- 4 months ago
A duel of words and wit between Frank Muir, Anna Massey, Godfrey Smith, Arthur Marshall, Sally Magnusson and Peter Egan.
The Referee is Robert Robinson
The Referee is Robert Robinson
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TVTranscript
00:00Hello, this is Cormac Bluff with the man whose definitions may well be as bogus as those 50-pound notes, Frank Muir.
00:20My first guest is an actress, a delightful and very individual actress, and I'm delighted to introduce you to Anna Massey.
00:39My next guest is a writer and a columnist on the Sunday Times, and it's Godfrey Smith.
00:50And ready as ever to give it the college try, Arthur Marshall.
00:58Good evening. I'm very happy to welcome a newcomer to Call My Bluff, though she is no stranger to television, and it is Sally Magnusson.
01:10I'm delighted to welcome back that admirable actor, Peter Egan.
01:15After the politenesses, the bell rings, and battle is joined with the first word, a bubble boy.
01:26Now, you may remember that Frank Muir and his team will define bubble boy three different ways.
01:31Two of them are no good, two of the definitions.
01:33One is the bullseye, and of course that's the part that Arthur and Co. try and hit.
01:37So, bubble boy to you, Frank.
01:40A bubble boy, as I'm sure you have already guessed, is a nickname.
01:46Not the nickname of that curly-haired blonde lad who was painted by Millet for Pears' soap.
01:54In fact, not the nickname of a chap at all.
01:58It's the nickname of a turkey.
02:01Shall I go on?
02:03Yes, go on.
02:04Is it worth proceeding with this wretched attempt?
02:08Well, in East Anglia, they use the nickname bubble boy for a very special turkey, without whom we'd have no Christmas dinner.
02:20Because bubble boy is the nickname for the stud turkey in the herd.
02:26I don't really wish to say any more about that.
02:29I think you've said quite enough.
02:31Yes, indeed, we turn now to Godfrey Smith.
02:34Well, the bubble boy, it is slang, as Frank was saying, but it's slightly different from what he was trying to put across to you.
02:42It's sailor slang for what the Admiralty Manual of Seamanship call a mooring swivel.
02:48Now, you see, if a ship lies at two anchors, not just one, there is a risk, as the ship moves in the tide, that the two cables become crossed.
02:58And to avoid this unfortunate occurrence, they put in a mooring swivel or bubble boy.
03:04It may not be terribly clear to you, to landlubbers, but it's terribly important to sailors.
03:08Yes.
03:09Well, mooring swivel meaning, yes, bubble boy.
03:12What does Anna Massey tell us?
03:13Now, in the 18th century, a bubble boy was a necessary accessory in a lady of fashion's boudoir.
03:23It, not he, was a case or box made of tortoiseshell or decorated with tortoiseshell and containing the instruments for the lady's beautification.
03:34Items like eyebrow tweezers or hair curlers, patches or even toothpicks.
03:38And that is a bubble boy.
03:40May I remind you, they say, it's a stud turkey, a mooring swivel, whatever that may be, and a vanity box.
03:48And so, Arthur?
03:49I can't think a lady's vanity box would be called a bubble boy somehow.
03:55I haven't conferred with my chums.
03:58Any views, dear?
04:01It has the look of a double black button.
04:03Yes, that may well be.
04:06I don't somehow connect it with the lady beautifying herself.
04:11This mooring swivel, you tried to make it clear, Godfrey, but really it became even more baffling every second.
04:19Sorry.
04:20Somehow, young Frank's East Anglian stud turkey is so awful.
04:29I think it's you, Frank.
04:30Young Frank did say it was a stud turkey.
04:33True or bluff, he owns up.
04:35He has to tell you now.
04:36He's got it there.
04:38Huh?
04:38Yes or no?
04:40There it is.
04:41Oh, not a thing.
04:42Oh, no.
04:46Stud turkey indeed.
04:47No.
04:48One of the other definitions was the true one, which, I wonder, they keep you hanging in suspense.
04:55And then, lo.
04:57I knew.
04:58You see, there you are.
04:59Oh, it's true.
04:59Oh, it's true.
05:00It's true.
05:00It's true.
05:00It's true.
05:01It's true.
05:01It's true.
05:01It's true.
05:01It's true.
05:01It's true.
05:01It's true.
05:02It's true.
05:02It's true.
05:02It's true.
05:02It's true.
