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Gogglebox UK (2013) Season 26 Episode 12
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FunTranscript
00:00You dick!
00:01Hey!
00:02Mwah!
00:03You frightened!
00:04Well, aye!
00:05You've got to celebrate, haven't you?
00:07Huh?
00:08Fifty years!
00:09I was going to say, you've covered the bloody dog!
00:16Her flabbers have been gassed.
00:19You want some of this?
00:21Oh, that is!
00:22Look out!
00:23Oh, no!
00:24Steve!
00:25Oh, now there's a controversial statement.
00:27The gravy.
00:28Oh!
00:30Yeah!
00:31Do you like this music?
00:32No, not particularly.
00:33So suck on that!
00:35Oh, wow!
00:36He's been a bad boy!
00:38Don't ever take me to a restaurant like that.
00:40Not a chance, do we?
00:41Oh!
00:42Yes, look at that!
00:44He's had an absolute feast!
00:46Whoa!
00:47For a banana?
00:49This is insane!
00:51Well, thank all that's over, I've got a date gone.
00:54It is like putting chicken in a vodka tonic, this.
00:57That's very modern, isn't it?
00:59Nothing, no one saw that coming.
01:00No.
01:01In the week Scotland made it through to the World Cup Finals for the first time since 1998,
01:07we enjoyed lots of great telly.
01:11It was Bush Tucker business as usual on ITV.
01:14Martin Kemp's kids are in the flipping travelling round the world.
01:24Yeah, not bad, eh?
01:25Eh?
01:26Shirley's having a lovely time on her own, isn't she?
01:28Oh, gosh!
01:29To be Shirley.
01:30Lovely.
01:31Lovely.
01:32Lovely, Al.
01:33The countryside cape has continued on Emmerdale.
01:40It is always quite interesting living in the country.
01:43I don't know if you saw the lady in the van earlier that had a cage with birds inside.
01:48Yes, I pointed her out to you.
01:49I think they were budgery girls.
01:51Aren't they just called budgies?
01:52No, they're called budgery girls.
01:54In what world?
01:55That's the long name for them.
01:56That's the real name.
01:57Budgie's just a shorter version.
01:59No one's called them a budgery gar since 1962.
02:02That's when I was born.
02:03I know.
02:05And Sarah Snoop was looking stressed on Sky Atlantic.
02:09I don't know where my son is.
02:11You like the word fault, don't you?
02:16I like the word fault.
02:17Because that would immediately, if there's any blame to be apportioned, you'd be straight
02:22onto that, wouldn't you?
02:23Yes.
02:24Because you like to apportion blame within this family.
02:28Hmm.
02:31Do you remember when I said I wanted to have a tattoo on my forehead?
02:34Saying, yes, I'm sorry.
02:35Yes, it's my fault.
02:36In Hull.
02:45Stop laughing at me.
02:52Will you stop it?
02:53I can't help it.
02:54I'm sorry.
02:55Best friends Jenny and Lee.
02:57Oh, God.
02:58Me ribs hurt.
02:59Me ribs hurt.
03:00Well, stop taking the piss out of me, then.
03:03I can't stop.
03:06Oh, I'm worn out.
03:07I'm worn out.
03:08I'm worn out.
03:09Oh, God.
03:10Oh.
03:11Oh.
03:12Oh, thanks.
03:13Oh, God, Lee.
03:14I can't say out anything anymore.
03:15Shut up.
03:16Hit me.
03:17On Sunday night, the jungle drums sounded once again for the return of this on ITV.
03:30I'm meandering.
03:31I'm meandering.
03:32You're a what?
03:33I'm meandering.
03:34Oh.
03:35I'm a celeb has been on for so long now.
03:36Yeah, I think it's 25 years.
03:37Like, nine-eighths of your life.
03:38Nine-eighths?
03:39Oh, no, that's wrong, isn't it?
03:40I'm meandering.
03:41You're a what?
03:42I'm meandering.
03:43I'm meandering.
03:44I'm a celeb has been on for so long now.
03:47Yeah, I think it's 25 years.
03:48Like, nine-eighths of your life.
03:49Nine-eighths?
03:50Oh, no, that's wrong, isn't it?
03:51It'd be, like, eight-ninths.
03:52Or something like that.
03:53That doesn't sound right.
03:54It probably doesn't, but it's a lot.
03:55It's a lot.
03:56It's a lot.
03:57It's a lot.
03:58It's a lot.
03:59The time for talking is over.
04:00It's back.
04:01Back on the bridge, Julia.
04:02Yeah.
04:03It can only be the return of I'm a Celebrity.
04:05Oh, here you go.
04:06Are you ready?
04:07They're going to say it.
04:08Get me out of here!
04:10Wow!
04:11Ow!
04:12Ow!
04:13Ow!
04:15Ow!
04:16Ow!
04:17Ow!
04:18Ow!
04:19Ow!
04:20Ow!
04:21Ow!
04:22Ow!
04:23Ow!
04:24Ow!
04:25Ow!
04:26Night Jack, Mary.
04:27Do you remember there was a series called The Osbournes?
04:29Yes, funnily enough, it's on at the moment in the telly upstairs.
04:35Yeah.
04:36You switch it on, The Osbournes just come on on repeat.
04:40I've just put my hand down the side of your sofa and grabbed something mysterious.
04:45What is it?
04:47What is it?
04:48Summer Offerbush took a frigging trial.
04:51In the episode, we saw our favourite Geordie duo rock up.
04:55Heyo!
04:56Nice and a defender as well.
04:57Ant and deck!
04:58All Ant and deck will have packed for I'm a Celebrity's bowling shirts and jackets.
05:06Come on.
05:07And it wasn't long before things kicked off.
05:09Rangers?
05:12Oh, this is spooky.
05:14I tell you what, they're straight out of the traps, aren't they?
05:17Bring it all in.
05:18So each of you has a box.
05:20Inside the box is a getaway car key fob and green ants.
05:24Green ants?
05:25Who's gonna bite the shit out of you?
05:28Ugh!
05:29All you have to do is put your hand in the box, release the nuts, retrieve the key fob.
05:34See, now I think I could do this now I've had a tattoo.
05:37Oh, that's a piece of piss.
05:38That's not what it is.
05:39You what?
05:40But it's not a piece of piss.
05:41That's so easy.
05:42However.
05:43What?
05:44You'll also have your head inside a box.
05:47Oh, no.
05:48Not my face.
05:50Not the face.
05:53Gee, it's terrified.
05:54What did they expect?
05:55It's not strictly come dancing, is it?
05:57No.
05:58It's not just gonna be your head in that box.
06:00There could be other things in there, too.
06:02Right.
06:03How many legs?
06:04Of course it is.
06:06Because why would I have my head in an empty box?
06:08That's pretty easy, isn't it?
