- 4 hours ago
Category
🎥
Short filmTranscript
00:00She's not wrong.
00:03No, no, no.
00:08I'm hungry.
00:10Well, it's a room service. You want something?
00:12Uh-uh.
00:16Is that him checking up on you?
00:18No.
00:19In the form of cheating in the office.
00:21Trying to crack another case.
00:23Meanwhile, we can't afford to feed the fucking cat.
00:28For fuck's sake.
00:30Yeah?
00:34That's my news. We're going to check in for breakfast.
00:37Yeah, this is she.
00:57Excuse me.
00:59Fuck off.
01:04How did he seem to you last time you saw him?
01:08Same. Same Joe as always.
01:11And could you describe that default state?
01:15Like Joe. But Joe about to go to the pub.
01:17Anything else?
01:22Yeah.
01:23He seemed like a man not planning on slitting his wrists.
01:27With respect.
01:28We never quite know what anyone else is thinking.
01:30With respect, you're talking out of your arse.
01:32Were you married to him for 30 years?
01:33Because I always knew what Joe was thinking.
01:34He was thinking, I need a shit, I need some cake, I need a wank,
01:37I need to listen to Dizzy Gillespie.
01:39He was a man of impulses, he was a man of enthusiasms.
01:41Joe did not do depression.
01:45There were a lot of poetry books in his office.
01:49I didn't say he wasn't clever.
01:52So there was a bright mind trapped in a humdrum existence.
01:57Are you actively trying to be offensive?
01:59I think my colleague meant to say, could his lifestyle have been a cause of depression?
02:05Joe wasn't depressed, he wanted to be a private detective.
02:09He was living his dream.
02:11How was work for Joe?
02:12Same as always.
02:15Depended on how well you lot were doing your jobs.
02:18I mean, right.
02:20We should have been rolling in it.
02:22But there were a lot of debts.
02:29Where were you last night?
02:30With a friend.
02:31I'm sorry, I have to ask, Mrs.
02:41Miss Bone.
02:44But could the state of your marriage have been a cause for Joe to take action?
02:52He appeared to be habitually sleeping in the office.
02:55The camp, she's uncomfortable.
02:58That's not a reason.
02:59To kill yourself.
03:00His razor was found in his hand.
03:05Joe was squeamish around blood.
03:07If he was going to do it, that's not how he'd do it.
03:09Which hand?
03:10Um, the left hand.
03:12Oh, he's right-handed.
03:13He would have passed the razor from hand to hand.
03:18I'm going to head off now.
03:20Uh, I'm afraid you need to formally identify the body.
03:24What, you haven't done that already?
03:25You're his next of kin.
03:27So it might not even be Joe?
03:29Joe?
03:30Miss Bone, suicide is an extremely traumatic form of bereavement.
03:35Denial is often the first stage.
03:38They can refer you on to some support services if you'd like.
03:41It can help to talk about it in order to accept it as a reality.
03:45Okay.
03:47Okay.
03:48Okay, let's do it.
03:49Let's go and see my dead husband.
03:53Do you want to lead the way?
03:54I don't, I don't, I don't want to.
04:10What's she doing here?
04:12Witness statement.
04:15She found your husband.
04:16Who's that woman?
04:34Did you know her?
04:35Fuck, Sarah.
04:41Do you hired an actual private detective to look for a child that you don't know?
04:45What the hell were you thinking?
04:49That woman was Joe's wife.
04:51Do you?
04:53I didn't know her.
04:54I was, seriously.
04:56Do you, Mrs.
04:57told you.
04:58I didn't expect her to bring her to sex away.
04:59Come back.
04:59Let me hear.
05:00I want to hear her.
05:00I don't want to encourage you.
05:01I don't want to leave.
05:02I don't want to leave.
05:02I don't want to leave.
05:03Please come back.
05:04Can's see you next week?
05:35If you don't find the fucker who gave this, I will.
05:49If you don't find the fucker who gave this, I will.
06:19With a smile, saving my pennies, cause the oracle told me so.
06:27I've learned to trust my head to turn.
06:35I'm sorry, Betty. There's nothing to eat.
06:58Unless...
07:02No. I don't blame you.
07:05I don't blame you.
