As it’s never enough to know a legend who won millions of hearts, one such truly awesome soul was the iconic Dharmendra ji. Leaving a huge void in Indian cinema with his sad passing, we bring you this rare audio conversation - filled with timeless stories straight from the icon himself. In an exclusive chat with senior most journalist Bharathi S Pradhan, the beloved People’s Man opens his heart recalling his days when he came to Mumbai as a Punjabi Boy full of dreams to become an actor; while talking about his comeback in 2007 after a brief period of break in this conversation. Speaking honestly about his drinking habit, sharing heartfelt thoughts on the three KHANs of Bollywood, opening up about his sons Sunny and Bobby, his family and above all, his deep love for wife Hema Malini! Experience Dharmendra ji’s warmth, wisdom and honesty in this unforgettable and heart touching interview, only on Lehren Retro.
#dharmendra #dharmendradeol #ripdharmendra #dharmendrarip #dilipkumar #hemamalini #sunnydeol #bobbydeol #dharamji #exclusive #audiointerview #interview #podcast #lehren #lehrenretro
#dharmendra #dharmendradeol #ripdharmendra #dharmendrarip #dilipkumar #hemamalini #sunnydeol #bobbydeol #dharamji #exclusive #audiointerview #interview #podcast #lehren #lehrenretro
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PeopleTranscript
00:00Have you taught your sons the same thing?
00:02True?
00:03Your sons also.
00:04Sunny and Bobby.
00:05Have you taught them the same thing?
00:07Nobody teach you.
00:09It comes directly into your genes.
00:11Bobby does it.
00:13Sunny is very introvert.
00:15Sunny is so painfully introvert.
00:17I tell him something.
00:19He is very emotional.
00:21But he will not say why this moisture is in your eyes.
00:27Even Jayar Ji didn't have coffee with Karan, right?
00:31Have you seen it?
00:32No.
00:33So, she said, who is the…
00:37I wanted to play Basanti because Dharmajandar was there.
00:41That Greek god and this and that.
00:44Then they asked, who is the sexy man?
00:46Then she made a noise.
00:48Sexy men, sexy?
00:49And it doesn't sound very idiotic to me.
00:52To me, girls, ladies are sexy.
00:54Men, sexy.
00:55Holy yes.
00:56Dhamindra N70 was a sexy man.
00:58When I have left drinking, I feel I can enjoy more than what I used to do.
01:05To Ise, it felt like if we drank from our own drink, we left it.
01:09We left it from our own.
01:11We left it from our own.
01:12And when we left it, I know that when we are alone in ourselves,
01:17We left it from our own.
01:18So, I feel that it's the biggest strength which I was covering with the artificial things and all that.
01:25Getting here and really sitting with Dalit Mohan.
01:28We left it from our own.
01:29So, I was talking about food, this, this, this, this, this.
01:34So, I was talking about 60.
01:36So, it was cold in Bali Hill.
01:38So, he gave me one small stutter.
01:40So, he said, now I will have a panel.
01:43So, I don't have a panel.
01:44So, I don't have a panel.
01:45So, I don't have a panel.
01:46So, I don't have a panel.
01:47I don't have a panel.
01:48I don't have a panel.
01:49I don't have a panel.
01:50I want to keep it.
01:53Your relationship with Nehma has lasted for a very long time.
01:57Nehma will never born again on the earth.
02:13Come back to films with a big bun.
02:18Last year, we had three films.
02:20Three really nice films.
02:22Johnny Gardar.
02:23You had Akne, Akne and Matri.
02:26It was wonderful seeing you.
02:28Three different variety of films.
02:30I am happy that you two is telling.
02:33You are very happy.
02:34I am very happy.
02:35You are very happy.
02:36You are very happy.
02:37You are very happy.
02:38You are very happy.
02:39You are very happy.
02:40You are very happy.
02:41You are very happy.
02:42I was dying to be because that fire which was was in me in the beginning before getting into film, you know.
02:52And film is my breath used to pray to be in films.
02:57I was so dying.
02:59So, imagine that person when I was away for five, seven years.
03:04It was very painful for me.
03:06I don't know why it's always, you know, it's the destiny I think.
03:09Ultimately, we have to say it's a destiny.
03:11But I am very happy people have the same kind of love, affection for me and that is the most important thing.
03:19I think it's a human nature to be loved, to be liked, to be admired.
03:23It's even you and Bharti, everybody.
03:26So, there is no place like film industry.
03:31Here you can do anything that you can command love, affection and everything.
