- 19 phút trước
Mrs Playmen - Season 1 Episode 3
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07:59Ah, shit!
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08:48Not bad, I mean you're meticulous
09:08Thank you
09:10But work's over, or are you sleeping here now?
09:14No, I'll head out soon enough
09:16Flick off the lights
09:17Elsa, just wait
09:43What do you want?
09:44There's no more for us to say to each other
09:46No, you can still reconsider, I care about you
09:48We'll buy a nice apartment
09:50A real nice car
09:51You don't want to work if we're together
09:54The ring's pretty, huh?
09:59Paid quite a lot for it
10:00And now it's yours
10:02Just leave her, I'm gonna shout
10:07Go away!
10:11Is everything alright, miss?
10:15Miss, do you need any help?
10:17One day you'll realize you're making a huge mistake, Elsa
10:21I'm the man who truly loves you
10:24Ma'am, good evening
10:36Good evening, Camilla
10:37Where are the kids at now?
10:38In their rooms for the night
10:40Oh, Kiara didn't want her dinner
10:41Huh?
10:42Listen, watching your children is no trouble
10:44I just, I'm just not able to stay until nine at night
10:47Of course, I'm sorry
10:48I'm sorry
10:49Oh no, you're totally right
10:50Thanks again, good night
10:53Good night, ma'am
10:54Hey, sweetie
11:02How come you skipped dinner?
11:06Well, I just feel kind of bad eating without you
11:09And besides, I'm not hungry
11:11I eat cookies, so I'm full
11:12Sorry, sweet pea
11:13I work too late
11:14And papa
11:16It was just for a while you said
11:18He'd be here again soon
11:21How about this
11:24You get into bed really fast
11:26And then I'll come back and give you a goodnight kiss
11:28Hm?
11:30Okay
11:30I can see that you've turned into a true revolutionary
11:41Whereas you're a fascist who always just bursts in
11:43You look really good with your hairstyle like that, hun
11:45Alright
11:51I'm not sure you're a good guy
11:52I'm not sure you're a good guy
11:53I'm not sure you're a good guy
11:54I'm not sure you're a good guy
11:55Those guns ain't no fun
11:57To kill is no thrill
12:00No one likes to destroy
12:02You're gone out to beat them trapped
12:06Lorenzo
12:16Lorenzo
12:23Who's that man you're kissing?
12:25That's John Luca
12:27He studies at Sapienza
12:28And is a member of Platero Pariah
12:30We meet up every now and then
12:31Are you together?
12:32Lorenzo, we're both 16
12:35You wanna play house like sweethearts
12:37With a little ring too?
12:38I want a different kind of relationship
12:41Different? How so?
12:43Something free
12:56Can you pick me up at least?
12:57I'll try honey, I promise
13:01Morning Mrs. Boswell
13:02Morning
13:05Please
13:06How beautiful, are those for us?
13:08Your husband has planned festivities for today
13:11Momma, let's go please
13:12I'll go right to school tomorrow
13:13Please, please, let's go
13:14No
13:15You're going to school
13:16Tell my husband not to hold his breath
13:19Yes, I'll tell him ma'am
13:21Goodbye
13:28The script, Mrs. Bellini
13:29Thanks
13:30Three, two, one
13:33Good evening, viewers
13:35Welcome
13:36In a few minutes
13:37We will show you the tales of Father Brown
13:39The director of this television series is Leandro Castellan
13:44Listen, I was thinking
13:45If we can get Bellini to agree to do this
13:47Maybe we offer the shoot to Poggi
13:49Oh
13:50He's talented, right?
13:51And besides, we could always pay him less, right?
13:54As compared to Sarti, who charges so much
13:56Well, first we need to pull a yes out of Bellini
13:59But who knows?
14:01Of course
14:04Mrs. Bellini
14:05Yes?
14:06Reception told me there are visitors down in the lobby for you
14:08And they're from Playmen
14:10Uh, yes
14:11I remember that they had wanted to talk
14:12But I just can't imagine what it's about
14:14Well, what do you think they want?
14:22She wouldn't even meet with us
14:24It's a shame because it was an amazing idea
14:27Yes, but amazing ideas still have to be in the realm of somewhat practical
14:31She just doesn't have Saro's talent, you know?