05:02It's true.
05:03It's true.
05:03I heard Sally say it was a double bluff, and yes, she was right, Arthur, but there you
05:07are.
05:07Yes.
05:07Guileless as ever.
05:08You chose the wrong one.
05:09But what it means is a vanity box, or it used to mean the 18th century or thereabouts.
05:14Potto is the next word.
05:16Arthur?
05:17Potto is a very, very old rustic game that's played with marrows.
05:23Frank, not vegetable marrows, but lumps of wood that are called marrows, about sort of
05:33bottle size shape.
05:35And the great thing was to mark out an area and stand about 25 feet away and hurl your
05:42pottoes into a circle.
05:46It's the same principle as bowls, to try and get your five pottoes as near together as possible.
05:53And when I tell you that if you tried to find in a landscape garden Capability Brown,
05:59the chances are you'd have great difficulty because he was a mad keen player of potto.
06:04A simple game, but jolly.
06:08Let's now apply to Peter Egan.
06:10Well, potto was a brand of unsized white paper, sold by grocers in rolls a yard wide, which
06:16Victorians used as protective coverings for kitchen shelves and drawers.
06:21It was also popular with brass rubbers receiving a very clear impression when placed over brass
06:26engravings and rubbed with a ball of wax.
06:30Brass rubbers.
06:31It's just the emphasis there.
06:32No.
06:33My mind went off at a complete tantrum.
06:35Sally, it's all there.
06:36The potto is probably better known to the likes of David Attenborough and David Bellamy as
06:40Peridicticus pot.
06:43It's a fast, rather slow-moving sloth, native, as you probably know, to old Calabar in Africa.
06:51Now, it's rather an interesting creature, this potto, because it's got cat-like eyes, but
06:56a body shaped rather like a monkey.
06:58And I'm sure you'll also be most interested to note that its maxillary ducts open upon the
07:04free margin of the sublingual, and I hardly need to explain the significance of that.
07:07You won't.
07:08You felt the meat of the matter was in that parenthesis.
07:13And I lost it.
07:14Yeah.
07:15Too bad.
07:16The game speeds on.
07:17I remind you now, it's paper for shelves and, you know, ordinary purposes, a sloth, and
07:23a rustic game played with marrows.
07:25Frank's choice?
07:26As usual, I utterly dismiss Uncle Arthur's hurling marrows into circles.
07:36They're called cheeses, aren't they?
07:38They're cheeses.
07:39More than my position.
07:40Tees are called marrows.
07:41And also, cheap paper in which the Victorians wrap their cheese doesn't seem very likely.
07:48On the other hand, there is a potto, isn't there?
07:52And there's an Australian variety called the Bosman's potto.
07:56And also, I feel that David wouldn't lie.
08:00No.
08:01It's not David Attenborough.
08:04Panting a little, he'd tell the truth.
08:07So, we, unanimously, that's an order.
08:09Absolutely.
08:10We are going to choose the potto.
08:12I mean, of course, they're all potto.
08:13They're going to pieces.
08:14Miss Magnusson's animal.
08:15You choose, yeah.
08:16She did say that it was a kind of sloth.
08:17She must now own up.
08:18True or bluff?
08:19A bullseye.
08:20A veritable bullseye.
08:21All right.
08:22You're right.
08:23And accompanied by a lot of peripheral, accurate, technical talk on your part, Frank.
08:26You're going to remember that.
08:27Well done.
08:28If you've got it, flaunt it.
08:29Well done.
08:30Well done.
08:31There you are.
08:32Bangalay is what I say next.
08:33Godfrey.
08:34Well, I'm very sorry if I have to use a rude word here.
08:35And I hope that if there are any delicate people in the audience, they'll forgive me or put
08:40their hands over their ears.
08:41Because what the Oxford English Dictionary says about Bangalay is that it's, of course,
08:47it's a bastard Australian mahogany.
08:48Now, it's the mahogany, not the Australian.
08:49That's the bastard, you understand.
08:50But Bangalay is a variety of eucalyptus wood.
08:51It's a good word.
08:52It's a good word.
08:53It's a good word.
08:54Well done.
08:55Well done.
08:56Well done.
08:57I'm very sorry if I have to use a rude word here.
08:58And I hope that if there are any delicate people in the audience, they'll forgive me or
08:59put their hands over their ears.
