ಚೌಕಿದಾರ್ ಕನ್ನಡದ ಆಕ್ಷನ್-ಥ್ರಿಲ್ಲರ್ ಚಿತ್ರವಾಗಿದ್ದು ಚಂದ್ರಶೇಖರ್ ಬಂಡಿಯಪ್ಪ ಬರೆದು ನಿರ್ದೇಶಿಸಿದ್ದಾರೆ. ಚಿತ್ರದಲ್ಲಿ ಪೃಥ್ವಿ ಅಂಬಾರ್ ಮತ್ತು ಧನ್ಯ ರಾಮ್ಕುಮಾರ್ ಮುಖ್ಯ ಭೂಮಿಕೆಯಲ್ಲಿದ್ದಾರೆ. ಸಾಯಿ ಕುಮಾರ್, ಶ್ವೇತಾ, ಸುಧಾರಾಣಿ, ಧರ್ಮ, ಮುನಿರಾಜು, ಅರ್ಜುನ್ ಕೌಟಿಲ್ಯ, ಬೆಂಜಮಿನ್ ಸಂದೀಪ್, ಗಿಲ್ಲಿ ನಟ, ಮತ್ತು ಹಲವರು ಪ್ರಮುಖ ಪೋಷಕ ಪಾತ್ರಗಳಲ್ಲಿ ಕಾಣಿಸಿಕೊಂಡಿದ್ದಾರೆ. ಚಿತ್ರಕ್ಕೆ ಸಚಿನ್ ಬಸ್ರೂರು ಸಂಗೀತ ನೀಡಿದ್ದು, ಸಿದ್ದು ಕಾಂಚನಹಳ್ಳಿ ಅವರ ಛಾಯಾಗ್ರಹಣವಿದೆ. ಜ್ಞಾನೇಶ್ ಬಿ.ಮಾತಾಡ್ ಸಂಕಲನ ಮಾಡಿದ್ದಾರೆ.
Chaukidar is a Kannada action-thriller film written and directed by Chandrashekhar Bandiyappa. The film stars Pruthvi Ambar and Dhanya Ramkumar in the lead roles. Sai Kumar, Shwetha, Sudharani, Dharma, Muniraj, Arjun Kautilya, Benjamin Sandeep, Gilli Nata, and several others appear in prominent supporting roles. The music for the film is composed by Sachin Basrur, with cinematography by Siddu Kanchanahalli. The editing is handled by Jnanesh B. Matad.
-------------------------------------------------------
#Chaukidar
#ChaukidarMovie
#KannadaCinema #Shivarajkumar
#Sandalwood #KannadaFilm #ActionThriller #PruthviAmbar #DhanyaRamkumar
#ChandrashekharBandiyappa
#SachinBasrur #SaiKumar #SandalwoodMovies #IndianCinema
#KannadaMovies #FilmUpdates
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ಬೆಂಗಳೂರಿನಲ್ಲಿ 'ಸಲಾರ್' ಅಡ್ವಾನ್ಸ್ ಬುಕ್ಕಿಂಗ್ ಹೇಗಿದೆ? ಕನ್ನಡಕ್ಕೆ ಎಷ್ಟು ಶೋ ಸಿಕ್ಕಿದೆ? :: https://kannada.filmibeat.com/news/salaar-bengaluru-advance-booking-report-kannada-and-telugu-shows-count-076683.html?ref=DMDesc
~HT.188~PR.451~CA.174~ED.35~##~
Chaukidar is a Kannada action-thriller film written and directed by Chandrashekhar Bandiyappa. The film stars Pruthvi Ambar and Dhanya Ramkumar in the lead roles. Sai Kumar, Shwetha, Sudharani, Dharma, Muniraj, Arjun Kautilya, Benjamin Sandeep, Gilli Nata, and several others appear in prominent supporting roles. The music for the film is composed by Sachin Basrur, with cinematography by Siddu Kanchanahalli. The editing is handled by Jnanesh B. Matad.
