- 3 hours ago
In a 2017 interview with senior journalist and news anchor Rajdeep Sardesai for India Today, Dharmendra humorously noted that women loved him "way too much." He also mentioned that while he appreciated realistic films, he felt today's actors prioritised money and that people were sadly "forgetting their roots."
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00:00foreign
00:03friends, who is the real he-man of Hindi cinema?
00:08not Salman Khan, not Akshay Kumar
00:11please welcome the original he-man, Garam Dharam Dharam Indra
00:15thank you, thank you
00:20was the right introduction that you are also the real he-man of Hindi film industry
00:26the right introduction that you are saying a little bit
00:30because I am so much more to everyone
00:34I am so much more to everyone
00:38I am so much more to everyone
00:42but what you have said from the anger
00:46he has given me some of the old days
00:48but today is not the same, it is not the same
00:52your 50 is bigger than Salman and Akshay
00:55It's very big.
00:56In the first fight, you will win or they will win?
00:59I will win.
01:01I will win.
01:02Dharmendra Ji, today, I am looking for you here.
01:09It's good for me.
01:12In my mind, there are two pictures.
01:15When I was small, I was also small when I was small.
01:18There are two pictures.
01:20One of the memories was, and the other picture was, the new era.
01:27And both of those were super hits.
01:30Yes, absolutely.
01:32That's why, when I see you, I remember them.
01:36I think that one picture, I didn't take a finger.
01:40And the other one, I didn't leave anyone.
01:44I also liked it.
01:46And people liked it both.
01:49So, I'm probably the winner.
01:52People love me every color and every color.
01:56I love romance.
01:59I love romance.
02:01I love romance.
02:03But good people.
02:05You see, I'll tell you one thing.
02:07I love romance.
02:08I love romance.
02:09I love romance.
02:10I love romance.
02:11How do you become a dream?
02:12How do you become a dream?
02:13How do you become a dream?
02:15How do you become a dream?
02:16Oh wow.
02:17This is your day, sir.
02:19Sir, let me tell you.
02:20I love romance.
02:21I love romance.
02:22I love romance.
02:23I love romance.
02:25But no love romance.
02:26But none of the love.
02:27I love romance.
02:28You don't have to be a dream.
02:29I love romance.
02:30For the Film Fair Award.
02:31for the award, which was the star talent, you win the award and you come to Bombay.
02:40Have you ever thought that 60 years later, you will earn your name in Bombay in the film industry?
02:51Because I heard that when you came first, there was no time to prepare for the film role.
02:59After 60 years, you have made 300 films and made such a big star.
03:03Do you remember when you came first to Bombay in those days when you came first?
03:09I won the Film Fair Talent Contest in 1958.
03:16In a small story, I will tell you about who I was born, where did I come from, where did I come from?
03:26I will tell you directly...
03:31Lovely, sir, look at this picture.
03:34This picture is your star talent, the most good-looking star.
03:40This is Malayra Kutla. I feel good.
03:49I have learned that I have learned how to live life.
03:56Oh, wow.
03:57Now, what are you doing at this time?
04:01Oh, wow.
04:03That's why I came from there.
04:05That's why I don't forget my clothes. I forgot my clothes.
04:09I forgot my clothes.
04:10I saw that they told me, the Film Fair, in the Times of India,
04:14that I will give you a first class fair to and fro.
04:17So, I saw that picture twice a week.
04:20I was like,
04:21I was like,
04:22I was like,
04:23I was like,
04:24I was like,
04:25I was like,
04:26I was like,
04:27I was like,
04:28I'm going to go to the first class.
04:29If I didn't pay,
04:30I will kill you.
04:32Now, I'm going to go to the third class.
04:34You're going to go to the third class?
04:35Yes.
04:36Third class,
04:37third class.
04:38And there,
04:39some people came from Bombay Central.
04:41I saw a Delhi Station.
04:42I said,
04:43Mom, here.
04:44My mom came to get me.
04:45Look,
04:46someone will be staying there.
04:48I was a famous one of the contestants.
04:51I got my thoughts,
04:53and I just came from a first class.
04:55And they gave me a cigarette pee
04:57and received 2-4 magazines.
04:59They gave me her.
05:00And I said,
05:01I was like,
05:02I was like,
05:03I was like,
05:04I was like,
05:05I'll just go to the next class.
05:07Okay.
05:08I didn't take my house.
05:09I came from the next class.
05:10They told me,
05:11that I was like a big statement.
05:12Now,
05:13I asked,
05:14I was like,
05:15I'll just go ahead here.
05:16That's all.
05:17my mind, how did I get into my mind, so I was scared. Anyway, I went to third class,
05:22so that you can think of how much of my sense of responsibility was in my mind.
05:27That if I didn't get you today, then what would I do? So this way, my character is
05:32that I don't have to change. Today, my sense of responsibility is that.
05:36I love today, I love today, I will not get out of it.
05:42When you come to Bombay, you come from small towns,
05:47if I tell you a hero, I have studied, Dilip Kumar.
05:53And you saw him and said,
05:56Dilip Kumar is doing this romantic scene with Kamini Kaushal and Madhubala.
06:00When will I do this? Is this true?
06:02I thought it was interesting to see them.
06:05I thought, what is this?
06:07I thought, what is this?
