- 7 hours ago
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🎥
Short filmTranscript
00:00Previously on Tala Masks
00:12What the hell is that?
00:15Something very important has gone missing
00:17It's called 752
00:18It doesn't exist
00:19This is what Soledad ditched the night she died
00:22Encryption, next level shit
00:24Ancient vampire blood
00:26More valuable than anything
00:28Have you seen these trainers?
00:30Someone cares about you, you know
00:32I don't know what you're talking about
00:33Do not worry, my dude
00:34Between the two of us
00:36I'm sure we can figure it out
01:00I don't think I like being here without her
01:19Don't worry, love
01:20You're not staying in this place much longer
01:22You get to go on a train ride soon
01:25Sorry, no fruit and nut
01:39No fruit and nut
01:53Just plain old dairy milk
01:55So
02:01What colour loafers was the man in 9C wearing?
02:06Blue suede
02:07Left one had a scuffed toe
02:09Where are we going?
02:12Oh, somewhere special
02:13Do they have fruit and nuts there?
02:17They have anything you want
02:19What about Coca-Cola?
02:21Bathtubs, full of it
02:23Pineapple
02:24Pineapple?
02:26You've got a pineapple coming out of your ears
02:27When will they bring my sister?
02:38Emma
02:39Do you know what I was wondering?
02:41I was wondering
02:43How many steps it was
02:45From our taxi
02:46To the train platform?
02:49Depends
02:49Four hundred and sixty-six
02:51For me
02:52But
02:53You'd hit longer strides
02:54So you were
02:54Three hundred and twenty-seven
02:56I'm sure you're right
02:59What
03:00Do I do when I get to the new place?
03:03Not more tests
03:04No, no
03:05We're done with tests
03:06No, you'll be doing something
03:09Much more important
03:19No, you'll be doing something
03:20No, you'll be doing something
03:21No, you'll be doing something
03:22No, you'll be doing something
03:23No, you'll be doing something
03:24No, you'll be doing something
03:25No, you'll be doing something
03:26No, you'll be doing something
03:27No, you'll be doing something
03:28No, you'll be doing something
03:29No, you'll be doing something
03:30No, you'll be doing something
03:31No, you'll be doing something
03:32No, you'll be doing something
03:33No, you'll be doing something
03:34No, you'll be doing something
03:35No, you'll be doing something
03:36No, you'll be doing something
03:37No, you'll be doing something
03:38No, you'll be doing something
03:39No, you'll be doing something
03:40No, you'll be doing something
03:41No, you'll be doing something
03:42No, you'll be doing something
03:43Oh, my God.
04:13Come on.
04:44Just tell me who she is.
04:52Why do you care so much about some freaking girl?
04:55I don't.
04:56I care about my book.
04:57And I care when someone gets between it and me.
05:02You know what?
05:02I'm done.
05:03You want your stupid book?
05:05Go get it yourself.
05:06You're just using me.
05:12You know, you're right.
05:14Sometimes I do use people.
05:17We all do, though, don't we?
05:18Just a matter of degree.
05:20There are things I want.
05:25A life outside the shadows.
05:27Some fucking respect.
05:29Dignity.
05:30And I tend to see talented people around me as tools to get those things.
05:36I obsess.
05:37I strategize.
05:39But there is one thing that I do not do.
05:42I do not lie.
05:44And I cannot stand it when someone lies to me.
05:47And I do not lie.
05:51I do not know.
05:51I
05:56did not lie.
05:56I do not care.
05:56And I do not lie.
06:00Again, I do not.
06:00Okay?
06:01I don't know.
06:31Who the hell do you think you are?
06:40Let me go.
06:40You child, huh?
06:43You think he could come into my world and toss me in the ditch?
06:46I don't know what you think happened with him.
06:47You don't want things the way I want things.
06:50You can't.
06:51You haven't been alive long enough.
06:53You've bought me.
06:54I walked from Bolivia to Texas.
06:56I had nothing.
06:57I had no one.
06:58I've told you how determined I am.