-------------------------------------------------------
#Chaukidar
#ChaukidarMovie
#KannadaCinema #Shivarajkumar
#Sandalwood #KannadaFilm #ActionThriller #PruthviAmbar #DhanyaRamkumar
#ChandrashekharBandiyappa
#SachinBasrur #SaiKumar #SandalwoodMovies #IndianCinema
#KannadaMovies #FilmUpdates
Also Read
'ಲಕುಮಿ' ಸುಷ್ಮಾಗೆ ಅನಾರೋಗ್ಯ; ಕೂದಲು ಉದುರಿ, ತೆಳ್ಳಗಾಗಲು ಅದೇ ಕಾರಣ! :: https://kannada.filmibeat.com/tv/yare-ni-mohini-serial-fame-sushma-shekar-opens-up-on-her-health-issues-094271.html?ref=DMDesc
ರಾತ್ರೋ ರಾತ್ರಿ ಅಣ್ಣಾವ್ರ ಸಿನಿಮಾ ಕಟೌಟ್ ಮಕಾಡೆ ಬಿದ್ದಿತ್ತು; ಆ ರಾತ್ರಿ ನಡೆದ ಘಟನೆ ಏನು? ಗಲಾಟೆ ನಡೆದಿದ್ದೇಕೆ? :: https://kannada.filmibeat.com/features/rajkumar-movie-anuraga-aralithu-cut-out-fell-and-the-miscreants-created-a-ruckus-080637.html?ref=DMDesc
ಬೆಂಗಳೂರಿನಲ್ಲಿ 'ಸಲಾರ್' ಅಡ್ವಾನ್ಸ್ ಬುಕ್ಕಿಂಗ್ ಹೇಗಿದೆ? ಕನ್ನಡಕ್ಕೆ ಎಷ್ಟು ಶೋ ಸಿಕ್ಕಿದೆ? :: https://kannada.filmibeat.com/news/salaar-bengaluru-advance-booking-report-kannada-and-telugu-shows-count-076683.html?ref=DMDesc
~HT.188~PR.451~CA.174~ED.35~##~
Category
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NewsTranscript
00:00This is the release of Chowkidaar cinema from Jan Moor.
00:04You never know.
00:31on 25th Diaz
00:36he gets in the blue note
00:37The audience is shocked
00:41He thinks that he's still waiting for me
00:43This Game is the Alseason
00:46It's the original title
00:49The film cast is the character on the trailer
00:52No, this is just the film
00:54The plot is a film
00:57the character has turned on
01:01Hello, my name is Nanuchindana.
01:06This is Jan Moor's release.
01:10This film is a handsome, beautiful, beautiful, gorgeous film.
01:16This film is a very difficult question.
01:22This film is a very difficult question.
01:25This film is a very difficult question.
01:28And you will enjoy it and you will enjoy it.
01:32And you will welcome it to the model.
01:35Namaste, Ibrahim.
01:36Thank you Vishan.
01:37How are you?
01:38You are super.
01:39I am going to complain first.
01:41If you are waiting for the Hindi release, you will wait.
01:44And you will postpone it.
01:46No, I don't think so.
01:48From what I know, you will release it.
01:51Maybe the Hindi song will be released.
01:55Maybe the Hindi song will be released.
01:58Maybe the Hindi song will be released.
02:00Mostly the Hindi song will be released.
02:02But I felt like I am very relaxed.
02:05But we are waiting.
02:07And the model has said congratulations.
02:10I am very excited.
02:12I am going to scroll and research on the cinema.
02:16I am very positive reviews.
02:19It is interesting.
02:21There is action.
02:22There is family drama.
02:31There is love.
02:32There is romance.
02:33So emotions.
02:34Really, you have clarity.
02:37I'm going to go ahead actually.
02:39There are many different aspects in cinema.
02:42There is action, there is family drama, there is love, there is romance.
02:49So, emotions.
02:51There are very deep emotions.
02:53So, I'm going to go ahead and ask you as an audience.
02:57I'm going to go ahead and ask you all about this.
03:04How about this film's 30th film?
03:06I'm going to go ahead and share it on the trailer.
03:07I'm going to go ahead and share it with the teaser.
03:10There are all the drama, all the fight, all the expectations.
03:12In the trailer, we have a family drama, a love story.
03:16I'm going to go ahead and ask you all the confusion.
03:20I'm not seeing anything at all.
03:22It's not that.
03:23I am not sure.
03:24Thanks.
