- 2 months ago
Drake's assigned to stop an assassination attempt, and hopefully discourage the perpetrators from any further attempts.
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TVTranscript
00:00Take me out.
00:30Every government has its secret service branch.
00:38America at CIA, France, Desi M Bureau, England, MI5.
00:43A messy job, well, that's when they usually call on me or someone like me.
00:48Oh, yes, my name is Drake.
00:51John Drake.
00:52You've the perfect fit of a need to sit on a night like this.
01:08Can't I have a kiss?
01:11Though I have searched both high and low, I've never found one so exciting.
01:18So won't you turn the light down low?
01:22I'll find you so, you're so inviting.
01:26You're the one for me.
01:30You're the one I see in my dreams at night.
01:38You're the one for me.
01:40Take a look at this, please.
01:54An American.
01:55Did he come in here?
01:56Please, let me see my glasses.
01:58You're the one for me.
02:17You're the one for me.
02:18You're the one I see in my dreams at night.
02:24You're the one for me.
02:30Who are you?
02:31What do you want?
02:32Don't get excited.
02:33Just shut up.
02:35You won't get hurt.
02:37Can't you read?
02:38The sign on the door says knock.
02:41A thousand pardon, signorita.
02:42We are looking for a man.
02:43There is no man here.
02:44Just a girl and two gorillas.
02:48This man.
02:49Have you seen him?
02:50No, but he sure is a handsome guy.
02:51Yes, I did see him.
02:52Oh, Pete.
02:53Hey, tell your ape to take his sweaty hands off my dress.
02:54All right.
02:55So, uh, you did see him, huh?
02:56Was he in the club tonight?
02:57No, not in the club.
02:58No, not in the club.
02:59No, not in the club.
03:00No, not in the club.
03:01No, not in the club.
03:02No, not in the club.
03:03No, not in the club.
03:04Can't you read?
03:05Can't you read?
03:06The sign on the door says knock.
03:07A thousand pardon, signorita.
03:08We are looking for a man.
03:09There is no man here.
03:10Just a girl and two gorillas.
03:11This man.
03:12Have you seen him?
03:13No, but he sure is a handsome guy.
03:15Yes, I did see him.
03:16Oh, Pete.
03:17Hey, tell your ape to take his sweaty hands off my dress.
03:19All right.
03:20Is he in the club tonight?
03:22No, not in the club.
03:24But I did see him somewhere.
03:26I know.
03:28It was on the plaza this morning.
03:30He was sitting outside a cafe.
03:31I think it was him.
03:32If you see him again, baby, let me know, huh?
03:35Quickly.
03:36Sure.
03:39Who is he?
03:40Why do you want him?
03:41He's an assassin.
03:43A professional killer.
03:45What's he doing in San Pablo?
03:47On Iran?
03:48He's wanted me a dozen countries.
03:50You remember President Augustoni?
03:52He was blown up in his bed.
03:54That was his work.
04:04Thanks.
04:05Is it true what he said about you?
04:07No word.
04:08What are you going to do?
04:09Try and find some way out of this fly bone country.
04:17No, you can't go yet.
04:18Why not?
04:19I lied to save you.
04:20What am I supposed to do about it?
04:21That's my call.
04:22You wait here.
04:23I have friends.
04:24I will talk with them.
04:25They will get you on a ship.
04:26Why would they do that?
04:27You'll see.
04:28I'll be back soon.
04:29I'll be back soon.
05:00Well, Colonel.
05:01She fell for it, sir.
05:02And you are certain she is a member of the action group?
05:05No, but she had a history before she arrived in this country.
05:08She belonged to a revolutionary student group.
05:11She was involved in violent activities and got away just in time.
05:15Her compatriots here are well organized and living in exile hasn't made them any more fond of their president.
05:21They won't miss this chance of revenge.
05:24He is a great man.
05:25It would be a tragedy.
05:26Well, he must be persuaded to postpone his visit until we can...
05:30Don't think I haven't tried.