07:01I've shown you what I'm building down here.
07:02You know what I want to destroy.
07:05But you don't take me of my word.
07:08Instead, you try to get in my head and root around.
07:14Yeah.
07:15Yeah.
07:16I thought you were trying to read my mind since we left the hotel.
07:19You think you're smooth?
07:21Think you got moves?
07:22You have no moves.
07:23I have all the moves.
07:33Say it.
07:35Say what?
07:37You know what?
07:37See, unlike you, I'm really good at this.
07:41And I've been bopping around your porridge bowl all night.
07:44And you got stuff locked up tight.
07:46Like does the girl have my fucking book!
07:49But it's the primal shit that you just cannot hide.
07:53So go ahead.
07:54Say it.
07:56What you thinking.
07:59Like...
08:00Say it.
08:04Say it.
08:05I don't want to die.
08:09What?
08:13I don't want to die.
08:18Well, you're not going to die.
08:26I'm going to give you purpose.
08:27No, please.
08:52No.
08:53You know, for a moment, I actually thought you were different.
08:57But you're exactly what the telemasker ropes in.
09:02The same kind of venal turncoat who got my family killed.
09:05Start digging.
09:08Fuck you.
09:16So if I feed you to them,
09:18I'm going to do it a little at a time.
09:20Keep you in a hole as their snack.
09:23Forever.
09:24And trust me, it's painful.
09:25And smelly.
09:27And it'll drive you to a madness
09:28that you cannot possibly fathom.
09:31Far worse than what that poor soul in the hotel was going through.
09:34And way worse than becoming one of them.
09:36I mean, sure, it's no picnic.
09:38But listen to those crazy fuckers.
09:40They're pumped.
09:41They have enthusiasm.
09:43They got purpose.
09:44You really want to know who the girl is?
09:52Okay.
09:53I'll tell you.
09:54I don't know.
09:57I've been trying to figure it out, just like you.
10:00And that's the goddamn truth.
10:03Doesn't matter.
10:04Dig?
10:05Go to hell.
10:06Oh, we're already there, baby.
10:16Hey.
10:16Go andası.
10:26No, you just don't know.
10:30I don't know.
10:36Stay with me.
10:36Bye.
10:37Bye.
10:38Bye.
10:39Bye
10:40Bye.
10:41Bye.
10:43Bye Bye.
10:44Bye.
10:44Bye.
10:44Bye.
10:46Come on.
11:07Come on.
11:16Come on.
11:18Run!
11:40Glory!
11:41Come on!
11:46Come on.
11:50Don't touch me.
11:52Come on!
12:16Holy shit, what the fuck was that?
12:41Who are you?
12:42Uh, I'm the girl who just saved your life, twice.
12:49So, you're welcome.
12:51Hey, why do you keep following me?
12:54Don't flatter yourself.
12:58Look, even though you have your doubts, I'm pretty sure he's the one who Hank Kev is killed.
13:05Jasper?
13:06Yeah.
13:10You think he's dead?
13:11No, I doubt it.
13:14We need to ditch this van and then get lost, really lost.
13:18We?
13:18We, yes, we.
13:23So what? Like the countryside?
13:27No.
13:28Jasper has all the resources of the London Motherhouse.
13:30It's only a matter of time before he finds us.
13:33We can't go anywhere in England.
13:35So what does that mean?
13:36Reconstructive plastic surgery?
13:45Sandpaper, fingerprints off.
13:47Are you okay?
13:53I mean, yeah.
14:00Okay, well, we've got to leave the country.
14:02Yeah.
14:06You think the mid-veil coven will help us?
14:08No, no, no, no, no.
14:09I don't want them.
14:10I mean, they're way too wrapped up in all this.
14:15Have you got anyone that you can really trust?
14:17Yeah, maybe.
14:28There's a rule against that in the employee handbook.
14:32Therein?
14:33You've actually checked, haven't you?
14:36It was so important I couldn't wait until morning.
14:39It looks the same as before.