03:25And I've always said that.
03:27I've always wondered if you have an answer or another.
03:29I've never even answered that.
03:30It's not that you have any other answer.
03:33If you say something different you can sit on a bed coat.
03:35It's a whole aspect of cinema.
03:38I've watched a trailer teaser,
03:40what's it for?
03:41A family drama,
03:42it's all the aspects of this.
03:44It's like I'm not going to go back to my dad,
03:47I'm not going to get to my dad.
03:49It's all about me.
03:51and else than that we are all entertainers.
03:55In a film, there is a lot of action, family emotions and comedy.
04:03So, everything comes to this film, we try to cater to each other.
04:09I am a sci-commercial, a Sudharani mom.
04:13So, he is famous for the dialogue king.
04:16He is famous for acting like that.
04:20It is a learning experience.
04:22Because it is over the 50th year in the cinema industry.
04:26So, it is a very good learning experience.
04:29In the days of this film,
04:31there is a lot of action.
04:33Every actor is not a process.
04:37So, there is a process and acting.
04:41There is a lot of enthusiasm for these people.
04:44And I think that young actors are inspiring.
04:49I think that they are very successful.
04:51There is a lot of length.
04:52There is a lot of effort to shoot.
04:55There is a lot of effort to shoot.
04:57I am also the one and the one.
04:59So, it was a wonderful experience.
05:01There is a lot of effort to experience.
05:04Because you are our dialogue record.
05:07And the fan girl moment.
05:10Fan girl moment.
05:11And the, of course, Saikumar sir, he is known for his dialogues.
05:18And growing up, I am not in college.
05:21I am very happy with him.
05:23We used to love listening to it.
05:25We loved him.
05:26So, I am not doing the same thing as a cinema.
05:28I am not doing the same thing as a space share.
05:31So, I am not doing it.
05:32So, I am not doing it.
05:33So, I am doing it.
05:34It is a very proud moment.
05:36And I am doing it.
05:38then one request.
05:39I am doing it.
05:40On the last day of our short shoot
05:41we had at the same time on our recording.
05:44And we loved it.
05:45And it was very special of me.
05:48And here that to you.
05:50I really have connected.
05:54We am not doing the same time.
05:55Our sake is now, it is our favorite project.
05:57And here it is!
05:58And, we learned it.
06:00We prepared, we were waiting on the same table.
06:01Yes, there is.
06:03So, except for our own crew,
06:05She's too sweet and she's so gorgeous.
06:33She's a very proud moment.
06:39I'm a senior actor.
06:42She's a complete package.
06:44She's a full rock.
06:46She's a big fan.
06:48She's a big fan.
06:49She's a big fan.
06:51She's a big fan.
06:53She's a big fan.
06:55She's a big fan.
06:58She's a big fan.
07:04She's a big fan.
07:06She's a big fan.
07:15She's also a big fan.
07:16She's a big fan.
07:18She's a good fan.
07:20If you look at your Instagram profile or your previous cinema, or your posts,
07:28you can look at the trailer.
07:32Who is it?
07:33Who is the other one?
07:35But that's all actors.
07:37That's one of those actors.
07:39When they come to the other actors,
07:42they will be able to find the other actors.
07:44They will be able to find the other actors.
07:47They will be able to find the other actors.
07:51If you look at the other actors,
07:53they will be able to find the other actors,
07:55the other walking style, the other costumes.
07:57That's what they will be able to find the other actors.
08:02I can't compare them to the other actors.
08:06There's so many action sequences.
08:08But it's still the same as they feel.
08:13So, Dhania and Saikumar are all the same.
08:17If you have any questions, these two are characters.
08:22I think the video was viral.
08:24It was like a big boss man.
08:28It was viral.
08:30I don't know how much time it was.
08:33I didn't know how much time it was.
08:36I didn't know how much time it was.
08:39It was like an experience.
08:41It was like a movie.
08:43It was like a movie.
08:45It was like a movie.
08:47And in that situation,
08:49he was very irritated.
08:51He was like a movie.
08:53In real.
08:55So, I was like a movie.
08:59But it was so great.
09:01You know that BTS is behind the scenes.
09:03You know that on screen.
09:05You know that.
09:07You know that.
09:09You know that.