09:00Because what the Oxford English Dictionary says about Bangalay is that it's, of course,
09:04it's a bastard Australian mahogany.
09:07Now, it's the mahogany, not the Australian.
09:11That's the bastard, you understand.
09:12But Bangalay is a variety of eucalyptus wood.
09:16It's made into imitation mahogany furniture, hence bastard.
09:21Forgive me.
09:22Forgiven.
09:23Forgiven.
09:24Anna.
09:25A Bangalay is a wooden yoke and it's wider in span than a milkmaid's yoke
09:33and was traditionally used in India for the transportation of heavy goods.
09:38Now, in the days of the British Raj, porters at railway stations equipped themselves often
09:44with Bangalays and became known as Bangalay wallas.
09:49Yes, yes, yes.
09:51They would really, wouldn't they?
09:53Yes.
09:54It's Frank's town now.
09:55In moments of quiet reflection, when time hangs heavy and you're watching a kettle waiting
10:04for it to boil or watching the Eurovision Song Contest or something, your mind has probably
10:10strayed as to how they count cattle on the plains of Texas or rather how they avoid counting
10:16them twice because it's a big place.
10:23But what they do is, okay, you say, okay, they have a funnel into which they drive them,
10:28a barbed wire funnel with a turnstile and they count them as they go through.
10:32But supposing they go round the back and join the queue again, as one did at school.
10:37But the Texans have a wheeze, shears, and as the steer, whatever it is, the cow, goes through
10:45the turnstile, they snip the tail straight.
10:51The tail is a bit droopy, you see, they just cut it straight with the shears, send the thing
10:55on its way, saying 2,652,000, you know, and count it.
11:00And then they know that a cow with a straight tail has been counted and won't be counted
11:05again.
11:06And such a cow is called a Bangalee.
11:11You've got to be pretty quick with those snippers as he goes through the turnstile.
11:16No, I could explain fully.
11:18No, no, no, it's just an airlock.
11:20No, I think there's a certain skill involved in that operation.
11:23Anyway, they say it's imitation mahogany, it's a yoke, and it's an animal with its tail
11:29snipped in those circumstances Frank told us at such admirable length.
11:33Peter, your choice.
11:35No idea at all.
11:37Frank's definition was so long I forgot what the other two were.
11:43The straight tail does seem very improbable.
11:46Bangalee, on the road to Bangalee, it sounds very kind of Indian.
11:54I don't know what Bangalee is.
11:56And the bastard Australian mahogany.
11:59I think I'm going to go for the most obvious selection, which I think is Anna's.
12:05Well, she said yes, it was a yoke, a larger sort of yoke than a milk vase.
12:10True or bluff, Anna?
12:11Must own up.
12:14Nothing.
12:15Nothing.
12:19It was the sincere way she did it.
12:21You were fooled there.
12:23Who gave the true one?
12:24Here it comes.
12:26Yeah, barely.
12:27Yes, indeed.
12:30It's the imitation mahogany of which Godfrey spoke.
12:32That's what Bangalee is.
12:33Let's see what the next word is.
12:34It's umtif.
12:37It's like something spelt backwards.
12:38Fimtu.
12:39No, it's umtif.
12:40Peter Egan will define it.
12:42Umtif is a very ancient verb, meaning to adorn, to deck out in finery.
12:49Indeed, if Anna won't mind me saying so, she's umtifed herself with style and elegance this
12:55evening.
12:56To quote from the early English Psalter of 13 AD,
13:00Daughters of them, semen dight, umtifed our slickness of Kirk Bright.
13:08That's it.
13:10Yes.
13:12Esperanto as I live and breathe.
13:14Sally, your turn.
13:15Yes.
13:16An umtif is not, as you may think from the sound, a minor Turkish official.
13:21He's actually an extremely important Turkish official.
13:24He is, or at least he was, in the heyday of the Ottoman Empire,
13:28the chief priest of the Islamic faith.
13:31So that as the Archbishop of Canterbury is to the Church of England,
13:35as the moderator is to the Kirk, so the umtif is to Islam.
13:41Well, so it may be.
13:42Who knows?
13:43Arturo, here's go.
13:44Umtif is rather a rarity on this programme because it is an adverb.
13:50And in medieval peasant speech, it meant obliquely, or sideways, or...
14:00Frank, behave yourself, or out of kilter.
14:05And it also had an equestrian connotation, meaning to ride astride, as opposed to side saddle.