14:33Like how he convinced Stephen Bardot
14:35And Saro could even convince the Pope, yes, I'm aware, Bianchi
14:39Anyhow, we still need something that can make the front page right away
14:42Yes, of course
14:43All right
14:46Don't let him bother you
14:47Well, actually, he's right
14:49I know that I have to convince people
14:51It's one of the utmost fundamentals of my work
14:53I'll get better
14:54I'll get better
14:55We're all under a bit of pressure right now
14:57And being as frenetic as we are isn't much help, I know
15:00Thanks for your support
15:01Original ideas deserve to be supported
15:03And frankly, being able to show all of Italy the central side of Signorina Buonasera
15:07Seemed like a really great idea to me
15:08But why speak in the past tense?
15:10Oh no, I'm not quitting
15:23Pretty, right?
15:24Seems to be a weird spot for spies
15:26Well, young lovers meet here
15:28That's why it's safe
15:29That's why it's safe
15:34So then, how was your day at work?
15:38They had me reorganizing invoices all day
15:40They owe money, a bunch of it, they're on the edge
15:43That's helpful, thanks
15:45That it?
15:46Now they want Emma Bellini to be the cover
15:49Wait, Signorina Buonasera?
15:51Showing her tits off, huh?
15:53What's so funny?
15:56No, sorry, it's just
15:58At the police station, we're all men, and
16:01Thank you for your hard work on this
16:04And the more information you share, the sooner you'll get your revenge on them
16:09No, look, I'm not out for revenge at all
16:11I just want the money like you promised, then I'm getting out of here
16:18What's been making you act this agitated?
16:20I told you, it's perfectly safe here
16:23It's, it's getting late, and I don't like walking home after dark
16:29I'll give you a ride and some company
16:31Then they'll see us together?
16:34Just let me, or I'll worry
16:40Okay, come on
16:42Sweetie, what should we call that doll?
16:44Julia
16:46Look at her clothes, look at her clothes
16:47She looks Russian to me
16:48So, how about Natasha?
16:50Yeah
16:51Natasha's nice, right?
16:52Mama, look, guess who's here?
16:53He came back home
16:57Dinner's almost ready?
16:58Oh, a maid was here, but I sent her away
17:00And I helped him cook dinner
17:02Yeah, she's been great, especially chopping potatoes
17:04I decided to let her use that really big knife we have
17:06And she ta-ta-ta-ta-ta-ta-ta-ta
17:08Just a joke
17:09Come on, honey, why don't you gather up all your new toys and take them to your room, okay?
17:12Or else no french fries tonight, alright?
17:15Go on
17:17Hi
17:19Tell me just once that you missed us and I'll smash you through the picture window, got it?
17:23It was you who threatened to jump not too long ago
17:25You ran the magazine not too long ago, things changed when you bailed
17:28Yes, and you've done a fantastic job like with that issue on the Casati couple
17:31Don't bother with compliments
17:32They're all true
17:33But why are you here? Do you want to get arrested?
17:36I would have risked life locked away in prison to see you and the kids today
17:38Of course
17:39Know what today is?
17:40No
17:42I wanted to reserve a suite at the Grand Hotel because it's our anniversary, but I
17:46Oh, but that might attract attention, huh?
17:48So instead you rented a Jaguar
17:50Who knows what you paid for it?
17:51But then I'm pinching pennies while you do that
17:52Hey, could we please put these silly problems to bed and celebrate something good, huh?
17:56Just for today? Can we try to do that?
17:58All done
17:59Can we eat now? I'm starving
18:00Yes
18:01And Lorenzo?
18:02I called him, but he said he won't come out
18:05He's an idiot and he's always angry
18:07It's normal at his age. It'll pass. Come on
18:15And here's your warm milk. Just how you like it
18:19Remember to drink it slowly though
18:23Spoiling her is easy since I'm the one who deals with it
18:26Exactly, so why only spoil her then?
18:34I got you something
18:35No
18:36No, it's a bad year to give me anything
18:38Besides I had to sell all your other presents
18:40No, I'd really appreciate it if you didn't sell this one
18:46Open it
18:47I signed the lease for the magazine's first offices with that
18:56And I used that pen to sign all of the other contracts, Bardo too
19:00I want you to use it when you sign Mrs. Bellini
19:03Remember how we convinced Miss Cardinale, huh?