06:12Where do I go? Where do I go?
06:14I thought it was like that.
06:16So I wanted to say that I was doing a job,
06:19I was doing a job, I was watching a cycle,
06:22I was watching myself in the movies,
06:24I was watching my dreams,
06:26I was watching my dreams,
06:27I was watching my dreams,
06:28I was asking,
06:30I could become Dilip Kumar.
06:32I was watching my dreams,
06:33I was watching my dreams,
06:34I was watching my dreams,
06:35I was watching my dreams,
06:36I was watching my dreams.
06:37To be frank,
06:38there was no such thing,
06:40there was no inspiration,
06:42there was no inspiration,
06:43and I don't know,
06:44there was an actor's seed,
06:45but the inspiration was very big, Dilip Kumar.
06:48So Dilip Kumar was an inspiration,
06:50and on the other side, Madhubala was on a calendar.
06:53You know, this is human nature.
07:03You know, this is human nature.
07:05In 1960, your first picture comes,
07:07Arjun Hingorani makes a picture,
07:09but you have a big break,
07:13you have a big hit,
07:15Fool or Putthar.
07:17After that picture,
07:18what did you get the first time,
07:20I can find a place in this Hindi film industry?
07:24I didn't like it,
07:25the film has told me that
07:27I will find a place.
07:29The film went well,
07:30and people had a good time.
07:33So that film was a show at that time,
07:36sir.
07:37Some people liked it,
07:39it was no surprise.
07:40Before I was watching myself,
07:42I was the biggest critic myself.
07:45I retake it,
07:47I dub it,
07:48I don't feel good.
07:50Now I see,
07:51I feel like I was good.
07:52But then,
07:53I don't feel good.
07:54Now I feel like,
07:55yes,
07:56there was some things,
07:57that people loved me.
08:00But you always say,
08:02that I am not an actor.
08:04I am just naturally doing something.
08:09I have told you,
08:10I have not understood this profession.
08:13I have no profession,
08:14I have never thought about it.
08:16I have no idea about it.
08:17I have no idea about it.
08:18I will reach a million dollars.
08:19I don't need it, sir.
08:20I want people to get a place in their hearts.
08:22People who get the place,
08:24they can't get a million dollars.
08:26I cannot get a million dollars.
08:27I am able to get a million dollars.
08:28I cannot get a million dollars.
08:29These are all I want.
08:30I have no idea.
08:31The most beautiful people are sitting here.
08:33But I always like them.
08:34How much we give it?
08:36How much we do it,
08:39it will suffer,
08:40he will get a baby.
08:41In my mind,
08:42the guy,
08:43and the self-help,
08:44what will happen.
08:45If you are here,
08:46when you are looking out,
08:47the smile comes from the face,
08:49then the heart will get this right.
08:50They do good.
08:51They are all my actions.
08:52They are all my actions.
08:53They are all my family.
08:54The brother,
08:54my friend,
08:55My friend.
08:56They are all my friends.
08:57They are all my friends.
08:58They will all my friends.
08:59it's not good enough.
09:01I still feel good now.
09:03Because you've added different films in that.
09:09You've done Bimal Roy with Bhandini, Rishikesh Pukar Ji,
09:13you've done a job with Sathya Kama,
09:15with Manmohan Desai,
09:17with Ramish Sipi,
09:19with Shole,
09:21you've done comedy, action, romance.
09:25Which role you like?
09:27Because your comic timing was very good,
09:29in silence, in the picture.
09:31Then you've also done He-Man's role in action films,
09:35and you've also done soft romantic heroes.
09:39He-Man, romance, or emotional things.
09:43Comedy is a difficult thing.
09:47If you don't have the timing right,
09:50then you'll miss it.
09:52You throw it in front of you,
09:54and throw it in front of you,
09:56and then you'll miss it.
09:58I said to Mahmood,
09:59you have to stay alive.
10:00He loved me very much.
10:02He loved me very much.
10:04In one of my films, Neela Akash,
10:06our Hawajjaj,
10:08he goes in the forest,
10:10and he said,
10:12I cut the camera,
10:14stop the camera.
10:15I said,
10:16who is the captain?
10:17He said,
10:18I'll tell you,
10:19I'll tell you.
10:20I'll stop it.
10:21So I said,
10:22I'll tell you,
10:23that he was doing with me.
10:24He was doing with me.
10:25He was doing with me.
10:26He was doing with me.
10:27He was doing with me.
10:28Mehmood?
10:29Mahmood.
10:30Mahmood.
10:31He's a great comedian.
10:32What was the timing of the timing?
10:34Yes.
10:36What the most memorable sequence of your timing?
10:40You see,
10:41with Mausi Ji comes in the theater.
10:42Now,
10:43Mausi Ji came back to the temple,
10:45and when I was saying kanya,
10:48Yes, he says, what do you need to do with him?
10:52He becomes a joke.
10:54He doesn't have to do anything.
10:56He comes from the actor.
10:58When he comes from the actor, he comes from the actor.
11:00In the comedy, you get a lot of attention.
11:04Is that the dialogue of Sholei?
11:06Sholei has a lot of dialogue.
11:08Yes, Javed or Salim did not write it.
11:11Moussi Ji.
11:12How much fun to write it?
