- 2 days ago
Robert Robinson hosts as Frank Muir, Joanna Lumley and Russell Harty take on Patrick Campbell, Nanette Newman and Bryan Forbes in the panel game of word definitions and deceptions.
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00:00Music
00:02Good evening once again. How nice to be able to welcome you to a new series, yet another new series of Caught My Bluff, which features, as ever, the Mr Chips of the panel game, Frank Muir.
00:27Applause
00:29My first guest is a great favourite with us on the programme and with the viewers, and she's back again, this time with a different haircut, because she's now the Avengers girl, but underneath it all, it's still Joanna Lumley.
00:44Applause
00:45My next guest isn't a favourite yet, but it's his second time on the programme.
00:54Man of the arts and of the chat, Russell Harty.
00:58Applause
01:00And the original racing pigeon, Patrick Campbell.
01:06Applause
01:08Good evening. And my first guest, well, she's simply everything. She's beautiful. She's an actress. She writes books for children. She's a mother. She's even married.
01:26Laughter
01:28Nanette Newman.
01:29Applause
01:30And the other one is even more so, more so, because he's not only an actor and a writer, but he's a producer and a director.
01:41And he's a father.
01:44He's married to Nanette Newman. This is Brian Forbes.
01:48Applause
01:54The old magic's still there. We ring the bell and we get the word Oolacan. And as you know, it'll be pronounced umpteen different ways, but it'll be defined three different ways. Two of the definitions are false ones.
02:04One is true. And that's the one that Patrick's team is going to try and find out. So tell us about Oolacan, Frank.
02:10Have you ever wondered how peasants got about in Kamchatka?
02:16Kamchatka is that bit in Russia which hangs over the north bit of Japan.
02:22How do they move around? What they did was they put sort of wooden things up and covered them with hides stitched together. And they put those on a platform with a wheel either side. And in front of that, they put a horse.
02:40And they dragged along this wagon. Tremendously enterprising. And they called this wagon an Oolacan.
02:48No? Next.
02:51A horse in Outer Mongolia.
02:53Nice sober start. Russell?
02:55Yes.
02:56If you were sitting ever in a darkened wigwam in the north of America, i.e. if you were an American Indian sitting in a wigwam, and you wanted to bring light into that kind of encircling gloom,
03:08you could light the end of your Oolacan.
03:14Which is, in fact, a very oily, large fish found in, as you will not be surprised to hear, North American rivers.
03:21And the Indians took the fish out of the river and they dried it.
03:25But even when it was dried, it was so oily that you could light the end of it to darken your wigwam withal.
03:32Right. Joanna Lumley.
03:34It was possibly to the tinkling of an Oolacan that early Persian poets composed some of their better works.
03:40Loosely strung like a xylophone, these metal oblongs are linked together side by side.
03:47And when the wind blows through them, they produce a not unharmonious concatenation of sound.
03:53Bung-ding-doing. Bung-boing-bing-doing.
03:57You see?
03:59Ding-dong.
04:00Well, it was not only elegant. We got the statutory Persian in because, you know, you don't know where you are until that's been said.
04:06But anyway, it's a Kamchatkan wagon. It's an oily fish and it's a Persian musical instrument without which no game and call my bluff is complete.
04:14Patrick.
04:15Well, there's deep difficulty here, isn't there?
04:19Hmm.
04:20Strung as loosely as a xylophone.
04:23No, loosely strung, comma, like a xylophone.
04:26She refuses to...
04:27But it has no strings on a xylophone, does it?
04:29It's strung, though, you...
04:31Strung?
04:32Absolutely.
04:33Bits of wood have string going over.
04:34Absolutely.
04:35I think they're all very highly strung.
04:36I see it.
04:37Really?
04:39A burning fish. You dry a fish and light the other end of it.
04:44What other end? I didn't say... I said the tail end of it.
04:48Don't argue with him.
04:49Dry.
04:50Don't argue with him.
04:53Just a moment.
04:54Beyond it.
04:55A little conference.
04:56About a quarter of an hourly fish.
04:58Any member of the audience can whistle or play a piano.
05:01I want to be a hunch.
05:04I don't know. It's just a hunch.
05:05Well, we've got two hunches here. We've got three hunches, pretty well.
05:08All different.
05:09All different hunches.
05:11I believe that it's this awful...