14:14Splendid, splendid.
14:15It means to adorn, to dress yourself up.
14:18It's a very major Turkish official, unusually enough, on this programme.
14:23And it is, it means obliquely.
14:26Godfrey's choice.
14:27Yes.
14:28Yes.
14:29Well, I thought that that umtif, the first one, the decking out with the salter,
14:33I don't think the salter goes back to 13 AD.
14:37Does it, Peter?
14:38Oh, sure.
14:391313 AD.
14:40I was talking about 1301, I think.
14:41Oh, was it?
14:42Oh, 1301.
14:43Yeah, I think you may have left out, yes.
14:45Oh, I believe I did nought and a one.
14:46All right.
14:47Well, even 1301, I still think it's a very, very long shot.
14:52The trouble with that very important Turk is that, you know, umtif sounds suspiciously
14:59like pontiff, and I suspect that that's why it's been put in today.
15:04And so, although it's the most improbable adverb, and very unusual on this show, as Arthur says,
15:09I'm going to plunk for the sideways or astride.
15:12You've plunked.
15:13That's most unusual again on this programme.
15:15Arthur, you did say it.
15:16True or bluff?
15:17Know where it comes.
15:19Hey!
15:24So, nothing to do with all that.
15:26Who gave the true definition of umtif?
15:31There it is.
15:32Ah, yes, yes, yes, yes, yes.
15:35He does indeed mean to adorn, but when he said 13 AD, he may have meant 1300 and something AD,
15:41but that won't have altered.
15:42They'd have lost anyway, I think.
15:44Now, the next word is sen, and Anna, it's your turn.
15:48Now, sen is a fairly cheap, semi-see-through Egyptian cotton gauze.
15:57It's traditionally, I can't say hard, used in Egypt for mosquito netting or for veils for down-market dancing girls.
16:09Now, when it was imported to Britain, it was used for neither of these things, but for wrapping cheddar cheeses whilst they matured.
16:21Right, it's Frank Muir's goat now.
16:24Sen is rather jolly, actually.
16:27Sen is one of those chaps up an Alp, clad in green leather shorts and green leather waistcoat and a funny hat with a shaving brush in it,
16:39reeking of milk chocolate, who summons the cows home by blowing down 20 foot of sewage pipe with a bell at the end.
16:54I knew he'd do it!
16:56Oh, enough, friends!
16:57It's very good!
16:58Shut up!
16:59Clap, clap, clap, and all the cows come gathering.
17:01And not only that, he's commemorated in literature.
17:04I need hardly, Arthur, remind you of the lines written by none other than Felicia, Mrs Felicia Hemans, 1795 to 1835,
17:14as you know, wrote those delicious lines, the stately homes of England.
17:19And she wrote these very words,
17:22"'Twas night upon the Alps.
17:26The Sen's wild horn poured out its last long tone."
17:33LAUGHTER
17:34That was my best voice.
17:36LAUGHTER
17:37Yes.
17:39Godfrey Smith's turn now.
17:41Well, I'm sorry, I have to ask with a little seriousness here after that,
17:44because, actually, a Sen is a very venerable and respected member of the Order of Benedictine Monks,
17:54a very senior man, past middle age, who is accorded certain privileges and one particular duty,
18:01namely, to visit the cell of a brother who is at odds with the Order,
18:07and to jolly him up in his solitary confinement until he can return to the state of grace.
18:13So he is, if you like, a sort of monastic prison officer.
18:16LAUGHTER
18:17Yeah, well, it's this Swiss herdsman, it's the gauze,
18:22and it's the middle-aged monk who acts as a kind of janitor of those who are under duress in the monastery.
18:28Sally, your choice.
18:30You think so?
18:31Well, it's up to you.
18:33Well, I'm being advised that it may be frank.
18:35No, no, no.
18:36But it's such a glorious story, I would love it to be frank,
18:39and I love the sound of Felicia Heumanns.
18:42Never heard of her before, but I dare say she's alive and well in 18, whenever it was.
18:47Godfrey, I don't think so. I don't know why I don't think so, but I don't think so.
18:54I'm sorry.
18:55Now, Anna's a wonderfully eccentric story about the semi-see-through gauze that became a wrapping for cheese.
19:02And it's so eccentric that I just wonder...
19:05Arthur will kill me if it turns out to be frank.
19:08No, no, go with you. It's your choice, dear.
19:10I'll go for Anna.