19:07Her agent wouldn't even talk to me on the phone
19:10How do you know I want Bellini?
19:11Even though I was gone, I still would worry quite a lot about my life back here
19:18You mean the magazine, right?
19:24As of this moment, Playman is still open only because of you
19:29I just want to thank you
19:41What is it?
19:46Quit it
19:58Lorenzo?
20:00Can we talk?
20:06Lorenzo, let's talk, come out
20:08You've been in there the whole night
20:11Give me a chance to explain things
20:19I really love you
20:21You hear me?
20:41Did you talk to Lorenzo?
20:42Did you talk to Lorenzo?
20:51When we were still just kids
20:54And I argued with my father
20:56And he would beat me like always
21:01And I'd sneak out of the house to see you on the building's roof
21:03You were desperate
21:05But I had you, thank goodness
21:08You were the only one who could help me calm down
21:13And that rooftop sure saw a lot of action, didn't it?
21:20It sure did, yeah
21:22No matter the weather
21:23Yeah
21:24Come on
21:32No one gets me except you
21:35No one does
21:38Just the two of us
21:40The two of us
21:41The two of us
21:49Let's have another kid, huh?
21:54I... no, I...
21:56It's a bad idea, Saro
21:57That's true
21:59That's true, that's true, and it's because...
22:01What?
22:02Because the two of us, you...
22:04Our relationship, everything we have together
22:07It's not just sex, you know
22:09You and me are indestructible
22:11Then why are you the one who's always trying to destroy us?
22:12Just listen, okay?
22:14Listen
22:15Listen
22:16Are you still seeing that girl?
22:18There's no one else
22:19It's always been you, only you
22:21You better leave now
22:23Or the neighbors might call the police
22:25And they're not just sex
22:26You know
22:27You and me are indestructible
22:29Then why are you the one who's always trying to destroy us?
22:30Just listen, okay?
22:31Listen
22:33Are you still seeing that girl?
22:35There's no one else
22:36It's always been you, only you
22:38You better leave now
22:40Or the neighbors might call the police
22:42You better leave now
22:44Or the neighbors might call the police on us
22:55You're right
22:56Bye
22:57Seems he's taking off again, right?
23:13For the moment, it's best if he hides, otherwise he'll get arrested
23:16He always wins in the end, huh?
23:18You fall for his lies over and over again
23:20You're such an idiot
23:27Coming in then
23:44You wanted to talk?
23:45Yes
23:46You're with me today
23:47Rye's doorman told me where the elusive Miss Bellini stops for lunch
23:50Like clockwork
23:57Something wrong?
23:59A couple problems with my son
24:02You'll understand once you're a mother
24:05I don't think I want to be one
24:07How are you?
24:09How's the office so far?
24:11Lella told me she put you in charge of reorganizing the archive
24:15Yeah, and I sorted a bunch of invoices, seems like I've got a knack for it
24:19How'd they look?
24:20You want me to be honest?
24:22You must
24:23Well, it seems to me some expenses are phony
24:26Like there was ten million lira of stationery in a year
24:29Ten million?
24:30Seems a bit much for paper and pencils, right?
24:34Well, let's just focus on Mrs. Bellini for now
24:38Good morning, Mrs. Bellini
24:39Please, follow me
24:40Of course
24:42Here she is
24:43Right here, Mrs. Bellini
24:45Let me bring you the menu
24:54The Twilight of the Soul Woman
24:57I was so inspired after I watched that movie, it's great
25:00What was that one line again?
25:02There are two types of men, you know
25:04There are married ones
25:05And then faithful ones
25:07Yes
25:08Yes, that was actually one of very few lines that I had in the whole movie
25:10I'm afraid I had such a small part in it
25:12How come nobody else casts you in films?
25:14Well, it's because it probably meant that I wasn't big star material, I guess
25:18I was only good enough to read ads
25:19It's a complete waste, to be honest
25:22You're just so refined and cultured and sexy
25:26They treat you like a pretty statue instead
25:29All you playmen sharks just can't stop, can you?