05:18There's a charming thing about the Persian music.
05:22Ah.
05:23Yes, it was Joanna, wasn't it? You said that.
05:26Is it true or is it a plug? Tell us now.
05:28Yeah!
05:29Oh, no. No Persian musical instrument is ever true on this programme until the odd occasion when it is.
05:42But who gave the true definition?
05:44You'll never believe it.
05:46It's an oily fish which is very good for setting fire to.
05:57One nil and we have ink or inka.
06:01Patrick.
06:02It's called inky.
06:03Yes.
06:04Yes, that's correct.
06:06A Devonshire word.
06:09Before they built the jetties and the groins.
06:12What?
06:14A groin is a sea wall rather...
06:17Yeah.
06:18That can have a mole on your groin.
06:20They...
06:21Before they...
06:27Before they built these jetties and groins off the coast of Devon,
06:33they got inky up to their armpits.
06:38Seaweed.
06:39Ton after ton of it.
06:41Seaweed?
06:42Seaweed.
06:43Where's the groin coming?
06:44It's floating vegetation and they call it inky.
06:46Where's the groin coming?
06:48It keeps it off from the jetty.
06:55I think it now...
06:56What are you going on?
06:57We were all that down, have you?
06:58Yes.
06:59I think we should play something else with the remaining time.
07:02I think we ought to have Brian Forbes now.
07:05Well, an inky was a medieval rude look.
07:12A dirty look.
07:13Do it.
07:14A basilisk grimace to sort of discomfort and wither someone.
07:21I mean, in later years it was perfected, even patented by Robin Day.
07:25But to go further back in time into a quote from Caxton's...
07:31What was it?
07:32Jason.
07:33He said,
07:34Why, certes, madam, the inky of your eyne hath hurteth me unto death.
07:41You've got everything medieval in there.
07:44Absolutely everything.
07:45Yes, indeed.
07:47Nanette, your go.
07:49Well, ink is a bird's neck.
07:53Neck?
07:54Yes.
07:55I hasten to add that it's not a beautiful neck like Joanna's.
07:58You know, not that kind of bird's neck.
08:00But it is, in fact, the neck of a feathered bird.
08:03And if you moved in circles with ornithologists,
08:07obviously you would know this description
08:09because they always refer to feathered birds' necks,
08:13whether it be a thrush or a dove or anything like that,
08:16they always refer to it as an ink.
08:21Splendid.
08:22It is a bird's neck.
08:24It's a nasty look.
08:25And it's great wads of seaweed.
08:28Frank.
08:30Hang on.
08:31Well, it mustn't be paddies.
08:36I mean, it might be, but it mustn't be.
08:38It shouldn't be.
08:40There's any justice in the world, which there isn't,
08:42which is little of it.
08:44So we scrub paddy.
08:46We're worried about the feathered birds,
08:49because all birds are feathered, aren't they?
08:52Except when you eat them.
08:53Well, ostriches aren't.
08:54They're round their necks, aren't they?
08:55No, ostriches aren't.
08:56Aren't they bald?
08:57Interesting discussion, however, Frank.
09:02So I choose the bird's neck.
09:05The bird's neck.
09:06That was Nanette Newman who said it.
09:08Is she going to tell us?
09:09It was a flash of inspiration.
09:10Well, she'll have to tell us.
09:11Well, I'm sorry about this.
09:12She's got it there somewhere.
09:13Frank.
09:14Bullseye.
09:15Bullseye.
09:16Don't worry that ink or inky...
09:23No, ink, she said, just ink, is a bird.
09:26A hairy bird.
09:28No, neck.
09:29The neck of a bird, I should say.
09:30Spitcher is the next one.
09:31And Russell, it's your go.
09:33Are they ready?
09:34Because he's got his pins.
09:35No, you just have to start talking,
09:36and then you get their attention.
09:37Right.
09:38Two of you will know what this is,
09:39because it's an old word you use in the First World War.
09:43You have no idea what it's about.
09:45But it's a word which was used by English seamen
09:50as a boasting word when they had clobbered a U-boat.
09:56It's a nautical verb meaning to sink, to spatcher.
10:00There was an exchange, a celebrated exchange once in the war
10:03in which somebody said,
10:04by golly, sir, we've spitchered a U-boat.
10:06And the man said, good show, number one.
10:09And the man who said that was called Commander Hugo Frampton.
