- 6 hours ago
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🎥
Short filmTranscript
00:00The End
00:30Basterebbe una carezza, per un cuore di ragazza, forse allora sì che ti amerei.
00:40Cos'è la vita senza l'amore, è solo un albero che in foglie non ha più.
00:51E' senza il vento, un vento freddo, non vale le fronte le speranze e vittai giù.
01:03A questa vita cos'è, se manchi...
01:08Appointment?
01:10Yes, with Mr. Did or not, call him no right away.
01:17Carlo.
01:19Adelina.
01:20Hi.
01:21Hi.
01:21I have a meeting scheduled with our investors today.
01:25Saru's not around, so now I'll have to handle it.
01:28I'm so happy that you're here too.
01:30You know this is a big meeting, it's my first one.
01:34Adelina.
01:35They don't want to meet with you.
01:37They say that the situation is already clear.
01:39Why? What's clear?
01:39You've got some significant debts yet to settle.
01:43We can't keep exposing the bank further.
01:46And how do I start fixing all that?
01:49Bring your husband back to his senses.
01:51Try to convince him to sell.
01:52The magazine's financial situation right now.
01:55It can't be saved.
01:56I'm telling you this as a friend, more so than as a manager of this bank.
02:00And you're at risk of losing your house too, because he put a lien on it.
02:03I can help if you'll take advice.
02:06I can find buyers who'll be willing to pay quite well for it.
02:09And then your life goes on.
02:25Nothing.
02:25They wouldn't even let me come in and talk.
02:27They only said we'd better sell it.
02:28Don't let it upset you.
02:30Saru will come up with something soon and give us instructions.
02:32And in the meantime, we'll prepare the new issue.
02:34Seems to me you don't come up with many great ideas on your own.
02:37We've managed to cut a few new ideas, actually.
02:40The Marquis Anesca Satistampa, her husband just murdered her.
02:45She wanted to leave him for her lover, so her husband shot them both.
02:49Then he killed himself.
02:51Yes, I know.
02:51It's all anybody's talking about.
02:53Then you also know that the Marquis made her take naked photos in some rather, let's say, strange poses, I guess.
02:58And to have sex with whoever he chose.
03:00If we can get the Marquis's racy photos out of there somehow, there's nothing stopping us from publishing the next...
03:05Please tell me you don't actually let the sales managers decide what to publish here.
03:08Bianchi has a contact inside the family who'll bring them to us.
03:11Obviously, he wants a lot of money.
03:13But in this case, let's pay his price.
03:17I just don't want us to speculate about a murder.
03:19Our magazine has to be above all that.
03:21Mrs. Balsamo, if you don't let us publish, there won't be any kind of magazine at all anymore.
03:25All right then, miss.
03:29How many centimeters was it?
03:31Can you quantify it, please?
03:32Why are you asking something like that?
03:34Please don't raise your voice.
03:35I'm just trying to report a sexual assault and you're here asking me what I wore and why I walked home alone, really?
03:40I asked you, by how many centimeters did the defendant's penis enter you?
03:44Manziati.
03:46That's pretty crass.
03:47Hey, I have to ask.
03:48If it was below a certain depth of penetration, it isn't considered to be a sexual assault.
03:53Then it's merely considered a crime of lust.
03:54That's what the law says.
03:56I'm just following the law.
03:57Fine, but some compassion wouldn't hurt.
03:58But she's the one who told me she'd even posed for that pornographic magazine.
04:01That's not at all what I said.
04:03They stole them.
04:04They're private photos.
04:05Do you get it or are you just stupid?
04:06Careful or I'll write you down for harassing a public official, huh?
04:09No, you're only going to write down exactly what the lady says.
04:12Nothing more.
04:13And just take her word for it?
04:15They couldn't care less anyway.
04:16Let's take off.
04:17Should I just delete the whole record?
04:18No, stop there.
04:19Miss, listen.
04:21This report is still valid.
04:23If you please finish it.
04:24Tell me your name, would you?