03:37So, because people have given me same respect, same love, same affection.
03:45So, it's good when I hear from anybody.
03:48It feeds my soul and my mind and of course that body also get better.
03:57I am so happy that people have taken me with.
04:02And matters were good.
04:04Apne, family, it was again on sports.
04:10Yeah.
04:11But you brought films.
04:14So, now I will be doing films.
04:16Yeah.
04:17Yeah.
04:18Was it difficult coming back?
04:19It's not a big name.
04:20It's not a point.
04:21It's not a point.
04:22It's not a point.
04:23It's not a point actually.
04:24No, it was.
04:25It was just that.
04:26You see, suddenly there is a big change in industry.
04:28Different kind of film started.
04:30Yeah.
04:31But at least youngsters, they came and they banged and it is always like that.
04:38I think after every two, three decades, new crop does come.
04:45It's about to come.
04:48So, there were no scripts for me at this age, whatever I am.
04:54To me, I never feel I am growing very old, old.
04:58Like you never do.
04:59Young at heart.
05:03So, one should remain young at heart always.
05:07So, we are working on a good script.
05:10Vijayita Films has started making films.
05:15So, we are in search of some such scripts where I can do them.
05:21Okay.
05:22And we are getting few scripts.
05:25I am sure, again, I will be able to carry on this responsibility to, what I said, it's a human nature to be loved, to be loved, to be liked, to be admired.
05:39So, I will be able to fulfil that responsibility to get that and to achieve well.
05:45Did you find it a little difficult physically to match up to what you were at one time?
05:53At one time?
05:54Well, you see.
05:55After that, I am finished.
05:56I lost two months back.
05:57I was riding at my farmhouse.
05:59Oh?
06:00Yeah.
06:01It doesn't mean, but age does affect you.
06:05It's bound to.
06:06Yeah.
06:07It's not that I am that agile or running around and all that.
06:11But if the spirit is there, you overcome it.
06:15Right.
06:16And I know what I can do now and what I should do and what I should not do.
06:20Hmm.
06:21Hmm.
06:22Jo risk aap pehle lete te te?
06:23Haan.
06:24Wo shayad aap nahi karpa hai ga ap karinjabhi.
06:25Haan.
06:26Aha.
06:27Ya.
06:28I mean, pehle do thara thara foot se jam kar jatata da kahi jake people.
06:31Exactly.
06:32But that heart, that bhai ke bhai ka heart is tindopi e.
06:35Anit.
06:36Haan.
06:38Haan, wo to rahayayayabi.
06:40That is, I think, is, the credit goes to my parents.
06:44Maa wapke ihsan humaik.
06:46What is in my genes.
06:49I am proud of that.
06:51The culture to give respect to others too.
06:55You see, one thing I am very blessed because I don't want to see anybody get hurt from me anytime, anywhere.
07:03So, I feel like giving respect, love and to everyone.
07:08I never see who is big, who is small.
07:11There is no such thing in my mind to me a human being is a human being.
07:14Okay.
07:15O, jyobi tar rahe hai, o, beikhejada buli hai yaa baha bada he hai.
07:19Sometime I may go close to buli more because I know his feelings very well.
07:26I may not go close to a beginner seolest.
07:29Yeah.
07:30Because I don't know what he is inside.
07:34Yeah.
07:35I admit it, there are differences, differences over thing you know.
07:38That's it.
07:38You feel thinking and everything, it changes.
07:40Yeah.
07:41So...
07:42Haram Jai, apart from genes of, you know, what else do you do, because you,
07:48that's what, but you and the good health go together.
07:52Yeah, that, you know, probably.
07:54What else would you reckon, what else do you do, and what do you reckon you have to do?
07:59Till 90, 94, I continued doing even, till 90 I did do two shifts, what's the world.
08:12And I, I am extremist in many things, my love, affection, this, that, my booze come in it, drinks.
08:22I used to drink heavily, but gradually I have realized it, it doesn't go with me.
08:28If you want to look same, if you want to keep your strength, your thinking, your, because it does effect, it's the worst thing.
08:36Today, sometime I feel if, I wish, I have not touched it.
08:39Okay.
08:40Imagine if I have not touched it, I would have been a different Dramindas.
08:43I would have concentrated much more in a much better way, which I couldn't, I was just flying.
08:50But, of course, without harming anybody, I enjoyed my life.
08:54And, but, there, now, when I have left drinking, I feel, I can enjoy more than what I used to do.
09:03So, I felt like drinking, when I have drank and I have into my own home, leaving me alone, leaving me alone, leaving me alone.