10:12DSO, wasn't he?
10:14Yes, yes, yes.
10:17Next.
10:18Have I finished?
10:19Yeah, I think you have.
10:20You have.
10:21Joanna, you start.
10:22Spitcher is a verb to do with trousers,
10:28and also to do with boots.
10:31It's an old rural expression,
10:33and it means, to spitcher means to cut your trousers off below the knee.
10:38And to spitcher means also to cut your boots off above the ankle.
10:42There, of course, why anybody should indulge in such sartorial sabotage, the OED doesn't explain.
10:51And the OED is the Oxford English Dictionary.
10:54It's a farm labourer with sexy shins.
10:58And it was the first bit of Mama Said Chire of the series.
11:01Nice to register it.
11:02Frank, your turn.
11:03Spitcher is a verb and a noun to do the same thing.
11:09And it's a word used in the jargon of entomologists.
11:14And entomologists are bug hunters, bug fanciers.
11:20And to spitcher a bug or a butterfly or whatever, a larva,
11:26is to attach it to your cork display panel with a pin to spitcher.
11:32Your cork display panel?
11:36You've got one.
11:38He's never without it.
11:39Patrick, I'm on.
11:42It's Frank's turn.
11:45If I may continue.
11:46And the pin which you spitch with is called a spitcher.
11:52Good.
11:53That's rubbish, isn't it?
11:54It's to pin a butterfly.
11:56To cut off your boot or your trousers, should the fit be upon you.
12:01And it's to sink a submarine.
12:03Brian.
12:06Difficult.
12:07You know, one faces these three absolutely beautiful and bland people.
12:13All of whom are incapable, obviously, of telling lies.
12:17And one wonders whether...
12:19Blond or bland?
12:20Wonders whether one should opt for cutting off one's trousers below the knee or one's boots below the ankle.
12:29Or to spitcher a butterfly, did you say, or a bug?
12:33Butterfly, bug, anything you care to collect?
12:35What you will.
12:37I'm only going on kind of hunches because there is an extraordinary word also from the First World War called scrim shanking, which is just as odd as spitcher.
12:46We've had that.
12:47We've had that.
12:48Carving on ivories.
12:49Absolutely, Frank.
12:50Absolutely.
12:51Don't go near it.
12:52No.
12:54I don't know it.
12:55Why don't you talk to your wife about it?
12:59And it's rather good at this game.
13:02Yes, I...
13:04I do nothing but see Frank in my bookshop and he always tells nothing but the truth when he buys books from me and pays his account, so I'm going to opt for Frank spitchering his bugs into his cork waistcoat or whatever it is.
13:18But absolutely.
13:19Ice cold logic for such a choice.
13:22Frank, true or bluff?
13:24But it is a good bookshop.
13:26Oh, no!
13:31No, no, no, no, no.
13:32Nothing of that sort.
13:33Who gave the true definition?
13:35It is.
13:36Low.
13:37No.
13:38It was.
13:39Not again!
13:40You've cut me away from that.
13:45And so it means to sink a submarine.
13:48By the way, it's scrimshank doesn't mean what you said, it's scrimshaw that means that, just to prevent everyone writing in.
13:54Anyway, there you are.
13:55Just occurred to me.
13:56Glamp is the next one and it's Brian Forbes' go.
13:59Well, it's what I am at the moment after that last result.
14:03I mean, a glamp is a Worcestershire sulk.
14:07It's a word local to Worcestershire, which I don't come from, but for the state of being in a moody, you know, a moody silence or being anti-socially glum or morose.
14:18I mean, mostly it's used in the expressions you'd say, you're in a glamp or you're in the glamps.
14:24I mean, I hope that all of you are currently in a glamp if you think I'm bluffing at the present moment.
14:32Ah, yes, yes.
14:33That's like a double negative, isn't it, really? Nanette, your go.
14:36Well, glamp is a verb which actually means to grope.
14:41It's a rather nicer way of saying to grope. For instance, I'm married to a very short-sighted man.
14:47And if in the cinema he lost his glasses, I might say, oh, my goodness, now he's going to glamp for his glasses.
14:53Or if you were in a bath, you might say, now, you know, you're going to glamp for the face cloth.
15:01Or perhaps more romantically, you might in bed at night with your husband say...
15:06As a steady matter.
