- 2 days ago
Team captains Frank Muir and Patrick Campbell are joined by guests Angela Rippon, Nerys Hughes, Peter Brough and Jonathan Miller.
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00:00Music
00:18Good evening, this is Call My Bluff with the George Sanders of the panel game.
00:22Frank Muir.
00:24My first guest really needs no introduction, but how nice for me to be able to say that we have back on the programme, Angela Rippon.
00:44And my number two is an old colleague from Radio Days, and here, but without Archie Andrews, is Peter Bluff.
00:54And the minstrel by himself, Patrick Campbell.
01:04And my first guest has been a dear little bird for years and years and years.
01:12One of the liver birds, Nerys Hughes.
01:22And my other plumber's assistant is the man that knows everything. He acts, directs, talks, thinks, he's a philosopher.
01:28Well, it's just Jonathan Miller, really.
01:36Now, as you know, the ritual begins with me doing that.
01:40And I get a word, and it's Malaga Toon on this occasion.
01:44Frank Muir and his team will define this word three different ways.
01:46Two of those definitions are false.
01:48One is true, that's the one that the other team tries to find.
01:50So, what about this word, Frank?
01:52Well, when Dr Miller and I, in our various ways, carve something up, I adjoint Dr Miller, other things.
02:02There is a dexterity in the way we do it, which is lovely.
02:08If you hack it away, hack at it, and the joint or the bird ends up a dreadful mess, that's a Malaga Toon.
02:19If you want to achieve a Malaga Toon, the thing to do is to go on a picnic with a cold chicken and carve it with a blunt penknife.
02:30Right, Peter Brough.
02:33A Malaga Toon is the fruit of a union between a peach and a quince.
02:38Now, the peach, of course, being grafted onto the quince, and not vice versa, you follow me.
02:44Now, this marriage produces a sweet-tasting glow of delicate yellow texture with a velvety skin, Patrick.
02:54Now, it can be, yes, it can be, it can be, and some insist, and I think you would be among them, that it should be pickled in brandy.
03:03What?
03:04Extracted in brandy.
03:05What?
03:06Extracted in brandy.
03:07Now, it's Angela Rippon, yes.
03:13A Malaga Toon is someone really best to be avoided if you should ever happen to take a stroll in Burma, because a Malaga Toon is the Burmese version of a mugger.
03:23He's a local robber who would get done up in a skin, like a tiger skin or some other wild animal, and the idea is that he would jump out at his victim and hope to terrorize him into dropping all his valuables and running off into the night.
03:37So, it's a very theatrical sort of robber, it's a joint that's been hacked about, and it's the fruit of the quince and the peach, and Patrick is going to make a choice.
03:49Well, we rather think, it's my own personal opinion, that a mugger that goes to all the trouble to rent a tiger skin to put on, he's in a big way of business, isn't he?
04:08Dubious.
04:12I also liked Angela's sober fluency, too, which seems to me to bespeak confidence in the subject, yes.
04:18You'd better tell Patrick that, he'll enjoy carrying it.
04:20This is my turn, do you mind me?
04:23I'm just colouring it.
04:25This team is filled with captains, to my amazement.
04:28What?
04:29This team is filled with captains.
04:32Well, I've got all disturbed.
04:34Don't let it upset you, my dear man.
04:36Jonathan, yes.
04:38Is it a peach having a quince, or a quince having a peach?
04:41It's an absurd theory that, oh, I think it's bad carving.
04:49But he's never done his surgery at all.
04:52Do what Jonathan told you to do, choose which one.
04:55Now he's trying to unnerve.
04:56It's bad carving.
04:57Yes.
04:58You think it's bad carving?
04:59Well, Frank, you spoke about bad carving, I don't know whether you know about it or not, but anyway, was it true?
05:03John Bull rubbish, anyway.
05:04Or was it a bluff?
05:05Was it?
05:08Aha!
05:17Jonathan Miller will get beaten about the head after this.
05:19I'll tell you for nothing.
05:20Now, who gave the true definition of that word, mulligatoon?
05:24Oh, pension.
05:26Yes, indeed.
05:27Absolutely.
05:28There it is.
05:29You might indeed have known that a mulligatoon is the product of a quince and a thing, a peach.
05:40Hlata is the next one, but I dare say it's pronounced many a different way.
05:45Patrick.
05:46It's pronounced Hlata.
05:48Aha.
05:49Welsh.