11:14Moussi Ji is coming.
11:16If you put G, he's killing the Moussi.
11:20How much difference is in G?
11:22With one word,
11:24I'm coming from Moussi Ji.
11:26Moussi Ji, I'm coming from Moussi Ji.
11:29How much difference is in comedy?
11:31In comedy, you have something.
11:33You can enhance things.
11:35You can play with it.
11:36And I enjoy comedy.
11:38You enjoy comedy.
11:39But you always have a dialogue in action film.
11:42The dog.
11:44The dog, like Shatrugan Sina.
11:48You said, the dog.
11:50Why do you have so much hatred?
11:52I don't think this is good.
11:53But it's very popular.
11:54What do I do?
11:56I don't know how my head came from my head.
11:59What was that?
12:00Tell me.
12:01How do you do it?
12:02Mostly, when we come to Moussi,
12:04then something will be released.
12:06Then it will be released.
12:08Then it will be popular.
12:10So, when you have any action,
12:12you would call the villain as a villain?
12:14You would call the dog.
12:16There are villains here.
12:18The dogs are also popular.
12:22The villains are also popular.
12:23The villains are also popular.
12:25The villains are also popular.
12:26They are also popular.
12:27Like you had to cut the comic timing.
12:28You and Amita Bachan and Sharmila Tagore.
12:30The picture is in that picture.
12:32And Rishikesh Mukherjee always said,
12:34that Dharmedra is an actor
12:36who I always like in a comedy film.
12:39With Amita Bachan,
12:41the pairing of your children,
12:42on the one hand,
12:43on the other hand,
12:44on the other hand,
12:45on the other hand,
12:46on the other hand,
12:47on the other hand.
12:48What was that magical partnership?
12:49I don't know.
12:50I don't know.
12:51I don't know what's inside me.
12:53He's a good actor.
12:55What's his timing?
12:56His voice,
12:57his voice,
12:58his voice.
12:59He can play.
13:02I'm natural.
13:04I can say something.
13:05I can say something.
13:06In some places,
13:07in our films,
13:08we always have a cue.
13:10After that,
13:11I'll start my line.
13:13But I can say something.
13:15You said,
13:16you don't change the line.
13:17There was a film.
13:18Aum Prakash,
13:19a comedian.
13:20In a picture,
13:21I fell in his head,
13:22saying,
13:23Daddy, if you don't forgive us,
13:25we won't raise our feet.
13:26So,
13:27his feet were very thin.
13:28I said,
13:29Daddy,
13:31Daddy,
13:32you are very English.
13:34So,
13:35his fingers opened,
13:36his mouth opened.
13:37He said,
13:38Oh,
13:39where did the dialogue go?
13:40I said,
13:41your legs look good.
13:42So,
13:43I got out of my head,
13:44you are very English.
13:45What is English?
13:46So,
13:47your dialogue,
13:48yourself?
13:49There is a film.
13:50There is a comedy.
13:51There is a comedy.
13:52There is a comedy.
13:53There is a comedy.
13:54There is a comedy.
13:55There is a comedy.
13:56There is a comedy.
13:57A comedy.
13:58There is a comedy.
13:59Myel is the comedy.
14:00There is a comedy.
14:01Coming out of my house without a Dharmani family.
14:06You have to put a dice cap on it.
14:08It's this comedy.
14:10It is a comedy.
14:12The comedy is├║tri immediately.
14:14in the bathroom and close the door.
14:16It was a big house.
14:18I saw dubbing
14:20that I thought
14:22that we were playing Ludo
14:24and it was like that.
14:26I was on the back of the camera
14:28and I didn't know how to play Ludo.
14:30I said, where did you play Ludo?
14:32People would ask
14:34that they would have fun.
14:36You see,
14:38you can play a lot in comedy.
14:42Romance.
14:43You were also a romantic hero.
14:46How many heroines have you done?
14:49This instinct
14:51to love
14:53doesn't have.
14:55It doesn't have to be needed.
14:57To do something,
14:59it will come to you.
15:01They say, love is not for you.
15:03It happens.
15:05Love is not for you.
15:07It happens.
15:09Do you love with your heroines?
15:11Because as many heroines,
15:13everyone would say,
15:14no better looking actor than Darmendra.
15:17you were a genius.
15:19You were a genius.
15:20Do you love with your heroines?
15:21After the picture?
15:22No, I don't know.
15:23I don't want to go into details.
15:25I don't want to go into details.
15:27You have to go into details.
15:33But this was the romantic heroines.
15:35It was a romantic heroines.
15:37You were a romantic heroines.
15:38I thought that my father and my lord have made something in my mind and I have made a love for me.
15:50This is the same time, whatever I am.
15:53And this is the same way.
15:55I think that this computer fits me in my mind.
15:58It's going to go, it's going to go, it's going to go, it's going to go.
16:02It's been a shame, it's been a shame.
16:06The film fair gave me a star talent award in the 1980s.
16:10But for so many years, he didn't have the best actor.
16:13He was nominated for a long time, but he didn't have the actor.
16:17He gave me a lifetime achievement in 2010.
16:20That's why I was given that.
16:21Dilip Sahib was going to give me.
16:22I didn't have the award.
16:24He said, Dilip Sahib, you will give me.
