ಫೈಟ್ ಮಾಸ್ಟರ್ ರವಿವರ್ಮ ನಿರ್ಮಾಣದ ರಾಜ್ ಬಿ ಶೆಟ್ಟಿ ನಟನೆಯ ಬಹು ನಿರೀಕ್ಷೆಯ ಸಿನಿಮಾ ರಕ್ಕಸಪುರದೋಳ್ ಹಾರರ್ ಥ್ರಿಲ್ಲರ್ ಕಥಹಂದರ ಹೊಂದಿದ್ದು, ಈ ಸಿನಿಮಾ ಕುರಿತು ಗೌರವ್ ಶೆಟ್ಟಿ ನಮ್ಮ ಫಿಲ್ಮಿಬೀಟ್ ಜೊತೆ ಎಕ್ಸ್ ಕ್ಲೂಸಿವ್ ಆಗಿ ಮಾತನಾಡಿದ್ದಾರೆ.
The much-anticipated film “Rakkasapuradol,” starring Raj B. Shetty and produced by Fight Master Ravivarma, is based on a horror-thriller storyline. Regarding this film, Gaurav Shetty has spoken exclusively with our Filmibeat.
#RakkasaPuradol #RajBShetty #GowravShetty #Prems #Ravivarma #FightMasterRavivarma #KannadaCinema #Sandalwood #TrailerLaunch #FilmEvent #MovieLaunch #KannadaFilmIndustry #CinemaNews #FilmyNews #UpcomingKannadaFilm #CelebsAtEvent #FilmPromotion
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'ಲಕುಮಿ' ಸುಷ್ಮಾಗೆ ಅನಾರೋಗ್ಯ; ಕೂದಲು ಉದುರಿ, ತೆಳ್ಳಗಾಗಲು ಅದೇ ಕಾರಣ! :: https://kannada.filmibeat.com/tv/yare-ni-mohini-serial-fame-sushma-shekar-opens-up-on-her-health-issues-094271.html?ref=DMDesc
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ಬೆಂಗಳೂರಿನಲ್ಲಿ 'ಸಲಾರ್' ಅಡ್ವಾನ್ಸ್ ಬುಕ್ಕಿಂಗ್ ಹೇಗಿದೆ? ಕನ್ನಡಕ್ಕೆ ಎಷ್ಟು ಶೋ ಸಿಕ್ಕಿದೆ? :: https://kannada.filmibeat.com/news/salaar-bengaluru-advance-booking-report-kannada-and-telugu-shows-count-076683.html?ref=DMDesc
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The much-anticipated film “Rakkasapuradol,” starring Raj B. Shetty and produced by Fight Master Ravivarma, is based on a horror-thriller storyline. Regarding this film, Gaurav Shetty has spoken exclusively with our Filmibeat.
#RakkasaPuradol #RajBShetty #GowravShetty #Prems #Ravivarma #FightMasterRavivarma #KannadaCinema #Sandalwood #TrailerLaunch #FilmEvent #MovieLaunch #KannadaFilmIndustry #CinemaNews #FilmyNews #UpcomingKannadaFilm #CelebsAtEvent #FilmPromotion
Also Read
'ಲಕುಮಿ' ಸುಷ್ಮಾಗೆ ಅನಾರೋಗ್ಯ; ಕೂದಲು ಉದುರಿ, ತೆಳ್ಳಗಾಗಲು ಅದೇ ಕಾರಣ! :: https://kannada.filmibeat.com/tv/yare-ni-mohini-serial-fame-sushma-shekar-opens-up-on-her-health-issues-094271.html?ref=DMDesc
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ಬೆಂಗಳೂರಿನಲ್ಲಿ 'ಸಲಾರ್' ಅಡ್ವಾನ್ಸ್ ಬುಕ್ಕಿಂಗ್ ಹೇಗಿದೆ? ಕನ್ನಡಕ್ಕೆ ಎಷ್ಟು ಶೋ ಸಿಕ್ಕಿದೆ? :: https://kannada.filmibeat.com/news/salaar-bengaluru-advance-booking-report-kannada-and-telugu-shows-count-076683.html?ref=DMDesc
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NewsTranscript
00:00It's a teaser note that it's all different.
00:07I didn't even know the film, but it's a bit different.
00:10It's a bit different.
00:12It's a bit different.
00:14It's a bit different.
00:16What are you talking about?
00:19It's a bit different.
00:22If you want to know what you want to do, you want to know what you want to do.
00:27That's why you want to know what you want to do in Pakistan.
00:30Yesterday, the first shot is a good one.
00:33Hello everyone.
00:35My name is Chandan.