04:47Hey, Elsa, how are you?
05:04Just what is he doing here?
05:05Settle down, please, Elsa.
05:07They know that you filed a report.
05:08They have a proposal now.
05:09Sit down here.
05:12Listen to what your father has to say.
05:19Explain it all to her, sir.
05:21Yes, technically speaking, it's what's termed a matrimonial reparation clause.
05:24So in cases where a man, so to speak, loses his mind, then the law allows him a means of reparation by agreeing to marry the woman in question.
05:35So marry him, right?
05:36Yes, the man marries the woman and then he provides for her as a husband does.
05:41And that way you restore your honor and, uh, as for him, he, uh, he would then be absolved of, uh, of any crime.
05:53Elsa, I really love you so much.
05:55Stop it right now.
05:56Leave me alone, Kay.
05:57Every last one of you is demented.
05:59Ma'am, here are the invoices you asked for.
06:14Listen, Lella, can I ask you a quick question?
06:16Go ahead.
06:17Well, no women work here in our office, apart from the models and from me.
06:22What's your opinion of playmen?
06:29My own?
06:30Yes.
06:33Hey, sorry.
06:34Uh, Lella, it's the typographer on the phone.
06:36It's urgent.
06:36I'm sorry, there's just a lot to sort out these days.
06:39I better get going.
06:41Okay.
06:44What do you mean you have to get married?
06:46No, I'll be dead before I agree.
06:47Come on.
06:48Then let's just leave.
06:50We'll move to London, both of us, okay?
06:52Leave this piss pot of a town behind us.
06:54But how will we get to London with money for one ticket between the two of us?
07:01Then you can go first.
07:03Don't worry, I'll come there soon, too.
07:05No, I'd never just leave you.
07:09So what, then?
07:10What do you do?
07:19Ma'am, hello.
07:21Look what I just got.
07:22Special delivery sent over by Sarti.
07:23If you take a look, you'll see, they're broken.
07:27Bianchi, are you fixing cameras for photographers now?
07:29I wish that was the case, ma'am.
07:31No.
07:31It would be a very helpful skill because we can't afford new ones.
07:35Like we can't afford to pay the editors, the graphic designers, or Lella.
07:38They haven't been paid for two months.
07:40I really do pity the woman.
07:42This is no place for someone with blinders on.
07:45I know, but you were also being a bit harsh before.
07:47Excuse me.
07:50She suddenly found herself left with no money and her husband gone?
07:53Here.
08:02We all play the roles we've been given.
08:05It's better for everybody to face that.
08:06Share a copy of that.
08:19Sweetie, tell Marie that she can leave you on your own now.
08:22It's okay.
08:23You're there with your sister.
08:25There's pasta in the fridge.
08:26Yes, honey, listen.
08:28Tell Marie that it's just not possible for us to keep her employed.
08:32Yeah, I won't be long.
08:33I hope so.
08:35See you.
08:35Hello, good evening.
08:42I wanted to arrange a quick sale of my cars.
08:44One's a Lamborghini Miura.
08:47And one's a Mercedes 1968, a convertible.
08:54Excuse me, but that lady from the Mondrioni is here and wants to talk to you.
08:58One are gone?
08:58No, I'm going to call you right back.
09:13What happened to you?
09:14Guess what happened after my photos got spread by you.
09:17Let's go into my office.
09:19What for?
09:20Worried that everyone will hear, huh?
09:21Well, I'm not afraid to say it here.
09:23It's all your fault what happened, got it?
09:30They want the rabus and I to marry each other now.
09:33No way.
09:35I need money so that I can get out.
09:39Well, right at this exact moment, it's...
09:42It's difficult now.
09:45But maybe I can write you a check.
09:47Has she got crazy?
09:47No, she can't.
09:48Uh, sorry, can...
09:49Please, just inside, ma'am.
09:50You keep quiet, huh?
09:51I'll stay here.
09:53You can't give her any money, ma'am.
09:55If you do, it'll never end.
