- 2 days ago
Riley steps in when he suspects Junior is dating an older woman.
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Short filmTranscript
00:00Produced in association with the NBC television network.
00:07Yes, it's William Bendix in The Life of Riley.
00:15With Marjorie Reynolds as Peg, Tom DeAndre as Gillis, and Wes Morgan as Junior.
00:23Produced by Tom McKnight and directed by Abby Berlin.
00:30Oh, Mom, stop kidding.
00:51You mean you went to all the trouble to get dressed up like that and you don't want any reaction?
00:56Well, this is a very special girl.
00:58Oh, and a girl.
00:59Yeah, I met her at a party the other night. Her name is Joan Shay.
01:02Shay, Shay. Is that one of the Shays from Blueview Terrace?
01:05No, Joan's visiting from out of town.
01:07In fact, I found out later her father is vice president of Cunningham Aircraft in charge of the Dallas plant.
01:12Oh, your father will be thrilled to hear that.
01:14Oh.
01:15Well, if you don't mind, Mom, I'd rather not say anything to him.
01:18He'll try to be helpful and the first thing you know, Joan and I won't be talking to each other.
01:22Oh, Junior, you shouldn't say that.
01:24But, Mom.
01:25Well, on second thought, it's a wise son who knows his own father.
01:31Oh, just to throw you a jacket.
01:36Hot.
01:37You see, Ryle, you gotta remember the cards.
01:42Now, you should have known I was saving jacks.
01:45Let me see.
01:46You picked up a deuce, and you threw away the nine, and then you let a three go by.
01:53But then you picked up the next three, and you threw away the original deuce, and then you picked up a seven.
01:59So I will give you a safe four.
02:04Four?
02:05That's right, Ryle.
02:07Gin.
02:09Ow!
02:11Mom, do I have the keys to the card?
02:14Again.
02:15That's the third time this week.
02:17Give him the car, Ryle.
02:18He won't crack it up.
02:19You're too lucky.
02:20Okay.
02:21Here you are.
02:22Thanks a lot, Bob.
02:23Oh, by the way, could I have a little advance in my allowance?
02:26But you already got an advance.
02:27Well, could we call this sort of an advance in an advance?
02:30I have a big date.
02:31Huh?
02:32Who is she?
02:33Oh.
02:34Well, you don't know her.
02:35She's just a girl.
02:38Well, okay.
02:40I guess I can spare a couple of bucks here.
02:43Thanks.
02:44Thanks a lot, Pop.
02:45You're a real clown.
02:50I don't like this, Gillis.
02:52Because you're a cheapskate, that's why.
02:53No, no, no.
02:54It's not the one.
02:55It's just how much he's been spending.
02:57All his allowances.
02:59Five bucks from Harvey McGlashen.
03:02Two bucks from his other friend.
03:04He's been taking a car every night.
03:06That's too much money for a boy to be spending on just a girl.
03:11And did you notice how he wouldn't even tell us what her name was?
03:15Gillis, we don't know who he's going out with.
03:17He's just a green kid, baby in the woods.
03:20We...
03:22Come on.
03:23Let's get in your car and follow him, huh?
03:25Oh, no.
03:26That ain't nice, Riley, to do that.
03:27Look, Gillis.
03:28He may be going out with some scheming dame
03:30who can wrap him around her little finger.
03:32And I've got to stop him from taking that wrap.
03:34Now, come on.
03:35Get your car and meet you up front.
03:36Come on, please.
03:49There he is. He's just going into Florida.
03:54Hello.
03:55Oh, I'm sorry.
03:56I sold the last white orchid.
03:58I forgot to hold one for you.
03:59Oh.
04:00But don't worry.
04:01They have him in the main store down on Wilshire Boulevard.
04:03I know where that is.
04:04Say, are you by any chance driving?
04:05Uh-huh.
04:06Well, look, I'm just getting ready to close up here,
04:08and I live right near there.
04:09Would you mind giving me a lift?
04:10Okay.
04:11Thanks.
04:13I wonder what he's doing in there.
04:14You usually go in the flower shop, Riley, to buy flowers.
04:18Oh, yeah.
04:19That's what you go in for.
04:26Hey, Ryan, you ought to have a talk with Junior.
04:36You could pick up a few good pointers here.
04:39What are you talking about? Did you see her?