19:11Well, she certainly said it was this gauze.
19:13True or bluff?
19:14Owns up now.
19:15Tells you all.
19:17Nothing!
19:18Let us see whether your first intuition was a correct one. Who knows? We have to know who gave the true definition of Seine.
19:30Don't kill her, Arthur.
19:31No.
19:39Indeed, in spite of the imitation Frank gave, Seine is actually the sort of chap on a Swiss Alp who blows the trumpet and brings the cows home.
19:47Balahoo is the next one, and Sally Magnusson tells you about it.
19:52Balahoo is a contraction of Balahooly, which, as you know, is a village in Southern Ireland in County Clare.
19:59And it was, interestingly enough, it was the first of the so-called rotten boroughs to be disenfranchised by the 1832 Reform Bill.
20:06And it's because of this that, in Irish vernacular, it's come to be known as a person of no consequence, very little consequence.
20:16It can be contracted sometimes in colloquial speech to who, and so I understand that it's not unknown in some parts of Ireland if a lad misses a very easy goal, to be rewarded by the accolade,
20:31Ach-yahoo.
20:32Well, well.
20:34Well, well.
20:35Stranger things happen at sea.
20:37Ach-yahoo.
20:38Also a pop group, isn't it?
20:39Arthur Marshall's turn.
20:41Come with me, if you will, to New Orleans in the 19th century, and you see a group of people jigging about like mad in the street.
20:52And the chances are that they will be dancing the Balahoo.
20:56It's a sort of street dance of a fairly conga-like.
21:01Do you remember those conga lines that used to form?
21:04Yes.
21:05And it's an indeterminate number of people forming a conga line and winding round the streets of New Orleans every now and then going,
21:13Hoo!
21:14Hoo!
21:17Why?
21:19Because that's what they do.
21:20And they're easily entertained, I think, probably, yes.
21:23Peter's turn now.
21:26A Balahoo is a two-masted sailing ship that can be seen plying between Bermuda and the West Indies.
21:33To a keen mariner's eye like mine, the Balahoo is unseaman-like in appearance,
21:39having her foremast raked aft and her main mast raked forward,
21:45and furthermore wearing no topsails at all.
21:49Well, it's a street dance in New Orleans, says Arthur.
21:53It's a sailing ship just described by Peter and something of no consequence at all.
21:58And, Anna, it's your choice.
22:00Yes, we do.
22:01Well, um, I don't know anything about sailing ships, but I'm afraid I don't think you're right, Peter.
22:13And, um, I think that the dance sounds a little bit too lively for New Orleans to mean.
22:20Yeah, yeah.
22:21And somewhere at the back of my mind, the word Balahoo and Ireland ring two faint little bells.
22:29So I'm going to go for Sally.
22:32Yes, well, she did say that.
22:34Was she trying to fool you?
22:35I'm so glad.
22:36Nothing!
22:37Oh!
22:42Now, who gave the two definitions of Balahoo?
22:45Oh!
22:46Oh!
22:47Oh!
22:48Oh!
22:49Oh!
22:50He's got it there.
22:51What was that?
22:52Oh!
22:56It's that particular sailing ship.
22:58Oh, yes, indeed.
22:59Now, the next word is Tyndall, and Frank Muir will tell you.
23:04Ah, with greatest of pleasure, Bobby.
23:06Oh, goody.
23:07Um, a Tyndall is how you shift a whole, how you used to shift a whole lot of deer from place A to place B,
23:16because they're very sort of tender and delicate things, you know, and they run away in all directions, unless you do it right.
23:23So what you do is you form a Tyndall, and a Tyndall is just simply a semicircle of people, a very sort of wide semicircle, not very close together,
23:33who are upwind of the deer, and they just move gently towards where they want the deer to go,
23:39and the deer happily move off gently in front of the Tyndall.
23:43Bit boring, but...
23:45I wouldn't say so, Frank.
23:46Sorry.
23:47No, no, come, you mustn't apologise.
23:48Don't do that comment.
23:49Godfrey now.
23:50Well, now, this is a really jolly nice, tasty little thing.
23:54It's an old Billingsgate Market measure for that lovely little fish, the sprat.
24:01One Tyndall being equal to a thousand bushels, no less, of these tiny fish.
24:07Now, to save you working it all out, how many sprats it is, I have done the sum for you,
24:11and believe it or not, assuming twelve sprats to the pint, as I think we must,
24:18then one Tyndall amounts to no fewer than 768,000 sprats.
