- 2 weeks ago
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00:00It's time for you!
00:17Oh, Makkhar Singh died!
00:21We're not here!
00:23We're not here!
00:24And so, Miss Chotala,
00:26when we call the bin in the cabin,
00:28they come inside and come in and do it!
00:31You don't have to give a joke, understand?
00:33You give a joke,
00:35you're not lying down the maze.
00:36You're not lying down the table.
00:38We're checking, man!
00:39I mean, we're checking,
00:41which maze is the name of the bird.
00:43Weak, weak!
00:45Leave the bird,
00:46look at the girl!
00:49Vulcarity is the same,
00:51you are the same!
00:52What do you want?
00:53I love it!
00:54Do you want an eyes to me,
00:55but Filal..
00:56Filal,
00:57do you need a red dye hat
00:58casualty pants
00:59to fit the mirror
01:00No one even looks at cinema.
01:02Dear,
01:03I remember how many years
01:04we sold since cinema as a black person
01:06I saw a ticket
01:07What do you mean?
01:08How many black people
01:09get tickets to the乜
01:11to the planners?
01:12Oh, black people
01:12Don't you love to me,
01:14I'm going to say
01:14to BJ Kumar's picture
01:16I'm going to take you
01:17To see him to will
01:19visit the film
01:20you'll learn a bit
01:21He's dancing, he's dancing, he's dancing, he's dancing, he's dancing.
01:25Let's learn something about his films.
01:27I don't see any of Vijay Kumar or Lakshman Kumar's films.
01:30I'm just looking at Turkey pictures.
01:32What do you mean?
01:33We're just Turkey, Turkey, Turkey, Turkey.
01:37We're just looking at Turkey pictures.
01:40And what do we do with your pictures?
01:42We won't go out of the bank gun.
01:44Open the office.
01:46You're going to see a picture with your father.
01:49Hey!
01:50My father will see pictures with my mother.
01:53I love my mother!
01:56Look, Mother, I've already explained you.
01:59We don't have any old thing, old man, old man.
02:03We're the police, we're the police.
02:05Oh, what's going on?
02:07What's going on?
02:08I'm a mother.
02:09What's your father?
02:11No, no.
02:13I'm very sad.
02:15If I'm sad, I'm too bad.
02:17You're also a mother?
02:19Mother, tell me.
02:20Tell me.
02:21Tell me.
02:22Tell me.
02:23Tell me.
02:24Tell me.
02:25Tell me.
02:26I'll wear my pants.
02:27Give me a pants.
02:28I'll eat.
02:29I'll eat.
02:30No.
02:31Leave, leave.
02:32Leave, leave.
02:33I think this woman's a good boy.
02:36Yes.
02:37You're a good boy.
02:39Who's the kid who was what's your good boy who got kidnapped.
02:44Madam, you do feel like his husband will be the 5 years old?
02:48No.
02:49In his age there is no one.
02:51Madam, I think the one who got kidnapped, the husband is not his wife.
02:55That's what happens.
02:56Koki, the Pintu outside is sitting in the garden.
03:01Let's go.
03:02Look, auntie.
03:04Logistics says that your 5-year-old son will not be digested.
03:09No, it's not 5-year-old son.
03:11It's a 20-year-old son.
03:13Who is a kidnap?
03:15Or a child?
03:16Yes, a child.
03:17Is there a 20-year-old son?
03:19No matter how much for a mother,
03:21his son will be a child.
03:23What happens?
03:24Look, auntie.
03:25It's like you have to write your story.
03:27Let's write an F.R.
03:29No, no.
03:3023 years ago, when I was a kid.
03:33Oh.
03:34When I was a kid.
03:36Oh, you've been a kid.
03:38Tell me.
03:39My 5-year-old son was kidnapped.
03:44And from now on,
03:46I was like,
03:49I'm not a kid.
03:50I was like,
03:51I'm a kid now.
03:52I'm a kid.