07:09Fucking hell!
07:11No.
07:15Zoe, it's your mother-in-law.
07:20I'd appreciate it if you could return my calls.
07:24We're having a gathering tomorrow.
07:27To celebrate Joe's life obviously can't be the official shiver yet since his body hasn't been released.
07:34Friends will be gathering at my house in the afternoon.
07:38I'd appreciate it if you could make the time to come.
07:42Hey.
07:44Hey, I'm trying to make a little nap.
08:14Yeah?
08:17Hmm.
08:20Just get you a blanket.
08:23Are you going to work?
08:26No, I'm going to work at home.
08:30The office is shit right now.
08:33I've got compliance poking around my trades as if they've not got anything better to do.
08:38Oh, no, that's a scarf, not a blanket.
08:40It's the size of a football bench.
08:42Yeah, the figure, the posher.
08:45It's Paula's.
08:46Why do we have Paula Inshin's scarf?
08:49Well, she left it here.
08:51I tried to give it back, but Gerald had already gone, so...
08:54This could be...
08:55This is my way back in.
08:56This is a legit excuse to contact Inshin.
09:00Right.
09:01So, we will have it dry cleaned and get it delivered.
09:04Or we give it to him in person.
09:08Drive over there.
09:09What?
09:09The Copswalds?
09:11Yeah.
09:12Yeah.
09:14God, wouldn't you love a nosy around their place?
09:17Look.
09:20Look at that.
09:21Look.
09:21Oh, my God.
09:26Cottage.
09:27It's bigger than the whole fucking village.
09:30Yeah, I'm not sure they'd want that.
09:31I mean, I don't want that.
09:33I don't feel that...
09:34No, fresh air.
09:34Fresh air.
09:35And countryside.
09:36It'll do you good.
09:38Yeah.
09:40What, you want it dry cleaned today?
09:42Yeah, if you've not got anything else to do.
09:45Mark, I'm...
09:45I'm in shock.
09:47I'm grieving.
09:48Come on, you hardly knew this, Joe guy.
09:50Okay.
09:51All right, can we have a nice normal day, please?
09:55What are you doing?
09:56Well, I'm going to go to the dry cleaners,
09:57and then I'm going to have a nice normal day,
09:58because, you know, everything's fine.
10:00No, I didn't find a dead body.
10:01I'm not at all traumatised.
10:02Actually, I might go to have a nice picnic lunch by the river.
10:05Yeah, lovely.
10:06Will you calm down, please?
10:07No, don't think so.
10:08Okay, fuck it.
10:09Just go to work myself, then.
10:11See you.
10:11Bye.
10:19Bye.
10:20Bye.
10:21Bye.
10:22Bye.
10:23Bye.
10:24Bye.
10:25Bye.
10:26Bye.
10:27Bye.
10:28Bye.
10:29Bye.
10:30Bye.
10:31Bye.
10:32Bye.
10:33Bye.
10:34Bye.
10:35Bye.
10:36Bye.
10:37Bye.
10:38Bye.
10:39Bye.
10:40Bye.
10:41Bye.
10:42Bye.
10:43Bye.
10:44Bye.
10:45Bye.
10:46Bye.
10:47Bye.
10:48Armidale County, do those over up on the second floor.
11:18Armidale County, do those over up on the second floor.
11:43Armidale County, do those over up on the second floor.
11:52Oh, my God.
12:22You're lost.
12:32You know, we put tape across the door for a reason.
12:35Yeah, I'm sorry, I was just, um...
12:37Being nosy.
12:40Yeah, we get a lot of your time.
12:42Board students, rubber neckers, aspiring true crime podcasters,
12:48though they don't tend to get quite as caught up in things as you do.
12:51Sarah.
12:53How do you know my name?
12:54Police officers talk to each other.
12:56You think you're helping with your little investigations, but you're not.
13:01You're getting in the way, and respectfully,
13:03you've no idea how fucking stupid you're making yourself look.
13:06Can I leave, please?
13:23Be free to leave whenever you like.
13:25Oh, tips, Sarah.
13:43Get one of those whodunit games.
13:47Captain Partridge in a diner room with a copper pipe.
13:51Read a murder mystery.
13:53Scratch the itch that way.