25:32Well, because we don't want you to have to settle
25:35For the role that's been imposed onto you
25:38To be cast as a wife and homemaker, all of that
25:40But it pays its work, of course
25:42And I'm proud of all the work I do as a mother and a wife, too
25:45Absolutely
25:47That's why it's about demonstrating, even in traditional roles in society
25:51Women all have a strong and innate erotic sway
25:53They don't have to hide
25:55And I think you have enormous potential
25:58You know why I'm such a cherished woman to the public?
26:01Most people love me because they show me as a pretty little statue
26:05There's a lot more to you than some statue
26:07Yes, I know that
26:09But if I decide to appear naked on your front page
26:12It would undoubtedly sabotage my career
26:13No, quite the opposite
26:15If you'll excuse me, I'm eating my lunch
26:17Here you go
26:19Thank you
26:23Well...
26:25We made a great team today, even though she didn't bite in the end
26:29But it's not over yet
26:31What matters is betting on the right horse
26:33She didn't say no
26:35Mrs. Balsaman, Sarti has accepted work elsewhere
26:38You can think about it
26:40Just little things about to go on
26:42We'd better get off the ship
26:44Here's the list you asked me for
26:45And they will bury us in gold
26:47Sarti, what the...
26:48Yes, sorry, ma'am
26:49I would have liked to have told you this personally myself
26:51But in this office, news always just...
26:52Is it playboy?
26:53It is, but no hard feelings
26:55Good luck
26:56Bianca, you leaving?
26:58I'll stay on
26:59Lela, is Chartreau in his office?
27:03Yeah, I can be there, trust me
27:05In front of the Mexican Embassy?
27:06Yeah, I know where it is
27:08I'm sorry, but the key is where?
27:12Uh, sorry, I gotta go, I can't...
27:15Yeah, yeah, I'll explain later
27:17Planning to desert us?
27:19It just seems like everyone's running away
27:21Oh, don't worry, I'm not planning on running from this
27:23Great, that's good to hear
27:24Alright, to start off, can you get to work reassigning all of Sarti's top projects to Poji?
27:30Huh, happy to
27:33Do you have an appointment?
27:39Be back
27:46Elsa
27:47Yes?
27:51You need to follow Chartreau
27:52Why?
27:53Because I said so
27:58Your wife was there, I couldn't go into your office
28:00What key are you talking about?
28:02Well, it may not open the gates of paradise, no
28:05But it'll help me hold out longer
28:07Once it settles down a bit here and it's safe to return
28:10We launch the magazine again
28:12The two of us
28:16Look, Mrs. Balsamo has a handle on this
28:19And she has good ideas, too
28:20Some good ideas
28:23Good ideas won't be enough to fend off Playboy, you know that
28:26And Adelina's very intelligent, yes, but I've got ideas, too
28:31Like pornography?
28:33Well...
28:35You mortalist now, or what?
28:37No, no, no, for me it's a question of aesthetics, never of morals
28:40Aesthetics?
28:42Well, of course
28:44It's fine, let's mull it over
28:46Listen, uh...
28:48Bring me that key, huh?
28:49Alright
28:50Well, Sarte leaving really paved the way for it, but still, regardless, his job is yours
29:10Thank you
29:11Okay, okay, that's enough
29:13Okay, okay, that's enough
29:29Mr. Chartreux
29:30Hit me
29:31Mrs. Balsamo is waiting for you
29:34What a mess, look at my hands
29:39Yes, what is it?
29:42Oh, yes, come in
29:43Yes, come in
29:50You're fired, Chartreux
29:53Why am I fired?
29:54Disloyalty
29:56I saw it clearly
29:58When you secretly consulted with Saro
30:06It's not my intention to deceive you, ma'am
30:08Sure seems like it
30:13In your bottom drawer there's a key at the back
30:22It opens a safety deposit box where your husband kept a slush fund
30:25So that's where he stuffed the stationary money, huh?
30:28I assume you knew?
30:29I kept in contact with Saro, that's true, but the safety deposit key was a complete shock to me
30:34I agree with you, the magazine needs that money
30:38I'm not happy that Saro's been transforming, playmen
30:40In any case, this is no longer your problem
30:42In any case, this is no longer your problem
31:10You have a visitor, Mr. Rossetti
31:13Hi
31:17This a bad time, or?
31:19Well, recently, good times
31:21I haven't had many
31:23How about this to cheer you up?