03:53I'm a kid.
03:54I'm a kid.
03:55I'm a kid.
03:56I'm a kid.
03:57But now,
03:58I'm confident that my son will get me.
03:59You are coming.
04:00I'm hearing a lot of things.
04:02I heard a lot of things.
04:04You will understand my feelings.
04:06Because you're also a woman.
04:08Oh, one minute, one minute, auntie.
04:10I don't know how many women are so much as we are understanding.
04:16That's it, chadramu-ki-chotala.
04:17Until one mother will not meet her son,
04:20he will not sit with her son.
04:40What are you doing? What are you doing?
04:41I'm doing my own self-prapti.
04:43There's a problem here.
04:45I'm not a poster of Vijay Kumar's film
04:47which you're watching.
04:49This is not a film.
04:58Madam, you're sitting here. Where are you looking at?
05:00Why? There's a light here.
05:02No, it's a light here, but it's a light here.
05:04The woman is coming again and asking about her children.
05:07What woman?
05:11She's a woman who has a child who has a child.
05:15She's going to be a child.
05:17You're crazy.
05:19We're trying to get involved in the case.
05:22Sir, I'll tell you the case.
05:24She's a woman who had a child.
05:27She was a child who had a child for three years ago.
05:29She was looking for her.
05:31Madam has also told her that we will look for her children.
05:34This is a very nice job.
05:36Why?
05:37Because she's a child who has a child.
05:39She's a child who has a child.
05:40She's a child who has a child.
05:41But she's not a problem.
05:42So, you're going to marry her child.
05:44Leave her a child.
05:45Please.
05:46Sir, what are you doing?
05:47Madam, I'm giving you the advice.
05:49Madam, you can give her the child.
05:51She's a child.
05:52She's a child.
05:53She's a child.
05:54She's a child.
05:55She's a child.
05:56She's a child.
05:57Why?
05:58Don't go away.
05:59By the way, Chandra Mughi Chattala,
06:00you can break your hands,
06:02you can break your hands,
06:03you can break your hands,
06:04you can break your hands,
06:05but your heart and your heart
06:06will not break your hands.
06:07Now, I'll get her mother's child.
06:09I'll give her child.
06:10Listen.
06:11What's all the time for BJ Kumar?
06:13Now, I will take her head to her.
06:15Yeah.
06:20Alright, you carry on.
06:22Do it.
06:24Do I have your hands?
06:26Come here, madam.
06:28I've seen a child by the woman.
06:29Here.
06:31Here's the dynamic young boy.
06:32Who is who?
06:34Madam, this is...
06:35If we take her to the woman,
06:38she'll die from her.
06:40How big is this?
06:42Madam, but his name is Vijay Kumar
06:44Vijay Kumar?
06:45This is Vijay Kumar, this is Vijay Kumar
06:47This is Vijay Kumar
06:48Madam, look, don't go to his hulia
06:50I will take the hulia
06:52I will take him away from here
06:54Let's go, let's go
06:56Madam, this is Master Vijay Kumar
06:58Baba Ji, Namaskar
06:59Namaskar
07:00Namaskar
07:01It was 23 years ago
07:02It was not a child or a father
07:04It was not a child
07:05It was not a child
07:06But Madam, there are some children
07:08that are just young
07:10I'm not doing anything
07:12Let's go
07:13Let's go
07:14Let's go
07:15Miss Chodala, if you don't know
07:17then I want to say something
07:18that you have to eat
07:19and chew chew
07:20What a bad thing was that?
07:21The hair of the hair was very soft
07:23but it was perfect for your wedding
07:25and it was a dancing
07:26Shut up!
07:27This police is good
07:29There is no marriage bureau
07:31I will take her mother's son
07:33I will take her mother
07:35Today is a special day
07:36Do you understand?
07:37I will ask you
07:40a special date
07:47Hey, let's eat
07:48Oh, let's eat
07:50Oh, let's eat
07:53Oh, let's eat
07:54Yelo, let's eat
07:55Let's eat
07:57No, no, no
07:58No, no, no
07:59What's happening?