16:27So I said, Dilip Mohar,
16:29that was the happiest moment because of Dilip Sahib, not for film fair at all.
16:40I didn't have the award.
16:42And then I saw that I didn't want to say anything.
16:45I wanted to keep certain things.
16:48I wanted to get the award.
16:52I didn't want to get the award.
16:54I didn't want to get the award.
16:56We've had great teams in general.
16:58We don't want to use my target.
16:59We don't have that shrewd and cunning brain to get it.
17:03We look better.
17:04It feels like it often.
17:05You think He's still doing the trailers.
17:06We think that's what you think.
17:09No, sir, that's what's the task.
17:10We need to get it toAm MainцДЪiquic.
17:15How much the award's an award?
17:17Today, you called me, Raj Ji, I'm so happy, all of you are sitting here.
17:25What is this award from me?
17:29In two or three years, I think that after one film, it was hit.
17:36My village, my country, Jugnu, My memories, New era.
17:42And in that period, people think that you have become the number one star.
17:48Was it a big thing for you that I became the number one star of Bollywood?
17:55Look, if I wanted, I didn't go to the red race,
18:03then I wouldn't go to anyone even further.
18:07But then I said, I was not a cunning man.
18:11You need a shrewd mind.
18:14You need to create such things, you can create such things,
18:16and create such things, you can create such things.
18:18It doesn't come to me.
18:19I don't do it in my life.
18:21Because we are three or three,
18:25we are three or three,
18:29but we are the ones that are the ones that say God.
18:33We are the ones that say God.
18:36We are the ones that say God.
18:38We have made such things in our hearts.
18:40Now, we are the ones that are coming out of the hearts.
18:42We are the ones that are coming out of the hearts.
18:44Thank you very much.
18:45Thank you very much.
18:46Thank you very much.
18:47Thank you very much.
18:49Thank you very much.
18:50Thank you very much.
18:52I have studied in the first time.
18:54I am not a priest,
18:56but I have written in the Urdum.
18:58I have written in the book
19:00and I have written in my
19:02love.
19:04I have written in my book.
19:06I do not think.
19:08I will do such things.
19:10I will do such things and that will be still alive.
19:12There is a lot of things I have.
19:14I have written a lot.
19:16I have written a lot.
19:18And I have
19:20not a Yidori
19:24I have written a lot of things.
19:26I have written a lot.
19:28I have written a lot.
19:30What I am? Why I am?
19:32What I am I?
19:34What I ask?
19:36The mails of God
19:38of the day,
19:40the Lord of the Lord is a blessing.
19:42God of the mother
19:44of the holy Father,
19:46the God of God
19:48I love you.
20:18You are a man, you are a young man, you are not in your career, you are not in a shop, you are not in a shop, you have recommended Amitabh Bachchan for Sholei, how is this right?
20:32I never wanted to remember him, I did yes, when Amitabh started to say that, I said Amitabh, you are going to say, leave me, leave me, I have never said to anyone, Amitabh recommended you.
20:47So I thought Amitabh, you are going to say that I have recommended you, and you are at such a dizzy height.
20:57Now when you say that, people will say, man, what a man, Amitabh.
21:03Until now I remember him, he had recommended him.
21:06Who had recommended him, we will forget.
21:09Amitabh is saying, man, Dharaminder has recommended him, Amitabh.
21:13That's not me.
21:17You were the most successful pairing with Hema Malini.
21:23The first picture is coming out of your picture.
21:25You are a man, I am a young man.
21:27After that, one film, Jugnu, Dost, Charas, Maa, Chacha Bhatija, Azad, Sholei.
21:34What was that, what was that, what was that, what was that, what was that sparing?
21:38No one doesn't do it.
21:40It's a big picture of everyone's pictures.
21:43It's a big picture of my pictures.
21:44You have told me that it's a big picture today.
21:46It's a happy thing.
21:47And I don't do it myself.
21:49It's a big picture of a picture.
21:50I think it's 25, I mean.
21:5325, 25, 25 hits, I mean, 25, 25 hits, it was a big picture.
21:57I think it's good.
21:59It's good to be a pair.
22:02People wrote me a letter and wrote me a novel.
22:05I think you and you, you, you can do it.
22:07It's a good picture.
22:08It's just like Raj Nargis or a pairing.
22:13dream girl
22:15that pairing
22:16stardust
22:18hema malini dream girl
22:21and on the other side
22:22warm dharam
22:23what was this pairing
22:26one is South Indian
22:27Chennai
22:28the other is Sahawal
22:30Punjab
22:30no one can see
22:33no one has come from Punjab
22:35or from South
22:37anywhere
22:38someone has come from
22:39when it happens
22:40it happens
22:40but what something is going on
22:44is going to be a demon
22:45yes
22:45only this person
22:47will be a self-life
22:48it will be a good
22:49that is the same
22:50your happiness
22:52will be a good
22:54it will be a good
22:55no one has come from
22:57when it comes from
22:58it will be a good
22:59it has been a good
23:00my people have paid
23:02so I have
23:04thank you very much
23:06it will be a good
23:07it will be a good
23:08it will always remain
23:09you have worked with some directors
23:13Arjun Hingorani
23:14those who came to the team
23:16the story of the story
23:17and the name of every picture
23:19was started with the name of K
23:21then with Rishikesh Mukherjee
23:23Bimal Roy
23:24you have made a big film with Pramod Chakravarti
23:27who was the director
23:30who you think
23:31was the real background
23:33that was the director
23:34Bimal Laj
23:36as a director
23:37Rishida
23:39we couldn't get anyone
23:42in a different league
23:44they were great
23:45the people couldn't get the land
23:48the people couldn't get the land
23:50they had so great films
23:52Rishida had so many variety
23:54they had so many films
23:55Chupke Chupke
23:56Satyakam
23:57Anufma
23:59Bawarshi
24:01he was great
24:04because he was an editor
24:05he knew that he had known as one shot
24:08and he used to commend respect
24:12I was very much love
24:14so I said to him
24:16to take one shot
24:17and he said to him
24:19why? why? why?
