- 2 days ago
ಮೊದಲನೇ ಬಾರಿ ನಾಯಕ ನಟನಾಗಿ ಕಾಡ ನಟರಾಜ್ ನಟನೆ ಮಾಡುತ್ತಿರುವ ಕರಿಕಾಡ ಸಿನಿಮಾ ಬಿಡುಗಡೆಗೆ ಸಿದ್ಧವಾಗಿದ್ದು ನಾಯಕಿಯಾಗಿ ನಿರೀಕ್ಷಾ ಶೆಟ್ಟಿ , ನಟನೆ ಮಾಡುತ್ತಿದ್ದಾರೆ ಕೆ ವೆಂಕಟೇಶ್ ನಿರ್ದೇಶನ ಈ ಸಿನಿಮಾಕ್ಕಿದ್ದು ಈ ಚಿತ್ರದ ಬಗ್ಗೆ ಚಿತ್ರತಂಡ ಕೆಲವೊಂದಷ್ಟು ವಿಚಾರಗಳನ್ನು ಎಕ್ಸ್ಕ್ಲೂಸಿವ್ ವಾಗಿ ಫಿಲ್ಮಿಬೀಟ್ ಜೊತೆ ಮಾತನಾಡಿದ್ದಾರೆ
The film “Karikada”, which marks Kaada Nataraj’s first outing as a lead actor, is all set for release. Niriksha Shetty plays the female lead in the movie, which is directed by K. Venkatesh.
Ahead of the release, members of the film’s team spoke exclusively to Filmibeat, sharing interesting insights and details about the movie
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ರಾತ್ರೋ ರಾತ್ರಿ ಅಣ್ಣಾವ್ರ ಸಿನಿಮಾ ಕಟೌಟ್ ಮಕಾಡೆ ಬಿದ್ದಿತ್ತು; ಆ ರಾತ್ರಿ ನಡೆದ ಘಟನೆ ಏನು? ಗಲಾಟೆ ನಡೆದಿದ್ದೇಕೆ? :: https://kannada.filmibeat.com/features/rajkumar-movie-anuraga-aralithu-cut-out-fell-and-the-miscreants-created-a-ruckus-080637.html?ref=DMDesc
ಬೆಂಗಳೂರಿನಲ್ಲಿ 'ಸಲಾರ್' ಅಡ್ವಾನ್ಸ್ ಬುಕ್ಕಿಂಗ್ ಹೇಗಿದೆ? ಕನ್ನಡಕ್ಕೆ ಎಷ್ಟು ಶೋ ಸಿಕ್ಕಿದೆ? :: https://kannada.filmibeat.com/news/salaar-bengaluru-advance-booking-report-kannada-and-telugu-shows-count-076683.html?ref=DMDesc
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The film “Karikada”, which marks Kaada Nataraj’s first outing as a lead actor, is all set for release. Niriksha Shetty plays the female lead in the movie, which is directed by K. Venkatesh.
Ahead of the release, members of the film’s team spoke exclusively to Filmibeat, sharing interesting insights and details about the movie
Also Read
'ಲಕುಮಿ' ಸುಷ್ಮಾಗೆ ಅನಾರೋಗ್ಯ; ಕೂದಲು ಉದುರಿ, ತೆಳ್ಳಗಾಗಲು ಅದೇ ಕಾರಣ! :: https://kannada.filmibeat.com/tv/yare-ni-mohini-serial-fame-sushma-shekar-opens-up-on-her-health-issues-094271.html?ref=DMDesc
ರಾತ್ರೋ ರಾತ್ರಿ ಅಣ್ಣಾವ್ರ ಸಿನಿಮಾ ಕಟೌಟ್ ಮಕಾಡೆ ಬಿದ್ದಿತ್ತು; ಆ ರಾತ್ರಿ ನಡೆದ ಘಟನೆ ಏನು? ಗಲಾಟೆ ನಡೆದಿದ್ದೇಕೆ? :: https://kannada.filmibeat.com/features/rajkumar-movie-anuraga-aralithu-cut-out-fell-and-the-miscreants-created-a-ruckus-080637.html?ref=DMDesc
ಬೆಂಗಳೂರಿನಲ್ಲಿ 'ಸಲಾರ್' ಅಡ್ವಾನ್ಸ್ ಬುಕ್ಕಿಂಗ್ ಹೇಗಿದೆ? ಕನ್ನಡಕ್ಕೆ ಎಷ್ಟು ಶೋ ಸಿಕ್ಕಿದೆ? :: https://kannada.filmibeat.com/news/salaar-bengaluru-advance-booking-report-kannada-and-telugu-shows-count-076683.html?ref=DMDesc
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NewsTranscript
00:00This is promotional.