31:25With the bank's reach, I found a holding company to acquire playmen
31:28The move now
31:30They'll pay you very well
31:31Wow, that was really fast
31:33If you ask me, you should take the offer
31:36The deal's only on the table until Playboy destroys you
31:39Nobody knows for sure who'll come out on top
31:41Adelina, you tried every possible solution, all without Saro
31:45But this is Playboy
31:47And Rizzoli
31:48You'll find the total down at the end
32:06Consider it
32:08Just be quick, okay?
32:09Your opinion?
32:15Your opinion?
32:22When someone's willing to gamble this kind of cash on a has-been, it always spells scam artist
32:27Ha
32:37Yeah, alright, come on there
32:39And you're sure it's not bigamy?
32:41Come on, please, I beg you
32:42I said I handled all of that, didn't I?
32:44It's what lawyers are for, okay?
32:46And I pay them, so stop worrying, tell her
32:48Cotswelo, try not to worry about anything
32:50I had the church confirm
32:51And they're sure that this previous marriage is getting completely nullified soon
32:54The church says so
32:55And we sell it right now instead, huh?
32:58Thank you
33:00Margarita, here
33:05What's with the show? Can't we sign the damn thing and be done?
33:08Let me first advise you to take off your old ring, or the show will turn into a farce instead
33:13You wanna get extradited?
33:15Hmm?
33:16Do you wanna get extradited then? Huh?
33:18No, no, no, no, no, no
33:20If you don't wanna get extradited, then you gotta turn into a Mexican citizen
33:23I'm getting the picture
33:24Yeah, I know
33:25Just look at Consuelo, huh? She's so happy right now
33:28To all the dear friends present here, we've been gathered today for the union of this man and this woman in matrimony
33:36Balsamo Rosario
33:38Do you take this woman to be your wedded wife?
33:42To live together in marriage?
33:45To love her, comfort her, and care for her?
33:48In sickness and in health?
33:51Being faithful only to her for as long as you both shall live?
33:54As long as you both shall live?
34:01Yes, I do
34:02Thank you
34:12Mrs. Bellini, we're almost on air, we're late
34:15I can go, I can go, one second
34:17Three, two, one
34:19Hello again viewers, welcome
34:22The soccer game you watched was between Italy and Hungary
34:25Bye for now viewers, all our programs are... are completed
34:29Good night
34:32What was shown?
34:33All of it
34:41Mrs. Bellini, morning Lella
34:43So I checked at the Chamber of Commerce just like you wanted
34:46But the financiers Roseffi found have offices in London but are American
34:50Roseffi tried to get away with the double-cross
34:53He's working for Playboy
34:55Call him
34:57To play the guy
34:58To take the deal
34:59My mother slaps me around but still submits to my father
35:15I would never have guessed it
35:17I mean she acts so strong and determined
35:21It's all just an act
35:23She's become such a doormat now
35:26What about your father?
35:28You never mention him
35:30You don't have any photos together
35:32I don't really know my father
35:34I did see him once but at a distance
35:37He was with his kids, the real ones
35:43They kept quiet and just left
35:46He was already married when he cheated with my mother
35:52She got pregnant and then he left her
35:54But still
35:58She puts it like
36:00It's much better to keep the number of dicks down around here
36:05So you and I won't be getting married
36:19Fuck that happy couple shit
36:20Yes, what is it?
36:21I had five million total spectators see me live when my top fell down the other day
36:27Everyone at Rai is mad enough to kill me now
36:29You came over to take refuge here in my office, huh?
36:30Look at this
36:31Just let me find it quick because there are, there are really so many
36:34Ah, here's one
36:36We're airmen who are stationed at Caserta
36:37But we nearly dropped dead
36:38You're so gorgeous
36:39And I have one from a woman
36:40Wait while I dig it out of here
36:41This one here
36:42Listen
36:43Listen
36:44Bless you miss, glad you're human
36:45With an exclamation mark
36:46That evening a friend of mine called me with a story about how her daughter saw it
36:50And yelled out
36:51Look mama, it's Emma
36:52And her balloons bounced out of her shirt
36:53How silly
36:54I've gotten so used to just being a type of pretty statue
36:55A statue that only recites her lines with a perfect accent and diction that doesn't
36:57Doesn't experience emotions or have a body
36:58You know what?