06:14Oh.
06:15Oh, my God.
06:16Please tell us what it is first.
06:19Please tell us what it is first.
06:20Angry Ginge isn't angry.
06:21He's panicked.
06:22Panicked Ginge.
06:23He's anxious Ginge.
06:25Oh!
06:26Oh!
06:27No!
06:28I couldn't do it.
06:29I couldn't do it.
06:30I couldn't do it.
06:31No, no, no, no.
06:32I'd die.
06:33Three, two, one, go!
06:38Holy shit.
06:39Anti-clockwise.
06:40Anti-clockwise.
06:41One down for Jack already.
06:44Jack's got the tickers.
06:45Jack's got it on there.
06:46Yeah.
06:47Excellent finger work, Jack Osborne.
06:49Oh, I heard a wingnut drop.
06:50Which wing has it got?
06:51Oh, no.
06:52Righty-tighty, lefty-loosey.
06:54People used to call me wingnut at school because of me fucking ears and I didn't know for years.
06:58Why didn't they call me wingnut and it's like that?
07:00Yeah.
07:01Because I look like a wingnut.
07:02Yeah.
07:03Yeah.
07:04What's happening here?
07:05They're all in the lids again.
07:06What?
07:07What are they doing?
07:08Oh.
07:09Oh, God.
07:10Oh!
07:11Oh, the yellow one.
07:12I don't know why.
07:13Oh, that would finish me off.
07:14Oh, more snakes!
07:15Oh, cut more snakes!
07:16Oh, my God!
07:17Put my head!
07:18Ha!
07:19Another big pipe, then, in each of your boxes.
07:22I know what would be funny.
07:23If I had my own one of them boxes, they wouldn't be able to celibise it.
07:26But I draw the hair.
07:27It'd be blue.
07:28Oh, he's done it.
07:30Ginger's done it, Mary.
07:31Oh!
07:32Angry Ginger's good with his fingers, isn't he?
07:34Snakes on the bloody first one.
07:36Are you awake?
07:37Has Ruby Wax died?
07:39She's not.
07:40I cannot get one of these off.
07:42I'm rubbish like these!
07:45Ruby can't even see!
07:47Is she dawning?
07:48Is Ruby still a witch?
07:50Is she all right, though?
07:51Seriously?
07:52Look at the glasses.
07:53I'm not saying that.
07:54Yeah!
07:55Oh, you know what, Ruby?
07:56Just have a nappy in there, love.
07:57What's Ruby's like?
07:58Give her a duvet.
07:59Some horlicks.
08:00What was that thing that you get where you fall asleep?
08:03Necrophil...
08:04No!
08:05It's not necrophil...
08:08Nar...
08:09Nar...
08:10Narcolism.
08:11Narcolism!
08:12What?
08:13Necrophilia.
08:14I'm sorry.
08:15I like this top on you, by the way.
08:17Beautiful.
08:18You do?
08:19Yeah.
08:20I think I look sophisticated.
08:21Sarah, her husband Andre, and their daughter Shay.
08:25It's very nice, though.
08:26It suits you.
08:27The colour looks nice on you, you know, coming into winter.
08:29Dad, I'm not babysitting.
08:30Why?
08:31The only reason you're doing that is because you want something.
08:32And it's probably to babysit.
08:33Trying to sweet you up, innit?
08:34Oh!
08:35That didn't work, did it?
08:36No!
08:37This week, high drama continued in the Dales on ITV.
08:38It's riddled with Emmerdale casting lead city centre.
08:39Running wick.
08:40Running wick.
08:41Do we have to watch Emmerdale?
08:42Yeah.
08:43We do.
08:44Really?
08:45Yeah, it's real intensely, I'm telling you now.
08:46What, Emmerdale?
08:47Yeah.
08:48Yeah.
08:49Yeah.
08:50Yeah.
08:51Yeah.
08:52Yeah.
08:53Yeah.
08:54Yeah.
08:55Yeah.
08:56Yeah.
08:57Yeah.
08:58Yeah.
08:59I'm telling you now.
09:00What, Emmerdale?
09:01Yeah.
09:06This love triangle has got me absolutely gripped.
09:14How are you feeling?
09:15Not great.
09:16Dressing gown, someone's stayed the night.
09:18Dirty bugger.
09:21Still worrying about Kev.
09:23Yeah.
09:24So, Robert and Aaron are back together.
09:25Right, okay.
09:26Robert dumped Kev.
09:27Robert got married to Kev.
09:28In prison.
09:29Yeah.
09:30But he thinks he's dying.
09:31Kevin's told him he's only got so much time left.
09:34Oh.
09:35But he hadn't.
09:36I mean, once he gets used to the idea that you two aren't together anymore, he'll move
09:40on.
09:41He has to.
09:42Yeah.
09:43Will he move on though?
09:44Yeah, he won't.
09:45Always a nasty piece of work.
09:46If he.
09:47You wouldn't want to cross him.
09:48Oh, Kev might want to hang around and see if he can get Robert back.
09:51You reckon he thinks of his persistent?
09:52Maybe.
09:53Maybe.
09:57Do you think he's all right?
09:59I'm going to go with no on that one.
10:02Kev looks stressed.
10:03Yeah.
10:05Morning.
10:06That's Dr Liam.
10:07So he knows the truth about Kev's medical condition.
10:11How are things?
10:12Very bad.
10:16Robert ended it yesterday.
10:17Oh, God.
10:18Is he just feeling sorry for himself?
10:20Yeah.
10:21You're not dying.
10:22He's dying of a broken heart.
10:23Oh, please.
10:24I need to get him back.
10:29I can't die alone.
10:30Oh, for heaven's sakes.
10:32That's a little bit dramatic.
10:34He's being beyond me if you hear his Kev.
10:36Yeah, yeah.
10:37But he's not dying.
10:38So why did he keep saying I don't want to die alone?
10:40Yeah, but...
10:43You're not actually dying.
10:45No, I've just said that, Liam.
10:48I wonder if I could invent a medical condition
10:50to get Nat to pop the question.
10:52I need a ringitis.
10:54Yeah.
10:55Do you remember?
10:56Yeah.
10:57Oh, yeah.
10:58Oh, yeah.
10:59Oh, yeah.
11:00Forgot I want dying.
11:01Oh, yeah.
11:02Do you know what?
11:03Bloody hell.
11:04Forgot about that.
11:05Believe in his own lies.
11:06You all right, lads?
11:07No.
11:08Did you want a drink?
11:09The next day, there was a big turnout
11:10as a karaoke-themed housewarming in the village.
11:13I want a...I want a...I want a...I want a...
11:19Oh, look who's in.
11:20Did you see that, Bob?
11:21It's like, I'm here.
11:22Yeah, baby.
11:23Now it's going to pop off.