14:40Mm, it is.
14:42I'm running a brute force script.
14:44Could take days.
14:45Months.
14:47Centuries, I don't know.
14:48Whatever it is, it's important enough that it got Soledad Marcel killed.
14:53But that's not why I called.
14:56Mm-hmm.
14:57Ta-da.
15:00Tell a lot about a man by his shoes.
15:07I'll remember the yellow trainers.
15:08Mm-hmm.
15:10Tweak some facial recognition code
15:11to search raw camera feeds for his kicks.
15:14Eh, voila.
15:16You're brilliant.
15:17Oh.
15:18Seems almost unfair for a man.
15:20So handsome.
15:22At least you've got healthy gums.
15:25It's the lab.
15:27DNA match for a third person at the scene.
15:31What, at Hepworth Lane?
15:32Our murder suey?
15:34It's safe to call it a double murder now.
15:37We're keyed directly into the city's CCTV network.
15:40I have an entire team scraping and searching the footage in real time.
15:45We're inside the service at Passport Control and have agents at Heathrow and Gatwick and all major rail stations.
15:51Owen, is something bothering you?
15:56No.
15:57No?
15:59Are you sure?
16:02Then why won't you look at me?
16:03I'd hate to think I was offending your delicate British sensibilities.
16:13We'll find them.
16:14I promise you.
16:16May take a little time, that's all.
16:18They set me on fire, Owen, so...
16:21I'd kind of prefer to find them right the fuck now.
16:23Of course.
16:24But even with all of our capabilities, tracking two people in a city of nine million,
16:30it's like trying to hear a whisper in a hurricane.
16:33Well, I might know a little butterfly who can cut through all the noise.
16:38I'll be right back.
17:06Make it quick.
17:07Make it quick.
17:36You are not going to believe this.
18:06If you see the fire, it's me, it's me.
18:10Straight on down, third door on the right.
18:12If you see the fire, it's me, it's me.
18:15If the couch and light splashy, it's me, it's me.
18:20If the cash keep cashing, it's me.
18:24Put a coin in the slot.
18:34Can we go and talk?
18:49We're talking here.
18:49This isn't how we do things.
18:52I need to know what's happening.
18:54This is exactly how you do things.
18:55You put people in the dark and you keep them there.
18:58We contact you.
18:59That is the protocol.
19:00You didn't respond.
19:01We're a long way from protocol, Helen.
19:04I need an exfiltration pack, ASAP, cash, passport, airline tickets.
19:07I'm out of the country by the end of the day.
19:09This is ridiculous.
19:10I'm not doing this.
19:10Sit down.
19:14Sit down.
19:29I need you.
19:31I need your help and you're going to give it to me.
19:34I did everything that you asked.
19:36I went to the mother house.
19:38I got close to Jasper.
19:39So close, I almost got killed.
19:41And now I'm in a lot of danger.
19:43And I need to leave England and you're the only person that can help me do that.
19:48What about our mission?
19:52What mission?
19:55There is no mission.
19:58There are bigger forces at play than you could possibly understand, Guy.
20:02I'm burned, Helen.
20:03It isn't about you.
20:05But it is about me.
20:08Right now.
20:09It is.
20:12And you know it.
20:15And I know there's an empty space inside of you.
20:20I know there's a wound that has never really healed.
20:23I can feel it.
20:24Trust me.
20:26And I don't know exactly what that is, but I do know that you care about me.
20:29And that it's hard for you to show that, because if you do, it might compromise what we're doing.
20:35It might get me hurt, and you don't want that, do you?
20:43No.
20:44Then don't rip open a new wound right alongside your old one.
20:47If you don't help me, Helen, if you won't help me, I'm dead.
20:56The mission's off the books, isn't it?
21:23Yes.
21:23And I'm off the books, aren't I?
21:27Yes.
21:28And you're looking for something, aren't you?
21:33Something more than just the book.
21:37Yes.
21:38Something very personal.
21:43And the Talamask elders, they wouldn't be too happy if they found out about that now, would they?
