- 7 weeks ago
Luther tv series - Season 5 , Episodes 3
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TVTranscript
00:00Transcribed by ESO, translated by —
00:30Oh, shit.
00:33John, it's getting late. I need to get my kip.
00:38I do hope you're not playing for time.
01:00I need to get my kip.
01:29Oh, I, uh, I'll leave Alistair to sleep for a while.
01:51The poor thing's quite exhausted.
01:52Yeah, I'll bet he is.
01:57Cheeky.
02:04Good night, chaps.
02:07Good night.
02:14Good night.
02:28Good night.
02:29Alice, what have you done?
02:43Guess.
02:44Why?
02:45Why do you think?
02:46We were out from under it.
02:47We were clear.
02:50And now?
02:54Come with me.
02:56I don't think I'm going to do that, John.
02:59No.
03:08Oh, God.
03:12Don't you like it like this?
03:15You just have to say it.
03:29Love is like this in my love For the ones that feel it the most
03:41Look at her with her eyes like a flame
03:48She will love you like a fly
03:53I don't know.
03:58I don't know.
04:00I don't know.
04:03Oh, my God.
04:33Shush now.
05:03Oh, my God.
05:11Still away?
05:17Mary.
05:21Too tired.
05:22Come on.
05:24Come on.
05:36Listen.
05:42I know what you went through yesterday,
05:44but I know it was my fault.
05:46It won't happen again.
05:48Don't worry about you, that's all.
05:52I want you to be safe.
06:02I, um...
06:04I just got carried away.
06:10Just like...
06:12Do you remember the hitchhiker in Australia?
06:18Little Miss Birkenstock.
06:22There was something we did together according to the rules.
06:24Far from home.
06:26On holiday.
06:28We did it spontaneously.
06:30Spare of the moment.
06:32Yeah, but we discussed it.
06:34Briefly?
06:36But it was still within the parameters of our agreement, Jeremy.
06:42If that still means anything to you.
06:44Of course it does.
06:48Because the balance of risk has shifted.
06:50You're being too reckless.
06:56I need you to understand that.
06:58To really understand it.
07:04The risk to me.
07:06To my life.
07:08To my career.
07:10My liberty.
07:14I do.
07:16If you're a man.
07:18If you're the man.
07:20I never did much.
07:22If you're the man.
07:31I'm sorry.
07:32I'm sorry.
07:34I've loved you.
07:35I loved you.
07:40No.
07:41Bye.
07:42Are we there yet, John?
08:12Are we there yet, John?
08:19Are we there yet?
08:21Are we there yet?
08:22Oh, you have to be kidding.
08:31So I take it I'm being arrested,
08:41because you do remember how many crimes we've committed together.
08:46Is that a threat?
08:48Absolutely.
08:50Okay.
08:52I'll be watching you.
08:58Just be here when I get back.
09:01Wait, wait, wait.
09:03My wig is making my scalp itch.
09:05Would you please remove it for me?
09:08Please.
09:09Stay there.
09:15Looks like your mate's come through or sausage.
09:22Looks like your mate's come through or sausage.
09:41Right.
09:42Meet me at Milton Arches in 45.
09:46Once she's in my care, I'll make a call.
09:51You're up over here, it's free to go.
09:53Alice, whatever you're doing in here, stop it.
09:54It itches.
09:55No, listen.
09:56Stay still and wait.
10:00Oh.
10:01Oh.
10:02Oh.
10:03Oh.
10:04Oh.
10:05Oh.
10:06Oh.
10:07Oh, oh.
10:08Oh, oh.
10:09Oh.
10:10Oh, oh.
10:11Ah, oh.
10:12Alice, whatever you're doing in here, stop it.
10:14It itches.
10:15No, listen.
10:16Stay still and wait.
10:17Oh.
10:18Oh.
10:19Oh.
10:20Oh, oh.
10:34Oh.
10:35Yes, okay.
11:05I trust you.
11:26Freedom.
11:35Freedom.
11:37Shit!
11:56I don't know.
12:26I don't know.
12:56I don't know.
12:57I don't know.
12:58I don't know.