15:08Perhaps my husband is going to glamp for me.
15:13It is another word, I think a rather nicer verb of saying to grope.
15:18Yes.
15:19To grope.
15:20I'm sure so.
15:21Yes.
15:22If it has to be said at all, I suppose it is.
15:25Patrick.
15:26Well, what a joy it is, after all that, to come back to call my bluff upon your favourite subjects.
15:33The diseases of sheep.
15:35Welcome home, Nanette.
15:41Glamp, of course, is an infection of the sheep's mouth.
15:48And these idiots get it from eating polluted or stagnant moss.
15:55That's glamp forever.
15:58Yes, it had to happen.
16:00It's a disease of sheep.
16:02It's to grope for something and it is to be sulky in Worcestershire.
16:07Russell.
16:08Brian Forbes has had two words which both meant sulk or inky was a sulk.
16:14Do an inky for me now, as I can tell.
16:16I mean, do a glamp for me.
16:17Do a glamp?
16:18What's a glamp?
16:19Well, it's a sort of, you know...
16:21Don't look at your paper.
16:22Do a glamp.
16:23I was doing it then.
16:25I knew it was a long time since I was an actor, but I am actually...
16:29I was trying to do a glamp.
16:30I was going to do one of, you know, one of those.
16:33Right.
16:34I don't believe it.
16:35And also, Nanette, who is normally so fluent and so clear and so concise, was flanneling
16:41like hell when she got to this thing about, I'm going to get my husband to glamp for me
16:45in bed.
16:46I mean, it's ridiculous.
16:48You wouldn't need to help him.
16:49He would do it by radar or antennae or whatever that may be.
16:52Therefore, and the relief on Patrick's face when he got back to his foot-and-mouth disease.
16:57I love him to see that.
16:59It was a joy to behold and therefore I suspect that it's a sheep's mouth disease.
17:04So you think that for once the sheep's disease is true?
17:07Let's see if it is.
17:08Patrick.
17:09A faulty diagnosis?
17:11Oh, no.
17:12Oh.
17:16Well done.
17:17No.
17:18No.
17:19That time it was just a trick, as it so often is.
17:21But who gave the true definition, I wonder?
17:23Oh, Russell.
17:24There, you see.
17:25I want you to believe me.
17:26Well done, my darling.
17:28Great stuff.
17:29That's better.
17:30No.
17:31To glamp means to grope for anything.
17:34And there, 3-1, we have sambucade, but it'll be pronounced I don't know a million ways.
17:40Joanna.
17:41A sambucade is a crisp fritter or pancake, which a country housewife might make.
17:47Its ingredients are sugar, white of egg and butter.
17:50But what gives it that special yum-yum flavour, it says here, is chopped up elderflowers.
17:57The flowers, not old flowers, not any old flowers, just chopped up elderflowers.
18:02In advance of advanced years.
18:05Yes.
18:06And so we come to Frank Muir.
18:11A sambucade in ancient warfare was a barrage of unguided missiles, all flaming.
18:19There are lumps of toe and lumps of pitch and things, and they were hurled by a catapult
18:26or whatever, into the fleet, or into the opposing ranks, or over the castle wall.
18:33Whose toe?
18:36It's a sort of...
18:37T-O-W.
18:38I can't understand a single...
18:39I can't a single word.
18:40Just...
18:41It's the toe you set fire.
18:43T-O-W.
18:44Oh, that one!
18:45Not your toe.
18:46Not...
18:47Not...
18:48You don't snatch it off, you know.
18:49Russell Hartley.
18:50In question time at the House of Commons, you can hear a lot of sambucades bashing backwards
18:55and forwards because they're dishonest mental reservations, frequently used by members of
19:00parliament.
19:01And a historian by the name of Kettlewell, you will know him well, Kettlewell, wrote about
19:07this sambucarding that went back and forth like a ping pong ball at question time.
19:13And he said, most of the MPs did seem bent to take up such sambucade...
19:18And that you went on.
19:20As might ease them of all responsibilities, sambucade.
19:25Sambucade.
19:26Right, or sambucade, pronounce it as you will.
19:29An incendiary missile, a kind of delicious pancake, and a sort of evasion, a way of evading.
19:35Nanette, your choice.
19:38Well, I don't know that the fritter made with the elderflowers sounds terribly edible.
