- 2 days ago
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00:00In my head!
00:02Huh?
00:03Do you have a week?
00:05Take it from me. Take it from me.
00:06Take it from me.
00:07Take it from me.
00:08Take it from me.
00:09Take it from me.
00:10You're like a business man.
00:15Excuse me.
00:16Excuse me.
00:17Excuse me.
00:18Excuse me, madam. Respectfully.
00:20Oh, madam.
00:21I feel like this is a girl inside.
00:26I mean...
00:27I mean...
00:28I mean...
00:29I don't have to go.
00:31I love my husband.
00:31I'm a man.
00:32Don't worry.
00:33No one ever asks him.
00:34To me, I won't show you.
00:35I won't say anything.
00:36No one else.
00:37No one who says,
00:38My name is Illu, Respectfully.
00:40So, this is how you're given the value of the attitude of the world?
00:43Look, madam.
00:44I am an Izzettar man.
00:47I am an Izzettar man.
00:48I keep a connection with theование.
00:49Respectfully.
00:50I will call this man.
00:51I will call this woman.
00:52I will call this woman.
00:53I will call this woman,
00:54ibly with a father-in-law.
00:55Who is the best man?
00:56The woman is the best woman.
00:57The woman who is the best?
00:58Now the truth is coming, my father did not come to see it or go straight and go to the river. Respectfully.
01:07Then? Then what?
01:09I've been 30 years old, my father didn't leave the river. Respectfully.
01:15After 15 years, I knew that my father didn't come to the river.
01:23He didn't come to the river, but he fell again?
01:26Yes.
01:27He came to the river, right? Respectfully.
01:30Do you have to listen to your father's story here or do you have another problem?
01:36It's another problem. That's why I have to listen to your father's story.
01:40Madam, there's a girl, right?
01:43She's a girl.
01:45Leave me.
01:46Leave me.
01:48Leave me.
01:50Come here.
01:52Leave me.
01:54Leave me.
01:55Leave me.
01:56Leave me.
01:57Leave me.
01:58Leave me.
01:59Leave me.
02:00Leave me.
02:01Leave me.
02:02Leave me.
02:03Leave me.
02:04Nature.
02:05Nature.
02:07Madam, see, when I go to the office, that girl is standing on the back of the neck and I see,
02:13she's going to leave me. Respectfully.
02:17Good.
02:18What is that?
02:19Who is the girl?
02:20And so awful God who is acting on his own pride in Titanic?
02:24Who is acting on his own pride in his pride?
02:30Jeaddha.
02:32Jeiada is our name every single name..
02:35Let me tell you.
02:37Oh!
02:38Shakti Kapoor ladies!
02:40Yes!
02:41You're not a good one, Dadagri!
02:44You're not throwing her? Why are you throwing her?
02:47I'm...
02:49Did you throwing her?
02:50No!
02:51No, I'm not throwing her.
02:53No, I'm throwing her.
02:55No, I'm throwing her to the piglet.
02:57Oh, that's a big throwing throwing, madam.
03:01Madam, never let us throw her.
03:03Throw her.
03:05Now...
03:06I'm saying that you throw her.
03:09You throw her every day.
03:12Throw her every time.
03:14Throw her every time.
03:16Throw her every time.
03:18Tell her.
03:20Yes, Madam, tell her that I don't throw her.
03:22We are all from the honor and the food.
03:26Hey, Elu!
03:27What did I throw you?
03:29What did I throw you?
03:31I'm watching you...
03:33Huh?
03:34Her eyes?
03:36No, right?
03:37Or I'm watching you...
03:38Shhh!
03:39Ct hit her.
03:42Or I'm like...
03:43You, you...
03:44You, you, you...
03:45You, you, you, you...
03:46You, you, you, you...
03:47You chutey-gati, huh?
03:48Or, then...
03:49I'm looking at your face...
03:50You nose...
03:51Tell her, Elu.
03:52Tell her, man.
03:53Tell her, man.
03:54Tell her...
03:55No, man.