09:56She's just going to go on asking you for more.
09:58Not to mention the legal problems.
09:59This will doubtless cause the magazine and yourself, too.
10:02What kind of legal problem?
10:03If she reports to the authorities that you wrote her a check for this,
10:06it's going to seem like it's an admission of guilt on our part for whatever occurred.
10:10Assuming anything really happened to her, of course.
10:12What the fuck are you saying?
10:13Hey, don't push my buttons, young lady.
10:15Bianchi.
10:16Don't give a penny to this crazy woman, all right?
10:18You're a piece of shit.
10:19This is all such complete bullshit.
10:21Right, whatever, fuck you guys.
10:52Hey.
10:58You want to be the housekeeper here?
11:02I think I may lose my house.
11:05The magazine's going bankrupt.
11:07And a girl I didn't listen to was sexually assaulted.
11:10And I can't help her now either.
11:13That's where I'm at.
11:16So perhaps a job will be just what I need.
11:19Nothing I try to do is ever enough.
11:21Maybe I just let myself down again.
11:25There are...
11:27Some days I feel I let myself down.
11:31There's a young lady in there.
11:34She's newly married.
11:36And she came to me in embarrassment.
11:39Seems she's got issues with her husband.
11:41She locks herself up at night.
11:42He can't get anywhere near her.
11:43I don't understand what you want from me.
11:47What am I going to do?
11:49No.
11:51Rocco, please.
11:52No way.
11:52Give me a break here.
11:53Well, it's got to be better than a man's advice, right?
11:55If Mama finds out, you're in trouble.
12:06If Mom hadn't just fired Maria, I'd be going here alone.
12:09Hi.
12:10Hi.
12:10Hi.
12:10Here, hand them all out.
12:20And we'll need you guys protesting at the university, too.
12:23Are you and that girl dating?
12:24If only.
12:27Oh, good.
12:28You're finally here, Lorenzo.
12:29And you brought your little sister.
12:32She'd be alone at the house, so...
12:34I wasn't poking fun at you.
12:35It's pretty sweet you care.
12:37And besides, we need the help, right?
12:39We're going to Occupy, man.
12:40You'll Occupy what?
12:42No.
12:42What did I say?
12:42No talking here.
12:44One minute.
12:48We decided to tax ourselves to finance the occupation.
12:51We want to invite some guest speakers, too.
12:52Okay.
13:00Everyone according to his pocketbook, huh?
13:02Don't you think?
13:13It's not appropriate to discuss such things.
13:16It's just not done.
13:17Clotilde, don't worry, okay?
13:20Talk like you would to a priest.
13:21I don't know whether or not I'm actually any good.
13:26Whether I can make sure he's been...
13:29Well, fully satisfied.
13:33But he's not the only one.
13:35You're there, too.
13:36You can ask him for the things you'd like, too.
13:39In what way, sorry?
13:41For example, if you like being kissed in the neck or belly, then just tell him.
13:44No.
13:44Tell him all that, so he knows how to bring you pleasure.
13:48No, no.
13:48I couldn't talk about that.
13:52Does he ever touch you?
13:55You're a pervert, aren't you?
13:57Shame on you.
13:58That's disgusting.
13:59Just kidding.
13:59Hey.
13:59Maybe you're a pervert.
14:00Put him in behind.
14:00컨
14:21I'm going to take you to school today instead of driving.
14:51That way we can spend time, just us, hmm?
14:54Morning, Camila.
14:55Good morning.
14:56Mrs. Balsamo.
14:57Oh, hello.
14:58Your husband, has he returned?
14:59I asked because I saw him the other morning leaving with the briefcase and he seemed to
15:03be in a hurry.
15:04Well, yes, he left a couple of days ago.
15:06What about your driver?
15:07Has he left too?
15:08No.
15:09He passed on.
15:10Oh, poor man.
15:11What did it?
15:12His curiosity did.
15:17Mama, it's a bus.
15:18Oh, sorry.
15:19We can't miss it.