00:07If you saw the video, it is worth checking.
00:10I am looking forward to reading a question.
00:13I am turning it up.
00:14I am looking forward to doing music.
00:17What are those who recognized my cut?
00:23The very first time I am looking forward to making my cut.
00:29I have seen some of them here, they have to hear the music.
00:33They don't have to listen to the music in the world.
00:39But it's hard to listen to them.
00:40They have to say, they have to say, they have to say.
00:44They have to say, Rajbishop, Rishabhavar, Anishavar.
00:50They are amazing, they are amazing.
00:53Hello, we are going to be filming this film. I am by Eshwan.
00:56I am with the Karikada Film Film.
00:58I am talking to a team like this.
01:00So, I wish we could get to the first guest, please.
01:03First welcome, I am.
01:04Hello, sir.
01:05Hello.
01:06How are you, sir?
01:07Super, how are you?
01:08Thank you so much.
01:09Thank you very much.
01:10I am very excited for the trendings.
01:12And the people who are having the busiest style in the film are doing it.
01:19Sir, I am a bit by Eshwan.
01:20I am a bit too.
01:21It's a combination of the same thing.
01:23I was a fan of the film and I was a fan of the film.
01:27Why are you busy?
01:30I'm happy.
01:32I'm a singer and actor and music.
01:35I'm always learning to be very good.
01:39I'm always learning to be very good.
01:41I'm always learning to be very good.
01:45I'm always learning to be very good.
01:48We have a life experience in this field and Kelsa.
01:55So we have to talk about it.
01:57We have to talk about the industry.
02:02We have to talk about Kelsa and we have to talk about Kelsa.
02:08In a colorful field, one of the things that we have to talk about is busy.
02:15If we are a church and we have to talk about Kelsa and I think it's really good.
02:20We have to talk about Kelsa and our family.
02:26We have to talk about Kelsa and Kelsa and our family.
02:35We have to talk about the Kelsa and Kelsa.
02:41I was a kid.
02:44The first time I was a kid, I was a kid.
02:49I was a kid in March 2023 and I was a kid.
02:56I was a kid and I was a kid.
03:01I was a kid and I didn't care.
03:05I had to sing this song for two or three songs and get the same song and didn't get it.
03:13But, I had to sing the song again.
03:16But, if I was the song, I had to sing the song again.
03:20Sir, did you have to sing the song again?
03:23In my eyes, I was waiting to sing the song again.
03:26He was coming back the song, and I was playing the song again.
03:30He was singing the song again.
03:33My father, I was in the industry. I was in the education degree.
03:41That's why I told you, education is hard.
03:45Obviously, it's hard.
03:47So, when I said yes, I didn't say yes, I didn't say yes.
03:52So, when I said yes, I didn't say yes, I didn't say yes, I didn't say yes.
03:56I didn't say yes, I didn't say yes.
04:00Okay, let me tell you, you are watching the cinema in the busy days.
04:05At this time, you will not be able to enter the entire time.
04:09So, what was the day of the Kelsa?
04:13My life, I had three years of COVID-19, that was a problem.
04:19I was busy and I was busy.
04:22I was in the city of Kelsa.
04:26So, I was in the last December.
04:29But, our problem is that we are not secure.
04:32We are not secure.
04:35So, if we are going to enter, I will be able to enter.
04:38I will be able to enter.
04:40I will be able to enter the industry.
04:44When the coronavirus happened, there was a lot of problems.
04:47There was a lot of entertainment.
04:49Survival was the first time.
04:51So, it was three years ago.
04:54What is their field?
04:55Why is it going to go to the area?
04:57If it is going to go to a road?
05:00You have to go there?
05:01If you are sitting on the water field,
05:02or if you are going to go to a village?
05:04You are able to enter the area?
05:06You are able to enter three years ago.
05:07But, in the last year, it is not that much.
05:10Okay.
05:11Okay, I'm looking at two combinations and I'm going to interview you in the film
05:16and I'm going to tell you that you're going to be a part of the film.
05:20But you're looking at a nativity villain and you're going to select yourself.
05:27And you, sir, you're going to be able to tell the nativity of the village background music.
05:33For example, I'm going to tell you that Gowli is going to be able to tell the backdrop of the villain.
05:39And I'm going to tell you, how many combinations are you going to be able to tell the individual?