24:19why is it?
24:20why is it?
24:20why is it?
24:20he said to him
24:21no I don't like it
24:23let's go
24:23okay?
24:25yeah
24:25starts on camera
24:26take 2
24:27take 3
24:29take 4
24:30take 7
24:30take 3
24:33was good
24:34print first one
24:37print first one
24:40he used to love me a lot
24:57you said to be a great director
25:01you need to be a great editor
25:03Chupke Chupke
25:04there is a scene
25:06I want to show you
25:07I want to show you
25:08I want to show you
25:08I want to show you
25:09some memories
25:11I want to show you
25:11look at it
25:11I want to show you
25:41What nonsense is that? What nonsense?
25:44What nonsense is that? What nonsense is that?
25:48When you speak English, it doesn't look good for English.
25:52Do you know English?
25:54We don't like this language.
25:56Why?
25:57It's a very common language.
25:59If it's cut, then it's beautiful.
26:02Do-do, do-do, do-go.
26:05Why do you tell me?
26:07Do-do, do-do, do-go.
26:10What nonsense is that?
26:12It's a good film.
26:27I enjoyed this film.
26:30It's a great fun.
26:32As I said, you worked with so many directors.
26:37Today's directors, today's actors.
26:39What's the difference between the directors and the actors and the actors?
26:46I would like to say to Arjun Hingorani.
26:49I had to say to him.
26:51When I went to the talent contest, this was a escort.
26:56A girl was named Nimma.
26:58A beautiful girl.
27:00He was a loud voice.
27:01I was like, I'm a hero.
27:03I'm a hero.
27:04I'm a hero.
27:05I'm a hero.
27:06I'm a hero.
27:07I'm a hero.
27:08Who's this?
27:09Who's this?
27:10Who's this?
27:11Who's this?
27:12I'm a hero.
27:13I took her.
27:14He took her.
27:15I took her.
27:16It took her time.
27:17It took her 10 rupees.
27:18I gave me five rupees.
27:19Arjun Hingorani?
27:20I could not forget her.
27:21I never did that with her.
27:22I might do a lot.
27:23I could not forget her with her.
27:24She was given it, not given it, not given it.
27:27I could not forget her too.
27:28I could never forget her.
27:30I remember one picture with them, the story of the story, you and Rekha are dancing.
27:37Look at the eyes of the eyes.
27:39I was very proud of the dance.
27:42But I was very original in the dance.
27:45I couldn't copy my own step.
27:48You want to show dancing?
27:51Because one thing you didn't do was dancing.
27:54I did my own step.
27:56After that, he said,
27:58I said, this is already done.
28:00I did it.
28:03I will do something else.
28:05I would do something else.
28:07I would put my own makeup on the face.
28:09I would do something else.
28:11I didn't show a character in the dance.
28:13He would do something like that.
28:15He would do something else.
28:17He would do something else.
28:19If you didn't have a master in Bollywood, it is dancing.
28:24I wouldn't do it.
28:26That is the mastery.
28:27That is the mastery.
28:28I thought that you would learn dancing from Hema Ji.
28:31No.
28:32He called it to them.
28:33Okay.
28:34You will call it to them?
28:35No.
28:36No.
28:37I was dancing.
28:38We said that,
28:41Sunny had said that people don't dance.
28:45He didn't do it himself.
28:48He said,
28:49I could not do it.
28:51Bobby, Sunny,
28:53they would say,
28:54Raj ji's son is doing the good dance.
28:57He said,
28:58you should teach it.
28:59He said,
29:00I didn't teach it.
29:01He said,
29:02father didn't teach it,
29:03I would teach him.
29:04There is no question.
29:06We didn't have it.
29:07To be frank.
29:08We had some music.
29:10It wasn't for the village.
29:11It wasn't for the village.
29:12He said,
29:13Bobby was going to go.
29:14He did dance.
29:15But I do dance with that.
29:17What do I do?
29:18I thought you would dance.
29:19I thought you would dance.
29:20I thought you would dance.
29:21I thought you would dance.
29:22That's right.
29:23What's the difference between the actors and directors and today's time and directors?
29:36You see, then people had time.
29:40Yeah.
29:44Yeah.
29:49Yeah.
29:54I was looking for the films of that kind.
29:59But the realistic films are very good.
30:03I am very happy they are doing very good.
30:05I should do it.
30:07But I am forgetting everything.
30:11That is the difficulty.
30:12We are coming forward with that.
30:15I am not feeling it.
