- 2 days ago
Luther tv series - Season 5 , Episodes 4 - ( Last )
Category
📺
TVTranscript
00:00I'm going to send you to a series of checkpoints.
00:05You won't know the final destination until you arrive.
00:08Mark isn't a part of this.
00:10I need to know that he's walking away.
00:12Do as I say.
00:13He gets to go home and watch the one show.
00:15And Alice?
00:17Sorry.
00:18You know how it is.
00:21I still need to know he's all right.
00:23I need proof.
00:25You have my word.
00:26I said I need proof.
00:30Stay by your phone.
01:00I'll be right back.
01:30Five minutes later, we're receiving a loud clip of the match.
01:34Please.
01:45Hiya.
01:47Yes, yes, I did. Organic, yes.
01:50Excuse me.
01:51And the kitchen roll.
01:54No, no, I got Brabens instead.
01:56Sorry, excuse me.
01:57About ten minutes.
02:00Yeah, love you.
02:02Yes, yeah, love you.
02:04Sorry, excuse me.
02:09I'm so sorry.
02:12I'm afraid you dropped this.
02:15That's so kind, thank you.
02:17No, no worries. Happy to help.
02:19No, no worries.
02:40No.
02:41Love is like a sin, my love
02:56For the ones that feel it the most
03:03Look at her with her eyes like a flame
03:10She will love you like a fly
03:15And will never love you
03:19Look at me
03:40Stay away from the door, he said
03:42He's not here, is he?
03:43He's out there
03:45Preparing to kill John
03:47And then you
03:49And then me
03:52Well, if that's what he wants, why hasn't he done it already?
03:55John wouldn't come here without proof of life
03:58Well, your life anyway
04:00Mine, not so much
04:03You make a good bag, lady
04:09Thank you, listen, we need to be scrapped by the insulation we can find
04:13Or we'll have frozen to death by the time he gets here
04:27Don't you give me the run around, don't you give me the run around
04:30Gov, where are you?
04:40So it turns out Jeremy Lake was keeping, I don't know what to call it, a scrapbook
04:44Look, Catherine, I need some help
04:46What sort of help?
04:47I just need you to find someone from here, alright?
04:49His name's, uh, Ronald Massey
04:52He works for a man I need to find
04:56I mean, Gov, I can't just, I mean, who is he?
04:59Look, Catherine, I'll be there as soon as I can
05:01I'll bring in Jeremy Lake, but I need you to do this first, okay? Can you just do it?
05:05Boss, I...
05:06Catherine, do it!
05:17Okay, what is it?
05:18Oh, you are too tall
05:19I should go and take you to go.
05:21Oh, my goodness
05:22And now, you are too tall
05:24Yes, yes
05:27Yes, yes
05:28Yes, yes, yes
05:29Yes, yes, no
05:30Yes, yes, yes
05:32Yes, yes, yes, yes, yes, yes, yes, yes, yes
05:37Yes, yes, yes, yes, yes, yes, yes, yes, yes, yes
05:42Oh, my God.
06:12The masks of Lake's own face, which is new behavior, as far as we know.
06:21But it is consistent with some of the images in the diary.
06:27His condition disinhibiting him?
06:29Yeah, or maybe he knows we're breathing down his neck and he's decided to go all carpe diem on us.
06:35Do we have the faintest notion where DCI Luther is?
06:39Sorry, boss.
06:42Catherine, do you know anything I don't know?
06:47Sorry, boss, no.
06:52Vivian Blake knows her husband's mind.
06:55She's the only one who can help us get ahead in this.
06:58Let's bring her in.
06:59Well, she's being treated at the hospital.
07:00I don't care.
07:02Weal her in in a gurney if needs be.
07:04Hey, Gov.
07:13I don't know what your other thing is, but the big boss, he's on his last nerve and I don't feel comfortable lying for you.
07:21Things are really kicking off here.
07:23We need you.
07:23I'm inquiring about the availability of Ileana this evening.
07:36Overnight for preference.
07:37Oh, good.
07:48Yes, hello, King of Plumbers.
07:50Because I have a dreadful smell coming from my drains.