09:11It's too funny.
09:13And the total look.
09:15Presence changed.
09:17The complete one.
09:19Raw look.
09:21It was like a movie.
09:23But it was like a movie.
09:25It was like a movie.
09:27It was a movie.
09:29So, it changed.
09:31There was a place in the village with a village, and in the village and other villages, and the village, and there was a place in the slum, and there was a place that he was leaving、
09:44and then he was making the experience that he was having this place, and than that he had my most challenging and experimental role.
09:59At the same time I was a favourite.
10:02Every actor, who is the one who's a fan of us,
10:05is to try and try and try.
10:12So, I have the chance to get to this film.
10:15Sirinna, there is a lot of sentiment in the cinema.
10:20That's why I watched this trailer note.
10:22I'd like to support this film at the moment.
10:25So, in real life, you have a connection with your father.
10:30I think everyone is the first hero of my life.
10:38I am very inspired by the people.
10:44I think everyone is the first hero of my life.
10:49and the people are very proud of.
10:52To me, they are very inspiring.
10:56I have always had my life, and I have always had my life,
11:01but they are not.
11:02They are friends like everyone.
11:07If anyone is here, they will go to meet and they will meet.
11:12They are not even in the same room.
11:14They are a very interpersonal relationship.
11:19I have to go on and get a phone.
11:22I have to talk to each other.
11:25I have to say,
11:30I am a very inspiring person.
11:40I am a hero,
11:42so I will try to show your personality.
11:47So, you are your father's essence?
11:51Definitely. That's what you are.
11:53Body language,
11:55I have a lot of courage. My father is very courageous.
11:58I have a lot of courage.
11:59I have a lot of courage.
12:04As a father, you are the father.
12:07You are the father's life.
12:09You are the father's life.
12:12Obviously, I am proud of you.
12:15I am proud of you.
12:21That's why I am proud of you.
12:22I am proud of you.
12:25She is the father's life.
12:29But I am enjoying it.
12:30Right now, she is three and a half years old.
12:32I am really enjoying it.
12:37She is very, very, very special.
12:40It is not that you just code words.
12:43It is not that you do, you do, you do, you do.
12:46You have to get worse even though.
12:47That's very different.
12:50That's them, you have to get worse.
12:51Really enjoying.
12:54It is a great pleasure.
12:57How about you?
12:58You know that all of our family are connected to the king.
13:04They also have a people like the king and the king.
13:08Even if you don't want to inspire people, you don't want to inspire people, you don't want to inspire people, you don't want to inspire people.
13:15So, you are a family. You are a father.
13:20We are watching the cinema.
13:23Off the screen.
13:24My father.
13:25My father and my relationship are very different.
13:30We are very different from face to face.
13:36But I think behind, there is one of my biggest pillars.
13:41He is a silent lover.
13:56He is a silent lover.
13:58He is the one of my favorite things.
14:00He is the one who takes care of him, affection, priethe.
14:06And he can take respect of him.
14:10So, it's just between others.
14:13So, if someone has said that, the judge will tell you.
14:16Explain it.
14:19And the senior actors are not working.
14:24The working style is different from the generation of the work style.
14:29What is the difference in acting-wise?
14:32No, it doesn't matter.
14:33We don't have any questions.
14:35We don't have any questions.
14:37We don't have any questions.
14:38But we don't have any questions.
14:40That's why we don't have any questions.
14:42That's why we don't have any questions.
14:46We don't have any questions.
14:48It's very inspiring.
14:49We don't have any questions.
14:51Because there's a saturation point in life.
14:55So, we don't have any questions.
14:58But those actors and long-run actors are a common trait.
15:10That's why we don't have any questions.
15:12That's why we don't have any questions.
15:14That's what I usually say.
15:16In the first place, I'm going to be a surprise.
15:22Life is going to be a surprise.
15:24I'm going to be a surprise.
15:25I'm going to be a surprise.
15:26I'm going to be a surprise.
15:30I don't know anything.
15:31We don't have any thoughts.
15:32We don't need any thoughts.
15:34We don't have any thoughts.
15:35Let us know when we do the good questions.
15:36But that is,
15:37you know,
15:37if we do the best thoughts on that,
15:38we don't have any thoughts on our story,
15:39we don't have any thoughts on our story.