03:56She did something like that?
03:58No, that's not like that.
04:00Oh, how did you leave again?
04:02Madam, this lady has taken my face.
04:05She says,
04:06What? What are you, Robili's face?
04:08Yes, she says,
04:09that I'm going to cut her off.
04:11Oh, hell,
04:13dude, this is not too late.
04:15Madam, I'm telling you.
04:17You're not right.
04:19You're correct.
04:20Don't do this seriously.
04:22You go to your house and play.
04:24Thank you so much, Madam.
04:27I'm telling you.
04:30Madam, why didn't you know this?
04:33Now, tomorrow,
04:34she will leave me again.
04:36Respectfully.
04:37Madam,
04:38there will be a path.
04:40The path is the path.
04:42This path is our path.
04:44Or this stone.
04:45My stone.
04:46You will tell me.
04:47Look,
04:48the path is this.
04:50You have to leave someone.
04:52What do you mean?
04:53It means that you have to leave your face.
04:56Hey,
04:57what are you talking about?
04:58What are you talking about?
04:59My daddy-ji is still alive.
05:00Who is this?
05:01You or daddy-ji?
05:02Daddy.
05:03I?
05:04Who is this?
05:05Who is this?
05:06You or your daddy-ji?
05:07Daddy?
05:08Me?
05:09My?
05:10Then,
05:11Is this great or me?
05:12Think about it.
05:13Hey, hey, hey, hey.
05:15F.I.A.
05:16Come, come, come, come.
05:18If you are alive,
05:20then I am also a dead man.
05:21I will tell the madam.
05:23Madam,
05:24Madam,
05:25you have to leave me again.
05:26No!
05:27This case is still happening.
05:28Now,
05:29you have to leave him alone.
05:30Okay, bye.
05:31Hey, hey,
05:32I have to leave him alone.
05:33Where is he?
05:34I have to see you.
05:37Yes?
05:38Our?
05:39Or,
05:40I have to see you,
05:41I have to cut you.
05:42Or,
05:43then,
05:44I have to cut you.
05:45You have to leave.
05:46Did you do that?
05:47Did you do that?
05:48Did you do that?
05:49Then,
05:50tell him.
05:51Tell him,
05:52I have to cut you.
05:53Tell him.
05:54Tell him.
05:55Tell him.
05:56Yes,
05:57did you do that?
05:58No.
05:59Then,
06:00when the girl has done something,
06:01then,
06:02how did you cut it?
06:03Look, madam,
06:04I am an amazing man.
06:06He has to cut my hair.
06:09Yes.
06:10I was going to say,
06:11wow, wow, wow.
06:12So,
06:13I want to cut it into it.
06:14Respectfully.
06:17Hey,
06:20that is too hard.
06:21What?
06:22Did you cut it?
06:23I don't know anything about it.
06:24I have to hear some technique.
06:26I have to hear some technique.
06:27It's like,
06:28if you don't do it,
06:29you don't go to your house.
06:30Let's go.
06:31Okay.
06:32Thank you so much, madam.
06:33We are going.
06:34Yes.
06:35Yes.
06:36Yes.
06:37Yes.
06:38Why do you get away with my madam?
06:40Yes.
06:41Do you get away with madam?
06:42Yes.
06:43I will.
06:44Why did she get away with madam?
06:45He will leave me again, tomorrow he will leave me again.
06:47Who will be the path respectfully?
06:50The path is the path.
06:52The path will show the path and the path.
06:54Look, this path is one path.
06:57You remove the path.
06:59What do you mean?
07:00It means that you cut your hair off.
07:02Yes.
07:03Yes!
07:04What are you talking about?
07:05My grandfather is not going to go around.
07:07And how do I feel respectfully?
07:09Who is this? You or your grandfather?
07:11My grandfather?
07:12I?
07:13Who is this? Your grandfather?
07:15Or your grandfather?
07:16My grandfather?
07:17I?
07:18So then, is it great or bad?
07:20Think about it.