04:41Did I see her?
04:42Wow!
04:43No!
04:44Quit lying around.
04:45That was my son.
04:46I know it, Riley.
04:47You don't have to brag.
04:49You don't understand.
04:50She's much too old for him.
04:52He's just a kid.
04:53He's usually very smart in these matters, but...
04:56Well, it's spring, and you know what spring does to a young man's fancy.
05:00Throws it all off.
05:01I see what you mean, Riley.
05:03You're right.
05:04She'll probably just bring that poor kid along and break his heart.
05:07Gillis.
05:08We gotta put a stop to this.
05:10Yeah, but what are you gonna do?
05:11I don't know, but I'm not gonna close my eyes and watch this happen.
05:22I got it.
05:23Look, Riley.
05:24I got a surefire idea.
05:25This has gotta break up Junior and that thing.
05:27Well, it can't be better than my idea.
05:29My idea can't miss, and it's so simple.
05:31All right, Riley.
05:32What's your idea?
05:33Well, I just move in and take her away from Junior.
05:35But you're forgetting one very important detail.
05:37What one important detail?
05:39Hey.
05:40Look.
05:43What's your idea?
05:44Well, you gotta handle this thing the way they handle them in better families, you know?
05:48Like when Chauncey comes home from Harvard and he's in a jackpot with a chorus girl.
05:52Oh, yeah.
05:53What does his father do?
05:54He takes his foot, the one with the gout, off of the footstool, you see?
05:58Places it gingerly on the floor, then hobbles over to the walnut desk and sits down and writes a check in the young lady's name.
06:06Hey, now that's a very good idea.
06:07Money talks.
06:08All I gotta do is...
06:10Wait a minute.
06:11Uh, how much do you think I'll have to say?
06:14I'll tell you how much I've got to say.
06:15Oh, hello.
06:16What are you saying?
06:17You might think a doc is a guy that takes care of you when you're sick.
06:20Yeah.
06:21Or you might think a doc is a place where your ship comes in.
06:23Yeah.
06:24Don't quit loafing.
06:25When you get your pay envelope, I'll show you a new kind of doc.
06:34If that guy ever smiled at anybody, his face would break off.
06:37Ain't he miserable?
06:38Oh, really miserable.
06:39Look, Ronald, on a lunch hour, we'll get down there and take care of that thing.
06:42Yeah, but let's get back on time.
06:44Oh, I don't like doc.
06:45I don't like him.
06:46When you're talking, don't come right out and say it.
06:49Be diplomatic.
06:51Right, diplomatic.
06:52Indirect.
06:53Indirect.
06:54Subtle, subtle.
06:55Go ahead.
06:56Go ahead.
06:57No, Ryle, go ahead.
06:58It's not so bad.
07:03Yes, sir.
07:05How much do you want?
07:06I beg your pardon?
07:08How about 50?
07:10Take it easy, Ryle.
07:11I meant 25.
07:1325 what?
07:15Oh, this is going to be tough.
07:16She's playing it dumb.
07:17Look at who's talking about playing it dumb.
07:20Okay, I'll make it 30.
07:2230 what?
07:23Ryle, come here.
07:26Be a gentleman.
07:27Introduce yourself to the girl first and then write her a check for a hundred bucks.
07:32Oh.
07:33A hundred bucks?
07:34Yes.
07:35Go.
07:36Go.
07:37A hundred.
07:38Go ahead.
07:39Max.
07:40Go ahead and give it to her, Ryle.
07:41Even though it hurts Junior.
07:42Hurts Junior?
07:43Yeah.
07:44Here.
07:45A hundred bucks for what?
07:46For Junior.
07:47Oh, then it's not for me.
07:48Yeah, it's for you.
07:49For Junior.
07:50For Junior.
07:51Oh, yeah.
07:52Well, I'll give it to him when he comes in.
07:53Look, miss.
07:54My friend here is a little inexperienced in matters like this.
07:55The check is not for Junior.
07:56It's for you.
07:57For me.
07:58What for?
07:59For Junior.
08:00For Junior.
08:01Yeah, it's for you.
08:02For Junior.
08:03Oh, yeah.
08:04Well, I'll give it to him when he comes in.
08:05Look, miss.
08:06My friend here is a little inexperienced in matters like this.
08:10The check is not for Junior.
08:12It's for you.