11:24Here we go.
11:25Come on.
11:30The rooms went quiet, is the mood hoover.
11:33It is rubbish if you're at a party
11:34and your ex turns up, isn't it?
11:36But let's face it, not surprising in a small village
11:39that they would all be there.
11:40I love an awkward little situation like this.
11:46Oh.
11:47What's up?
11:48What's that?
11:49Oh, God.
11:50What's he doing?
11:51If you're not the one, then what does my soul feel glad?
11:55What the fuck are you on?
11:57Oh, shit.
11:58If you're not the one, then what does my hand fit yours?
12:03Oh, wow.
12:05He's singing, Kev.
12:07Daniel Beringfield.
12:09This is Auntie Jane and Uncle Kevin's song
12:11that they put on when they get pissed and cry, too.
12:13Yeah.
12:14If you are not mine, then what does your heart return?
12:20My call.
12:24No wonder he's packed him in.
12:25If there were any chance of Rob and Kev getting back together,
12:28Kev's just absolutely fucked it now.
12:30Well, I hope you are the one I share my life with.
12:38Oh, God.
12:39This is so awkward for everyone in the world right now.
12:42Oh, I can't bear it.
12:44Come on, Jane.
12:46If I'm not made for you then
12:48Why does my heart tell me that I am
12:53Why is no-one grabbing him and going...?
12:57What they should do is turn the mains off, Nati,
13:00the mains switch.
13:01Pretend there's been a power cut.
13:03Yeah.
13:04Because power cuts are happening everywhere.
13:06Please just take me back, Robert.
13:08This doesn't make any sense.
13:10Oh.
13:11Well, that went well, didn't it?
13:13Yeah.
13:14That...
13:15It went like a lead balloon, Nat.
13:17Yeah.
13:18Unbelievable.
13:19That was really awful television, wasn't it?
13:21I don't think we're going to see anything as emotionally draining as that this year, Jane.
13:26That was special, wasn't it?
13:28It breaks your heart.
13:32Oh, God.
13:33I'm a black boy.
13:35I'm a black boy.
13:40OK.
13:41I've got the glass over it.
13:43Oh, God.
13:44Right.
13:45I've got an envelope.
13:46It's a big bug of this, Soph.
13:48It's actually got fangs.
13:50Pete and his little sister Sophie.
13:52Right.
13:53You lift the glass.
13:54I'll get the envelope underneath it.
13:56I think he... Oh, fuck me! Will you shut up?
13:59Right. Slightly lift the glass. Slightly.
14:03Go on, slide it under. Gently does it. Gently does it.
14:08Right, you're going to have to lift it more.
14:09Well, slide it under then. I'm trying.
14:11Go on. Watch its legs. Watch its legs.
14:15Oh! Stop it!
14:18On Saturday night, punters were pointing out pictures for prizes on BBC One.
14:23This programme doesn't slam self, it slaps, as the young'uns say nowadays.
14:29Right in the face. Wicked.
14:37Hello and welcome to a brand new series of Picture Slam!
14:41Woo!
14:43Every quiz show has to have a nice cheesy entrance, isn't it?
14:46Oh, yeah. We love a cheesy entrance.
14:48So it's literally like catchphrase, just see what you see?
14:51Yeah. Yeah.
14:53Simple. Like...
14:55Green tracksuit.
14:57Grandma's curtains.
15:00You're an idiot.
15:02Let's have a look at tonight's categories.
15:04Oh, let's do it.
15:06Theatre, woodworking, holes.
15:09Holes?
15:10What kind of pictures are we going to see for that one?
15:13Molly, you're left with the cattery no-one else wanted.
15:17Holes.
15:18Holes?
15:19I won't be good at this.
15:20Arseholes.
15:21Plug holes.
15:23Man holes.
15:24Let's have a look at your picture board.
15:28Right.
15:29God, how do you even connect holes or anything?
15:31Who is this character?
15:32Who the bloody hell's that?
15:34Garth Hawks.
15:36Macavity.
15:37Correct.
15:38Who?
15:39Macavity.
15:40Phil Macavity.
15:41Phil Macavity.
15:42Phil Macavity.
15:44Oh, Macavity from Cats, the musical.
15:46What coat is this?
15:47Oh, trench.
15:49Trench.
15:50Bloody hell.
15:51Now me fashion me.
15:52Trench coat.
15:53Trench.
15:54A trench.
15:55We have two trenches.
15:56We have trench boxes.
15:57Shut up!
15:58A trench coat.
15:59Correct.
16:00We're talking about holes, not coats.
16:01Trench is a hole in the floor.
16:03Correct.
16:04What film is this?
16:05I've got it.
16:06I've got it.
16:07Is it Black Beauty?
16:08No.
16:09No, it's not Black Beauty.
16:10That's not a hole, is it?
16:11Black.
16:12Black hole.
16:13Black beauty, it could be.
16:14Sleepy Hollow.
16:15I'm not getting any of these.
16:16Sleepy Hollow.
16:17Correct.
16:18Oh, that's clever.
16:19I was going to say Only Fools and Horses.
16:21What TV series is this?
16:23Oh, another foot in the grave.
16:25Grave being the hole.
16:26Kingdom appearances.
16:27Bodger Badger.
16:28One foot in the grave.
16:30Ah.
16:31Number one, please.
16:32Number one.
16:33What brand is this?
16:34Well Woman.
16:35Well Guard.
16:36Well Woman.
16:37Correct.
16:38Well Woman.
16:39She like dug a well.
16:40Okay.
16:41That's clever, Mary.
16:42Would you have got that?
16:43Well Woman.
16:44That's disgusting.
16:45Why?
16:46Holes.
16:47It's in the category holes.
16:49Well Woman?
16:50Well, it's to do with bottoms.
16:52Women's front bottoms.
16:53Is it?
16:54Yes.
16:55How do you know it's?
16:56Well, because well Woman clinics are to do with coils and stuff like that.
17:00I didn't know that.
17:01Yeah.
17:04In the Cotswolds.
17:05Look what I've found.
17:06Darling, you were so rude when my mother said we had to take one of those for Perkins.
17:11Andrew and his husband Alfie.
17:13I mean, it does look like it's from the 1920s, but as we haven't got any firewood, I think
17:18that this is just going to be needed in here because it's freezing, darling.
17:21Sweetheart, the heating's on full.
17:22I know, but it's so cold.
17:24It's so cold.
17:25I need this.
17:26So you laughed about it from Mum having it for Perkins and giving it for Perkins to
17:30stay warm, but for you, it's totally fine.
17:33It's so cold.
17:34I'm going to take a picture and send it to my mother.
17:36I'm sure she'll be chaffed.
17:37It's getting some use.
17:38No, I am.
17:39I'm taking a picture of it and I'm sending it to my mother.