12:59I don't know.
13:00I don't know.
13:01I don't know.
13:02I don't know.
13:03I don't know.
13:04I don't know.
13:05I don't know.
13:06I don't know.
13:07I don't know.
13:08I don't know.
13:09I don't know.
13:10I don't know.
13:11I don't know.
13:12I don't know.
13:13I don't know.
13:14I don't know.
13:15I don't know.
13:16I don't know.
13:17I don't know.
13:18I don't know.
13:19I don't know.
13:20I don't know.
13:21I don't know.
13:22I don't know.
13:23I don't know.
13:24I don't know.
13:25I don't know.
13:26I don't know.
13:27I don't know.
13:28Which are what?
13:29Other people.
13:30So if I were him, what would I do?
13:32I'd say bring me Alice Morgan or I will do something absolutely dastardly to person X.
13:38Am I warm?
13:39Toasty.
13:40And you actually considered doing it, didn't you?
13:44Yeah.
13:45Giving me to him.
13:46Oh, yeah.
13:47But you couldn't go through with it.
13:50No.
13:51Why not?
13:53You know why not.
13:55Then say it.
14:00Fine then.
14:02Super!
14:03Where are we going now?
14:10Danny.
14:13Danny.
14:17Nothing are you awake?
14:47You.
14:49In our house.
14:50In the house.
14:51I think we knew the house was too old.
14:53You.
14:54I thought he was like a girl.
14:55I was going to människ together.
14:57Hey!
14:58Hey.
14:59Hey!
15:00Hey.
15:01Hey!
15:02Hey.
15:03Hey.
15:04Hey, hey.
15:05Hey, hey.
15:06I know.
15:07I saw you.
15:08Oh no, he's not.
15:09Hey.
15:10I saw you.
15:12I don't know how else to say it.
15:25We have guns.
15:29That's not going to happen.
15:32You do know they won't be so generous.
15:34They'll kill you as soon as they look at you.
15:37And you are very nice to them.
15:39Alice, I don't care who gets hurt, all right?
15:42Knock yourself out, break legs, but no one dies.
15:45I really don't see why it matters.
15:47I know you don't, but it still does.
15:49Fine.
15:49Come on.
16:12Please.
16:14Please.
16:14Please.
16:15Please.
16:16Please.
16:17Please.
16:18Please.
16:19Please.
16:20Please.
16:21Please.
16:22Please.
16:23Please.
16:24Please.
16:25Please.
16:26Please.
16:27Please.
16:28Please.
16:29Please.
16:30Please.
16:31Please.
16:32Please.
16:33Please.
16:34Please.
16:35Please.
16:36Please.
16:37Please.
16:38Please.
16:39Please.
16:40Please.
16:41Please.
16:42Please.
16:43Please.
16:44Please.
16:45Please.
16:46Please.
16:47Please.
16:48Please.
16:49Please.
16:50Please.
16:51Please.
16:52Please.
16:53Please.
16:54Please.
16:55Please.
16:56Please.
16:57I don't know.
17:27Oh, good evening.
17:46A concerned citizen has absolutely insisted that I let you know about a fire at the lock and roll of storage on the Walcott Road.
17:54Cheerio.
17:57Come on, my pretty.
18:07Come here, my pretty.
18:11That's it.
18:11One.
18:13Two.
18:13Move!
18:27Oh, my God.
18:57Oh, my God.
19:27Oh, my God.
19:57Hi, today.
19:59I've been trying to get hold of you.
20:00There you are.
20:00Excuse me.
20:01Do you mind?
20:02No, not you.
20:03Sorry.
20:03Listen, I've had a bear of a morning.
20:05I've been thinking, whose head was Jeremy Lake looking at on the MRI scan?
20:08It feels wrong.
20:09Great mind.
20:10I'm on my way to find out now.
20:11How?
20:12There's not enough for a warrant.
20:13Uh, no worries. I don't need one.
20:16Well, don't do anything stupid.
20:18Well, no promises, but I was actually aiming for the opposite of stupid, so...
20:22All right, you let me know.
20:23Oh, will you keep your phone on?