09:11But, I know I am losing my own.
09:13And, when I left, I know, and when I am alone, when I have come in my own, I feel, that the biggest strength, which I was covering with artificial things and all that.
09:278 year old.
09:288 year old.
09:29How did you touch me?
09:30No.
09:31I don't touch.
09:32Oh, I meant to me that you gave up a lot of coffee.
09:36No, that was before the doctor, before the doctor was left.
09:39Six months, one month.
09:40He had the papers, the dhrimendra stove again on the booze wagon again on drinking, tea and
09:47this and that.
09:48That went on.
09:50But now, Tadda was there in Assam and where we...
09:53No, you don't, no, I don't.
09:56When I left, when I was going to LA, I said to Bhimandar, you will not touch it in that plane
10:03and you are not going to drink from all day to... this is a test to LA.
10:08In that plane I said, no, will help.
10:11I want to become an actor. Why can't you be without drinks?
10:19And God helped those who help himself.
10:22It's my destiny, I am an actor.
10:27But the effort in my breath, he said, you will be an actor.
10:36So I was honest in my approach.
10:40Even the first car I bought, I was...
10:44After reaching out, I understood the film industry, how this carrier...
10:48In Punjab, I thought, it is easy, I will go and my people will select me.
10:53And I will definitely be this, this, this, this.
10:55But when you get into it, you realize, what kind of...
10:59I never knew, that they won't be meeting each other.
11:03When I went from Punjab, I went from Punjab.
11:06I thought, we must be Dilip Maharaj Kapoor.
11:08They must be playing badminton. They must be sitting talking.
11:11Nuthan must be coming, Waheeda and all that.
11:14There must be great rapport and...
11:17The affection they gave all the screen.
11:19I was thinking, people of affection, love, emotion and...
11:23They were, must be living so beautifully together.
11:26Yeah.
11:27So I thought, I will go and...
11:29I will go and meet Nuthan and have my food there and this, like that.
11:33So many...I was dreaming a...
11:35Yes.
11:36Boy from village...
11:37Mm.
11:38Abhi to ho, khat, zamanah badal gaya, channels ke jadi-e, pata lag gaya, abu sab kya hai.
11:42Tab to ho, actor ke baare ho, kis pate nahi tha.
11:44They were such a...beautiful hidden identities.
11:48Oh, how they are.
11:50Mm.
11:51I thought, ahag to ho, some malho-e, kya karethein, kya ne kare.
11:54So, I used to feel that they will never get old.
11:58I don't know what kind of thinking it must be different than others.
12:01I thought that Dilip Mahar, Devana Rajgur will ever remain like this only.
12:05Surayya Madhubala will be always this.
12:08But no, reaching age double. But I was so...
12:11You can say innocent are my feelings about them.
12:14I was thinking of them as different human beings.
12:16No, we didn't think of them as human beings actually.
12:18Human beings, some...
12:20What is this?
12:22I was thinking of it as a journey.
12:25How to get into it?
12:27Oh my God, they are so beautiful with each other when they meet in the party.
12:32Oh, I said, love lost all.
12:35Lost brothers are meeting.
12:37But then some corner, some whispering I used to hear.
12:40Talking against something.
12:42Rajinder Kumar said to Rajinder Kumar.
12:46Oh my God, what is this?
12:49I never knew.
12:50And it's totally different picture over here where I used to dream about it.
12:55I go with the same, I am the same Dharma Inder.
12:59If I go, but now I get scared.
13:01Will I get it back or not?
13:03Will you talk to somebody?
13:05If I don't get my emotion, at least a quarter of it,
13:10I'll be...
13:12I think that my self-respect should be reached.
13:15Hmm.
13:16Reaching here, I am telling you.
13:18I came and Bandhani...
13:20I was shooting.
13:21Dilip Sahib, why?
13:23And he was having food with Mimulda and all that.
13:25I was down there.
13:26I wanted dying to hug him.
13:28But then I thought that I didn't get anything.
13:31If he...
13:32Just so much.
13:33I kept quiet and never came up.
13:36He saw me, the boy has come and gone.
13:39Then I was in that room.
13:41Then, a few days later, I went to LP and they called me some photographs.
13:45Filmfare to their office only.
13:47Hmm.
13:48So, they want to do some make-up.
13:49Why you want to give me make-up?
13:50No, no.
13:51Transparency.
13:52And one girl did it little bit here.
13:56She was Farida, Dilip Sahib's sister.
13:59And Raul Alpira told me,
14:01You know who that girl is?