07:52Dr. Lake, follow me, please.
08:18Boss, you should probably go.
08:39No, sonny, it's just a drill.
08:41Well, they usually say when it's a drill.
08:43It will go when the hair on your bollocks starts to sizzle.
08:47I'll just let me go and check.
08:49Hey.
09:09Call him off.
09:32We're on schedule.
09:34My fish will be here soon.
09:35Uh, yeah, I actually need you to hold off on that for a bit.
09:39Why?
09:40Because that's what I want.
09:42We entered into a contract.
09:44Well, you'll get your money.
09:45Just tell me where they are and then take the rest of the day off.
09:49Go to the pictures or something.
09:51It's not that easy.
09:54A police officer is dead.
09:56I can't have that coming back on me.
09:57It won't come back on you.
09:59You just text me the address and then pack your sandwiches and go home.
10:02I'll make sure everything's tied off.
10:04It says a cop is dead.
10:16Yeah.
10:17That'll be your mate?
10:18Yes.
10:20Well, for what it's worth, I didn't ask for that.
10:22Didn't you?
10:24Your mate chucked it in for free, didn't he?
10:28So where does that leave us?
10:29Yes.
10:29Yes.
10:34I came to offer you for Benny.
10:44I'm going to end this.
10:45All this eye for an eye bullshit, it's all just a game, isn't it, George?
11:09You don't want this.
11:13You don't want any of it, do you?
11:17You lost your discipline, George.
11:19You robbed Alice.
11:20You robbed you back.
11:21Now Alice is dead.
11:22That's not her fault.
11:23That's your fault.
11:24Benny's dead.
11:25That's not your fault.
11:25That's my fault.
11:26I couldn't shoot you in the head because I made a mistake.
11:28But if you can shoot me, then go ahead and do that.
11:30It doesn't change anything, does it, George?
11:32George, what I lost was my son.
11:43Eye for an eye.
11:49You think I won't do this and piss on your body after?
11:53Go on, George.
11:56Just do it.
11:58That's it.
11:59That's it.
12:02Stop there.
12:32You have a gun?
12:35Oh.
12:45So where's Luther?
12:47He's in the boot.
12:50Dead?
12:53There's Adodo's granddad.
12:56How did you find him?
12:58He came to me, as it happens.
13:02And how did he find you?
13:03Not entirely, sure, to be frank.
13:06But there you are.
13:06It was a clever old sausage, but not bulletproof, as it turns out.
13:14Open the boot.
13:14Oh, come on.
13:15Now, if you would.
13:22Open the boot.
13:24All right, all right.
13:28As you speak, so shall it be.
13:30As you speak, so shall it be.
13:30I don't get it.
13:58He's in our time. I'm Adolf, he's Neville, you're the Sudetenland.
14:02You're gonna go down, you're gonna go to prison for killing my friend, do you understand that?
14:06And if I don't agree?
14:07I'll shoot you dead right now and tell a story to my boss.
14:22No!
14:23What did I tell you?
14:28You're going to jail.
14:30And you're not gonna hate you.
14:32Shh!
14:33Sorry, old bean.
14:36Couldn't take the risk.
14:38There we are.
14:43You, smoking gun, tumming evidence and whatnot.
14:48All in the cloud.
14:50Whatever that actually is.
14:52I don't have the gun.
14:54I think it's one of mine anyway.
14:57You're a clever one, aren't you, Judge?
15:01You would have been a good copper.
15:03No.
15:04Too honest to have been a copper.
15:08Schenk came to me, John.
15:10He knows something's not right between me and you.
15:13I'll sell this to Schenk.
15:15You trust me.
15:17And so do I.
15:19But only because I've got this.
15:29Alice?
15:30What did you call me?
15:31Fuck.
15:52What did you call me?
15:55Scripture.
15:56Jesus.
15:57What did you say to her?
15:58Alice?