15:41I don't have any thoughts on that.
15:42Everything has any thoughts on our story.
15:43We have a lot of thoughts on our story,
15:45but we have all one,
15:46and others.
15:47Also, I'm sharing my friends' questions.
15:49All of us are in our work and in psychomercers.
15:54It's very inspiring to us.
15:57And usually, when I say that,
16:02when I say that,
16:04when I say that,
16:06when I say that,
16:07when I say that,
16:09when I say that,
16:11when I say that,
16:13when I say that,
16:15I say that,
16:16when I say that,
16:18but,
16:19you meet those things on the landscape.
16:21I say that,
16:22I think,
16:23they'll bring you all,
16:24and,
16:25and,
16:26like if I say,
16:28you know,
16:29but,
16:30when you talk about that attitude,
16:32it's important.
16:33I think,
16:34when I say that,
16:35in that time,
16:36it can be hard.
16:37It can be hard.
16:38It can be hard.
16:39It can be hard.
16:40It can be hard.
16:41It can be hard.
16:43because each of you is not having a social media, reach, and say to the actor, you don't have to stop in cinema
16:51and if you stop in cinema, you simply don't have to stop that
16:54and then once you subscribe to our audience, you can stop in your audience as well as our favourite actor
17:03that's the reason why
17:04this is what I am doing
17:06there are so many different types of cultures, distractions
17:09so I think it's a simple living
17:11So, it's simple to give people a child.
17:14This is because...
17:16Social media.
17:18Complicated people.
17:20And in the cinema, there are multi-languages released.
17:25So, it's a fancy word for Pan-Indian.
17:27So, how do you think these languages are released?
17:30Do you have any kind of planning?
17:32No, you don't have any kind of planning.
17:34But, first, it's a release.
17:36It's a lot of different languages.
17:39Definitely, Telugu is released.
17:41Yes.
17:42It's also a plan for the Telugu.
17:44And, there are many languages.
17:47And, it is not meant to be.
17:50It's not meant to be.
17:52It's not meant to be.
17:54It's a nativity.
17:55We are also a part of the project.
17:57This is a part of the project.
17:59This is a part of the project.
18:01This is a part of the project.
18:03It's a part of the project.
18:05This is a part of the project.
18:08It's a part of the project.
18:09It's a part of the project.
18:11It's a part of the project.
18:13It's a part of the project.
18:15So, what I found out is,
18:17Local is the new global.
18:20Okay.
18:21Local is the new global.
18:23Yeah.
18:24Go local.
18:25Go local.
18:26It's local for locally.
18:31It's local for locally.
18:36Rather than going to explore some generic ideas,
18:41we need to explore some of our native ideas.
18:44We need to explore some of these ideas.
18:49Usually, we need to explore some of our native ideas.
18:55We need to explore some of our native ideas.
18:58So, that's how we can explore some of our native ideas.
19:01I don't know what to do.
19:05I don't know how to use slang.
19:07I don't know how to use slang.
19:09I don't know how to use it.
19:11That's why I use it mostly.
19:15I don't know how to use it.
19:17I don't know how to use it.
19:20So, it was not that tough.
19:23It's a big game.
19:25You can guess the dialogue in the cinema.
19:29You can tell me.
19:30I was just going to say.
19:32You can tell me.
19:34I don't know how to use it.
19:35I don't know how to use it.
19:37I don't know how to use it.
19:39I don't know how to use it.
19:40I don't know how to use it.
19:42It's a big game.
19:43In the cinema, I want to use it as a hero style.
19:46The first one is.
19:48The Flash of the French is a자.
19:53And you can tell me how to use it.
19:55You can tell me how to use it.
19:56It's really a famous style.
19:58You know.
19:59You're going to study it?
20:03Yes.
20:04You're going to study it.
20:05Okay.
20:06Okay.
20:07Nowagraha.
20:08You're going to study it.
20:09You're funny.
20:10The second one.
20:14Yes sir.
20:16Yes sir.
20:18Obviously we are not sure.
20:22He is still silent.
20:24He is still silent.
20:26And the other is still silent.
20:28And the other is still ready.
20:30And the other is still ready.
20:32Is this Sudhir?