05:50Welsh.
05:51It's a lively dance.
05:52A dance by the Incas of Peru.
05:56That's why it's called a Hlata.
05:59Not Welsh, not Pontypridd, but it's kind of Inca work.
06:04A dance not of a kind of particular exuberance or happiness, not a war dance, but it's a kind
06:11of useful dance because if you've got a load of cut wheat on the floor, this is the time
06:19for the Hlata to break out because the pali of the feet, you get a loaf of bread pretty
06:26well instantaneously.
06:28That's what it is.
06:31So now Jonathan Miller has a go.
06:34Well, it's certainly an outbreak of some sort, but it's more pathological than that really.
06:39If you ever visit Indonesia or Java, you will sometimes see an outbreak of Lata, which is
06:46in fact an outbreak of hysterical behaviour involving rather complex involuntary movements.
06:51It's a species, really, of Sumatran hysteria, really, and very serious and very unpleasant
06:57for those who witness it and in these, those who see it.
07:01We get a bit of that.
07:03We get a bit of that here from time to time.
07:05Nerys, your go.
07:06Yes.
07:07Well, this is pronounced Lata, like that.
07:12And it's a sort of whitish honey, really, is the best way to describe it.
07:17And, erm...
07:18All honey is whitish.
07:20Oh, no, no.
07:21You can get a pretty deep Welsh yellow one.
07:24True.
07:25Yes.
07:26All right, Frank.
07:27Well, this one...
07:28Please.
07:29Yes.
07:30Well, this one is a whitish, sweetish substance and it's found usually on eucalyptus trees in
07:36Australia, secreted by a caterpillar.
07:39And...
07:40And for ages and ages now, the Aborigines have sort of dried it out and let it go all sticky
07:48and gooey and used it for sweetening whatever they want to drink.
07:52Right.
07:53Right, sort of, erm...
07:55It's a kind of caterpillar honey.
07:57It's Javanese or thereabouts hysteria.
08:00And it's a very lively Inca dance.
08:03Frank is what it is.
08:04So choose, if you will.
08:06Well, in agreement, but not quite.
08:09I'm the same word.
08:11Don't mind.
08:12Erm...
08:13I'm sorry.
08:14I'm working you with my foot.
08:17I've just put...
08:18I-N-C-A here.
08:20If an Inca was canonised, he'd be a stinker, wouldn't he?
08:24Erm...
08:25Inca dance.
08:27Inca dance.
08:28Sumatran hysteria.
08:31Very funny.
08:32And right out of the blue, nothing to do with Latta Incas or anything, we get honey.
08:38So, I think it's the odd man out.
08:41I think it's honey, Neres.
08:43How wrong am I?
08:44She sent that.
08:45True on bluff, Neres.
08:46Tell us.
08:47A wicked face.
08:49tapes, yeah.
08:50Ta-da-da-da-da-da-da-dum.
08:51Caucasio, yeah-ya-ya-ya-ya-ya-ya-ya-ya-ya-ya-ya-ya-ya-ya-ya-ya-ya-ya-ya-ya-ya.
08:56Thank you so much.
08:57Thanks for being...
08:58ção-laps o que te noÃre.
08:59Who give the true definition of that word?
09:04Well, n-a-la-la-la-la-la-l-a-a-ya-ya-ya-ya-ya-ya-ya-ya-ya-ya-ya-ya-ya-ya-ya,
09:05Well...
09:06It's there...
09:07I think the professor here has it yes.
09:08Yes sir.
09:09ooh x
09:10מq
09:12It's well- Cavani Ni- flashy,
09:14And you can't see what that there...
09:15Well, nice bit of acting there.
09:17It's Javanese hysteria.
09:20Javanese hysteria.
09:21One all.
09:22And we get another word,
09:24Skelat, and it's Peter Bruft.
09:25Have a go.
09:26Thank you, sir.
09:27Now, a Skelat was a small, high-toned handbell
09:31once was tinkled for ecclesiastical purposes.
09:36Now, it was usually to be found
09:38in the hand of the bellman
09:40whose job it was to march around monasteries
09:43and the like, you follow me, Patrick?
09:46Ding-donging a summons that called the faithful to prayer.
09:50But don't pick on me all the time.
09:53But you're so nice.
09:56So, now, Angela, your go.
09:59A Skelat is a small stone hut
10:01that would be built by Orkney Islanders
10:04in a particularly windy site.