08:13For me.
08:14What for?
08:15For Junior.
08:16Look, Ryle, will you stay out of this?
08:18Pardon me.
08:19Missy, ma'am, I'll try and be indiscreet.
08:25His son?
08:26Yeah, my little boy.
08:27Gee, I didn't even know he had a father.
08:30You mean, you're giving me this check if I won't go out with him anymore?
08:35We understand each other perfectly.
08:37Ipso facto.
08:39Well.
08:41Okay.
08:43Well, that about finishes our business here.
08:45Shall we away, C.R.?
08:47Wait a minute.
08:48Who's C.R.?
08:50Oh, yeah.
08:51I get it.
08:52After you, J.G.
09:02Junior.
09:04Hi, honey.
09:05You know, you just missed your dad.
09:06My dad?
09:07Yeah.
09:09Oh, you know, I don't know quite how to tell you this, but, uh, you and me are through.
09:14Huh?
09:15I got you this time, Ryle.
09:16I'm going with two.
09:17Let's see.
09:18It's, uh...
09:19Oh.
09:20Must be Peg and Honeybee coming back from their club meeting.
09:21No, it's Junior.
09:22Look, Ryle, will you stop trying to change the subject?
09:23What did I catch you with?
09:24Oh, you got plenty to see.
09:25Oh, come on.
09:26Oh, you got plenty to see.
09:27Oh, come on.
09:2820, 40, 50, 60, 80.
09:29Oh.
09:30Now, wait a minute.
09:31Wait a minute.
09:32If I put the 10 over here, then the queen goes between the jack and the king.
09:35What?
09:36What?
09:37What?
09:38What?
09:39What?
09:40What?
09:41What?
09:42What?
09:43What?
09:44What?
09:45What?
09:46Oh, what?
09:47What?
09:48Oh, I go to the 5.
09:49Oh.
09:50Oh, wait a minute, Paul.
09:51Wait a minute.
09:52If I put the 10 over here, then the queen goes between the jack and the king.
09:55What?
10:00Oh, look, Gillis.
10:01Junior's going to be coming through that door in a minute, and he's going to be miserable
10:04on the kind of breaking up with his girl, so don't look too happy, huh?
10:07Who's happy?
10:09Well, I'll tell you about...
10:10Oh, look.
10:11Hello, Bob.
10:12Hi, Mr. Gillis.
10:13Hi, Junior.
10:14You seem pretty happy tonight, don't you, Gillis?
10:16Well, why shouldn't I be?
10:17I'm going with the greatest girl in the world.
10:19And tonight she promised me she won't go out with any other guy.
10:28Riley, that damn double-crossed you.
10:30After we were sweet enough to give her a hundred bucks.
10:33That's bad enough, but I'm more worried about Junior.
10:37What kind of a girl can she be?
10:40Junior's heading for a terrible fall,
10:42and he's going to land right on his heart.
10:44Now look, Riley, will you take it easy?
10:46Now why don't you have a talk with Junior?
10:48You've got a lot of influence with that kid.
10:51Yeah, sure.
10:52Yeah, that's it.
10:53I'll have a man-to-man talk with him.
10:56I won't even call him Junior.
10:57I'll call him...
10:59What's his first name?
11:00Chet.
11:02Oh, Junior!
11:03Junior!
11:05Pop, isn't it kind of late to be taking a walk?
11:07Well, I didn't watch your mother around while we were discussing this.
11:10Chet.
11:12Chet?
11:13Chet Pop, what's on your mind?
11:15Well, you see, this is springtime,
11:18and when a fella's in the springtime of life,
11:21these two springtimes can do things to a fella like...
11:24well, like making him want to go out and buy a new needle for his portable phonograph.
11:29Huh?
11:29But take my word for it, Junior, there's no future in it.
11:33Buying phonograph needles?
11:36No.
11:37Romantic spring nights.
11:38Cause when you meet a girl near the spring moon,
11:42and the phonograph is playing a rock and roll tune,
11:46the fella can get thrown.
11:47I mean thrown.
11:49You get what I mean?
11:50Well, not exactly.
11:52Look, Pop, why don't you just come right out with it?
11:53What's your problem?
11:55Well, my problem.
11:58We're talking about your problem.
12:00I don't have a problem.
12:02Oh, blind youth.