36:59I'm scared someone might be able to do this
37:00And I have one from a woman
37:01And I have one from a woman
37:02Wait while I dig it out of here
37:03This one here
37:04Listen
37:05Bless you miss, glad you're human
37:06With an exclamation mark
37:07That evening a friend of mine called me with a story about how her daughter saw it
37:10And yelled out
37:11Look mama, it's Emma
37:12And her balloons bounced out of her shirt
37:13How silly
37:15I've gotten so used to just being a type of pretty statue
37:18A statue that only recites her lines with a perfect accent and diction that doesn't
37:22Doesn't experience emotions or have a body
37:25You know what?
37:26I'm scared someone might notice I sweat
37:28But you're right
37:29Audiences are starting to change
37:31Everyone was actually thrilled to find out the statue was just a human being
37:35So I'll be your model then
37:38But it's also for me
37:40Because I want to feel proud of the woman who I really am
37:43For once at least
37:44I want to show them my real self
37:47But what if the folks on national television get angry with you?
37:50They can fuck right off
37:53So the contract has arrived
37:58Thanks
37:59We no longer depend upon anyone
38:07We have new financial resources at our disposal
38:12And we're free to begin a brand new chapter
38:15We will no longer be known as Sado Balsamo Editorial
38:18But Tati del Editorial
38:20Congratulations my treasure
38:22I've got yours
38:23I've got yours
38:24All 90 million
38:25And it's just what I needed to silence the bankers
38:27Adelina without that I'll be arrested
38:31And yes
38:32The new playman is going to strip the woman most beloved by all Italians
38:36Signorina Buonasera
38:37It features an interview
38:39Asking who she is
38:40Asking what her ambitions are
38:42And what she desires
38:44Because we want to prove to everyone that Mrs. Emma Bellini
38:47Is a beautiful, intelligent woman but also a modern woman
38:51Beyond her role as Signorina Buonasera
38:53I'll still pay you monthly
38:55Of course this allowance isn't enough to find your vices
38:58So be prudent my dear
38:59But if you dare call even the lowliest of our typographers
39:02Then it stops there
39:03The women at Playmen are
39:04They're hot, refined, intangible
39:06Just like Mrs. Bellini
39:07The models that have their favors
39:09They look almost like plastic Barbies
39:11But then again
39:12Men in America are a bit childish
39:13And prefer voluptuous girls
39:15Seems she went nuts
39:16No, I don't think so
39:17Nothing, but
39:18So now what, is it a feminist drag?
39:19No, it's an erotic one
39:20In my conception of eroticism
39:22Women with their own desires
39:24And the right to enjoy their own pleasure
39:27Our protagonist, just as much as any of you men
39:29Without me
39:30Playboy will smash you flat
39:31Mm-hmm
39:32Hello
39:33Mrs. Bolsonaro, Mrs. Bolsonaro, let's go this way, Mrs. Bolsonaro
39:49I would have thought this party was for employees only
39:52Is this a type of punishment?
39:53No, I'm re-employing you
39:55I want you to serve as our editor-in-chief
39:57So that next time they can arrest you for a night in jail
40:01May I ask you why you changed your mind?
40:03Because nobody's better
40:05And because you know the trade
40:07And because I'm sure you can help us grow and launch a new magazine
40:09I want us to write articles that can address any topics that are taboo
40:12Things like male contraception
40:14The swinger lifestyle
40:15And problems getting arrept
40:17The transsexuals around the city
40:19And homosexuality
40:20This seems to be a pretty ambitious goal
40:22And I want to make changes in the editorial staff too
40:25What's the plan on that front?
40:29Bianchi
40:30He's out of here tomorrow
40:34Who will fill his old position then?
40:36I will
40:37With the help of Elsa
40:38She has an aptitude for numbers, looks like
40:40Huh
40:42And may I just say this?
40:43Please
40:44Paji is brilliant
40:45He can make it even without you paving the way
40:48No
40:50So then, when am I going to be a cover model?
40:52Once you're working as an announcer for Rai
40:53But I want something more
40:54I want to be the host on Consonissima
40:56Will you help me?
40:57One thing at a time
40:58But we'll see, right?
40:59Hmm
41:00Which thing to begin with?
41:06Keep me posted
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