08:00No, tell us something
08:01You're not eating today
08:02We're eating today
08:03Yes, Madam, what are you doing
08:04What are you doing
08:05in your happiness?
08:06Your birthday
08:07Auntie, what's your happiness?
08:08Your birthday
08:09Madam, who are you calling your birthday?
08:11The film star, Vijay Kumar.
08:13And auntie ji, come on.
08:15I'm your daughter, Vijay Kumar.
08:17Oh, that's a great deal, auntie, your son.
08:20And my favorite star, Vijay Kumar.
08:21Both of them, clashing.
08:23I've been talking to each other on this day
08:26and I've been listening to Lory Gadi,
08:28which my daughter used to listen to.
08:30Do you listen to her name?
08:32Yes.
08:33Chanda re, tu dhire dhire ana re.
08:39Chanda re, tu dhire dhire ana re.
08:44Just stop, auntie ji.
08:45Don't say anything else.
08:46If not, we'll have a sleep.
08:48But my daughter...
08:49Hey auntie, don't worry about her.
08:51Tomorrow, your son is in your face.
08:53Go.
08:54No, no, no.
08:55I'll give up to the police station.
08:58I'll drink anything, I'll drink anything.
09:00My son, Vijay Kumar,
09:02and you...
09:03of your wife.
09:05In your face.
09:11You're stupid.
09:13Not in this situation.
09:14You're not gonna kill me.
09:16I'm coming, madam.
09:18I'm coming.
09:19In my heart,
09:20a cold-painous,
09:21a cold-painous,
09:22a cold-painous,
09:23a cold-painous.
09:24You'll get cold.
09:25The cold will go out.
09:26Then you'll get cold.
09:27No, madam.
09:28Madam, this case,
09:29there are only two common things.
09:30One is a old,
09:31laddu.
09:32And the other, Vijay Kumar.
09:33So, you can be Vijay Kumar, laddu?
09:34What?
09:35I mean,
09:36that the film star Vijay Kumar
09:38is the only woman's son, Vijay Kumar.
09:40And if not,
09:42we'll make it.
09:43Now,
09:44we'll make it one, three,
09:45two, six,
09:46and the son will be Vijay Kumar.
09:47Where to go, madam?
09:48Do go, madam.
09:51Do what to go?
09:55What am I going to do?
09:57What do you do?
09:58Then you're going to go to the chat
09:59without eating.
10:00We're going to eat?
10:01Come here, sir.
10:02Come here.
10:03This is our style of grief.
10:05I'm a very fan of the film
10:07and I'll call you madam.
10:09Madam!
10:10Madam!
10:11Oh boy, Vijay Kumar Ji, thank you, you've come to our house.
10:15I'm your favorite fan, you're one of the super film stars.
10:19Sir, I've given you a lot of relief, I'm very sorry.
10:22Hey, Gopi.
10:23Yes, sir.
10:24You've told me the cash.
10:26Yes, sir.
10:27Your boss told me everything.
10:29Your mind is bad.
10:31My mother is alive and she is more alive.
10:33Hey, look, that's why I'm a congressman.
10:36What a joke, we have a mother.
10:38No, we want to tell her that you are your son and your mother,
10:43she will be happy.
10:45Yes, so what do I do?
10:46What did I do with the people of the world?
10:48No, in the films, there are many big dialogues.
10:51It seems that the whole world is happening on your hands.
10:54We are saying a small job, you're dead.
10:57Inspector, there's a lot of difference in real life and in real life.
11:01And I'm not a fool who speaks to anyone's knowledge.
11:05Oh, film actor.
11:06No, you don't kill me in front of me.
11:09No, I'm saying a small joke, you won't be a joke.
11:12It'll be true, true, true.
11:14Just shut up.
11:15I'm going.
11:16Time is mine.
