!
26:59Look, he's got it!
27:00He's got it!
27:01Go on!
27:02Go on!
27:03Open it!
27:04Open it!
27:05Unlock it, you fucker!
27:18In there!
27:19There!
27:22Pass the crew!
27:24The hotel
27:34Let's go!
27:35Sorry, the hotel
27:40Instead of there running...
27:42Just fall, it won't be dlouge
27:44PHONE RINGS
28:14Errol, I'll make sure you're looked after and say this is all put to bed, all right?
28:24It won't be put to bed, though, will it?
28:27You've opened up a can of, not worms, I don't know, geese.
28:38I'll sort it.
28:40I promise.
28:41Yeah.
28:42Yeah, you do that.
28:44Because everyone knows you do magic, yeah?
29:06Yeah, you run.
29:10I'll find you.
29:11I'll get you.
29:26Dr. Lake, I'm DCI.
29:28Luther, they offered you tea, coffee.
29:30You have, thanks.
29:31So, um, you wanted to bring one of your patients to our attention?
29:38James Houser, yeah.
29:39So, what can you tell us?
29:41He's a very troubled man, dealing with a number of intersecting paraphilias. He was the victim of profound and systematic childhood abuse. Unspeakable abuse, really.
29:52And to avoid any doubt, paraphilias means sexual fetishes, abnormal sexual impulses.
30:00The nature of his?
30:02Impulses, bicarism. In the French, bicar de pre.
30:05At the age of 13, he stabbed a classmate in the buttocks with a school compass and experienced his first orgasm.
30:12Classmate female?
30:14Male.
30:14He attended boarding school, but there were female victims during his student days and later. Sex workers of both sexes and all genders. He paid to stab them in the buttocks, thighs, particularly the area around the navel.
30:27Using a...
30:28Usually the point of a scalpel. Just the tip.
30:36There isn't a person in the world without a sexual secret. DS.
30:41A holiday.
30:42Yeah, we all have a fantasy. We all have a fetish.
30:46We all regret something we've done.
30:49Something we never had the courage to do.
30:52So what's changed? Why come in today?
30:54His condition's been escalating. He hasn't made his last couple of appointments. And last night, he, uh, turned up at my house uninvited.
31:03Yeah.
31:05There was blood on him.
31:06His blood?
31:08I presumed so at first, yes, you know.
31:11Self-mutilation isn't uncommon when people are struggling with extreme desire.
31:15But I went to wash his wounds. There were no wounds.
31:18I asked him to wait in the lounge while I went to my office to call the police, take him to a safe place.
31:25Before I could place the call, he'd gone.
31:27He's not answering his phone or email, so I decided to seek the advice of a colleague and come forward.
31:35As his fantasies became more extreme, he became too ashamed to articulate them.
31:39So, I asked if he could draw them for me.
31:43I guess he didn't know.
31:44I pulled him out.
31:45I sat down.
31:49And I said to myself, I didn't know.
31:50I don't know.
32:20I don't know.
32:50I don't know.
33:20I don't know.
33:50I don't know.
34:20I don't know.
34:50I don't know.
35:20I don't know.
35:50I don't know.
36:20I don't know.
36:50I don't know.
37:20I don't know.
37:50I don't know.
38:20I don't know.
38:50Well, something like this.
38:52And you're definitely okay with it?
38:53Like, ethically?
38:55I don't know about ethically, but as long as it's legal, I'm okay with it.
38:58I don't know.
38:59I don't know.
39:00I don't know.
39:03I don't know.
39:04I don't know.
39:06I don't know.
39:07I don't know.
39:08I don't know.
39:09I don't know.
39:10I don't know.
39:11I don't know.
39:12I don't know.
39:14I don't know.
39:15I don't know.
39:16I don't know.
39:17I don't know.
39:19I don't know.
39:20But you do have a responsibility to him.
39:22I don't know.
39:23I don't know.
39:24I don't know.
39:25I don't know.
39:26I don't know.
39:27I don't know.
39:28I don't know.
39:29I don't know.
39:30I don't know.
39:47I don't know.
39:48I don't know.
39:51Boss?
39:52Boss, James Heiser's phone's just come on.
39:59He's in Hampstead Woods.
40:03This is Schenck.
40:04Get SCO19 to Hampstead Woods and have them take up position.
40:07And what about your responsibility to his victims?
40:10Well, I'd imagine it's alleged victims at this stage, isn't it?
40:16Okay, won't you just show her?
40:22Well, this really is a tawdry form of manipulation, isn't it? Frankly, I expected better.
40:31Dr. Lake, look, you know him.
40:35I care about his well-being, yeah. I have no emotional attachment to him.
40:38Which is a good thing.
40:39Why?
40:40I don't think he's gonna stop until we kill him.
40:46Oh, dear God, how clear can I be? Look, I'm happy to give you any information at that light.
40:51Help in protecting the lives of others, but it's your job to actually catch him.
40:57I cannot and I will not help you do that.
41:01That girl on the bus was 23 years old.
41:05I could tell you exactly what he did to her before he slipped the bus driver's throat and ran away.
41:10But I don't want to hear myself saying those things. Do you understand that?
41:14I don't want to hear myself saying the things that your patient did in there.
41:18Well, look, I'm happy to suggest a good therapist defense and help.
41:22And what if we were to arrest you?
41:24On what grounds?
41:26Obstructing justice.
41:28Okay, um, call me if you change your mind. Come on.