15:21You don't need nobody else.
15:24Like a wolf in the wild.
15:27Come on, girls.
15:28Girls, come on.
15:29For this is true, please.
15:30Come on, Julia.
15:31Erica.
15:32Yes, that's it.
15:33Perfect.
15:34All right, brother.
15:35This could be on the front page.
15:41Mrs. Balsamo.
15:42Good morning.
15:43Good morning.
15:44He got the photos of Bianchi's contact with the Casatis.
15:47He was their butler.
15:48He's upstairs with Lela right now.
15:50Just let me know what you want to do.
15:52All right.
15:53And this is everything, right?
15:54More did you try hawking a few elsewhere?
15:55That's all the ones in the house.
15:56They're all exclusively for you.
15:57And that's not all.
15:58Okay, I'm sorry.
15:59I'm sorry.
16:00I'm sorry.
16:01I'm sorry.
16:02No.
16:03No.
16:04And this is everything, right?
16:05More did you try hawking a few elsewhere?
16:06and this is everything right more did you try hawking a few elsewhere that's all the ones in
16:21the house they're all exclusively for you and that's not all this is her diary with all their
16:32perversions let's work out a price that gets you both of them i'll find another buyer in no time if
16:42you have second thoughts this is far too little ma'am it's all the cash i have
17:02and no one will offer you anymore you mad woman yeah i am yes you need someone who's mad to publish
17:11these photos no one else is gonna buy them all right then the photos are yours
17:22we'll make it big with these photos seems she also liked them big didn't she
17:36anyhow for the front cover i say we use the second photo where you see her from behind
17:40that way we're playing on the idea of what they'll find once they open the magazine playing playing
17:44games what kind of games exactly huh they were sensual ironic let's use forbidden in there
17:49we could call this issue forbidden games how's that hmm what about the diaries though nobody's
17:54interested in their diary entries stop it there please enough no no no go on listen you decided
18:00you would buy all these nobody forced you yes i know but now that i've seen them it's obvious that
18:06these photos are private and the woman's dead then can i assume you have another way for us to get
18:10all our debts paid we can explore other directions for example you did some great work interviewing
18:15pasolini and the issue about madrione we don't have the time to debate this anymore that woman knew
18:19exactly what she was doing right and so what well she probably should have been less indiscreet then
18:26she didn't deserve to die like that no matter how she posed
18:31you can pay all of last month's salaries with this i might not know much about how to run a magazine
18:36but i know how to manage finances if you'll excuse me i still have a lot to do
19:06i wasn't sure this was the right place to find you
19:11well what do you want no one will protect you way out here well i come here in peace
19:18and i'm sorry for what happened to you
19:23i'd really like to help however i can if you'll let me help me now huh i could use some help at the
19:28office and they all agree with you you'll have legal problems if you pay me right it's the boss's choice
19:35and i say yes just to be clear the pay isn't going to be very high but it should at least let
19:41you pay rent somewhere else so that you can leave this place so what then i'm supposed to pretend we're
19:47good just think about it this way you don't have to get married to him there are fates plenty worse
19:53in the end being married is like any other
20:07i can't believe
20:16i can't believe
20:20i can't believe
20:30Jim and Tonic, you're not why I'm here.
20:49I came here to see somebody.
20:52It's all right, I won't embarrass the boss.
20:55So, sorry, but it's just better to be straight about it.
21:07You know when I made the decision to try photography?
21:10Five years ago.
21:12Right after reading your article on the hopper.
21:16It was about how your light gets used and the composition of all the images, too.
21:23Had too many drinks, seems like.
21:25I really mean it.
21:33So please don't treat me that way.
21:36I don't deserve it.
21:38Luigi, this is for you.
21:41It's on the house.
21:42Ah, thank you.
21:44Well, is it true you work for Playmen?
21:48Well, yeah.
21:50I'm a photographer.
21:52Maybe one day soon.
21:53We'll take some photos.
21:59You'll see that I'm really photogenic.
