- 1 week ago
Hotel *** (2025) - Epizoda 12 - Domaća serija
"Hotel***" je humoristička serija koja prati avanture zaposlenih u jednom šarmantnom beogradskom hotelu čija sudbina visi o koncu.
Kada nova vlasnica iz Nemačke najavi da planira da ga proda, eklektična grupa zaposlenih mora da udruži snage i podigne kvalitet usluge kako bi se izborila za članstvo u Evropskoj Familiji Hotela (EFH), verujući da je to jedini način da spasu svoj posao i dom.
"Hotel***" je humoristička serija koja prati avanture zaposlenih u jednom šarmantnom beogradskom hotelu čija sudbina visi o koncu.
Kada nova vlasnica iz Nemačke najavi da planira da ga proda, eklektična grupa zaposlenih mora da udruži snage i podigne kvalitet usluge kako bi se izborila za članstvo u Evropskoj Familiji Hotela (EFH), verujući da je to jedini način da spasu svoj posao i dom.
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Short filmTranscript
00:00If we don't find a licensed certificate, we all have to do it ourselves.
00:13If we call him Duleta Vegan, we get it for one day.
00:18Good day, good work.
00:21Došan, don't let go.
00:22Because of bacteria.
00:24Because of energy.
00:24No air.
00:25Which is at zero?
00:27Roko Piši.
00:27A soft ionization.
00:29Pa daj me mora duplo, možda možda i obično, a?
00:31We smo u nekom Luna Parku i ja se ispovraćam po ljudima na nekoj balerini, ono, užasno.
00:37Dobro, možda si se ispovraćala zbog neče drugo.
00:39On?
00:39Ono, na nevnoj bazi, jel'o, kaže ne.
00:42Ako je sad, na primjer, takav, zato što je zaljubljen u mene, zašto ne pokuša nešto?
00:47Ona mora da prezupči i da bude načisto sa tom odluku.
00:49Šta je to?
00:50Pa nasi tužila njenjova žena.
00:52Tužila nas za mobbing.
00:53Ceo dan ga teši, ne može ni Olga da ga staviti.
00:55Ovo je treći post od jutrnosa, a meni ništa.
00:57Kaže da će smrti da ih rastaviti.
00:59Sve ide u tvoju koristu.
01:01Jel' ti se čini da će ostaviti ženu?
01:03Ona je teško bolesna.
01:04Olga, jedna, vidiš i da je ova triatlantrče.
01:07Ti si mi rekao da me voli i da će je ostaviti kad oztravi.
01:09Olga, ja sam bila ironična, baljda ka perašta.
01:12Završili smo.
01:12Na što se grejete?
01:13Na to plan.
01:14A vi ćete u to da stavljate ostatke advokada, koštice, jel' da?
01:20Fekalne materije.
01:22Možemo li još nekako da pomognemo?
01:23Da.
01:24Gledaj po košticu.
01:26Ako istog sunce svjetlo rađa, mi smo luča tamom obu zeta.
01:30Kako da im objasnimo naj, da su u glavu sve popravilo.
01:34Išjetim se njegoš.
01:35On vas da upali mistike i to.
01:37Daj mi reč, dajte.
01:38Nešto užasno smrdi u sobi.
01:45Kao neka kanalizacija.
01:47BODE!
01:54Molim vas, izvolite masku.
01:56Hvala.
01:56Izvolite.
01:57Hvala, dođite nam opet.
01:59Prijatno, sve najbolje.
02:00Hvala puno što ste bili.
02:01Gospodine, molim vas, masku.
02:08Hvala, daj mi.
02:12Pa, pa, vejte.
02:14Daj.
02:18Ujko, jel se izlilo, ha?
02:19Ne znam.
02:20U govnima smo svakako.
02:23Znam, rekao sam im da ne diraju grejanje.
02:25Bani, oj, avokado, bre, ubiće nas.
02:28Ajde, drži ovaj.
02:29Ajde, idi tamo i pošalji mi nekog za ispološ.
02:33Odje.
02:34Aj, jasam ti rekao?
02:36Sad cijel hotro smrdi na govna.
02:39Prijavit će nas ove iz ulice, poslat će nam sanitarno i vada na zatvore.
02:43Ti i tvoj vegan i njegovo grejanje na govna.
02:46Aj, zavi brzo vodoinstalatere da pomognu velji da reši ovu havariju.
02:52Vodoinstalater će tražiti pare na ruke.
02:55Pa zar nisu mormoni platili?
02:57A jesu, ali ova veganska faktura je bila malo organska.
03:02Koliko, Bani?
03:04Bani, koji koji je?
03:05Dek, dek.
03:06Samo sam hteo da pomognem, nisam imao lošu namenu.
03:10I pritom sad imamo ekološko grejanje.
03:12Uj, ko?
03:13On više nije HR, nije ni računovodja, on je sad tvoj rob.
03:17Tu je da ti pomogne da nas izvadite iz govana.
03:20Uživaj.
03:21Šta je?
03:22Muka ti, jeli?
03:24Nos najbolje pamti.
03:27Ej, sećaš li se, Rado?
03:29Zima 93.