20:24Yeah, no, I'll call back as soon as I can. And listen, can you cover for me?
20:28Okay. Bye.
20:30Oh, my God, she's chirpy. Must be insufferable.
20:36We need to lay low, and so this is sorted.
20:38Where can we go to see us?
20:40I don't know where Cornelius can be watching us.
20:43Controls are your place or our place.
20:46Analysis.
21:10Jeremy Lake's office.
21:16Hello, can I speak with Dr Lake, please?
21:18I'm afraid Mr Lake's not yet in the office.
21:20I'm sorry, could you just hold the line for a moment?
21:22Hi, sorry, sorry.
21:24I think I left my glasses in here yesterday.
21:27They're roundish and tortoiseshell.
21:29Well, Mr Lake would usually give them to me.
21:31He didn't say anything.
21:33Ah, right.
21:34It's just that I'm pretty sure I had them when I went in there.
21:37Do you think I could just have a quick squizz around and...
21:39I won't break anything?
21:40Fine.
21:41Please try not to.
21:44Hello, Mr Lake's office.
22:12Hello, Mr. Lake's office.
22:14Dr. Lake, please.
22:15It's a matter of urgency.
22:27Okay.
22:35Would you mind calling back?
22:43How'd you get on?
22:45Can't find them. Such a shame. Thank you.
23:12Okay.
23:22I see you brought the devil round for breakfast.
23:25Mark, I need a favour.
23:26Who did you say these belong to?
23:32It belongs to a person of interest.
23:35Which doesn't quite answer the question, does it?
23:38It doesn't really, does it?
23:40What do you think of the cake?
23:43Well, whoever it belongs to, he's very ill.
23:47How ill?
23:50I'd need to confirm it, of course, but this here,
23:53looks to me like a frontal lobe tumour.
23:56Okay.
23:58And what are the symptoms of that?
23:59Hello, I'm Jeremy.
24:12What are you going to do to me?
24:15What are you going to do to me?
24:28What do you think?
24:32Why?
24:34Because I like it.
24:37It's basically all I've ever thought about since I was about the A-Pig.
24:42Jeremy.
24:44Well, that's terribly good.
24:46I just dangle my name and you swim along and snatch it up.
24:50I expect you're trying to humanise yourself.
24:53You'll be telling me about your husband next.
24:55Your mum and dad, maybe the babies you want to have.
24:58I've got money, I can get you money.
25:01No, you can't.
25:04I don't need money.
25:06What I need right now is to head off to work.
25:08And all day as I'm slicing into people...
25:11Don't, please don't.
25:13I'll be thinking about...
25:14Don't say that.
25:16I'll be thinking about what I want you to do for me.
25:20Do you want to know what that is?
25:21I don't know. Don't do this, please.
25:35There's a phenomenon known as Stockholm Syndrome.
25:38I expect you've heard of it in a meme or something.
25:40So in the spirit of scientific inquiry, I'm going to keep you down here until you've fallen in love with me.
25:48What?
25:50I know it sounds difficult to believe at first blush, but it will happen.
25:55And in the end...
25:59When you've learned not only to love me, but to adore me...
26:04When you've cast aside all desire ever to leave me, that's when you get to leave.
26:08And you no longer want to.
26:15Right. Off to work.
26:20Oh, one more thing.
26:23My wife is very jealous, very possessive.
26:27If she finds out I've got, well, a mistress down here, she'll strangle you with your own ovaries.
26:32So quiet as a mouse, eh?
26:38I'm gonna wanna go, don't forget...
26:41It's very busy...
26:43I'm so happy to see her.
26:47I'm so happy to see her.
26:49I know.
26:51I know.
26:53But yeah, I'm so happy to see her.
26:57I know.
26:59It's not good.
27:01I know.
27:03I know.
27:35Errol, it's Benny.
27:49Look, I know you're probably sleeping, but I need you to lay low till I get home, okay?
28:05Make yourself at home.
28:07You're very nice.
28:09Do you have any bacon?
28:11I've been a vegetarian since I was 17.
28:15Of course you have.
28:19So the last I heard you were...