07:29Madam, this is gone.
07:30But Madam, in this situation,
07:31in my mind,
07:32you have a very strong,
07:33sweet, sweet, sweet and sweet.
07:36Madam, come down to the table.
07:40Listen.
07:43I'll tell you,
07:44you have a little Viele of our friends.
07:48You have a pretty good attitude.
07:49They're not quite a problem.
07:50You have to go to the right side.
07:51You have to go to the right side of the other side.
07:53No one's not a good attitude!
07:54The right side of the other side is that simple.
07:55Okay, look,
07:56these two sides are the same.
07:58They're the same.
07:59Just am I fit.
08:00And then,
08:01keep going on.
08:02You have to check the right side of your hand.
08:03You have to check the right side of your hand.
08:05What is this,
08:06the right side of your hand?
08:07You can't put them in the right side.
08:08You have to check the right side.
08:09I,
08:10You're a tight-set, and you're not the one who's doing it,
08:13or not to open it, or to brush it,
08:15and put it in the busing machine,
08:18or to put it in the busing machine,
08:20or to put it in the cart.
08:23That's it!
08:24Today, you've got to put all your hands on me, Mr. Tala.
08:26Hi! Hi!
08:27We've told you that,
08:28you've got to eat the chicken in the ground,
08:30in the ground.
08:32Now, go and get your sweet and sweet.
08:35My sweet and sweet,
08:37What are you doing with me?
08:41God damn it!
08:45What you're doing with me is not okay, sir.
08:48Madam, you come in like a hot dog and you go away.
08:52You come in like a hot dog and you go away.
08:58Yes, Dad. How long will you stay with me?
09:01Hey, man.
09:03Hey, today our shirt is not gone.
09:05Hey, guys.
09:07Will there be a way or a way to build their hair?
09:10Sir, this is the only way, sir.
09:12You remove the shirt.
09:15What does it mean?
09:16It means that you leave the shirt with your shirt.
09:19It's gone.
09:20It's gone.
09:21It's gone.
09:22It's gone.
09:23It's gone.
09:24It's gone.
09:25We've told you that we won't go without the shirt.
09:29We're also with the shirt.
09:31Smell it. It's fresh.
09:33Who is the shirt?
09:34You or Moussa Ji?
09:35What?
09:36I?
09:37Who is being killed?
09:38Your or Moussa Ji?
09:40Our.
09:41My name is ours.
09:42Our.
09:43Now, the shirt is big or a shirt.
09:46Think about it, sir.
09:47it's okay.
09:48Oh for the masks.
09:49You are hiding that thing.
09:50Then, but I know that I didn't belong to the fax
09:52I came to my
09:58applicants.
09:59Take out for theMossa lots.
10:00Hey, you, you are a great heroine of the sea-grade film.
10:03You are always in danger.
10:07Or you are still in danger.
10:08Yes, respectfully.
10:10Where did you leave now?
10:12One minute, one minute.
10:13And then the same thing is the same.
10:15You do this work.
10:16You have to remove someone.
10:17What do you have to remove someone?
10:18And this time she has to remove my garden.
10:21What?
10:22Wow, what a beautiful garden is your garden.
10:25So why do I cut the garden?
10:26That's your purpose.
10:27Oh, that's how...
10:37Where are you looking? Respectfully?
10:38Hey, hey, hey.
10:42Neither do we have a personal life, nor do we have to take care of ourselves.
10:45It's like that.
10:47It's like that.
10:48It's like that.
10:49It's like that.
10:50It's like that.
10:51You won't have to give up.
10:52Tell her about it.
10:55Oh, oh.
10:57Look, who's in our cabin today?
11:00Come, come, come. What are you wearing today?
11:03What are you wearing today? We don't have to wear this shirt.
11:09Oh, tight pants!
11:12Look, you're tight pants.
11:14You've become a tent in my heart.
11:17And you've become a saint of love.
11:20You're in the side.
11:22You're in the side.
11:23You're in the side.
11:24You're not a saint.