05:32President Velasco is not easily frightened.
05:35As you say, his enemies are well organized.
05:37But if Drake can infiltrate their organization, he may be able to.
05:40Here he is, sir.
05:41Well, Drake, is it going to work?
05:43I think it might.
05:44She says she's got friends who can get me on a ship.
05:46They won't do that for nothing.
05:47If they believe what we want them to believe, that you're a professional assassin.
05:50If they hired him to kill President Velasco on a state visit...
05:52We can be sure that that attempt won't come off.
05:54But what if the group try other attempts?
05:55I'll try to discourage any others.
05:57If I can't, I'll let you know.
05:58And I must get back before she misses me.
06:00Are you hungry?
06:01Yes, you're right.
06:02Of yourself.
06:03I must go back to the club now.
06:04Stay and eat.
06:05I will see you presently.
06:06Good evening, sir.
06:07Good evening, sir.
06:08Good evening, sir.
06:09I'm not sure.
06:10I'm not sure if you're right.
06:11I'm not sure if you're right.
06:12I'll help you, sir.
06:13I must go back to the club now.
06:14Stay and eat.
06:15I will see you presently.
06:16Good evening, sir.
06:17Good evening, sir.
06:22Good evening, senor.
06:29Mine's bigger than yours, senor.
06:38You're nervous, senor?
06:40No, not nervous, just quick.
06:43I have to be.
06:44Who are you?
06:45A friend.
06:46My name is Alexis.
06:48That will be enough for now.
06:49And you are senor Bill Bullinger.
06:51Am I?
06:52And you want to get out of the country.
06:53Yeah.
06:54You're gonna help me.
06:55I could.
06:56If I do something for you.
06:57Of course.
06:58What do you want me to do?
07:00Finish your supper.
07:01Then I have friends I want you to meet.
07:04What kind of friends?
07:06Enemies of President Valesco.
07:09Say no more.
07:10I know them.
07:11Idealists.
07:12Strong hearts.
07:13Weak heads.
07:14Fanatics.
07:15They got nothing.
07:16They have good reason to hate Valesco.
07:19Hate.
07:20What good is hate gonna do them?
07:21To kill, you have to be cool and detached.
07:24We are ready to pay you for your coolness and detachment, senor.
07:30I cost plenty.
07:32Besides, it takes more than one man to kill a president.
07:36Take a moment, senor.
07:52Condulation, they teach you to give a bit of information.
07:57A suitable sign from their friends.
08:04One moment, senor.
08:22And now, senor, allow me to introduce Eduardo and Luis.
08:34This is senor Bullinger.
08:36Bullinger? I was reading about you this evening in the paper, senor.
08:40Look, Eduardo, this assassin is known to have been concerned in at least five cold-blooded murders.
08:47He's believed to be personally responsible for the appalling bomb atrocity that terminated the life of the late President Argostone.
08:56They say you placed the bomb in his bedroom two days before the explosion occurred.
09:01I would be most interested to know what type of fuse you used, senor.
09:05This man will not work with us.
09:07And why not, Eduardo?
09:08Because he's a paid assassin.
09:10But he gets results.
09:12But we can't trust him.
09:14He's not one of us.
09:15He does not believe in our cause.
09:17If I believe in any cause, it pays me enough for my friends.
09:20You see?
09:21How can you expect loyalty from...
09:22Ah!
09:23Always the same speech.
09:25I will not...
09:26Shut up!
09:27You see what I mean?
09:28All ideals, no judgment.
09:29Now why should I rest my neck forever?
09:31Senor Bullinger, have no fear.
09:32We are well disciplined.
09:34They will do as they are told.
09:37Yes, and we are forgetting Pietro.
09:41Did you find him?
09:42He's in here.
09:43Ask him to come in.
09:48Pietro.
09:51Come in.
09:52Come in.
09:53Sit down.
09:54Eduardo.
09:55Put a chair for our friend.
10:00Oh, give the delay, Pietro.