12:04Look, Junior, I'll lay it right on the line.
12:07There's no future in these springtime romances.
12:11You've got to give her up.
12:13Just ask yourself, where are we going with this thing?
12:16But, Pop...
12:17I know how you feel about it.
12:18Don't you think I could see it in your eyes and in your walk
12:21and in the 25 bucks that you spent since last Tuesday?
12:24But, Pop, I'm old enough to be going out with a girl springtime or any time.
12:27Well, sure you are, but before you get serious with her,
12:30don't you think you should at least bring her home to meet your parents?
12:34Or don't you care what we think?
12:36Well, of course I do, Pop, but I'm mature enough to make my own decisions.
12:40What do you know about making decisions?
12:43Especially in the springtime.
12:45Look, Junior, how long can this thing last?
12:49After all, we just got through the winter, and soon it'll be summer, and...
12:54After all, what fun can there be in spending a couple of lousy months
12:56with a pretty girl between seasons?
12:59Yeah.
13:01Yeah.
13:03The point is, just ask yourself, where can this thing lead to?
13:08Just say...
13:09Say what?
13:11Yeah, I think we'd better finish this discussion on the way home, huh, son?
13:18Did you have that little talk with Junior last night, Ralph?
13:21Yeah, but I don't think he went for my argument.
13:23Why not?
13:25Well, the scenery was on his side.
13:28What do you mean, Ralph?
13:30Look, did you ever take a little kid into a candy store
13:33and then try to tell him there are other things in life?
13:35Oh.
13:37Uh-oh, here comes that slave driver, Hawkins.
13:39What's the matter with that guy?
13:41Why does he hate you, Ralph?
13:42Well, it's just one of those horrible coincidences.
13:44What is?
13:45I resemble his mother-in-law.
13:47Oh.
13:47Ah, good morning, Riley.
13:50Huh?
13:50Beautiful spring morning, isn't it?
13:52Well, listen, Chester, how would you like to work the outside shift today?
13:56It's so beautiful out.
13:58Breathe in some of that wonderful fresh air.
14:01It'd do you good to get some color in those cheeks.
14:07Are you talking to me?
14:09Sure I am.
14:11I'm Ronnie.
14:13What?
14:13Sure you are.
14:14Yes.
14:15Well, who are you?
14:15I am Hawkins.
14:19You want me to go out and enjoy the beautiful spring sunshine?
14:22Sure.
14:24Grab this guy Gillis.
14:25He's an imposter.
14:26What?
14:26Oh, my.
14:29Oh, Chester, it's good to see with all your good luck
14:34you haven't lost that sense of humor.
14:36Oh, boy, that's good.
14:42One of those sonic booms must have popped his cork.
14:44There's some fish in here, Riley.
14:46I'm going to see this guy.
14:48See what it is.
14:53Say, Hank.
14:55Yeah?
14:55What's all this talk about Riley's good luck?
14:57Oh, don't tell me.
14:58You haven't heard it.
14:59Heard what?
15:01Well, I was surprised myself when my daughter told me.
15:04But it's a talk at the Cunningham Younger set.
15:06What is?
15:08That Riley's kid, Junior, is practically married to Henry Shea's daughter.
15:14Henry Shea?
15:15Yeah.
15:15The vice president of the company?
15:17Yeah, in charge of the Dallas plant.
15:20And listen, Gillis.
15:21Gillis.
15:21What happened, Hawkins?
15:26What'd you do to him?
15:27Well, all I was doing was talking about Henry Shea, the vice president.
15:32Yeah, what about him?
15:33What about him?
15:35As if you didn't know your son, Junior, is going to marry Henry Shea's daughter.
15:40And, you know, I...
15:42Riley!
15:49Isn't this the most beautiful day?
15:52Hmm?
15:54Something the matter, Jeff?
15:56Oh, no.
15:56I was just thinking.
15:58You remember how I said there might be some kind of a convocation because your father's
16:01a vice president and my father works at Cunningham, too?
16:04Yes.
16:05Well, I think I hurt my father's feelings.
16:07He wants to meet you.
16:08Well, I'd like to meet him.
16:12Say, how about coming to dinner tonight?
16:14I'll call Mom.
16:15I'd love it.
16:26Will you cut it out, Gillis?
16:27I don't want to go back and face her.
16:29It's embarrassing.
16:30You got her.