05:44I don't know I'm going to tell you about the plot of the project.
05:49I'm going to tell you about the same plot of the project and I'm going to tell you about the same plot.
05:55But the plot of that plot of the project is a support system.
06:04Our director, our director, the Gili Ventes, comes to the house and goes down.
06:12His house was very low.
06:15He lived on the house and was making up the house.
06:22He was sitting in the house and was living in the house.
06:32or a villain in the village, or a villain in the village.
06:39Especially in this situation,
06:45when I heard the song before,
06:50I heard the song before,
06:53I heard the song before,
06:58When you look at the theater, you have to be separated from BGM.
07:04How do you do this?
07:06You're also separated from BGM.
07:09You're also separated from BGM.
07:11You're also separated from BGM.
07:14I was a director of the point of view of the director.
07:18I'm happy to work with you.
07:22I'm happy to work with you in the beginning.
07:24You're acting.
07:26You're acting.
07:29I didn't do this.
07:30I'm going to do music.
07:32Yes, I'm happy.
07:33I'm not going to concentrate on that.
07:35It is not my tea.
07:39I don't want to play with you.
07:41I'm going to play with you.
07:43But obviously, if you're working with me, I'm not going to play with you.
07:48I'm very excited.
07:48I have a background music.
07:50I have a lot of music.
07:52I have a lot of music.
07:54I was talking about Gil and Venkta Sharjhath.
07:58I was saying that I was playing music in my way.
08:01So, I was talking about the introduction.
08:04I was talking about the introduction and I was talking about the introduction.
08:07I was talking about the acting.
08:11I was thinking that I was talking about the director.
08:16I was talking about the 100-100 films.
08:22So, when I was in this film, I was in the film because I was in the film.
08:29I was in the background score, and I was in the background score.
08:33It was the beginning of the film, but it was very difficult for me to work.
08:42I was in the background score, actually.
08:46I had a lot of time, but I had a lot of time.
08:52Sir, there is an icon, there is an icon, but there is a slang change.
08:58If you have a slang, you have a style, look-wise.
09:03So, there is an icon in the 80's.
09:08If you have a change in the slang, there is a lot of difference.
09:12I want to answer that one year.
09:18But when I started speaking, there is a lot of voice in the開発.
09:28So, there is a nice mistake and I have to correct it.
09:31I have to do it with a small time.
09:34The slang, how to do this, how to do this, how to do this?
09:38There was auarine so heArt�, who was 25's, got a uniformed one.
09:43Like, when they had a suit at the shooting, his head showed the defending.
09:46There was actually big figure Holop aí.
09:50So he kept going to meet with himself.
09:55I used to talk to my ears and put the mics together.
09:59Its important to do that because I said they'd rubbed by these people.
10:04Sir, for the film, we have to talk about a small task.
10:07At last time, we have to talk about a song in the last time.
10:11I'm going to talk about a singer like a music director.
10:14They have to talk about a song in my heart.
10:16But, I don't know if I have to talk about a song in the last time.
10:20But, I'll try.
10:22It's normal to talk about a movie.
10:25If I'm writing a song in my life, I'll talk about a song in my life.
10:30If you want to know something about it, you will be hard for each song.
10:37For example, if you want to go to college days, then you will go to Kelsu Koke.
10:43At the time of Kelsu Koke, you will find an introduction song for your hero.
10:47You will be hard for each song.
10:50You will be hard for each song.
10:52I have an introduction song in the shows.
10:56I have a list of songs.
10:59Remember the song in the shows.
11:00ંાાશાાશાઈશ્ટે આકીદેઓ મથારલ્ટે પરિતિહડ્ય્થેલારસીતીપ તીપરહ્ંવાશ્ય૫ારંલુંંતીહે�
11:30First time, you have to take the feeling of a feeling after the first time.
11:34That's the same as the audience.
11:38I was very excited to say about Atisha who was the director and use that took the show together.
11:44OH NANANALAY KABBINJALAY KUNDA BITYALAY KANSANNALAY
11:55Wow.
11:56You can't say that.
11:58So, wow.
11:59Now, there's a note in the first sight of the last song.
12:01So, let's open it up.
12:02Now, there's a note in the first sight of the last song.
12:03Now, there's a note in the Hebrew duet song.
12:04Let's open it up.
12:05Let's open it up.
12:06Let's open it up.
12:25Super.
12:26Super.
12:27Okay.
12:28Sir, as usual,
12:29love came and came,
12:30and said,
12:31you can break up.
12:33There's a feeling.