14:02You know who?
14:03Dilip Sahib's sister.
14:04I said, Farida, please, I want to see your brother.
14:08I'm his greatest fan and this and that.
14:10And he said,
14:12Oh, she appreciated them.
14:13They were all talking good about me.
14:15Okay, this face is this and
14:17One of the things that I have heard,
14:20which I never take to my head.
14:22So, he'll make this.
14:24He's going to rise and this.
14:26So, I knew that.
14:27So, I didn't get to know that.
14:29Then we sat for
14:31till 1.30 midnight.
14:33In the beginning, a newcomer
14:35talking to a king of...
14:37Aryana Sir, you were talking about
14:40how you spent a long time talking to Dilip Kumar.
14:42Yeah, yeah.
14:43No?
14:44So, you met him and your husband?
14:46No.
14:47He...
14:48What I felt about him,
14:50exactly he had...
14:52I think he was quite an emotional person.
14:54He was talking about his past
14:57and how he went to Puna
14:59and how he...
15:01He went to the house and he went to the house
15:03and he...
15:04He was...
15:05He was talking about his...
15:06He was talking about his...
15:07He knows me since long and...
15:08To me, I was...
15:09getting...
15:10Yeah, I'm really sitting with Dilip Kumar.
15:11Mm-hmm.
15:12Mm-hmm.
15:13Mm-hmm.
15:14So, he was talking about his...
15:15He was talking about his...
15:16He knows me since long and...
15:17To me, I was...
15:18Getting...
15:19Yeah, I'm really sitting with Dilip Kumar.
15:20Mm-hmm.
15:21Mm-hmm.
15:21So, I, I was...
15:22To me, I was...
15:23Getting...
15:24He...
15:25Then, I was...
15:26Being...
15:27How much money came from?
15:28Yeah, I was...
15:29And they came from...
15:30So, he used to help.
15:31I'm talking about sixty.
15:32Mm-hmm.
15:33So, it turned out,
15:34It was cold.
15:35I was...
15:36Tundak.
15:37So, he gave me one small sweater.
15:38Yeah, yeah.
15:39So, he gave me one small sweater.
15:40He gave me one small sweater.
15:41He gave me one small sweater.
15:42And, I was able to...
15:43So, my teeth had cried...
15:44And, I said...
15:45I said...
15:46I said...
15:47I said...
15:48You said...
15:49I want to keep it.
15:52And then I was shooting with him for Saira.
15:56She was making some serial.
16:00So she wanted me to do one and he was directing.
16:03I said, I have a sweater.
16:07I just kept it with me.
16:10Yes, I had two bags.
16:12First, I took one and you took one.
16:15I also remember that he has a very good sweater, a nice wool.
16:22So I said, he must have a bird too.
16:24So a gnashar took the other one and took the other one.
16:27And he said, he was talking to me.
16:28I thought, I remember Dhrinder.
16:30I remember Dhrinder.
16:32Yesterday, I was wearing a shirt, pink.
16:34So what did he say?
16:36He said, you are good.
16:39I said, I told Bobby.
16:41Bobby said, you are good.
16:43You are good.
16:46You are good.
16:47My clothes are brown.
16:49So I said to the office in the evening,
16:51said, Sonny said,
16:52So Bobby also killed Sonny.
16:54Sonny said.
16:56What did he say?
16:59He said, he has to put a robe on it.
17:00He puts the robe on it.
17:02And then he puts it.
17:04That's why he doesn't be allowed.
17:06So, you were wearing sangees which Bobby had clicked from him?
17:11Bobby, he clicked.
17:14And what happened?
17:15Yeah, it was almost the same structure.
17:20So, where did the sweater come from?
17:23But when you came, what you have described as of a person totally innocent, totally oblivious about the film industry.
17:31Yeah, yeah, yeah.
17:32He had not, didn't know anything but at least 40, 50 years.
17:36Hasn't it completely changed?
17:38I mean, Diol, Dhadminder has become a brand and Diol family has become a brand.
17:44You see.
17:45And that's thanks to one person.
17:47That is thanks to one person.
17:49You have cut it off.
17:50Yeah, naturally, it's, I give it to the God.
17:54You see, there is no one thing you never knew, which is the spirit.
17:58Your temperament, what is your, what you call it in English?
18:02Yeah.
18:04Basic human nature.
18:05Yeah.
18:06Which you are given, everybody is a different nature.
18:09So, what I want to say is that God has given such a thing and I am most blessed because it brings anybody close to me and I go close to everybody.