20:34It's the world.
20:36Yes, correct.
20:38Hebbuli.
20:40I can't make the connection.
20:42Next show.
20:43Okay.
20:44Harana, Zaiqarana, Namag Nave.
20:46Apu, sir.
20:47Hahaha.
20:49I thought I was going to kill you.
20:52I believe you're going to kill you.
20:55Of course, you're going to kill me.
20:57Shivona Mamanda.
20:58We're going to miss him.
20:59Shivona Mamanda, next show.
21:00Obviously.
21:01Long hit.
21:02Shivona Mamanda.
21:03Come on.
21:04Long hit.
21:05It's not a long hit.
21:07You're a rowdy.
21:08You're a rowdy.
21:09You're a rowdy.
21:11It doesn't have a move to a job.
21:12יפwa means he says.
21:13You're a psycho master?
21:15Yes.
21:16I knew it.
21:17So, I'm confused.
21:18Okay.
21:19You're a boy.
21:20I don't want to kill you.
21:21We get sick, sorry.
21:22Okay.
21:23So, there are no injure.
21:24So, people will not kill you.
21:25This is your mother.
21:26Oh, that's your mother.
21:27I didn't know that.
21:28Oh, that's your mother.
21:29I knew it.
21:30No.
21:31I knew it.
21:32I can't kill you.
21:33Okay.
21:34We're going to kill you.
21:35We're going to kill you.
21:36You're going to kill you.
21:37Yeah.
21:38I didn't lose you.
21:39They are decent.
21:45That's what I'll tell you.
21:46I say that we are going to use the same thing.
21:49That's right.
21:50They don't want to use that same thing.
21:53Okay.
21:54The pain is going down.
21:55Shocked.
21:56Yeah.
21:57I'm not going to touch anybody.
22:00It's not going to touch anybody.
22:01No.
22:02They're not going to touch everybody.
22:04Okay.
22:05This is our...
22:06Kempagod.
22:07Okay.
22:08Okay.
22:08Now, please.
22:10Don't you put this hand in your hand in a second.
22:14Don't you put this hand in front of me.
22:17Ronapura?
22:19Shona said that.
22:21Shona, Mama.
22:22Bairathira.
22:23Bairathira, girl.
22:24That's it.
22:25No, no, no. It was Ronapura. It was like stinging.
22:27My last hand, I said 100% to 100%.
22:30He is just a kid.
22:32He is just a kid.
22:33My dad.
22:34Rajkumar.
22:35I don't know.
22:36So, I'm going to talk about the famous zero dialogue.
22:40KELU, KELU, KELU, KELU.
22:42It's a big time.
22:44It's a big time.
22:45It's a big time.
22:46It's a big time.
22:47Correct.
22:48Thanks.
22:49We're going to party.
22:51I'm going to go to the cinema again.
22:54Okay.
22:56I'm going to go to the cinema.
22:58You've also trained hard times.
23:00You've played karate.
23:03You've played karate.
23:05You've played karate and karate.
23:06No.
23:07It's like this.
23:09It's been too big time.
23:11So, you've been exploring too many days.
23:15So, you've helped the fights for fighting?
23:18And can I play karate?
23:20Yes, I'm a child who's playing a lot.
23:22You've played karate.
23:24So, you've played karate at college time.
23:26No, no.
23:27But soon I will have to watch wrestling and martial arts and kicks.
23:34You can't do anything, you can't do anything.
23:39No, I can't do anything.
23:43You can't do anything with your friends.
23:50Because there is no trailer.
23:53You never know.
23:55There's one fight sequence.
23:58Is it a lot of fun?
23:59I don't want to.
24:00What is it?
24:01No, no, no.
24:02I don't want to.
24:03It's not a lot of fun.
24:05Oh, no.
24:06I don't want to.
24:07I don't want to.
24:08I don't want to.
24:10I don't want to.
24:12I don't want to.
24:13No, no.
24:14You're silent.
24:16I don't want to.
24:18I don't want to.
24:20You're not...
24:24.
24:25I don't want to.
24:27Silence.
24:29No, I don't want to.
24:32You don't want to.
24:38It's a human mentality.
24:41I can understand, I can relate.
24:44You can relate.