28:22Well, quite.
28:24But apparently only the good die young.
28:27Well then, congratulations.
28:29You can expect to live forever.
28:31Well, I'm certainly going to give it a whirl.
28:38Look, I'm really sorry to do this to you.
28:40My wife's at work.
28:42You need to be done by the time she gets back.
28:44She won't even know we're here.
28:45Just do what you need to do and move on.
28:47Don't drink all the orange juice.
28:49And don't get blood on my sofa.
28:51Ashley, stop by the gate.
29:08You looking for business, darling?
29:10You know, the last time we had a chat like this, off the record, on the QT, I swear, you were wearing flares.
29:37When you were wearing a sheepskin coat and a pair of foster grunts.
29:47So what were you doing there, George?
29:50Mob handed at a coppers house?
29:52A police officer living around there.
29:54Stobey, what did you do? Rob a bank?
29:55Possibly.
29:56I don't care.
29:57Oh.
29:59Well, you made me nostalgic for the dead days, Martin.
30:02Time was, you'd have dragged me out of this motor and beaten my tropes out with a pickaxe handle.
30:06As you say, dead days.
30:14Are you telling that to your lad?
30:17He's bent as a pin.
30:19I bet he's a lady friend.
30:21Go on, pub.
30:22Well, I can't answer those questions, George, without knowing precisely the nature of your allegation.
30:33And of the many crimes I know you've committed down the years, being a snitch was never among them.
30:43Now, I don't know what's going on between you and Luther.
30:45But you need to stay away from my officer, George.
30:52Or I'll have you.
30:53Shh.
30:54Do you manage to get a hold of Beryl?
31:24No.
31:28It's gonna be okay.
31:30There's no way Cornelius is sending his boys to your flat.
31:34And to be fair, that's easy for you to say.
31:37You haven't spent half the morning spitting your teeth out.
31:40Benny, I'm gonna put this right, okay?
31:43I'm gonna make it right by you, mate.
31:45How?
31:47This isn't the melded wing of the National Trust we're dealing with here.
31:51It's George Cornelius. You don't go up against him.
31:56You know, I always thought she'd be the end of you.
32:00I didn't think she'd be the end of us all.
32:02You hear what, Benny?
32:07It's gonna get worse.
32:11A lot worse.
32:13It's something that Cornelius doesn't know yet.
32:17Shit's over, Johnny. Go and get some kip.
32:23Cheers, George.
32:26Is Nibis all right up there?
32:28Fine.
32:29Haven't heard a peep since, er...
32:32Since what?
32:34The present.
32:40The what?
32:41To welcome home, President. Yes, Phil.
33:02George.
33:03George.
33:10George.
33:12She was just...
33:14I didn't know.
33:17She just...
33:19She just walked in.
33:22She just walked in.
33:33She just walked in.
33:55Oh, Mr. Lake.
33:58The police were here, again.
34:03I don't know.
34:04What?
34:05What?
34:06The police were here, again.
34:07And I'm out.
34:08I'm out.
34:10I don't know, again.
34:11You can't talk over here.
34:12I can't talk about anything.
34:13It's two cars.
34:14I don't know...
34:15Sometimes she saw the police.
34:16I don't know.
34:17You know, it's the police.
34:18You know.
34:19Don't tell me if I was a police officer.
34:20They don't know...
34:22I can't stop right now.
34:23I know.
34:24You know, you know, I'm out.
34:25There's no, I'm out.
34:26I don't know.
34:27You can't have more or whatever.
34:28I can't talk to you.
34:29You can't get the police device.
34:30I know that, I can't get the police officer.
34:31I don't know.
35:01Yes.
35:02Mr. Palmer, we've spent months before.
35:06Just convenient, sir.
35:10What's she doing?
35:13Work.
35:15Can't avoid it, John.
35:17What am I avoiding?
35:18B.S. Halliday, how'd you get on?
35:20Pretty good, I think.
35:22Well, enough to be confident that James Houser didn't kill anyone.
35:27Boss, you there?
35:29Yeah, yeah, I'm here. Go on.