18:20Yeah.
18:20Yeah.
18:21So, even today I feel something, I really came to Bombay.
18:33I became an actor.
18:35Now, I'm going to forget, I'm going to say, no, no, I'm going to be an actor.
18:38Where am I going to be an actor?
18:39In one chapter, it's completely closed.
18:41It's completely wiped.
18:43From my memory, it's completely wiped.
18:45I feel like I'm still on the world.
18:49I'm roaming on those streets and still dreaming to be an actor.
18:52Then I have to become an actor.
18:54I feel like the same passion, the same fire is still there.
19:00But the moment you step out of your gate, you know, you are Dhanminder, not the boy.
19:05You definitely come to know.
19:07Yeah.
19:07But what is it for me?
19:09If someone's regretting me, I will raise my hand.
19:13If someone's regretting me, I will raise my hand.
19:16That is my nature.
19:18And you must be knowing me, you know me since ages.
19:20If someone's regretting me, I will go like this.
19:24You've also seen it.
19:25I will get up and get up and get up.
19:26If someone's gone, I will take my daughter's blood.
19:30That is my nature.
19:32I came out of my car, I hugged the forehead and gave.
19:35Why not?
19:36But you always feel like that.
19:37This is, one should be.
19:38Always one more.
19:40So that is my human nature.
19:41I cannot change.
19:42And that is my biggest plus point.
19:45Blessing, I tell you.
19:46I don't have a small, small or small.
19:49But today, I mean, now some stars talk about it.
19:52I was the only one who was a synagogue.
19:58I know they have a lot.
20:00I am very lucky that all these youngsters, they have same love, respect for me.
20:04I mean, Shah Rukh ho, Aamir ho, Salman ho, he is sometimes, he says, I am like Dharmendra ji,
20:11I am in my end of Govinda.
20:13Many people.
20:14So, this is very small.
20:15So, this is very small.
20:16So, I have been told that today's Lot BFI, they have that genuine, no drama was not.
20:22So, I told him that those who are in every age, we are in their hearts.
20:29So, Dilip Sahib said that we are in their hearts.
20:37So, he told me that Dilip Sahib said that when I saw it, why did I not make this?
20:47He said that film fair functioned to a pool and set up front out. So, this here compliment is the biggest thing.
20:54That's how when all they were sitting in Caesar Palace in English,
21:00so I said who is the handsome person?
21:04So, he said my husband is not here. I said Dhrminder is the handsome person.
21:10So, these commands when I get, it doesn't make me, I go like this.
21:17You know, Jayai Ji knows coffee with Karan. Have you seen it?
21:23No. I saw it.
21:25They talked about it, no?
21:26No, coffee with Karan.
21:28Hema did it together.
21:30So, she asked me, who is the...
21:35I wanted to play Basanti because Dhrminder was the Greek god and this and that.
21:42Then they asked who is the sexy man.
21:44Then she made a noise, sexy, men sexy?
21:47And it doesn't sound very idiotic to me.
21:50To me, girls, ladies are sexy, men sexy.
21:53Only yes, Dhrminder N70 was a sexy woman.
21:58So, such thing, it doesn't go to...
22:01I feel, I madei dil mein us ke lihi us se kahin zyada izzat pihar pad gaya, Jayai Ji ke lihi bi, Dilip sahab ke lihi bi.
22:08In the same way, Shah Rukh, in one long 10-15 minute speech, she said,
22:13he is the character, he is this, he is a nightmare to generalist also, this, this.
22:18Taafi kuch bol gaya, he is...
22:20So, all these boys, chahe ho koi bhi hai, this will be good about me.
22:25I think this is my real earning.
22:27Money comes, it goes, it will never...
22:30It stays everywhere.
22:31Every...
22:32Eek high tide, low tide, aati rehti hai.
22:34Toh, I...
22:35Toh, I...
22:36I...
22:37I...
22:38I...
22:39High tide mein bhi, I swim karta raha hon, low tide mein bhi.
22:40And abhi aage bhi chalta raha hon, aisa kuch nahi hai.
22:42Okay.
22:43Okay.
22:44So...
22:45Dharanshi toh aak le kaha ki aap...
22:47You get...
22:48You know, agar koi miskarata hai toh aap paath...
22:50Dharadette hai koi.
22:51Have you taught your sons the song toh?
22:53Toh?
22:54Yes, sons also.
22:55Sonny and Bobby.
22:56Have you taught them the same thing ki...
22:58One may.
22:59Nobody teach you.