41:40Oh, God.
41:41So it turns out I'm not fine.
41:43All right, look, she's not gonna help voluntarily, okay?
41:49She's good and spooked on his behalf. You guys listening in?
41:52I am. And you're bang on the money. He's talking here right now.
41:55From where?
41:57Hampstead Wood. 70 acres of urban woodland. Multiple points of ingress and egress.
42:02If he gives us a slip there, we'll never find him again, John.
42:05So we need her to lead us to him.
42:07Yeah, no, she's good and primed. She thinks she's saving him from the filth.
42:11Heh. She could be right.
42:15James, remember, you can control this.
42:20You have to think ahead. You have to think of the consequences.
42:27I don't think I can stop.
42:31Yes, you can.
42:33You can.
42:34You need to remember what we discussed.
42:37You need to remember your strategies.
42:39You didn't call me because you were aroused.
42:41You called me because you know you shouldn't be putting yourself in this situation.
42:46You need to remember what we talked about.
42:50Can you come here?
42:53Can you do that?
42:57Now?
43:01James, if you don't let me help you, we're going to hurt you.
43:04And I couldn't bear that, so please.
43:07Let me come to you.
43:10I'll hide you.
43:12I'll keep you safe.
43:16Please.
43:19Hampstead Wood.
43:21She's leaving.
43:36She's leaving.
43:42And SCO-19 are in position.
43:44Stay with her.
43:46Two minutes away.
43:48You want him dead?
43:51I don't care.
43:52I just want him.
43:53I just want him.
44:16She's entering the woods just south of the basketball court.
44:18I'll talk to you again.
44:19He says,
44:20I need to go to the basketball court.
44:48James, come with me please.
45:06You can hurt me if you like.
45:16All units.
45:18On my signal.
45:23I'd like you to cut me.
45:39I didn't... I wouldn't... I wouldn't...
45:41Right! Don't do it!
45:45Go, go!
45:46Okay.
45:57James!
45:58Let's go.
46:28Let's go.
46:58Let's go.
47:05He's cut his own throat.
47:14Let's go.
47:15Let's go.
47:16Let's go.
47:17Let's go.
47:18Let's go.
47:19Let's go.
47:20Let's go.
47:22Let's go.
47:24Let's go.
47:25Let's go.
47:26Let's go.
47:27Let's go.
47:28Let's go.
47:30Let's go.
47:32Let's go.
47:33Let's go.
47:34Let's go.
47:35Let's go.
47:36Let's go.
47:37Let's go.
47:38Let's go.
47:39Let's go.
47:40Let's go.
47:41Let's go.
47:42Let's go.
47:44Let's go.
47:45Let's go.
47:46Let's go.
47:47Let's go.
47:48Let's go.
47:49Let's go.
47:50Let's go.
47:51Let's go.
47:52Let's go.
47:53Let's go.
47:55Let's go.
47:56Let's go.
47:57Let's go.
47:58Let's go.
47:59You followed me.
48:00Yeah.
48:01And asking for my help, what was that?
48:04Manipulation? Gameplay?
48:07Yeah.
48:12You have no idea what he endured, what was done to him.
48:15He was a good man.
48:19Thoughtful.
48:23Take away, please. Get a statement.
48:31I didn't want to.
48:33I was like, oh, my God, my God.
48:35There's no idea what it is.
48:37I am sorry, that's all right.
48:39I am sorry.
48:41I am sorry.
48:44I am sorry, I am sorry.
48:46I am sorry.
48:48I am sorry.
48:50Okay.
48:51I am sorry.
48:54I am sorry.
48:56You are sorry.
48:57I am sorry.
48:58Who do we have here?
49:28Who do we have here?
49:58Who do we have here?
50:05You didn't have to cut me.
50:07Are you listening to me?
50:08Look what you did to my arm.
50:09That is the last time I humiliate myself at you.
50:13Okay?
50:14That would be the last time you ever hurt me.
50:17James better be dead!
50:21Oh!
50:26Oh!
50:28Oh!
50:30Oh!
50:35Oh!
50:36Oh!
50:37Oh!
50:38Oh!
50:40Oh!
50:42Oh!
50:43Oh!
50:44Oh!
50:47Oh!
50:48Oh!
50:49Oh!
50:51Oh!
50:52I don't know.
51:22I don't know.
51:52I don't know.
52:22I don't know.
52:23I don't know.
52:24I don't know.
52:26I don't know.
52:27I don't know.
52:28I don't know.
52:29I don't know.
52:30I don't know.
52:31I don't know.
52:32I don't know.
52:33I don't know.
52:34I don't know.
52:36I don't know.
52:37I don't know.
52:38I don't know.
52:39I don't know.
52:40I don't know.
52:41I don't know.
52:42I don't know.
52:43I don't know.
52:44I don't know.
52:45I don't know.
52:46I don't know.
52:47I don't know.
52:48I don't know.
52:49I don't know.
52:50I don't know.
52:51I don't know.
52:52It's not right.
52:53Have you discussed this with DCI Luther?
52:55Well, I've tried calling him over and over, but he's not answering, so...
52:58How convinced are you?
53:00Nine out of ten.
53:01Eight.
53:02Eight.
53:03No.
53:04Nine.
53:05Yeah.
53:06Nine.
53:07Then let's go and see them together.
53:11Okay.
53:33Lutha.
53:34Ain't you a must-a-none.
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