30:18I am going to stand up.
30:20I can see the picture of the one who is playing in the house.
30:27This is his first picture.
30:30I was going to do Padmavati.
30:33At one time, you and Rahimah were going to do Padmavati?
30:35No, the other picture was Baji Ramasthani.
30:41In that guy, what did he do?
30:44He did not do that.
30:46I salute him, such an actor and those guys.
30:51They are very good, no doubt.
30:55Any favourite?
30:56But what happened today?
30:58That this industry has not been made by Rahimah Mandi.
31:04We are going to do something like that.
31:09Let's do something for money.
31:11Let's do something for oil.
31:13Let's do something.
31:15That's the story of Dilip Kumar in Devanand.
31:18Where is the story of the Sahaja?
31:20Where is the story of the Sahaja?
31:21He was a story of the Sahaja.
31:24Now you go to dance and dance.
31:27There is no matter.
31:29Everything has been done.
31:31I don't know much.
31:34It's very good.
31:43What am I thinking?
31:45There is no matter.
31:46There is no matter.
31:51She was a really great actress, world class, Suchitra Sen.
32:03But anyone in today's generation who can match to a Nuthan or Suchitra Sen?
32:06They are very good.
32:09I have said that all these girls are doing good.
32:13Look, they came in a hero, the first picture was given.
32:20So, the name is now for girls.
32:23Sunny and Bobby, and your family.
32:28Do you feel like you are a dharmendra?
32:33That's why you were a strong father, as I heard.
32:38You were very angry with them.
32:40My father was angry with me, what do I do?
32:44So, are you happy to come to Sunny and Bobby B.
32:48In the film industry, they have also made a job.
32:53This profession is such that everyone wants to do it.
32:57When I went to college, I studied for 2nd year.
33:03So, I asked for a medical student, I didn't tell anyone I wanted to become a hero.
33:12I said, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes.
33:15This line is such that everyone wants to become a hero.
33:18Yes, yes, yes, yes.
33:19To be frank,
33:21All the people who come in the industry, the cameraman, the assistant, the spot boy, the sport boy,
33:26everything is happening in my mind.
33:28There is something in this world.
33:29This is a passion for it.
33:32There is a human nature to be loved, to be liked, to be admired.
33:35Who doesn't want?
33:37And there's no other place like, no other industry like film industry.
33:41There's no business like show business.
33:43So everyone's heart wants to become an actor.
33:46And what do we say?
33:47We become doctors, we become doctors, we become doctors.
33:51And where do we go to the actors?
33:54So I asked Rajapur's little son,
33:57what do we become an actor?
33:59And what do we do?
34:02But when Yamla Pagla Diwana,
34:05like pictures that you have made,
34:07where Sunny is or Bobby is working with them.
34:09It's fun.
34:10My film, if you've seen yourself,
34:13and it's true in the story,
34:17then if you're a father-in-law, related,
34:22then there's more knowledge.
34:25There's more knowledge.
34:26You've done a very good film, Johnny Gaddar.
34:30It was a classic role.
34:33It was a good film.
34:35It was a good film.
34:36It was a good film.
34:37It was a good film.
34:38I've done everything.
34:39Is there any favourite film like this?
34:41Which,
34:42which you will say,
34:44this is the real dharmendra?
34:46I've thought,
34:47that I have urged you to do something.
34:50It will go away.
34:52I have yet to do something great.
34:54There is still something else.
34:56I will do something else.
34:57I will do something else.
34:58I will do something else.
34:59I will do something else.
35:00I will do something else.
35:01Now, what do I have to do?
35:02I will do something else.
35:03Do you want to do a role now?
35:05I am doing something else.
35:06I am doing something else.
35:07No,
35:08do a multi-star.
35:09Do Salman, Akshay and you.
35:10Then, who is the real he-man?
35:12Who is the real he-man?
35:13I am not.
35:14I am not.
35:15Multistar.
35:16Everyone has a disease.
35:18It's ego.
35:19One has a disease.
35:22One has the other.
35:24One has the other.
35:25One has the other.
35:26One has the other.
35:27One has a million diseases.
35:28If I have,
35:29then you will die.
35:30He is in everything.
35:31If I sit like that,
35:33then you will sit like that.
35:34Then,
35:35he has an ego in the actors.
35:38He does not get the ego.
35:39He will not get the ego.
35:40He will say,
35:41how old are you?
35:42How old are you?
35:43How old are you?
35:44He will die.
35:45Then,
35:46he will forget.
35:47It's a drama.
35:48It's a drama.
35:49At that time,
35:50there were no ego trips.
35:51You were.
35:52Shami Kapoor Ji.
35:54Dharmendra,
35:55Devanan,
35:56Dilip Kumar.
35:57No,
35:58there were no ego battles.
35:59No,
36:00there were no ego battles.
36:01After the multistarer,
36:02it started.
36:03There were no more multistarer.
36:05It was less.
36:06It was less.
36:07There were no ego battles.
36:08There were no ego battles.
36:09Dilip Sahib,
36:10Raj Sahib,
36:11the film,
36:12it was not the case.
36:13It was not the case.
36:14It was not the case.
36:15So,
36:16they wanted to be a king.
36:19The king of Dilip Sahib.
36:21It was not done.