03:32Treći.
03:47Šta je, Dujović?
03:49Nema ti Hanume, ti odmah vsevda, a?
03:52Ne znam o čemu pričaš.
03:55Ja nisam čarav, i slijepac bi vidio ti i Ana, a?
03:58Nešto?
03:59Ma nije, bre, ne, bre.
04:01Ja i Ana smo kolege, bre.
04:03Šta ti?
04:03Kolege?
04:04Daj mi kafu, jedan moja?
04:05Evo, evo, sad će kafa polako.
04:07Dobro, srč, reci miđe ona sad.
04:10E, Ana je poboje budući mužu spa u Aranđelovcu.
04:14Znači, spa u Aranđelovcu, kaperežu.
04:19Dobro, mi je poboje umarim kubu baru, jepote, majke.
04:22Daj mi kafu samo, molim.
04:24Evo, bre, i glede, stani.
04:26A čekaj, to ti ona sad piše iz spa?
04:31Ne, ne, ne, ne, pa ne, imam ja i drugih kombinacija.
04:36A, dobro, nego ti reče da ti Ana samo koleginica, pa za to pita, ovo.
04:40Budeš sad? Na kafa? Dujoviću?
04:47U pazaru mi take ljude zovemo futofutni.
04:55Ajde se, ajde se.
04:57Duda.
04:59Ne mogu.
05:01Ja ne mogu nisakim drugim da razgovaram, samo sa tobom.
05:04Jasno ti je da mi hrlimo u propas.
05:06Hrlimo direktu k analizaciju.
05:08That's why we need to join us.
05:11He's not just a bad director.
05:14He's stupid, unrighteous and aggressive.
05:17I've said to him that in Serbia,
05:20I don't have to worry about it.
05:22You know, Ribić, Kajmak, that's Serbia.
05:25I know what you've said, brother.
05:30I know my inspector.
05:33I've been in the last 20 years with him.
05:36He's not even looked at me through my fingers.
05:39He's a stupid man.
05:41Between the smoke from the 2014
05:43and him in the sanitary inspection,
05:46I'm taking the smoke.
05:59Who are you?
06:01I'm not just...
06:02Maybe it's an entrance.
06:04That's right, Inspector.
06:05I've said to him that if food comes to one side,
06:07he has to go to the other side.
06:08Well, good.
06:09Well, you know what's going on in the kitchen?
06:14We're not here in the hospital.
06:17We're on the fighting field here.
06:19We're fighting each day.
06:21We're not going to eat food
06:23with a taste of refrigerant, I think.
06:26Really?
06:27Really?
06:28Six months and two weeks,
06:31from when the blood is not cleaned.
06:36Do you have a sanitary?
06:37Of course.
06:38Of course.
06:39What's going on for me?
06:40I'm healthy with Ren.
06:41I'm healthy with Ren.
06:42Not healthy.
06:43Sanitary.
06:44That's right, that's right.
06:46But did you have an accident?
06:48It's a accident.
06:49It's a accident.
06:50It's a accident.
06:51It's a accident.
06:52It's a accident.
06:53It's a accident.
06:54It's a accident.
06:55Oh.
06:56Oh.
06:57Inspector, yeah?
06:58Let's give a shout out to you.
07:01We love the inspectors here.
07:03Is that right, right?
07:04That's right.
07:05I know how to solve the inspectors.
07:09They are people.
07:10They want to be worth a professional
07:12when they stand in front of them.
07:14You understand?
07:15We've been fulfilled the other side.
07:17It's a very nice change.
07:19I don't know if it will break down.
07:22What would you do?
07:26What you feel is not from the kitchen.
07:29It's a grill.
07:31We've changed something.
07:33We've got to modernize it.
07:34We've got to break down.
07:36And now...
07:37It's a bouquet.
07:39What you feel is, unfortunately.
07:41Just a trip to the kitchen.
07:43You've got six documents.
07:46Six.
07:48Really?
07:50Yeah.
07:51Well done.
07:52Now that you have to get legal rules.
07:55Always need to stay at home.
07:57Let's have a drink.
07:59Let's talk.
08:05Well done.
08:07You've got a drink.
08:10We've got a drink.
08:121,1 p.m.
08:181,2 p.m.
08:232,3 p.m.
08:39I remember all of the famous books on social networks.
08:42It was a part of my research work.
08:44Profesional deformation.
08:46It was useful for writing.
08:48Now, Vesna was very unusual.
08:52He was crazy.
08:54It was crazy.
08:56It was crazy.
08:58We were together.
09:00Then she was in Paris.
09:04I didn't know it.
09:08Then we got out of Skype.
09:11We were born together.
09:13We were born together.
09:21Excuse me.
09:23When are we going to die?
09:25I don't know if you're not an expert.
09:27This is Zoki.
09:30The main guest and the main guest.
09:32Vesna, you're in the middle.
09:34You can't get away from me.
09:36You don't feel like it.
09:37My mother, maybe.
09:39You've been in the nose.
09:42You've been in the middle.
09:44You're in the middle.
09:45You're in the middle.
09:46You're in the middle.
09:47You're in the middle.
09:48Vesna, you're in the middle.