10:06Now, they didn't want to live there.
10:07They want to build this hut
10:09so that they can cure their fish and their meat in it.
10:12And what they would do is build the little hut
10:14without any mortar to bind the bricks together,
10:16but allow the wind to pass through the bricks
10:20so that it would help to cure
10:21and dry the meat and the fish within.
10:26Frank Bior has a turn.
10:27A Skelat is pretty, a Skelat.
10:32It's a blue roofing slate
10:37which is found in quarries near Bridlington.
10:43LAUGHTER
10:43Oh, excuse the name dropping.
10:46LAUGHTER
10:46And they had to...
10:50When they were restoring York Minster,
10:52they had to reopen this particular blue slate quarry
10:58in order to get the right sort of blue slate therefrom.
11:04Skelat, it's a terribly well-known word,
11:06near Bridlington.
11:08LAUGHTER
11:09So, it's a sort of ecclesiastical handbell
11:12rung in monasteries.
11:14It's an Orkney stone hut
11:16and it's slaked from...
11:19Yes, Bridlington.
11:20Jonathan.
11:20Well, I think that the ecclesiastical handbell
11:24just simply sounds like something
11:25which is plucked out of the air anyway.
11:28And also, the blue roofing slate
11:30sounds too specifically related to Bridlington
11:33and for no reason whatever.
11:36And I think there's a rather pleasant authenticity
11:40about the notion of the Orkney hut.
11:42There are, in fact, such huts
11:43through which wind blows, through holes
11:45and through which people cure things.
11:47And it simply has the sound of that type of language.
11:49He will.
11:54So, you're picking that, Jonathan.
11:55I'm picking the Orkney hut.
11:58I mean, I don't know how you feel about it.
11:59No, it's too late for him to bother really to feel about it.
12:01I can't really feel about it.
12:02Oh, I see.
12:02No, not now.
12:03You've really...
12:04You nearly plumped.
12:05But anyway, you're having plumped.
12:07Angela, true or bluff?
12:08It's a bluff, isn't it?
12:09Awfully so.
12:10Yeah!
12:10You didn't think she could tease, but she can.
12:19Now, who gave the true definition?
12:25It's there.
12:33And bell heard all the time in monasteries.
12:37Now you have that word, werble.
12:39I suppose it's called.
12:39Jonathan Miller defines it.
12:42Well, if you're a horse, I suppose werbles is what you fear more than anything else, really.
12:50It's a large saw which appears under the saddle due to the repeated pressure of a rider on the saddle.
12:55And it can drive a horse berserk and it can indeed even induce lutta in the horse.
13:03Thank you so much.
13:05Yeah, Darnley's horse, of course.
13:07Yeah, who comes next?
13:08Yes, Nerys.
13:09Well, werble, Frank, is a very old word, actually.
13:15You may not have heard of it, but werble is an old word for, well, thieves used to call each other werbles if they told on each other.
13:24You know, like Kojak would say, if they'd grasped man or, I'm not very good with the American accent, or to sing like a canary or that sort of thing.
13:34And the tradition today in Westminster school is still to call a sneak a willy werble.
13:42Oh, yes.
13:44That didn't go there.
13:46Now, Patrick, how's it go?
13:49Werble, of course, is a verb.
13:50You can say two werble.
13:52But two werble means to rotate, pardon, 360 degrees.
14:03You go round and round, you whirl round and round if you're werbling.
14:06Now, you can have a whirlwind that werbles.
14:08You can have two or three or many more Scotsmen werbling.
14:15You're doing hand flings.
14:18You can even find a werble in the bath.
14:22Because the way that the water leaves the bath is werbling.
14:26Dervish.
14:28You forgot dervish.
14:29The werbling dervish.
14:30I forgot nothing.
14:32So, it's to give, it's a sort of sneak or peach or grasp.
14:37It's to rotate.
14:38And it's a saw underneath the saddle on a horse.
14:42So, Peter, you'll go.
14:43So.
14:45Well, the nearest.
14:48Thieves.
14:49Kojak.
14:50Who loves your baby?
14:53Jonathan as his horse.
14:55It's that mischievous Irish twinkle that gets me.
15:06Yes, I think I must go for Patrick.
15:08Go for Patrick, then.
15:09He said it was to rotate.
15:11And he must own up now.
15:12He must say whether it's true or bluff.
15:18I left my mischievous Irish twinkle at home 30 years ago.
15:21Oh!