36:22It was not the case.
36:23It was the case.
36:24It was like,
36:25it will be gone.
36:26I will be left.
36:27It was like,
36:28if there is a role,
36:29then it will be.
36:30We were told,
36:31that the other actor
36:32was eaten.
36:33That actor was eaten.
36:34That isn't the role,
36:35the role.
36:36Actually,
36:37we were sitting there.
36:38It's not the case.
36:39It is not the case.
36:40It's not the case.
36:41It's a healthy competition.
36:43And today,
36:44Miss World came up the agenda.
36:45Yes,
36:46I was looking out a bit.
36:48You wanted to meet him?
36:50Yes,
36:51who would not get him?
36:52She said that she is a mother's girl and she has a lot of love with her mother.
37:01I have heard you too, always until the end.
37:04She was a big star.
37:07Is this true?
37:10Yes, it is true.
37:13Mother gives a lot of things.
37:17But the father does not get much more from her mother.
37:22She does not get the strength of her.
37:25The whole planning is sitting.
37:27I am going to take her son from here.
37:30Mother lives in her mother.
37:33Mother becomes friends.
37:36Mother becomes friends.
37:38When I was a child, I would like to help my mother.
37:43I would like to help my mother.
37:46She feels like she is a child.
37:48So, I was working with my mother.
37:49I was working with her child for a day.
37:50I was working with her child too.
37:52I may get better at that time.
37:54That day, I got something to eat.
37:56My mother used to eat.
37:58My mother used to eat.
38:00My mother said,
38:01Mother,
38:02I am not tired of the house.
38:05I do not be better at that night.
38:07If you drink good food,
38:09take it a little.
38:11So I said to myself that you have been drinking today.
38:18So I said to myself that I didn't drink, I didn't drink.
38:23I said to myself that my children are drinking today.
38:27So my mother said to myself, drink a little bit.
38:32She said to myself, don't drink.
38:35Don't drink.
38:37We always ask about your legacy.
38:49What do you want to leave your legacy?
38:54If I ask you, in the film industry,
38:58what do you want to leave your legacy?
39:02Some of my children are good people.
39:07There is love between humanity.
39:11There is nothing to do with humanity.
39:14Everything goes to humanity.
39:16Mother, daughter, sister, friends.
39:18Where and what you want to say.
39:21They are just being human.
39:24We have a challenge.
39:31We are here because of all, pressure.
39:33We have a challenge, indeed.
39:35There is nothing to pitch.
39:42We see.
39:43We have a challenge.
39:45We have an sociales.
39:46There is nothing to serve each nei.
39:49no give a person to look at the human.
39:53Oh wow!
39:55I think that this is...
39:58If I am a human, I will not be able to get a person.
40:01I am saying that this is the VVIP culture,
40:04which you have not become a good person.
40:07You have made a big mistake.
40:11I have made a mistake.
40:13I have made a mistake.
40:15You have made a mistake.
40:17I have made a mistake.
40:19I have made a mistake.
40:21I have studied that this is a game of scoundrels.
40:25They were scoundrels?
40:27No.
40:29I have studied in class.
40:31So, I have said,
40:35I am here.
40:37If I am not a good person, then what will happen?
40:39Then I thought,
40:41what will I do here?
40:45I will die.
40:47I will die.
40:49But I have worked for my constitution,
40:53who have not been working for 50 years.
40:55No one of my journalists,
40:57no one of my channel,
40:58will run for me.
40:59I will tell him,
41:01that this is what Dharbinder has done.
41:03I will be very happy.
41:05I have been given the support of a mother of the government.
41:07I am so happy.
41:09I did not get into it.
41:11I did not get into it.
41:13I did not get into it.
41:15But I did it.
41:17And that was a seat congressman.
41:19They had been broken.
41:21They had been broken.
41:23And the seat was taken.
41:25So,
41:26that was like that.
41:27But I have been broken.
41:28There was a seat seat.
41:29People wanted to give it.
41:30I have all wanted to.
41:32The rest of the people who don't want to go,
41:33I have all wanted to go.
41:35I have all wanted to go.
41:36Because I am a farmer,
41:38I am a farmer,
41:39I have fun.
41:40I have a farm.
41:41I have a farm.
41:42A farm.
41:44I have a farm.
41:45Now I have a farm.
41:47I have a farm.
41:48I will tell you something.
41:49I am a farmer.
41:50I am a farmer.
41:51I'm a farmer.
41:52I will die.
41:53I am a farmer.
41:55I will die.
41:57I am a farmer.
41:59I am a farmer.
42:00I will die.
42:02I will die.
42:03I will die.
42:04I will fall apart.
42:06I will b├╝y an area from the trees.
42:08I will not make a fence.
42:11As I am in a farm.
42:14The tree isubtied.
42:16When the trees are going to be gone,
42:19when the trees are going to be gone,
42:23the children of my youth will come,
42:26and the flowers will come.
42:29Then, in the dark of the woods,
42:32I will run, dance, sing,
42:35and sing, and sing,
42:37when the trees will come,
42:40I will sing,
42:43I will give you a breath.
42:48I am a son of a son of a son.
42:50I will die too.
42:53You are a son of a son of a son.
42:55It's warm and warm.
42:55That's why I tell you.