09:50Look at him.
09:52He never hit him.
09:56He's been in the middle of his life.
09:58I'm with you.
09:59I'm with you.
10:00He's been in the middle of the night.
10:02He's been in the middle of his life.
10:04I know.
10:05I've met someone.
10:06I know who he has met us.
10:07I know.
10:08I know who he has met us.
10:09Who has met us?
10:10Who has met us?
10:11No.
10:12I'll never hear anything.
10:13You will see.
10:14You won't.
10:15You won't.
10:16You won't.
10:17You won't.
10:18You won't.
10:19You won't.
10:20You won't do it.
10:21They won't understand us.
10:23They are friendly.
10:24But you have to understand us.
10:25I see it.
10:26All that we do is to become part of the European family hotel.
10:33And they are sanitary.
10:37That's all right.
10:39You are a great man and a good man.
10:42We haven't come back to you.
10:52Here you are.
10:55I can see myself.
11:04What is this?
11:07You know there is a sanitary inspection in the hotel.
11:11You just need to see nothing more.
11:20What is this?
11:22What is this?
11:25What is this?
11:26What is this?
11:27What is this?
11:30No one is so familiar with our Susanna and our Olga.
11:46You can be free in this other room, because our Olga didn't get to choose with us.
11:54We are using ecological resources. They are more likely than varicina.
12:01Varicina was once able to get one of them. Five bacteria.
12:04The ecology is now on us.
12:07Susanna, Olga, go to the village.
12:22Let's go.
12:23Let's go.
12:25Let's go, Susanna.
12:27Let's go.
12:29Okay.
12:31Watch out for a crossbar to not be able to fly.
12:39Instead of being at an institution for languages, I...
12:45I fell as a soldier.
12:47Every part of the Susanna.
12:50What am I doing now?
12:52I don't know. I can't wait for a traffic.
12:55It's more than a traffic.
12:57It's more than a person.
12:59Nobody is being raped.
13:00You need to get a drugstore.
13:02You get a drugstore.
13:03You get a drugstore.
13:05You get a drugstore.
13:07That's how I am.
13:22Hey, hello.
13:24Hello.
13:26Hello.
13:28Hello.
13:29Hello.
13:30Hello.
13:31Hello.
13:34Hello.
13:35Hello.
13:38Hello.
13:39You smell very.
13:42It's like the difference from the hotel.
13:44Hey, sorry.
13:47You have a kidney from there.
13:49Sorry.
13:50You didn't have a question.
13:51If you do this, I can have another one to reserve it.
13:57It's okay.
13:59It's okay.
14:01I'm very happy to see you.
14:05I've been six years, damn it.
14:09Yes.
14:11You're very nice.
14:17You're very nice.
14:19Have you ever told me that you're beautiful?
14:23No, no.
14:29It's very strange. Sorry, I'm sorry.
14:33What?
14:34You know, sorry. Sorry, it's strange.
14:36It's strange to me.
14:37And I'm strange.
14:38Right?
14:39Yes.
14:40It's okay to be strange.
14:44But...
14:45Do you know what I'm thinking?
14:48What?
14:49This?
14:50Ah!
14:51Ah!
14:52Ah!
14:53Ah!
14:54Ah!
14:55Babu i Sopota!
14:56Yes!
14:57Yes!
14:58Yes!
14:59Yes!
15:00Yes!
15:01Yes!
15:02Yes!
15:03Yes!
15:04What are you talking about?
15:05I don't feel anything.
15:06Do you remember?
15:07Yes!
15:08Yes!
15:09Yes!
15:10Yes!
15:11Yes!
15:12Yes!
15:13Yes!
15:14Yes!
15:15Yes!
15:16Yes!
15:17Yes!
15:18Yes!
15:19Yes!
15:20Yes!
15:21No!
15:22Yes!
15:23Yes!
15:24No!
15:25Sorry!
15:26I was like a good man.
15:28What is this all?
15:29One day, you step in it!
15:30You're fine.
15:31You're fine.
15:32No, you didn't.
15:33Ah, no.
15:35Do you remember that?
15:39No, but I have to...
15:42And you are the same.
15:47That's what happened.
15:49There's no one in 10 days
15:51where a man jumped into a hotel
15:53or fell, I don't know.
15:55There are some problems with the door.
15:58What is that?
15:59It's impossible for a hotel.
16:01I think it's impossible for a man.
16:03But it's a catastrophe for a hotel.
16:05If you look at someone's head,
16:08you can open a company.
16:10It's the best when you put it on the wall.
16:13And then no one will hurt you.
16:16The brave man is the right.
16:18No, those who fall, you know.
16:21I don't know.
16:22I don't know.
16:23Where do they get the idea of getting out of the hotel?
16:25They read a book.
16:27There's a book, and there's a bridge.
16:29You're in a bridge.
16:30You're in an bridge.
16:31You go, you're in a bridge.
16:32You're in a romantic bridge.
16:34You're in a black institution.
16:36You're in a hotel like that.
16:38No, I'm sorry.
16:39If I tell you something,
16:40you'll see me in a hurry.
16:42Everything I've seen here today is really bad.