11:26We're a human.
11:28No one's a saint.
11:29Who will have to answer his question.
11:32You won't leave the tent.
11:33It's like that when you're wearing this pants,
11:37you'll leave the tent.
11:39You'll leave the tent.
11:41You'll leave the tent.
11:44God damn it!
11:46Madam, you're not doing well with your.
11:48This is a sink like a fish,
11:51and you're going to go away from your own.
11:53This is like a joke and you are going to go out and go out and go out, sir.
11:58Yes, Daddy, when will you stay like this?
12:02I know, man.
12:03I'm going to go out for 24 hours.
12:06I'm going to go out my pants.
12:07Look, don't you?
12:09I mean, I'm going to go out and I'm going to go out with my pants.
12:13That's one way, sir.
12:16Now, I'm going to go out.
12:17What does it mean?
12:18It means that you leave your pants and you're done.
12:22Don't wear pants, don't you?
12:24Look, we told ourselves that we won't go out without pants.
12:29We'll wear pants for 4 hours.
12:31Look.
12:34I'm going to wear pants.
12:42That's okay, sir.
12:43But who are you, sir?
12:45Or you?
12:46We?
12:47Who are you stealing?
12:49Or you?
12:50Our?
12:51I mean, our?
12:52Then, sir.
12:53Hizat, buddy, or pants?
12:55Think about it.
13:00F.I.R.
13:02I was coming on the scooter.
13:03So, a girl was going out in her car.
13:05I saw her in her car.
13:07I saw her.
13:09What do you do?
13:10What do you say?
13:11I saw her in her car.
13:12I saw her in her car.
13:13I saw her in her car.
13:15That's her car.
13:16Oh, sir?
13:17Oh, wait a minute.
13:18Wait a minute, man.
13:19Sit for 2 minutes.
13:20Come here.
13:21Good morning, madam.
13:24Good morning.
13:25Good morning.
13:30Madam?
13:31You?
13:32You?
13:33You're being with the father of Bapu.
13:36His father of Bapu.
13:38His father of Bapu.
13:39No.
13:40You're not your father of Bapu.
13:42How do you know?
13:43Pulled Ria.
13:44This is the case that I'm asking from Bapu's mother to Bapu.
13:47I'm a father of Bapu.
13:48I'm a father of Bapu.
13:50I'm a father of Bapu.
13:51What do you mean?
13:53Okay.
13:54Look at that.
13:58Good morning, Pai.
14:06Bapu didn't stage his name.
14:08HDial had to be the dragon on him.
14:12Mujo know, saying it's a no matter.
14:14Your father of Bapu's mother loves him.
14:16You're right here.
14:18That's why she's left for this is a blessing.
14:21How can I say that you can say that?
14:26With personal experience,
14:30Ziddi's mother, Saksena, had also taken me like this
14:34and she didn't take care of it until I didn't get married with her.
14:39That's why, madam, I say to you,
14:41Elu and Ziddi, get married immediately,
14:43the situation will end up with the marriage.
14:46Hmm.
14:47My hair!
14:48Yes!
14:49In this case, what do you say about this?
14:52Madam, I think that if this is such a thing,
14:55she loves her so much,
14:56she'll marry her, right?
14:59Yes, yes, mother,
15:00if she's like this,
15:02she'll be here every day.
15:04No!
15:05Now the whole thing is open,
15:07madam, don't leave her.
15:09Okay, bye.
15:10Hmm.
15:11Well, then,
15:13Ziddi and Elu will be married.
15:16But Elu will get married, right?
15:19Well,
15:20we're all over there.
15:21In the next few years,
15:22we'll take some experience.
15:26Hmm.
15:27Yes!
15:28Oh,
15:29God,
15:30you're the wrong man,
15:31you're the wrong man!
15:32You're the wrong man!
15:33You're right!
15:34You're the wrong man!
15:36You're the wrong man!
15:37You're wrong man!
15:38Don't you have to leave the girl, you have to leave the girl.
15:41Madam, respectfully.