00:37We are busy in the back-to-back movies.
00:42We are being released in February 6th.
00:45We are being released in the film.
00:49We are being in suspense.
00:52We are being released in the film.
00:54So, if you want to know what you want to know, you can hear from the film.
00:58Hi.
00:59You are great.
01:00You are great.
01:01I am great.
01:02Now, we have a teaser.
01:03Three or four of us.
01:04You can't see anything.
01:06No, but in the cinema, you can see anything.
01:09Now, we have a curiosity.
01:10What do you want to see?
01:11Is there a police or a villain?
01:15Is there a comedy genre?
01:18Is there a police?
01:20There is a comedy and thriller.
01:22There is a TV show.
01:24There is no TV show.
01:25It is not a TV show.
01:26Raj sir is from Kunal.
01:28It is a TV show.
01:29So, Raj sir is not a troupe.
01:31Yes.
01:32100%.
01:33It is not a problem.
01:35No.
01:36No.
01:37Raj sir is not a TV show.
01:38No.
01:39No.
01:40No.
01:41Sorry.
01:42That's a sense of humor.
01:43Do you want to know what it is?
01:51So how can bank or the one in Bengal room stay?
01:53Yeah, for them, for their vision, you should be a better person whose vision is.
01:57They've got the vision on it.
01:59And they're very tough.
02:00They've got eight employees.
02:01So, now, if someone wanted to act, the start came to act as a concept.
02:07They've got an idea.
02:08And the rest of them was very easy to act.
02:10And so, in their lives, no reason they would do it.
02:12And the people who want to cooperate.
02:14So, in the future, you can do it at all.
02:15So, they just don't do it.
02:16I think that that's impossible to make.
02:17Yeah, with everyone.
02:18It's okay.
02:19It's engaging in the set.
02:21It's engaging in the set.
02:23The artists are engaging in the set.
02:25It's engaging in the show,
02:27so I don't know if it's all.
02:29It's all.
02:31You can see all the back to back cinema.
02:35There are many films and the Raka Sapuradol.
02:39It's all busy.
02:41Madam, I think it's been a long time.
02:45It's been a long time.
02:47They also make the film.
02:49They make the film a very good release.
02:51That's why they make a super hit release.
02:53They make the film a little bit busy.
02:57But they make films very busy.
03:01They make films very busy.
03:03So, you have a competition?
03:05I have a competition.
03:07All the films are young.
03:09If you're young, you're young.
03:11If you're young, you're young.
03:13If you're young, you're young.
03:15But some documentary goes into the teaser notes.
03:17There's totally different,
03:19mystery.
03:21Suspense.
03:23Thrilling subject.
03:25We're happy with this.
03:27So, we're trying to shoot.
03:29Challenges,
03:31because we don't like comedy,
03:33we're still serious subject.
03:35There's a mystery,
03:37challenging.
03:39It's a challenge.
03:41Your fun is to take us.
03:43It's really fun to play in the game.
03:47But I feel like you're in the game, but I'm very excited.
03:50But I'm still so excited about the character.
03:56We're in the next level of the challenge.
04:02I'm sure you've lived in the next level.
04:05We've served some of the country and we haven't even talked about it yet.
04:12That's not a coincidence.
04:14The fulgada did not come to the house.
04:16The city didn't come to the house.
04:18They didn't shoot the house.
04:20They were shooting the house as well.
04:22I got the Thorsen director.
04:24That's why the location is dedicated to it.
04:26They can only shoot the house in the cinema.
04:28They don't shoot the house.
04:30But the forest isn't there.
04:32That's why we're in the forest.
04:34They are a decent location.
04:36How did you get to the house?
04:38Sir, what are you doing?
04:40I also spoke with the main theme of Rakshita Madam.
04:45But he is watching a short film sort of film.
04:50The stories are coming out on Instagram.
04:54But the character of Ravih sir who is a director and the cover was written in the movie.
04:59They were the one who talked about his performance.
05:03He was the one who talked about his short film.
05:07Ravi Sar has the note in short films, but he has the rehearsal to the film, Raj Sar.
05:12He has his own way. He has the same character.
05:16Raj Sar is the one that has the same feature.
05:19He has the same feature.
05:22So, if you see Manel, you entertain a short film note,
05:28you are a common man with celebrities.
05:31So, this is the growth note.
05:33I think it's hard to get out of the way, but I think it's hard to get out of the way.
05:39So how do you get out of the way?
05:41It's hard to get out of the way.
05:43I haven't seen a short film before.
05:47I've seen a short film for 6 years.
05:54It's been a struggle for 3-4 years.
05:56It's been counted for 9 years.