17:41It's the first thing that I'm doing.
17:42Look, you do actually like the heater.
17:45This week, the world's most menacing children's games were back on Netflix.
17:50Steve, Squid Game's on.
17:52Have you had your blood pressure tablets today?
17:54Oh, yeah.
17:55You've had them?
17:56Well, when I watch this, I take two.
17:58What would you spend the money on if you won 4.56 million?
18:01A decent haircut?
18:02Coming from you, boy.
18:04I'm growing this out.
18:05What, that tea cozy?
18:12Right, go on.
18:15Oh, my God, that was really good.
18:22Oh, this looks sick.
18:24Oh, my God.
18:26Oh, my God.
18:28Dwindling numbers now, I've noticed.
18:30Looks like there's slides.
18:32Slides and ladders.
18:33Oh, slides and ladders.
18:35Welcome to your fifth game.
18:37I'm getting anxious already, are you?
18:39No.
18:40Teams of two will take turns as they attempt to make it to the final square.
18:44End past the game.
18:46Right, that sounds all right, doesn't it?
18:48Quite easy, that.
18:49Slides take you down the board.
18:52Oh.
18:53Oh.
18:54Oh, that's so fun.
18:55Oh.
18:56Oh.
18:57Result in your elimination.
18:58Oh, that is brutal.
19:00I'd be trying to stop myself in the middle of this line.
19:03Climbing back up.
19:04Yeah.
19:05Oh, come on, boy.
19:07Oh, don't be doing that.
19:08Oh, stop it.
19:09They've been practising that, haven't they?
19:10As the game got going, it wasn't long until the yellow team landed on a twist card.
19:17Oh.
19:18Oh, go.
19:19Here we go.
19:20See what they've got to do.
19:21Send a team to the next unused slide.
19:24Oh, wow.
19:25Oh, shit.
19:27They must take a slide each.
19:30Oh.
19:31Oh, no.
19:32So one of them gets eliminated.
19:33Already.
19:34Oh, no.
19:35They haven't even started.
19:36This is where you want to be adding, isn't it?
19:37Yeah.
19:38Oh, yeah, yeah.
19:39I'm not even in it, yeah.
19:40And we're going with the red team.
19:42Oh, my God.
19:43One of the red teams going home.
19:45He was so confident they're not going to pick them.
19:47See, this is why you can't even trust your own people.
19:49I just want to take right, if you don't care.
19:51Yeah, take right.
19:52I was going to take left anyway.
19:53All right.
19:54Are they going to have to just guess which slide is which now?
19:56Yeah.
19:57I think so.
19:58Oh, wow.
19:59I'd go right.
20:00I'd go left because I'm left-handed.
20:01Yeah.
20:02Sorry, guys.
20:03I'm sorry.
20:04Don't say sorry, ladies.
20:05It's not like there's a crocodile at the bottom.
20:07There might be.
20:08All right, Stephen.
20:13Oh, here we go.
20:15Which one?
20:16Whee!
20:23Oh!
20:24Where did they fall?
20:27And he was never seen again.
20:32Oh!
20:34Are they all disappointed?
20:35They all went, oh!
20:37I once friction burned my elbows carrying two kids down one of them tunnel slides.
20:42Oh, gosh.
20:43After a few more rolls of the dice, the remaining red player, Stephen,
20:47found himself on a twist card.
20:51Send a team to any ladder or any unused slide.
20:54Oh!
20:56Bye-bye!
20:58Payback is coming quick.
21:00That's them two. He's going to send them two, isn't it?
21:02He's going to send the two girls to an unused slide.
21:05Any team?
21:07He's going to pick us, bro.
21:09Yeah, he's going to pick you.
21:10Look, look, he's rubbing his hands.
21:14Payback time!
21:16I'm going to take yellow down to 22.
21:18One of them's gone.
21:20Good.
21:25Oh!
21:26They are giving him daggers.
21:28But they knew that was coming, didn't they?
21:29Yeah, totally.
21:31Yeah.
21:32That's fair enough. They took your team-mate out.
21:34Yeah.
21:34That's a good choice.
21:35I love how they're going. Yeah, yeah.
21:38Pick yellow.
21:38Yeah.
21:39Get the yellows out.
21:40Well, yeah, you're going to watch your own back.
21:42Oh, good.
21:43Yeah, that's very justified. Justified.
21:46I hope one of them disappears.
21:48Oh!
21:49He's so nasty!
21:51This is where you could have made a good deed
21:52and helped somebody in the end,
21:53but you decided to be petty.
21:55Yeah, you could have made some...
21:56No, it's not love. He's getting rid of you.
21:58At least the boys took it better.
21:59I...
22:00She is very salty about it.
22:03You started this.
22:04We didn't start it.
22:04We picked people we had better...
22:06Okay, you picked me, I picked you.
22:07No, it's not a big deal. It's fine.
22:08It was not.
22:09I'm hearing too much of this and not enough sliding.
22:11Yeah.
22:12Oh, my God.
22:16Oh!
22:17Is she coming back? Is she coming back?
22:18I've never seen someone come down a slide
22:20with so much anxiety in my life.
22:22No!
22:23Where's she gonna land?
22:26Oh!
22:27What do you reckon?
22:28Oh!
22:29Oh, the cat look.
22:30No.
22:31Oh.
22:32Where is she?
22:35No!
22:36No!
22:37No!
22:38Oh, no!
22:39Eye for an eye.
22:41And apparently, in real life, there's spikes at the bottom.
22:44Is it?
22:45Yeah, yeah, yeah. It's quite cruel.
22:47She didn't come back.
22:49Steve on it so far, I'm telling you.
22:53She didn't come back.
22:55There's too many Americans on that...
22:57Where have all the sensible people gone?
22:59Oh.
23:00You know what? That says it.
23:01The world...
23:02Yeah.
23:03When it comes down to it, all the sensible people will be gone
23:06and there'll be all the Americans left.
23:07All there.
23:08Yeah.
23:09Being silly.
23:10Yeah.
23:11Yeah.
23:12In Leeds...
23:20Guess what?
23:21What?
23:21I've been for my Bowie doing this morning.
23:23And I haven't told Mum or Nat that that's what I were doing.
23:27Sisters Ellie and Izzy.
23:30And I said, Mum, I've got an appointment for a facial at 10.30.
23:34Can you look after Ezra?
23:36Well, I were gonna go swimming.
23:37You're gonna have to cancel your facial.
23:40And I says, I can't cancel it, I've already paid for it.
23:42Lie.
23:44Lie number one?
23:45No, lie number two.
23:47Lie number one is the fact that it's a facial.
23:49Lie number two is the fact that you've already paid for it.
23:51I'm ringing Mum now, I'm glassing, I'm telling her.
23:53But I just know...