11:20I'm going to speak to you in English.
11:28This is not the Guru brother.
11:29The name of the Guru has come.
11:30The Guru has come.
11:31Oh, Guru brother.
11:33It's a good job.
11:35We are watching you too, Guru brother.
11:37We are lying like this.
11:38Yes, but first of all, we have to tell you that we have started to kill you without fear.
11:42Because we are stuck, so we will take you in front of us.
11:46I love you, Guru brother.
11:48You are so intelligent.
11:50Yes, and we have told you that you are a police informer.
11:55That means that our and your two packs, two legs and two eggs are absolutely right.
12:00Now, let's open it.
12:01We have a lot of patience.
12:02Let's open it.
12:02Let's open it.
12:03Let's open it.
12:04Let's open it.
12:05What the smell is it?
12:07Yo, what are you doing here?
12:12Mr. Rala, what are you doing here?
12:15What do you need to do with girls?
12:17What are you saying?
12:18What are you saying to girls?
12:20No, no, no.
12:21Hey, you are listening to me.
12:23I mean, it was the fact that
12:25that a man in my position
12:27has no time.
12:29We are at night and we are at night
12:30and sometimes we are at night and we are at night
12:33and we are at night and we are at night
12:34and we are at night and we are at night.
12:36Wait, wait, wait.
12:37Yo, who's the money?
12:38This is his son.
12:39Yo, his son.
12:40Why?
12:41This is a film star.
12:42It's a son of a son.
12:44In the past five years, this man is playing on his own mind
12:47and he is missing in action.
12:48He is missing in action.
12:50He is missing in the past five years
12:51and we are at night and we are at night and we are at night.
12:54And there is a government bonus here.
12:55Yes.
12:56So, you are now doing this.
12:57Tell us about that.
12:59And he is saying that
12:59Devar Ji is a great slave.
13:00He didn't have a delivery in the house.
13:02Jaram, Jaram.
13:02Jaram.
13:03Jaram. Jaram.
13:04Jaram. Jaram. Jaram sir.
13:05Okay, good night.
13:05Wow, wow.
13:06Jaram.
13:11Mr. Rala,
13:12we have come to listen to our fellow
13:14that your film star, Vijay Kumar,
13:16has been безdothed you.
13:18He has saved you.
13:19And he has sent you to tankers
13:21and sent you to your demands.
13:24Ah!
13:27I can't wait, my mouth,
13:28I will fall asleep.
13:29He is a bad person.
13:31He is not a bad person.
13:32He is not a bad person.
13:33He is a bad person.
13:34I am a Polish.
13:36Okay?
13:37I'm not a social servant.
13:39But I am.
13:41And I'm so upset that
13:43I loved the crue,
13:44cruel,
13:45and cruel man.
13:46I loved it.
13:48I was a father.
13:49I thought that you will help me with a poor mother.
13:53And you're not sitting here sitting here.
13:55Oh, Makhran Singh!
13:57The crue is finished with the crue.
14:00I hate you!
14:06The crue is finished with the crue.
14:12Madam?
14:15Madam?
14:18Madam?
14:19Come on, man.
14:21Madam,
14:22I think you should tell the woman all the truth.
14:26Yes.
14:27So that she will keep herself and die.
14:30But Madam,
14:31we will not know that
14:33we don't know anything about her son.
14:35Yes!
14:36The truth is that
14:37the truth is that
14:38I have heard from the intelligence
14:39and her son's own
14:41also passed away.
14:43This means that
14:44she has gone up with her son's own
14:45and her son's own
14:46passed away.
14:48I'm happy about that.
14:49Let's tell her.
14:50Hey, Rukja.
14:51If you tell her son's own story,
14:53she will die.
14:54Don't tell her son.
14:55Don't tell her son.
14:56Don't tell her son.
14:57That his son
14:58was a big brother
14:59in Underworld.
15:00She was killed in the last week
15:02in one encounter.