24:25Where do they put them, I wonder?
24:28However, of course you might need as many, who knows?
24:30Anna.
24:31Now, Tyndall is a variety of crude borax, but by crude I don't mean vulgar, I mean in its raw state.
24:40It's a bluish, white, crystalline substance, rather like anemic demerara sugar,
24:48and it's dug up from the shores of dried-up lakes in Persia, and it's used as a primitive fertiliser.
24:57Well, it's a primitive fertiliser made out of crude borax.
25:03It's a group of stalkers getting the deer to where they want them,
25:07and it's a measure, a huge measure of sprats, Arthur.
25:11I'm happy to say we're more or less agreed, for better or for worse.
25:17I must say, Godfrey, your sprats measure was the most boring thing I've ever had.
25:22Oh!
25:23Oh, dear.
25:24Oh, dear.
25:25Oh, dear.
25:26I'm sorry.
25:27You might say, steady on.
25:29It was beautifully done, beautifully executed, not your fault that sprats are so boring.
25:36I'm sorry.
25:37And this Persian roar bore whatever it was.
25:40Oh, dear.
25:41I can't think that it's dug up and used a fertiliser.
25:45Frank, somehow your deer shifting was so moving,
25:49and the semicircle gathering in downwind or upwind or whatever it was,
25:54and shoving them along was so touching that this side we go for that.
25:59Has he once again seduced you?
26:01Was it a true one or a bluff?
26:04Sorry, dear.
26:05Oh.
26:06Oh.
26:11He buttonholes you like the ancient mariner, you know, Arthur.
26:14Yes.
26:15But there.
26:16Who gave the true definition of Tyndall?
26:17The boring.
26:22Well, it's still very boring.
26:25There was a sharp edge for the voice there, Arthur.
26:28Didn't like it entirely.
26:29But, yes, that's what it means.
26:30It's a measure of sprats.
26:32It's a comfortable time for our final word, which is trush.
26:35And Arthur tells you about it.
26:37A trush is what we call a kneeler in church.
26:43Quite a simple one.
26:44It's a flagstone covered with matting, several layers of matting,
26:50on which it's perfectly comfortable to kneel for quite a long time and say your prayers.
26:55Now, Peter Egan has a go.
26:58A trush is a Herefordshire farmer's term for a bale of hay weighing, when dry, about 56 pounds,
27:06which can then be tied together with a hay rope and carried by the average farm labourer.
27:12Fairly swiftly, Sandy, if you will. Fairly.
27:15Well, you know these lovely leather armchairs that you associate with libraries and big log fires.
27:21They're often studied with trushies.
27:23Because a trush is, quite simply, it's a short brass nail with a round convex head,
27:27which is used as a functional decoration in armchairs, in bellows, even in coffin lids.
27:33Well, they all resisted saying a trush was a bird in Ireland.
27:38Well, I'm just going through my head.
27:40It's a bale of hay.
27:42Bale of hay, it's a brass nail, and it's a kneeler, Frank.
27:45You sit there thinking up little jokes while we're talking.
27:48I like to stay alert, you know.
27:51Are we quick?
27:53Ish.
27:54Yes, right.
27:55Bale of hay sounds too like it.
27:58The little nails...
28:02We've had lots of little nails before.
28:05So I think it's Arthur's flagstone matting.
28:09Right.
28:10He said it, Arthur.
28:11True or bluff?
28:12Well done.
28:13He's got a bullseye.
28:18How does he do it?
28:20I don't know.
28:21But there you are.
28:22A trush is a kneeler, just as Arthur described it.
28:26And so therefore, well, the score's standing at 6-2.
28:28No doubt about it, Frank Muir's team has won.
28:36And sportingly bringing up the rear, Arthur Marshall's team.
28:41There.
28:42Spare a thought.
28:47And so we'll have another trip to the lumber room
28:49of the Oxford English Dictionary next time.
28:51Till then, goodbye from Godfrey Smith.
28:54Goodbye.
28:55Another quiz classic next on BBC Four, famous names face the music.
29:20double-packed playoff in October of Skar
29:31to its level.
29:32Is the best to find the cheeseша.
29:33What is something that takes place to arrive?
29:36There?
29:38You can feel Exercise.
29:39Good luck at the extraordinary behavingrenness moment.
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