12:34Go ahead.
12:35With that work.
12:36Oh, please.
12:39Pretty, pretty ninnah, pretty, pretty ninnah,
12:45Sakunillisu.
12:49Ounday, ounday, ounday, ounday.
12:52Maatinelli, ninnah,
12:54aasetilisu.
12:57Nandahang,
12:59prashnigay,
13:00uttarisu.
13:02Ninnahang,
13:04rudayabani,
13:06arasu.
13:08Wow.
13:09Sir, break up point, sir.
13:11All right.
13:12All right.
13:13All right.
13:14All right.
13:15All right.
13:16All right.
13:17Let me focus on the words.
13:19Let me focus on the motivation.
13:20Alright.
13:21Let me focus on the words.
13:22Let me focus on the motivation.
13:24I don't know.
13:26Do you feel on the body?
13:28He is alive.
13:30He is alive.
13:31The sunlight
13:32is alive.
13:33You are alive.
13:35You are alive.
13:36We are alive.
13:38He is alive.
13:39and he is alive.
13:41It is alive.
13:43God,
13:45Happy ending, Krishnan.
14:15Happy ending.
14:22Happy ending.
14:24Happy ending.
14:25Namma Samsara, Ananda Sagara.
14:27Namma Samsara, Ananda Sagara.
14:30Preethi Amba Daiva Ve Nanagadhara.
14:34A Daiva Tanda Vula Vinda Bale Bangara.
14:39Super.
14:40Super.
14:43You are dancing, you are dancing and dancing.
14:46I think you are dancing.
14:48I am dancing and dancing.
14:49I am dancing with my God.
14:50I am dancing with my God.
14:52I am dancing with the music.
14:57Super.
14:59There is a challenge.
15:01But I am not saying that I did not do anything.
15:03I am dancing.
15:05I am dancing.
15:07I am dancing.
15:09Now, you are dancing.
15:11Okay. Sir, if you have any tasks or any scene,
15:15do you have anything to do in life?
15:18No. It's not happening. It's not happening.
15:21It's not happening.
15:22No.
15:23Love, first sight.
15:25No.
15:26No.
15:27No.
15:28No.
15:29No.
15:30No.
15:31No.
15:32No.
15:33No.
15:34Now, sir, if you have a lot of fun,
15:38you will have a lot of fun.
15:41Prema, prema, prema, prema, prema, prema, prema, prema, prema, prema, prema, prema, prema, prema, prema.
16:02This is Hariharan, sir.
16:04Anytime, this is my favourite song.
16:06I want you to listen.
16:08That's myаль.
16:09You can listen to me, sir.
16:10Where are you coming from?
16:12Not even though you are several hintants in love.
16:15No.
16:16That's half the hint.
16:17Not even though I feel like he is a fish.
16:19I've been beat up tired of this line.
16:21I've been beat up sophisticated and pasarwania.
16:29Just keep quiet on the part.
16:31Where are you going to give the fact that you are going to save yourself?
16:33He just gave me the ghost!
16:36That is the ghost!!
16:37The ghost is the ghost!
16:39The ghost is the ghost, the ghost is the ghost.
16:41The ghost is the ghost.
16:43He looks like him, but he doesn't show you it?
16:46Impressive.
16:48He feels well.
16:50I'm like, this is big.
16:54The ghost is a great hymen.
16:58Yes!
17:00Now, if you want to end the devs, the ones that you want to start and go through BGM.
17:04The ones that you want to start, is that the devs and the devs would be the ones that you need to make.
17:15I begged for that devs.
17:20I felt it's a Buteer.
17:23That's how we store it in one field.
17:26He was able to work out this way.
17:30So I'm going to work out this way.
17:34I'm going to work out this way.
17:38I'm going to work out this way.
17:42Yes, yes.
17:44Okay, I'm going to be a villain.
17:48I'm going to be a villain.
17:50I'm going to attract people.
17:52I'm going to be a villain.
17:54Yes, I'm going to be a villain.
17:56It's important to me.
17:58Sir, it's very important.
18:00I'm going to be a fan of this song.
18:04It's a music that's not silent.
18:06Emotionally, I'm going to say,
18:08we're going to learn how to learn music.
18:10We don't know what to do.
18:12We don't have to talk about the music.
18:14You're going to be a short-term.
18:16Then you're going to be a short-term,
18:18you're going to be a short-term,
18:20you're not going to be a short-term.
18:21It's a music that he's talking about.
18:23He's talking about happiness,
18:25he's talking about happiness,
18:27he's talking about happiness,
18:29he's talking about happiness.