15:04He was killed in the last week.
15:05Don't tell her son.
15:06Don't tell her son.
15:07Don't talk to her son.
15:08Don't tell her son.
15:09Don't tell her son.
15:10Don't tell her son.
15:11Give her son.
15:12Give her son
15:13a day
15:14You have no idea to do that
15:16I don't know.
15:17Now,
15:18Madam.
15:19Neither,
15:20We have no idea.
15:21But,
15:22Madam,
15:23I feel like
15:24we need to have a sister
15:26Your mother will be very wrong to live on her own dreams.
15:29Madam, we need to know everything we need to be honest with you.
15:34The wrong thing is, Eep, that's the road.
15:37But I can meet her mother with her son.
15:41I can.
15:48It's done?
15:49Yes, sir.
15:49Let's go, Eep.
15:50Let's go.
15:51Madam, what's your name?
15:57Yes, you do it.
16:04Go.
16:13Auntie, why are you going to talk to me with me?
16:18I got to meet you, right?
16:21Where's my BJ? My BJ? Where is it?
16:25Auntie, Auntie, what's your BJ?
16:28Where's it? Your BJ?
16:32Auntie, see, there's your BJ…
16:35That's it, Auntie…
16:37Where's it? Where's my BJ?
16:40That BJ…
16:41Auntie… Auntie… Auntie…
16:42Auntie, it's your BJ BJ…
16:44I'm here, ma'am.
16:51You are my wife, right?
17:09Yes, mom. I am your wife.
17:13If you don't believe it, let me show you, mom.
17:21Why did you leave me?
17:26Why did you leave me?
17:30Stop, stop, stop, stop.
17:33Stop, stop, stop, stop.
17:36Stop, don't you need to kill me?
17:38I'm coming, mom.
17:39What do I want to tell you?
17:41My son took me to kill me.
17:43And a police officer took me to kill me.
17:46And he told me to go on the way.
17:48I'm being a police officer.
17:51I know.
17:53I know.
17:54I know.
17:55I know.
17:56My son will become a big man.
17:58A big man.
17:59That's it, mom.
18:00Now you're very angry, mom.
18:02And mom, you know?
18:03I'm very angry.
18:05And I don't sleep for many years.
18:07Sit down.
18:08Sit down.
18:11When you heard Lory, you heard Lory.
18:15I don't sleep for many years.
18:17Do you remember Lory?
18:19Yes, mom.
18:20I remember Lory.
18:21Yes, mom.
18:22Yes, mom.
18:23Yes, mom.
18:24Come on, my son.
18:26How many years have I been hurt for my son?
18:30She was mad.
18:33Oh, boy.
18:34In the middle of the day.
18:35That's the day.
18:36Oh, boy.
18:37Only two times.
18:39You are so amazing.
18:40Please, come on.
18:41Oh, mom.
18:42Hey, Mom.
18:43What did you have to...
18:44I should have done this man.
18:45Oh, mom.
18:46I have no need to sleep now.
18:50Mom, you're with me?
18:52You're with me.
18:54I'll come and get out of my special gajar karlava.
18:57I'm very hungry.
18:59I'll take my mom and take the job pot.
19:02Don't kill me.
19:04Don't kill me.
19:06Come on.
19:08Come on.
19:10Come on.
19:12Come on.
19:14Oh, Makhan Singh.
19:17Manne to dhare pere naaj naaj.
19:20Dhare jayse dhoti naujwaan is deshme peada ho jayena.
19:23Toh, briddha ashram ki koi jhoot na re jayegi.
19:26And Manne toh pela hii pada tha.
19:29Gijis pe chandramugir chotara ga dila ya ho na.
19:31Woh toh hira ye hira.
19:33Come on.
19:34Dhare ghar mein jo amma ki kami thi.
19:36Woh toh puri hooggi.
19:37Ip jab bibi ki kami hai.
19:39Woh puri karne ka baon.
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19:43Oh.
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