16:46Health risks on every thing.
16:50But being responsible for a hotel is not scary, life is going on.
16:56But for a living, there is no difference.
17:00Everything is changed here.
17:03Don't worry.
17:06We're going to put everything in the oven.
17:11Hey, son, here you go.
17:15Here you go.
17:17Do you think it's like a bitch?
17:20What?
17:21Well, when he was talking about briquettes, it was a chaos.
17:25My father came to the hospital.
17:27You know what?
17:28And from the river, when he put in the water and decided the whole season.
17:32The water?
17:33Is that your father an engineer?
17:37Yes.
17:38I don't think that he was lying down in the middle.
17:40I don't think that he was a man.
17:43Let's go.
17:45You know how Andrić can see the hotel?
17:53Do you have a hotel or a fitness center?
17:56We have a spa.
17:58I think I would have brought a lot of girl from Masira,
18:00but I would have asked her to ask her.
18:03Director, if I can, I'm sorry.
18:05It's not a moment.
18:06It's not a moment.
18:07It's a moment later.
18:08I see that spa.
18:10I remember it.
18:11That's what you're talking about.
18:12Take it away, Ruby.
18:13Nobody needs it.
18:14No situation.
18:31Where is the spa?
18:36The spa is in the left.
18:38Alina Maserka is there, if you want.
18:42Let's open it to me.
18:45Okay.
18:52Hey.
18:53Hi.
18:54Can I just show you something?
18:56Okay, I thought I would go to the restaurant.
18:59No, no, no.
19:04Can I just tell you something?
19:07I have a colleague who is doing a lot of work.
19:11He will do it immediately.
19:14It's very much love.
19:17Of course, I love you.
19:22I'll be right back.
19:24Let's go.
19:25I'll be right back.
19:26Okay.
19:27Let's go.
19:31Let's go.
19:32Let's go.
19:33Let's go.
19:34Let's go.
19:35Let's go.
19:36Let's go.
19:37Let's go.
19:38Let's go.
19:39Let's go.
19:40Let's go.
19:41Let's go.
19:42Let's go.
19:43Let's go.
19:45Let's go.
19:46Let's go.
19:53Let's go.
19:55Let's go.
20:00to save this hotel.
20:02But if we save it,
20:04it's a great chance for all of us.
20:06Everything changes.
20:08And for you.
20:09For me?
20:10Yes.
20:11Why do you never change for the house?
20:13Pijanica Mionđija is always a pijanica Mionđija
20:16and always urines in the shopping cart,
20:18not in the toilet.
20:20But if we go to this European family hotel,
20:22it will be opened to some positions
20:24that must be filled with some sleep.
20:27You understand?
20:28What do you think about the position?
20:31Desk manager.
20:33That's it.
20:35I can see you.
20:37Yes.
20:38You would know that.
20:39Yes.
20:40That's it.
20:41That's your position,
20:43if you want to go.
20:44No, no, no.
20:45No, no, no.
20:47Yes.
20:48Let's go.
20:49Let's go.
20:50That's right, Suzanne.
20:52For my heart,
20:54I understand.
20:56My mother,
20:57she's because of the child,
20:58she has to kill the soul of the djavol.
20:59It's a shame.
21:01We could be a tandem.
21:05And now we will see
21:09over Nishan.
21:11that's right.
21:12Oh, she's been told.
21:13No, no.
21:14I'm not sure about that.
21:15As a little thing,
21:16I'm not sure about that.
21:18Hey,
21:19hey,
21:20how did you lose the jacuzi?
21:22Is it going to be a sanitary house?
21:23Well,
21:24the sanitizer came out of the house.
21:26The house broke the door,
21:28my sister,
21:29all the time.
21:30I'll talk about it.
21:31I'll talk about it.
21:32Yes, yes,
21:33I'll talk about it.
21:34Okay,
21:35that's it.
21:36What's in the orange house?
21:38In Aranđelovic.
21:42Yes, but did you tell me something?
21:46I mean, did you give him some answers?
21:50Ah, okay. No, no, I understand.
21:53Okay, okay, it's important.
21:57Are you here?
21:59Do you want me to fall right now?
22:02Do you want me to fall right now?
22:08Well, I didn't know that it was important for sanitation.
22:13No, no, I don't have a girl.
22:16I don't have a girl for some time.
22:19I think that's what I've done.
22:21I really focused on my career.
22:24A receptionist?
22:26A scenarist.
22:28Yes, I write here for a lot of time.
22:31But I can tell you that.
22:33It's not related to sanitation.
22:35These guests are inspiration.
22:38No, no.
22:39This, this one that passed away, is my former.
22:42But no, she's not in the land.
22:44She's now back to something else.
22:46But we didn't see her long.
22:5160 years, actually.
22:52He's not in the land.
22:55He's not in the land.
22:56We're not in the land.
22:57Oh, my son.
22:58Some things...
23:00They have to get to the end.
23:03Like this hotel.
23:05That it's closed.
23:06That it's closed.
23:08And then you start from the beginning.
23:10It's like new people.
23:12When the relationship remains unrecognito,
23:16then you grow a red dream.
23:18I'm this or that.