23:54I'm gonna tell her.
23:55Cos I'm texting her.
23:57She would not have babysat Ezra if it was for you to go get Votox.
24:02She wouldn't have done.
24:04On Thursday night, famous faces were running around with backpacks again on BBC One.
24:09I remember, Dad, I think you and me were together once, and you stopped someone to ask for directions when you were driving, and they gave you all these directions, and then you said to me, right, did you get that?
24:19I said, no, I thought you were listening.
24:22Why do we not have that competitive streak?
24:27Why are we not arsed about winning stuff?
24:29Cos you've always been shit at everything, so...
24:32And you're a lazy bitch.
24:35Marking the halfway point for the race...
24:38Valley de Angeles, Honduras.
24:41Isn't Honduras insanely dangerous?
24:44Insanely dangerous, I wouldn't be going.
24:46Absolutely not.
24:47A lot of prawns in the supermarkets from Honduras.
24:50Molly and Tyler are planning to cross into Honduras at the El Amatillo border via the transport hub of San Miguel.
24:58OK, that looks like a trek, though.
25:00San Miguel? Mum likes San Miguel.
25:03Oh, she does.
25:04San Miguelito.
25:06Is that the same? San Miguelito?
25:09It's so close today.
25:12Do we know for definite that San Miguelito is San Miguel?
25:17I don't.
25:19Oh, well then, brilliant.
25:20I would have thought it's the same place.
25:22It's something you want to double-check, though, isn't it?
25:24This group here, is this San Miguel?
25:27This bus, San Miguel?
25:29The trick is, check once you're on the bus.
25:31Yeah. Halfway there.
25:32What the...?
25:33Oh, another bus.
25:35It's not going.
25:37Oh, no, another bus. We're on the wrong bloody bus.
25:40That's called moving quick. We're on the wrong bus.
25:43Bosses are just a nightmare abroad, though.
25:45Yeah.
25:46Mate, you're just potluck.
25:47I know.
25:48You get on and trust some man to get you to where you need to be.
25:50Yeah, yeah.
25:51Come on to the border.
25:53Oh, well, this is the San Miguel bus. That's all right, then.
25:56Oh, well, that was fairly easy.
26:01Crisis averted.
26:02We could do this.
26:04First place.
26:05What?
26:06Oh, you're stealing and Jackie?
26:08Overconfident, if you ask me.
26:09Yeah.
26:10He's just enjoying his holidays.
26:15Why's he stopped?
26:16What's happened now?
26:17One dollar.
26:18One dollar.
26:19Oh, my God, no.
26:20What?
26:21It's Dillon and Jackie.
26:22They're going to get on the same bus!
26:24Oh, no!
26:25What are you doing here?
26:26Oh, my God.
26:27We're all on the same bus again.
26:28Looks like they're going on a fucking outing together.
26:29A court strip!
26:30The Valley of Angels.
26:31Here we go, Valley de Angeles.
26:32So this is it.
26:33This is where they have to get to, isn't it?
26:34So now they've got to get running, because everybody's there at the same time.
26:35Out on foot.
26:36Follow the road.
26:37Take the first right past the villas, Lena.
26:38Continue into the town and locate the bandstand in the main square.
26:42This is now all about who can follow instructions.
26:43There's the bandstand there.
26:44Yeah.
26:45Go, go, go.
26:46Bandstand!
26:47Your checkpoint hotel, La Casona, is 200 meters south.
26:49Come on!
26:50They want to find the hotel now.
26:51Hotel La Casona.
26:52Si?
26:53Oh, gracias.
26:54Oh, gracias.
26:55La Casona.
26:56So this is where they have to get to, isn't it?
26:57So now they've got to get running, because everybody's there at the same time.
26:59On foot, follow the road.
27:00Take the first right past the villas, Lena.
27:01Continue into the town and locate the bandstand in the main square.
27:03This is now all about who can follow instructions.
27:04There's the bandstand there.
27:05Yeah, go, go, go.
27:06Bandstand!
27:07Hotel La Casona.
27:08Si?
27:09Oh, gracias.
27:10Vamos!
27:11I think it's anyone's race now.
27:12Well, it is, isn't it?
27:13It's so close.
27:14It's so tight.
27:15Yes!
27:16Let's go!
27:17Bandstand!
27:18Go on!
27:19Bollie, go!
27:20Let's go!
27:21Bollie's off!
27:22Bollie!
27:23Hola!
27:24Hotel Casona.
27:25Si?
27:26Hello.
27:27Ah, si.
27:28Yes, Dylan the jacket.
27:29Come on!
27:30Oh, gracias, gracias.
27:32Are they there?
27:33That's not the right place, is it?
27:35This is a restaurant.
27:36I thought it was a hotel they were looking for.
27:39Is this Hotel Casona?
27:40No.
27:41No?
27:42Oh.
27:43No.
27:44No?
27:45It's the wrong one.
27:46They wanted to sign them for an evening meal, them two.
27:48Oh, Jesus.
27:49Gracias.
27:50Oh!
27:51Oh!
27:52They're going opposite directions, though.
27:55They're all going opposite directions.
27:57There's chaos.
27:58Yes.
27:59We've made it.
28:00Are they there?
28:03Is this the right hotel?
28:05Come on.
28:06Ha-ha.
28:07Yeah, it is.
28:08Oh, we're here.
28:09Hi!
28:10Are they first?
28:11Are they first?
28:12Are they first?
28:13Let's go.
28:14Congratulations.
28:15You have successfully reached your third checkpoint.
28:18Please sign in, Overleaf.
28:19I love you.
28:20I love you, too.
28:21Okay.
28:22Oh.
28:23Turn the page, then.
28:24Give it a go.
28:25Oh!
28:26Oh!
28:27They're first!
28:28Yes!
28:29Yes!
28:30Well done.
28:31I've got no idea how they've got there first.
28:34No, I don't.
28:35I'm pleased for Molly and Tyler, because they were lovely.
28:38It slightly irritates me that they're full of energy after racing around and make it look effortless.
28:45They get to my nerves, innit?
28:46These young people.
28:47They're young.
28:48Fit.
28:49Fit.
28:50In love.
28:51Good-looking.
28:52Oh, my God.
28:53Don't be grumpy old man.
28:54No, I'm very happy for them.
28:56Enough London.
28:57I actually need some advice.
28:58About what?
28:59Because I don't know how to, like, tell someone bad news.
29:03Like, especially when it comes to people's hygiene, because that's been bothering me lately.
29:09Sisters Amira and Amani.
29:11Maybe drop hints here and there.
29:13Like, what would you say?
29:14Like, just be like, oh, yeah, I do this, you know, like...
29:17This is my shower routine.
29:18This is my routine.
29:19Like, I follow up with mouthwash every time I brush my teeth.