21:48Okay.
21:53If you help me get out of here, I promise I'll do whatever it takes to help you find what it is you're looking for.
21:59I promise you.
22:01You need me.
22:03And we both know that.
22:04No more freelancing, no more bucking protocol.
22:12I get you out if you do exactly as I say.
22:16I promise.
22:17I'll need a date to pull materials together.
22:19You must stay quiet until then.
22:21Use the safe house.
22:22You'll be out of harm's way.
22:23Why is my mom a fugitive?
22:27What did she do to piss off the Talamasker?
22:29Now is not the moment to irritate me, Guy.
22:32Okay, one more thing.
22:39I need two exit packs.
22:40I'm getting out of here and I'm taking someone with me.
22:42Who?
22:43Doris.
22:44You don't know her.
22:45Oh, for God's sake.
22:48Yeah, well, she helped me, Helen.
22:51She helped me.
22:52And now I'm gonna help her.
22:55Very well.
22:57Have it your way.
23:00I have a plan.
23:01Come on.
23:02Take only what's necessary.
23:04Leave everything else behind.
23:07Let us help you.
23:09Tell me where you're going, Doris.
23:13It's for your own good.
23:19You'll each need a passport photo
23:21and an alias.
23:23Leave the photos for my associate in Lansdowne Road.
23:35There's a Sunday reporter box.
23:37Tuck the photos in at knee level.
23:39Go directly to the safe house.
23:46There's everything you need.
23:47There's food and a change of clothes.
23:50Once you are there,
23:51do not set foot outside until nightfall,
23:53the day after tomorrow.
23:54We'll meet at Waterloo Station platform nine at eight o'clock.
24:00Sure about this?
24:02No, but it's where we go.
24:04Hey, Jay?
24:17Hey, are you alone?
24:20Yeah.
24:21Something has popped up on my radar,
24:23and I wasn't sure if I should...
24:26You know, it's sensitive
24:27and it could be nothing, but...
24:29Please don't tell me this is about Helen.
24:31Olive, we've got a serious problem with her.
24:34I-I just can't make sense of what I'm looking at.
24:37I think I need some help here.
24:39Are you there?
24:41Olive?
24:41Who is that?
24:51Jay.
24:52Jay?
24:55It was a background check
24:56on that sector agent in Parma.
24:59He checks out.
25:00There's nothing out of the ordinary.
25:05Guy's in trouble.
25:07We need to get him out of the country.
25:08Where is he?
25:09He's been laying low and made a veil.
25:12With the witches?
25:14On the houseboat.
25:15Yes.
25:17Come on, let's go.
25:39What is this place?
25:55It's a Talamasca safe house.
25:57Why exactly do you believe this woman?
26:07I mean, maybe she will help you.
26:10It's a big maybe,
26:11but why on earth would she go out of her way to help me?
26:15Because she promised me that she would.
26:16What kind of promises do you think she made
26:18to someone like Soledad Marcel?
26:20I don't know.
26:21I have no idea what exactly happened to Soledad Marcel,
26:24and neither do you.
26:26What if she was fed to Jasper?
26:29By your Helen?
26:30What if your Helen is a mole?
26:33I mean, that's the thing with a Talamasca.
26:34You'll never know where you stand with them.
26:37Or how they're using you.
26:38I don't trust the Talamasca.
26:42No, but you trust her.
26:44Someone who's always hiding.
26:50I mean, you're not exactly an open book yourself.
26:52Oh, I never said you should trust me.
27:04Why did you join the Talamasca in the first place?
27:08Why did you join the Talamasca in the first place?
27:11Okay.
27:12So, I'm in the third grade.
27:15Mrs. Rosewood's class, Times Tables,
27:17and I was having a hard time remembering six times eight.
27:20And she kept saying,
27:22six times eight is 48, and ain't that great.
27:26And then she'd do this big exaggerated wink at me, like...
27:28And it was really dumb, and it didn't help me at all,
27:32but I had this massive crush on her.