10:01But we are all here now.
10:03And you know why we are here?
10:06And Morico?
10:07Oh, don't worry.
10:08He's dead now.
10:09Luis saw to that.
10:10But the privilege of killing him was yours.
10:13You agreed to that.
10:14I did everything I was told.
10:17But you did not kill him.
10:19I fired.
10:21It was the gun, Alexis.
10:23It was the gun, the one you gave me.
10:26The gun?
10:27Show me.
10:28And from six feet you missed with this.
10:35Try it for yourself, Alexis.
10:37It has a kick like a mule.
10:40To the left, two or three feet.
10:43To the left, you say.
10:45And two or three feet.
10:47If you are speaking the truth, Pietro, you have nothing to fear.
10:53Oh, no.
10:54No.
10:55It's a silencer.
10:56An old type.
10:57First on Hobbes.
10:58They shoot round corners.
11:00But a professional assassin.
11:01He's soft in the center.
11:02Don't you believe in discipline, senor?
11:04And he makes his living by killing.
11:06Because our friend kills for a living, must he also be a sadist?
11:10And evil sadists have their sensitive side.
11:14They say that Nero had a little dog.
11:16Yes, yes, yes, Luis, we know him.
11:18Now, take Pietro back to his cell.
11:22Please?
11:23Of course.
11:25Pietro.
11:27This way.
11:40He didn't know.
11:49He didn't even turn his head.
11:59Here.
12:00President Palesco will be staying here in the old palace.
12:03Never get in there.
12:04Be too closely guarded.
12:05There are three entrances.
12:06One here in the cahier.
12:07One in the avenida.
12:08Take a different route every time he goes in or comes out.
12:11On the first morning, he will visit government house.
12:13How do you know which way he's going to travel?
12:15The costumist goes right up the avenue of the science.
12:18Well, there's no question of security.
12:20No, there's only one route we can be certain he'll take during the whole of his visit.
12:24I'll show you.
12:25There's the pass.
12:26There's the road leading from the palace down here to the river across the bridge.
12:31The only bridge leading to the airport.
12:33He's got to come up that road when he arrives and go down it when he leaves.
12:37You've got a detailed map of the area.
12:40How much longer are you going to talk?
12:42Do you think you can kill him with paper?
12:44Now, see that.
12:46But it is beautiful, Eduardo.
12:47How can I miss?
12:48Just get me within a hundred meters of him.
12:50And he's a dead man.
12:52And I don't need any gringo expert to show me how to do it.
12:56What use is a rifle?
12:59Bullet penetrates an inch to the left, an inch to the right.
13:03And he lives.
13:04How can I miss?
13:05Oh, what about Barassa in September?
13:07General Montes in 59.
13:08Duquesne in Algiers.
13:09All these men were supposed to die by a bullet.
13:11But they're all alive.
13:12All of them.
13:13The men have tried to kill them.
13:14They're dead.
13:15I'm not afraid to die.
13:16Aren't you?
13:17I am.
13:18What is your plan?
13:20Well, we don't take any risk with a bullet.
13:23We blow him up.
13:25The road narrows just here, near the bridge.
13:29We get him there.
13:30It's impossible.
13:31There's no place where a bomb could be concealed.
13:33The street is too open.
13:34Underneath the street.
13:35Here, give me the map.
13:36I'll show you.
13:37Now, look.
13:38There you are.
13:39There's the river.
13:40There's the bridge.
13:41There's the road.
13:42Now, if we could get into the basement of one of the houses in this block here,
13:44we could tunnel underneath the road.
13:46Then we find a window that overlooks the road.
13:49Now, along comes the President's car.
13:51Down here.
13:52As soon as it gets over the tunnel.
13:56As good as dead now.
13:58Now, what kind of explosives can you get?
14:00I can make you any amount of nitroplicerine.
14:03But not by tomorrow.
14:05Why tomorrow?
14:06He arrives tomorrow.
14:07Not when he arrives.
14:08When he leaves.