29:23So, let's pretend, yeah, that I'm that friend that you need to have this conversation with.
29:27Oh, God.
29:28That would kill me.
29:29OK, let's go.
29:30So, I'm in your face going, yeah, so...
29:34Wait, so I'm like, yeah, so...
29:36Why are you breathing?
29:39This week, a brand new mystery thriller was keeping us all guessing on Sky Atlantic.
29:45Do you know what?
29:46I need to be thrilled.
29:47Yeah.
29:48Do you know what I mean?
29:49Yeah.
29:50I need a good thrilling.
29:51Oh, come on, let's watch it.
29:52That's good.
29:53I hope it ain't one of them back-to-front ones where they keep going backwards.
29:59I say that a lot when I'm with you.
30:01That's how everyone does.
30:03All we know in this show is a child goes missing.
30:06I love that.
30:07Oh, no, not the idea of a child going missing.
30:10Just the drama of it.
30:11Just the drama.
30:14Hi, I'm Marissa.
30:15I'm here to pick up my son, Milo.
30:17Oh, look, there she is, Mary, from Succession.
30:19Mm.
30:20Sarah Snook.
30:21Mm.
30:22I think you've got the wrong house.
30:24There's no Milo here.
30:25What?
30:26You've got the wrong house, love.
30:27Kid's not here.
30:28The address is 1800 Crescent Hollow Road.
30:30If I'm not home from work when you get there, my nanny will be there with the boys.
30:34Oh.
30:35Who sent you the text?
30:37Uh, a mom from the school.
30:39Jenny.
30:40Oh, dear.
30:41She didn't take Milo to the house.
30:44Jenny's taking him from school.
30:46So where?
30:47Where?
30:48Should you give her a call?
30:50Yeah.
30:51Yeah?
30:52Get Jenny on the phone.
30:53Where's Milo?
30:54Do we not trust this woman in the house, or is it Marissa's made a mistake?
31:01Shit!
31:02Oh, my God.
31:03It's not working.
31:06I'd be in panic mode.
31:07I'd start screaming.
31:09Come on in.
31:10We'll figure it out together.
31:13Well, she's nice.
31:14I'll do the same, mate.
31:15This is too juicy not to get involved.
31:18The address is 1800 Crescent Hollow Road.
31:20If I'm not home from work when you get there, my nanny will be there with the boys.
31:23Jenny.
31:24I know she keeps saying it.
31:25She keeps going off the address, doesn't she?
31:26Yeah.
31:27And you are at the right address, but there's no Milo.
31:29There's no child.
31:30But you know this, Jenny.
31:31Yeah.
31:32Yeah, we met at the school social.
31:33She was great.
31:34She...
31:35Autocorrect.
31:36That's why...
31:37That's why the address is wrong.
31:39Yeah.
31:40Yeah.
31:41She's kidding herself.
31:42Of course it is.
31:43It's either autocorrect or fat fingers.
31:45It's one of the tips.
31:46She sent it lunch.
31:47She sent me messages, love you, miss you, and really meant to say, fuck off, Tom.
31:50Here, let me try it.
31:51We have a nanny as well, and she might have another...
31:54Got a nanny.
31:55Let's call a nanny.
31:56Must be nice.
31:57Is there any chance your nanny could have picked up your son?
31:59No, she's away for a few days, so it's...
32:01So her nanny's away as well.
32:02Who's picked up Milo?
32:03She's not answering.
32:04The nanny's not answering?
32:05There's some dodgy going on here.
32:06Hello?
32:07Hello, Jenny.
32:08You don't know me, but I'm here with your friend, Marissa.
32:09Hi, this is Jenny.
32:10Yeah, is everything all right?
32:11Oh.
32:12Is that Jenny?
32:13Yeah.
32:14Is that Jenny?
32:15Yeah.
32:16Right, so she's got Jenny's number, who she thought Milo was with.
32:20Well, Marissa thought her son was at your house today, but there seems to be some kind of confusion
32:21on that.
32:22Oh, no, I'm working tonight.
32:23Jacob's at Sarah Larson's for a play date.
32:24So, Milo isn't with you?
32:25No, he isn't.
32:26Who the fuck's been texting her, then?
32:27What the hell's going on, and where's Milo?
32:28Okay, so...
32:29You sent me a message?
32:30Hi, I'm here.
32:31I said, no, I'm so sorry.
32:32But I didn't.
32:33It's on my phone.
32:34I'm not crazy.
32:35It's on my phone.
32:36It's on my phone.
32:37I've got it here.
32:38Yeah, because she got a text message sent off her.
32:41So, who sent the message?
32:43Who picked up my son?
32:44Who picked up my son?
32:45I have her, Marissa, and she's all about my phone.
32:48I'm just saying, we got her everything.
32:50Yes.
32:51Well, she's talking about it.
32:54I'm supposed to say her.
32:57And she's asking me some kind of confusion on that.
32:58Who picked up my son from school?
33:00Oh, we don't know.
33:01Do you?
33:02I know.
33:03Someone's orchestrated a fake text to say he's going to be on a play date.
33:07Yeah.
33:07And now has picked up Milo.
33:11For who?
33:13This is me.
33:14I'm going to have this right here.
33:16Please take a copy and hand it round.
33:19There we go.
33:20Two months earlier.
33:21Oh, OK.
33:23Oh, here's Jenny.
33:24Oh, two months earlier.
33:25Two months earlier.
33:26Oh, it's one of them.
33:27Oh, God.
33:29Are you all right?
33:31Oh, who is this woman?
33:33There's the babysitter.
33:34Who's this woman?
33:35Which one is yours?
33:37Milo, Irvine.
33:39Oh, he's a sweet one.
33:42He is.
33:44He's perfect.
33:46Oh.
33:48Looks like the nanny's had him away.
33:49Perfect?
33:50I don't know any nanny that sort of is like that, really.
33:53Oh, a bit of a creepy, lingering look as well.
34:00Yeah, creepy, lingering look, definitely.
34:02Nanny's at the top of my list now.
34:07Do you have him?
34:08Where is he?
34:09Where is he?
34:10Tell us where he is.
34:11What?
34:11We've got Anna.
34:12Oh, it's a nanny.
34:12Oh, it's a nanny.
34:13I don't have Milo.
34:14I'm not working this week.
34:16She's not in here.
34:16I'm not working this week.
34:18I told you I don't have Milo.
34:19I left my phone.
34:20I was coming to get it.
34:21We leave tomorrow morning instead.
34:23Anna hasn't got Milo.
34:24Oh, and she left her phone.
34:25That's where she went on, she didn't have a phone.
34:27What happened to Milo?
34:28We don't know.
34:29Mr. and Mrs. Irvine.
34:31Oh, police now.
34:32Detective Alker has spoken with Milo's teacher.