18:33It's very powerful music.
18:35In the theatre, in the film,
18:37there's a power of music.
18:39That's what we can do.
18:41We can't talk about a song.
18:43I was talking about a song.
18:45I was talking about a song.
18:47That song,
18:49I was talking about a song,
18:51because he's talking about music.
18:55I was talking about music and I'm talking about music.
18:59That's the point.
19:01It's not the music.
19:03It's not the music that I can't do.
19:05It's not the music that I can do,
19:07but it's a blessing.
19:09It's a blessing.
19:11It's a blessing.
19:13It's a blessing.
19:15I was talking about a friend of Vikramanth,
19:17and that there are a music director.
19:19He's talking about music.
19:21He's talking about music,
19:23and he's talking about music.
19:25This movie might be talking about music.
19:27That's the end.
19:29It's all good.
19:31The song is being recorded by our bloke and the Bro-helds.
19:36When we listen and push, we break three times back in a night,
19:45We can't count it again, we can't count it or text it again.
19:49So we can call it again,
19:54That song is created by Athera.
20:01Athera is playing a song called a laptop.
20:06He's recording a song by a new iPhone.
20:12He's watching that.
20:14Athera is playing a song?
20:15He's playing a song.
20:17I think it's been a song called a new iPhone.
20:22If you don't have a record, you don't have a camcorder, or a recorder.
20:27That's why I didn't have a mobile phone.
20:29If I was a man, I didn't have a mobile phone call.
20:35That's correct.
20:37But in my opinion, when I was a director first-tune,
20:41that's okay.
20:44That's okay.
20:48We are the best.
20:51First singer and music director, do you like the direction of the cinema?
20:58No, I didn't know anything about it, but I wanted to do it.
21:06When I was born in the industry, I was the godfather of Nagantar Prasadha.
21:12I was the one who was doing it.
21:14I was the one who was the one who was the one.
21:16There are three singers among the top singers.
21:21Theylarda very large poets.
21:24They learn when they come the composer.
21:30No way.
21:32I wasn't wearing any used playback singer.
21:34No way.
21:36I was struck by some provisions in my тяж andragament year,
21:40On March 23rd, we recorded a recording from Bangalore Bappa Ashwini Studio.
21:47We recorded one song and we recorded three songs.
21:52When we were talking about a conversation,
21:57we started our journey to start our journey.
22:03I was the director of the assistant director and the director of the film.
22:10We watched a movie.
22:12We watched a movie.
22:16Every day, we watched a projector.
22:20We watched a movie.
22:23We watched a movie.
22:26We watched a movie.
22:29Every time it could go up, we watched a movie.
22:39'd say a head on the stage.
22:44Are you planning this?
22:46No, sir.
22:47Did we all again?
22:49Everything weéro all and Genau.
22:51Alright, though.
22:53We can stay here from the cinema.
22:57These were the specialists.
22:59So, you can't like them. I was like, I was like, I was like, I can't be like them.
23:06I was like, I said, Raj Bhishwati, Rishabhavar, Anishavar,
23:11I was like, I said, that's what they're doing. I said, they don't have to talk to me.
23:17That's why I'm so sorry, I'm so sorry.
23:20Come on, you've got a song, Ratani.
23:26Yes, that's not true, sir.
23:28Actually, there is a song in the female song.
23:47That's right, sir.
23:48So, this is the 6th February cinema release.
23:52So, let's start with the audience.
23:54Do you get the music?
23:56Yes, I have a few moments before the introduction.
24:00There's a movie called Mass and Class.
24:02It's a family entertainment movie.
24:04It's a movie that's close to the end.
24:07My hero and our director
24:09the child remembers the movie.
24:11He's got a new film.
24:14He's got the new films.
24:16He's got a new film.
24:18He's got a new film.
24:20He's got the new film.
24:22The film will be the way it is to act.
24:24We will be the way it is to act.
24:30We will be the way it is to act.
24:31We will be the way the way it is to act.
24:37I will be the way it is to act.
24:41Please, let us know what we are going to do to act.
24:44Sir.
24:45Our Karikada cinema is over in February 6.
24:48But, what's our scene?
24:51He's so proud of us.
24:54I'm attracted to the people of the world.
24:58I believe that you will be attracted to our audience.
25:01I will tell you about all the stories.
25:04I love you.
25:07I love you.
25:09I love you.
25:11I love you.
25:13I love you.
25:15I love you.
25:47Thank you, sir. Thank you.
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