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00:00You
00:10Previously on Tala Masca
00:13752 is real and it's in London
00:15Soledad Marcel investigation
00:17We have nothing to worry about
00:18Until she sends a replacement, she will
00:20We're leveling you down a notch
00:22You're not the bloody captain anymore
00:24Is it you?
00:25Oh, I like this guy
00:26Never told me your name
00:27Helen
00:28What's your name?
00:28It's Guy
00:29Cabot
00:30You're in so much trouble
00:42Okay, this one
00:43Hmm?
00:44The biggest mountain
00:45How many letters?
00:47Six
00:48Sahara?
00:49S-A-H-A-R-A
00:55Okay, 20 horizontal
00:57Three letters
00:58Weg in het Italiaans
01:01Ruik je het ons?
01:04Hey, bleef daar niet gewoon staan
01:10Slotel?
01:11Ja
01:11Klaar?
01:12Ja
01:12Drie
01:13Drie Нов
01:29Schwarzen
01:30Is alles verloren
01:33To be continued...
02:03To be continued...
02:33Open and shut.
02:35How much longer is this going to take?
02:38Why don't you head out?
02:39I can wrap up here.
02:41You sure you've got it?
02:42You said it yourself.
02:43Open and shut.
02:52That pipe won't drink itself.
02:55Shouldn't there be more blood?
02:56Thinking the same thing.
02:57Maybe he was moved.
03:01There'd be drag marks.
03:04And nothing shows up with the luminol either.
03:07She's only a little bit of a thing.
03:09She couldn't have moved him.
03:11I did find a strand of hair on our boy here.
03:16Doesn't look like it matches either victim.
03:19You run it for DNA?
03:20Yes, ma'am.
03:22And results come straight to me, all right?
03:25Let's see who else was in this flat last night.
03:29Live girls.
03:30Cupid era.
03:32Sexy.
03:33Sexy.
03:33Polish to the left.
03:34Polish to the right.
03:36Cuisere.
03:36Dances to the right.
03:52Strip club.
03:53Asians to the left.
03:54Polish to the right.
03:55Cupid's era.
03:57Sexy.
03:57Sexy.
03:58Sexy.
04:06Sexy.
04:15Oh, you're right.
04:17Yeah.
04:26See?
04:27See?
04:28Oh, shit.
04:32What the hell is going on?
04:49Oh, you're in so much trouble.
04:52How do you take your tea?
04:53It isn't horrific, you know, which is a miracle.
04:57Do you have any clue what I went to last night?
05:00We are aware of the situation.
05:01I'm sorry about the girl.
05:03I understand the two of you connected.
05:05Yeah, just like you planned it.
05:06No, it was a surprise to us.
05:08Canvas Papadorus was not one of ours.
05:10Then who was she?
05:11Don't tell me you don't know.
05:12She was a witch.
05:17A what?
05:18She belonged to a very old coven in St. John's Wood,
05:21Regent's Canal.
05:22They're having a wake for her this evening.
05:24They like to keep an eye on us.
05:26Presumably, that's what Papadorus was doing.
05:28Her particular gift was seduction and extraction,
05:32drawing people to her in order to gain information.
05:35So tell us everything you told her.
05:36I didn't tell her anything.
05:37We didn't talk much.
05:38Oh, you just hit it and quit it, huh?
05:40You're a real class act.
05:41Sit down, guy.
05:43I found her hanging.
05:45You understand me?
05:48And that Archie guy, that guy you made me follow,
05:50was throat ripped wide open.
05:52And I wouldn't have been there to see any of it.
05:54No, Jesus fucking Christ.
05:55I might be a suspect.
05:56No, guy.
05:57Your tracks are covered.
05:58Oh, yeah?
05:59Yeah?
06:02Then you'll just what, huh?
06:06You'll just sweep it away?
06:08You'll forget it even happened?
06:09Well, I can't forget.
06:10Do you understand?
06:12Her face was blue.
06:15And it was like she was looking at me.
06:19Now, you better read me in right now.