13:54There's trouble for everyone.
13:55Professor McGraw.
14:11I thought I'd find you here, in your office.
14:16Room for a small one?
14:17Oh, I was room for one with a full bottle of the posh stuff.
14:21Haven't seen you for a while.
14:23Oh, that charming husband of yours.
14:25How is the old fucker?
14:26Oh, he's...
14:28You know.
14:28So, how are things with you, Tony?
14:35He's still inexplicably not cancelled.
14:38The college has been ideologically captured.
14:42It's all safe spaces and gender justice
14:45and being shamed on TikTok just for eating the students a harmless bit of uptake.
14:49Oh, it must be awful for you.
14:51The lone voice of reason raging against the dying of the lie.
14:55You're really the victim in all of this.
14:57The Joan of Arc of the English fucking faculty.
15:00Well, I need something from you.
15:03Oh, how delicious to be kneaded by Zoe Baum.
15:07Sarah Trafford, Tucker, she was then.
15:11You taught her.
15:13You don't expect me to remember every reculcitrant wonk
15:17I've dragged through the English curriculum.
15:18No, just the women.
15:22What about this?
15:23Uh, jump from the college tower.
15:28Influence of hallucinogenics.
15:31Survived against all odds.
15:32Et cetera, et cetera, blah.
15:33But any bells ringing?
15:35Actually, this one, yes.
15:37Yeah, clever girl.
15:38She memorised the whole of the wasteland.
15:41And the fucking footnotes.
15:43Bit weird.
15:44Yeah, clever women.
15:47Weird.
15:50I'm sorry when she went splat.
15:52Can't say I was surprised.
15:54It's like...
15:56Some students look over the parapet
15:58and see a desperately ordinary future.
16:00And in this one's case,
16:02they literally look over the parapet.
16:04I know she's attractive,
16:09but I didn't expect you to remember quite this much, Tony.
16:12Well, yeah, because she's still hanging around Oxford.
16:15See, in the college.
16:16Like a murderer returning to the scene of the crime.
16:18I don't know if I had to help,
16:37but closest I've ever been to a chicken
16:39is the end of a fork.
16:42Bloody pigs swarming all over,
16:45leaving that non-biodegradable shit.
16:47Yeah.
16:48Why do they suddenly give a toss
16:50about what happens to some crappy burnt-out squaw?
16:53Oh, did you know them, then,
16:54the people who live there?
16:55The woman wasn't one for a chinwag.
16:58The others came and went,
17:00Oh, used to give the kiddie a few eggs.
17:03Funny little thing.
17:05Eggs.
17:06Now you're talking.
17:07Oh.
17:09Yeah.
17:11Nothing late since the blast.
17:13Bits have all clamped shut.
17:15I can relate.
17:16You're not on the main's gas, then, are you?
17:21No.
17:22No, it's hard down here.
17:23Council shot it off years ago.
17:26Buggers.
17:27Yeah.
17:27You're all right.
17:28I'll take that for you.
17:29Oh.
17:30Thanks a lot.
17:32Have a good evening.
17:33Cheers.
17:33I hope she lays soon.
18:06You are aware of the pressure the department is under?
18:14I wonder if the department could think of this situation a bit like a game of chess, sir.
18:20You know, you watch it for hours, think there's nothing going on,
18:24but that's only because you're seeing what's happening on the surface.
18:29Do spare me the Zen Master wankery.
18:31Did your mad dog agent not get the no more dead civilians memo?
18:40Sir, it was a field decision, sir.
18:42It was a field decision? Was it, Manic, another one?
18:46I must visit this field someday.
18:48You set fire to it.
18:53Which one of the cut-price cray brothers have you got on this one?
18:57The, um...
19:00The younger.
19:02Ah, yes.
19:04Well, no wonder I've had a litany of complaints, hmm?
19:07With that fucking chaos factory in the mix.
19:09Well, I've made him aware that I cannot protect him forever, sir.
19:12You couldn't protect him if he used you as a condom.
19:17Has the sniffer woman been dealt with?
19:19He must have had a quiet word.
19:20Splendid. And a child?
19:22Tucked up in the safe house, sir.
19:24Why wasn't I informed?
19:26Sent proof.