27:34And so she keeps doing that.
27:36Six times eight is 48.
27:38And I'm standing there, and I'm watching her.
27:41And then the principal walks in.
27:44And there was, like, this charge in the room.
27:48And he whispered something to her.
27:49And I just remember, she turned.
27:57And she looked right at me.
28:02And it was a look I hadn't seen before, not on anybody.
28:05It was as if all the color in my world was about to leave, and she was the first person to know about it.
28:16And I just knew before anyone had told me that my mom was dead.
28:23I didn't have anyone else, so I was sent to live with foster parents, and I was...
28:33Um...
28:35Um...
28:36Um...
28:37Um...
28:38Um...
28:39Um...
28:40Um...
28:41Um...
28:42Um...
28:43Um...
28:44Um...
28:45Um...
28:46Um...
28:47Um...
28:48Um...
28:49Um...
28:50Um...
28:51Um...
28:52Um...
28:53Um...
28:54Um...
28:55Um...
28:56Um...
28:57Um...
28:58Um...
28:59Um...
29:00Um...
29:01Um...
29:02Um...
29:03Um...
29:04Um...
29:05Um...
29:06Um...
29:07Um...
29:08Um...
29:09Um...
29:10Um...
29:11Um...
29:12Um...
29:13Um...
29:14Um...
29:15Um...
29:16Um...
29:17Um...
29:18Um...
29:19Um...
29:20Um...
29:21Um...
29:22Um...
29:23Um...
29:24So that's why you joined?
29:30Yeah.
29:33To find her.
29:38So the whole mortals versus immortals,
29:42good versus bad,
29:44future of the world...
29:46I was meant to be starting a job in contract law.
29:49You know, I resented her.
29:58All my life.
30:01Since I was a kid,
30:03I've been told that she was a junkie,
30:05that she was irresponsible and selfish,
30:10and that she hadn't given a shit about me.
30:14That's one thing to find out that that isn't true,
30:16but for her, she's been out there.
30:19All these years, knowing that her son felt abandoned.
30:23Can you imagine what that's like?
30:26For a mother to feel that?
30:29No.
30:30So if there's a chance,
30:32I mean, even a small chance
30:33that I can get her out of trouble,
30:37I'd go to the end of the earth to do it.
30:43What was her name?
30:45Anna.
30:49Anna Limas.
30:51Anna Limas.
30:51I was a boy
30:58with wild imagination.
31:01I became worlds
31:04with cities and good nations.
31:07I liked him.
31:10And everyone was happy as could be.
31:14I'm in the town
31:19And I called it a jubilee
31:22No one for the plan
31:25Not a man
31:27No one sees
31:29It's a great
31:30Did you believe
31:33Things were just that way
31:35But it was just a dream
31:40And I'm opening up
31:42In the wind
31:43We found them.
31:45We'll move in after sundown.
31:52Well, plenty of clothes.
31:53I don't know what we're supposed to do here
31:57For two days.
31:57Okay.
31:58Sometimes.
32:00I don't know what we're supposed to do
32:03Yeah, we're supposed to do that
32:04But it's a great
32:05It's a great
32:07It's a great
32:07It's good
32:08But it's a great
32:09It's a great
32:10To be the
32:23What do you think?
32:24Jackpot.
32:46Hmm.
32:47Yeah.
32:48I'd say you look like a James.
32:52You look nothing.
32:54Like Julia.
32:56What was the first thing that came to mind?
32:58Okay, so,
32:59so you get stopped by a border agent.
33:02What's Julia's backstory?
33:05Well, she's a dodgy one, actually.
33:07She
33:08followed a childhood passion
33:11for herpetology.
33:13Herpetology?
33:14Come on.
33:15It's the study of reptiles.
33:19Anyway, she falls madly in love
33:21with her hard-driving thesis advisor,
33:23who was this Brazilian hunk
33:26who would seduce her
33:28with his long-winded monologues
33:30about the Amazonian boa constrictor.