06:23Why am I here?
06:26Why are you here?
06:30What is this all about?
06:34Can you give us some privacy, Olive?
06:40Something very important has gone missing.
06:51It doesn't have an official name.
06:53We refer to it as the 752.
06:57I feel like I've blown this, right?
07:07Then he looks at me in the eyes.
07:08He says, that took real bollocks doing what you did.
07:11Speaking truth to a superior.
07:13So Owen's calling it a promotion?
07:15That's to call it what it is, mate.
07:17I'm going to be a director's affiliate.
07:18I didn't know there was a mother house in Jakarta.
07:21Yeah, well, you could block up the Thames with what you don't know, Robbie boy.
07:25Now, it's part of an advanced team.
07:29There's a bit of a mortal problem there.
07:33Yeah, we need to start gathering intelligence.
07:35Full house, up and running within a year.
07:38Up and stumbling with you at the tip of the sword.
07:40All right, I'm going to give you one more pint.
07:44One more pint?
07:45Yeah, go on.
07:45Come on, let's have another pint.
07:46Come on, come on.
07:53Patting the head is considered an evil omen by the inhabitants of Jakarta.
08:01What the fuck?
08:02Oh, God.
08:10The central library contained everything the telemasker had learned in our first thousand-some years
08:21since our founding in, can you guess?
08:24752 A.D.
08:28Every treatise, every folder, every file, genealogies, animosities, aliases, whereabouts, scandals, spells,
08:35more than a millennium of knowledge went up in smoke.
08:38Unless it didn't.
08:43Unless someone managed to create a backup.
08:46A backup?
08:47Of an entire library?
08:49That's what the 752 is.
08:52A codex, an atlas, a single volume that contains all of the telemasker's accumulated knowledge,
08:58created in secret by a rogue faction of our leadership and then hidden away.
09:02Wait a minute, so you're saying that everything in this massive library is now in this one book?
09:06It sounds far-fetched, I know.
09:09But 40 years ago, no one could have contemplated the Internet.
09:15People have different theories.
09:18Some people think it's a code or a map.
09:21Some say it's microfiche.
09:23That was state-of-the-art in the 70s.
09:25Some people think it's an enchanted object like Pandora's box.
09:30And some, well, some people think the whole thing is a myth.
09:35Yeah, but not you.
09:36Knowledge is the only leverage we have over the immortals.
09:40If the 752 does exist, it's the ultimate piece of leverage for us if we have it.
09:44Or for somebody else if you don't.
09:46The telemasker may well be destroyed if the book should fall into the wrong hands,
09:50and life would never be the same again.
09:52For everyone, mortal and immortal alike.
09:56Okay.
09:57What the hell happened last night?
09:59We have reason to believe the book is in London.
10:02Archie's arrival is only the latest piece of evidence to bolster that theory.
10:05A girl is dead.
10:06Now, what does this have to do with Kevis?
10:08Archie's been on the trail of the 752 for over a year.
10:11Someone or something led him to her.
10:13Why?
10:17Who was Archie?
10:18We think he was here on a contract from a fringe element in the London mother house.
10:23So did Archie kill Kevis, or did somebody else kill both of them?
10:26I don't know.
10:30We need you giving your connection to the girl to pursue the answer to that part of the puzzle.
10:35She was a target.
10:37Maybe because she has something now or after.
10:39For example, yes.
10:40Okay, let me get this straight.
10:41So, Kevis.
10:43Yes.
10:44Who's good at getting information out of people is dead.
10:46Archie's got a real knack for getting intel.
10:48He's also dead.
10:49And here I am with the same set of skills, and you want me to go poking around the same zip code?
10:53You are very gifted, guys.
10:54Stop saying that.
11:06Okay.
11:08Say you get your hands on this book, this thing.
11:12What do you do with it?
11:13Keep it from those who might use it to hurt people.
11:19No ulterior motives.
11:21I suppose one can't rule out the possibility that we all have ulterior motives, Guy.
11:26So?
11:35So what the hell was that at the club the other night?