06:01So now the film is it's hard to get out of the way.
06:04You get out of the way as soon as it gets out of the way.
06:09So we don't ever get out of the way of reading movies in the first place.
06:15So the film is just me and I never get out of the way.
06:21I got out of the way as well.
06:23Since the cinema industry is a big game for some artists.
06:28I think Raj is a big one, and you are a big one.
06:31But we are not a mangalo.
06:32We are a mangalo, but we have a connection.
06:34Raj, I don't think we are a big one.
06:39You don't think we are a big one.
06:41Actually, this is Ravisar.
06:43Referment is a great one.
06:45That's not a big one.
06:46It's not a big one.
06:47It's not a big one.
06:49Okay, I think it's a big one.
06:52When we started, we started coming to the village to get to the village in the village.
07:00You do not expect us to find a village to start.
07:03Then we are like, you're only parts of the village in the village.
07:09That's a big one.
07:15If there is a village in the village, we are very happy.
07:19In Karnataka, the language of Karnataka is changed in 60-80km.
07:26So, there is a lot of change in Mangalur Bagad.
07:31That is Karnataka.
07:33That is why we are talking about Kelsa.
07:35We are talking about Kelsa.
07:37We are talking about Kelsa.
07:39We are talking about Kelsa.
07:41We are talking about Kelsa.
07:43We are talking about Kelsa.
07:45We are in back to the cinema.
07:47We are talking about Kelsa's police.
07:50Even sad about Kelsa's police.
07:53Even true, we've so used to job with a few of them.
07:55No...
07:56I was just yet looking at this a little bit,
07:57A little bit asked about it,
07:59I have not heard it,
08:01but I think we will see that he has any curiosity.
08:03Maybe he'll see the unique curiosity.
08:06Is it a peaks of cinema?
08:08i see how I look at watching a new video,
08:11I also rubbed it in a group of weeks.
08:13It's a mindset that we can get our expectations.
08:17But if we don't expect it, we can get better.
08:23I had to build up the world, and I had to build up the world.
08:30We can get better than that.
08:33We can get better than that.
08:35I don't know if you have a combination of the cinema and theatres.
08:40But I don't think it's off-screen, Raj Bhish.
08:43It's all over.
08:44And you have to kill a treat.
08:47You have to be able to kill a lot.
08:49You have to be able to kill a lot.
08:51That's why.
08:52And there, you can't kill a lot of actors.
08:58You can't kill a lot of actors.
09:00You can't kill a lot of actors.
09:02You can't kill a lot of actors.
09:03We used to kill a lot of actors, not a lot of actors, not a lot.
09:08But I know that there's a lot of actors.
09:12But if you're a actor, you can't kill a lot of actors.
09:17You can't kill a lot of actors, or have to kill a lot of actors.
09:19But I'm not scared of the actors.
09:23But I don't know what to do.
09:24I'm scared of the actors.
09:26But if the director of Ravish Sar started to do a lot of actors,
09:32We have to do it with a career.
09:33We don't have any trouble with that.
09:36We can still treat that after a while.
09:39We can still treat that.
09:43I can still treat that after a while.
09:46That's all.
09:47It's very happy.
09:48No problem with that.
09:50Okay, Ravi Verma sir.
09:52He's also a great industrialist.
09:54He's a fighter.
09:55Fight Master.
09:56He's a producer.
10:00So that's it.
10:01As a matter of time, you can be involved in the cinema industry.
10:04Yes, I do.
10:05I think that we have zero background in the industry.
10:07We have to take care of it in a little bit.
10:10We have to do a great job.
10:13When we started starting with the film, we have a lot of people who have made it.
10:18We have a lot of people who have made it.
10:23We have to talk about the industry.
10:26But if there is a lot of people who have made it,
10:27I think it's a great deal of the film.
10:30But the audience is very happy that the producers and producers are all connected to the industry.
10:38They act like a character.
10:41They do it and they are all the same.
10:43But they say, okay, they are all connected to the industry.
10:49But they are all connected to the industry.
10:52They are all connected to the industry.
10:54They like to shine in the game.
10:58That good it is.
11:00Next worst filmers are a lot of in their mouth.
11:03They usually aren't a lot of in their mouth.
11:06Right, so they have to do their own language.
11:08They are going to hear the film and play it out.
11:14So, they want to play the film and play it a lot.
11:18Then we have to play a lot of the producers.
11:20But they're playing the movie as well.
11:23Sir, if you don't have a fight, you don't have a fight.
11:27You don't have a fight.
11:29No, you don't have a fight.
11:30No, you don't have a fight.
11:33So, you don't have a fight.