19:27I know it's hard to believe, but, uh...
19:29Even I have to occasionally report upwards to the minister.
19:33Oh.
19:35Apologies. Note to self.
19:37Better...
19:38Better communication needed.
19:40Yes.
19:41Maybe we should start a little WhatsApp group.
19:45Actually, that's a great idea.
19:48I could make a note, and I think I still have your mobile number.
19:53Get off my table.
20:01Where is our target?
20:03Still in the wind, sir.
20:04But we'll find him.
20:06I'll just reassure everyone my end.
20:08The lunatics are running the asylum.
20:09Indeed.
20:09You tell them.
20:11We've got this.
20:12Yes, and I'll add a little you-go-girl.
20:15Hmm?
20:15Just to keep things jaunty.
20:17Do you know what I think, Malick?
20:19I think you're barely in control of this situation.
20:21I think you need to get your sweaty little arse back to Oxford...
20:25and take control of your agent in the field before he blows up a packed school bus, and we all lose our fucking jobs.
20:32Maybe it wasn't a totally awesome idea going back to the office, where the horribleness happened.
20:42I keep replaying it in my mind.
20:44Recovering traumatic memories can be very...
20:47Oh, what's that word?
20:48Brain fuzzy, you know?
20:50No.
20:51Except this one, it gets clearer each time.
20:53Like, I had to go back there again, Wiggs.
20:56I just...
20:57I just don't...
20:59I don't think it's suicide.
21:01What?
21:02I don't think it is.
21:06Yeah, I feel better for saying that out loud.
21:11Good.
21:12That's good.
21:14My God.
21:15Except that everyone is acting like I'm deluded.
21:18What?
21:19Like, Mark thinks me looking for Dinah is some kind of psychosis.
21:22What?
21:23Even the policeman in Joe's office treated me like an idiot in need of a hobby.
21:28And...
21:29how do you feel about that?
21:33Oh, my God.
21:35What?
21:35You're using your social worker voice.
21:37What?
21:37You think I'm crazy, too.
21:39What?
21:39I didn't say that.
21:40I didn't say that.
21:40Yes, you just did.
21:41No, no, no.
21:42And I would never use that word, honestly.
21:44I just think maybe you might have gone a tiny bit wonky.
21:50Okay?
21:52It was just a gas explosion, sir.
21:54Honestly, Ruthie explained it all again to me last night.
21:57And Dinah will probably show up completely fine after all this blows over.
22:02And poor Joe Silverman, sir.
22:05He must have been in a really dark place.
22:08I just think...
22:09I think you've just got to let it go.
22:15Let it go.
22:16Okay?
22:17Okay?
22:17You know, when I was ten, I found my granddad dead on the toilet.
22:28I know.
22:30You know, and I only released that trauma 20 years later in an ayahuasca healing hut in Glastonbury.
22:36And, you know, look at me now.
22:38I've got me first.
22:43I've got a good garden.
22:44I've got a good garden.
22:45I'm going to find my granddad's life.
22:51I've got a good garden.
22:54Sarah.
22:54Oh, hey, Lucy.
23:01Lucy.
23:02One of my playgroup mums.
23:04A bit of a cow, to be honest.
23:05Very dark energy.
23:07Hello, lovely.
23:09How you doing?
23:10Do you know Sarah?
23:12Um, we've met.
23:15Bye, I'll see you next week.
23:17Bye-bye, Gracie.
23:18Bye-bye, darling.
23:20Gracie.
23:22Not Dinah.
23:25Are you okay, Sarah?
23:29I've been chasing a kid and it's not even her.
23:33It's not even her.
23:36Oh, my God.
23:40I'm a fucking idiot.
23:41I'm sorry.
23:43I'm so sorry.
23:44I'm so sorry.
23:45I don't know what I'm doing.
23:47Sarah.
23:48Oh, my God, I don't know what...
23:49Oh, my God.
23:56Oh, my God.
24:03Oh, my God.
24:08Silverman had to go
24:22I might have suggested something more plausible
24:24Axel's an assassin
24:26He's a psychopath
24:27Not in a good way
24:29You may have arrived at your destination
24:31Right, where are you?
24:36Satna says that I'm here
24:38Oh my good God
24:41Where did you fucking...