16:28is your friend in there yeah when you're gonna call someone i'll find him
16:36we can't just leave him here we have to for god's sake he's your friend
16:43got himself killed trying to protect us
16:47do you think i want to be doing this mark do you think i want to be doing this
16:58and he's dead the man that killed him is dead and all i'm trying to do is handle it so that
17:12your name is clear
17:13what time does your wife get back
17:22i think we need to get back and clean the scene
17:28what's happened to you john
17:32and
17:32I don't know.
18:02George Cornelius' problem. Have you dealt with it?
18:07Yeah.
18:08Let's not be coy. Is he dead, John?
18:10Yeah.
18:12Because it's the only way.
18:14He'll kill us both. You do know that.
18:16An assistant.
18:19Wouldn't lie to me, would you, John?
18:21Not about something this important.
18:29No.
18:30But because you're the only person I ever knew
18:33who always told me the truth,
18:36come what may,
18:39you never lied to me.
18:44It's done.
18:45That'll be your fancy lady calling you in for tea.
19:00Oh, why don't you just give it a rest? I've got to deal with the thing.
19:14Deal with it, then.
19:16Just go home and we'll talk later.
19:18You're not with your whatnot.
19:18I've got to deal with the thing.
19:34I don't know.
19:36I've got to deal with it.
19:37I've got to deal with it.
19:39I've got to deal with it.
19:40Do you think it's enough?
19:41Hello?
19:45Hello? Who's this?
20:11I hope you're not too uncomfortable.
20:23A young woman just stabbed me. Of course I'm uncomfortable.
20:28I'm afraid that a number of doctors have certified you fit to be questioned.
20:34And if there's one thing we can all agree on is, well, you can always trust a doctor, mate.
20:45We know your husband is gravely ill, Vivian.
20:49Jeremy doesn't have long. One more Christmas, perhaps.
20:54But he'll never see another summer.
20:57Now, if we can find and detain him, his case will never get to court.
21:04He'll never go to prison.
21:06The worst he can expect is a few months in a secure hospital.
21:12But he will stop.
21:17This will stop.
21:23This will stop.
21:28This will stop.
21:38It will stop.
21:44Stop!
22:15I have no idea about Jeremy's activities.
22:19I'm as horrified as you are.
22:22Oh, I doubt if you have the capacity.
22:24And to be fair, we did catch you in a plastic-lined room
22:28getting ready to disarticulate Penny Layton with surgical tools.
22:31I'm afraid you misinterpreted that situation.
22:35Actually, I was there to rescue her.
22:38Get her out of there. Poor thing.
22:40But you were wearing surgical scrubs
22:43and were attacking her with a hammer.
22:46I was defending myself
22:48from a very confused and frightened young woman
22:52who, understandably, given her state of delirium,
22:54misread the situation and believed incorrectly
22:58that I was there to do her ill.
23:07I have to make a call.
23:10We've had some urgent news.
23:14Let's hope it's the news we all want.
23:17Eh?
23:20DS Halliday, if you would hold the fort, please.
23:23Where have you been?
23:40I got called away, um, to something that didn't pan out, boss.
23:44And he knew St. Benny?
23:46No, no, he, he called in sick.
23:54I've been called away.
23:56I want you in there with Vivian Lake.
23:58I'm on my way.
23:59What do I need to know?
24:12Sir, we were investigating reported gunshots.
24:13You might want to get somewhere private.
24:13I am somewhere private.
24:14You can go ahead.
24:15We found a disposable phone in the glove box.
24:30We found a disposable phone in the glove box.
24:45Call reports.
24:47Most likely any calls were made to another burner.
24:50Fine.
24:51So I will need you to determine where that phone was last year.
24:58See if you can find any CCTV footage corresponding with the time and place of that usage.
25:04Absolutely.
25:05You have all the resources you need, but none of the time.
25:08I want this now.
25:11And this stays still.
25:16Are we clear?
25:18Nobody says a word.
25:20Okay.
25:21Anyone else in the area?
25:34Sorry I'm late.
25:47I've had a very busy day.
25:57So.
26:00Who did you meet?
26:01You and Jeremy.
26:06Is that relevant?
26:08I don't know.
26:12We struck up a conversation at a dinner party talking about
26:16Tony Blair over baked brie and raspberry jam.
26:20That's not true.