23:20You live with a rain, with a fear,
23:24with a pain that does not allow you.
23:28A few decades, you grow,
23:32you grow, you grow.
23:34You grow.
23:36You grow.
23:38You grow.
23:40You grow.
23:42Maybe the truth is different.
23:46Maybe it's an illusion.
24:02Do you want to finish?
24:04Finish and throw the keys.
24:08It's not for people.
24:14A strange man.
24:16A very strange man.
24:18He does the same in the environment,
24:20and in the environment.
24:22Come on!
24:24I don't know what to do.
24:26You're not an illusion.
24:28You're a great man.
24:30You're a great man.
24:32You're a great man.
24:34You're a great man.
24:36I have a lot of information
24:38that in this new business
24:40in the hotel,
24:42some of us will be going to kill,
24:44and some will be going to profit.
24:46It's about to affect your business.
24:48I mean, to the store.
24:50What do you think?
24:52Who's already agreed to?
24:53Suze or you?
24:54For a strong position here in the hotel.
24:56And who's the truck from Offenbach
24:58and the truck?
25:00What did you say?
25:02I heard it all when she agreed to the director.
25:06She's evil.
25:07That's evil!
25:08Yes, yes, yes.
25:09I know exactly how to do it.
25:11You know what I mean when I see
25:13what they prepare me.
25:14I see exactly who Europe will choose.
25:16Me or that man.
25:19Olga,
25:20there is evidence on the whole planet
25:23against the white race.
25:25And the only Mr. Trump
25:27can save us.
25:30But he's black.
25:31What if he's black?
25:33What if he's black?
25:34Do you know what I thought?
25:35Come on, tell me.
25:37Are you with us?
25:38Are you on our side?
25:39Are you going to fight for this hotel
25:41and for real value?
25:42Because if you're not with us, Olga,
25:43then you're against us.
25:44Let's go.
25:45No revolution.
25:48There's no progress.
25:50Okay, I don't say for myself that I'm a man,
25:52but I don't say for myself that I'm not.
25:55And Suzan was able to be black
25:57Tucakovic,
25:58who received his revolver to death,
26:00but she decided not to be.
26:03What are you doing?
26:05Yes, Oh my God.
26:06You're going to give me a shot.
26:07You don't have to do anything else.
26:09Five thousand dollars.
26:13Well, not now.
26:14I'm here for myself,
26:15but I'll give you a shot.
26:16Not in fact, I'll give you a shot.
26:17No, don't give me a shot.
26:18Let me give you a shot for a second.
26:20Why don't you look at me.
26:21You see?
26:22Let me give you a shot.
26:23I'll give you a shot.
26:24Just sit here for me,
26:25and you don't do anything.
26:26and put it on, brate, to kill you. Thank you, brate, come on.
26:39Hey.
26:40Hey, come on, come on.
26:42Come on.
26:43Hey, come on.
26:44Hey, come on, come on.
26:45I mean, I don't have that smell.
26:47Super.
26:49So, again, it's just a crevete.
26:51No, it's not a place.
26:53No, no, I'm sorry.
26:55I'm sorry.
26:56No, no, I'm sorry.
26:58No, no, no, no, I'm not the only reflection on the stomach.
27:02Reflection?
27:03Yes.
27:05Well, I'm not the reflection.
27:07Maybe I'm not sure why I'm doing that on the stomach.
27:10What?
27:11I've always been transparent.
27:13No, I'm not.
27:14How much am I not.
27:16I'm not gonna lie.
27:18What? When I was not.
27:19I'll ask you, please.
27:21Ask me what you want to know.
27:23What happened?
27:25Stalkovo.
27:27Yes, because you told me to come.
27:30I told you to go.
27:47You told me.
27:51When I saw some shit in the bioskop,
27:54I would remember you.
27:56Really?
27:58And what more shit,
28:00I would have thought to you later.
28:02Yes, yes.
28:04So, when I go to a boutique,
28:06when I see some of these things,
28:08I would say,
28:09I would say,
28:10I would say,
28:12I would say,
28:13I would say,
28:14I would say,
28:15I would say,
28:16I would say,
28:17I would say,
28:18then I would say,
28:19indeed I would say,
28:20just wake up.
28:21Danielle Estelis.
28:23I would say well,
28:24yes,
28:25yes.
28:26No,
28:27not enough.
28:28Yes,
28:29not enough.
28:30Good. And she didn't have any respect.
28:38What do you think of me?
28:40Okay, okay.
28:42Yes?
28:43Yes.
28:44So, you play movies?
28:46Yes, I try.
28:53That's nice.
29:00It's like an old man.
29:07There's a monk.
29:09Okay.
29:14I don't see him here now.
29:21I'm waiting for Manu and Vesta.
29:24I think they'd be great friends here.
29:27No, really.
29:28Because one and the other are so sophisticated and spiritual.
29:33They don't have any respect.
29:36Yes, they're very loving.
29:38Yes.
29:39The only thing that Vesta is that
29:42you've never imagined to go to Aranđelovac
29:44with a footballer Tubson, for example.
29:46Yes, but she's still holding herself a little.
29:49That's wonderful.