24:46I think it's a good thing.
24:48I think it's a good thing.
24:50But still...
24:52Okay, coming back to the cinema.
24:55I think we have to take a lot of sequences.
25:00Because there are all kinds of elements in this trailer.
25:04And there are family values.
25:06There are break-up.
25:08There are songs that are still there.
25:11It's a good thing.
25:13This cinema, usually, is not a good thing.
25:16Honestly, I would like to say that
25:18We are in Canada's cinema industry.
25:20It's a good thing.
25:22It's a good thing.
25:24It's a good thing.
25:26The content and quality are important.
25:29So, what do people expect this cinema?
25:32How many?
25:34It's a family drama.
25:36And it's a good thing.
25:38Usually, usually, the films or the other,
25:42are many films or were in the first place.
25:44In a first place,
25:45they are thought of the audience.
25:47Or you could talk to the audience.
25:51They are the same in the same context.
25:53I think the cinema is very constructive.
25:56And that's why I was interested.
25:58But as much member of my work that I've done,
26:00I had to try to explore the human emotions.
26:06Saikumar sir, Abhinaya,
26:09beautiful performance and Sudharani ma'am,
26:12all of them.
26:13Even the actors are doing this,
26:18the music, action,
26:22all the elements are in the cinema.
26:26Especially Chandashekar Bandiyapasar,
26:29Shailiya cinema,
26:32so this is Shailiya family drama.
26:35Our fans are watching the cinema.
26:38They are watching the film.
26:40They are watching the film.
26:42They are watching the film.
26:44Yes.
26:45On the 30th Jan,
26:46our cinema is watching the film.
26:48We are watching the entire family.
26:50We are watching the film.
26:52And we are watching the film.
26:55One last question.
26:57If we have a father,
26:59we don't want to know that.
27:01We don't want to know that.
27:04we don't want to know the film,
27:06we don't want to know that.
27:11We don't want to know that.
27:14We are also talking about the horror
27:18I swear, I am not joking. I want to explore that genre. I want to explore mystery and thrillers.
27:27So, I want to explore a nice thriller subject.
27:32How is it?
27:33I want to explore that genre.
27:36He wants to explore it. He wants to explore it. He wants to explore it.
27:41I want to explore a comedy film, a war film.
27:46So, I want to explore a war film.
27:51When I started my direction,
27:54I wanted to do a comedy film.
27:58I wanted to explore it.
28:01It's a horror comedy.
28:03It's not a horror comedy.
28:05It's a sign.
28:08I wanted to explore some of my films.
28:13As you would say, I was very calm and composed.
28:16It's a compliment.
28:18I can't tell you it is calm and composed.
28:21You are having a wife.
28:23Take that back.
28:27I was Ngannoy and I was very close to you.
28:29She was a close friend.
28:30She was a brother.
28:31She was younger than me.
28:32I am still one of three daughters.
28:34Even if she is a father.
28:35She had the answer to me in that scene.
28:37Actually, you are short-tempered, isn't it?
28:40No, I don't know. I don't know.
28:43I don't know.
28:44I don't know. I don't know.
28:46I don't know.
28:47I don't know.
28:48You are calm and composed.
28:50I am actually calm and composed.
28:53Correct.
28:54So, you have to eat a little bit?
28:57No, I don't know.
28:58I don't know.
28:59But I don't know.
29:03So, what's in the cinema?
29:04In the cinema.
29:07We have to be quiet, though.
29:08The cinema is so much,
29:12The cinema is so interesting.
29:14So, the cinema is a very interesting story.
29:16I don't know.
29:22In the cinema, they are talking about dialogues in my cinema.
29:25The audience is a very generous statement.
29:29They are saying that they are more a message.
29:34I am an actor who is acting like a scene.
29:36I feel like I'm not acting like the scene.
29:38Or I feel like I'm acting like that.
29:42All you've ever heard about is that you're being very exaggerated.
29:47And I said,
29:48I was telling you.
29:49I was telling you,
29:51but I was coming late.
29:52This phone is very hard in the cinema.
29:57It's my feeling.
29:59So, this is a great opportunity to hear our films.
30:03And thank you so much for talking to you about the cinema and the showkidara cinema.
30:16Thank you so much.
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