11:35You don't have a fight?
11:37No, you don't have a fight.
11:38Now, it's almost night shoots.
11:40Because you know the teaser is a complete pitch.
11:45There's a day.
11:47There's a day, there's an investigation part.
11:50There's a mystery, there's a night.
11:53There's a thrilling elements that you can connect to at night.
11:58So, there's a night with a day.
12:00There's a night with a day.
12:01So, who's your name?
12:02No.
12:03Tell me.
12:04My name is my name.
12:08Okay.
12:09Now, if you're talking about off-cinema,
12:11you're ready to talk about the release of the cinema.
12:14So, you're ready for that.
12:16Do you want to get involved in the promotion?
12:19That's where we didn't have the background of the cinema industry.
12:25Both of us have everyone who's out.
12:27All of us are on the rise.
12:28We'll start filming a short film for a team on the rise.
12:31but one of them has been taking the background of the industry.
12:34They don't support us.
12:35No part of us.
12:36So, you want to try to promote the promotion.
12:39You want to try to promote the role of the film.
12:41So, when someone asked me to say, I was going to film a film, I was going to film a film.
12:48I was going to film a trailer and I was going to film a film.
12:53In short films, I was going to be a dedicated dedication to my project.
13:00I was going to film a film and I was going to film a film.
13:05But for the first film, the first film is the main question of our team.
13:11For the first film, it's 100% great.
13:14It's a great entertainment film.
13:15It's a great film.
13:18It's a great film.
13:21It's a great film.
13:23If you're a super hit, it's like the Gilly fans.
13:27Because it's a finale.
13:31You are the final of the year, so you can say that the Ghillie Cup is still here in Karnataka, so how do you say it?
13:39Yes, you can say it, but there is no option, but there is no option, but there is no option, but there is no option.
13:49You can say it, you can say it, you can say it, you can say it.
13:53One thing I would like to say is that we would like to say it, but not only if we would like to do a dance, we would like to say it.
14:05Yes, Ghillie, I have heard that you can tell that you have a sense of humor, comedy timing, but after the film is working on you, people have usual expectations, so how do you do comedy timing?
14:20So, what are you doing off screen?
14:26No, there are people who can do music.
14:31Some of them get out of the way, some of them get out of the way, some of them engage in that.
14:40Some of them get out of the way.
14:42Some of them get out of the way, some of them get out of the way.
14:46It was very nice to be in Karnataka, but it was very nice to be in Karnataka.
14:52Sir, I noticed that the trailer event was very engaging.
14:58They were like, you or your girlfriend or something.
15:03It was very interesting to see the sequence.
15:07The genre of Ghillie was a big one.
15:11It was a big one.
15:13But we had to work on them
15:15We had to work on them
15:17So I was thinking about how to manage
15:20If we keep moving on the road
15:24We can go to the road
15:26So we have to come a little differently
15:29So did you get a tattoo on your toes?
15:33Did you put a tattoo on your toes?
15:35Did you put a tattoo on your toes?
15:36I was happy
15:38I was happy that everyone is getting busy
15:41I think we have a lot more expectations.
15:46I think you can have a big boss.
15:49No, I don't have a big boss.
15:51It's a secret.
15:53There is a cooking channel and I don't have a big boss.
15:58But I think that the present scenario is that the talent is still working.
16:07I was playing a lot of cinema, I was playing a lot of people, and I was playing a lot of people.
16:13So this is a fake type of film.
16:15This is a real talent for people to support people.
16:19There is a lot of inspiration for people to play a lot.
16:21I was able to play a lot of people to play a lot.
16:26Next, there is a big boss.
16:28No, I don't know.
16:29I don't know.
16:31I don't know how to play a lot of cinema.
16:33If they were to work with that situation.
16:38They would be training at home.
16:41They will be training.
16:43Yes, they will be training at home.
16:47They will be training.
16:52If they come and ask me, I will be able to help them.
16:56But there are no plans.
16:58No.
17:02That is coming back to cinema.
17:06I am told you before,
17:08you can't get any of these challenges.
17:14So it is also a growth problem.
17:16Back to back cinema is busy,
17:19is ready to release.
17:21What else would you say, sir?
17:23Andra, I am able to support you.
17:25I know that I am able to support you.
17:29This is support and
17:31Now, whatever you put in your entertainment,
17:33you are supporting your support.
17:36Thank you, thank you very much.
17:38Thank you, sir. Thank you so much.
17:40Now, I am Rutanzan cinema, Rakkasapuradol cinema,
17:43and the super-rich cinema, and our film will be Tandarinda.
17:45All the best. Thank you, sir. Thank you so much.
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