29:50I know you're going to laugh.
29:51Yes.
29:56It's a relaxing race.
29:57As many times,
29:58you're the only one.
29:59But you are your own friend.
30:00Yes.
30:01No, no.
30:02It's the kalafuja.
30:03Why the human being?
30:04Yes, no, no, that's the place.
30:05Yes, no, that's the place.
30:06No, that's the place.
30:07No, that's the place.
30:08It's the place for us.
30:09Yeah, no.
30:10That's the place for you.
30:11Yes, that's the place for us.
30:13Yes, the place for us.
30:14No, that's the place for us.
30:15Yes, the place.
30:16Please, go to Shanks, you have a lot of work.
30:21No, no, no, no. We have our small Zološi village.
30:27We have Kara Djorđa, Teslu, Srdjana Djokovića.
30:39Can I see the terrace here?
30:42Let me tell you, Mr. Inspektor, all our wolves.
30:46Do you know how sweet they are?
30:48They go to the kitchen and go to lunch and eat lunch.
30:51All right, let's go.
30:53Thank you very much.
30:54It's all closed, closed.
30:56It's not sanitized.
30:58It's all right.
31:00And in Beograd, what are you going to do?
31:03Everyone has their own bird.
31:06Do you need me to insist?
31:09No, no, no. We'll have to go.
31:12Let's go and get it.
31:22Who has a problem with your wolves?
31:25It's not a problem. It's not a problem.
31:27It's not a problem. It's not a secret.
31:29It's an inspection.
31:30It's a sanitarii.
31:32Who is the boss? The boss.
31:34What are you going to do when we solve all the problems?
31:37Yes.
31:38We'll have to go.
31:39We'll have to go.
31:40We'll have to go.
31:41What do we need to do?
31:43The wolves have to go.
31:46Please?
31:47Or they don't have to go.
31:48If you don't want to go.
31:50How would it be that I could go to you?
31:52I'll go.
31:53I'll go.
31:54Please.
31:55Please.
31:56Civilism.
31:57The wolves are social beings.
32:02They remember their faces.
32:04They see all the worlds of the world
32:06that people can't see.
32:08And just as they see maps and routes,
32:12this civilization would have fallen
32:15so that the wolves would not help us.
32:18and they're all they need.
32:19They can't park each other anymore.
32:21The wolves would not put the animals on the place.
32:23They must go,
32:24and get them to be linked.
32:25We'll have to go to the wolves.
32:26And then,
32:27they'll just stay.
32:28No matter what if they do,
32:29don't go.
32:30I'll just go.
32:31I'll be like,
32:32no matter what you mean.
32:33I won't go.
32:34No matter what if they're going.
32:35We'll go.
32:36You will need to take the wolves.
32:37You guys will sit down.
32:38I can't see them staying up.
32:39No matter what you're going.
32:40I don't want to be afraid of wolves.
32:43You can see all of them, they remain.
32:47The wolves are better than all of you.
32:51And if there is someone else for me,
32:55I'll give you my son.
32:59Oh!
33:03How do I do this death penalty?
33:06I don't have enough.
33:09What is it?
33:10Is there something wrong with the reporter?
33:13Let's do it.
33:15Let's do it.
33:16Let's do it.
33:20Listen.
33:24Maybe the best for everything is to open the hotel.
33:30I'm just an inspector.
33:34But after so many years of revelations,
33:40and wars,
33:43it is important to know in life
33:46how bad are they fighting?
33:50Inspector,
33:52we are so close.
33:54We are so close to the European family hotel.
33:57We are waiting for you.
33:59We are so close to the European family.
34:02We are so close to the European family.
34:05A little time for life, a hotel,
34:06a idea.
34:07Do not forget to lose the time
34:11for the battles that can't win.
34:13No, no.
34:23Veseraj.
34:25Please?
34:26Unfortunately,
34:27I won't be able to sign up with your record.
34:29It is not completely true.
34:31You have not looked at Veseraj.
34:33It has been sent to you.
34:38That's it?
34:39That's it.
34:40Let's see Veseraj.
34:42Yes, let's read Veseraj.
34:43Look at Veseraj.
34:44That's enough.
34:45Okay,
34:47glance at Veseraj.
34:50We are also
34:53looking at Sherry.
34:57You will be able to Friedman.
35:00You will be able to make your record
35:04glasses
35:06at respite.
35:09Let's rethink
35:10what is the original
35:11.
35:16.
35:20.
35:21.
35:22.
35:23.
35:23.
35:32.
35:34.
35:39.
35:40.
35:40.
35:40.
35:40.
35:41How much?
35:43How much?
35:45It's not a heavy man.
35:47I prayed. I cried.
35:49It's not enough.
35:51There will be a day for Katančevere.
35:53Good, Dekio.
35:55You tried to give him some money.
35:57Where is the money?
35:59I gave my money.
36:01And that's what happened here,
36:03in this hotel, for buyers,
36:05and for changes,
36:07and for vegans and fascists.
36:09It's not the wrong thing I gave.
36:11Let's go!
36:13Don't forget me!
36:15Don't forget me!
36:17Don't forget me, my friend!