26:22You met at a play party, basically a fetish club.
26:25You really are bourgeois little prudes, aren't you?
26:33Thought police.
26:35Sex police.
26:38You're erecting an edifice of speculation on a foundation of puritanical distaste.
26:43No, that's not what I'm doing.
26:45I'm basically trying to establish whether you would like to protect your privacy.
26:49And the answer turns out to be yes, which I find very interesting.
26:52Did you know that Jeremy kept a diary?
27:01Bit of a leap to conclude that's a diary, isn't it?
27:03It looks more like a sketchbook to me.
27:05Okay, what about these?
27:10These are actual drawings of murder things, which makes me think about these other sketches too,
27:17which are, well, I don't know, I mean, are these real too?
27:21Clearly not.
27:24It's an explication of Jeremy's fantasy life and outlook.
27:27Masturbatory aid, nothing more.
27:31Yeah, possibly, could be.
27:32But it's not just the drawings, is it?
27:34I mean, it's the text.
27:40Well, that'll be a cipher text of Jeremy's own construction.
27:44Well, God knows what it says.
27:46Do you think you could decipher it for us?
27:47Well, I'd love to, but very much dealt I'd be able.
27:58You have to get rid of this stuff properly.
28:01No throwing it away in your own bin.
28:03Oh, thank heavens I'm here with a criminal master night.
28:06Otherwise, whatever would I have done?
28:09I have to go, Mark.
28:10I promise you won't see me again.
28:13Well, that'd be a shame.
28:17Some valedictory advice.
28:22Don't let John Luther back through your door.
28:25Not under any circumstance or for any reason.
28:31He's not what you think he is.
28:37Alice.
28:38You have to stop.
28:44Oh, God knows you are what you are.
28:46You're not a psychopath.
28:47You're not without conscience.
28:50You cannot live like this.
28:54I know.
28:55Do you need help?
28:57Is there something I...
29:00Hello?
29:01I had a boss once.
29:14Her name was Rose Teller.
29:16Really good cop.
29:18She used to say, um,
29:20an assumption is something you don't know you're making.
29:27Do you know the assumption you're making, Vivian?
29:29I might be able to help answer that.
29:38You're assuming that Jeremy doesn't want people to read what he's written.
29:44Then why employ a cipher text in the first place?
29:47Because he doesn't want you to know what he's written.
29:53He doesn't want you to know that he's written it all down.
29:58Everything that you've done together.
30:01Dates, times, places.
30:05Because that's the difference between you and him, isn't it?
30:09I mean, you are very private.
30:11I don't want anyone to know the truth about you.
30:13Not ever.
30:14And he is very proud of what he's done.
30:18He's done with being anonymous.
30:19He's done with someone else taking the credit.
30:24This isn't a diary.
30:25It's a confession, isn't it?
30:26And why does that leave you?
30:33Yes, you do.
30:34You do, Vivian, don't you?
30:38You know exactly where that leaves you.
30:41If Jeremy has implicated you as an accessory to murder,
30:45you know exactly what that means.
30:47Well, obviously, he wouldn't do that.
30:49Are you willing to bet the rest of your life on that?
30:52No, of course you're not.
30:53Because he has been letting you down recently, hasn't he?
30:58Come on, Vivian.
31:00Help us and we can help you.
31:04You are going to prison, Vivian.
31:07But for how long is really up to you?
31:18May I have a glass of water, please?
31:20No, you may not.
31:31Jeremy's most outré fantasy, and I have to stress to the best of my knowledge it was
31:36just a fantasy, was to play a game of what he called happy families.
31:41To sit in a house and summon people to him.
31:48Have them turn up the door.
31:52Land to the slaughter.
32:11So?
32:32The phone was used here.
32:34He arrives alone?
32:35George Cornelius.
32:53All right, George.
32:56You wanted it old school.
33:05Thanks for coming so quickly.
33:11Yeah, no worries.
33:12I'm sorry we were looking at.
33:14Through there.
33:25So Jeremy Lake's gone to ground.
33:27He's holed up somewhere getting people to come to him.
33:30How are we supposed to find him?
33:32There were like 60,000 streets in London.