33:34Until she found out
33:36that he was as cold-blooded
33:38as the animals he claimed to love.
33:40And so she is off to Yorkshire
33:44to start up a lizard sanctuary.
33:47Very good.
33:48What about our man, James?
33:50James.
33:53Well,
33:54you've heard about his, um,
33:57father,
33:58the famous anchovy fisherman,
34:00Fitzgerald MacArthur?
34:01Oh, of course.
34:02I'm an adult.
34:03Of course.
34:03And his, um,
34:05one-legged second wife, Cora,
34:07the salty dog,
34:08cheated on him
34:09with that intercontinental balloonist.
34:11Oh, Chester, Oklahoma.
34:13Chester, Oklahoma.
34:14Right.
34:14And how, uh,
34:16Fitzgerald was so despondent
34:17that he threw himself
34:18into the, uh,
34:19the blowhole
34:20of a passing sperm whale,
34:21leaving his young son, James,
34:23to ply his father's trade,
34:26trolling the lonely seas
34:28to farm the one friend
34:29he ever had,
34:31the humble anchovy.
34:33Oh.
34:34Now here he is,
34:35roaming the countryside
34:37in search of this woman
34:40who started up a, uh,
34:43lizard sanctuary.
34:50I win.
35:00Ch-
35:00So,
35:02what now?
35:05Well,
35:05if we go to New York,
35:06um,
35:08we could try out there,
35:09but they might be looking for us.
35:11So,
35:12might be easier for us
35:12to get lost upstate,
35:14uh,
35:14or we can go
35:15west coast.
35:17California, maybe.
35:19Have you heard
35:19that big, sir?
35:20It's supposed to be
35:21beautiful there.
35:22I meant for the rest of today.
35:25I can't do another board game.
35:27I'm...
35:27At least you'll probably
35:32get some rest.
35:33What?
35:53Nothing.
35:54Three-faced tattoo.
36:13Three-faced tattoo.
36:15Three-faced tattoo.
36:15Three-faced tattoo.
36:18Let's go.
36:48Nothing yet, huh?
37:01Should go home, get some sleep.
37:07Well, keeps me out of trouble.
37:09At least take a break.
37:11Maybe let me buy you some food and a pint.
37:18Look how I've starved.
37:20Well, I wouldn't turn my nose up at a little nibble, I guess.
37:25Thanks.
37:27Let's go.
37:29Let's go.
37:33Let's go.
37:35Let's go.
37:37Let's go.
37:39Let's go.
37:41Let's go.
37:43Let's go.
37:47Let's go.
37:49Let's go.
37:51Let's go.
37:53I don't know.
38:23I don't know.
38:53You're hiding something from me.
38:58I don't know.
39:28I don't know.
39:58I don't know.
40:28I don't know.
40:29I don't know.
40:30I don't know.
40:32I don't know.
40:33Where is it?
40:34This is what happens when people get close to me.
40:36Did you just tell me the truth?
40:38We can't trust Helen anymore.
40:39We can't trust Helen anymore.
40:40They're gonna try and flee.
40:43Who are you?
40:45I think I know where your mother is.
40:50Do you know where your mother is?
40:51Do you know where your mother is?
40:57Just tell me who she is.
41:00Why do you care so much about some freaking girl?
41:02I don't.
41:03I care about my book.
41:05And I care when someone gets between it and me.
41:09And me.
41:10In episode five, what we very quickly come to find out is that Jasper has some plans for Guy.
41:21You think you're smooth?
41:22Think you got moves?
41:23You have no moves.
41:24I have all the moves.
41:28Now Guy has really crossed the line with Jasper.
41:33And Jasper lets him know it.
41:35I'm scared of Jasper.
41:37I'm scared of Bill Fickner.
41:38Let's be real.
41:43It was important for us to set this scene in the basement.
41:46It's a place that we've only seen in which these horrible animals are either made or kept.
41:52Now we're in Revenant's world.
41:53We really are in Revenant's world at the start of episode five.
41:56Yeah, we're down on this freezing floor in a basement.