22:00You want to speak with me?
22:17That new bride reported me for obscenity or what?
22:21Well, actually, she came here to thank you.
22:23Oh, yeah?
22:24I don't know what you said, but it seems the word got out.
22:27This morning, we will once again pit two people with starkly opposing views against each other to spark one of our lives.
22:45I don't know.
22:46I need to talk to him.
22:47Today, we have Mr. Mario Shortreau, the creative director of the magazine Playmen.
22:50Hi, good morning.
22:51And then Mrs. Maria Massi, representing the feminist collective called Donne Libre.
22:57Hi, everyone.
22:57Mrs. Massi thinks that your magazine is degrading and depicts women as things.
23:02Well, because what they do is completely archaic and misogynistic.
23:04It's men comitifying the bodies of women.
23:07That's right.
23:07Actually, ours is an erotic magazine that also focuses on culture.
23:11You make pornography.
23:13And what's even worse, you're also fascist.
23:15Look, I assure you that our staff is comprised of people of all political viewpoints.
23:18Are you denying having been part of the Decima Mas?
23:21I don't deny it.
23:26I was part of the Decima Mas.
23:28I know how fascists operate, so you can take my word for it.
23:30They have much more in common with you than me.
23:33Please, everyone stop.
23:35Stop it, please.
23:38It seems we Italians have some problems anytime sex is involved.
23:41Instead of relaxing us, it pisses us off.
23:43I had bigger breasts because I was already pregnant when I was your age.
23:56Come here.
23:59How's that?
24:01Make it a bit smaller through the front, and...
24:04You'll look beautiful.
24:06Listen, they've been generous to make us this kind of offer.
24:14You can keep on living here without any scandal, with your heads high.
24:18You're my one and only priority here, Elsa.
24:21Let people talk, I don't care.
24:23And you're not the first woman who's had to endure.
24:27It's women's lot, in a world full of men.
24:30Ito-re made a mistake.
24:34But he does truly love you.
24:37He wants to give you a good life, and to make you happy.
24:43Humans live long lives.
24:45Some things you can still hold on to.
24:48And you can have children.
24:57The broadcast was splendid.
24:59If I'd been told it was that feminist nutjob Masi, I never would have gone.
25:03She's so obtuse and arrogant and totally ignorant.
25:06But she's a pretty sharpshooter.
25:08And you came to pick on me, then?
25:10That, too.
25:11Also to say that I've got an idea for the next print to run by you.
25:14So we won't need the Quesadid photos.
25:16Well, have a seat then, ma'am.
25:18Oh, thank you.
25:19It's about speaking to the female readers,
25:21but not about the types of things that other gossip columns or fashion rags do.
25:25We'll talk sexuality, and eroticism, and couples.
25:27But we'll omit nothing, a raw and real slant.
25:30To another feminist digest?
25:32No, because those already exist, right?
25:34We should approach a segment of the public that no one has satisfied.
25:37Namely, women who want to have some fun,
25:39and who want their lives to feel amazing.
25:41But without any taboos, without hypocrisy,
25:43and without coming up against any politics, either.
25:45How do we actually reach this section of the public, then?
25:49By writing about the issue of virginity on a woman's first time.
25:52And we can call it the erotic bride.
25:54With all due respect, huh?
25:55This is playmen.
25:56Mm-hmm.
25:57We sell it to men, and they want to see tits and asses.
25:59That's all.
26:00You could write the article about virginity, then,
26:02and it'll be like the one you wrote about Desaad and the loss of innocence.
26:06What do you think?
26:08I don't know, but I'll bring my research on this to you guys.
26:11Maybe I can start from Milton's Paradise Lost and just go from there.
26:14Milton, nice.
26:15Then I could play with Shades of Red and White for the art and graphics.
26:18But, Mrs. Balsamo, with the Cassattis, it's much safer.
26:21We'd make a lot of money, which is not only good for the magazine,
26:24but for you as well, for your children, so you can keep your house.
26:27Do you want to show your husband that you're capable of being a director?