11:38Trust me, you enjoyed it a hell of a lot more than I did.
11:42I'm your handler.
11:43I was handling you.
11:44If you were so worried about what I tell, Kevis, how come you didn't warn me?
11:47Look, I didn't know what her angle was.
11:49I thought we might as well play out the hand.
11:51Yeah, well, I guess she lost.
11:52Hey, look, I didn't know that she was going to get killed, okay?
12:01Guessing Helen gave you her whole song and dance about the 752.
12:05What, you don't believe it exists?
12:07Most people don't.
12:09Look, she knows things that I don't, and she's read into things I'm not.
12:12So it's not that I'm second-guessing her, it's...
12:15Well, it kind of sounds like you are.
12:19She's got a bug up her ass about it, that's all.
12:22She's acting a little...
12:23I don't know.
12:26Untethered.
12:27I'm obviously in excellent hands.
12:29Hey, look.
12:31If that book doesn't exist,
12:33and the library burned to the ground with all that information,
12:35how does the telemask still wield so much power?
12:39We're talking about a way of life
12:40that's existed almost unchanged for centuries,
12:44with individuals who...
12:45don't have very, very long memories.
12:51If you want someone to believe a lie,
12:53all you have to do is tell it to them over and over and over.
12:58I'm sorry, I'm actually back this way.
13:11I'll be in touch.
13:13Get some sleep.
13:15Yeah, that's what I'm gonna do.
13:18That's exactly what I'm gonna do.
13:28That's what I'm gonna do.
13:58Look, look.
14:29All right, come on.
14:45How come on,
14:48how are you?
14:50What are you,
14:51what are you,
14:52I'm gonna eat
14:55Hello?
15:24Guy.
15:27Yes?
15:28I just want to make sure everything's okay.
15:31Mr. Osterhaus, uh...
15:33Family comes first, yeah?
15:35You know, take whatever time you need.
15:37Oh, yes, thank you for, um...
15:40for calling.
15:42Uh, very kind to you.
15:44Look, if there's anything else going on,
15:48if money's an issue or if you want to talk about
15:51how we can make this job the best fit, you reach out.
15:53You're real important to us.
15:55Thank you, thank you.
15:56Um, no, I...
15:57I really appreciate you calling and giving me a lot to think about.
16:00Anytime.
16:01Okay, thank you. Yeah.
16:23I'll help you with something.
16:30I was a... a friend.
16:32Canvases.
16:33Never seen you before.
16:34A recent friend.
16:36I'm sorry.
16:37I didn't mean to intrude us.
16:38You can show your respects if you like.
16:39I'm sorry.
16:40You can show your respects if you like.
16:41You can show your respects if you like.
16:43Who is this?
16:44Who is this?
16:45Who is this?
16:46who is this?
16:48Who is this?
16:49Stranger
16:53Who is this then?
16:55I didn't mean to intrude us.
16:59You can show your respects if you like.
17:11Who is this? Who is this?
17:13A stranger.
17:14Who is this then?
17:15He knew Kevis. A friend.
17:17Oh, her type of friend, all right.
17:20How did you meet?
17:22At a bar.
17:24Right. Like I said.
17:26Whoosh!
17:39Hard to believe she's gone.
17:46This is, um...
17:48This is obviously a, uh...
17:54A family thing. I'll just...
17:56of course.
17:57Hey.
18:02Guy.
18:07I'm Doris.
18:11Hey, Guy, I'm Doris.
18:25She told me about you.
18:28She did.
18:33I just met her.
18:36She said you were a real catch.
18:37Yeah.
18:39But then again, she wasn't always the greatest judge of character.
18:48Come.
18:53You didn't know any better from here.
18:54It just looks like a nice, happy party.
18:57Yeah, it's a nice party, a very pink party.
19:02What was her favorite color?
19:05Your neighbors find it strange.
19:08Our neighbors are mostly Roman-y.
19:11They don't seem to mind.
19:26What are you doing?
19:28Nothing.
19:30If you want to ask me something, just ask.