35:30OK, so I was looking through the file last night and I saw something.
35:34Just a small thing, really, but on the back of it, I got some analysis done.
35:37A CCTV image of the killer and one of James Houser.
35:41And they're stood next to what turned out to be identical lampposts.
35:45It's two men.
35:46Similar height, but not identical.
35:48Well, yeah, that doesn't mean Houser wasn't good for any of it.
35:52I had this thing once. It was two brothers.
35:54I think this is a whole different thing.
35:57I was talking to Celia yesterday at the autopsy, and she was talking about what it takes to slice your own throat without hesitation.
36:04Now, yes, James Houser was into self-mutilation, but with pins and needles.
36:08He liked insertion.
36:09But slicing your own throat with a scalpel, that's a whole different proposition.
36:13Now, who uses a scalpel?
36:15And who's in a position to manipulate James to put him exactly where they want him to be?
36:19Now, I think he was a patsy, and I think they've set him up to look responsible for the crimes committed by Jeremy Lake.
36:25And the MRI scan.
36:28Now, I think Jeremy was looking at his own head, because whoever it is has a non-operable tumour on his frontal lobe.
36:34And now, if it is him, it could be affecting his behaviour, his judgement, disinhibiting him.
36:40Do you see I, Luther?
36:42Yeah.
36:45John, we've got a missing person.
36:47Penny Layton, her partner, came home from work last night and declared him missing.
36:51Yeah, the local police have accessed some CCTV footage.
36:55I'm sending it through to you now.
36:56I'll meet you at the hospital.
36:58All right.
36:59Yeah, I'm coming.
37:02You have to be joking.
37:05There's a woman missing.
37:07So?
37:08So, I knew who took her.
37:10She's not your responsibility.
37:11She is my responsibility.
37:12We are.
37:12I knew, Alice, I looked this prick in the eyes, and I...
37:16Well, how?
37:17Did he forget to yawn?
37:21And let him go, because I was just...
37:23Of me?
37:24Well, I'm flattered.
37:26But I do hope you remember that if it weren't for me, you'd be dead or in prison.
37:30Either way, you wouldn't be galloping to anyone's rescue.
37:34I can't let this go.
37:35I just can't.
37:35You have to, John.
37:37George Cornelius...
37:38I can handle George Cornelius.
37:40No, you can't, John.
37:42Not in the way you'd like to.
37:46We're past that.
37:47We're past that.
38:17We're past that.
38:47We're past that.
38:54We're past that.
39:01We're past that.
39:03We're past that.
40:06George, I'm sorry it's come to this, but we are where we are.
40:12You have two options. You bring it back from the Brick Hall.
40:15Or what?
40:16I take you down.
40:19I take you, your family, everything, brick by brick.
40:24You're the king of a smoking hill, mate.
40:25Understand?
40:26My son is dead, John.
40:29I know. I know, and it shouldn't happen, but it did.
40:34I take a step back, and let me go to war.
40:37You should have lied. Arranged a meeting.
40:44No. No point lying to him.
40:47You could have known.
40:51Confirm transfer.
40:52Well, there you go.
40:55I had to try.
41:22I know.
41:25But you're right.
41:28It's too far gone. It might stop now.
41:31No.
41:34We have to end it.
41:36Yes.
41:38Now.
41:38I've just got to take care of this other thing first.
41:46John, you can't.
41:47Take it. Leave it. I don't care, Alice.
41:51Tonight, then.
41:53Tonight?
41:55Do you know how?
41:58I do know how.
41:59What it's worth, eh? I'm sorry.
42:06No.
42:08You're not.
42:11Give this to Benny and don't let Mark see it.
42:18I'm not apologizing for what's happened.
42:22I'm regretting what's to come.
42:24I'm regretting what's to come.
42:25I'm regretting what's to come.
42:26I'm regretting what's to come.
42:27I'm regretting what's to come.
42:28I'm regretting what's to come.
42:29I'm regretting what's to come.
42:30I'm regretting what's to come.
42:31I'm regretting what's to come.
42:32I'm regretting what's to come.
42:33I'm regretting what's to come.