36:19Don't forget me!
36:21Don't forget me!
36:23I'm a good friend!
36:25You just used me to throw up with vegans!
36:27Do you know what the hell?
36:29You look like you're walking around the house.
36:31You've been sick!
36:33You've been sick!
36:35You've been sick!
36:37You've been sick!
36:39You've been sick!
36:41You've been sick!
36:43You've been sick!
36:45You've been sick!
36:47I'm sick!
36:49I'm sick!
36:51I know what we'll do!
36:55Keep it up for yourself!
36:57Everything is for yourself!
37:00Everything is for yourself, Bane.
37:05You, friend, you said you were playing in every second,
37:07and you were on a long time and on...
37:09Sorry, brother, but we haven't seen you long.
37:13Who?
37:14Who haven't you seen you long?
37:15Eh?
37:16Eh?
37:17Eh?
37:18Eh, you're here.
37:19Eh, yes.
37:20She started an allergy,
37:21and we did some antihistaminics.
37:23It's never a long time.
37:25I don't know why we call you a strong friend.
37:27You have to wear a pair of clothes.
37:30I'm so sorry to say that you didn't say anything.
37:34Eh?
37:35Ciao.
37:36Eh?
37:37Ciao.
37:38Eh?
37:39Eh, when are you going to finish?
37:40I just wanted to go to the bathroom.
37:42Eh, Ana, this is Vesna.
37:45Vesna, this is Anna.
37:47Vesna is from French.
37:48Ah, Anna.
37:49Vesna, my dear.
37:50Anna, you are working here.
37:53Ah, great.
37:55Ah, eh, eh, but you know you guys from there?
38:01We're just getting sure we know you.
38:02Yes.
38:03We're just starting now.
38:07Uh…
38:08Yes, same old kid, you know what you said.
38:10One day, my 19th, you've been like.
38:12A bit of a mess.
38:14No, no, when you've finished it,
38:16but you're free, let go with us.
38:18Come on, start with us.
38:24I don't have anything.
38:30I'm going to go, I have a job.
38:32Ah, yes.
38:34And I, too.
38:36I'm going to go.
38:38Let's see.
38:40Let's go.
38:42We'll just meet each other.
38:44I'm happy.
38:46The fish came from Paris and wrote the territory.
38:48I'm not a lover.
38:50I'm not a lover.
38:52I'm sorry.
38:54I'm really sorry for Dujevic.
38:56He's a good kid.
38:58He's just a retard.
39:00The fish is bipolar.
39:02100%.
39:04One day he's going to go to Dambis.
39:06And then he's going to go to me.
39:08I know.
39:1014, 15, 16, 16, 17.
39:1215, 16, 17.
39:16One thing I want to be aware of.
39:20My Oscar is taking his first advertising for the bank.
39:24And got his first award.
39:26His money is not needed.
39:28But it's needed for our hotel.
39:30And I think it's the most fortunate and the most successful
39:34that I'll get that money.
39:36And I'll give him to save our beautiful hotel.
39:40A little warning from the hotel.
39:42No.
39:44No.
39:46I'm insisting.
39:48You've been so loving to us.
39:50I'll give it to you.
39:51No.
39:52Stop it.
39:53I'll give it to you.
39:54I'll give it to you.
39:55We know where we live.
39:56No.
39:57No.
39:58No.
39:59Why are you doing it?
40:00Please don't do it.
40:01I insist on understand.
40:03But I don't get more money.
40:05I'll be clear.
40:06You certainly don't live without electricity.
40:08Stop it.
40:09I'll give it to you.
40:10Don't do it.
40:11I'll give it to you.
40:12Just try it.
40:13I'll give it to you.
40:14I'm going to work.
40:15Stop it.
40:16I'll give it to you.
40:17Please.
40:18Let me do it.
40:19I won't let you.
40:20I'll give it to you.
40:21Don't let you please.
40:22Stop it.
40:23Stop it.
40:25Come on, come on!
40:33I'm sorry, but you're not a man.
40:38I don't want you to lose your job here,
40:41but I'm the only defender of the people and the people.
40:45When I don't do my job,
40:47people go to the hospital.
40:51Is it clear?
40:55I don't want you to lose my job.
41:09That's how democracy dies.
41:12Not in the brigades,
41:14not in the troops,
41:17but with a sign.
41:20And...
41:21When will they open us?
41:27I'll call the police.
41:29I'll call the police.
41:35I'm sorry.
41:42Thanks.
41:44And...
41:46Can you call me taxi?
41:48You're welcome.
41:50No.
41:51Help the police.
41:52And they find a taxi.
41:53I am in the Yuri.
41:55It's a disease.
41:56It's the place.
41:58It's the city.
42:00A reshacer.
42:02I'm sorry. I've tried everything.
42:06What did you try?
42:09I took Oscar's money and tried to give them to the inspector.
42:14I thought I was mad.
42:16I was mad.
42:18I was mad.
42:20I was mad.
42:22I was mad.
42:24I was mad.
42:26I was mad.
42:28I think I'm mad.
42:32I'm the best for everything.
42:36I'm not mad.
42:38I'm good.