19:50Russell's thing with all the MPs, I don't know, that doesn't sound quite right to me.
19:56Frank, I'm gazing into your eyes, hoping that you will give me an honest look.
20:00I quite like the idea of toes and bits and pieces all being hurled over.
20:06It sounds so bizarre.
20:08Brave feet.
20:09I think...
20:10Can I have another go if I'm wrong?
20:12And I shall say that it's you, Frank.
20:14It's you, it's you.
20:15If not...
20:16He said that it was an incendiary missile, true of love.
20:19A little error.
20:20No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
20:26What's that?
20:28True one now.
20:29Here it comes.
20:30Oh, it was.
20:31It was indeed.
20:33It's an absolutely delicious pancake.
20:39And when she said it says here to cast doubt on the Oxford English Dictionary like that, I don't know.
20:44Well, yum yum, you know.
20:45Oh, yum yum.
20:46That's what I said.
20:47I see what you mean, yes.
20:48Or do I?
20:49Four one.
20:50Crub we have next.
20:51Nanette.
20:52Well, crub is a nearly extinct adverb meaning unsuave, unaffable, rather nasty, something that's vaguely sort of unpleasant.
21:03I think a 17th century astrologer once said that if you were born under the sign of Capricorn, you shall be both crub and stubborn and have no skill or courtesy.
21:18What about that then?
21:20Rather unpleasant.
21:21Yes.
21:22Straight to the point.
21:23Patrick?
21:24His go.
21:25Quiet.
21:26Didn't it?
21:27Take the bottom of the sea off Newfoundland.
21:31Newfoundland.
21:33It's covered with rocks, as you know.
21:35These fishing boats, if you throw an anchor into a load of rock, you're going to lose the anchor.
21:39And so what are these sagacious Northumberland?
21:42Northumberland.
21:43Newfoundland.
21:44But they'd tie a piece of rope around a crub.
21:49Bund the rope over the side with a rock on it, can nest it in between the rocks, and you can pull it up when you want to leave.
21:58Simple matter.
21:59What is a crub?
22:00So what was a crub?
22:01It's an anchor.
22:02Sort of, yeah.
22:03Made of rock.
22:04Rock anchor.
22:05Yes.
22:06Off Northumberland.
22:07Have you got that?
22:08Not off Northumberland.
22:09Newfoundland.
22:10Newfoundland, yeah.
22:11Where else?
22:12Brian?
22:13Well, a crub, or crub, as it was sometimes called, is that from which one hangs or suspends things from a pack horse.
22:24It's a kind of hook or peg, you know, which is firmly attached to a trip of canvas and thrown over the animal's back,
22:31whereupon you can hang your hat, an umbrella, your reputation, or if you are suicidally minded, you could hang yourself from it.
22:44Alright, so, it's a hook on a horse, just like you said.
22:47It's to be rather evil-tempered, and it's a sort of anchor.
22:51You wrap a rope around a piece of rock.
22:53Joanna Lumley, choose.
22:56I think this crub from the astronaut, no, astrologer, is a bit like crab, which is cancer, wouldn't he?
23:08I don't know, crub, crub, it sounds like cruddy, it sounds nearly there.
23:12Don't like it.
23:13We don't like it.
23:14We think the hook on the saddle from which you can commit suicide is also a bit neat.
23:21It sounds like a crub, therefore it isn't. Therefore it's your Newfoundland rock.
23:26That's what Patrick said.
23:28Patrick, is it true or bluff?
23:30What a joy this can...
23:38No, he made all that up. Who gave the true definition?
23:41A coat hanger.
23:42Who gave the true definition?
23:43You did.
23:44It's that hook on the horse's saddle, and you can hang your necessaries from it.
23:56Hot clothes.
23:57The next one.
23:58Frank, to define it.
24:00I suppose, if I was to make this very brief, I'd say a 15th, 16th century tin waistcoat.
24:09It's worn by sort of serving men and bottlers, not by the outstocracy, and it was for show rather than for wear.
24:20It's a thin metal kind of thingy.
24:23Metal?
24:24Yep.
24:25Yeah.
24:26Okay.
24:27Russell.
24:28Russell.
24:29A hard clue.
24:30It was an apprentice navvy, a very young lad, the sort of young men who built high railroads in the West Pennines in the 1880s and 1890s, and they were kids, and they got paid less than ordinary navvies, and they had all the data work to do, and they were the bottom of the picking order.