42:34I'm regretting what's to come.
42:35I'm regretting what's to come.
42:36I'm regretting what's to come.
42:37I'm regretting what's to come.
42:38I'm regretting what's to come.
42:39I'm regretting what's to come.
42:40I'm regretting what's to come.
42:41I'm regretting what's to come.
42:42I'm regretting what's to come.
42:43I'm regretting what's to come.
42:44Good morning, sleepyhead.
43:08I can't believe you did that.
43:11After everything you said.
43:12All your promises.
43:15Viv, I'm not sure what you mean.
43:17I mean the bitch in the basement.
43:42Viv, darling, I'm sorry but things have taken a turn.
44:03You have to get rid of it.
44:04Yeah, do whatever you can as quickly as possible, but get rid of it and I'll expend it again.
44:08If we want to take a look at the basement, get rid of it.
44:18DCI Luther, how lovely of you to put in an appearance.
44:45Sorry, boss. I've had a funny all day.
44:48Jeremy Lake left before we arrived, but his car's still here.
44:52I should have nicked him when I had the chance.
44:54There were no grounds.
44:55I should have made grounds.
44:57So, what made him run?
44:59Sir, I was here earlier today.
45:01Erm, yeah, maybe that spooked him.
45:04You were here earlier? Doing what?
45:07Nothing, really.
45:08Erm, I asked DS Halliday to interview the secretary before he came into work.
45:14I mean, that couldn't have spooked him. It was hours ago.
45:17So, why did he run?
45:19What does he know and how does he know?
45:21See, I don't think that is the question that's going to find him.
45:25Then I'd like to know what is.
45:27It's what she knows, Vivian Lake.
45:31I don't think that Vivian is his accomplice.
45:36I think she cleans up for him and she hates him for it.
45:40So, does that mean Vivian doesn't know about Penny Layton?
45:43Let's find out.
45:44It's okay.
46:05It's okay.
46:28It's okay.
46:37It's okay.
46:38It's okay.
47:08Cheers.
47:30You're very welcome.
47:31Hello, who's this?
47:39Errol, it's Ben.
47:41I'm just checking in.
47:42Did you not get my messages?
47:44Yeah, I got the messages.
47:46Where you been?
47:48My leg, mate.
47:52Listen, take whatever you want from the fridge.
47:56Don't scratch my records.
47:58But whatever you do, keep your head down, all right, brother?
48:00No worries.
48:01You okay?
48:03Yeah.
48:04Tickety-pick.
48:05Sweet.
48:06Cheers then, Ben.
48:08Cheers.
48:09Cheers.
48:15So there's the number, okay?
48:17It's the landline.
48:19Can I go now?
48:21In a moment.
48:22Right now, I need you to relax for a few seconds.
48:25Just a few seconds, we're nearly there.
48:30I need you to trace a landline for me.
48:37I'm sending the number now.
48:42Okay.
48:43Is that it?
48:44Are we done?
48:45Are we done?
48:53That's it.
48:54That's it.
49:24It's done.
49:25Do you really need anything, ma'am?
49:28Whatever.
49:30Again?
49:32It's lit.
49:33If you have any more of myandidates...
49:34Weemaken.
49:36We've totally had our bilan.
49:38What drum?
49:39Oh, my God.
50:09Vivian?
50:17Vivian?
50:28Nothing.
50:32I'll put a trace on her phone.
50:35I'll dig up CCTV within a quarter-mile radius
50:37and find out what time she left.
50:40Alert ANPR.
50:42Boss.
50:43Her car's still here.
50:44Shut up!
50:57Shut up!
51:02Basement.
51:04See if you can find a window or an open door or something?
51:06Oh, my God!
51:13Oh, my God, it is!
51:14Oh, my God, it is!
51:17I was trying to save you from...
51:19from Jeremy.
51:20Please don't save me.
51:21Please.
51:22Shh.
51:24So...
51:25Get up!
51:35Get up!
51:45Oh, no, no, no, no, no, no, no.
52:15Petty?
52:25Petty?
52:35Petty?
52:38Petty?
52:45Petty?