42:42Sorry.
42:44Sorry.
42:46I was mad.
42:48I was mad.
42:50I'm not mad.
42:52I'm not mad.
42:54I'm mad.
42:56Sorry.
42:57Don't go anywhere.
42:59I'm not mad.
43:00If I'm so angry, I'm not mad.
43:03Sorry that I'm not a European moment.
43:08If you could come to the hotel room,
43:12that would be a pleasure.
43:26You're here from the Grnogore.
43:29Yes, from the Belopavlick.
43:31What is the story?
43:33Yes, the hell?
43:35My son is in the place.
43:36And I was there two years ago.
43:38You're from Brajovic, Jurovic, Joanovic.
43:42Yes, from Brajovic.
43:44What is the story?
43:46Do you know of the guy?
43:49The old guy?
43:51How do I know it?
43:53What do you mean?
43:55You're not going to lie.
43:57I'm not going to lie.
43:59It's possible.
44:01But you know, the most famous...
44:03...paste and a**hole.
44:05A**hole and a**hole?
44:07Why do you say that?
44:09You're not happy and happy.
44:11You're not happy and happy.
44:13You're not happy with a**hole.
44:15You're not happy to say that you're a**hole,
44:17but you're a**hole.
44:19You're a**hole.
44:21Zbuni me sada oe.
44:23To pogađaš.
44:25Mi smo branitelji.
44:27Pod selenskim živimo procesom opasnosti i krvoprolića.
44:31To su naše igre i pirovi.
44:33To izreče pa hitro poletika krilata iz luka strijela u svojemu nad oblakom carstvu.
44:39Osta svinja u gadnom mrlogu, čekajući u čelo sekiru.
44:45Dajte molim vas.
44:47Znaš i kako si mene opratilo?
44:49I vi mene pravo da vi reče.
44:53A i ti si se zamaka vođe.
44:55Molim vas!
44:57Vi isto?
44:5945 godina.
45:03Dobro, eto.
45:05Živj mi.
45:07Znača li tebe ovi ljudi što vođe?
45:09Isko tela?
45:11Znača je, bogo mi, nije mi do robote, ne fali mi jeli mi je do njih.
45:15Iz velike su me muke izvadili.
45:17Spasili.
45:19Jesu časti.
45:21E, hvala im.
45:23Hvala im za vazda.
45:25Eto.
45:26Dobro.
45:29Čekaj.
45:34Evo, tako.
45:35Evo, tjela ste.
45:36Drži.
45:37Vričas, živ mi je bio.
45:38Draži, kako si me takav.
45:40Ajde.
45:41Čekaj.
45:42Živjeli mi.
45:46Mi iz Bielopavljeća smo ti učiljeni.
45:49To je vazda tako bilo i bit će.
45:54Epa.
45:55Hvala vam što ste došli.
45:57Direktore, dozvoli da ti predstavim naš kolektiv
46:00i naš sindikat čiji sam ja zastupnik.
46:03Neka.
46:04Neka.
46:05Moramo da vidimo ko ovde obstrujira.
46:07Ko nas vodi pravim, a ko krivim putem.
46:10Zoki, jer nije problem, molim te da ovo neki drugi put uradimo.
46:13Stvarno, Zoki, jel moramo danas da pravimo predstav?
46:16Pa vidiš koliko smo umorni se.
46:18Stram te bilo.
46:19Šta je te?
46:20Stram da te bude.
46:21Dobre, dobre, Olga, dobre.
46:23Hvala vam, Suzana.
46:24Vi ste svoje za danas rekli.
46:26U ovoj zemlji postoje dve vrste ljudi.
46:29Oni koji se trude da u svet prodre istina o nama
46:34i oni koji se Bogu mole da u svet ne prodre istina o nama.
46:39Druga Rići, samo, mislim, stresno je svima ova sanitarna i to,
46:42a lajma ba...
46:43Ej, u mom veku nije banula sanitarna.
46:48Mi smo danas ovde preživeli torturu, zato što se vas dvojica morali da se kurčite za Evropu.
46:54Taj zapisnik će da nas sahrani.
46:57Misliš šo oaj zapisnik?
47:00Izvršeno je to ono, onaj.
47:03Ej.
47:05Ej.
47:06Ej.
47:07Ej.
47:08Ej.
47:09Ej.
47:10Ej.
47:11Ej.
47:13Ej.
47:14Ej.
47:15Ej.
47:16Ej.
47:17Ej.
47:18Ej.
47:19Ej.
47:20Ej.
47:21Ej.
47:22Ej.
47:23Ej.
47:24Ej.
47:25Ej.
47:46Rezervisao sam sobu sa prozorom ka istoku.
47:49It is important that the mirror does not look at the street, but to look at the east.
48:01How many nights?
48:02One, the last one.
48:04Yes, sorry, it is written here.
48:08The last check-in is on a very long life path.
48:14Yes, the last check-in is to 10. The number for Wi-Fi is not enough.
48:23It is all a little.
48:24It is just about to look at the east.
48:36Did you have a doubt about this?
48:39What?
48:41It is like a serial killer.
48:44Yes, it is.
48:45Yes, it is.
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