15:25I'm afraid you've doused that Irish twinkle for good there.
15:34I'm sorry.
15:35Anyway, there you have it.
15:36That's what it means to rotate, go round, whether of person or thing.
15:40And the next one, the next word is barwood, and Angela will define it.
15:45Well, barwood, it's rather obvious, actually.
15:47Barwood is a name given to sections or bars of wood.
15:51Barwood is a barwood, sawn off into square sections rather like ingots of gold or iron.
15:57Probably the best-known barwood is a redwood that comes from the Gabun area of Western Africa.
16:04And it's used for ramrods and, as any musician will tell you, for making bows for violins.
16:12Gosh.
16:13Oh.
16:13Yeah, well, Frank, it's your turn.
16:20Barwood is an old military term used in India for extra pay given to Indian regiments when they're on a campaign.
16:31The Indian regiments at the Battle of Plessy would have copped a barwood, for the luck.
16:38And it was named after Sir Camden Barwood, presumably, who was a paymaster, presumably because he was the first one to screw the money out of the authorities.
16:50Peter Brough.
16:56Barwood.
16:58One of the nicest words we have tonight.
17:00An item of American agricultural machinery was first used by the Mormons in Utah.
17:07Johnny Miller told me that.
17:08It consists of a large spiked roller which was towed or pushed by hordes of the faithful.
17:17Yes, yes, well, so am I, it's this spiked roller, it's a bar, it's a spiked roller.
17:26Oh, yes, spiked roller, towed by the faithful.
17:28It's a bar of timber.
17:30Oh, a holy roller, I think.
17:30Pushed, pushed, sorry, not pulled, pushed by the faithful.
17:35And it's extra pay for Indian soldiers or thereabouts.
17:39Neres.
17:39What do you think, team?
17:42Well, I don't know.
17:44I don't know if I'll ever believe the news again.
17:47She's so convincing about absolutely everything.
17:51I mean, honestly, you're so sincere, Angela.
17:54You're so sincere.
17:56What?
17:59Oh, come on.
18:00Oh, yes, sorry, sorry.
18:01Well, I think that it is...
18:03I've got an honest face, ma'am.
18:05Yes, you have, but somehow you come out dishonest, Frank.
18:08I don't know what it is.
18:11I think that it's Peter again.
18:14You mean you don't want to go...
18:15You don't want to dispose of the two, you don't really...
18:18I mean, you...
18:18I've disposed of them.
18:19No, I see you've spent enough time doing...
18:20Peter, you did say it was a spiked roller.
18:23Pushed, not pulled.
18:24Yes, that's correct.
18:24By the faith, true or bluff?
18:25Must be pushed.
18:26Must.
18:27Must be.
18:28But I'm afraid of the two.
18:30Oh.
18:31Ah.
18:32Sorry.
18:33Sorry.
18:38Neither push nor pulled,
18:40but then now we need to know who gave the two...
18:42There is a true definition.
18:43Here it comes.
18:44One, two, three, go.
18:45You're pleased to be sincere.
18:47Oh, no, you were sincere.
18:53She was indeed sincere.
18:55Bar wood is a bar of timber.
18:574-1, goodness me.
18:58Now here's an interesting word.
19:00What a...
19:01What-oo.
19:02What-oo.
19:02Well, you know, I don't know how they say it.
19:04Neryth Hughes.
19:04Well, a wootoo is a little tiny, drab little bird.
19:12It's got grey plumage,
19:14and it's a pathetic little thing, really,
19:16and it flutters around in South Africa,
19:18eating fruit flies.
19:20It's really quite a sad little bit of a game, this.
19:23And in English-speaking parts of Natal,
19:26it's probably known as a 28,
19:28because that's what it sounds like
19:31when it's whirring around.
19:32It sort of sounds...
19:3328, 28, 28!
19:34Hello.
19:36Very good.
19:38Yeah, that's awesome.
19:39And now it's Patrick's turn.
19:42What-oo is a Canadian lumberjacks
19:47floating mobile home?
19:50For one or more Canadian lumberjacks.
19:53Oh, no.
19:55Round about a hundred-foot square,
19:58with cookhouse,
20:01drawing room,
20:02sleeping accommodation,
20:06drawing room.
20:08And of course, no need for...
20:11by the word convenience,
20:12it's seen that they're surrounded by the river.
20:16Leaving in the Wattoos.
20:20Now it's Jonathan Miller's go.
