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Rose Byrne & Mary Bronstein Talk Motherhood in 'If I Had Legs I'd Kick You' | THR at Park City
Hollywood Journal
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8 hours ago
Creator Mary Bronstein and star Rose Byrne stop by THR's studio in Park City to dish all about their film If 'I Had Legs I'd Kick You.' They break down the meaning behind the movie, the difficulties of motherhood and more.
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Short film
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00:00
This script was such a gift, and I just will go back to that always.
00:04
It was extraordinary to read and then to see what Mary did,
00:08
how she brought it to the screen.
00:10
I mean, I knew something magical was happening,
00:13
but then when I saw the movie, I was like,
00:15
oh, wow, that's what you were doing.
00:16
You're a trickster.
00:18
There was a lot of trust me, trust me moments.
00:25
I started writing this on an iPad.
00:30
And now we're here.
00:31
But what's interesting about that span of time of working on one project
00:37
is that the bulk of those years is trying to get somebody to agree
00:44
to take the risk to make the movie.
00:47
And so it was really, really a process of not giving up, a lot of no's.
00:55
I really deeply believed that I had to make this movie,
01:00
that I would make this movie.
01:01
I never doubted that I wouldn't, but I didn't know how.
01:04
And what's funny is then when you look back and now I'm here,
01:07
it's like, oh, it's great.
01:08
But during those seven years, there's no external confirmation
01:13
that I'm going to be sitting here.
01:15
And I had to really, it was tenacity at a high level,
01:22
at an obnoxious level, I think, to see people.
01:25
But that we got here and then we shot in 27 days.
01:30
And then, so it's this funny thing of like seven years, seven years, 27 days.
01:33
So that's been the experience.
01:38
The past, yeah.
01:39
It's funny, people often ask like, oh, how did you recover
01:44
after a day of working and this and that?
01:45
And when you have children, you come home and they couldn't.
01:47
Okay, that's shit.
01:48
And it was like, and that's a gift in a way.
01:52
It's very grounding and all those sorts of things.
01:54
But I love that discussion of like, and a lot of the talk of what we said,
01:59
of what we discussed in rehearsals was like,
02:00
who was Linda before this, before this event, before this crisis,
02:04
before she came in love, who was this person?
02:06
And I needed to figure that out through the script,
02:09
through like this crisis in the script.
02:10
But like, who is this person before that?
02:12
And that's something I worked on a lot with Mary
02:16
and also with my person I work with, my coach.
02:18
So it was, that was for me a key in unlocking the behavior now
02:23
because it's, motherhood can reveal you,
02:25
reveal a lot of aspects of you that you don't like,
02:28
that are really not helpful.
02:30
And that you didn't know about it.
02:31
You didn't know that you had.
02:33
And that's something the story really delves into, which I loved.
02:37
Do you feel like if you had done this, well, before you were another,
02:41
would you stare at you?
02:45
It is, yeah.
02:48
No, I think, yeah, totally.
02:51
It's, and it's interesting though, chatting to people last night,
02:55
people who aren't parents were also saying to me,
02:57
look, I related to it in this way and that way.
03:00
And that's something that's always refreshing to hear,
03:02
that it's like, it's such a specific retelling of this situation that,
03:06
as you were saying last night, you know,
03:08
percentage of mothers wouldn't have experienced this kind of crisis
03:10
with a very sick child.
03:12
And thank God.
03:13
And, but the specificity of it then makes it universal.
03:17
And so anyone in a crisis or a caretaker in a crisis
03:21
or anyone at the end of their rope can know the feelings
03:24
that this movie's kind of expressing.
03:27
Yeah, caretaker burnout,
03:29
which also comes into play in the therapy sequences.
03:34
Nobody is capable of helping anybody,
03:36
even though that's everybody's job is to be,
03:39
it's like, I always imagine it as the stacking dolls of helpers,
03:43
but nobody is helping anybody in the movie
03:46
because it's gotten to a point where it's beyond that.
03:50
Like Linda, nobody can help Linda.
03:52
Linda has to come to herself.
03:55
And that's the ending I always describe as a very hopeful ending
03:59
because it, she, whether it's going to be true or not,
04:04
Linda comes to a place where she can see a different life.
04:09
The idea of being a mother is that you have,
04:12
you have, you've sacrificed something
04:16
to bring this other being into the world.
04:20
You've made them in your body.
04:21
Now they're a person.
04:22
And so everything is, everything continues to be for them.
04:26
And it's a, it's a sacrifice of,
04:27
I can't speak for all mothers,
04:29
but for a lot of women of personhood, of personal identity,
04:33
you become somebody's mom,
04:35
but you weren't always somebody's mom.
04:37
And so how to make that balance of being a person
04:41
that you identify as yourself,
04:43
but also being a good enough mother.
04:46
And I do feel like I have seen some projects come out
04:50
where, where they're getting into that.
04:54
I love for more to be written and directed by women,
04:57
not particularly interested in the male point of view of the subject,
05:01
but that's happening more.
05:04
And most of what I learned about being a mother
05:08
or being a woman or being who I'm supposed to be
05:13
was, was told to me by men.
05:16
And so I think that the more women and not just women,
05:21
but other voices, underrepresented voices too,
05:24
I feel like everyone knows it's time for us
05:27
to tell our own stories now.
05:28
We don't want to be told anymore what, what we are.
05:31
And that's very important to me.
05:33
What's a movie that you watch over and over again,
05:36
whether for comfort, inspiration?
05:39
I'm like a Seinfeld girl.
05:41
I'm so going to be like, if I put that on,
05:43
or if I see it, it's like, you know,
05:44
TBS comedy, I'm just like, that's it.
05:47
I'm watching this.
05:48
My daughter just discovered Seinfeld.
05:50
She's 14.
05:51
And so I'm now reliving,
05:53
but she's showing it to me like I never saw it.
05:55
And does she really like it?
05:56
She's like, you've got to see this thing with the puffy shirt.
05:58
It's incredible.
05:59
And I'm like, I know about the puffy shirt.
06:01
But anyway, I'm living through it again, discovering it.
06:04
And that, yeah, that is comfort.
06:06
That's like, that's just like eating a tub of ice cream.
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