24:51Oh, picking order.
24:54Picking order.
24:55Picking order.
24:56I don't know why you're sneering, Frank.
24:58Aren't you going to dance?
24:59Thank God.
25:00I was going to say.
25:01Thank God you appreciated it.
25:02Very good.
25:03Yes.
25:04Who comes next?
25:05Right, yes, Joanna.
25:06See what you can do.
25:07While James I was persecuting Puritans, there was a stately dance going on at the palace, and the dance was The Huckler.
25:14Delamper?
25:16Er, I can't really show you the steps of The Huckler here.
25:19Delamper here.
25:20No, no, I can't.
25:21No, I won't be persuaded.
25:22You and Frank do it.
25:23But it's not unlike another dance, Josh.
25:24I think, er, Patrick might know.
25:26Palace dance at the same time, which is called The Tom Bedlow.
25:29And the steps are quite like it.
25:30The Huckler steps.
25:31James I.
25:32James I.
25:33James I.
25:34Even earlier.
25:35He was so small he had to be carried downstairs at that time, hadn't you, Patrick?
25:40Shame on you, Joanna.
25:42It's an apprentice navvy, it seems.
25:44It's a tin waistcoat, and it's a stately Jacobean dance.
25:47Patrick?
25:48I believe, er, all this picking, absolute drivel.
25:55I mean, if you've got, if you've got to, if you've got to those lengths to say that the,
26:00the picking list, that's really scrapping around, isn't it?
26:04Picking what?
26:05Picking what?
26:06Picking order.
26:07I'm working, isn't it?
26:08It's that joke.
26:09Picking order, isn't it?
26:10Erm.
26:11A dance, I sound like a dance.
26:13It's, when you said rather dyingly, it's a kind of thin, tin thing.
26:19I think you were trying to throw me off the scent, and it's fairly a path to me from here,
26:27because it's that.
26:28You're, you're choosing, er, what Frank said.
26:30He said it was a tin waistcoat.
26:32A tin waistcoat.
26:33True or bluff.
26:34If we hurry, who knows?
26:35We may get another word.
26:40No!
26:41No!
26:42Whatever he was doing, Patrick, he succeeded.
26:47Er, anyway, who gave the true definition as quick as you like?
26:50It was me.
26:51It was Joanna.
26:52Oh!
26:57Stately dance.
26:58Not so stately now, you'll have to move rather swiftly.
27:01Crockett is the next one, Patrick.
27:04It's rather complicated.
27:06It's part of, inside of a huge clock.
27:08It'll, Y-shaped thing like that, and the shaft of the rod goes into it.
27:14And as the pendulum...
27:18I think we ought to hurry.
27:19I think back and forth.
27:20This moves the, the, the escapement...
27:24Ah, ah, ah.
27:26Well, it's not mechanism.
27:27Well, that's it, Brian.
27:28Well, as...
27:29As swiftly as you can.
27:30Yes, well, as they probably guessed.
27:31A crockett is the name given by Abaddonians to the wading bird,
27:35more commonly known as the oyster catcher.
27:37Of course it is, of course.
27:38That'll do us.
27:39That'll do us.
27:40Nanette.
27:41No, no, no.
27:42No, no, we haven't the time, I fear.
27:43It was a word that was in vogue 300 years ago
27:46and it meant to be perverse or contrary or against something.
27:51Right. Sort of wayward.
27:52Part of a clock, I think he was doing.
27:54Sort of part of a clock.
27:55And an oyster catcher. Frank?
27:57I don't know.
27:58Oyster catcher.
27:59Oh, who said that? That was Brian. True or Bluff?
28:03Curse you, Crockett!
28:13So, no doubt, whatever about it,
28:16as we come to the end and score standing at 6-2,
28:19Frank Muir has won.
28:27And I dare say that'll put a sharp edge on Patrick and co.
28:30for the next round.
28:32But I think a round of applause for them.
28:38Next time we shall have some more walking wounded
28:40from the Oxford English Dictionary.
28:42Until then, goodbye from Russell Harty.
28:45Bye.
28:48Brian Forbes.
28:52Joanna Lumley.
28:55Nanette Newman.
28:57Frank Muir.
28:59No.
29:00Patrick Campbell.
29:00And goodbye.
29:12You.
29:32You.
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