19:34Are you, uh, are they...
19:35What?
19:36Does it matter?
19:37I know what you are.
19:39I don't have to ask.
19:41You're a liar.
19:42You just met me, okay?
19:43You're Talamasker.
19:45That's why she was following you.
19:46She was our little spy.
19:48She doesn't usually...
19:51didn't usually trust your ilk.
19:53None of us do, but she really did like you.
19:55Yeah, I liked her, too.
19:57Okay?
19:58I thought she was, um...
20:00authentic.
20:02Authentic?
20:04What?
20:06There's something that you say about a dusty old necklace at a garage sale.
20:12Garage sale.
20:13She was more than that.
20:18She was...
20:23She was fun.
20:27You're blushing.
20:30You're not cut out for this.
20:31Doris, wait.
20:32Kevis had this thing.
20:33This book in her backpack.
20:37A book?
20:38Yeah.
20:39This leather-bound book.
20:40Kind of strange-looking.
20:41Yeah, her scrapbook.
20:45She just stuck old pictures in it.
20:47Memories.
20:48That sort of thing.
20:49Yeah.
20:50Does she always carry it around with her?
20:51Always?
20:52I just...
20:53I think...
20:56Someone was after it, and I think Kevis got caught up in the middle of it.
21:00And the benevolent telemaskers are gonna come solve the case and give poor Kevis the justice
21:05she deserves.
21:07They can't be trusted, Guy.
21:09Do you hear me?
21:11You can't trust them.
21:13Just look at what happened to Soledad Marcel.
21:16Who the hell is Soledad Marcel?
21:30Well, I've customer.
21:31Let's ask...
21:32...
21:34Till...
21:35Oh...
21:36You know, my personal phone says,
21:37You know, I've just met you over...
21:39Now, I have a three-day delivery of people.
21:40No.
21:41Not that...
21:42That's fine.
21:43When Jack was security in quarters
21:44Someiquity has to thank you...
21:46While the keeps change andwarming you are all the way away.
21:47From où results will they be will.
21:48Without customers...
21:49I'll explain where they are.
21:50While she's made the truthère thing.
21:51In世, there'll have no help.
21:52These people bring down...
21:53When you're all ears about them...
21:54...
21:56...
21:57...
22:00Let's go.
22:30Let's go.
23:00That is. Ever.
23:02Let's go.
23:32The whole team is uneasy, and now the police are investigating Archie's death.
23:37I'm afraid Amsterdam won't tolerate much more.
23:41Hmm.
23:41Because I thought Amsterdam lets each motherhouse operate independently.
23:47To a point, yes.
23:48But when they come down, they come down hard.
23:51You enjoy looking over your shoulder?
23:54Waiting for Amsterdam to come finger-fuck you?
23:59Because I don't think they should have that much power.
24:01Is that what this is really all about?
24:05Power?
24:07Depends.
24:08I mean, from your perspective, this is really all about cancer.
24:14Right?
24:15Immortality can be tricky, but mortality's, uh...
24:26It's a real son of a bitch.
24:30Oh, and, um...
24:34It's not a wild goose chase.
24:37Why do you think Archie was killed?
24:40We're close.
24:41That's why.
24:43The book is here, in London.
24:46And we're not the only ones who want it.
24:48But we've got to stay strong.
25:08No cold feet.
25:10No wetting the bed about Amsterdam.
25:13Look at me.
25:14And no whining about your staff.
25:16Yeah?
25:31Data, boy.
25:32Chemo ain't gonna fix that, my friend.
25:35And hey, checkers, I mean...
25:37Maybe he'll love Jakarta.
25:46How's it going?
26:12Well, I'm playing Where's Wally, uh, with the entire city of London.
26:18So...
26:18Honest labour builds character.
26:21Also fucks my plans for the evening.
26:24Big date.
26:27What?
26:28Why are we still digging on this?
26:30I thought it was all wrapped up.
26:32Murder, suicide.
26:33Hmm.
26:33Call it due diligence.
26:35Bridge.
26:39I need your signature on something.