26:30Then this here is your chance.
26:32Don't put the farm in this idea of yours.
26:34Listen, you're right.
26:35The erotic bride is taking a leap of faith.
26:37But remember that I'm way over having to prove that I'm worthy to anyone,
26:40including Saru.
26:42As you wish, then, ma'am.
26:44But you only have 12 hours before the deadline.
26:47Or it'll be too late to print.
26:52The moment we've all been waiting for has finally arrived!
26:56It's time for us to argue, Brian!
26:58Let's fight for more!
27:00And all of you high school students are standing together!
27:03Come on, clap along!
27:05Yeah, sure!
27:09Occup nice!
27:10Occup nice!
27:12Occup nice!
27:13Occup nice!
27:15Occup nice!
27:21Wait, is this me?
27:22Stay right where you are!
27:32This way.
27:45Get out of here!
27:46Clear it up!
27:52Are you alright?
28:03Do you think I'm really this pretty?
28:06I just draw how I see things.
28:13Then you can see up close.
28:22Open up!
28:29Police, open up or we'll break it down.
28:40Is my son able to go now?
28:42Good.
28:43This is just what I needed.
28:45Come on, let's go.
28:46Just wait a minute.
28:49I can call you later tonight, okay?
28:51Did they hurt you at all?
28:52No, Mom, no.
28:54So you tell me how you justify the presence of minors who have no record without a single attorney to represent them?
28:59I don't know, but you can talk with the deputy commissioner.
29:02Come on, let's get going.
29:03No, you can't yet.
29:04We'd better file a counter complaint about their treatment.
29:06Our children have the right to express their ideas freely and safely.
29:09I've got way too much going on now.
29:12Oh, I know who you are now.
29:14It's Balsamo.
29:15Your husband runs Playmen magazine.
29:17I talk about you a lot on the radio.
29:19Inappropriately.
29:20Mom, stop. Just...
29:21We're leaving.
29:27So was occupation the only option?
29:29Well, it's up to us to protect our rights, remember?
29:31You said, but you're only 16.
29:32And no matter what, I don't want you stuck in jail.
29:35Now let's go.
29:36Where do I have to sign?
29:43Camila, hello.
29:44Thank you for looking after her.
29:45Don't mention it. She was an angel.
29:47Go see her out.
29:49Lorenzo, stop there.
29:51You're grounded for a week, mister.
29:53That's stupid. I didn't do anything.
29:54How about you, then?
29:55Anna's mom decided to stand by her.
29:57Hey, I will always stand by your side.
29:59But this whole occupation thing is just wrong.
30:01If your father had business...
30:02But he's not here.
30:03He's long gone.
30:04But he'll be back.
30:05He'll be back soon.
30:06No, he won't.
30:07No, he won't. He's gone.
30:08He just left all of us.
30:09Because he doesn't care at all.
30:10He puts his needs first.
30:15Lorenzo...
30:18Tell me what is up with you.
30:19You still just keep thinking about Dad.
30:21You're hoping he walks in instead of feeling relieved.
30:24Relieved over what exactly?
30:25Relieved that we're free.
30:27That bastard's long gone now.
30:34Sweetie.
30:35No, no, no.
30:36No, no, no.
30:37No, no, no.
30:38No, sweetie.
30:39Sweetie, don't worry.
30:40Don't worry.
30:41Everything's all right.
30:42Sorry, I just couldn't stand things at home, so I came here and now...
30:59It's fine.
31:01My mother is trying to survive all this, but she still loves my asshole of a father.
31:14He just humiliates her more every day.
31:16Then our mother should try becoming friends.
31:19Mine just wants nothing to do with any sort of man.
31:22They'll balance each other out.
31:25This is all kind of my fault.
31:27I never really helped her when he was still at home.
31:42You okay?
31:43Um, should I just head out?
31:48Because you're...
31:56About your drawings I saw.
32:00Maybe I'm not what you imagined I'd be.
32:04Much prettier than my drawings, for sure.