33:34And previous murders, they don't tell us anything.
33:37There's no pattern.
33:37They're random.
33:38They're not disorganized, are they?
33:43I mean, everything he's doing, he's doing to tell himself how clever he is.
33:46And oh, the audacity of that.
33:49I mean...
33:51He can take care of whoever he wants, whenever he wants.
33:55He can have the police run around in circles.
33:58He can make the police blame the wrong man.
34:01And then he's come to an end.
34:04Which means he's gone somewhere, significant, with meaning.
34:08Do you?
34:09To us.
34:11To him.
34:12I mean, if you were him, like, where is the most audacious place you could go?
34:17Uh, if I were him, I would go home.
34:20No, too big a police presence.
34:25Where's the next best equivalent?
34:30Well, if I couldn't go to where the police are, I'd go to where they just left.
34:35Right, yes.
34:36Bad Oak Street, the school teacher.
34:41Should we tell someone?
34:44No.
34:45Not until we've checked it out.
34:48Are you sure?
34:48I am sure.
34:49Come on.
34:50Come on.
35:03Iliana.
35:19Wow.
35:20You look happy.
35:24Please.
36:33Do not move!
36:44Martin.
36:45I think it's time maybe we discuss getting me some legal protection.
36:51I can't put it together, George.
36:55I've tried, but I can't work out what happened.
36:58I need a show of goodwill and upfront payment right now.
37:08No, I told you, Martin.
37:20No, I told you, Martin.
37:38You're lads are wronging.
37:40Hey, boss.
37:53Yes, Halliday.
37:54Are you with DCI Luthor?
37:58Yeah, I am.
37:59Now, I need you to listen to me very carefully.
38:03Without alerting DCI Luthor to this order, I need you to bring him back to the station as soon as possible.
38:12Say, yeah.
38:14If you allow attempt to this, there is every chance that he will run.
38:20Do you understand me?
38:22Yeah, got it.
38:23Good.
38:24Good.
38:25Now, get him back to the station.
38:28Tell him I have some interesting news that I want to give him face to face.
38:39Schenk has asked you to bring me back in, hasn't he?
38:47Er, yeah.
38:49He said that he's got some news.
38:50Something he wants to tell you.
38:52Fair deuce.
39:09I'm not going anywhere into this.
39:11He's dealt with.
39:14You think he's in there?
39:16I know he is.
39:17How?
39:20Plumber's van. Pest control.
39:23Food delivery, all people that would come to you.
39:26We can get back up in nine, ten minutes.
39:30No, I've got no evidence.
39:33If we call it in, we'll have to go for due process.
39:36Get a warrant, it'll go on and on and on.
39:38What does that mean for anyone that's alive in there now?
39:46If you found out tomorrow that if we weren't in there today,
39:49you could have saved someone's life, would you be okay with that?
39:51Boss, that's not fair.
39:56Right, do what you have to do.
40:08I'm not waiting for her.
40:09It was another person.
40:10I'd have to change the distance.
40:11You turned off camera and made a mind of waiting for us.
40:12It was too big forvering the one.
40:13Oftentimes when you did not walk on the plane,
40:14I didn't give a rent.
40:15You tried one or it was even someone.
40:16I didn't single off camera, soldering for no pain.
40:17You went all out of 먹고, salah below,
40:18but you appeared one day anymore.
40:20I died.
40:25Ok, yes.
40:26I don't know.
40:56I don't know.
41:26I don't know.
41:56I don't know.
42:26I don't know.
42:56I don't know.
43:26I don't know.
43:56I don't know.
44:26You know they're coming for me, right?
44:35Yeah.
44:36What did you do?
44:37I think I can't fix.
44:42I just need time.
44:46Are you asking me to let you go?
44:50Definitely.
44:51I have to go, okay?
44:53It's a mess.
44:54I don't know.
44:55But it's not what it looks like, I promise you that.
44:58Can I stop you from leaving?
45:03No.
45:03Then I won't try.
45:07John?
45:11John?
45:15John?
45:15John?
45:15Did you use me as bait in there?
45:22send me downstairs to lure him out?