16:31You insulted her.
16:31Paying her off like that.
16:33A vice president's daughter.
16:34She took the money.
16:36And she's still going out with Junior.
16:37Sure, because to her, a hundred dollars is nothing.
16:40All right.
16:41Wait a minute.
16:42If she's so rich, how come she's working here?
16:45Because she don't want to accept anything from her father.
16:47She wants to be independently wealthy.
16:49And another thing, Riley, you don't deserve a daughter-in-law as fine as that girl.
16:53Would you stop calling her my daughter-in-law?
16:55Junior is still a kid.
16:56We already decided she's too old for him.
16:58She's too old?
16:59Yeah.
17:00She is only 40.
17:01Well, if he was married when he was 21, she's only 19.
17:06Well, how come she looks 27?
17:09Women always look older, Riley.
17:11They want to look older.
17:12Until they're 35.
17:13Then they throw the whole thing in reverse.
17:16Now, if she looks 27, she's either 19 or 45.
17:2045.
17:21Look, nobody can be five years older than her father.
17:25Well, if she's 19, she's still too old for Junior.
17:28Look, Riley, you got kids.
17:30Who says she's 19?
17:32Now, you're a father, you got kids.
17:34If a kid says to you, I'm 19, how old is it?
17:3717.
17:38So what are you worrying about?
17:39Junior is 17, too.
17:41Yeah, but marriage.
17:43Of course, if we wait too long, she's like we want to marry somebody else.
17:46Yeah.
17:47Just think, Gillis, if she marries Junior, I'll be the boss's daughter's husband's father.
17:52And, Riley, you won't forget the boss's daughter's husband's father's best pal, will you?
17:58Gillis, every time I get a raise, you get a raise.
18:01You're all right, Riley.
18:03Now, get in there and apologize to her for insulting her.
18:06Right.
18:06Remember to raise her, Riley.
18:14Oh, it's you again.
18:15Yeah.
18:16Remember me?
18:17I certainly do.
18:18And if you don't mind, I'm very busy at the moment.
18:21Yeah, well, I know what you mean.
18:23Now, about that check yesterday.
18:26You know, I've been thinking that over.
18:28And I think it's pretty insulting of you to walk in here and think you can just buy away my affection for Junior.
18:34But...
18:34Well, you can't.
18:35You're here, you can't.
18:36Here's half your money back.
18:38Well, I didn't...
18:39Half.
18:41Yes, you made me so mad or went out and bought a new hat.
18:43Well, would you at least listen to what I have to say?
18:49Well, all right.
18:51You see, I...
18:57Gillis, what do I have to say?
19:00You gotta prove to her that you wanna see her and Junior back together again.
19:05Oh, yeah.
19:06Yeah, I get it.
19:06Well, don't worry.
19:10How would you like to come to our house for dinner tonight?
19:12Mom, I'd like you to meet Joan Shea, Joan and my mother.
19:17How do you do, Mrs. Riley?
19:18Junior's told me so much about you, Joan.
19:20And he's told me so much about you.
19:22Now you're coming.
19:22Oh, surely.
19:24And I'm so anxious to meet Mr. Riley.
19:26Will you excuse me?
19:27I better go out and wash up and change my shirt.
19:30Peg, is this the salad board you wanted?
19:32That's the one.
19:33Good.
19:34Was that Junior who just came in?
19:36Mm-hmm.
19:36With his girl.
19:38You mean he brought her?
19:38I thought she was coming along.
19:40She's very cute.
19:41You ought to go in and say hello.
19:42Yeah, I will.
19:49Riley.
19:51You got trouble.
19:52Real trouble.
19:52What's the matter?
19:53I was looking out my front when then I saw Junior come in with a girl.
19:57For sure, Joan Shea.
19:58That's the trouble.
19:59It isn't Joan Shea.
20:00Huh?
20:00Come on, I'll show you.
20:02Look.
20:02What are you talking about?
20:03Look.
20:04Oh, shh.
20:04You're right, Gillis.
20:11Oh, this is terrible.
20:12Junior's gonna ruin everything.
20:14I wonder what happened.
20:15Must have been that talk I had with him last night.
20:18He broke up with Joan, got himself a new girl.
20:20Yeah, and Joan's gonna be here any minute.
20:22Oh, yeah.
20:23Well, we better do something.