24:43Move
24:44Right
24:46Let's get this weird school inspection over with
24:50Fuck
24:52Here it comes
24:57I missed my teddy
25:03I know you did that
25:05Steph, look
25:10Hello
25:12Well
25:18This is quite the Montessori, isn't it?
25:21You're going to borrow some finger paints or something?
25:24What's your problem?
25:25You say keep her safe
25:26This is safe
25:26She's got a toy
25:27She keeps asking for her teddy bear
25:30Please, for God's sake, let's get her the bear
25:33We're not monsters
25:35She says she's left it at home
25:36And my problem, Amos, mate
25:40Is that I'm not entirely sure what you're up to
25:49It's very simple, Hamza
25:53Mate
25:55We sit tight
25:57And let the target come to us
25:59We use the C-H-I-L-D
26:02As V-A-I-T
26:05How's that going to work exactly when we're in here with the curtains drawn
26:11We've got no idea where the target is
26:13And we've got no way of finding out
26:14Because Axel Crane will pick up the fucking phone
26:17Language
26:17Sorry, I'm so sorry
26:19I'm...
26:20Don't listen to him
26:23I'll call him
26:24But we keep the leash loose
26:26My brother, he's, er...
26:28Well, he's an artist
26:29He can't be stifled
26:31Oh, God
26:34Christ
26:44It's like you'll save your playground
26:53Dad
26:58Dad
27:01Dad
27:05Dad
27:19Dad
27:21Dad
27:53Right, we're not actually going to do the flying thing again, are we?
28:10What? What are you doing here?
28:12I thought I'd come and watch.
28:14What are you doing here?
28:16Naughty girl.
28:17Do you mind if I...
28:19I'm here to find out who killed my husband.
28:25What's your excuse?
28:27Oh, is this part of your healing process?
28:30The police said it was suicide.
28:36I'm sorry for your loss.
28:39Joe couldn't slice cake, let alone his own risk.
28:41I was wrong about everything.
28:43I'm sorry, but your husband did kill himself.
28:45Listen, before you turned up, Joe's work was boring as fuck.
28:49It was dog theft, insurance fraud,
28:53sitting outside Didcote Parkway Travelodge
28:55waiting for some sweaty middle manager to finish shagging his au pair.
28:58It was nothing.
28:58Then you walked in, you said the name Dinah Singleton,
29:01and now he's dead and you're up on a roof.
29:03It's got nothing to do with me.
29:05Fine.
29:06Okay, you go back to your farrow and ball life,
29:09to your kimchi and your nutri-bullet and your bland,
29:12but undoubtedly tasteful scattered cushions,
29:13and you won't have to think twice about poor old Joe,
29:15who died because he was helping you.
29:17Why did you let yourself get so fucking small?
29:25What happened to the girl who came to Oxford actually wanting to fly?
29:30Well, you know, I've been thinking a bit about you too, Zoe.
29:36Where were you when your husband died?
29:44You've got a choice, Sarah.
29:46Sarah, you can chuck yourself off the roof,
29:49or you can help me give Joe's life a shred of dignity and mealy,
29:52or you can help me and then you can chuck yourself off the roof.
29:54I don't give a fuck, but make up your mind,
29:56because there's no point in hanging around here,
29:58confusing the gargoyles.
29:59God, does everything you say have to be, like, really horrible?
30:05No, you're right, I'm sorry.
30:07I'm sorry.
30:13You make your way down when you're ready to talk.
30:16Preferably by the stairs.
30:21It was chaos at the hospital.
30:22Oh, it's a hospital.
30:24Yeah, no, but I'm sure I saw a nurse put a child in the back of an SUV.
30:29And there was this businessman, Gerard, who I thought was involved somehow.
30:34Turns out he wasn't.
30:35What about this guy that you think is following you?
30:40What's he look like?
30:42Well, he's got a ponytail and a beard, drives a grey van.
30:47No more detail than that?
30:52Um, yeah, no, well, he's black.
30:55Yeah.
30:56Well, why not say that?
30:57I don't know, I just thought it was inappropriate.
31:02Fuck's sake, woman.
31:03I'm sorry, woman.
31:04Is that inappropriate?