23:01It comes directly into your genes.
23:03Okay.
23:04Bobby does it.
23:05Sonny is very introvert.
23:06Sonny is so intro...
23:08Painfully introvert.
23:09I usko bol toh, yaar kuch bol.
23:11He is very emotional.
23:12Usi baite baite aankho mein aansu aajayenge.
23:15It will be...
23:16But he will not say why this moisture in his eyes.
23:20He...
23:21This is human nature.
23:22Sonny has totally different.
23:24Bobby has different too.
23:25But in the genes, they look after the dvende.
23:28Pata laga hon koi bimaar taa.
23:30Usko paise de diye.
23:31Isko de diye.
23:32Ye kar diya.
23:33Dukhi ho jate hai.
23:34Us aav it came to us from my mother.
23:37He was a very great lady.
23:40My father was a teacher.
23:43And we are farmer.
23:44We have some small land.
23:45Toh my nana was in Jhansi.
23:48Post office.
23:49Unnhunne apne kutte ka naam Irvan rakha hua tha.
23:52An anti-wittish.
23:54An anti-wittish.
23:55An anti-wittish.
23:56An anti-wittish.
23:57My mother and my maasi used to go and...
23:59In those jalouse against wasnaap chow bhi agitation hote tha.
24:05Toh he was...
24:07Usko retaire.
24:08I koi jaldi retaire kard dia gaya tha.
24:10Then I was at my ninhaal.
24:12I was in six.
24:14Eighth mein jakei partition hoa hai.
24:15She gave me khadi.
24:16Kurta khadi.
24:17Pajama, taranga and I went in the jalouse.
24:20event in the Juru's. Shams ko je dadai hui Bahu Ji and Bhi Ji ke beech mein,
24:24nari naa kae chale jai ji, ye ho ga tumu, tu kya bhoat badi ye hai, aplaan hai.
24:28And I got very apshani ji ki, yaar kya ho ga ga ga na,
24:31I mean dadai kya ho ga hi? Because of this khadi and all that.
24:35So, it's not my father was right at his place.
24:39So what's your mother? What I am is today because of mother.
24:41And mothers give lot and lot to the children.
24:45I am happy that it is in everybody. Some may remain with respect.
25:00But they have learned that I could not do it for someone.
25:03I signed the picture in the picture.
25:06Which, after signing the picture, I would keep in touch with the picture.
25:11And I didn't get the price.
25:14You know we can't give it, not give it.
25:15You can't give it, you can't give it.
25:16You can't give it.
25:17And I thought you can't give it.
25:19I am happy.
25:20So, they have said, you know,
25:21you can't give it all.
25:22You can't give it all.
25:23My price won't give it.
25:24It's a fact.
25:25And I was, best, I mean,
25:27best, I mean,
25:28I can't take a step for 70,
25:30and, from the end of the year,
25:33I could have asked for any money.
25:36But I didn't have a long time.
25:39Even today, today's generation, they know how to hide their price.
25:47Bobby doesn't come, he doesn't come.
25:50Sunny doesn't come.
25:52People who are afraid of their pride,
25:54they give their children to our community.
25:56It has happened to me.
25:58It has happened to eat on the road,
25:59to sleep on the road,
26:00to eat food from the dogs.
26:01So, your mother-in-law didn't keep you in love.
26:04We didn't keep you in love.
26:08We brought Klevo, one spray,
26:10and your home has a fresh press fee.
26:12Our ask is 75 lakhs for 1.5% equity.
26:17Done.
26:18When is the biggest deal done here?
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26:24Shamsadech, and at 11 o'clock, ZTV and ZFiper.
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26:32Discover Orchid Tower by Lakshmi Housing,
26:35Premium Officers and Showrooms Police,
26:37just 2 minutes from Borevli Station.
26:40Call us today.
26:43Haram Ji, you've had a long association with Tito,
26:46isn't it?
26:47Yeah, it is.
26:48Because we started Rambalam.
26:52After Shole,
26:55Shole ke baad.
26:57Shole ke baad he mani nahi.
26:59Oh, from the Lord.
27:00Oh, Mr. Lai.
27:01Oh, Mr. Lai.
27:02No, and with Vijayanan, no?
27:03Yeah.
27:04But, he baad,
27:06I thought,
27:07I thought,
27:08that's a great deal.
27:09Nicely, you looked after.
27:11Big outdoor in Boa.
27:13And,
27:14the passion is,
27:15he wants to make good filming all that.
27:17So, now,
27:18when he wants to come back to making movies,
27:20are you happy to be part of his pension?