20:21In fact, it's...
20:23There's a concealed hyphen involved here, in fact.
20:26And their two words have come together.
20:28It's an obsolete usage.
20:30It's Watto, Watto,
20:33Wilt thou,
20:34Would you.
20:36It's simply a form that we don't use now.
20:39I'm not surprised.
20:41It's really two words for the price of one.
20:45Yeah, sort of glided together,
20:47glided together.
20:48It means will you, or that.
20:52Would you?
20:52I mean, it's a lumberjack's raft,
20:55and it's a South African bird
20:56eats fruit flies.
20:58Angela.
20:59Well, I was most impressed, Nerys,
21:00by your impersonation of Percy Edwards.
21:03I think that was pretty good.
21:04But not convinced.
21:06No.
21:07Lumberjack's house, no.
21:09They wouldn't bother to call it anything.
21:11I think they just sort of stick up a tent
21:12on a few old logs, wouldn't they?
21:14I think...
21:15I think it was Wilt thou.
21:18Wilt thou?
21:19You do.
21:19Well, that was Jonathan, yes.
21:21Was he telling the truth?
21:22True or bluff?
21:23Hmm.
21:27Well done.
21:28It did really mean, you know,
21:38Wilt thou?
21:39Wilt thou?
21:39Seems unlikely, but it's true, nonetheless.
21:42Alfit is the next word.
21:43Frank Muir defines outfit.
21:46You go in the morning
21:48to say good morning to your horse.
21:51Okay?
21:51And instead of it being jaunty and whinnying,
21:56it's sort of hanging its head
21:57in a disconsolate fashion
21:59over its loose box.
22:02A very glum horse.
22:05Why?
22:06It's off its food.
22:08So what do you do?
22:08What do you do?
22:10You give it an outfit.
22:13Now, bear with me.
22:14You give it an outfit,
22:15which is a kind of pick-me-up appetizer
22:19for an horse.
22:22And you make an outfit.
22:23One recipe,
22:24one recipe for an outfit
22:25would be breadcrumbs,
22:28bit of cinnamon,
22:28bit of nutmeg,
22:29dried hop leaves,
22:32moistened and rolled around
22:33with beer.
22:34Sounds nice.
22:36All fit.
22:37Right.
22:38Two good horses, really?
22:39Absolutely.
22:40Who comes next?
22:41Yes, Peter.
22:42Oh, right.
22:43Oh, you'll love this one.
22:44All fit.
22:45Now, what all fit
22:47was a cauldron of scalding water
22:50which about a thousand years ago
22:54a suspected person
22:56was cordially invited
22:58to plunge his arm into.
23:01Now, that's by a simple process of logic,
23:04logic sometimes used today
23:07by the Inland Revenue.
23:09If a person was seriously burned,
23:12the accused was guilty.
23:14If unburned, not guilty.
23:16Right, now, Angela.
23:21Well, an all fit
23:22is a surgical instrument.
23:24Now, many people think
23:25that it was probably invented
23:27by Hippocrates.
23:29It was used for setting
23:30or reducing the pain
23:31on a dislocated shoulder.
23:33No one living has obviously
23:35ever seen one
23:35because they've rather gone
23:36out of fashion nowadays,
23:37but it was thought to be
23:39an L-shaped piece of wood
23:40with two large wooden screws
23:43that were used
23:44in much the same way
23:45as a trouser press.
23:49So, it's something
23:50you perk up a horse's appetite
23:51with in the morning.
23:52It's a boiling cauldron
23:53someone has to put his arm in
23:54to see if he's guilty or not,
23:55and it's a sort of surgical
23:56clamp device.
23:58Patrick.
23:59I've got a mind
24:03filled with damp air
24:04up on this one.
24:08All horses look
24:10glum, hanging over the...
24:14Plunging your arm
24:18into boiling water
24:20and...
24:21It's a painful one,
24:24this, isn't it?
24:24Agony.
24:25A trouser press
24:27to keep a broken shoulder
24:29together.
24:30I believe it's
24:31little medicine for horses.
24:32It's about time
24:33we got one right,
24:34so let's see it later.
24:35Well, no,
24:36it was Frank who told you
24:38all that stuff
24:38about the horse.
24:39Do a bluff.
24:41Oh, absolutely!
24:43He looks very excited.
24:47He's got two.
24:55If he were Javanese,
24:59we'd know what he was
24:59suffering from,
25:00but who gave the true
25:01definition then?