31:08So, whoever killed Joe could be the man with the ponytail,
31:12could be somebody else.
31:14Probably planted the bomb as well.
31:16But why was Joe on their radar?
31:18What had he done to put him in danger?
31:20Because, no offence, but yours and Joe's investigations so far amount to pretty much fuck all.
31:24Wait, wait.
31:25So you think that house was deliberately blown up?
31:27Here.
31:31The gas had been shut off.
31:36Um, oh, I go, er, I go left here, so, er, um...
31:41Okay, well, I'll walk you home.
31:43Pick up a cab from there.
31:45Oh, thanks.
31:46It's not for the company.
31:48It's dangerous out there.
31:49Uh, well, this is me, so...
31:58No, it's...
32:00Okay.
32:03Oh.
32:05I got...
32:07He left this for you.
32:12Don't get emotional.
32:13It's just your invoice.
32:16Payable within 28 days.
32:18Joe might be dead.
32:20But the bailiffs aren't.
32:22I really am so sorry...
32:24About Joe.
32:26Me too.
32:31Actually...
32:32I need a piss.
32:35Could I...
32:35Yeah, yeah, yeah, of course.
32:45Shh.
32:45Bring us back to sleep.
32:46Don't you?
33:07What?
33:08Okay.
33:08Bye.
33:39Oh, that works.
33:48Oh, shit.
33:53Wait there, wait there.
33:55Oh, fuck.
33:58Wait, wait, wait, wait.
33:59Wait.
34:04Sorry, it's breaking.
34:06Yeah, no shit.
34:09Wait, hang on.
34:12I'll see you.
34:16Out.
34:17I'll see you.
34:47I'll see you.
35:17I'll see you.
35:24Message from your assistant.
35:26Did that toast do something to piss you off?
35:40Did that toast do something to piss you off?
35:47I really don't know why I'm upset.
35:48Oh, my God.
35:56I waited up for you.
35:58Your phone was off.
35:59I called wigwam.
36:00I almost called you a mum.
36:01I was this close to going to the police.
36:02Okay, okay.
36:06So, aren't you going to say sorry?
36:08Aren't you going to say sorry?
36:09Aren't you going to say sorry?
36:11For what?
36:13I found a dead body mark.
36:16I could have used a bit of support, but instead you just banged on about getting Paul Lynch and Scarf dry cleaned.
36:22You have one job.
36:24I bet you didn't even take you to the dry cleaners.
36:26Oh, my God.
36:27I'll wash the fucking thing myself.
36:29What are you doing?
36:33No, it's too late.
36:34It's too late.
36:35It's too late.
36:36It's too late.
36:37Now, Inchin pulled out of the deal.
36:43Good.
36:44I don't want you doing business with him.
36:46Clearly.
36:47I'm sorry.
36:48What does that mean?
36:50I gather you've been sniffing around the hospital asking questions because of your obsession with Dinah Singleton.
36:55No, it's not an obsession, actually.
36:57I just caught you looking at footage of the fucking explosion on my phone.
37:02Were you looking for her?
37:10Your weird fixation is probably why my actual grown-up deal has gone south.
37:14Grown-up?
37:15Yes, grown-up.
37:16It's real life.
37:17It's not like chasing after some imaginary kid.
37:20She's not imaginary!
37:22Okay, she's not the kid that I imagined her to be, but she's definitely not-
37:27What?
37:28You're not even making any sense!
37:29I'm just trying to look out for a really vulnerable kid, okay?
37:31Who nobody asked you to help!
37:33It's none of your business, Sarah.
37:36It's all projection.
37:38Just...
37:39Just...
37:41Just let it go.
37:43Like a normal person.
37:48Do you know what?
37:49I...
37:50I'm just gonna stay in London.
37:52Tonight.
37:57Get my assistant to put me into a hotel.
37:59Hi.
38:12I need to speak to someone.
38:14Uh...
38:15Anyone in charge?
38:16It's urgent.
38:17Mrs. Trafford.
38:18Can I help you?
38:19Oh, hi.
38:20Yeah, can I show you something?
38:22Come with me.
38:24You all right?
38:25You know, I just want you to take a look.
38:27Okay, so, um, the outer door was slightly open.
38:32I pushed the pane of glass.