42:56My friend Ashok Singal,
42:58your former friend,
43:00he has a question you must ask.
43:02Singal, you must ask.
43:03I know Ashok, which question you must ask.
43:06No, this is not Ashok Singal.
43:10And Mohit Ji also asks you.
43:11These are two big heroes.
43:13You are a big hero.
43:19Yes, Ashok Ji.
43:21Singal, singal.
43:25I don't hear you.
43:30Dharam Ji,
43:31you are 82 years old.
43:33Today, you are saying he-man in the industry.
43:36You think today,
43:37he-man is someone who is watching.
43:39Salman Khan, Nakhshay Kumar.
43:40Who is watching you?
43:41I am a human.
43:42Second,
43:43you are the heroines of today.
43:45Who wants to do it with them?
43:47If you are Salman Khan,
43:49Akshay Kumar,
43:50or you are the one who wants to do it with your heroines?
43:52Who wants to do it with your favorite heroines?
43:53Who wants to do it with your favorite heroines?
43:53Do you think he's the heroines?
44:11Now, don't open my mind, please ask yourself from your heart.
44:17Is there any actress you have?
44:19I am very passionate about it. I want to do anything.
44:25If anyone gets to meet, if anyone gets to meet, then what is it?
44:30Now, I know, why are you passionate about every actress you have?
44:34No.
44:35Do you think you heard these dialogues?
44:37No, no, I didn't hear anything.
44:40Yes.
44:41In my house, it's my pleasure.
44:46In my house, it's a shame.
44:49It's a shame.
44:53It's a shame.
44:55I think these things are very lethal weapons in life.
45:01Oh, wow.
45:03In my house, these are natural.
45:05I don't want to make them.
45:07So that is the secret.
45:10So that is the secret.
45:12If you want to do something, then you'll have to sit down.
45:14Then you'll have to do something.
45:15What do you mean?
45:16That is, you were naturally flirted.
45:18What do you mean?
45:19If you flirted with this, then you'll have to be the responsibility of his.
45:27Thank you so much.
45:29Thank you so much.
45:32Thank you so much.
45:33December 8th.
45:34Yeah.
45:358th.
45:368th.
45:378th.
45:388th.
45:394th.
45:408th.
45:416th.
45:428th.
45:438th.
45:448th.
45:458th.
45:47No.
45:48No.
45:49No.
45:5038th.
45:51May God be.
45:529th.
45:53Next year, art tarikh is 29 years old.
45:57Darmendra Ji, my question is not finished.
45:59Yes.
46:00So I would ask this, a few years ago,
46:02you said that you had a Film Fair Award ceremony
46:04that you had a family,
46:08you had a family, a family, a family.
46:10And people didn't recognize you,
46:14you didn't give an award.
46:15You think that we are going to get
46:17to the talented actors to recognize them,
46:20to the very good actors to recognize them.
46:22You forget to forget about it.
46:24Today, what do you say about it?
46:26I was so happy that I came to the ceiling of the ceiling.
46:32I didn't even think about the award.
46:36My dream was that people would see me and love me.
46:41I was going to take it.
46:43The award, I always say,
46:46it wasn't good for me.
46:49It was very good for me.
46:51I was going to take it.
46:52Because I was seeing all the trophies
46:53and they stood up and pose.
46:55And then I got so many trophies in my house,
46:58I was going to give a self-help a lot of advice.
47:02I got to do my job.
47:03Sir, sir, you got the biggest award
47:07for the people's love.
47:09You have been a father in the film industry.
47:14You have done a lot of films from Bimal Royce.
47:16You have done a lot of films from Yamla Pagla Diwana.
47:19And the people have given a lot of love you.
47:23You have given a lot of few actors to you.
47:25People love you.
47:26You have come here today.
47:29You have put your life journey on our agenda today.
47:33Dharmji, one last dialogue.
47:36Raja, your every question was love.
47:40I can give you a sense of your question.
47:44What do you think about your question?
47:46What do you think about your love?
47:48You have to meet many people from the film.
47:53I can give you a sense of what you get.
47:56What do you think about your question?
47:57What do you think about your reaction?
47:59What do you think about your reaction?
48:01No one needs a big award.
48:03No one needs a big award.
48:03But in this way, I am grateful for you.
48:09I will not be angry with you.
48:11I will not be angry with you.
48:13This is a pain.
48:14If you fall, you fall, you fall.
48:16But love and love is such a love that you have to be in your hearts.
48:21Please give a very big hand for the one and only Garam Dharam Dharmendra.
48:42Thank you. Love you all, love you all, love you all.
48:51We all have held the intention to today.
48:56We all choose that with this mind, the dialogue of Mausy'sцЩ║,
48:59you will be able to do dialogue with you.
49:03I tried. Look, that's the case. I will not have tried it.
49:06Anjana said that you are prepared.
49:09Oh dear dear dear dear dear dear dear dear dear dear dear dear dear dear
49:16A big round of applause, standing ovation, Dharmedra Ji ke liye.
49:34A big round of applause, standing ovation, for Dharmedra Ji ke liye.
49:38A beautiful day for me for today. This will be my life.
49:44I am born here. If I get this, I will get stuck.
49:48Love you. Love you.
49:50This is your, your will remain. Thank you very much, Dharmedra Ji.
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