52:46Petty?
52:47Petty?
52:48Petty?
52:49Petty?
52:50Go!
52:51Where is Jeremy?
52:52Where is he?
52:53Where is he?
52:54Where is he?
52:55Where is he?
52:56Where is Jeremy?
52:57Boss.
52:58She needs medical attention.
53:00Come here.
53:01Come here.
53:02Stop, stop.
53:03Give us a second.
53:04Look, look.
53:05You still have a way out of this.
53:07Okay.
53:08You still have a way out of this.
53:09Okay?
53:10You've got a very solid defense, coercive control.
53:14You led your life in fear with him.
53:15Okay?
53:16So...
53:17Help me to find him.
53:18I will help you.
53:19I promise you that.
53:20I think you're in need of psychiatric assistance, officer.
53:21Get her out of here.
53:22Go on.
53:23We've put out an urgent appeal.
53:24You'll have a way out of this, okay?
53:27You've got a very solid defense, coercive control.
53:30You led your life in fear with him, okay?
53:32So, help me to find him.
53:36And we'll help you, I promise you that.
53:37I think you're in need of psychiatric assistance, officer.
53:44Get her out of here.
53:45Go on.
53:52We've put out an urgent appeal.
53:53His face is all over the media, we'll find out.
53:55It's not about her, not in time.
54:00John?
54:01Ambulance.
54:03Jeremy Lake.
54:05He got away in an ambulance, he must have.
54:06He must have called the paramedic crews
54:08and see where they dropped him off.
54:10He must have done a ride-along.
54:13Boss, I've got to take this, I'm sorry.
54:16Mark, what's up?
54:17John, I need you to come back here.
54:19Mate, I promise, as soon as I can, I will, okay?
54:22Not right now.
54:23I've got big problems, Mark.
54:25Well, I have a big problem here.
54:28Yeah, what?
54:30John, my girlfriend is on her way home.
54:32I need you to get your friends out of here.
54:35Uh, Mark, listen, I'm at the office, okay?
54:39Um, can you, I can't get out of that now.
54:43Can I, can I come back to you on this?
54:45Let me help you out of here.
54:46Never mind.
54:49When is that?
54:49I don't know, Mark.
54:50You know, I'm in my back.
54:51Two to three hours?
54:55No, that's not good, John.
54:56Remember what she told you.
54:58If she sees you and Alice around here.
54:59Oh yeah, okay.
55:00Oh yeah, okay. I'm about to step into an autopsy. Can you give me two hours? Can you do that?
55:14John
55:17Yeah, Mark tried, but he oversaw the lies
55:21But at least this way we know where we stand. I have a message for you from Mr. Cornelius. I think I got the message
55:30Why so you can kill everyone not everyone just you and Alice
55:37Assuming you listen and do as I ask. Oh, he's lying John
55:42Listen to me. All right. I'll go to Cornelius. I'll go to Cornelius right now
55:47I'll hand myself in all right. You can do what you want to Alice when you leave
55:51Mark alone. Do you understand me John? I need you to focus
55:55You're not in control here. This isn't a situation you can leverage listen to me you piece of shit
56:00If you hurt them, I swear to God. I'll rip your fucking heart out. Do you understand me? I'm not here to listen
56:05This isn't a dialogue
56:06And now your friend is dead
56:08John
56:11Mark
56:13Stop right now
56:15Even be
56:17None of this is his fault
56:21Benny, right?
56:23That's right
56:25You're killing yourself, Benny
56:27Benny, Benny, don't you fuck. Don't you say another word, Benny?
56:32Boss, I need you to kill this prick for me. No, Benny. Don't say another word. Wait
56:376-1
56:39Dark hair
56:40Brown eyes
56:42Must give it back
56:44Jesus
56:46Jesus
56:53Here, now, no more chat
56:57All right, I'm coming, I'm coming
57:03I swear to God
57:06I heard the earth then heal
57:09Moments before
57:11It's got its face out on me
57:13It's got its face out on me
57:16I swear to God
57:19In this light I'm going this evening
57:22Moments to come
57:25The most beautiful thing I've seen
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