38:35The scarf got caught on the doorknob.
38:39I pulled the scarf free.
38:41And I went through into the inner office.
38:43Uh, that's when I saw Joe.
38:46And you're certain you didn't go any further into the room?
38:49You didn't touch Mr. Seltman's body?
38:52I'm certain.
38:55I'm certain.
39:07The compromise is the result.
39:14Yeah, I need to get something sent to forensics.
39:16I don't know.
39:17You're right, I see you on the floor.
39:18I don't know.
39:20There's a lesson open.
39:21All right, sir.
39:23Sit down, everything you see.
39:24All right, sir.
39:26All right, sir.
39:27All right.
39:28All right.
39:29All right.
39:30All right, sir.
39:31We're gonna take you.
39:32All right.
39:33We're gonna take you.
39:34And this guy.
39:35Yeah, and they're gonna take you.
39:36And they're gonna take you,
39:37After all!
39:38All right, sir!
39:39We're gonna take you.
39:40All right, sir!
39:41Right, man!
39:42I'm on my lunch break.
40:01Oh, sorry.
40:02I expect you're knackered from your busy schedule of sitting in your SUV
40:05doing sweet, funny, nothing.
40:08It's poured you on.
40:09I want to know why I've just had a flag on the Silverman case.
40:12I thought you'd put the frighteners on.
40:15A certain person's busy sticking their beak in again.
40:20You might have to...
40:23take further steps.
40:26Oh, right.
40:28Don't do, mate.
40:30All right, fine.
40:31Send him in.
40:33But tell him to be discreet, plausible, domestic.
40:37I'm talking choking on a fishbowl.
40:41You'll stand up the nose hole with a nunchuck.
40:44Go for it.
40:48Oh!
40:50Go for it.
40:52Go for it.
40:54Go for it.
41:01Mark, you still here?
41:31Hello? Hello?
41:47Mark?
41:57Oh, God.
42:07Oh, God.
42:09Oh, God.
42:14Sarah?
42:30Oh, what the fuck? He's got the shit out of me.
42:33Sorry.
42:34I feel like we were just coming over to you.
42:36Mark Messer said you were all by yourself, wouldn't you?
42:38So we thought we'd just quickly pop some treats round.
42:41Look, we don't need to know anything about what's going on with you and Marky.
42:45That's your personal business.
42:47But if you wanted to tell us everything, you know, that's fine, too.
42:51There was a stranger in my house.
42:53God, I'm sure it must feel that way sometimes, but he...
42:56She doesn't mean Mark.
42:58What?
42:59Do you see what you look like?
43:01Uh, he went out through the back gate.
43:04You know what?
43:05Let's just get you back inside, yeah?
43:07Yeah.
43:08Yeah, come on.
43:13Hey.
43:14Come on, Sarah.
43:15It's all right.
43:16Hey, why don't we pop some of your business cards around here, Rufy?
43:20He can do anything.
43:21Locked drains, mulching.
43:24I mean, his skill set is phenomenal.
43:26Look, Pam.
43:27Oh, it's embarrassing.
43:29No, I'm just so proud of you.
43:31Captain Helpful, you're an asset.
43:35We've got to go and pick up the kids.
43:37Are you going to be all right from here, sir?
43:40Uh, yeah, yeah, yeah, yeah, I'll be fine.
43:43I could stay for a bit.
43:46Yeah, please.
43:47Yeah, just, just for a bit.
43:50That's...
43:51It's all right.
43:52Captain Helpful, rise again.
43:57Okay.
43:58Bye.
43:59Can you go in first?
44:01Yeah, yeah.
44:02Yeah, yeah, yeah.
44:03Yeah.
44:04Absolutely.
44:09Hello?
44:13It's all good.
44:16Take that?
44:17Yeah.
44:18Oh.
44:27Let's get you feeling safe, shall we?
44:30How about I check the locks?
44:33You make us some tea?
44:35Sounds great.
44:36Thanks, Rufus.
44:37Oh.
44:40The KT.
44:45A wigwam's always talking about how scary it is to be a woman on her own.
44:56How do you feel so defenseless?
44:58Yeah, it is frightening sometimes.
45:00The windows are fine, I'll check the back door.