26:41I'm busy.
26:41I'll date later.
26:42I think you need to come do it now.
26:46Okay.
26:47Okay.
26:50Hello.
26:51Miss...
26:52Agent Wakefield.
26:54MI5, Ridge.
26:56I understand you've taken an interest in my case.
26:59Would you like to come through to my office?
27:00She just needs you to sign out the autopsy photos from the murder suey.
27:05And might I ask why you'd need those photos?
27:08Well, you might ask all you like.
27:10I'm afraid I can't give you any answers, though.
27:14I was at the scene myself.
27:16I'm sure I could offer some insight and...
27:17Just your signature.
27:24Sorry.
27:25May I see your credentials?
27:27Already done, Ridge.
27:28She checks out.
27:30Should I call Detective Huff?
27:34No.
27:34No.
27:36It's quite all right.
27:39Great.
27:41Thank you for your service.
27:51MI5.
27:51More like MI10.
27:53Print me out a copy of those photos.
27:55Hmm?
27:56Now.
27:56Now.
28:00You're making a big mistake here.
28:13I've got a second cousin who works at the Metropolitan Police.
28:16He's pretty high up.
28:17Do you know why?
28:17Because he's a nutter bastard.
28:20No mercy at all.
28:22Did you hear me?
28:23I'll come for you.
28:24You and that freaky yanked psycho.
28:27Let's go.
28:27Let's go.
28:44Okay.
28:45Okay.
28:45We can work something out.
28:46You and I.
28:48Come here.
28:49Um.
28:49Uh.
28:50What do you like?
28:52What do you like?
28:53Uh.
28:54Uh.
28:54Drugs?
28:55Uh.
28:56Girls?
28:56Girls?
28:57I-I-I-I-I-I-I can get you anything.
29:00Anything.
29:02Anything.
29:06Don't do this.
29:09Please don't do this.
29:11Don't kill me, please.
29:12Oh, I'm not gonna kill you.
29:18No, no, no, no.
29:41Water. Water. Water, please.
29:50Drink up.
29:55There you go.
30:01Now comes the hard part.
30:29There you go.
30:41There you go.
30:47There you go.
30:59There you go.
31:11There you go.
31:23There you go.
31:39There you go.
31:55There you go.
32:11There you go.
32:27There you go.
32:43There you go.
32:59You told me you could learn a lot about somebody by following them, but fuck if I know what you're doing in this place.
33:13What are you doing here?
33:15How did you find me?
33:17I picked you up outside your flat and I followed you.
33:19My flat? How did you-
33:21I clocked a black car out the front of Porky's, so I ditched Olive, I doubled back and I waited for you to come out.
33:27And I flagged a cab and I tailed you.
33:31Of course you gave the driver the wrong address because I ended up at a tea shop on Camden Lane and you must have slipped out the back door because that's where I lost you.
33:41So, I cased the neighborhood until I found the blandest looking storefront with a flat above it and the blinds pulled shut.
33:54And voila.
33:56I'm actually impressed.
33:58You gave me books to read on Spycraft, I read them. We like books.
34:02And what do they say about following protocol? We contact you. That's how it works.
34:07What the hell is this place?
34:09It's a telemasker facility, or it was. Top secret one.
34:21This seems like a charming spot. Lots of good vibes. What they used to do here? Torture puppies?
34:28They started marking me when I was a child, just like you.
34:32Only they didn't just keep tabs on me. They took me in when I was eight years old.
34:37They took you in.
34:39Brought me to live here.
34:40Your parents just let you go?
34:42They didn't have much say in the matter.
34:44What did the telemasker want with you at that age?
34:47They brought me here for testing.
34:49There were about 20 of us.
34:52I wanted to see what my mind could do if I had any special abilities.
35:07Memory, mathematics, intuition.
35:10It was all part of some hush-hush program.
35:13What kind of program?
35:16I never found out.
35:23Whatever they were looking for, I don't think I had much of it.
35:26Eventually they sent me to the States.
35:29Cambridge, Massachusetts.