42:00I'm like, couldn't we do this on a soundstage with a heater?
42:03Can I get a latte?
42:05Start digging.
42:10Yeah, the cages really do work.
42:12I have a big lever, which Nick keeps teasing me.
42:15He goes, you really like playing with that thing.
42:17And I'm like, listen to the sound on it.
42:20I said, listen, take that piece off the set and give it to me as a wrap gift so I can put it in my garage at home.
42:25And I'll just lift it up and things will happen.
42:28When Guy gets in deep trouble with Jasper over what's happened at the hotel and the fact that he's been keeping stuff from Jasper, Doris jumps in to save him.
42:38When I read it, I was like, yeah, go on, Doris.
42:43I shot the fire myself, but not at Bill.
42:46They had Bill here, a green screen here.
42:48So he shot his reaction to me throwing the flame.
42:52Then they removed the green screen and shot me shooting the flame out of the aerosol.
42:56And then they combined the two images together so it will look like I am shooting the flame at Bill.
43:02But in fact, I'm not.
43:03We're watching Jasper set on fire, done by the stuntman Ben, who is...
43:08That looks so real.
43:09This part here is amazing.
43:11I mean, it is real.
43:12Action, Alex!
43:13He's got protection and stuff, but he is really on fire.
43:16I've gone through my storyboards, and what I want to do here is that as he goes up into flames,
43:21he carries on pushing away Doris until he pushes her down the stairs.
43:26She's gonna fall down, and then he's gonna get hit, he's gonna go down.
43:30So it's a super dynamic, exciting shot.
43:33And at the end, the revenants are gonna go from those cages, charging round this corner to follow.
43:39So, yeah, it's super dynamic.
43:41It's all shot in little bits, but in the edit, it all comes together in a gorgeous conflagration of delight.
43:46On the next day, we had me and Guy running to the car, all the revenants climbing onto the car.
43:53It is a big action sequence, and I think it's a lot of fun and violent.
43:58Both the capture and escape of Guy and Doris from Jasper and the revenants is a real crescendo to this great series.
44:07The action really comes out in full effect.
44:11Put a coin in the slot.
44:13I really loved that scene at Cupid's era where we were playing in the peep show between Helen and Guy.
44:22If you don't help me, Helen, if you won't help me, I'm dead.
44:26I think at that point, Helen's ambivalence about the telemasker has so chipped away at her inner resolve that she is particularly vulnerable to turning.
44:39And I love the way the scene is written because Guy has reached a point of maturation where he's now calling the shots.
44:49He knows that she's looking for her sister, and he knows that the 752 may be the answer for her, and so he's got an upper hand here.
44:57Sure about this?
44:59No, but it's what we got.
45:02Doris is immediately skeptical of going into the safe house from the start.
45:06I think she thinks this is potentially perilous.
45:08But the two find themselves in this place overnight there, and all they have is each other.
45:13Guy and Doris have bonded together and attached to the hip a little bit, even though they're still wary of one another.
45:20It kind of feels like an oasis, a slower pace than the rest of the show.
45:24It was nice because the characters felt very vulnerable and like two kids.
45:33I win.
45:39We think that the revenants are coming for Guy and Doris, hopefully up until the last second in which we find out that that's not where they're headed.
45:45We had four or five kills on the boat, but timed out so that as the revenant landed on the roof, it goes with her, flying through the air, lands the roof, comes down into the first window.
45:58And we see someone getting their neck eaten, and then we see someone get slashed across the throat.
46:02So we had, in the four windows, we had a kill in each window.
46:07I knew that Olive was a mole pretty early on.
46:10I was like, fantastic, of course she is. It makes total sense.
46:13She is here for the bigger picture. What is going to get me to the 752?
46:17And that's Jasper.
46:18And Jasper is alive, but he's been burned by them.
46:22And now he's got a renewed sense of vengeance to come after them in episode six.
46:43Let's take a look.
46:50Once again, let's pray.
46:55Let's pray.
47:00Let's pray.
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