14:09Why wait till then?
14:10Because security is at its lowest then.
14:12The police will just be congratulating themselves on how well everything's gone.
14:15Another two minutes.
14:16And that's the end of Valesco's visit.
14:17But in that two minutes.
14:18What an explosion we will have.
14:19Yes, and what if it fails you get clean away?
14:20It won't.
14:21It can't.
14:22So, what do you say?
14:23Luis?
14:24Yes.
14:25Eduardo?
14:26Yes.
14:27Yes.
14:28If he lives long enough to drive back to the airport?
14:34No.
14:35If our young friend here takes a pot shot at the President and misses.
14:39Army and police security will clamp down so heavily you'll never get another chance at him.
14:43No, there's only gonna be one attempt.
14:45That's gonna work.
14:46Senor Bollinger is right, Eduardo.
14:48What has he got to lose?
14:49Ten thousand dollars.
14:50I want an assurance from Eduardo that he isn't going to make any private attempt.
14:55We will make quite certain of that.
14:58From this moment on, we will all stay here together until Velasco is dead.
15:03In that way we can be sure of our security.
15:06Quite sure.
15:08Well, if we're going to use one of these houses we better find out all we can about the people that live in us.
15:15Let's go.
15:16Let's go.
15:37Papa Vincente.
15:38It's late, Senorita.
15:39I hear you buy pots.
15:40Pots?
15:41I buy porcelain, china, ceramics.
15:44Let me see your pot.
15:49Where did you get it?
15:50What does it matter?
15:51I want to sell it.
15:52Oh, it's a very ordinary pot.
15:54Not worth more than ten, perhaps five dollars.
15:57It's worth more than that?
16:00Look, I can't talk out here.
16:02Oh, a stolen pot.
16:04Come inside.
16:05And don't ask too much or I'll help.
16:08Get out of here or I'll call the police.
16:11If you do that, Papa, I'll break every piece in your collection before they get here.
16:16No, no.
16:17They're a thousand years old.
16:19Please.
16:20Please.
16:21Put them down.
16:23What do you want?
16:24To borrow your house.
16:26I'm on the run.
16:27I want to hide here.
16:28You've come to rob me.
16:29No, Papa.
16:30I just want to hide.
16:31You go upstairs.
16:32Keep out of the way.
16:33Don't give me any trouble.
16:34I won't give you any trouble.
16:35I'm not going upstairs.
16:36I'm not going to be robbed.
16:38Aren't you?
16:40No, no, please.
16:42I'll go.
16:43Good.
16:44Don't worry, Papa.
16:45No one's going to rob you.
16:46Take them up.
16:47Keep an eye on.
16:48I'll go.
17:18Stop.
17:19Hold it.
17:46Okay.
17:47All right.
17:48Hurry up.
18:10Try lower.
18:11Let me out of here.
18:16Let me out of here.
18:17There must be some way.
18:18Get out of my way!
18:22What is it?
18:23Struck a snag.
18:24A snag?
18:25There's a solid wall that blocks off the end of the tunnel.
18:27It would be the footing of some old foundation.
18:29What does it matter what it is?
18:30We can't be sure of getting through there by morning.
18:32It may be five or six feet thick.
18:34You should never have listened to his creative plan.
18:36It's the only plan we've got now.
18:37No, it's not.
18:38Now, perhaps you will listen to my plan.
18:42This house is perfectly sighted to get a shot at him.
18:45He will pass no more than ten meters from the window.
18:48A shot at a moving car is too big a risk.
18:52A shot at a moving car, senor, is better than an explosion which does not take place.
18:56All right, Eduardo.
18:57We will look upstairs.
18:58You see, I can get a shot at him as he comes towards us.
19:14A windshield will be bulletproof.
19:15Then I will shoot him as he passes.
19:17Moving fast, you'd have to be a good shot.
19:19I am.
19:20Sometimes I think the senor does not want us to succeed.
19:25Alexis!
19:26Alexis!
19:27Everything's all right.