45:03The back door.
45:13All done.
45:15Safe as houses.
45:17As it were.
45:19How about we say, fuck tea, and have a proper drink?
45:23Fuck tea?
45:24Fuck tea.
45:25Good of you to finally grace us.
45:26I'm sorry.
45:27I'm sorry.
45:28I'm sorry.
45:29I'm sorry.
45:30I've been very busy.
45:31I've been very busy.
45:32I wish you long life.
45:33Oh, what's worth living without my children?
45:35I'm sorry.
45:36I'm sorry.
45:37I'm sorry.
45:38I've been very busy.
45:40I wish you long life.
45:43Oh, what's worth living without my children?
45:46good of you to finally grace us i'm sorry i'm sorry i've been very busy
45:56i wish you long life oh what's worth living without my joey
46:03look at us we should be sitting shiver instead of telling stories everyone's asking questions
46:14when can we have the funeral i can't answer that i'm so sorry he wouldn't do this it's not in his
46:23character he's a happy person you didn't want to be married to him anymore and he knew that
46:30you have duties as this widow you can't ignore them with respect to nsi you have no idea the
46:44i've been nightmare i've been teaming without no no no what i mean so you must warn him
46:51not for him or for me but for you
46:56must have messed your mark up
47:01the thing with um what's his name joe yeah poor guy
47:12imagine me in such a bad way you do that
47:16i guess you never know what's going on with people
47:20yeah but rufus i don't think he killed himself
47:26wow okay
47:29you know why you hired him
47:31uh i'm sorry tarnagher
47:34we'll die in a singleton
47:35i think she's been taken
47:38i think she's out there somewhere in danger
47:42i think that someone blew up the house
47:45and i think they're trying to cover it up
47:47and i think they broke into joe's office
47:50they slit his wrists and they made it look like suicide
47:53i think that's quite a theory
47:56yeah i know
47:56like literally everyone thought i was fucking crazy
47:59until i went to the police today with cold hard proof
48:02oh yeah
48:03yeah
48:03joe's blood
48:06was on the doorknob
48:07it got on the scarf i was wearing
48:09the killer got careless
48:12gosh
48:14you're quite the little nancy dream
48:17go should we get some more wine
48:22hey uh
48:23i'll get it
48:25get one of mark's borullos
48:29he won't mind
48:30you all right
48:37hey i found this
48:39on the floor
48:40it looks important
48:42oh no it's just
48:44joe's invoice
48:45i'll get that fresh bottle
49:00rufus
49:05come in
49:19i'm gonna find the borullo
49:27he wrote me a note
49:29he was gonna drop the case
49:30on the upside
49:37i run a monthly board games night
49:39you're always welcome to join
49:42sometimes we play cludo
49:44he was such a nice man
49:48do you want me to
49:51please
49:51much as i'd like to pretend otherwise
50:02i'm a very ordinary p.i
50:04and this is shaping up to be
50:06a very extraordinary investigation
50:10if you do keep going
50:11have a look at whoever died
50:13in that explosion
50:14i've put in a freedom of information request
50:17about the singletons
50:18it might point you in the right direction
50:21fuck it actually worked something out
50:23i should call zoe
50:27can i have that
50:29letter
50:29oh uh are you all right
50:39do you want
50:40do you want some more wine
50:41i'm all right thanks
50:42don't want to drink too much
50:44might get careless
50:47you know
50:49leave blood on the doorknob
50:52okay rufus that's not funny
50:54it's not meant to be
50:57you know it was funny though
51:00the noise silverman made when he died
51:04like a little girl
51:05i had to put my fingers in his nose
51:09to shut him up
51:10while he bled out
51:10all over his lovely hardwood floors
51:12who are you
51:15you can still call me rufus
51:17but my real name's axel
51:19your friendly neighbourhood assassin
51:23where you planted the bomb
51:25and you know what
51:26it wasn't my best work
51:27the kid
51:30missy
51:32anyway
51:34i think it's about time
51:35you wrap this up
51:37no
51:37get the fuck away from me
51:39get the fuck away from me
51:39there
51:44no
51:45there
51:45there
51:48there
51:50you
51:54there
51:54is
51:55no
51:55it
51:56oh
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