34:34He says Milo was picked up by a woman named Carrie Finch.
34:37Carrie Finch?
34:38Who the hell is Carrie Finch?
34:40Carrie Finch?
34:41Who is Carrie Finch?
34:43That's what we'd like to know.
34:46I'm Carrie, by the way.
34:48Oh.
34:48There is Carrie Finch.
34:51Anna.
34:52Nice to meet you.
34:53Nice to meet you.
34:54So, who do you work for?
34:56Jenny Kaminsky.
34:57Jenny.
34:58Oh, so that's how she's been able to pretend to be Jenny.
35:03So she's Jenny's nanny.
35:04The plot thickens.
35:06Miss Garcia, you're Milo's nanny, right?
35:08Yes.
35:09Have you ever spoken with Carrie Finch?
35:11Yes.
35:12Don't lie.
35:13Um, no.
35:15Why is she lying?
35:16Why are you lying, though?
35:18I've seen her, but we've never talked before.
35:21Why is she protecting Carrie?
35:23What if the nannies are in there together?
35:25Oh.
35:26There's something going on there.
35:28Okay.
35:35Hey.
35:37Okay.
35:38Hold, hold, Peter.
35:39Hold him.
35:40I have to just check the number.
35:42You just check it, okay?
35:44Oh.
35:46You arse.
35:47Oh, he's blaming the wife now.
35:50Hmm.
35:51Hang on.
35:51What's the title again?
35:52Just don't go there.
35:58Listen, listen.
36:00I'm...
36:01What an arsehole thing to do.
36:03Yeah.
36:04I bet he hasn't got any numbers of any of the people.
36:06He hasn't even got a bloody clue.
36:08I doubt it.
36:08He even knew he was on a play date.
36:09Exactly.
36:10Right, that's it.
36:11Ezra's not getting looked after by anyone else apart from me from now on.
36:15Isn't he going to Primrose Valley this weekend with man?
36:19After this weekend.
36:28In Blackpool.
36:30After you got engaged the other day, Jimmy was going, I'm married.
36:33Pete and his little sister Sophie.
36:36Anyway, we got talking about, you know, how, like, me and Paige are married and, you know,
36:40Auntie Soap and Uncle Ben are engaged and Jimmy said that he's married.
36:43To who?
36:44Colin.
36:45Aww.
36:46And I said to him, well, you could have picked a bit better, he's a bit of a dog.
36:49Went straight over his head.
36:51This week, the fancy world of I.N. dining was on the menu on Apple TV.
36:57See, this is all about gaining a Michelin star and I'm a bit done with Michelin stars.
37:03Oh, have you?
37:03Yeah, I think I am done with them.
37:05Oh, you're Michelin star mixed out, are you?
37:07I am, yeah.
37:09I want a proper meal on the plate.
37:11What would you rather, Michelin star or Toby Carverie?
37:15Toby.
37:16God, how could you take you to a Michelin star restaurant swigging like that?
37:29I've actually dined at one and five star rated food hygiene places.
37:35Well, that is the northern Michelin star.
37:37That is the northern Michelin star.
37:39On the southeast coast of Ireland, Chef Tony Parkin won't settle for anything less than
37:44two.
37:46Oh, so he's already got one.
37:48It's more difficult to keep the Michelin star than actually gain one because they're always
37:53looking to knock you off.
37:55You're pedistal.
37:56Yeah.
37:56Most of the team, like 22-year-old Sean, have barely worked in a professional kitchen.
38:01Oh, God.
38:01Oh, it's a young buck.
38:03Everyone's going to start somewhere.
38:04Yep, that's true.
38:05And chefing is a fucking hard industry, so let's give them their credit.
38:08It is a really good opportunity.
38:10Do you know what I mean?
38:11It's like going to train with Man City.
38:14Do you know what I mean?
38:15There's no doubt that trying to win two stars with rookie chefs is a tall order.
38:20As long as they show up on time and they're not slackers a bag of knackers.
38:23Ringing in sick.
38:24Exactly.
38:25Do you think you could take the pressure of a kitchen?
38:27I, as a pot wash, yes.
38:29Yeah.
38:30Not anything to do with the cooking.
38:31I could operate the dishwasher.
38:33No, you can't.
38:33Could you?
38:34I'm not sure you could.
38:34I don't think you could.
38:35For tonight's service, Dylan and Sean have a vital job of plating Tony's twist on haddock
38:40chowder.
38:41It's all in the presentation.
38:43You eat with your eyes.
38:45It's like a clutch of a car, yeah?
38:47It's like a little biting point and you want to hit that point every time.
38:50Even handing someone who's never worked in the kitchen before a cream gun.
38:53It takes long to master that.
38:55Swear.
38:56It takes long.
38:57Perfect, Dylan, if it's not.
38:58And that's the difference.
38:59Yeah.
39:0022 of them tonight.
39:01Make sure they're perfect, yeah?
39:02Just say, yes, chef.
39:03Now he said that to that young lad, he'll be like that with it and it'll be going all
39:07off because he's nervous.
39:08Is that domed?
39:13Is that domed?
39:14Oh, fucking hell.
39:15That's not even...
39:16Oh, no, no, no.
39:17I'm not sure that's going to go down well.
39:19So that's going up the top there.
39:20That one's not even covered.
39:21That's not covered.
39:22That's not covered.
39:22That's not covered.
39:23That's got shit around the sides.
39:25Yes, chef.
39:26Right.
39:27Right.
39:28So do it all again then.
39:29I'd start crying.
39:30I'd be like, why are you being so mean to me?
39:31Please stop.
39:32And if someone's food tastes salty, you know why.
39:35My tears.
39:36I guarantee after he's just told Sean that, it'll have gone in here, straight out of there.
39:44It's absolute garbage.
39:45Absolute fucking garbage.
39:47Oh, Tony's getting a bit stressed.
39:49I mean, surely to God you've got to give him a bit of leeway.
39:52Just get everything out there, bring it over.
39:54I'll do it myself.
39:54Oh.
39:56Someone's tired.
39:58That's going to knock those young people's confidence big time.
40:01Well, it's a pressurised environment.
40:03These are Hartie's oysters.
40:05These are 14 years old.
40:07So what we're going to do with this is just carve it into three.
40:09These oysters are almost as old as these guys are.
40:12That's sad.
40:13The poor oysters have lived all that time without being caught.
40:17And now these greedy millionaires are going to eat them.
40:19These have all got to be equal, yeah?
40:22So it's pretty simple.
40:23It's hard to cut things in equal slices.
40:25How does his knife do that?
40:27Because he's got good knives that don't cut from Argos.
40:31Oh, shit, I'm scared for Sean.
40:35Oh, please get this right.
40:37Sean, wake up.
40:39You've got fucking dickloads of watermelon on the second one in.