35:31My uncle took me in.
35:32I was only here a couple of years.
35:54Others stayed much longer.
35:56So, the telemasker makes you into a human guinea pig.
36:15You think to yourself, that's who I want to work for when I grow up.
36:32They gave me a life when I had nothing.
36:35A week before I came here, both my parents died instantly when our Vauxhall hit a telephone pole.
36:41My father was driving. He liked to drink.
36:48Just like my mom liked to shoot drugs, right?
36:50That's the part where you tell me that we're not so different after all.
36:53Children from broken homes make outstanding spies.
36:57We're good at keeping secrets.
36:58Don't easily trust people.
37:00Especially those that lie to us over and over again.
37:05What do you want, Guy? Why did you follow me?
37:09The truth. All of it.
37:11The truth.
37:14Very well.
37:20The London Mother House has been infiltrated.
37:22Gregory Owen, its top man, has been turned.
37:26He's taking orders from a vampire named Jasper, who we believe is making use of the telemasker's personnel and resources to search for the 752.
37:35We fear he's close to finding it. That's why we brought you in so quickly.
37:38But given the incidents of the past few days, we need you to move faster, to get closer.
37:43We need you in the Mother House.
37:45The Mother House.
37:46And how do I do that?
37:47You knock on the door.
37:48Or just like that?
37:49A smart guy and intuitive.
37:52I could give you a plan, but whatever you come up with in the moment will work far better, I guarantee it.
37:56You're setting me up.
37:59Soledad Marcel.
38:02Just another dead girl, right?
38:04The sucker before me got killed. Don't you think that maybe you could have told me about that?
38:08Giving you too much information could put you at greater risk.
38:11Oh, really? So you were protecting me?
38:15Yes.
38:16What else are you protecting me from?
38:18What do you know about my mom?
38:21Because I know she's still alive, and I know she was telemasker.
38:24You don't know anything. You think you do, but you don't.
38:26So enlighten me.
38:28What does my mother have to do with the 752?
38:30Because I know there's a connection, and I know that is the reason why I'm here.
38:34Your mother did a very bad thing. We lost her.
38:36Oh, fuck off!
38:37She's a fugitive. The telemasker has been looking for her for years.
38:40Why? What does she do?
38:41Guy, the more I tell you, the more danger you're in.
38:44Bullshit!
38:47I'm bait on a line. That's it.
38:49That is what you're doing. You're trying to lure her out.
38:52That is the whole reason you've recruited me.
38:54It's a lot more complicated than that, Guy.
38:56Yeah, I'm sure it is, Helen. That's not even your real name, is it?
38:59Of course it isn't.
39:00Jesus Christ!
39:03I'm done, okay? I'm done.
39:04I'm going back to New York and I'm taking that job academy.
39:07I'm sorry, Guy.
39:09But that's not an option that's available to you. Not anymore.
39:12Not an option that's available to me?
39:14So say I leave right now. Never come back. What happens?
39:20I really wouldn't do that if I were you.
39:23What I'm tasking you with is critical and we don't have much time.
39:28Go to the mother house. Use your training.
39:32Get to Jasper and find out how close he is to getting the 752.
39:40I really hope all this is worth it for you.
39:58This is your man. This bloke shows up in all the footage of Archie.
40:19Here he is again. Poor bastard never knew he was being tailed.
40:35So much for murder-suicide.
40:38So who is this mystery man?
40:49It is rather peaceful, isn't it?
40:58Yeah. It can be. I suppose it depends.
41:04So in my line of work, when there's an incident like this,
41:09we do what's called a profile. It's like a story.
41:11Yeah, I know what a profile is.
41:13Of course you do. Yeah.
41:15Is everything all right?
41:16Yeah.
41:21Who are you all, anyway?
41:24Just friends.
41:26All living together on a houseboat.
41:28Bit unusual, don't you think?
41:32Are you married?
41:35No.
41:36Do you live alone?
41:38Yeah.
41:39Happy with that?
41:42If it's unusual, maybe the problem is with what's usual.