32:13You're so sweet.
32:24And different than the others.
32:43Anna, I've never been...
32:46Just follow me.
32:50So have you already...
32:52Hey, quiet down.
33:13Adelina, can I help you?
33:26If you were looking for Mario, he's working.
33:28No, actually, it's you I want.
33:30May I have some coffee?
33:32There's some things I've been struggling with.
33:34No, sorry, but I've got guests for dinner.
33:37The ambassador of Belgium to the Holy See, so I can't...
33:40I'm sorry.
33:45Serena, you really have to lie better.
33:47It reeks of menthol cigarettes, so I'm sure Costanza is here.
33:50I'm sure Costanza is here.
34:01Let's get to bedding.
34:05Sigh.
34:20Not today.
34:29No, she said to him with pleading eyes,
34:32please grant me this mercy.
34:34Today is such a wonderful day.
34:36Don't ruin it for me.
34:40That last time with the lifeguard, I did exactly as you asked,
34:43but today, just leave me in peace.
34:45We'll make it big with these photos.
34:47Seems she also liked them big, didn't she?
34:49If you refuse to make me happy,
34:52then I'll be forced to withhold your allowance for the next month,
34:55and I know you need that money to care for your mother.
34:58The magic words worked once again,
35:00and Anna laid down as he said
35:01and covered her eyes with both her hands
35:03as she let her thighs spread.
35:07My God.
35:19I knew I'd find you here.
35:38May I help you with something?
35:39Bianchi said I had 12 hours to decide what to publish, is that right?
35:42So what's your decision?
35:46Tell me, do you like what you write?
35:49Not always.
35:51But we have to do things we'd rather not at times, you know?
35:54It's just part of the job.
35:55Well, this job can really be anything you want.
35:57I suppose.
35:58But maybe understand it first.
35:59Look, Chartreau, I'm not stupid.
36:00I know if we don't publish the pictures,
36:02that there's a real risk of bankruptcy, too.
36:04It's just that anything we try to do will have its consequences.
36:07This is no exception.
36:09So what?
36:10I mean, what's your plan?
36:14Publish the photos of the Cassattis.
36:17And also publish the diary.
36:19You heard Bianchi.
36:20That won't interest our readers.
36:22It interests me.
36:23People need to see her for who she was.
36:26Because now, some people think it's her fault,
36:28and it's just that her husband shot her.
36:30But that's wrong.
36:32She was this prisoner there.
36:34And her husband, he murdered her to stop her getting away.
36:38I'll call Selva.
36:40And we'll address female readers with that new article on virginity.
36:44Who's gonna write it?
36:46Me.
36:47Because I'm not letting the Cassattis photos define us.
36:52Chartreau, what defines you?
37:06Serious, start!
37:10Still here, huh?
37:14Yeah.
37:15Although by now, I was supposed to meet up with Aliche.
37:18Ah, that girl at the Piper.
37:20She's been forceful, you know.
37:23Well.
37:24All right.
37:26Listen.
37:27There's this exhibition downtown.
37:31If you're free.
37:34Okay, so Brecht, he, uh, uh, he was inspired by all this, but Pirandello, he...
37:43He adapted it?
37:46He was the first Italian to attempt it.
37:49But because of Pasolini, and his films like the Decameron...
37:51I adore Pasolini.
37:52My one hope is that my photography can do with photos what he does with cinema.
38:02Then you should ask him for advice.
38:05Ask who?
38:06I know him.
38:07I'll introduce you.
38:10Pir Paolo.
38:12How are you?
38:13Fine, Mario. Good to see you.
38:14It's been a while, yeah.
38:15Yes.
38:16But you seem happy.
38:17I'd like you to meet a dear friend of mine.
38:18Absolutely.
38:19Pir Paolo.
38:20Luigi Borgi.
38:21He introduced himself and shook by hand.
38:25Pasolini.
38:26Do you get it?
38:28Pasolini.
38:30He invited me to come on set.
38:33I don't even know what to say.