40:42Dickloads?
40:43What's a dickload?
40:43I don't know.
40:44I've got a new phrase.
40:46I'm going to have dickloads of baked beans on toast later.
40:50You need to hurry up.
40:51I said just stick me on the pot wash.
40:53I'm sick of this.
40:54Can I not do, like, concierge or something, Tony, instead?
40:58Wait, did you do it again?
41:00Honestly, Sean, I'm doing the fucking head in.
41:03Oh, God, you're doing Sean's fucking head in and all.
41:06No, I wouldn't have that.
41:08Well, the best thing to do is...
41:10I say, shove your oysters up your ass.
41:12Absolute fucking waste of time.
41:14You, go away.
41:16Gamma Sight.
41:16Oh, my God.
41:17Oh, my days.
41:18Oh, my God.
41:20Poor Sean.
41:20To be fair, when I go in the kitchen sometimes,
41:22when you're doing tea and they open up a cupboard,
41:24you go, what the fuck are you doing in here now?
41:26Can't you see him doing tea?
41:27Fuck off!
41:29Kate.
41:29Kate.
41:32In Kent.
41:34Jake, are you wearing skinny jeans?
41:36Can you come here?
41:37Sally and her sons Jake and Harry.
41:40You are slaying!
41:41Yeah?
41:45I am.
41:48No, it was intentional.
41:51It's a strong look.
41:52They're not that skinny.
41:54Slim fits the word.
41:58On Tuesday night,
42:00they were sorting out more dodgy dogs down under on Channel 5.
42:04Do you know what?
42:05Me and Paige actually say about Colin,
42:07that he's the best company that we could have.
42:09I know you two sit and cry about when he's dying.
42:11Oh, don't.
42:12Because I think he'll actually make me well up now thinking about it.
42:15Because, you know...
42:15Ugh.
42:16Yeah, but he is...
42:17You do just think, like...
42:19They don't live forever, do they?
42:20You are a fucking loser.
42:22No, he's...
42:23I am welling up now because he is class.
42:26Like, he's got...
42:26Yeah.
42:27He's a good lad.
42:28Mm-hmm.
42:29Aw.
42:29He's one of me kids.
42:30He's my firstborn, like...
42:32Aw.
42:32Look at those doggies.
42:36You know what?
42:36I think we've got to get a dog again.
42:38No.
42:38No.
42:39No.
42:40No.
42:40No, no, no.
42:40We don't need to go to Australia to see dogs behaving badly.
42:43We'll just come round here.
42:45Go round your house, more like.
42:47These two are angels.
42:48Golden Retriever Goldie is the heart of this household.
42:54Oh, I love Golden Retrievers.
42:57I was named after a Golden Retriever.
42:59Who the fuck had a Golden Retriever called Abbey?
43:02Asked me mum, I don't know, but I was called after a Golden Retriever.
43:05Pin wrap.
43:07One more time.
43:08And the apple of owner Will's eye.
43:10She looks very well behaved.
43:11She's a beaut, she, isn't she?
43:13That looks a very cute little dog.
43:15Yeah, you wait.
43:16You wait, Jane.
43:16And Goldie just adores Will.
43:20Aww.
43:22What?
43:25Why are they playing that music?
43:27A lot.
43:32Oh, no!
43:34That's the issue.
43:35Oh, no.
43:37But why is he putting on with her?
43:38He's just reading a book as if nothing's happening.
43:40Well, you couldn't really concentrate on the Da Vinci code, which...
43:44Is that what he's reading, is it?
43:46I don't know.
43:46I'm just using it as an example.
43:48She doesn't do it to my mum or dad.
43:50No one.
43:52Only him.
43:53Well, yeah, because he's fucking letting about looks of it.
43:55Well, that's it.
43:57I'm just my left leg.
43:59Never my right leg.
44:00What is it about that leg?
44:02Well, you put your left leg in.
44:03Your right leg out.
44:05It's like he's leaving his leg out there to tempt her.
44:07It's so embarrassing.
44:09We can't have people at the house.
44:11Well, if it's been neutered, then it's okay.
44:13It's not okay.
44:14There's nothing okay about that, Rosalba.
44:16Do you know what I like to look at this, like, glass half full?
44:19You know, she's not bitten anybody.
44:22Rory, get off.
44:23Rory, get off.
44:24That was Milo.
44:26Bro, if that was Milo, I'd be like, fuck off, Rob.
44:28Like, even if I'm getting changed or if I'm in the bath, I, like, hide my boobs from Lior.
44:36Here's our Graham.
44:38He'll sort this out.
44:39Let's get the top bollocks in.
44:41Right, Graham.
44:41Right, Graham, can you stop this dog from shagging my leg?
44:44She normally humps me when I lie down, and especially my left leg.
44:47Your left leg?
44:48Yes, my left leg.
44:49Never your right leg?
44:49Never my right leg.
44:51Funny, that.
44:52Have you thought about cutting your leg off, sir?
44:54I think you've been a bit too nice with her.
44:56Too nice, yeah.
44:56Graham's already decided who's the culprit is.
45:01Yeah, I think he has.
45:02To make it crystal clear enough is enough...
45:05Oh, there we go.
45:06..every time Goldie tries it on, she'll be told...
45:09It doesn't take a genius to know that, I'm sorry.
45:12I was going to say, I don't think Graham needs to even be here.
45:14Enough. Enough.
45:16But will it be enough?
45:18Can you be more assertive with your voice, please, Will?
45:20Put some bass in your voice, son.
45:23Enough.
45:23He's being quite soft enough.
45:25If anything, he's almost flirty.
45:28Yeah.
45:28Stop it, you.
45:29Enough.
45:30Next time you say enough, it needs to be a little bit more forceful.
45:33Enough!
45:34Stop shagging me leg!
45:35He's not got to be aggressive, but he has got to be firm.
45:38OK.
45:39Like I am with you.
45:40Oh, yeah.
45:41You need to get a less attractive dog to hump him.
45:44Yeah.
45:44Yeah.
45:45That's it.
45:46You're right.
45:46Yeah.
45:47If you had like a bulldog.
45:48Yeah.
45:49If you had a French bulldog humping, it'd be like, get off.
45:54Did we all disagree that Goldie's an attractive dog then?
45:57Yeah.
45:57Yeah.
45:58Very quickly as well.
45:59Yeah.
46:00Picture yourself in a nice, remote Scottish holiday park where you're supposed to be getting
46:09away from it all, but the exact opposite happens.
46:12Our dark, thrilling drama, Summer Water, is available to stream now, and Samantha Morton
46:16stars in our major new stylish historical drama, France 1560 gets a 2025 makeover with
46:23the gripping story of the Serpent Queen.
46:26Stream or watch tomorrow at 5 past 10.
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