41:46Look, I understand that this is a hard time.
41:49And I know you two are close.
41:52But I could use your help.
41:54Because Kevis doesn't strike me as a kind of young woman who'd hurt herself.
41:57Doesn't feel like her story.
41:59And if it isn't, it'd be a shame if that's how it's told.
42:06Take a look at this.
42:07We don't have a clear shot of his face.
42:12But have you seen these trainers?
42:14No.
42:16No, I've never seen them before.
42:17No.
42:18No.
42:19No.
42:21I've never seen them before.
42:23No.
42:25No.
42:27No.
42:29No.
42:31No.
42:33No.
42:35No.
42:37No.
42:39No.
42:41No.
42:42No.
42:43No.
42:44No.
43:14I'm afraid I have no idea what you're going on about.
43:30How long are we going to keep this up?
43:32I am the man in charge.
43:34Do you understand?
43:35You are speaking to that man.
43:37That man that hired Archie to hang a woman
43:39and killed him off to keep him quiet?
43:42Don't worry, Owen.
43:43I know it wasn't you.
43:47You listening up there?
43:50I know you are.
43:51I can feel it.
43:53You want me to go to the cops?
43:56Big old double murder.
43:58I figured they'd love to have a solid lead.
44:01You want them crawling all over this place?
44:04You want me to give them your name, Jasper?
44:07That's right.
44:08I know your fucking name, man.
44:10Well, I'm sure our evening security guard will be very flattered by your...
44:14Over here.
44:15Over here.
44:28Over here.
44:29The cops, huh?
44:33The cops, huh?
44:45Please don't.
44:48You'll have to excuse Owen.
44:50He's a very sick man, the big C.
44:53But we have this little arrangement that should fix all that.
44:58Eventually, you know, if he keeps playing ball.
45:03What are you doing here?
45:08I came here to meet you.
45:09Okay, now we've met.
45:10What else?
45:12I'm Talamaska.
45:14They recruited me in New York just a few weeks ago, though.
45:18They've been watching me for a lot longer.
45:22They brought me over here because there was a problem at the London Motherhouse.
45:25That's how they put it.
45:26They had me tell Archie.
45:27I saw what he did to the witch and what somebody did to him.
45:30Maybe that's someone's you.
45:31I don't know.
45:31No, no, I can assure you that's not me.
45:35I found them both.
45:38Blood everywhere.
45:39Kev is hanging.
45:42And they said I had to get closer to you.
45:44Knock on your door like I just did.
45:47Insinuate myself.
45:49Get a job here, maybe.
45:50Find a way to get your attention.
45:51So do I have your attention?
46:00Why are you telling me all this?
46:02Because they lied to me.
46:05Over and over.
46:07Soledad, Marcel.
46:07They didn't tell me what happened to her, but I found out.
46:10They think that they can send me in here to be their patsy like she was.
46:17They think that I'm expendable just like her.
46:19They think that I'll just take it, but I won't do that.
46:24They think I'm their boy, but I'm not their fucking boy.
46:28They stole my life.
46:32They took my mother.
46:34I thought she was dead all my life since I was a kid, but she wasn't dead.
46:39She was Talamaska.
46:42They knew and they didn't tell me.
46:43She, Helen, she knew and she didn't tell me.
46:54She used me.
46:57The kid.
46:58No family, no friends.
47:02She offered me a chance to belong, to be a part of something, be a part of a family.
47:06That's how she put it.
47:07It's all bullshit.
47:15She ruined my life.
47:18They ruined my life.
47:20I'm done with this.
47:28I'm gonna go.
47:30Because you don't seem very...
47:33interested.
47:34You haven't told me what you want.
47:40To make them pay?
47:43For what they did to me?
47:46To my mom?
47:48And how exactly do you propose to make them pay?
47:53The book.
47:54The book?
47:56The 752.
47:59I saw it with my own eyes.
48:01I saw it with my own eyes.
48:04It was in the witch's backpack.
48:06She had the goddamn thing.
48:12So you know what it looks like.