27:22Here,
27:23here,
27:24on any corner,
27:25any,
27:26everybody is coming back.
27:33So,
27:34comeback is a sentence,
27:35which is very much used in film industry.
27:37It's common.
27:38His comeback is going away.
27:41It's a farewell party.
27:43But,
27:44there is no permanent life.
27:45It's not going to be permanent.
27:47It's,
27:48it's,
27:49it's best,
27:50I don't call it a profession,
27:51I call it my beloved.
27:53Okay.
27:54I said,
27:55it's my beloved.
27:56Okay.
27:57My beloved.
27:58He said,
27:59he's going to be a professional.
28:00I want to make that.
28:01I want to make that one.
28:02Absolutely,
28:03completely.
28:04This is a fact.
28:05I mean,
28:06love it.
28:07I call it my beloved.
28:08But,
28:09people say,
28:10he's a very professional.
28:11To me,
28:12not me,
28:13but,
28:14those who are professional,
28:15they are very successful.
28:16I wish,
28:17I would have called it,
28:18but,
28:19I still am proud that I call it my beloved.
28:21I am not a professional.
28:22It's,
28:23my professional,
28:24I don't understand the profession.
28:25He's insulted to call it a profession.
28:26person. But you have been very successful. No, I am, I am too.
28:31Yes, you know, brand, Beos, Ilfs, Science too. No, I mean, thank you to the God. But it's a great thing.
28:42You know, as a cat, we give dreams to everybody. We live life and life, life and life, life and one life. We live so many lives.
28:49We come across so many people. And without, as you said, religion, caste, creed, nothing.
28:59We tell people, this is, I wish we should be honest to each other. The day we started very honest and very true to each other, it will definitely be a Jannat.
29:10Yes, that's true. Yes.
29:12What is the experience of virtue?
29:16The first time I was working with Jannat, I went back to my Bandhani days.
29:22Okay.
29:23Because his way, his style, stock, his short taking, I don't remember Vimadha. And it is in the picture also.
29:33Okay. It gives you that feeling?
29:35No, that feeling.
29:36Okay. No, no, no. Harpal is just going on. Yeah. And did you, have you seen Jannat's work, earlier work?
29:44No, I have never heard. After working with him, I came to know he has many awards in national award and this and that.
29:50I have never met him. But when he came first time to narrate me the script and all that, it was very nice feeling.
29:59So, if I suggest that he comes to me and he also listens very nicely. So, it is mutual always. If we, because of my, I am in films for so many years. So, a few experiences, a few experiences.
30:17So, when I am in films for so many years, when I am in films for so many years, when I am in films for so many years.
30:23No, it doesn't matter.
30:25Always, heart can rule.
30:27That's true. That's true.
30:29That's true.
30:30That's true.
30:31Because people, when they are in films for so many years, they can fall into the mind.
30:37No.
30:38No.
30:39Once you have gone into the heart, you can fall into the heart.
30:44But it's a very nice feeling with Dadu. That's why I keep telling him that there is a new script.
30:49Yeah. Already on to it.
30:51But I don't, I always tell him, where, where, whom I like something, where. So, a feeling comes from the script.
30:57How did you like working in Calcutta?
31:00Oh, it was nice. You see, I go back to my, those days when I used to go and shoot for Mamta.
31:06Okay.
31:07Then I shot for Gurudar's film, Bahar and Filmyangi. It, I liked Calcutta very much. I don't know. Now, it, every city is changing.
31:17The smell of Calcutta is missing, it was missing this time.
31:21Okay.
31:22Because of, so, what was it? There was a grand hotel, behind the street, where was it?
31:30Chodangi.
31:31Chodangi.
31:32Yeah, Chodangi.
31:33Princess, Princess Street, right?
31:34So, that's where I went. I would go to the bar every night.
31:38So, that's where I went.
31:40Park Street.
31:41Park Street.
31:42Park Street.
31:43There was a Chinese restaurant that went there.
31:45Then I went to shoot for Abhidar's picture, Pranati Ghosh.
31:49Okay.
31:50Pari.
31:51Then I went to, that, Itcham Hoti Nadi, we shot there.
31:56Which on the border of Bangla Desh and all that.
32:00To Chagul thi Chagul.
32:02To Bhaagta, the Bangla Dialog Yad Kerleta.
32:05To Chagul aani rahi thi, Bachcha, Bakri ka Bachcha.
32:09So, this has been Brandy, my bag.
32:10I said, why don't I put it in a bag.