25:03Someone's got to have it.
25:04It's there.
25:05Good Lord!
25:06Again!
25:11Called it a boiling water
25:13for the purposes
25:14Peter Brough described.
25:15Six-one.
25:17Six-one.
25:18Trail baston
25:19is the next word,
25:20and Patrick Campbell
25:21defines it.
25:22A trail baston,
25:24it's a kind of
25:25combination of French
25:26and English,
25:26but it's a
25:27kind of rebellious grape.
25:33Normally,
25:34if one can use
25:35such a word
25:36in these difficult times,
25:37normally,
25:38grapes grow in bunches,
25:41but not the trail baston.
25:46Bunches of these grapes,
25:48they grow much more
25:49like melons,
25:51long cylindrical grapes.
25:54I mean,
25:54not cylindrical grapes.
25:56I mean,
25:56the bunches are cylindrical,
25:57like melons,
25:58but the trouble
25:59with the trail baston
26:00is the grapes inside,
26:04they don't get the sun,
26:05and they don't ripen.
26:07They wouldn't,
26:08would they?
26:10Some of them do
26:10from time to time,
26:11but not always.
26:13Now,
26:14it's Jonathan Miller's go,
26:15and if we fairly buck up,
26:17we might get another word in.
26:18I don't know whether
26:18you want one,
26:19but...
26:20Not a lot.
26:22On those rare occasions
26:24when you're trying
26:24to straighten out
26:25the grinding wheel
26:26of a mill,
26:27you employ a trail baston
26:29in order to align yourself
26:30down the axle,
26:32and then you slip the axle
26:33out over the trail baston,
26:35and the thing then
26:36grinds evenly
26:36by having been aligned
26:38correctly.
26:40I mean,
26:40if that's what you want.
26:43Where is your second?
26:44Now,
26:45Nerys,
26:46you tell us.
26:46Well,
26:48a trail baston.
26:50You've got to pronounce
26:51it like that.
26:52It was an evil doer,
26:54a baddie,
26:55actually.
26:56In the 13th century,
26:58when Edward I was away
27:00fighting his wars,
27:01they'd go pillaging
27:02and fighting
27:03and stirring up trouble.
27:05An absolute baddie,
27:06a bit like football fans
27:08now, really.
27:08So it's a hooligan
27:09from those days.
27:10It's a very odd
27:11sort of grapevine,
27:12and it's advice
27:14for getting millwheels
27:15on straight
27:16or thereabouts.
27:17Frank.
27:19Why would you want
27:19to align a millwheel?
27:22Well,
27:23you might.
27:25Rebellious grape,
27:26I think,
27:26is a tasteful load
27:29of rubbish.
27:31I'm sure
27:32one would have
27:33tried baston.
27:35No,
27:35I don't think so.
27:38The...
27:38I'm sure
27:40Nerys was interesting.
27:42Am I?
27:42Always, always.
27:43Oh,
27:44yes.
27:45So we'll go
27:46for the millwheeler liner.
27:48The straight edge
27:51of which Jonathan
27:52so succinctly
27:53spoke to or not?
27:54I'll keep your
27:55trail baston
27:57proud.
27:58Well done,
27:59well done,
28:00well done,
28:00well done.
28:01What on earth
28:05would you want
28:05to keep it
28:06straight?
28:07Who gave
28:08the true definition?
28:11That's nearly
28:11a little there.
28:12Well done,
28:13well done.
28:13So a trail baston
28:18is a 13th century,
28:20I think she said,
28:21hooligan,
28:21and that's true.
28:22So you were all
28:23so deliciously slow
28:24that we can't get
28:24another word in,
28:25so I have to draw
28:26stumps now.
28:27Score standing,
28:282-6.
28:29Frank,
28:29your team has won.
28:40So we'll put a few
28:42more splints
28:43around the walking
28:43wounded from the OED
28:44next week,
28:45I don't doubt.
28:46Until then,
28:47we'll say goodnight,
28:47beginning with
28:48Peter Brough,
28:49Jonathan Miller,
28:53Angela Rippon,
28:56Nerys Hughes,
28:57Frank Bior,
28:59Patrick Campbell,
29:01and goodbye.
29:07Another quiz classic
29:09next on BBC4,
29:10famous names
29:11face the music.
29:13很多
29:16interesting
29:16shows
29:22the music.
Recommended
30:00
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