15:42I mean, when you're in your place, you have to leave the girl's hair.
15:47I mean, I'll leave her alone.
15:49Hmm.
15:50You have to leave your garden.
15:53You have to leave your garden.
15:56You will not leave her alone, but leave her alone.
16:00If you leave her alone, she will never leave you alone.
16:03What?
16:04Look, man, you're a beautiful man.
16:07You have to leave your pride in the morning in the morning in the morning.
16:10Do you think your pride is good?
16:11Just imagine.
16:14Don't you have to leave the girl tomorrow, and you'll have to leave the girl's hands
16:18that the girl is the girl's hair.
16:23Don't you have to leave the girl's hair.
16:25Don't you have to leave the girl's hair.
16:27Just...
16:29Just do it.
16:31I won't leave her alone.
16:33I won't leave her alone.
16:37I'll leave her alone.
16:38Respectfully.
16:41Oh, my God, you're a young man.
16:44What are your lips?
16:45Catty?
16:46What are your nose?
16:47What are your eyebrows?
16:48What are you doing?
16:50What are you doing?
16:50What are you doing?
16:51What are you doing?
16:51If you leave the girl's hair, then you're doing the girl's hair.
16:53Oh, my God.
16:55Oh, my God.
16:57Oh, my God.
16:59What happened?
16:59What happened to my daughter's trust?
17:01Babu, she's going to leave me.
17:04Leave me?
17:05Where are you going to leave me?
17:06I'll leave you alone.
17:08Right, madam?
17:11Your hair is going to be rash.
17:13Madam, why?
17:14Why Harish?
17:15You've given me the same thing.
17:16You've given me the same thing.
17:18You've given me the same thing.
17:18You've been going to go inside for seven years.
17:22Madam, you've said that.
17:24But what did you do, right?
17:29Yes, I'm like...
17:30Now, nobody can save you.
17:31Madam, what is this?
17:33I'm from an honor to eat.
17:35There will be no way. Respectfully.
17:37The way will show you the way, Mr. Guil-guil.
17:41Look, now there is only one way.
17:43Don't give someone to someone.
17:45What do you mean?
17:46It means that you marry him.
17:49But that's why you have to ask me to my mom. Respectfully.
17:54Who will go to jail, you or your mom?
17:57My mom.
17:58I mean, I am.
18:00Who will say jail return after 7 years?
18:02You or your mom?
18:03My mom.
18:04I mean, I am.
18:05Now, think about it.
18:06Is it great or is it a marriage?
18:10It is great, but for a change,
18:14it is a marriage.
18:16I'm prepared for marriage with Ziddi.
18:21Ziddi!
18:22Ha, ha, ha, ha.
18:24Oh, boy, very good.
18:26Boy, happy ending in the happy ending,
18:27I am happy with you.
18:28Now, the two,
18:29one and the other,
18:30leave the whole way out.
18:32Not in your bedroom.
18:34Okay, nice meeting. Bye-bye.
18:35Thank you, madam.
18:36Tell me.
18:41Wow, my mom.
18:42What a case is all done.
18:43Very good.
18:46Ah, ha, ha.
18:48Be quiet, madam.
18:48Be quiet.
18:49Let's go.
18:49Oh.
18:50I won't be quiet.
18:51You won't be quiet.
18:52Let's go.
18:53What?
18:54Oh, my God.
18:55Oh, my God.
18:55You won't be quiet.
18:56You won't be quiet.
18:56You won't be quiet.
18:57Oh, my God.
18:57Oh, my God.
18:58Hello, everybody.
18:59Hello, everybody.
19:00Woooooo.
19:01Now, tell us what you will take place.
19:02Don't leave a shirt, not leave a patloon.
19:04What?
19:07Huh?
19:08Hey, this isn't it.
19:08To leave, I can't say something for my heart,
19:11but I can't say it in front of my head.
19:13I will say it here in Rakan.
19:23Think, sir. I'm saying, take a look.
19:27No!
19:29FII
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