48:14And I know who has it.
48:16Because I know who killed Archie.
48:21You and I could have some fun together after all.
48:23Well, I'll be in touch.
48:29Oh, no.
48:30I can't let you go out into the streets at this time of night.
48:33Not in this fucking neighborhood.
48:35Stay.
48:40I really should be going.
48:41I insist.
48:42I also have a good job.
48:58I mean, I guess.
48:59I just want to be a little bit...
49:00I can't...
49:00I don't know.
49:01But this is...
49:02You're the children.
49:03I'm going to be in touch with your own eyes.
49:04The child is going to be in touch with your own eyes.
49:05Well, I'm going to be a little bit.
49:06I'm going to be in touch with your own eyes.
49:08I don't know.
49:08I'm going to be in touch with your own eyes.
49:10see the punctures vampire bite that's who killed archie and it's who took the book
49:24my sister is all i have i've done everything in my power to find her what the hell have
49:29you gotten yourself mixed up in what the hell is that showtime kid
49:40the london mother house has been infiltrated gregory owen its top man has been turned
49:51he's taking aldress from a vampire named jasper
49:59ava sorok who is the director of that episode really wanted us to come in hot
50:07and really show that he doesn't belong here and the telemasket is not to be trusted
50:16sit down guy i found her hanging helen is prepared to just let him get stuff off his chest
50:21that archie guy that guy he follows foot wide open but then remind him about the deeper agenda
50:28if the 752 does exist it's the ultimate piece of leverage for us if we have it
50:33for somebody else if you don't he doesn't care what she's got to offer he's jumping
50:38so what the hell was that in the car the other night turns out that all of us is direct handler
50:43i didn't know that she was gonna get killed okay
50:47after kevis's death the natural place for guy to go is to this week
50:52in episode three we get our first real look at the witch's coven on the houseboat and how they
51:05take over that little portion of the canal peter walpole was our amazing production designer and his
51:12team created the houseboat kind of from scratch what a crazy life it is when you could have the
51:18weird idea by yourself in a room and you go this will never work and then you there you are and you
51:22go wow somebody actually took me seriously and went beyond what i even hoped for it was just this
51:29beautiful set that came together and fit into those surroundings in a way that i think gives our show
51:34some real richness and is not what you necessarily expect when you think about witches
51:38so it was freezing freezing freezing cold and it was my first day of filming all of the sequences
51:44of the maid of ale coven with the witches that's spectacular guy gets to meet doris she's in mourning
51:51for her best friend kevis and we're going to find out a whole lot more about that relationship
51:58i'm doris she told me about you at the beginning part of doris wants nothing to do with him because
52:04that could be dangerous for her i know where you are i don't have to ask you're dismantling okay
52:08the telemasker another part of her sees that he's fundamentally a good person and that he's
52:13going to get himself killed and maybe there's a part of her that thinks i wasn't able to save
52:17kevis but maybe i can save guy you're not cut out for this
52:20the fact that helen sends guy into the clutches of jasper even after this door has been opened and
52:37they're on this journey of intimacy together is indicative that helen is a damaged person
52:43so say i leave right now never come back i really wouldn't do that if i were you
52:50helen says you figure it out whatever you come up with whatever story you give will be far better
52:56than what i could possibly script for you
53:04jasper listens to everyone what are you doing here i came here to meet you okay now we've met
53:10what else does he believe them i'm telemasker he might he might not but it doesn't matter and they
53:18said i had to get closer to you knock on your door like i just did he's like i got nothing else left
53:24here so i'm gonna put all my cards on the table take him if you want him i've been told to come here
53:28by helen and i'm telling you just that why are you telling me all this let him keep going i'll figure
53:33out where they're gonna fit into my world you and i could have some fun together after all because
53:38everything is about what jasper wants to get i really should be going
53:43bill figner plays jasper he's so insanely charismatic that you just can't help but fall
53:49in love with him i wouldn't say smitten is the right word but i think that jasper really kind of likes
53:55this guy
54:25Transcription by CastingWords
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