20:24Oh, we gotta break this up with her.
20:26Hey, I remember a trick I used to pull in college.
20:30Good.
20:30You in college?
20:32Well, high school.
20:33What's the difference?
20:33Oh, fine.
20:35You go in there.
20:36I go in there.
20:36I'll go upstairs.
20:37This sounds nice.
20:38This sounds very good.
20:39Well, will you let me tell you the idea?
20:41You're in there and I'm upstairs.
20:42That's the beginning.
20:43Tell me.
20:43Now, here's what we do.
20:50Uh, hello.
20:52Hello.
20:53You must be Junior's girlfriend.
20:54You must be Mr. Riley.
20:56That's me.
20:59I, uh...
21:01Uh, did I hear the phone?
21:03Oh, I didn't hear it.
21:05Oh.
21:07Hello?
21:08Mr. Riley, is Junior there?
21:10Oh, busy.
21:11Yes, but, uh...
21:13He's, uh...
21:13He's busy tonight.
21:16Why don't you try next week?
21:18Yeah.
21:19You're welcome.
21:20Goodbye.
21:23Junior's little playmates.
21:25Playmates?
21:25Yeah.
21:26But let's talk about you.
21:27You're...
21:28No.
21:31Hello?
21:32Oh, Bernadette.
21:34Yeah.
21:35Well...
21:36No, I'm sorry.
21:37Junior's busy tonight.
21:38Why don't you try, um...
21:39A week after next.
21:41Yeah.
21:42Goodbye.
21:44Another playmate?
21:46Oh, yes.
21:46Oh, Junior's very popular.
21:48See...
21:49Oh, this busy phone.
21:51I'm surprised you don't have a switchboard.
21:54Yeah, that's right.
21:54Hello?
21:55Oh, Dolores.
21:57Is that so?
21:58Uh, well, he told me to tell you that he'd call you back first chance he gets.
22:02Yeah.
22:03Uh, goodbye.
22:04I don't understand this.
22:07I thought that Chet and I were going steady.
22:10Well, he goes steady with all his girlfriends.
22:12Didn't he tell you?
22:13No.
22:14He didn't.
22:15Well, I wouldn't feel too bad about it, because you're his steadiest.
22:24He doesn't go out with very many other girls.
22:28In fact, no other girls.
22:37Well, here I am.
22:38Where's Junior?
22:39Well, it's dinner ready.
22:45You, you bluebeard.
22:49Joan.
22:50Wait a minute, Junior.
22:51That's Joan.
22:52Who's the kid?
22:53Huh?
22:54That's Junior.
22:55That's not Joan.
22:55What?
22:56That's not Junior.
22:57Wait a minute.
22:57Where is everybody?
22:59Where is everybody?
23:00You mean, who is everybody?
23:06Hello?
23:07No, kill us no more.
23:08No.
23:09That's right, Joan.
23:13See?
23:14And then he got the idea.
23:16I got the idea.
23:18You got the idea.
23:19I got the idea.
23:20You got the idea.
23:20Just a minute, Junior.
23:21Just a minute.
23:22Joan gets the idea.
23:23It was all a case of mistaken identity.
23:26Well, I'm glad I came back and listened.
23:28I wouldn't have wanted to go home to Texas thinking that of Chet.
23:32I'm sure glad you came back, too.
23:33Well, the whole thing wouldn't have happened if that girl hadn't been going under an assumed name.
23:37Assumed name?
23:37Sure.
23:38We assumed that her name was Joan Shea.
23:41Oh, no.
23:42But...
23:43But what?
23:45Why were all those girls calling you?
23:48Girls?
23:49Oh, that!
23:50Oh.
23:51Well, that was...
23:52That was just a little joke that Gillis thought up when he was in college.
23:56Oh, yeah.
23:57Well, high school.
23:58Oh, there...
23:58Don't.
24:02Hello?
24:03Oh, now, Gillis, cut it out, will you?
24:06I told you to deal us off.
24:07No more phone.
24:09Gillis.
24:12Some guy on the phone says his name is Carolyn.
24:14Carolyn?
24:15Well, Riley, that's for me.
24:16Oh.
24:17Hello, dear.
24:18Some guys have an off day.
24:23I am an off life, if you're telling me, huh?
24:25I've got for it, I've got for it.
24:27Oh, dear.
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