32:12It was a brandy bag.
32:13It was a product that I put it in the bag.
32:14He had to pick it in the bag.
32:15It was a product.
32:16It was a product.
32:17He had to do all these candles.
32:20Wow.
32:21Isn't it funny that in Harto, you have a, you start off by being almost an alcoholic and you are somebody who has now given up alcohol completely?
32:31of somebody who has now given up alcohol completely.
32:34Yeah, yeah.
32:34You know? So, you really had to act this time.
32:37I think if an alcoholic, when he leaves it, he knows the difference.
32:42I told him that P.K. Daru, P.K. was far away from him,
32:46left him and left him and left him.
32:50So, he is far away from him, he is in his own world.
32:53Ah, ah, ah.
32:54So, when I wake up, I don't know where I am.
32:58Then, he is a little girl.
33:00Yes, sir, Prabhu.
33:01And it was nice working with Tandralek Trippi, who is actually Sunny and Bobby's coaster.
33:07If I am Sunny and Bobby, I would have been in love with many youngs.
33:13There must be a great masala for you.
33:16The press gets a lot of masala.
33:18They are not like me.
33:22Very well.
33:23Now, there are headlines of your press.
33:25I would have given enough masala to the press.
33:35Masala to all of us, yes.
33:37That's right.
33:38Your sons, that meant you are not a catch-off.
33:40No, no, they are not.
33:41They are not.
33:42They are very, they are very, they are very, they respect and no except for that.
33:47But you have permanently been with Hema Ji now, for a very long time.
34:00It has lasted a long time.
34:02So, that was not like Dutkam.
34:04The other not like Dutkam.
34:05I mean, that has been very, your relationship with Hema Ji has lasted for a very long time.
34:10It, Hema will never born again on the earth.
34:13Another Hema.
34:14Another Hema.
34:15Another Hema.
34:18She is such a great person.
34:20She is the greatest.
34:23And you were fortunate she came into your life?
34:25Now, what is this?
34:27This is enough.
34:28It's a volume.
34:29It's a volume.
34:30That's very true.
34:31It's a volume.
34:33You can, where is it?
34:34How much is it?
34:34How much is it?
34:35How much is it?
34:36How much is it?
34:36Oh, she is great.
34:40Are you looking forward to Harkpal and many more such pearls?
34:44I am dying to be.
34:46I was joking when I get.
34:49You see, that's why I am in love with this profession.
34:55So, I have never given up the price.
34:56I have never given up the price.
34:59So, you can imagine how much I love to be in films than in money, than money.
35:04If I am in love with this profession,
35:06then this message will come quickly, quickly.
35:09I will run for money.
35:11I have first Fiat Khridi,
35:1420,000, 60,000.
35:16So, I was wondering if I am not going to film, then what will happen?
35:19But I will never go back.
35:21So, my brother, Ajit,
35:23He said,
35:24He is the standard.
35:26He is open.
35:28I will run the taxi and again fight the struggle for my career.
35:40This is my thinking.
35:42This is my thinking.
35:43Willpower.
35:44Willpower plus farsighted.
35:45Farsighted.
35:46Farsighted is that, I don't know from here.
35:48At any cost, I will not leave Bombay.
35:50Love and Simla, I have called me.
35:52Because as you run on the Marron Drive,
35:54I was staying in a five-star hotel at the cost of film fair.
35:58Half and half and half,
36:00one was a percentage.
36:02He was the director who was married.
36:05He was the director who was married.
36:09Then he made.
36:10Half and half and half.
36:12He used to look at me,
36:13I mean, he said to Mukherjee,
36:15I want Dharmendra for this love and Simla.
36:19I don't know, I was shy.
36:20I couldn't stand up to this, that,
36:23what they wanted in screen test.
36:26And I was rejected.
36:28My film had started,
36:29but then I was sitting outside in Toronto's temple and
36:32film all the way.
36:34Bahar.
36:34I was sitting there.
36:36So, in Ghusri Mukherjee,
36:39Mr. Dharmendra, don't be disheartened.
36:46Don't go back.
36:47You are born for Bombay to be an addict.
36:50Right?
36:51If you are rejected even.
36:53So,
36:54So, there was nothing.
36:57There was nothing.
36:59There was nothing.
37:09a
37:13new
37:14Oh,
37:15I
37:16want to go back
37:18and see you soon.
37:18And
37:18during
37:19on the
37:20story.
37:20I
37:22care for some freedom and
37:22everything.
37:23You
37:24For me that
37:24I
37:29You
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