19:28We can tunnel under the foundations.
19:30They only go down another meter.
19:32I see my excitable friend.
19:33Let's stick to one plan at a time, shall we?
19:35And let's make it the right one.
19:37You know what, Alexis?
19:50The end of that tunnel of ours is bang in the center.
19:53Right in the middle of this street.
19:55Not that it matters.
19:56Because when we blow the charge I have made, nothing up there will survive.
20:00That reminds me, you better get some bags of dirt up there in that window.
20:04It wouldn't do to blow ourselves up, would it, senor?
20:06What's your time?
20:07Nearly nine.
20:08Not so.
20:11As the National Guard lined the front of the old palace,
20:13President Velasco comes out into the courtyard to inspect his guard of honor.
20:17Any minute now, our popular visitor will be driving out of the palace on his way to the airport.
20:22And here comes President Velasco out of the...
20:24Time to set the charge.
20:26Then I will test the detonator.
20:28We shall use the cartridge detonator.
20:30Eh, senor Bill?
20:31That way we can be certain.
20:32No, no, it will make too much noise.
20:33If the film jumps out, everything is right.
20:35Just as you wish.
20:36Ready.
20:37Okay.
20:38There.
20:39It works.
20:40And now, if you will bring the charge, we will set it in position.
20:52Hey.
20:53A word about the nitro.
20:54Handle it gently.
20:55It is a present for Velasco, not for us.
20:56Won't be the first time.
20:57No, senor.
20:58You know, I wanted to ask you what charge you used in the vaults of the National Bank of Moto Grande.
21:03One job at a time.
21:04To be sure.
21:05To be sure.
21:06To be sure.
21:21Let's go.
21:51Are you okay?
22:10Everything is most okay, senor Bill.
22:21Now I will connect the plunger and everything is red.
22:35Be quick.
22:36Valisco has left the palace.
22:37Alexis, the bulb, it does not light.
22:58So?
22:59It shows that the connection to the detonator is broken.
23:01What?
23:22There's nothing wrong.
23:23The fault must be in the tunnel.
23:24Then fix it.
23:25We've no more than two minutes.
23:27Where's Eduardo?
23:27We may need his gun.
23:31Eduardo!
23:32Eduardo!
23:36Eduardo!
23:37Where is Eduardo?
23:38We shall need his gun.
23:39It's inside.
23:39It's all set.
23:40What's the trouble?
23:40And the contact with the detonator is broken.
23:42I don't know.
23:42The pilot light is not working.
23:44Huh?
23:52Where's Eduardo?
23:53He's gone down the tunnel.
23:54The big crank is only a matter of seconds.
23:59Police!
23:59That's it!
24:04Strike!
24:04He's gone down the tunnel.
24:06He's gone down the tunnel.
24:06He's gone down the tunnel.
24:07He's gone down the tunnel.
24:08He's gone down the tunnel.
24:09He's gone down the tunnel.
24:10He's gone down the tunnel.
24:11He's gone down the tunnel.
24:12He's gone down the tunnel.
24:13He's gone down the tunnel.
24:14He's gone down the tunnel.
24:15He's gone down the tunnel.
24:16He's gone down the tunnel.
24:17He's gone down the tunnel.
24:18He's gone down the tunnel.
24:19He's gone down the tunnel.
24:20He's gone down the tunnel.
24:21He's gone down the tunnel.
24:22He's gone down the tunnel.
24:23He's gone down the tunnel.
24:24He's gone down the tunnel.
24:25He's gone down the tunnel.
24:26He's gone down the tunnel.
24:27He's gone down the tunnel.
24:28Eduardo!
24:44Eduardo, why didn't you shoot?
24:46It was Bollinger.
24:48Where is it?
24:50Look out!
25:06I don't care if you smash everything.
25:08I'm going to call the police.
25:10You do that, my friend.
25:14Look right.
25:44There!
25:46There!
25:50Do!
25:56Do!
25:58Do!
26:04Do!
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