38:34It's...
38:35It's all thanks to you.
38:48Wait, wait, wait, wait.
38:51I thought you were clear about our roles.
38:59I can't stay away from you.
39:06It's gonna take a bit of work.
39:11A whole work.
39:13Now that you're all here.
39:24What are we women?
39:27We are many things.
39:29Wives.
39:30Lovers.
39:31Mothers.
39:32To some we are saints.
39:37To others we're objects to use.
39:39To possess.
39:41To pay for.
39:42Or to be thrown away when they're done with us.
39:48Oftentimes we're simply lonely women.
39:52Frightened.
39:53Like we are on our wedding night.
39:56No one tells you anything.
39:58You're suddenly alone with a man.
40:00Only you.
40:01And only him.
40:02And maybe it's the first time it's happened.
40:05You don't know much about your body.
40:08And nothing about his.
40:10And you think that if you just.
40:12Lie there and keep quiet.
40:14He'll handle everything.
40:16He'll do it.
40:17He'll decide for you.
40:19Because it's always men who are in charge.
40:21And it's up to us women to satisfy them.
40:24And us.
40:25And us.
40:26What do we want?
40:29And what do we like?
40:31Do we mean nothing?
40:35It is our choice to make.
40:37We can be whatever we want to be.
40:41We can choose to stop being lonely women.
40:44And be free women.
40:56Oh you've been chasing my man around town.
40:59You better check yourself.
41:02You need to mount your man up.
41:04Have a good one.
41:05Do you have play men?
41:06Well you're the third one I've tried.
41:07No I'm sorry I've sold out.
41:09Have a good day.
41:11Hey!
41:13Come on!
41:14You guys want bubbly over here?
41:16Let's have a toast.
41:18Come on.
41:19We've earned it.
41:20Cheers.
41:21It's impossible.
41:22At least you can treat yourself to something pretty now, right?
41:24No.
41:25It's enough just to avoid going broke.
41:26Thanks.
41:27Director, we can afford a few more bottles, right?
41:29Yes, yes.
41:30Go go.
41:31Pour, pour, pour.
41:32And for her in particular.
41:33Hurry!
41:34Let's toast.
41:35Thanks.
41:36Cheers.
41:37Cheers.
41:38Fantastic.
41:39To us.
41:40Congrats, Mrs. Balsamo.
41:41Oh wait, Mrs. Balsamo.
41:42Lella, just use my name.
41:43Please.
41:44It's Adelina.
41:45Look at all the letters we've gotten.
41:46It's not creditors writing.
41:47They're all letters from women.
41:49Listen to this.
41:50I bought this for my husband.
41:51Although I'm becoming a fan of it after the latest issue.
41:53myself.
41:54And how about this one?
41:56I stumbled across your piece on virginity.
41:59And then I was finally able to explain what sex is to my teenage daughter.
42:03From now on, you have two new readers.
42:05Incredible.
42:09Oh, hello.
42:10Can I help you with anything?
42:12I decided I want to be your new assistant.
42:15And what made you change your mind?
42:17I guess I'm better off here than serving that asshole.
42:21I'm starting my new job on Monday.
42:22Well done.
42:23Bravo.
42:24I told her what she wanted to hear is all.
42:25I'm starting my new job on Monday.
42:26Well done.
42:27Bravo.
42:28I told her what she wanted to hear is all.
42:35I'm starting my new job on Monday.
42:36I'm starting my new job on Monday.
42:37Well done.
42:38Bravo.
42:39I told her what she wanted to hear is all.
42:45I'm starting my new job on Monday.
42:47Well done, bravo.
42:50I told her what she wanted to hear is all.
43:14I told her what she wanted to hear.
43:44I told her what she wanted to hear.
44:14I told her what she wanted to hear.
44:44I told her what she wanted to hear.
45:14I told her what she wanted to hear.
45:44I told her what she wanted to hear.
46:14I told her what she wanted to hear.
46:44I told her what she wanted to hear.
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