45:30No.
45:32No.
45:32I think you did.
45:36I think you dragged me here and threw me in front of him so that you could be the man to stop him.
45:43That is not what happened.
45:45That is not what happened.
45:53So what did happen?
45:54Oh, why are you making such a fuss?
46:03I mean, this is what happens, isn't it, to those of us who are no longer useful?
46:11Who's next, hmm?
46:13Could it be me, I wonder?
46:15Well, no, I won't let that happen, John.
46:18I can't allow it.
46:23She did nothing to you, Alice.
46:26Neither did my parents, really, or Henry Madsen, or Ian Reid.
46:30It never seemed to...
46:31You never seemed to mind, really, though, did you?
46:34Well, what are you going to do this time, DCR Luther?
46:37Arrest me?
46:38Well, yes, you should.
46:40But you won't, will you?
46:42You'll let me go.
46:43Because think of the tales I could tell.
46:46How?
46:49How?
46:50How are you going to cover this up?
46:52I wonder.
46:53What lies can you tell?
46:57Quick, John, think of a lie.
47:01Come on, come on.
47:02Think of a lie.
47:03Put it down.
47:04Make me liar.
47:05Liar.
47:06Liar!
47:07Next one's in your mouth.
47:11Put it down, Alice.
47:12In a minute, liar.
47:13Stop.
47:14In a minute.
47:15Get off!
47:16Oh, oops.
47:45No.
47:46Wow.
47:47No.
47:48Go!
47:50Go!
47:54No!
48:00No!
48:02No!
48:14No!
48:15I don't know.
48:45I don't know.
49:15I don't know.
49:45I don't know.
50:15How many more bullets, Alice?
50:20Come and see, John.
50:21Honestly, I'm embarrassed.
50:27I can't believe it took me so long to see that Zoe was right about you.
50:35I don't care about anyone, John.
50:37Not unless they can feed your compulsions, friends, enemies, it's all the same to you, it doesn't matter.
50:46Even so, you loved her so much more when she was dead.
50:49You need to stop.
50:50I gave you an excuse to behave exactly how you wanted.
50:52You need help.
50:55It's just words, isn't it, Alice?
50:58It's just words trying to justify what you really came here to do.
51:01And what's that, please? Do tell me.
51:03Well, free yourself from this, from me and you.
51:11You keep coming back.
51:14And coming back, and coming back.
51:15But you're never going to get what you want, Alice.
51:18Never.
51:18Because what I want doesn't exist.
51:22No.
51:23So how many more bullets, Alice?
51:25Yeah, well, I've got enough. Enough.
51:27How many more?
51:28How many more?
51:48What now, John?
52:03Alice Morgan, I'm going to receive the murder off.
52:10For the murder, Sergeant Catherine Halliday.
52:15Of course you are.
52:21You have the right killer, man.
52:23God!
52:25The thing is, John, you don't understand, love.
52:28You can mimic it.
52:30You can recognize it in others, but you can never understand it.
52:36Is this it?
52:38Is this it?
52:40Love?
52:42Yes.
52:44Guess what?
52:45I lied to you.
52:47There's one bullet left.
52:52They just needed us to be really close.
53:03Good night, John.
53:04Alice.
53:12You need to help me.
53:21Help me.
53:23No.
53:25Alice.
53:25saac manga.
53:33Oh.
53:53Oh.
53:54Show me a hand.
54:13Not like that.
54:24Ah.
54:39Ah.
54:42Ah.
54:44Ah.
54:47Ah.
54:49Ah.
54:52Ah.
54:59Ah.
55:04Ah.
55:11Ah.
55:13Ah.
55:14Ah.
55:16Ah.
55:18Ah.
55:19Ah.
55:20Ah.
55:21Ah.
55:25Ah.
55:26Ah.
55:27Ah.
55:28Ah.
55:29Ah.
55:32Sometimes I find myself alone, regretting some little foolish thing, some simple thing that I've done, done just a soul whose intentions are done.
55:49Oh Lord, please don't let me be misunderstood. Don't let me be misunderstood. I try so hard.
Be the first to comment